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APPLAUSE | 0:00:23 | 0:00:26 | |
Good evening, good evening, good evening, good evening | 0:00:31 | 0:00:34 | |
and welcome to QI, the show that knows that it knows nothing. | 0:00:34 | 0:00:38 | |
Tonight is a litter of landmarks, learning and larceny. | 0:00:38 | 0:00:41 | |
And joining me are, the larksome David Mitchell. | 0:00:41 | 0:00:44 | |
APPLAUSE | 0:00:44 | 0:00:46 | |
The laudable Colin Lane. | 0:00:48 | 0:00:50 | |
APPLAUSE | 0:00:50 | 0:00:52 | |
The ladylike Jo Brand. | 0:00:54 | 0:00:56 | |
APPLAUSE | 0:00:56 | 0:00:59 | |
And the live-in, Alan Davies. | 0:00:59 | 0:01:02 | |
APPLAUSE | 0:01:02 | 0:01:06 | |
So let's hear their buzzers. David goes... | 0:01:06 | 0:01:09 | |
GALLOPING AND GUNFIRE | 0:01:09 | 0:01:13 | |
Oh. And Colin goes.... | 0:01:14 | 0:01:16 | |
WHISTLING | 0:01:16 | 0:01:18 | |
CRASH | 0:01:18 | 0:01:20 | |
Oh, very larky. And Jo goes... | 0:01:20 | 0:01:22 | |
BOING, BOING, BOING | 0:01:22 | 0:01:24 | |
SPLASHING | 0:01:24 | 0:01:26 | |
And Alan goes... | 0:01:26 | 0:01:28 | |
SAWING | 0:01:28 | 0:01:30 | |
SAWING CONTINUES | 0:01:38 | 0:01:40 | |
SAWING STOPS | 0:01:50 | 0:01:52 | |
LAUGHTER | 0:01:52 | 0:01:54 | |
That's it, good. | 0:01:57 | 0:01:58 | |
Well, if you've enjoyed QI, do tune in again next week. | 0:01:59 | 0:02:03 | |
But don't forget that you have Spend A Penny cards. | 0:02:04 | 0:02:07 | |
There is almost certainly... | 0:02:07 | 0:02:09 | |
MUSIC PLAYS | 0:02:09 | 0:02:11 | |
TOILET FLUSHES | 0:02:11 | 0:02:14 | |
..going to be a question that is lavatorial. | 0:02:14 | 0:02:16 | |
And if you Spend A Penny when I ask the question, you get extra points. | 0:02:16 | 0:02:20 | |
What about if we actually want to go during the recording? | 0:02:20 | 0:02:23 | |
Well, you should find a little bottle and funnel underneath. | 0:02:25 | 0:02:28 | |
Anyway. Now, last question first. | 0:02:28 | 0:02:30 | |
Why don't you do some of the work for a change? | 0:02:30 | 0:02:33 | |
You can talk about one of two things. | 0:02:33 | 0:02:35 | |
What about the death of the last American Civil War pensioner, | 0:02:35 | 0:02:37 | |
or the last thing you'd like to see on the London Underground? | 0:02:37 | 0:02:41 | |
Choose. | 0:02:41 | 0:02:43 | |
Jo? | 0:02:43 | 0:02:45 | |
The last thing I'd like to see on the Underground is a dying | 0:02:45 | 0:02:48 | |
American Civil War. | 0:02:48 | 0:02:50 | |
Well, that would, that would put it all into one, wouldn't it? | 0:02:50 | 0:02:53 | |
Yes. Just trying to make it easy. | 0:02:53 | 0:02:55 | |
A dying American Civil War, or a dying American Civil War pensioner? | 0:02:55 | 0:02:59 | |
No, a dying American Civil War... pensioner. | 0:02:59 | 0:03:02 | |
Yeah, all right, fair enough. | 0:03:02 | 0:03:04 | |
If you can give me a date as to when you will be able to see | 0:03:04 | 0:03:07 | |
-the last pensioner from the American Civil War. -Well, it was in the 1860s. | 0:03:07 | 0:03:10 | |
-Well, it finished in 1865, didn't it, the American Civil War? -Correct. | 0:03:10 | 0:03:13 | |
-I'll give you a point for knowing the date of the end of the Civil War. -Do I? | 0:03:13 | 0:03:16 | |
-Yeah. -So, more than 100. | 0:03:16 | 0:03:18 | |
And a lady as well! Ooh. | 0:03:19 | 0:03:22 | |
More than 100 years after that is unlikely, so I'm going 1962. | 0:03:22 | 0:03:27 | |
Well, that's not correct. | 0:03:27 | 0:03:29 | |
That's very... Because that was... He'd have to have been | 0:03:29 | 0:03:33 | |
a toddler during the American Civil War, and... | 0:03:33 | 0:03:36 | |
He might be 115, I'm thinking. | 0:03:36 | 0:03:38 | |
Well, we're talking about pensioners, not veterans. | 0:03:38 | 0:03:40 | |
The last veteran to die, amazingly, died in 1956, aged 109. | 0:03:40 | 0:03:46 | |
-There he is, Woolson his name was. -And there's the toddler. | 0:03:46 | 0:03:51 | |
And there is a great-great-great-grandchild, | 0:03:51 | 0:03:53 | |
I'd imagine. A lot of them did live well into the 20th century, | 0:03:53 | 0:03:56 | |
because they were teenagers during the war. | 0:03:56 | 0:03:58 | |
So he was the last veteran to die. | 0:03:58 | 0:04:00 | |
But pensioners could have received a pension from the United States Government, | 0:04:00 | 0:04:04 | |
because of their fathers they would still get a pension. | 0:04:04 | 0:04:08 | |
So it might still be ongoing then. | 0:04:08 | 0:04:09 | |
Well, that's the answer. Still alive. | 0:04:09 | 0:04:13 | |
And here tonight! | 0:04:13 | 0:04:15 | |
If only we could say that. | 0:04:15 | 0:04:16 | |
Yee-ha! | 0:04:16 | 0:04:19 | |
It's only 876 a year, but it's still a pension. | 0:04:20 | 0:04:24 | |
And the last widow of a Civil War soldier died in 2008. | 0:04:24 | 0:04:28 | |
-Wow. -The last widow of a soldier. | 0:04:28 | 0:04:31 | |
-Yeah. In 1934, Maudie Hopkins... -Shut the front door. | 0:04:31 | 0:04:34 | |
..married an 86-year-old veteran, called William Cantrell, | 0:04:34 | 0:04:38 | |
who had fought as a teenager. | 0:04:38 | 0:04:39 | |
How old was Maudie Hopkins? | 0:04:39 | 0:04:42 | |
Well, she was pretty old when she died, but um... | 0:04:42 | 0:04:44 | |
-No, when she got married. -Oh, she was young. Very young. | 0:04:44 | 0:04:47 | |
-Really? -Yeah. -She was a toddler. | 0:04:47 | 0:04:50 | |
Alberta Martin, who died in 2004, she married aged 21, in 1927, | 0:04:53 | 0:04:58 | |
an 81-year-old Confederate veteran, who died in 1931. | 0:04:58 | 0:05:02 | |
She then married his grandson. | 0:05:02 | 0:05:04 | |
That's rather peculiar, isn't it, to marry the grandson of your husband? | 0:05:04 | 0:05:07 | |
How would you feel if you were the son, though? | 0:05:07 | 0:05:10 | |
Yeah, you'd feel cut out, exactly. | 0:05:10 | 0:05:12 | |
-She skipped a generation. -I know. | 0:05:12 | 0:05:14 | |
-She was 21 and she married... -Yes, step-grandson. -I see. | 0:05:14 | 0:05:18 | |
It would be odd if she married her own grandson. | 0:05:18 | 0:05:20 | |
Right. OK. | 0:05:20 | 0:05:23 | |
So pretty surprising that these things can be that close. | 0:05:23 | 0:05:27 | |
On a TV show once in England, I sat two spots away from Alan Davies. | 0:05:27 | 0:05:31 | |
-God! -Yeah. | 0:05:31 | 0:05:33 | |
-That's a connection that you're going to boast about in years to come, isn't it? -Yeah. | 0:05:33 | 0:05:36 | |
It's pretty incredible. | 0:05:36 | 0:05:38 | |
And he played with his pen for the whole programme. | 0:05:38 | 0:05:41 | |
-I can't get it off. -Oh, dear. Yeah. | 0:05:47 | 0:05:49 | |
So, that's the Civil War answer, the last pensioner who's still alive. | 0:05:49 | 0:05:52 | |
What about, now the London Underground? | 0:05:52 | 0:05:55 | |
There was something, which is pretty grisly, that I imagine | 0:05:55 | 0:05:58 | |
if you're a decent person wouldn't want to see, | 0:05:58 | 0:06:00 | |
but which was seen by people who travelled on the Underground. | 0:06:00 | 0:06:03 | |
It was the last of its kind to happen in Great Britain. | 0:06:03 | 0:06:05 | |
And it's quite odd to imagine something relatively | 0:06:05 | 0:06:09 | |
modern like an Underground system overlapping with this. | 0:06:09 | 0:06:12 | |
-Somebody not looking at their phone. -No, no. | 0:06:12 | 0:06:16 | |
2,000 people turned up to watch this event and many of them went by Tube. | 0:06:16 | 0:06:20 | |
-Oh, a public execution. -Was it a hanging? | 0:06:20 | 0:06:22 | |
It was a public execution, the last ever public execution in Britain. | 0:06:22 | 0:06:25 | |
-Well, let's say, you know, the most recent. -Yes. | 0:06:25 | 0:06:29 | |
-We live in dark times. -We do. They may well return. -Yeah. | 0:06:29 | 0:06:33 | |
Well, this one was in Newgate, which is now the Old Bailey, essentially. | 0:06:33 | 0:06:37 | |
The Old Bailey is built on the ruins | 0:06:37 | 0:06:39 | |
and the old cellars of Newgate are still there. | 0:06:39 | 0:06:42 | |
And the walk that the dead man used to have to take, | 0:06:42 | 0:06:44 | |
through archways of diminishing size. | 0:06:44 | 0:06:46 | |
And there would be baying and crying outside, | 0:06:46 | 0:06:49 | |
and then he'd go across and there'd be a little patch of blue sky, | 0:06:49 | 0:06:52 | |
and then he'd ascend the steps and then the rope would be straight around him. | 0:06:52 | 0:06:56 | |
And he was a Fenian, an Irish nationalist. | 0:06:56 | 0:06:59 | |
He was called Michael Barrett. | 0:06:59 | 0:07:01 | |
Many people believed he was actually innocent. | 0:07:01 | 0:07:03 | |
A bomb was placed outside Clerkenwell Prison | 0:07:03 | 0:07:05 | |
in order to blow a hole in it to free a Fenian prisoner. | 0:07:05 | 0:07:08 | |
So it was probably a Fenian who did it and presumably a gang. | 0:07:08 | 0:07:12 | |
He was the only one arrested and hanged, | 0:07:12 | 0:07:14 | |
but on very slender evidence. | 0:07:14 | 0:07:16 | |
But I think the fact of the matter is, you know, | 0:07:16 | 0:07:19 | |
if hanging came back again, you'd get thousands of people going to watch it. | 0:07:19 | 0:07:23 | |
It would be like a football match, wouldn't it? | 0:07:23 | 0:07:25 | |
-Of course. If it was open to the public. -It would go viral. | 0:07:25 | 0:07:28 | |
I don't think it's going to be that long before they have hanging on Big Brother. | 0:07:28 | 0:07:32 | |
Well there you are, | 0:07:32 | 0:07:34 | |
the death of the last American Civil War pensioner is unusual | 0:07:34 | 0:07:37 | |
because it hasn't yet happened, at least at time of going to press. | 0:07:37 | 0:07:40 | |
And the last thing you'd probably want to go | 0:07:40 | 0:07:42 | |
and see on the London Underground was the last public hanging. | 0:07:42 | 0:07:45 | |
Now we move on to L for larceny. | 0:07:45 | 0:07:46 | |
Would you rather get an e-mail from a Spanish prisoner | 0:07:46 | 0:07:49 | |
or a Nigerian Prince? | 0:07:49 | 0:07:51 | |
Well... | 0:07:54 | 0:07:55 | |
CRASHING | 0:07:55 | 0:07:58 | |
-A Nigerian Prince. -Why is that, please, pray? | 0:07:58 | 0:08:02 | |
-What? -Why is that, please? | 0:08:02 | 0:08:03 | |
-I have no reason. I... -Oh, I see. | 0:08:05 | 0:08:08 | |
-I'm using the 50/50 rule. -Oh, fair enough. -Yes, yes. | 0:08:08 | 0:08:10 | |
I mean, they're both pretty bad options, to be honest. | 0:08:10 | 0:08:13 | |
Yes, can you trust a Nigerian Prince? | 0:08:13 | 0:08:15 | |
Have you never had one of those e-mails? | 0:08:15 | 0:08:17 | |
No, no, actually I don't. No. | 0:08:17 | 0:08:19 | |
Of course Australian internet connection is so slow you probably don't even get e-mails. | 0:08:19 | 0:08:23 | |
You certainly can't... | 0:08:23 | 0:08:25 | |
You certainly can't download movies or anything. | 0:08:25 | 0:08:27 | |
No, look, I mean I love the country. It's not your fault. | 0:08:27 | 0:08:31 | |
LAUGHTER AND APPLAUSE | 0:08:31 | 0:08:33 | |
-Listen, Colin... -He's only going over there | 0:08:39 | 0:08:41 | |
because that's the only place he can get Wi-Fi. | 0:08:41 | 0:08:44 | |
It's not your fault. | 0:08:44 | 0:08:46 | |
I love the country, but I do love so much to hang shit on it... | 0:08:46 | 0:08:50 | |
as much as I possibly can. | 0:08:50 | 0:08:52 | |
BUZZER | 0:08:52 | 0:08:53 | |
Yeah? | 0:08:53 | 0:08:55 | |
I had a letter from a Nigerian person and it said, | 0:08:55 | 0:08:59 | |
-ring this number and the number was in Spain, so what about that? -Ah. | 0:08:59 | 0:09:03 | |
And it went to a house where I no longer lived, | 0:09:03 | 0:09:07 | |
addressed to the person who owned it before I owned it. | 0:09:07 | 0:09:10 | |
That's pretty weird. | 0:09:10 | 0:09:12 | |
Saying, you have won four million euros, or something like this. | 0:09:12 | 0:09:14 | |
Ring this number. | 0:09:14 | 0:09:16 | |
-So I rang the number and I said... -Why did you ring the number? | 0:09:16 | 0:09:19 | |
Because, you know, what if it was true? | 0:09:20 | 0:09:22 | |
LAUGHTER | 0:09:22 | 0:09:24 | |
I said, "I just wanted you to know | 0:09:25 | 0:09:28 | |
"that the person you've sent this to doesn't live here any more. | 0:09:28 | 0:09:31 | |
-"I don't know where he lives." -And how did they respond? | 0:09:31 | 0:09:34 | |
They said, "According to the terms of the win, | 0:09:34 | 0:09:36 | |
"the winnings can be passed on to the next owner of the house." | 0:09:36 | 0:09:41 | |
So I said, "Oh, well, that would be me." | 0:09:43 | 0:09:45 | |
-I said, "This is, this is beginning to sound like a scam." -Did you? | 0:09:45 | 0:09:50 | |
And then he said, in a really thick Nigerian accent, | 0:09:50 | 0:09:53 | |
in feigned indignation, how dare I suggest such a thing. | 0:09:53 | 0:09:59 | |
And I said, "Well, then send me four million euros forthwith." | 0:09:59 | 0:10:02 | |
And he said, "Well I'll need your bank account details." | 0:10:02 | 0:10:05 | |
-"I don't think so, sonny Jim," and that was the end of that. -Yeah. | 0:10:05 | 0:10:08 | |
Though some people do actually string them along, | 0:10:08 | 0:10:11 | |
they're called 419 baiters. | 0:10:11 | 0:10:12 | |
You bait them by pretending that you're really interested | 0:10:12 | 0:10:15 | |
and you waste their time. | 0:10:15 | 0:10:17 | |
And it's called 419, does anyone know the reason why 419 | 0:10:17 | 0:10:19 | |
is attached to it? | 0:10:19 | 0:10:20 | |
CRASHING | 0:10:20 | 0:10:22 | |
No. | 0:10:22 | 0:10:24 | |
It's because under the penal code of Nigeria, | 0:10:26 | 0:10:28 | |
419 covers that type of fraud. | 0:10:28 | 0:10:30 | |
The penal code of Nigeria! | 0:10:30 | 0:10:32 | |
All right, OK. | 0:10:32 | 0:10:34 | |
Now, now, now. | 0:10:34 | 0:10:35 | |
You see what I love about those scams is the enormous sums of money, you know, | 0:10:36 | 0:10:41 | |
they don't just put like six grand, | 0:10:41 | 0:10:43 | |
-which most people, let's be honest, might be quite pleased with. -Yes. | 0:10:43 | 0:10:47 | |
-But they put sort of 500,000 billion. -Yes. | 0:10:47 | 0:10:52 | |
And so the thing is, like you know, that really cuts, | 0:10:52 | 0:10:55 | |
-I'm just giving them some advice here... -Yes. | 0:10:55 | 0:10:57 | |
That completely cuts down the number of people who will believe | 0:10:57 | 0:11:00 | |
-something like that. -Yeah. | 0:11:00 | 0:11:02 | |
Well, unfortunately, they, like all con artists, prey on the most | 0:11:02 | 0:11:06 | |
weak and the most vulnerable, and of course, I suppose, the most greedy. | 0:11:06 | 0:11:10 | |
There's an old rule in conning, in grifting, | 0:11:10 | 0:11:13 | |
is that you can never con someone who isn't greedy. | 0:11:13 | 0:11:16 | |
You know, all the great cons require people to want money. | 0:11:16 | 0:11:19 | |
Can I just point out, I was not conned. | 0:11:19 | 0:11:20 | |
-No, you weren't conned. -I was just curious to see who this person was. | 0:11:20 | 0:11:24 | |
-I wasn't referring to you. -I thought I might get some material out of it. | 0:11:24 | 0:11:27 | |
-Yeah. But... -But the only way I could make it funny was by doing | 0:11:27 | 0:11:30 | |
an appalling Nigerian accent, which is apparently racist. | 0:11:30 | 0:11:33 | |
-ADOPTS ACCENT: -And that would be inappropriate. | 0:11:33 | 0:11:36 | |
This you must not do. That wasn't it, for example. | 0:11:36 | 0:11:39 | |
-Yeah. And I can't do that. -No. | 0:11:39 | 0:11:40 | |
One of the things Nigerians do, which is very pleasing, | 0:11:40 | 0:11:43 | |
is they put the stress in very odd places on English words. | 0:11:43 | 0:11:47 | |
So "I am not in that cat-EG-ory," | 0:11:47 | 0:11:48 | |
they will say, and things like that, which I find very endearing, | 0:11:48 | 0:11:51 | |
and I hope that's not patronising, it's not meant to be. | 0:11:51 | 0:11:54 | |
-Er, but they... -It is. | 0:11:54 | 0:11:55 | |
-They use, deliberately... -Australia, Nigeria... | 0:11:55 | 0:11:59 | |
I'm patronising to everyone in equal measure, I assure you, Colin. | 0:12:01 | 0:12:04 | |
Excellent, excellent. That makes me feel so much better. | 0:12:04 | 0:12:08 | |
-ADOPTS ACCENT: -What we just sent is, is a scam. -So... Nice one. | 0:12:08 | 0:12:11 | |
Things like that. | 0:12:11 | 0:12:13 | |
They deliberately use spelling mistakes and bad grammar. | 0:12:13 | 0:12:16 | |
Why would they do that? | 0:12:16 | 0:12:17 | |
To attract Australians. | 0:12:17 | 0:12:19 | |
You are basically right. | 0:12:19 | 0:12:21 | |
LAUGHTER AND APPLAUSE | 0:12:21 | 0:12:23 | |
You got it. | 0:12:23 | 0:12:25 | |
Ah now then! | 0:12:29 | 0:12:31 | |
That's my one! | 0:12:31 | 0:12:34 | |
No, you can't touch it. | 0:12:34 | 0:12:35 | |
Ah, ah, ah, ah, ah! | 0:12:35 | 0:12:37 | |
-See. -We already know what Australians are like at losing, | 0:12:37 | 0:12:40 | |
we've known three times out of four. | 0:12:40 | 0:12:42 | |
APPLAUSE | 0:12:42 | 0:12:45 | |
-Colin's possessions. -Yeah. | 0:12:48 | 0:12:49 | |
What's the most recent result, though? | 0:12:49 | 0:12:51 | |
-The most recent... Three out of four we'll take. -Yes. Yes. | 0:12:51 | 0:12:54 | |
But the reason, sadly, that they tend to use deliberately bad grammar | 0:12:54 | 0:12:57 | |
and spelling is to get rid of people who will spot it | 0:12:57 | 0:13:00 | |
and think it's not real, | 0:13:00 | 0:13:02 | |
it's obviously not from a lawyer. | 0:13:02 | 0:13:04 | |
But people who are more vulnerable, | 0:13:04 | 0:13:06 | |
less educated are more likely to fall for it. | 0:13:06 | 0:13:08 | |
So it is all the crueller and meaner for that reason. | 0:13:08 | 0:13:11 | |
Like that word "refund" there, for example. | 0:13:11 | 0:13:13 | |
It's really, really cruel, like all cons of that nature. | 0:13:13 | 0:13:17 | |
-"Refvund..." -Yeah, exactly. | 0:13:17 | 0:13:18 | |
Have you had the one where you get an e-mail | 0:13:18 | 0:13:21 | |
supposedly from a friend saying, "Oh, I'm stuck in Malta..." | 0:13:21 | 0:13:24 | |
-Yes, very much so. -I always send money to those. | 0:13:24 | 0:13:27 | |
Actually I got one from a friend of mine | 0:13:27 | 0:13:28 | |
and he really was in trouble and I thought it was a scam and he died. | 0:13:28 | 0:13:32 | |
But, you know, you can't win 'em all. | 0:13:35 | 0:13:37 | |
-That's not true. -That's not true, no. -No. | 0:13:38 | 0:13:41 | |
Now, the first part of the question was about the Spanish prisoner, | 0:13:41 | 0:13:44 | |
-does that phrase mean anything to you? Does it ring a bell of any kind? -No. | 0:13:44 | 0:13:47 | |
The Spanish prisoner principle was really the same thing. | 0:13:47 | 0:13:50 | |
It was a letter going all the way back, you're going | 0:13:50 | 0:13:52 | |
hundreds and hundreds of years, from someone who claimed to be | 0:13:52 | 0:13:55 | |
imprisoned by the Spanish, | 0:13:55 | 0:13:56 | |
"Please send me money, I will pay you back | 0:13:56 | 0:13:58 | |
"a thousandfold and you can marry my beautiful daughter," and so on. | 0:13:58 | 0:14:02 | |
It was a very early con trick. | 0:14:02 | 0:14:04 | |
And in 1914, which was the year Nigeria was founded, | 0:14:04 | 0:14:08 | |
the British Ambassador to Spain wrote to the Nigerian | 0:14:08 | 0:14:10 | |
colonial officers warning them about the Spanish prisoner tricks, | 0:14:10 | 0:14:13 | |
saying, "It appears that perpetrators of this fraud | 0:14:13 | 0:14:16 | |
"are still endeavouring to victimise residents of the British colonies. | 0:14:16 | 0:14:20 | |
"The public in Nigeria should be warned to be upon their guard." | 0:14:20 | 0:14:22 | |
So it's possible that Nigerian criminals got this | 0:14:22 | 0:14:25 | |
from their British colonial officers, in fact. | 0:14:25 | 0:14:27 | |
It's a very ancient one. | 0:14:27 | 0:14:29 | |
Now, describe the aviation techniques of the Concrete Arrows. | 0:14:29 | 0:14:34 | |
Well, concrete can't really fly, Stephen, can it, | 0:14:34 | 0:14:36 | |
because it's very heavy. | 0:14:36 | 0:14:38 | |
Well, are you saying a jumbo jet isn't heavy? | 0:14:38 | 0:14:41 | |
Good point. | 0:14:42 | 0:14:43 | |
-But they didn't make... -It needs a lot of thrust. | 0:14:44 | 0:14:47 | |
When you're in an aeroplane, you can hear that noise, | 0:14:47 | 0:14:50 | |
which is them filling it with helium. | 0:14:50 | 0:14:52 | |
-I'm assuming that's what the noise is and that's how it works. -Yes, exactly. -Yeah. | 0:14:52 | 0:14:55 | |
We're just waiting for the cabin to fill with helium | 0:14:55 | 0:14:57 | |
and then we will float gently up and then across the sea. | 0:14:57 | 0:15:01 | |
Imagine the conversations you'd have in the plane if it was filled with helium. | 0:15:01 | 0:15:05 | |
HIGH-PITCHED: "All right, yeah. "Can I have a cup of tea please?" | 0:15:05 | 0:15:08 | |
It does stuff to your ears, so that's what you are hearing. | 0:15:08 | 0:15:11 | |
-But it sounds normal. -Oh, yes. Good point. | 0:15:11 | 0:15:13 | |
We look to you for all this information, | 0:15:13 | 0:15:16 | |
we're very grateful for it. | 0:15:16 | 0:15:18 | |
Well, of course, you are quite right in the sense | 0:15:18 | 0:15:20 | |
that there have never been any flying vehicles built of concrete. | 0:15:20 | 0:15:23 | |
But there have been concrete arrows that have a great deal to do with aviation. | 0:15:23 | 0:15:27 | |
And we go back to the early days of aviation, in a country that | 0:15:27 | 0:15:30 | |
was expanding perhaps more rapidly than any economy has ever expanded. | 0:15:30 | 0:15:33 | |
-And that was? The place... -America. America. | 0:15:33 | 0:15:35 | |
The United States of America, yes. | 0:15:35 | 0:15:37 | |
And there's a large landmass and they had... | 0:15:37 | 0:15:40 | |
Arrows to show the way across it? | 0:15:40 | 0:15:42 | |
Well, yes, they had, but this was even faster. | 0:15:42 | 0:15:45 | |
-Is that how big the arrows were? -No. No, those would be huge. | 0:15:45 | 0:15:48 | |
-But they were... -They would be huge. | 0:15:48 | 0:15:50 | |
They were big enough. | 0:15:50 | 0:15:51 | |
And they had 70-foot long concrete arrows | 0:15:51 | 0:15:54 | |
every ten miles across the USA. | 0:15:54 | 0:15:55 | |
And there's one that still exists. | 0:15:55 | 0:15:58 | |
In 1933 they stopped the programme, because radio advances | 0:15:58 | 0:16:00 | |
and so on had meant they were unnecessary for navigation. | 0:16:00 | 0:16:03 | |
But before that they really needed to find a way that aeroplanes | 0:16:03 | 0:16:06 | |
didn't have to dive down into towns to look | 0:16:06 | 0:16:09 | |
-and see where they were, which before that... -Ask for directions. | 0:16:09 | 0:16:12 | |
-Yeah, basically! -Go down along the high street. | 0:16:12 | 0:16:14 | |
And what was common was that the towns that actually paint | 0:16:14 | 0:16:18 | |
the name of the town on a large roof. | 0:16:18 | 0:16:20 | |
Is that what those big, you see roofs with "TEAS" written on it. | 0:16:20 | 0:16:23 | |
-Yeah, well, maybe. -Is that for pilots who fancy a scone? | 0:16:23 | 0:16:26 | |
-Yes, maybe, maybe. -Teas but no airport nearby, sorry. | 0:16:26 | 0:16:30 | |
But there, yes, the arrows, straightforward. | 0:16:31 | 0:16:34 | |
Really simple and it worked. | 0:16:34 | 0:16:36 | |
Speaking of things visible from the air, | 0:16:36 | 0:16:38 | |
can you imagine something that the French made | 0:16:38 | 0:16:40 | |
visible from the air to try and win the First World War? | 0:16:40 | 0:16:44 | |
Or at least to try not to be utterly crushed by the First World War. | 0:16:44 | 0:16:48 | |
-Something for the German spotter planes to see? -Yes. | 0:16:48 | 0:16:52 | |
The fake weaponry, something like that? Wooden tanks or something. | 0:16:52 | 0:16:55 | |
-Was it a great big baguette? -It was a fake something. | 0:16:55 | 0:16:59 | |
-Fake Eiffel Tower? -Well, and more. | 0:16:59 | 0:17:02 | |
-Fake guillotine, fake Paris. -Fake Paris. | 0:17:02 | 0:17:04 | |
A fake Paris, Colin, well done. Finally. Finally! | 0:17:04 | 0:17:08 | |
Come on, Aussie, come on. | 0:17:09 | 0:17:11 | |
CHEERING | 0:17:11 | 0:17:13 | |
And now you've had the pleasure of a whole audience being | 0:17:15 | 0:17:17 | |
-patronising to you. -Yes. | 0:17:17 | 0:17:19 | |
Come on, Aussie, come on. Yes, you're absolutely right. | 0:17:20 | 0:17:23 | |
The French were very worried, as bombing technology was | 0:17:23 | 0:17:26 | |
improving towards the end of the war, | 0:17:26 | 0:17:28 | |
that their beloved Paris was going to go up in smoke | 0:17:28 | 0:17:31 | |
and all the wonderful buildings. | 0:17:31 | 0:17:32 | |
So 15 miles to the north, on a stretch of the Seine, | 0:17:32 | 0:17:36 | |
they built lots of buildings, including a Gare du Nord and even | 0:17:36 | 0:17:40 | |
moving lights to suggest the railway tracks and other such things. | 0:17:40 | 0:17:43 | |
Unfortunately, it was never completed, because they only | 0:17:43 | 0:17:46 | |
had the idea in 1918 and by November of course the war was over. | 0:17:46 | 0:17:49 | |
-Was it to scale? -From the air, yes. I think it was. | 0:17:49 | 0:17:52 | |
-Not like that London in Legoland. -No, not like that. | 0:17:52 | 0:17:55 | |
Now, which military leader does this mighty Norfolk oak commemorate? | 0:17:56 | 0:18:01 | |
-SPLASHING -Yes, Jo? | 0:18:01 | 0:18:03 | |
Nigel Farage? | 0:18:03 | 0:18:05 | |
ALARM SOUNDS | 0:18:05 | 0:18:07 | |
Well, well. | 0:18:12 | 0:18:14 | |
-It's not a very big oak. -No, it isn't mighty, is it? | 0:18:14 | 0:18:16 | |
-So, it's... -So it's not that old, in fact. | 0:18:16 | 0:18:19 | |
-Yeah, it could be... -It's about 80 years old, not quite 80. -Not quite 80. | 0:18:19 | 0:18:22 | |
-It was a sapling. -Kitchener? -It was a sapling 78 years ago. | 0:18:22 | 0:18:26 | |
-So, no, it would be too late for Kitchener. -Not Mosley? | 0:18:26 | 0:18:30 | |
You're in the right ball park, but even more of a military leader. | 0:18:30 | 0:18:34 | |
Not Hitler? | 0:18:34 | 0:18:35 | |
Adolf, as you rightly say, Hit, as you pointed out, ler. | 0:18:35 | 0:18:39 | |
-Yes, he's... -There's a commemorative oak tree in Norfolk? | 0:18:39 | 0:18:42 | |
The fact is, everybody who won a gold medal in the 1936 Olympics | 0:18:42 | 0:18:47 | |
in Berlin was presented with a sapling of an oak tree. | 0:18:47 | 0:18:51 | |
-And they're known as... -Our oak trees, Stephen? | 0:18:51 | 0:18:53 | |
-Ah, well... -You mean they've got oak trees in Germany? | 0:18:53 | 0:18:56 | |
Yes, I'm afraid the German for oak is eich, so Eichmann is oak-man. | 0:18:56 | 0:19:00 | |
-Is it really? -Hmm, yes. -I feel soiled. | 0:19:00 | 0:19:02 | |
Some of the oak trees are on the German side. | 0:19:02 | 0:19:05 | |
Yes, our word acorn and oak come from the eich. | 0:19:05 | 0:19:07 | |
-Stout proud English oak, why are we always going on about...? -I know. | 0:19:07 | 0:19:10 | |
Anyway, the Hitler oaks, there are none left in Britain | 0:19:10 | 0:19:12 | |
except the one in Norfolk, which is surviving, as you see. | 0:19:12 | 0:19:16 | |
You would assume that it's not going to really last that long, | 0:19:16 | 0:19:19 | |
once people watch this. | 0:19:19 | 0:19:21 | |
-Well, no, they might go and hack it down. -Yes. | 0:19:21 | 0:19:23 | |
A lot of Americans didn't keep theirs for that reason. Jessie Owens actually did keep his. | 0:19:23 | 0:19:27 | |
He won, how many gold medals at the...? | 0:19:27 | 0:19:29 | |
-Four. -Four, quite right. | 0:19:29 | 0:19:30 | |
And one of his Hitler oaks survives in his old training school in Cleveland, Ohio. | 0:19:30 | 0:19:34 | |
He gave another to his mother. | 0:19:34 | 0:19:36 | |
-Some US athletes threw theirs away, as I say. -What a lovely present. | 0:19:36 | 0:19:39 | |
It was handed out by the committee, rather than Hitler himself, | 0:19:39 | 0:19:42 | |
but they were, of course, associated so much with his regime. | 0:19:42 | 0:19:45 | |
I gave my mum a pair of Saddam Hussein's pants for her birthday. | 0:19:45 | 0:19:48 | |
Anyway, there you go. | 0:19:50 | 0:19:51 | |
Congratulations to all those who did win. | 0:19:51 | 0:19:53 | |
Let's see how good your history is. | 0:19:53 | 0:19:55 | |
Who can you see here? Let's have a look. | 0:19:55 | 0:19:58 | |
It was filmed in 1902. | 0:19:58 | 0:20:00 | |
Who is the august gentleman in the beard? | 0:20:00 | 0:20:04 | |
George V? | 0:20:04 | 0:20:05 | |
ALARM SOUNDS | 0:20:05 | 0:20:07 | |
No, isn't it, it looks... It's Edward VII. | 0:20:08 | 0:20:11 | |
It looks exactly like Edward VII. On the other hand, it isn't. | 0:20:11 | 0:20:14 | |
ALARM SOUNDS | 0:20:14 | 0:20:16 | |
-It's not Edward VII?! -No. -It looks... | 0:20:18 | 0:20:21 | |
-I know, it looks so like him. -It's Father Christmas. | 0:20:21 | 0:20:24 | |
And it took place in 1902, | 0:20:24 | 0:20:25 | |
which was the year of Edward VII's coronation. | 0:20:25 | 0:20:28 | |
You could have played a Spend A Penny bonus, but I'll let you | 0:20:28 | 0:20:33 | |
get extra points if you can spot the lavatory attendant in this? | 0:20:33 | 0:20:37 | |
Is he going to the lavatory in the film? | 0:20:39 | 0:20:41 | |
It's the man sitting down in the throne. | 0:20:42 | 0:20:44 | |
The man you thought was Edward VII is in fact a lavatory attendant. | 0:20:44 | 0:20:48 | |
He doesn't look so much like Edward VII now. | 0:20:48 | 0:20:50 | |
-No, that's because he's in profile now. -Ah, I see. | 0:20:50 | 0:20:52 | |
-He did look a bit like him full-on. -It's not HD either, is it? | 0:20:52 | 0:20:55 | |
No, it's not HD. It's the early days of cinema and the early days of cinema were | 0:20:55 | 0:20:59 | |
dominated by one nation more than any other, really. | 0:20:59 | 0:21:01 | |
-And they were? -France. | 0:21:01 | 0:21:03 | |
The French, yes, exactly. | 0:21:03 | 0:21:04 | |
And in 1902, a French film-maker called George Melies, | 0:21:04 | 0:21:07 | |
decided to film the coronation, | 0:21:07 | 0:21:08 | |
but he wasn't allowed in Westminster Abbey, | 0:21:08 | 0:21:11 | |
as soon as they heard how loud the film camera was when it was being cranked. | 0:21:11 | 0:21:14 | |
They said, "We will have none of that nonsense here." | 0:21:14 | 0:21:16 | |
So he decided to restage it, in France, and in a studio. | 0:21:16 | 0:21:20 | |
And he found this lavatory attendant, | 0:21:20 | 0:21:22 | |
who had a nice beard, who was the right size, | 0:21:22 | 0:21:25 | |
big adipose deposit, a tubby chap in other words. | 0:21:25 | 0:21:29 | |
And he, basically, went through all the, you know, | 0:21:29 | 0:21:31 | |
elements of the coronation as happened. | 0:21:31 | 0:21:34 | |
And so it was the first filmed simulacrum of a coronation, | 0:21:34 | 0:21:37 | |
but it wasn't the real thing. | 0:21:37 | 0:21:39 | |
In fact, Edward was ill for the real day, | 0:21:39 | 0:21:41 | |
so he was able then to go to England | 0:21:41 | 0:21:42 | |
and film the carriages arriving and cut that into the footage. | 0:21:42 | 0:21:46 | |
And so that was the only real part, the rest of it was made up. | 0:21:46 | 0:21:48 | |
-And it put... -What was the catering like? | 0:21:48 | 0:21:50 | |
-Probably wonderful, if it was French, I should imagine. -Yes. -What else? | 0:21:50 | 0:21:53 | |
The film went more smoothly than the real thing. | 0:21:53 | 0:21:55 | |
In the actual ceremony the very elderly and almost blind | 0:21:55 | 0:21:58 | |
Archbishop of Canterbury put the crown on backwards. | 0:21:58 | 0:22:01 | |
-He then couldn't get up. -He shouldn't put it on at all. -No! | 0:22:01 | 0:22:04 | |
LAUGHTER | 0:22:04 | 0:22:07 | |
-He was larking about. -Yeah. -Yeah. | 0:22:08 | 0:22:10 | |
He also had to kneel down to swear fealty to the King | 0:22:10 | 0:22:13 | |
and then he couldn't get up again. So the King had to help him up. | 0:22:13 | 0:22:16 | |
Well, that's what royalty should be, | 0:22:16 | 0:22:18 | |
a blind Archbishop of Canterbury and a great big fat king | 0:22:18 | 0:22:21 | |
who keeps getting terrible constipation and being unable to turn up at his own coronation. | 0:22:21 | 0:22:26 | |
Exactly. But the film, you'll be pleased to know, was a huge success. | 0:22:26 | 0:22:29 | |
It briefly made that lavatory attendant one of the most | 0:22:29 | 0:22:32 | |
famous film stars in the world. | 0:22:32 | 0:22:34 | |
In 1902 there weren't many to compare him with, but he was huge. | 0:22:34 | 0:22:37 | |
-He was one of the biggest film star of the world. -Yeah, exactly. | 0:22:37 | 0:22:41 | |
And the King saw it when it came out, and he enjoyed it hugely, apparently. | 0:22:41 | 0:22:44 | |
According to a letter sent to us by Pauline Melies, | 0:22:44 | 0:22:47 | |
who is the great-great-granddaughter of the film maker. | 0:22:47 | 0:22:50 | |
Thank you, Pauline, for sending us that. | 0:22:50 | 0:22:52 | |
Do you think Edward thought it was real? He watched it and said, "I think I've lost weight." | 0:22:52 | 0:22:56 | |
Possibly. Possibly. | 0:22:56 | 0:22:57 | |
So, in the film, The Coronation Of Edward VII, | 0:22:57 | 0:23:00 | |
the man on the throne is a lavatory attendant. | 0:23:00 | 0:23:02 | |
Now it's time for a bit of General Ignorance, so fingers on buzzers please. | 0:23:02 | 0:23:05 | |
Where is the Duchy of Cornwall? | 0:23:05 | 0:23:07 | |
BUZZER | 0:23:07 | 0:23:09 | |
Yes? | 0:23:09 | 0:23:10 | |
Devon? | 0:23:10 | 0:23:12 | |
-You're right. -Is it? | 0:23:12 | 0:23:13 | |
That's to say... | 0:23:13 | 0:23:14 | |
That is to say, more of it is in Devon than is in Cornwall. | 0:23:21 | 0:23:23 | |
-It's mainly in Waitrose now. -Yes, you're quite right. | 0:23:23 | 0:23:27 | |
You know, in terms of value, | 0:23:27 | 0:23:28 | |
one packet of those biscuits would buy you a farmhouse. | 0:23:28 | 0:23:32 | |
Somebody from Australia, what's a duchy? | 0:23:33 | 0:23:36 | |
Is it something you'd pass to the left-hand side, or...? | 0:23:36 | 0:23:39 | |
A duchy is just another word for a dukedom. | 0:23:39 | 0:23:42 | |
One of the titles that was given to the Prince of Wales | 0:23:42 | 0:23:44 | |
when he was invested as Prince of Wales, in 1973, | 0:23:44 | 0:23:47 | |
was the Duke of Cornwall, which is typical. | 0:23:47 | 0:23:49 | |
There he was getting invested. | 0:23:49 | 0:23:50 | |
-That's the Cornish flag. -And that's the Cornish flag. | 0:23:50 | 0:23:53 | |
And that's pretty much all that can be said on that subject, I think, but you got it right. | 0:23:53 | 0:23:57 | |
Now, what does a cowboy call his rope? | 0:23:57 | 0:23:59 | |
GALLOPING AND FIRING | 0:23:59 | 0:24:01 | |
A lasso. | 0:24:01 | 0:24:02 | |
-ALARM SOUNDS -Oh, what a shame! | 0:24:02 | 0:24:04 | |
I don't think that's usual. | 0:24:08 | 0:24:10 | |
-Does he call it a rope? -He does. You're on fire! | 0:24:10 | 0:24:12 | |
-Come on! -Yeah. | 0:24:12 | 0:24:13 | |
Lassos and lariats and so on, if you used that word, it would be a | 0:24:18 | 0:24:21 | |
dead giveaway that you are, you know, like Billy Crystal, | 0:24:21 | 0:24:23 | |
a city slicker in the world of the Wild West. | 0:24:23 | 0:24:25 | |
They weren't invented in the Wild West, of course, obviously they'd been used before. | 0:24:25 | 0:24:29 | |
Ancient Egyptians used to them to capture antelopes and wild oxen. | 0:24:29 | 0:24:33 | |
However, they didn't use horses, the ancient Egyptians. | 0:24:33 | 0:24:35 | |
Oh, look at that, they're catching a hippo with one. | 0:24:35 | 0:24:38 | |
-That's very impressive. -Hippos are nasty aren't they? | 0:24:38 | 0:24:41 | |
-Oh, gosh, yes. -They kill lots of people, even though they're vegetarians. | 0:24:41 | 0:24:45 | |
Yeah, yeah. Usually by attacking boats and things like that. | 0:24:45 | 0:24:48 | |
But NASA is planning to use a lasso to capture what, would you imagine? | 0:24:48 | 0:24:52 | |
Stuff in space that's flying around dangerously, a bit like in Gravity? | 0:24:52 | 0:24:55 | |
Well, it's not dangerous stuff, it's an asteroid, | 0:24:55 | 0:24:58 | |
-it plans to lasso an asteroid, would you believe. -Oh, God! | 0:24:58 | 0:25:01 | |
And drag it into orbit around the moon. | 0:25:01 | 0:25:02 | |
-Why are all their ideas so ridiculous?! -I know. | 0:25:02 | 0:25:05 | |
They're going to choose a small one, it's only about seven metres across. | 0:25:05 | 0:25:08 | |
A specific type which would break up harmlessly in the Earth's atmosphere, in case it... | 0:25:08 | 0:25:12 | |
I think they should send Sandra Bullock to do it. | 0:25:12 | 0:25:15 | |
Which wonderful country is that there? | 0:25:15 | 0:25:17 | |
-Yes, look at it. -Hi. | 0:25:17 | 0:25:19 | |
It's about to be obliterated. | 0:25:21 | 0:25:23 | |
Last question. Which company makes the most tyres in the world? | 0:25:26 | 0:25:30 | |
Goodyear. | 0:25:32 | 0:25:33 | |
ALARM SOUNDS | 0:25:33 | 0:25:35 | |
Oh! | 0:25:35 | 0:25:37 | |
I had a very good year, thank you. But no, no, not Goodyear. | 0:25:37 | 0:25:39 | |
Harry Hill used to do that joke. | 0:25:39 | 0:25:41 | |
So who used to play Bet Lynch in...? What's the character, Julie...? | 0:25:41 | 0:25:44 | |
-Julie. -Julie, um... -Goodyear. | 0:25:44 | 0:25:47 | |
Yeah, not bad thanks. | 0:25:47 | 0:25:50 | |
It's like the... Who was that Austrian racing driver Niki, Niki? | 0:25:50 | 0:25:53 | |
Lauda. | 0:25:53 | 0:25:54 | |
WHO WAS THAT AUSTRIAN? | 0:25:54 | 0:25:55 | |
Did you know that that actress was stabbed, sad story, | 0:25:58 | 0:26:03 | |
that actress who was stabbed, she was in Legally Blonde, Reese? | 0:26:03 | 0:26:06 | |
Witherspoon? | 0:26:06 | 0:26:08 | |
No, with a knife. | 0:26:08 | 0:26:09 | |
Hey! Oh! | 0:26:09 | 0:26:10 | |
Who's that actress who was in Friends? | 0:26:12 | 0:26:14 | |
Courteney, Courteney...? What was her name? | 0:26:14 | 0:26:17 | |
Cox. | 0:26:17 | 0:26:18 | |
Caught any cock? No, not lately, you're supposed to say. | 0:26:18 | 0:26:21 | |
No, silly. Silly, silly, silly, silly, silly. Sorry. | 0:26:21 | 0:26:25 | |
-A good one to finish on. -Yeah, a very good one. | 0:26:25 | 0:26:27 | |
So who makes the most tyres in the world? It's not Goodyear. | 0:26:27 | 0:26:30 | |
-A major tyre manufacturer? -Dunlop? -Yes. It's not Dunlop. | 0:26:30 | 0:26:33 | |
Hankook? Hankook? | 0:26:33 | 0:26:35 | |
-Firestone. -Firestone. No, not Firestone. | 0:26:35 | 0:26:38 | |
Pirelli. | 0:26:38 | 0:26:40 | |
If we get the right one, do we get points? | 0:26:40 | 0:26:42 | |
-Yes, you'll get... -Pirelli? -Not Pirelli, no. | 0:26:42 | 0:26:47 | |
-Tyres, you know... -Continental? | 0:26:47 | 0:26:49 | |
< SHOUT FROM AUDIENCE: Lego! | 0:26:49 | 0:26:51 | |
Oh, audience gets the answer. | 0:26:51 | 0:26:53 | |
-Oh, Lego. -It's Lego. -Lego. Very good. | 0:26:53 | 0:26:55 | |
Very good, aren't they? | 0:26:55 | 0:26:56 | |
Hey! | 0:26:57 | 0:26:58 | |
-It sort of depends how you define a tyre, doesn't it? -It does. | 0:27:00 | 0:27:04 | |
They're not pneumatic, it must be said, but then tyres, | 0:27:04 | 0:27:07 | |
there were tyres before pneumatic tyres. | 0:27:07 | 0:27:09 | |
And they're not the same. | 0:27:09 | 0:27:11 | |
Well, there you are, on that interesting Lego note, | 0:27:11 | 0:27:14 | |
that's all for tonight. | 0:27:14 | 0:27:15 | |
Leaving only the little matter of the scores. | 0:27:15 | 0:27:18 | |
How interesting they are. | 0:27:18 | 0:27:20 | |
I'm afraid to say, in a rather convincing last place, | 0:27:20 | 0:27:23 | |
with minus 48, it's David Mitchell. | 0:27:23 | 0:27:27 | |
APPLAUSE | 0:27:27 | 0:27:31 | |
And a full 30 points ahead, with minus 18, Jo Brand. | 0:27:33 | 0:27:36 | |
APPLAUSE | 0:27:36 | 0:27:38 | |
Most impressively, skating on nil points, Alan Davies! | 0:27:41 | 0:27:45 | |
APPLAUSE | 0:27:45 | 0:27:47 | |
CHEERING AND APPLAUSE | 0:27:52 | 0:27:55 | |
Say what you like about them... | 0:27:57 | 0:27:59 | |
Every cliche proven. | 0:28:05 | 0:28:07 | |
Bad losers, bad winners, graceless, but unquestionably | 0:28:07 | 0:28:13 | |
nearly always victorious, | 0:28:13 | 0:28:15 | |
-our winner, Colin Lane with two points. -Yes! | 0:28:15 | 0:28:19 | |
APPLAUSE | 0:28:19 | 0:28:21 | |
So, it's good night from Colin, David, Jo, Alan and me. | 0:28:25 | 0:28:29 | |
And I leave you with the last words of British politician Henry Fox. | 0:28:29 | 0:28:33 | |
"If Mr Selwyn calls again, show him up. | 0:28:33 | 0:28:37 | |
"If I am alive, I shall be delighted to see him. | 0:28:37 | 0:28:39 | |
"And if I am dead, he would be delighted to see me." | 0:28:39 | 0:28:42 | |
Good night. | 0:28:42 | 0:28:43 | |
APPLAUSE | 0:28:43 | 0:28:46 |