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APPLAUSE | 0:00:28 | 0:00:31 | |
Goooooood evening, good evening. | 0:00:31 | 0:00:33 | |
Good evening, good evening, good evening, good evening, | 0:00:33 | 0:00:36 | |
and welcome to QI and to an evening of Levity. | 0:00:36 | 0:00:40 | |
Let's see who's got the "light" stuff. | 0:00:40 | 0:00:44 | |
The light-fantastic, Sue Perkins! | 0:00:44 | 0:00:46 | |
APPLAUSE | 0:00:46 | 0:00:50 | |
The light-footed, Josh Widdicombe. | 0:00:50 | 0:00:52 | |
CHEERING | 0:00:52 | 0:00:55 | |
The lightly-armed Frank Skinner. | 0:00:55 | 0:00:58 | |
CHEERING | 0:00:58 | 0:01:01 | |
And the lights on but nobody's home, Alan Davies. | 0:01:01 | 0:01:05 | |
APPLAUSE | 0:01:05 | 0:01:08 | |
So, light up your lamps, | 0:01:10 | 0:01:12 | |
and the Latin L, which is of course 50 in Roman numerals, if you can | 0:01:12 | 0:01:16 | |
tell me what they have in common, | 0:01:16 | 0:01:20 | |
all these little buzzer noises. | 0:01:20 | 0:01:22 | |
Sue goes... | 0:01:22 | 0:01:23 | |
OWL HOOTS | 0:01:23 | 0:01:25 | |
Josh goes... | 0:01:25 | 0:01:27 | |
BEARD CLIPPERS | 0:01:27 | 0:01:29 | |
Frank goes... | 0:01:29 | 0:01:32 | |
CLOTH RIPPING | 0:01:32 | 0:01:34 | |
And Alan goes... | 0:01:34 | 0:01:35 | |
PIG SQUEALING | 0:01:35 | 0:01:38 | |
Any thoughts? | 0:01:38 | 0:01:40 | |
They're all noises made by Jeremy Clarkson during the intimate act. | 0:01:40 | 0:01:44 | |
LAUGHTER | 0:01:44 | 0:01:47 | |
We've kept you two apart whenever we've done a show, for good reasons. | 0:01:47 | 0:01:51 | |
Yeah. Yeah, so you've got an owl. | 0:01:51 | 0:01:54 | |
He howls like an owl. "He squeal like a pig." | 0:01:54 | 0:01:58 | |
And it definitely, definitely ends... | 0:02:01 | 0:02:04 | |
RIPPING | 0:02:04 | 0:02:07 | |
That's the final rip to the trouser. | 0:02:09 | 0:02:11 | |
APPLAUSE | 0:02:11 | 0:02:13 | |
It's hard not to say that you've probably... | 0:02:13 | 0:02:15 | |
That's when Richard Hammond pops out. | 0:02:15 | 0:02:17 | |
-Oh! -Oh! I must say! | 0:02:17 | 0:02:20 | |
That's the final rip of stonewashed denim, isn't it, that noise? | 0:02:20 | 0:02:23 | |
Would it help if I said it was L for law. | 0:02:23 | 0:02:25 | |
-Law with a W, not an ORE. -No. | 0:02:25 | 0:02:28 | |
Jewish law, which was known as, for eating? | 0:02:28 | 0:02:31 | |
For... Kosher. | 0:02:31 | 0:02:33 | |
-Kosher, yes. And I said levity was our theme, levit... -Leviticus. | 0:02:33 | 0:02:37 | |
-Leviticus. Leviticus! -Oh! So shellfish and... | 0:02:37 | 0:02:40 | |
-Well, we didn't hear any shellfish, did we? -No, we didn't. -No. | 0:02:40 | 0:02:42 | |
-Unless, I wasn't sure about Josh's. -But we heard an owl. -Yeah. | 0:02:42 | 0:02:45 | |
A beard being shaved, the rending of cloth and a pig. | 0:02:45 | 0:02:49 | |
Ah, and a pig. So they're all things prohibited by... | 0:02:49 | 0:02:52 | |
-Anything to do with a pig is forbidden. -Brian Blessed! | 0:02:52 | 0:02:55 | |
-IMPERSONATES: -No, Brian Blessed is not kosher, no. | 0:02:55 | 0:03:00 | |
No! Oh, dear, dear. | 0:03:00 | 0:03:04 | |
So that's what they have in common. All your buzzers are forbidden by Jewish law. | 0:03:04 | 0:03:08 | |
-That's very awkward, because I'm Jewish, so... -Also... | 0:03:08 | 0:03:11 | |
-I can't take part in this for the rest of the show. -No. | 0:03:11 | 0:03:14 | |
-No, I understand. -Also, if I were to go round and | 0:03:14 | 0:03:16 | |
say Josh can have sex with you, | 0:03:16 | 0:03:18 | |
-just on the top of my head, that would also be... -Sex on the top of your head? | 0:03:18 | 0:03:22 | |
-On the top of his head? -That's not the bit I had an issue with. No. | 0:03:22 | 0:03:25 | |
-That would be an over-protected thing. -I've never heard of kosher sex. | 0:03:25 | 0:03:28 | |
-That would be an abomination, according to Leviticus. -It would indeed, Stephen. | 0:03:28 | 0:03:33 | |
So, they're all things forbidden in the Book of Leviticus - you mustn't | 0:03:33 | 0:03:36 | |
eat an owl, trim your beard, | 0:03:36 | 0:03:38 | |
tear your clothes or have anything to do with a pig. Sorry. | 0:03:38 | 0:03:40 | |
No, what does it mean "nothing to do with it"? | 0:03:40 | 0:03:43 | |
What if he comes up to you, you just have to go... | 0:03:43 | 0:03:46 | |
You have to shun him, Josh. | 0:03:46 | 0:03:48 | |
-Blank him. -Blank him. I know... Sorry mate, not interested! | 0:03:48 | 0:03:51 | |
-I just blanked him. -Snub. -Like a mugger in the street. | 0:03:51 | 0:03:53 | |
-Snub that pig. -Pretend you're on your phone, sorry. -Yeah, blank him. | 0:03:53 | 0:03:57 | |
Now, one of our questions tonight is likely lavatorial. | 0:03:57 | 0:04:00 | |
See if you can flush it out by going for a Spend A Penny bonus. | 0:04:00 | 0:04:05 | |
All you have to do is brandish your baton and buzz your buzzer. | 0:04:07 | 0:04:11 | |
And there are lots of points for it, lots. | 0:04:11 | 0:04:13 | |
It's really worth risking that the answer might be something | 0:04:13 | 0:04:17 | |
lavatorial. | 0:04:17 | 0:04:19 | |
But first here's a lark. You each have a balloon, as I do. | 0:04:19 | 0:04:23 | |
And what I want you to do is, oooh, is a levitation trick. | 0:04:23 | 0:04:27 | |
It's all to do with static electricity, | 0:04:27 | 0:04:29 | |
as you might have guessed. | 0:04:29 | 0:04:31 | |
Well, the idea is to... Oh, that's already, whoa, that's... | 0:04:33 | 0:04:37 | |
Oh, oh, no, that doesn't. Oh no! | 0:04:37 | 0:04:40 | |
Yes! Yes! | 0:04:42 | 0:04:44 | |
-Wow! -Yes, oh! | 0:04:44 | 0:04:46 | |
Alan got it. | 0:04:47 | 0:04:49 | |
You charge up the plastic and the balloon, | 0:04:51 | 0:04:53 | |
but you have to charge both of them. | 0:04:53 | 0:04:55 | |
Well, yes, you can use your hair. | 0:04:55 | 0:04:57 | |
If anybody's hair can do this, it's Alan's. | 0:04:57 | 0:04:59 | |
I take that as a slight. | 0:04:59 | 0:05:01 | |
I can't get it off now. | 0:05:01 | 0:05:02 | |
I know, that's as well, as it sticks to your fingers, you have to just... | 0:05:02 | 0:05:06 | |
-Oh, and now, oh, not quite. -Yes! Yes! | 0:05:06 | 0:05:09 | |
Oh, brilliant! | 0:05:09 | 0:05:10 | |
Aargh! | 0:05:10 | 0:05:13 | |
Patrick McGoohan in The Prisoner there, very good. | 0:05:14 | 0:05:17 | |
It's that sort of fatal thing they get in Star Trek | 0:05:17 | 0:05:20 | |
when they didn't have any money. | 0:05:20 | 0:05:21 | |
Ooh, put some music on, and they go, "Arrgh!" | 0:05:21 | 0:05:24 | |
Someone in a red top. | 0:05:28 | 0:05:29 | |
The fact is, yes, scientifically, you should be able to do it | 0:05:29 | 0:05:32 | |
repeatably and predictably, but it's quite hard. | 0:05:32 | 0:05:35 | |
But I promise you this, I will show you, before this evening is | 0:05:35 | 0:05:38 | |
over, a levitation effect that will blow your socks off. | 0:05:38 | 0:05:41 | |
Not literally, but will really impress you. | 0:05:41 | 0:05:43 | |
That's going to come. | 0:05:43 | 0:05:44 | |
Meanwhile, what's the funny thing about lightning? | 0:05:44 | 0:05:47 | |
-Oh. -The funny thing about it? | 0:05:47 | 0:05:50 | |
Well, given that it is a natural phenomenon that mankind | 0:05:50 | 0:05:53 | |
has been aware of for all the time that we've been on the planet. | 0:05:53 | 0:05:56 | |
-It makes you laugh. -We're still captivated, freaked-out and surprised by it... | 0:05:56 | 0:05:59 | |
-We're captivated, and surprised and don't understand it. -Oh! | 0:05:59 | 0:06:03 | |
-No. -We can't explain it. -We know a little bit about it. | 0:06:03 | 0:06:05 | |
-Oh, we do... -We know that thunderbolt and lightning | 0:06:05 | 0:06:08 | |
-is very, very frightening. -Very, very frightening! | 0:06:08 | 0:06:10 | |
-It's white, it's forked. -Yes. -Or sheet. | 0:06:13 | 0:06:15 | |
-It's electric. -Or sheet you say? No, not or sheet. | 0:06:15 | 0:06:18 | |
Sheet lightning is the same as forked lightning, it's just hidden by a cloud. | 0:06:18 | 0:06:21 | |
Oh, so it's an illuminated cloud that gives that band of... | 0:06:21 | 0:06:23 | |
-Yeah, it's just basically... Exactly. -OK. | 0:06:23 | 0:06:26 | |
But one of the myths about it is that it will always strike | 0:06:26 | 0:06:29 | |
what part of a building? | 0:06:29 | 0:06:30 | |
-Highest. -The highest point, and that's not true. | 0:06:30 | 0:06:33 | |
We've got a photograph to show you how untrue that is, of it | 0:06:33 | 0:06:35 | |
hitting Grant's Tomb there. There's a branch of it hitting the top, | 0:06:35 | 0:06:38 | |
but the huge part of the fork there is hitting two thirds of the way up. | 0:06:38 | 0:06:42 | |
Half of lightning goes up from the ground, | 0:06:42 | 0:06:44 | |
and at about 300 feet up they meet each other. | 0:06:44 | 0:06:46 | |
-I know, it's weird. Yes, so... -What? Lightning goes upwards? | 0:06:46 | 0:06:49 | |
-Oh yes, absolutely. -Wrong. | 0:06:49 | 0:06:50 | |
No! | 0:06:50 | 0:06:52 | |
90% of strikes on the Empire State Building, | 0:06:53 | 0:06:55 | |
for example, are ascending strikes, rather than descending strikes. | 0:06:55 | 0:06:58 | |
I know it seems astonishing, but photography allows us to see | 0:06:58 | 0:07:01 | |
this phenomenon of it coming up from the ground | 0:07:01 | 0:07:04 | |
and meeting with the sky forks, as it were. | 0:07:04 | 0:07:07 | |
-Wow. -"Sky Fawkes". -"Sky Fawkes". -Weird. | 0:07:07 | 0:07:10 | |
My dad used to, whenever there was lightning, we had to open | 0:07:10 | 0:07:13 | |
the knife drawer and put a tea towel over the knives and forks, to | 0:07:13 | 0:07:17 | |
avoid it coming through the window and striking, and turn the TV off. | 0:07:17 | 0:07:21 | |
It's the only time the TV was ever turned off, | 0:07:21 | 0:07:23 | |
it was quite a big thing. | 0:07:23 | 0:07:25 | |
The drawer is closed, is that not doing it? | 0:07:25 | 0:07:28 | |
He'd open the drawer to cover it with the tea towel. No, there's something about the tea towel. | 0:07:28 | 0:07:31 | |
Individually cover? | 0:07:31 | 0:07:33 | |
You know tea towels have got that earthing quality. | 0:07:33 | 0:07:35 | |
Josh: Did you not have anything else that was metal? | 0:07:35 | 0:07:37 | |
-Just the knives and forks. -The taps. | 0:07:37 | 0:07:40 | |
No, I think that's all we had. That was it. | 0:07:40 | 0:07:43 | |
And can I say we had no piercings in our family. | 0:07:43 | 0:07:46 | |
From lightning to lighthouses. | 0:07:46 | 0:07:49 | |
What is the most famous lighthouse in the world? | 0:07:49 | 0:07:51 | |
Oh, I don't know, the one on the Needles is quite famous. | 0:07:51 | 0:07:54 | |
The Needles is quite famous, yes. | 0:07:54 | 0:07:56 | |
I mean there was one that was the... | 0:07:56 | 0:07:57 | |
One of the Seven Wonders of the World. | 0:07:57 | 0:07:59 | |
Oh, which is in Spain, is it not? Or, is that Hercules's Tower or something, there's a... | 0:07:59 | 0:08:03 | |
It's something Hercules. | 0:08:03 | 0:08:05 | |
Faros, Faros, it's the Alexandrian lighthouse. | 0:08:05 | 0:08:09 | |
I love the way you looked at me as though I got that right, | 0:08:09 | 0:08:12 | |
whilst telling me that every aspect of it was wrong. | 0:08:12 | 0:08:15 | |
-You were, you know... -I loved that, it made me feel good about myself. | 0:08:15 | 0:08:18 | |
-You were wrestling the puppy knowledge with great affection. -Yeah. | 0:08:18 | 0:08:22 | |
Actually all those lighthouses, the Eddystone, the Kenilworth, | 0:08:22 | 0:08:25 | |
might be known by quite a section of the population, | 0:08:25 | 0:08:27 | |
but this one, everyone knows the name of this one. | 0:08:27 | 0:08:30 | |
What they probably don't know is that it was originally a lighthouse. | 0:08:30 | 0:08:33 | |
-Empire State Building. -Not the Empire State Building. | 0:08:33 | 0:08:36 | |
-Statue of Liberty. -Yes! The Statue of Liberty, well done. | 0:08:36 | 0:08:39 | |
-Oh, of course. -Absolutely right. There it is. | 0:08:39 | 0:08:41 | |
It was visible from 24 miles out to sea, | 0:08:41 | 0:08:43 | |
it was a gift to America from...? | 0:08:43 | 0:08:45 | |
France. | 0:08:45 | 0:08:47 | |
From the French, yes. And originally what colour was it? | 0:08:47 | 0:08:50 | |
-Orange. -Was it? | 0:08:50 | 0:08:53 | |
Not red and white like, oh, like that! | 0:08:53 | 0:08:55 | |
Well it was always intended to go green, because it's copper colour. | 0:08:55 | 0:08:58 | |
-That's the gayest lighthouse I've ever seen. -It's copper colour. | 0:08:58 | 0:09:01 | |
You're absolutely right, Alan, it has a thin sheet of copper leaf, as it were, over it. | 0:09:01 | 0:09:05 | |
-So it can go that... -Originally it shone copperly, but like all copper does... | 0:09:05 | 0:09:09 | |
-Oxidizes. -Yeah. -Gets verdigris. | 0:09:09 | 0:09:11 | |
And so you get copper carbonate and verdigris is the name for it, exactly. | 0:09:11 | 0:09:14 | |
You see those domes and things, that green colour that is Lady Liberty. | 0:09:14 | 0:09:18 | |
Anyway, the Statue of Liberty used to be a lighthouse | 0:09:18 | 0:09:21 | |
and in those days it was brown. | 0:09:21 | 0:09:23 | |
Now for some light relief. | 0:09:23 | 0:09:25 | |
What's the most interesting thing you can do with a sausage? | 0:09:25 | 0:09:28 | |
Well, she's used hers for a hair piece. | 0:09:30 | 0:09:33 | |
-She's coiled that round. -A lovely little... Yeah. | 0:09:33 | 0:09:35 | |
-What's the most interesting thing? -It's got to be something to do... | 0:09:35 | 0:09:38 | |
-With the loo. -It's got to be. -Yes. | 0:09:38 | 0:09:41 | |
I'm going to give you the points, because there is a way, | 0:09:41 | 0:09:43 | |
which is very lavatorial, in which you can improve a sausage, | 0:09:43 | 0:09:46 | |
which is quite interesting and very surprising. | 0:09:46 | 0:09:49 | |
What, poo in it? | 0:09:49 | 0:09:50 | |
-Yes. -Oh... -Come on! -Really? | 0:09:50 | 0:09:52 | |
Baby faeces in a sausage will improve a sausage. Now... | 0:09:52 | 0:09:55 | |
Oh no, and I've been throwing them away! | 0:09:55 | 0:09:58 | |
-Bear with me here. -You need to get some casings and eat that. -Yeah. | 0:09:59 | 0:10:03 | |
Bear with me here. | 0:10:03 | 0:10:04 | |
According to a study in the journal Meat Science - | 0:10:04 | 0:10:08 | |
M-E-A-T Science - | 0:10:08 | 0:10:10 | |
you make sausages healthier by adding bacteria | 0:10:10 | 0:10:14 | |
extracted from babies' faeces. | 0:10:14 | 0:10:16 | |
Now, the point is, many sausages, pepperoni... | 0:10:16 | 0:10:19 | |
What are they doing in laboratories, for God's sake?! | 0:10:19 | 0:10:22 | |
What they try and do is improve things for us to make us healthy. | 0:10:22 | 0:10:25 | |
And pepperoni and salami are made with bacterial fermentation. | 0:10:25 | 0:10:29 | |
And the best way you can do that is to use what are known as | 0:10:29 | 0:10:32 | |
pro-biotic bacteria, ie, bacteria that are said to be good for you. | 0:10:32 | 0:10:35 | |
And, oddly enough, this Catalonian team | 0:10:35 | 0:10:40 | |
decided that one of the best types would be baby faeces, | 0:10:40 | 0:10:43 | |
because, by definition, they would have | 0:10:43 | 0:10:45 | |
passed through the human system and passed out again, | 0:10:45 | 0:10:47 | |
and because baby faeces are easy to obtain - | 0:10:47 | 0:10:49 | |
in fact the study used nappies | 0:10:49 | 0:10:51 | |
provided by mother and baby support groups. | 0:10:51 | 0:10:53 | |
Still don't make it right. | 0:10:53 | 0:10:54 | |
Professional tasters confirmed that sausages tasted the same... | 0:10:54 | 0:10:57 | |
-Oh! -Who does that for a living?! | 0:10:57 | 0:11:00 | |
-I know. -Did they know what they...? | 0:11:00 | 0:11:01 | |
They tasted the same, you wouldn't notice. | 0:11:01 | 0:11:03 | |
That's a rough day down the job centre, that is. | 0:11:03 | 0:11:05 | |
They are lower in both fat and salt and therefore healthier. | 0:11:05 | 0:11:08 | |
But it's poo, Stephen! | 0:11:08 | 0:11:10 | |
It's literally poo! | 0:11:10 | 0:11:12 | |
It gives a new meaning to potty mouth, doesn't it? | 0:11:12 | 0:11:15 | |
But it does mean that Alan gets his Spend a Penny bonus, | 0:11:15 | 0:11:18 | |
-which is very good news. -Shut the front door. | 0:11:18 | 0:11:20 | |
APPLAUSE | 0:11:20 | 0:11:23 | |
Though, in fact, that was a supplementary question, | 0:11:24 | 0:11:27 | |
because the original question | 0:11:27 | 0:11:29 | |
involved the use of sausages in history. | 0:11:29 | 0:11:31 | |
Sausages such that a country, where we showed you a photograph | 0:11:31 | 0:11:34 | |
that shows a country that is really fond of sausages... | 0:11:34 | 0:11:37 | |
-Germany? -Yes. | 0:11:37 | 0:11:39 | |
It's so useful with the sausages, for Germany, at a particular | 0:11:39 | 0:11:42 | |
time in history, that people were banned from eating them | 0:11:42 | 0:11:44 | |
and they were banned in Poland, in Austria, | 0:11:44 | 0:11:47 | |
in northern France, and... | 0:11:47 | 0:11:49 | |
Were they using them as part of the war effort? | 0:11:49 | 0:11:51 | |
Yes, World War I. | 0:11:51 | 0:11:52 | |
The Germans had a very impressive weapon, which terrorised London. | 0:11:52 | 0:11:56 | |
GERMAN ACCENT: The Bratwurst lasso. | 0:11:56 | 0:11:57 | |
Which can take a human head off at 100 paces. | 0:11:57 | 0:12:00 | |
-The Zeppelin. -The Zeppelin, is exactly right. | 0:12:00 | 0:12:02 | |
The Graf Zeppelin, the Count Zeppelin invented this dirigible. | 0:12:02 | 0:12:06 | |
Are you saying that's one enormous sausage? | 0:12:06 | 0:12:08 | |
Well... | 0:12:08 | 0:12:09 | |
They flew and they dropped baby excrement over London. | 0:12:09 | 0:12:12 | |
What made it lighter than air? | 0:12:12 | 0:12:14 | |
-Helium. -Helium. | 0:12:14 | 0:12:16 | |
-Not helium, no. -Hydrogen. | 0:12:16 | 0:12:17 | |
Hydrogen, that's why they were so dangerous, | 0:12:17 | 0:12:19 | |
because hydrogen is very combustible. | 0:12:19 | 0:12:22 | |
And they would go over London | 0:12:22 | 0:12:23 | |
and the chappy at the bottom in the little gondola | 0:12:23 | 0:12:25 | |
-would drop a bomb... -You make it sound really lovely. | 0:12:25 | 0:12:28 | |
"The little chappy would go over London..." | 0:12:28 | 0:12:30 | |
But the thing is, the hydrogen would easily leak from the patches, | 0:12:30 | 0:12:32 | |
and they found that sausage skins would go over the joins, | 0:12:32 | 0:12:35 | |
and they would latch onto each other, a bit like Velcro, | 0:12:35 | 0:12:39 | |
they would stick to each other and they'd seal the whole thing | 0:12:39 | 0:12:41 | |
so the hydrogen wouldn't leak. Well, now... | 0:12:41 | 0:12:43 | |
God, more bad news for pigs! | 0:12:43 | 0:12:45 | |
LAUGHTER | 0:12:45 | 0:12:47 | |
It was cattle rather than pigs, it was beef sausages. | 0:12:47 | 0:12:50 | |
So they would just fly like an apocalyptic cow balloon | 0:12:50 | 0:12:54 | |
-over the top of London and just drop... -Yeah. | 0:12:54 | 0:12:56 | |
And bullets would go through and they wouldn't be enough | 0:12:56 | 0:12:59 | |
to bring it down, and it took two years for the British to learn | 0:12:59 | 0:13:02 | |
how to use incendiary bullets to cause the hydrogen to blow up. | 0:13:02 | 0:13:06 | |
Were they ever struck by lightning? | 0:13:06 | 0:13:08 | |
Yes, three Zeppelins were downed by lightning. | 0:13:08 | 0:13:11 | |
-Yeah, how about that? -That's brilliant. | 0:13:11 | 0:13:14 | |
It shows that God was on our side. | 0:13:14 | 0:13:16 | |
A quarter of a million cows they used, per Zeppelin - | 0:13:17 | 0:13:21 | |
that's pretty impressive. | 0:13:21 | 0:13:22 | |
So a quarter of a million cows went into the making of a Zeppelin? | 0:13:22 | 0:13:25 | |
Per Zeppelin, yeah. Which is why they had to | 0:13:25 | 0:13:27 | |
stop the Germans, the Austrians, the Poles | 0:13:27 | 0:13:29 | |
and those in Northern France at the time | 0:13:29 | 0:13:31 | |
from getting their sausages. | 0:13:31 | 0:13:32 | |
What a shame they didn't do a big cow's face on the front of it. | 0:13:32 | 0:13:35 | |
Oh, that would have been brilliant, wouldn't it? | 0:13:35 | 0:13:37 | |
They just don't have those artistic flourishes, the Germans, do they? | 0:13:37 | 0:13:40 | |
-Everything's very functional. -That was my problem with the Nazis(!) | 0:13:40 | 0:13:44 | |
Well, there we are, the linings in German airships | 0:13:45 | 0:13:48 | |
caused a sausage shortage in World War I. | 0:13:48 | 0:13:50 | |
What was the charge for the world's first charity single? | 0:13:50 | 0:13:54 | |
Oh, it's not going to be Band Aid, is it? | 0:13:54 | 0:13:57 | |
-Is the clue in charge? -Yes, it certainly is. | 0:13:57 | 0:13:59 | |
The Charge of the Light Brigade? | 0:13:59 | 0:14:01 | |
Well done, you. | 0:14:01 | 0:14:03 | |
Absolutely. So that's the beginning of the puzzle opened up. | 0:14:03 | 0:14:07 | |
So, how can the Charge of the Light Brigade | 0:14:07 | 0:14:08 | |
have anything to do with a charity single? | 0:14:08 | 0:14:11 | |
You can't really release... They didn't release a single. | 0:14:11 | 0:14:14 | |
Well, not a single, as it wasn't called a single in those days. | 0:14:14 | 0:14:16 | |
Tennyson, there are cylinder recordings of Alfred Lord Tennyson. | 0:14:16 | 0:14:20 | |
-Indeed. Yeah. -So maybe he read | 0:14:20 | 0:14:22 | |
-the Charge of the Light Brigade onto cylinder. -He may have done. | 0:14:22 | 0:14:25 | |
His voice, "I am Alfred Tennyson," you do hear that, absolutely. | 0:14:25 | 0:14:29 | |
He did live into the age of the phonograph, as it was then called. | 0:14:29 | 0:14:32 | |
But this is actually slightly more touching, in a way. | 0:14:32 | 0:14:34 | |
There was actually a bugler who recorded the Charge, | 0:14:34 | 0:14:39 | |
which is a particular call on the bugle, | 0:14:39 | 0:14:41 | |
and he was himself a survivor of the Charge of the Light Brigade, | 0:14:41 | 0:14:47 | |
and I'll give you all the full details of it. | 0:14:47 | 0:14:49 | |
He plays the charge that he blew on the day, | 0:14:49 | 0:14:52 | |
on a bugle that was used at Balaclava, | 0:14:52 | 0:14:54 | |
which had also previously been used at Waterloo. | 0:14:54 | 0:14:57 | |
-It's a heck of a historic bugle. -That's a pedigree, yeah. | 0:14:57 | 0:14:59 | |
It was recorded as a charity single to raise money | 0:14:59 | 0:15:01 | |
for veterans of the Charge who had fallen on hard times. | 0:15:01 | 0:15:04 | |
And we can play it... | 0:15:04 | 0:15:05 | |
That's the last thing they want to hear, though, isn't it? | 0:15:05 | 0:15:09 | |
-They'd be terrified. -Oh, my God! | 0:15:09 | 0:15:11 | |
But we can hear it now. | 0:15:12 | 0:15:14 | |
SCRATCHY RECORDING OF BUGLE PLAYING | 0:15:14 | 0:15:20 | |
There you are. | 0:15:26 | 0:15:27 | |
That was Martin Landfried, who was a bugler | 0:15:27 | 0:15:29 | |
and he made that recording in 1890, and the Light Brigade was 1854. | 0:15:29 | 0:15:34 | |
Incredible quality. | 0:15:34 | 0:15:35 | |
It's not bad quality, really, is it? | 0:15:35 | 0:15:37 | |
And that was to help all veterans? | 0:15:37 | 0:15:39 | |
Or just specifically veterans of that particular failed...? | 0:15:39 | 0:15:42 | |
-Specifically the veterans of the Charge, yeah. -Yeah. | 0:15:42 | 0:15:44 | |
So, bugler Martin Landfried lifted | 0:15:44 | 0:15:46 | |
the spirits of the Light Brigade at Balaclava. | 0:15:46 | 0:15:48 | |
How did Chicago get completely screwed up? | 0:15:48 | 0:15:52 | |
They put Catherine Zeta-Jones in it. | 0:15:52 | 0:15:54 | |
LAUGHTER AND APPLAUSE | 0:15:54 | 0:15:56 | |
You are a naughty girl. | 0:15:56 | 0:15:59 | |
-I love that film, it's brilliant. -Didn't she get an Oscar? | 0:16:00 | 0:16:03 | |
-Yeah, she won an Oscar. -I'm joking, she was really good. | 0:16:03 | 0:16:05 | |
-I liked it. -It was a cheap shot. | 0:16:05 | 0:16:07 | |
The sort of Bob Fosse-style choreography. | 0:16:07 | 0:16:09 | |
-They boarded it up with screws. -Sort of. | 0:16:09 | 0:16:11 | |
-Is it literally screwed up? -It was. | 0:16:11 | 0:16:12 | |
-Is it to do with prohibition? -Because it's the windy city? | 0:16:12 | 0:16:15 | |
Not because it's windy, no. | 0:16:15 | 0:16:16 | |
Or Barack Obama. It's always prohibition or Barack Obama. | 0:16:16 | 0:16:19 | |
-No, it was before either. -Valentine's Day massacre. | 0:16:19 | 0:16:21 | |
It's always Prohibition or Barack Obama or Valentine's Day massacre. | 0:16:21 | 0:16:24 | |
-Before any of those things. -So it's, what, Victorian? | 0:16:24 | 0:16:26 | |
Literally the founding of Chicago. | 0:16:26 | 0:16:29 | |
It was a huge stop off on Lake...? | 0:16:29 | 0:16:31 | |
Michigan. | 0:16:31 | 0:16:33 | |
Michigan, Lake Michigan. | 0:16:33 | 0:16:34 | |
And, unfortunately, it was built on a swamp, | 0:16:34 | 0:16:36 | |
and typhus and typhoid were absolutely ravaging the population. | 0:16:36 | 0:16:41 | |
So they decided, with good old American know-how | 0:16:41 | 0:16:44 | |
and sort of optimism, they would jack the city up, | 0:16:44 | 0:16:47 | |
they would screw it up with screw jacks, as they're called. | 0:16:47 | 0:16:50 | |
And there you can see the grey bit all along the bottom, | 0:16:50 | 0:16:53 | |
because they literally were screwing it up. | 0:16:53 | 0:16:55 | |
While people were living in it. | 0:16:55 | 0:16:56 | |
There was the Tremont Hotel, for example, | 0:16:56 | 0:16:58 | |
which covered a whole acre, which they screwed up, there it is. | 0:16:58 | 0:17:01 | |
They screwed it up and they didn't even close the hotel | 0:17:01 | 0:17:04 | |
while it was being lifted up off the ground. | 0:17:04 | 0:17:06 | |
And underneath, in the space, the crawl space, you might say, | 0:17:06 | 0:17:09 | |
they put sewage and fresh water and so on, | 0:17:09 | 0:17:12 | |
and it was a resounding success. And Chicago became... | 0:17:12 | 0:17:14 | |
So there wasn't someone who went to bed in that hotel | 0:17:14 | 0:17:16 | |
and woke up and went, "What the hell has gone on?" | 0:17:16 | 0:17:19 | |
-"I'm on a different floor!" -Yeah! | 0:17:19 | 0:17:21 | |
And, also, the river was full of sewage, | 0:17:21 | 0:17:24 | |
it flowed into the clean Michigan, and so with an ingenious | 0:17:24 | 0:17:27 | |
system of locks they made it reverse in the other direction. | 0:17:27 | 0:17:30 | |
And once a year they dye the river, | 0:17:30 | 0:17:32 | |
which goes beautifully like a Venetian canal, | 0:17:32 | 0:17:35 | |
they dye it green. Why would they do that? | 0:17:35 | 0:17:37 | |
-Paddy's Day. -Indeed. | 0:17:37 | 0:17:39 | |
Cos there are lots of Irish and they have the bagpipes and so on. | 0:17:39 | 0:17:42 | |
And it's a beautiful city, I love it. | 0:17:42 | 0:17:44 | |
That is actually for real, we haven't done that with Photoshop. | 0:17:44 | 0:17:46 | |
-Really? -Yeah. That is how it looks. | 0:17:46 | 0:17:48 | |
So what dye, what...? | 0:17:48 | 0:17:50 | |
Green dye. | 0:17:50 | 0:17:51 | |
LAUGHTER | 0:17:51 | 0:17:53 | |
APPLAUSE | 0:17:53 | 0:17:55 | |
I'm sorry, I can't do better than that. | 0:17:55 | 0:17:56 | |
-I'll accept that. No, no. -I wish I could help. | 0:17:56 | 0:17:58 | |
Probably named viridian or something, emerald. | 0:17:58 | 0:18:01 | |
The towns and cities further down the river | 0:18:01 | 0:18:03 | |
get St Patrick's Day on the wrong day. | 0:18:03 | 0:18:05 | |
LAUGHTER | 0:18:05 | 0:18:07 | |
Yes, the entire city of Chicago was jacked ten feet in the air | 0:18:07 | 0:18:10 | |
to make room for the plumbing. | 0:18:10 | 0:18:11 | |
Now let's lighten the mood with a little light General Ignorance. | 0:18:11 | 0:18:14 | |
Fingers lightly on your buzzers, please. | 0:18:14 | 0:18:16 | |
Name one of the rules in a walking race. | 0:18:16 | 0:18:19 | |
You're not allowed to run, are you? | 0:18:19 | 0:18:21 | |
Well, you certainly can't run, but how do you judge that? | 0:18:21 | 0:18:24 | |
Isn't it that some part of your foot | 0:18:24 | 0:18:26 | |
has to be in contact with the ground? | 0:18:26 | 0:18:28 | |
Oooh... | 0:18:28 | 0:18:29 | |
SIREN | 0:18:29 | 0:18:31 | |
There you are, you see. | 0:18:31 | 0:18:32 | |
Are those shorts strictly legal, though? | 0:18:34 | 0:18:36 | |
-No. -Oh, hello! -There's a little bit of swinging. | 0:18:36 | 0:18:38 | |
-Oh, God, you can really see it! -Just cover that with your hand. | 0:18:38 | 0:18:41 | |
-Oh, dear. -Oh, that's really... | 0:18:41 | 0:18:43 | |
-Please make that stop. -Oh! Wahey! | 0:18:43 | 0:18:45 | |
Please make that stop. | 0:18:45 | 0:18:47 | |
-Oh, that's so wrong. -Oh, dear. | 0:18:47 | 0:18:49 | |
Ah, he's getting nearer! Oh! | 0:18:49 | 0:18:51 | |
Look at the feet! | 0:18:51 | 0:18:52 | |
God, no, no! | 0:18:52 | 0:18:53 | |
-Look at the feet! -God, no! | 0:18:53 | 0:18:56 | |
I feel like we've gone back to the sausage round. | 0:18:56 | 0:18:58 | |
It's gone, it's gone. | 0:18:58 | 0:19:00 | |
Look at the feet, don't look at the trunks. | 0:19:00 | 0:19:02 | |
That isn't a tip to one of the rules we should know, is it? | 0:19:02 | 0:19:05 | |
-No pants. -Yeah. Swinging basket. | 0:19:05 | 0:19:07 | |
Keep the junk in the trunk, I think is one of the rules. | 0:19:07 | 0:19:09 | |
No, the fact is, I will read you the rule if you want to know it, | 0:19:09 | 0:19:12 | |
-it's the... -Why are penises so funny? | 0:19:12 | 0:19:14 | |
From the International Association of Athletics Federations, | 0:19:14 | 0:19:17 | |
the rule book says, "Race walking," as it's called, | 0:19:17 | 0:19:20 | |
"is a progression of steps so taken that the walker makes contact with | 0:19:20 | 0:19:22 | |
"the ground so that no visible to the human eye | 0:19:22 | 0:19:25 | |
"loss of contact occurs." | 0:19:25 | 0:19:27 | |
All Olympic walkers, when you slow them down on TV, have moments, | 0:19:27 | 0:19:30 | |
a few milliseconds, sometimes, when both feet are off the ground, | 0:19:30 | 0:19:33 | |
but it's not visible to the human eye. | 0:19:33 | 0:19:35 | |
But, of course, nowadays you can freeze frame | 0:19:35 | 0:19:37 | |
just about anything incredibly accurately, | 0:19:37 | 0:19:39 | |
so Olympic Games broadcasters and Olympic judges | 0:19:39 | 0:19:41 | |
get absolutely bombarded with calls from people | 0:19:41 | 0:19:43 | |
furious cos they've seen both feet off the ground | 0:19:43 | 0:19:46 | |
and they're convinced that must be against the rules. | 0:19:46 | 0:19:48 | |
But, actually, it isn't. | 0:19:48 | 0:19:49 | |
Race walking is often seen as a comical event | 0:19:49 | 0:19:51 | |
and someone once described it as like having | 0:19:51 | 0:19:53 | |
a competition to see who can whisper the loudest. | 0:19:53 | 0:19:56 | |
Now, here's the crew of the International Space Station. | 0:19:56 | 0:19:59 | |
Why are they weightless? | 0:19:59 | 0:20:00 | |
-Oh... -Yes? | 0:20:02 | 0:20:04 | |
-Because they're in zero gravity. -Oh, dear! | 0:20:04 | 0:20:07 | |
-A common misapprehension. -Yeah. | 0:20:11 | 0:20:12 | |
No, that's not it at all. | 0:20:12 | 0:20:14 | |
There's a huge amount of gravity, they're very close to the earth. | 0:20:14 | 0:20:16 | |
-The moon is... -Oh, so they weren't in flight at that point? | 0:20:16 | 0:20:19 | |
No, they were orbiting the earth. | 0:20:19 | 0:20:21 | |
But they're in free-fall, a bit like sky divers. | 0:20:21 | 0:20:23 | |
And, fortunately, unlike sky divers, | 0:20:23 | 0:20:25 | |
they're also travelling sideways at the same time. | 0:20:25 | 0:20:27 | |
If they weren't, they would crash into the earth. | 0:20:27 | 0:20:30 | |
So there's certainly not zero gravity, there's a lot of gravity. | 0:20:30 | 0:20:32 | |
The Space Station, and the astronauts in free-fall inside it, | 0:20:32 | 0:20:35 | |
is plummeting towards the earth but, because of its curvature, | 0:20:35 | 0:20:39 | |
the ground is falling away from them at the same speed | 0:20:39 | 0:20:42 | |
as they're falling towards it. | 0:20:42 | 0:20:43 | |
To put it another way, the Space Station is constantly falling, | 0:20:43 | 0:20:46 | |
but its tremendous horizontal speed means that it always falls | 0:20:46 | 0:20:49 | |
over the horizon. | 0:20:49 | 0:20:50 | |
They love karaoke, don't they? They love that. | 0:20:50 | 0:20:53 | |
But it's not that there is no gravity acting on them. | 0:20:53 | 0:20:55 | |
There's a huge amount of gravity acting on the spacecraft, | 0:20:55 | 0:20:57 | |
or it would just be lost in space. | 0:20:57 | 0:20:59 | |
So, you didn't do so well on that, so maybe you'll do better on this. | 0:20:59 | 0:21:02 | |
Why do spacecraft get hot on re-entry? | 0:21:02 | 0:21:05 | |
Why do they get hot? | 0:21:05 | 0:21:06 | |
-Friction? -Oh, darling Sue, thank you. | 0:21:06 | 0:21:10 | |
-Yeah, you're welcome. -We hoped for that. | 0:21:10 | 0:21:12 | |
Yeah. Well, you came to the right place if you wanted idiot. | 0:21:12 | 0:21:15 | |
No! You're not idiotic, most of us would have said friction. | 0:21:15 | 0:21:18 | |
It's not friction, actually. It's what's called a bow shock. | 0:21:18 | 0:21:21 | |
It's the pressure on the air in front of it, | 0:21:21 | 0:21:24 | |
like a bow wave of a ship, and the faster you go | 0:21:24 | 0:21:27 | |
the hotter it becomes, because of this enormous pressure on the air. | 0:21:27 | 0:21:31 | |
And there are other examples of that sort of effect, | 0:21:31 | 0:21:34 | |
like a sonic boom, for example, | 0:21:34 | 0:21:36 | |
when you're going faster, which is also a sort of bow shock. | 0:21:36 | 0:21:40 | |
Everything I know about space is entirely taken | 0:21:40 | 0:21:42 | |
from Sandra Bullock's performance in Gravity. | 0:21:42 | 0:21:45 | |
Everything I know about space comes from reading The Right Stuff, | 0:21:45 | 0:21:48 | |
and I know that if you get it wrong, when you re-enter, | 0:21:48 | 0:21:51 | |
-you can skip off the atmosphere. -Oh, absolutely. | 0:21:51 | 0:21:54 | |
No, what, like a stone? | 0:21:54 | 0:21:55 | |
Yeah, then you'll just never come back. | 0:21:55 | 0:21:58 | |
-Then you just keep going. -Yeah. -Yeah. | 0:21:58 | 0:22:00 | |
Well, the fact is, spacecraft heat up on re-entry | 0:22:00 | 0:22:04 | |
because of the bow shock, not the friction. | 0:22:04 | 0:22:06 | |
And, finally, who fancies a quantum-locking levitation lark? | 0:22:06 | 0:22:10 | |
And to help me tonight we have Professor Andrew Boothroyd | 0:22:10 | 0:22:13 | |
of the Physics Department of Oxford University. | 0:22:13 | 0:22:15 | |
Hello, Andrew! | 0:22:15 | 0:22:16 | |
APPLAUSE AND CHEERING | 0:22:16 | 0:22:18 | |
So, here we go, this is going to go over my head, so I'm going to duck. | 0:22:20 | 0:22:23 | |
Ta-da! There it is. | 0:22:23 | 0:22:25 | |
An exciting tray and what looks like a bit of sort of Scalextric | 0:22:25 | 0:22:29 | |
and let's just line it up there. | 0:22:29 | 0:22:31 | |
We've got a little bucket here, what's in this bucket, Andrew? | 0:22:31 | 0:22:33 | |
That's a bucket of liquid nitrogen. | 0:22:33 | 0:22:35 | |
Liquid nitrogen which, as you know, is extremely cold, | 0:22:35 | 0:22:37 | |
and I'm going to dip a rose into it, just to show how cold it is. | 0:22:37 | 0:22:40 | |
I'd better put these gloves on first. Health and safety. | 0:22:40 | 0:22:42 | |
Heston Blumenthal's making a rose dish! | 0:22:42 | 0:22:45 | |
Oh, and these. All safety. Safety, safety, safety. | 0:22:46 | 0:22:51 | |
-Yeah, as long as you're safe, that's the main thing! -Yeah, quite. | 0:22:51 | 0:22:54 | |
Here we go. | 0:22:54 | 0:22:55 | |
So, I'm going to dip a rose into this, you might have had this... | 0:22:55 | 0:22:58 | |
Ooh! Bubbles away. | 0:22:58 | 0:23:00 | |
It's really cold now. | 0:23:02 | 0:23:04 | |
And it might even shatter. | 0:23:04 | 0:23:06 | |
Oh! | 0:23:08 | 0:23:09 | |
Look at that, like glass. | 0:23:09 | 0:23:11 | |
-Shall I not touch the bit that's landed on me?! -No, that's fine. | 0:23:11 | 0:23:14 | |
LAUGHTER | 0:23:14 | 0:23:16 | |
Is it burning into your skin? | 0:23:16 | 0:23:17 | |
It shatters like glass. | 0:23:17 | 0:23:18 | |
I've got a little wart on my finger, is this a chance to burn it off? | 0:23:18 | 0:23:22 | |
-You might get a little cryo... -And the rest of your hand. | 0:23:23 | 0:23:26 | |
It would be a great way of dumping someone on Valentine's Day. | 0:23:26 | 0:23:29 | |
LAUGHTER | 0:23:29 | 0:23:31 | |
So, what have we got here, Andrew? | 0:23:32 | 0:23:34 | |
We've got here a piece of ordinary-looking black ceramic, | 0:23:34 | 0:23:38 | |
which, when we cool it down to very low temperatures, | 0:23:38 | 0:23:41 | |
acquires a very extraordinary property. | 0:23:41 | 0:23:43 | |
-OK. -So if you'd just like to cool it down with liquid nitrogen. | 0:23:43 | 0:23:45 | |
-I shall baste it with liquid nitrogen. -Oh, my word. | 0:23:45 | 0:23:48 | |
-There we are. -And we have a second one over here. | 0:23:50 | 0:23:52 | |
-Oh, right. -Do that one, too. -I'll cool that, as well. | 0:23:52 | 0:23:55 | |
This is like the beginning of every pop video in the '80s. | 0:23:55 | 0:23:58 | |
Tell me what's particular about this? | 0:23:59 | 0:24:01 | |
It loses all its resistance, its electrical resistance, | 0:24:01 | 0:24:04 | |
-and becomes what's known as a super-conductor. -Ah, yes. | 0:24:04 | 0:24:06 | |
That's one thing. | 0:24:06 | 0:24:08 | |
And the other thing is that it acquires the property | 0:24:08 | 0:24:10 | |
that it can bend magnetic field lines | 0:24:10 | 0:24:13 | |
in such a way that it will always try | 0:24:13 | 0:24:16 | |
to resist any motion, even if that means hovering above the ground. | 0:24:16 | 0:24:20 | |
All right. So let's pick it up | 0:24:20 | 0:24:22 | |
and pop it... | 0:24:22 | 0:24:23 | |
Whoops! | 0:24:23 | 0:24:24 | |
There it goes. | 0:24:26 | 0:24:27 | |
-Whoa! -Oh, wow! -Cool. | 0:24:27 | 0:24:29 | |
-Yeah, it's pretty good, isn't it? -Literally. | 0:24:29 | 0:24:32 | |
That makes no effect and you can just give it a tip... | 0:24:32 | 0:24:36 | |
SUE: Oh, that's very strange. | 0:24:36 | 0:24:38 | |
Yeah. There we are. | 0:24:38 | 0:24:39 | |
And as it warms up it'll slowly sink. | 0:24:39 | 0:24:42 | |
-Oh, wow. -There you go. | 0:24:42 | 0:24:43 | |
Is this what you do most days at the Oxford University? | 0:24:43 | 0:24:47 | |
Almost every day. | 0:24:47 | 0:24:49 | |
It's not a bad old job. | 0:24:49 | 0:24:51 | |
So this one here, | 0:24:51 | 0:24:52 | |
is very exciting. | 0:24:52 | 0:24:54 | |
And now it's nice and slidey. | 0:24:54 | 0:24:57 | |
But look at this. | 0:24:57 | 0:24:59 | |
-Cool. -And what's happening there? | 0:25:01 | 0:25:03 | |
-It's the magnetic field, isn't it? -That's correct. -It's interrupted | 0:25:03 | 0:25:06 | |
-by this superconductivity. -But it's not like a normal magnet, | 0:25:06 | 0:25:08 | |
cos a normal magnet would repel when it's up that way | 0:25:08 | 0:25:11 | |
and then it would just fall off. | 0:25:11 | 0:25:12 | |
So this is both repelling and attracting at the same time. | 0:25:12 | 0:25:15 | |
I'm going to give it one more little go | 0:25:15 | 0:25:17 | |
and then we can try it on the track. | 0:25:17 | 0:25:19 | |
I thought you were going to say, "And then we can try it on Alan." | 0:25:19 | 0:25:22 | |
-LAUGHTER -That would not be nice. | 0:25:22 | 0:25:24 | |
-No! -Upside down in a bucket of nitrogen. | 0:25:24 | 0:25:26 | |
There we go. Pop it there. | 0:25:28 | 0:25:29 | |
-Oh, wow! -Fantastic. | 0:25:31 | 0:25:33 | |
-Round it goes. -That's cool. -That's amazing. -Isn't it good? | 0:25:33 | 0:25:36 | |
-FRANK: -Can someone pass the Sellotape? | 0:25:36 | 0:25:38 | |
-It's like a steam train. -And it's got a stream train, | 0:25:38 | 0:25:40 | |
it can go the other way. | 0:25:40 | 0:25:42 | |
-We can put the wrong type of leaf on the track. -LAUGHTER | 0:25:42 | 0:25:45 | |
And is this going to get us to Mars? That's the main question. | 0:25:47 | 0:25:50 | |
Well, what do you think, Andrew? | 0:25:50 | 0:25:51 | |
Are there any practical applications we can think of? | 0:25:51 | 0:25:53 | |
You could use it as a piece of transport like that, | 0:25:53 | 0:25:55 | |
but it's expensive because of the cost of cooling the nitrogen. | 0:25:55 | 0:25:58 | |
So it's not efficient. | 0:25:58 | 0:26:00 | |
But if we could find a superconductor | 0:26:00 | 0:26:02 | |
that worked at room temperature, then it would be viable. | 0:26:02 | 0:26:05 | |
-Right. -SUE: -Are you working on that? | 0:26:05 | 0:26:07 | |
-We are, yes indeed, yes, I am. -I trust you. | 0:26:07 | 0:26:09 | |
-JOSH: -I bet they're not! | 0:26:09 | 0:26:11 | |
They're just playing with this all the time, that's what I'd be doing. | 0:26:11 | 0:26:14 | |
I know, isn't it gorgeous? | 0:26:14 | 0:26:15 | |
So you'd think it would almost be like a maglev train. | 0:26:15 | 0:26:18 | |
That's what it would be like. | 0:26:18 | 0:26:19 | |
-Oh, there we go again. I love that. -Oh, I love it. | 0:26:19 | 0:26:22 | |
-And this, of course, can go on here, as well. -Oh! | 0:26:22 | 0:26:24 | |
Oh! Oh! Oh! | 0:26:24 | 0:26:26 | |
Argh! Ahhh! | 0:26:26 | 0:26:29 | |
Don't be too scared. It's all right. | 0:26:29 | 0:26:31 | |
LAUGHTER | 0:26:31 | 0:26:33 | |
What a pussy! | 0:26:33 | 0:26:35 | |
Sorry! | 0:26:35 | 0:26:36 | |
LAUGHTER AND APPLAUSE | 0:26:36 | 0:26:38 | |
-That's my favourite one. -Boing! | 0:26:39 | 0:26:42 | |
Oh, it's coming round, it's coming round, it's coming round! | 0:26:42 | 0:26:44 | |
Unfortunately, this one is less insulated and it'll probably get... | 0:26:44 | 0:26:48 | |
-Oh, that's stopped it. -It's doing pretty well. | 0:26:48 | 0:26:50 | |
-It is, isn't it? -Oh, my God, that's coming for me. Oh, no. | 0:26:50 | 0:26:53 | |
Cool. | 0:26:54 | 0:26:55 | |
Oh, there you go. Bless its heart. | 0:26:55 | 0:26:57 | |
That would be like the best Christmas present in the world. | 0:26:57 | 0:27:00 | |
What is the magnet made of? | 0:27:00 | 0:27:02 | |
It's rather exciting names - boron and...? | 0:27:02 | 0:27:03 | |
The magnet is made of neodymium, iron and boron | 0:27:03 | 0:27:05 | |
-and that's what the track is made of. -Neodymium? | 0:27:05 | 0:27:08 | |
-Neodymium and iron and boron. -Wonderful. | 0:27:08 | 0:27:10 | |
The superconductor is made of gadolinium, barium, | 0:27:10 | 0:27:12 | |
copper and oxygen. | 0:27:12 | 0:27:14 | |
SUE: But you can just use sticky-backed plastic... | 0:27:14 | 0:27:16 | |
LAUGHTER | 0:27:16 | 0:27:18 | |
..and a Fairy Liquid bottle. | 0:27:18 | 0:27:20 | |
Well, there you have the miracle that is quantum levitation. | 0:27:20 | 0:27:23 | |
-Thanks to Andrew Boothroyd. -SUE: Amazing, Andrew, amazing. | 0:27:23 | 0:27:26 | |
-APPLAUSE AND CHEERING -Thank you, Andrew. Thank you so much. | 0:27:26 | 0:27:29 | |
For once I can say what could be cooler than that? | 0:27:35 | 0:27:38 | |
That's all the levity we've got time for, | 0:27:38 | 0:27:41 | |
so let's have a look at the scores. | 0:27:41 | 0:27:42 | |
It's very exciting. | 0:27:42 | 0:27:44 | |
I'm afraid, bringing up the rear with minus 14, is Sue Perkins. | 0:27:44 | 0:27:48 | |
APPLAUSE | 0:27:48 | 0:27:51 | |
With minus seven, in third place, is Frank Skinner. | 0:27:53 | 0:27:57 | |
APPLAUSE | 0:27:57 | 0:27:58 | |
Well, in a brilliant second is Josh Widdicombe, with five. | 0:28:01 | 0:28:05 | |
APPLAUSE | 0:28:05 | 0:28:07 | |
-Be still, my pulsing member, in first place... -LAUGHTER | 0:28:10 | 0:28:13 | |
with 11 points, is Alan Davies! | 0:28:13 | 0:28:16 | |
APPLAUSE AND CHEERING | 0:28:16 | 0:28:20 | |
Well, thanks for watching and good night | 0:28:22 | 0:28:25 | |
from Sue, Frank, Josh, Alan and me. | 0:28:25 | 0:28:27 | |
We leave you to ponder upon the last words of the French satirist, | 0:28:27 | 0:28:30 | |
Francois Rabelais, in 1553. | 0:28:30 | 0:28:33 | |
These were his dying words - | 0:28:33 | 0:28:34 | |
"I have nothing, I owe much, the rest I leave to the poor." | 0:28:34 | 0:28:38 | |
Good night and thank you. | 0:28:38 | 0:28:40 | |
APPLAUSE | 0:28:40 | 0:28:43 |