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This programme contains some strong language | 0:00:02 | 0:00:09 | |
APPLAUSE | 0:00:28 | 0:00:32 | |
Good evening, good evening, good evening, good evening, | 0:00:32 | 0:00:34 | |
good evening, good evening - and welcome to QI. | 0:00:34 | 0:00:38 | |
Dearly beloved, we are gathered here today to celebrate Marriage and Mating. | 0:00:38 | 0:00:43 | |
To help me tie the knot, I've brought along a few mates - | 0:00:43 | 0:00:47 | |
the ministerial Bill Bailey... APPLAUSE | 0:00:47 | 0:00:51 | |
..the matchmaking Greg Davies... APPLAUSE | 0:00:56 | 0:00:58 | |
..the Maid of Honour, Jo Brand... APPLAUSE | 0:01:00 | 0:01:05 | |
Maid of Honour? | 0:01:05 | 0:01:06 | |
..and the Must We Really Invite Him? Alan Davies. | 0:01:08 | 0:01:12 | |
APPLAUSE | 0:01:12 | 0:01:13 | |
So, let's hear your mating calls. Bill goes... | 0:01:17 | 0:01:21 | |
TOAD CROAKS | 0:01:21 | 0:01:23 | |
You'll recognise that, Bill, being an animal man. | 0:01:24 | 0:01:26 | |
Oh, should I? Is that an animal? | 0:01:26 | 0:01:29 | |
-It's an amphibian. -I thought it was a... | 0:01:30 | 0:01:32 | |
Oh, it's a frog of some kind? | 0:01:32 | 0:01:34 | |
It's a marine toad. | 0:01:34 | 0:01:36 | |
LAUGHTER | 0:01:36 | 0:01:38 | |
And Jo goes... | 0:01:41 | 0:01:42 | |
MOOSE CALL | 0:01:42 | 0:01:44 | |
I do actually go like that. | 0:01:46 | 0:01:47 | |
Well, that was a moose. | 0:01:49 | 0:01:52 | |
And Greg goes... | 0:01:52 | 0:01:53 | |
MONKEY CHATTERS | 0:01:53 | 0:01:56 | |
It's been a few years since I did that. | 0:01:57 | 0:02:00 | |
-That is a spider monkey. -Of course it is. | 0:02:01 | 0:02:03 | |
-Two animals for the price of one. -Wonderful. | 0:02:03 | 0:02:05 | |
So, Alan goes... | 0:02:05 | 0:02:07 | |
-MALE ESSEX ACCENT: -'Hello, darling, you all right?' | 0:02:07 | 0:02:09 | |
LAUGHTER | 0:02:09 | 0:02:12 | |
And that's the mating call of... Where do you come from, Alan, again? | 0:02:13 | 0:02:17 | |
-Essex. -Yeah. There we are. | 0:02:17 | 0:02:18 | |
And then you have sex, that's how it works. | 0:02:19 | 0:02:21 | |
LAUGHTER | 0:02:21 | 0:02:23 | |
Everybody wins. Fantastic. | 0:02:23 | 0:02:26 | |
But what's the recipe for a disastrous marriage? | 0:02:26 | 0:02:29 | |
MOOSE CALL Oh, Jo? | 0:02:29 | 0:02:31 | |
Dead vicar? | 0:02:31 | 0:02:34 | |
It would be, you're right. | 0:02:34 | 0:02:35 | |
MONKEY CHATTERS Yeah? | 0:02:35 | 0:02:37 | |
Live vicar, lovely couple, escaped Bengali tiger. | 0:02:37 | 0:02:40 | |
Yeah, that would be tricky. | 0:02:41 | 0:02:43 | |
You've painted a word picture, Greg, there. | 0:02:43 | 0:02:45 | |
Let's think first about budget. | 0:02:45 | 0:02:47 | |
The price of the wedding? | 0:02:47 | 0:02:49 | |
The price of the wedding, yeah. | 0:02:49 | 0:02:50 | |
Isn't it about 20 grand now? To get... | 0:02:50 | 0:02:54 | |
Yeah, is that a good thing? | 0:02:54 | 0:02:55 | |
-I mean does that affect the long-term... -Oh, I see. | 0:02:55 | 0:02:57 | |
So the more you spend | 0:02:57 | 0:02:58 | |
doesn't necessarily mean you're going to have a happier marriage. | 0:02:58 | 0:03:01 | |
It's actually the more you spend, the shorter the marriage. | 0:03:01 | 0:03:04 | |
-Oh. -Yes. -Oh. -Really? | 0:03:04 | 0:03:06 | |
-Isn't that extraordinary? -It IS extraordinary. | 0:03:06 | 0:03:08 | |
Mine should be over in a couple of weeks. | 0:03:08 | 0:03:11 | |
LAUGHTER | 0:03:11 | 0:03:13 | |
Cost a bloody fortune. | 0:03:13 | 0:03:14 | |
It was a columnist at Emory University, Atlanta, who discovered this. | 0:03:16 | 0:03:20 | |
They found an inverse correlation between money spent | 0:03:20 | 0:03:22 | |
and how long it lasts. | 0:03:22 | 0:03:24 | |
Those who spent less than 1,000 - which is what, £700? - | 0:03:24 | 0:03:29 | |
had divorce rates 53% below average, | 0:03:29 | 0:03:32 | |
while those who spent more than 20,000 - | 0:03:32 | 0:03:34 | |
you were talking about that as a sum - | 0:03:34 | 0:03:36 | |
had divorce rates 46% above average. | 0:03:36 | 0:03:39 | |
What about numbers who attend weddings? | 0:03:39 | 0:03:41 | |
Is that a similar inverse correlation? | 0:03:41 | 0:03:43 | |
The more who come, the shorter the marriage? | 0:03:43 | 0:03:45 | |
-I presume so, because of the cost factor. -Expense, yeah. | 0:03:45 | 0:03:48 | |
Oddly enough, the reverse is true. | 0:03:48 | 0:03:50 | |
The more people who witness the wedding, the longer it lasts. | 0:03:50 | 0:03:56 | |
So you've got to have a cheap wedding with lots of people. | 0:03:56 | 0:03:59 | |
That seems to be the key. | 0:03:59 | 0:04:00 | |
This is Randy Olson, a PhD student at Michigan State. | 0:04:00 | 0:04:03 | |
He found that couples who marry in front of more than 200 people are | 0:04:03 | 0:04:06 | |
92% less likely to get divorced than those who only have a few witnesses. | 0:04:06 | 0:04:11 | |
-So really you want to get married in Selfridges on Christmas Eve. -Yes! | 0:04:11 | 0:04:14 | |
Or maybe, if you want to have it cheap and cheerful, | 0:04:14 | 0:04:17 | |
but lots of people, maybe somewhere like McDonald's, you might think. | 0:04:17 | 0:04:21 | |
In Hong Kong. | 0:04:21 | 0:04:23 | |
For 900, you can get 200 guests at a McDonald's. | 0:04:23 | 0:04:27 | |
-McDonald's Happy Marriage. -It's a Happy Marriage, yes! LAUGHTER | 0:04:27 | 0:04:31 | |
You get a two-hour venue rental, | 0:04:31 | 0:04:34 | |
you get 50 McDonaldland character gifts. | 0:04:34 | 0:04:38 | |
You get two McDonald balloon wedding rings. | 0:04:38 | 0:04:40 | |
Yeah, but how many burgers do you get? | 0:04:40 | 0:04:43 | |
LAUGHTER | 0:04:43 | 0:04:45 | |
Come on, give us that info, | 0:04:45 | 0:04:46 | |
I'm thinking about getting remarried there. | 0:04:46 | 0:04:48 | |
It's a very simple ceremony, isn't it? | 0:04:48 | 0:04:50 | |
You point to the bride, "Do you love it?" "I'm loving it." | 0:04:50 | 0:04:53 | |
-"All right..." -APPLAUSE | 0:04:53 | 0:04:56 | |
It's all over in five minutes. | 0:05:01 | 0:05:02 | |
Yeah. Put a ring on it. | 0:05:02 | 0:05:04 | |
Yeah, that's right. Oh, onions, lovely, put a ring on it. | 0:05:04 | 0:05:06 | |
Onion rings. | 0:05:06 | 0:05:08 | |
If you love it, put an onion ring on it. | 0:05:08 | 0:05:11 | |
Randy Olson from Michigan State, who discovered that we should be... | 0:05:11 | 0:05:15 | |
I can't get a picture of an erection | 0:05:15 | 0:05:16 | |
-with an onion ring on it out of my head. -Oh! | 0:05:16 | 0:05:18 | |
LAUGHTER | 0:05:18 | 0:05:20 | |
-I get that. -How do you get a thought out of your head? | 0:05:20 | 0:05:23 | |
What, like onion ring quoits? | 0:05:23 | 0:05:26 | |
LAUGHTER | 0:05:26 | 0:05:28 | |
I used to do a bit of stand-up about this thing that I found... | 0:05:30 | 0:05:33 | |
-About onion rings? -That sounds great. -That sounds brilliant. | 0:05:35 | 0:05:38 | |
What it was, we were doing a secret Santa, right, | 0:05:38 | 0:05:40 | |
and it was a £10 limit. | 0:05:40 | 0:05:43 | |
And I went in... There was quite a good adult shop on the Essex Road, | 0:05:43 | 0:05:46 | |
and for under £10 the only thing they offered was anal hoopla. | 0:05:46 | 0:05:50 | |
LAUGHTER | 0:05:50 | 0:05:53 | |
Anal hoopla consists of a stick, | 0:05:53 | 0:05:56 | |
-which goes, guess where... -Oh, yeah. | 0:05:56 | 0:05:59 | |
-And three hoops. -LAUGHTER | 0:05:59 | 0:06:02 | |
That's...that's the actual game. | 0:06:03 | 0:06:06 | |
It's an ice breaker. It's an ice breaker. | 0:06:06 | 0:06:09 | |
-If things have gone a bit flat, you know, in the bedroom area. -Come on! | 0:06:09 | 0:06:12 | |
-I mean, the tone of this show is SO difficult to get right. -I'm sorry! | 0:06:12 | 0:06:17 | |
I'm just, I'm recalibrating. | 0:06:17 | 0:06:20 | |
-All this anal hoopla. -Who would have predicted anal hoopla? | 0:06:20 | 0:06:25 | |
On the front of it, on the front of the packet is a cartoon drawing, | 0:06:25 | 0:06:28 | |
a bit like a saucy postcard. | 0:06:28 | 0:06:30 | |
Two people playing, | 0:06:30 | 0:06:32 | |
as if they couldn't get anyone to actually demo it. | 0:06:32 | 0:06:34 | |
-Oh, my goodness, yeah. -I dare say it doesn't work. | 0:06:34 | 0:06:36 | |
Where was this for sale? At the ARSE-nal football ground? | 0:06:36 | 0:06:39 | |
Wahey! | 0:06:39 | 0:06:41 | |
BILL SHOUTS GIBBERISH | 0:06:41 | 0:06:44 | |
-Thank you. -That's Klingon for, "Anal hoopla?" | 0:06:44 | 0:06:46 | |
LAUGHTER | 0:06:46 | 0:06:49 | |
SHOUTS GIBBERISH AGAIN | 0:06:50 | 0:06:55 | |
"No, thanks." | 0:06:55 | 0:06:56 | |
"Let's play Scrabble." | 0:06:57 | 0:06:59 | |
Now, who's still having sex? | 0:07:01 | 0:07:04 | |
-Not me. -Not me. | 0:07:04 | 0:07:07 | |
-I'll tell you what, these toads. -TOAD CROAKS | 0:07:07 | 0:07:09 | |
-They're begging for it. -Begging for it. | 0:07:09 | 0:07:11 | |
-But are they having it? -Are they having it? | 0:07:11 | 0:07:13 | |
Who's still having sex? | 0:07:13 | 0:07:14 | |
What, long-term? Some animals lock together for ages, don't they? | 0:07:14 | 0:07:17 | |
Are we still... are we in the animal kingdom? | 0:07:17 | 0:07:19 | |
Well, Alan, you're in absolutely the right area, | 0:07:19 | 0:07:21 | |
in as much as you've spotted our phrase, | 0:07:21 | 0:07:23 | |
"Still having sex," as being having sex in a still position. | 0:07:23 | 0:07:28 | |
Ah! | 0:07:28 | 0:07:30 | |
So it is the species that most has to be utterly motionless | 0:07:30 | 0:07:34 | |
when having sex that we could discover. | 0:07:34 | 0:07:36 | |
Is it nuns? | 0:07:36 | 0:07:37 | |
LAUGHTER | 0:07:37 | 0:07:39 | |
It's not nuns. | 0:07:41 | 0:07:42 | |
-It's a moth. -A moth? -It's a moth. It's a moth. | 0:07:45 | 0:07:48 | |
-And so... -There it is. -Oh, right. | 0:07:48 | 0:07:50 | |
There it is, beautiful, beautiful moth. It's the gold swift moth. | 0:07:50 | 0:07:54 | |
And it's at its most vulnerable when mating. | 0:07:54 | 0:07:56 | |
Because it might move and exhibit ecstasy. | 0:07:56 | 0:07:59 | |
So what it does instead is keep incredibly still, | 0:07:59 | 0:08:03 | |
so that the bat doesn't spot the twitch, any movement. | 0:08:03 | 0:08:06 | |
But it has a wonderful repertoire of positions... | 0:08:06 | 0:08:09 | |
(sexual positions.) | 0:08:09 | 0:08:10 | |
-(Why are we whispering?) -Unique amongst... | 0:08:10 | 0:08:13 | |
-Because we don't want to disturb it. Look, there they are. -OK. | 0:08:14 | 0:08:18 | |
Do you know what, you went all David Attenborough then. | 0:08:18 | 0:08:21 | |
As though we were sort of... (just about to watch it.) | 0:08:21 | 0:08:24 | |
-I think Stephen's worried about being attacked by a bat. -I was. | 0:08:24 | 0:08:27 | |
AS ATTENBOROUGH: "On the left there is the standard, facing position. | 0:08:27 | 0:08:34 | |
"And in the middle, an extraordinary upside down..." | 0:08:34 | 0:08:37 | |
"See the tiny moth cock." | 0:08:37 | 0:08:38 | |
"Mr Moth and Kate Moth..." | 0:08:40 | 0:08:42 | |
LAUGHTER | 0:08:42 | 0:08:44 | |
-Wahey! -Thank you. | 0:08:44 | 0:08:46 | |
But they are a marvellous species, I think you'll agree. | 0:08:46 | 0:08:49 | |
Yeah, the gold swift moth, | 0:08:49 | 0:08:51 | |
it has to remain completely still when having sex. | 0:08:51 | 0:08:54 | |
Now for something completely different. | 0:08:54 | 0:08:56 | |
Who's still having sex? | 0:08:56 | 0:08:58 | |
The, erm, gold...fish moth? What was it called? | 0:09:02 | 0:09:05 | |
-God, dementia already. -The swift. -Gold swift moth. | 0:09:08 | 0:09:10 | |
-The gold swift. -Oh, the gold swift moth. | 0:09:10 | 0:09:13 | |
JAUNTY TUNE | 0:09:13 | 0:09:14 | |
-Well done. You get points for remembering. -Oh. | 0:09:14 | 0:09:17 | |
We are so impressed, because it's very rare that anyone on QI | 0:09:17 | 0:09:20 | |
can remember the question that's just been asked. | 0:09:20 | 0:09:22 | |
Oh, I was so close, I said goldfish moth. | 0:09:22 | 0:09:24 | |
You were close. I know. | 0:09:24 | 0:09:25 | |
-Is this a new thing, then? Master Of Memory? -Yes, that's right. -Wow! | 0:09:25 | 0:09:28 | |
-Yeah, well done you. -Will we get some slightly easier ones, like our names? | 0:09:28 | 0:09:32 | |
-Because my memory's terrible. -Mine's terrible. -Yeah, really bad. | 0:09:34 | 0:09:37 | |
Such a fabulously middle-aged new feature. | 0:09:37 | 0:09:40 | |
-Isn't it?! -I love it. -I know. | 0:09:40 | 0:09:41 | |
Master of Memory! | 0:09:41 | 0:09:42 | |
Well done for remembering something seconds ago. | 0:09:44 | 0:09:47 | |
LAUGHTER | 0:09:47 | 0:09:50 | |
FRAIL VOICE: "Is it Neville Chamberlain?" | 0:09:50 | 0:09:53 | |
-Anyway... -"One of those rave parties." | 0:09:53 | 0:09:56 | |
LAUGHTER | 0:09:56 | 0:09:58 | |
So what was the question? | 0:09:59 | 0:10:01 | |
-Eh? What? -Eh? What, what? -What was the question? | 0:10:01 | 0:10:04 | |
Who's still having sex? | 0:10:04 | 0:10:05 | |
Yes, well done. You remembered that, good. | 0:10:05 | 0:10:07 | |
"I like a bit of kedgeree in the morning..." | 0:10:07 | 0:10:09 | |
LAUGHTER | 0:10:09 | 0:10:11 | |
So it's another question, who's still having sex? | 0:10:11 | 0:10:13 | |
Is it anything to do with that lady in the picture? | 0:10:13 | 0:10:16 | |
-No, the picture, as always, is a complete distraction. -She's washed her smalls. | 0:10:16 | 0:10:19 | |
-Oh, I suppose that's what it is. -Old ladies don't wear underwear like that. | 0:10:19 | 0:10:23 | |
That one does. | 0:10:23 | 0:10:25 | |
-I think they're her husband's. -Do you? | 0:10:25 | 0:10:27 | |
LAUGHTER | 0:10:27 | 0:10:29 | |
So who's still having sex? | 0:10:29 | 0:10:32 | |
-It's a fetish. -A cult. -Another animal? | 0:10:32 | 0:10:34 | |
A fetish about having sex with things that are still. | 0:10:34 | 0:10:36 | |
-Oh, oh... -Oh, I see. -Statues? | 0:10:36 | 0:10:38 | |
-Yes. -Oh. | 0:10:38 | 0:10:40 | |
-Absolutely right. -Is it? -Really? -Yeah, yeah. | 0:10:40 | 0:10:42 | |
And what's the Greek myth of someone who fell in love with a statue? | 0:10:42 | 0:10:46 | |
-Oh, thing. -"Thing," yes. | 0:10:46 | 0:10:49 | |
-Can we do better? -What's it begin with? | 0:10:49 | 0:10:50 | |
-It begins with, well, the... -Pygmalion. | 0:10:50 | 0:10:52 | |
The sculpture begins with P, Pygmalion, exactly. | 0:10:52 | 0:10:54 | |
Pygmalion is the sculpture of... | 0:10:54 | 0:10:56 | |
-Yes! Memory, memory! -ONE PERSON APPLAUDS | 0:10:56 | 0:10:58 | |
Thank you. That one person. | 0:10:58 | 0:11:00 | |
-APPLAUSE -Well, no, but... | 0:11:00 | 0:11:03 | |
Pygmalion made a statue of Galatea and he fell in love with it. | 0:11:05 | 0:11:09 | |
And in the myth, the gods took pity and breathed life into her. | 0:11:09 | 0:11:13 | |
But it does seem to be a genuine passion people have. | 0:11:13 | 0:11:15 | |
Even in Greek times, the first recorded case, Pliny claimed... | 0:11:15 | 0:11:19 | |
-And we love Pliny, don't we? -Yeah. -Oh, yes, yes. | 0:11:19 | 0:11:22 | |
Pliny claimed that Praxiteles' naked statue of Aphrodite of Cnidus, | 0:11:22 | 0:11:26 | |
-which is the first naked female statue of that time. -Yes. | 0:11:26 | 0:11:29 | |
Apparently she had a permanent stain on her leg from where | 0:11:29 | 0:11:32 | |
a sailor got carried away. | 0:11:32 | 0:11:34 | |
-Wow. -Ugh. | 0:11:34 | 0:11:35 | |
What you might call seaman stains. AUDIENCE GROANS | 0:11:35 | 0:11:39 | |
Seamen stains, yeah, well, it's true. Quite literally. | 0:11:39 | 0:11:42 | |
But Cleisophus was a man who tried to make love to | 0:11:42 | 0:11:44 | |
a statue in the temple of Samos. | 0:11:44 | 0:11:46 | |
When he found the marble very, very cold, he changed his mind | 0:11:46 | 0:11:50 | |
and laid out a piece of meat on the floor and made love to that instead. | 0:11:50 | 0:11:53 | |
AUDIENCE GROANS | 0:11:53 | 0:11:55 | |
-It's an incredible jump to make, isn't it? -It is, a species... | 0:11:55 | 0:11:58 | |
"Oh, this statue's not working for me, get me down the butcher's." | 0:11:58 | 0:12:02 | |
It is a bit odd, isn't it? That would make... | 0:12:02 | 0:12:04 | |
But surely a statue is only a kind of less giving blow-up doll, | 0:12:04 | 0:12:09 | |
-really, isn't it? Don't you think? -This is a really good point, Jo, | 0:12:09 | 0:12:12 | |
because you've absolutely... | 0:12:12 | 0:12:14 | |
APPLAUSE | 0:12:14 | 0:12:16 | |
Yeah, thank you. | 0:12:16 | 0:12:17 | |
Sex psychiatrists have - | 0:12:19 | 0:12:21 | |
sexologists as they like to call themselves - were early on puzzled by | 0:12:21 | 0:12:24 | |
the fact that this particular fetish seemed to die away in the 1950s, | 0:12:24 | 0:12:30 | |
until they'd considered that maybe it was replaced by the love | 0:12:30 | 0:12:33 | |
of blow-up dolls, as they arrived on the market. | 0:12:33 | 0:12:36 | |
So it is, whatever that fetish is, that desire to... | 0:12:36 | 0:12:40 | |
I suppose it's to... so often the case, men's control, | 0:12:40 | 0:12:42 | |
power and all that sort of thing, | 0:12:42 | 0:12:44 | |
that you can control and have power over something that | 0:12:44 | 0:12:47 | |
-can't answer back, that is inanimate. -Well, I saw... -Yeah? | 0:12:47 | 0:12:49 | |
I saw a picture in the paper the other day of a very lifelike woman robot. | 0:12:49 | 0:12:54 | |
And I must admit thinking to myself, it's not going to be long. | 0:12:54 | 0:12:57 | |
-It isn't, is it? -No. | 0:12:57 | 0:12:59 | |
Wait a minute, that was Theresa May. | 0:12:59 | 0:13:01 | |
APPLAUSE | 0:13:01 | 0:13:03 | |
Now, who married Big-Mouthed Margaret? | 0:13:08 | 0:13:11 | |
Denis. | 0:13:12 | 0:13:13 | |
KLAXON BLARES | 0:13:13 | 0:13:15 | |
Oh, thank you. Thank you for that. | 0:13:17 | 0:13:20 | |
Well, how can you know Big-Mouthed Margaret? | 0:13:20 | 0:13:23 | |
Was it Tiny Todger Tony? | 0:13:23 | 0:13:26 | |
LAUGHTER | 0:13:26 | 0:13:27 | |
If I said Muckle-Mou'ed Meg, would that help? | 0:13:30 | 0:13:35 | |
Muckle being big and mou'ed being mouthed, Meg being Margaret. | 0:13:35 | 0:13:39 | |
Is it Rabbie Burns? | 0:13:39 | 0:13:41 | |
Well, no, but, astonishingly, you're in the right area, | 0:13:41 | 0:13:45 | |
in as much as it involves a very - probably after Robbie Burns - | 0:13:45 | 0:13:49 | |
-the most famous Scottish writer. -Wee Willy Winkie. | 0:13:49 | 0:13:52 | |
The most famous Scottish writer after Robbie Burns. | 0:13:52 | 0:13:55 | |
-Walter Scott? -Walter Scott, yes, brilliant. -Bloody hell! | 0:13:55 | 0:13:58 | |
APPLAUSE Really good. | 0:13:58 | 0:14:00 | |
-You're on fire. -I'm on fire! | 0:14:00 | 0:14:02 | |
You are on fire. | 0:14:02 | 0:14:05 | |
Yeah, and there you can see William Scott and the woman herself, | 0:14:05 | 0:14:08 | |
Muckle-Mou'ed Meg. | 0:14:08 | 0:14:09 | |
And William Scott was Walter Scott's great-great-grandfather, | 0:14:09 | 0:14:14 | |
and he stole some cattle off a man. | 0:14:14 | 0:14:17 | |
And he was sentenced to be hanged, or to marry the man's | 0:14:17 | 0:14:22 | |
incredibly, apparently, ugly daughter, Muckle-Mou'ed Meg. | 0:14:22 | 0:14:26 | |
-I know, it's... -What sort of a court was this? | 0:14:26 | 0:14:29 | |
And William Scott said, "I think I'll be hanged." | 0:14:29 | 0:14:33 | |
LAUGHTER | 0:14:33 | 0:14:34 | |
But at the very last minute he changed his mind and he married her. | 0:14:34 | 0:14:37 | |
And they had a very happy marriage. | 0:14:37 | 0:14:40 | |
And because of it, they had Walter Scott as a... | 0:14:40 | 0:14:44 | |
Even Robert Browning wrote a poem on it, because they all | 0:14:44 | 0:14:46 | |
worshiped Walter Scott in a way that we don't any more. | 0:14:46 | 0:14:49 | |
Jane Austen venerated him, | 0:14:49 | 0:14:51 | |
particularly the European writers, Balzac and others venerated him. | 0:14:51 | 0:14:55 | |
Yes, William Scott said, "I do," to Muckle-Mouthed Meg. | 0:14:55 | 0:14:59 | |
And it's a good thing he did, or we wouldn't have Sir Walter. | 0:14:59 | 0:15:02 | |
But who advised dissecting a woman before marrying one? | 0:15:02 | 0:15:06 | |
I think my husband said something similar, | 0:15:06 | 0:15:08 | |
when we were a bit pissed one night. | 0:15:08 | 0:15:10 | |
Some great, one of the Victorian... | 0:15:12 | 0:15:14 | |
He was a great, and he was 19th century. | 0:15:14 | 0:15:17 | |
Oddly enough, I've mentioned his name today. | 0:15:17 | 0:15:19 | |
He was a great writer. | 0:15:19 | 0:15:22 | |
-Walter Scott. -No. | 0:15:22 | 0:15:23 | |
-Balzac. -Honore de Balzac. | 0:15:23 | 0:15:25 | |
-Pliny. -Honore de Balzac is the right answer. | 0:15:25 | 0:15:27 | |
-I just said Balzac! I said Balzac! -No, he did just say that. He did. | 0:15:27 | 0:15:30 | |
-You didn't say the first name! -All right, calm down. There he is. | 0:15:30 | 0:15:33 | |
There he is, I'd know him anywhere! | 0:15:33 | 0:15:35 | |
Did his fiancee hang herself? | 0:15:35 | 0:15:38 | |
-Bless him. -Well, his fiancee stayed his fiancee for a very, very long time. | 0:15:39 | 0:15:43 | |
He fell in love with a countess, who said, "You can't marry me | 0:15:43 | 0:15:46 | |
"until my husband dies," because she was already married. | 0:15:46 | 0:15:49 | |
And it took 17 years. | 0:15:49 | 0:15:51 | |
Eventually they got married. | 0:15:51 | 0:15:52 | |
Five months later, Balzac died. | 0:15:52 | 0:15:54 | |
So, he didn't get much use out of her, | 0:15:54 | 0:15:56 | |
if that's the right word. | 0:15:56 | 0:15:57 | |
-I don't think it is. -No. | 0:15:57 | 0:15:59 | |
He wrote a book in 1829 called The Physiology Of Marriage, | 0:16:00 | 0:16:03 | |
in which he said, "A man ought not to marry without having | 0:16:03 | 0:16:06 | |
"studied anatomy and dissected at least one woman." | 0:16:06 | 0:16:10 | |
-So, I mean a dead woman, he's not... -Oh, that's such a creepy suggestion. -It is a bit creepy. | 0:16:10 | 0:16:13 | |
I guess it's so he knows what's... the bits, where they all go. | 0:16:13 | 0:16:17 | |
-And where everything is. -Really? | 0:16:17 | 0:16:20 | |
No, I hand my mother a cup of tea without knowing | 0:16:20 | 0:16:22 | |
the workings of her hand. | 0:16:22 | 0:16:24 | |
-That's a very good point. -It's not very romantic, is it? -No. | 0:16:24 | 0:16:26 | |
-"Darling..." -Well, I don't want it to be, she's my mother. | 0:16:26 | 0:16:29 | |
LAUGHTER | 0:16:29 | 0:16:31 | |
There's a lot worse coming, which I'm not going to read you, | 0:16:31 | 0:16:34 | |
-because you'll never read Balzac again. -Ooh, great. -Oh, please. | 0:16:34 | 0:16:37 | |
He said that "A man should weaken the will | 0:16:37 | 0:16:39 | |
"and strength of a wife by tiring her out under the load of constant work, | 0:16:39 | 0:16:43 | |
"so that she has no energy left to cause trouble." | 0:16:43 | 0:16:47 | |
-He deserved a big spank, didn't he? -He was an early founder of Ukip. | 0:16:47 | 0:16:50 | |
LAUGHTER | 0:16:50 | 0:16:53 | |
And, very weirdly, he said, "Never allow her to drink water alone. | 0:16:53 | 0:16:57 | |
"If you do, you are lost." | 0:16:57 | 0:17:00 | |
I mean, it's interesting, | 0:17:00 | 0:17:01 | |
within a few sentences he is clearly just a fucking nutter, isn't he? | 0:17:01 | 0:17:05 | |
-Yeah. -He's having a laugh, surely. | 0:17:05 | 0:17:07 | |
I'd find him hard to forgive if he wasn't such a looker. | 0:17:07 | 0:17:11 | |
LAUGHTER | 0:17:11 | 0:17:13 | |
Do you know the Rodin sculpture of him, which is fantastic? | 0:17:13 | 0:17:15 | |
It's one of the great works of art. | 0:17:15 | 0:17:17 | |
-I've rubbed against it. -Have you? -No! | 0:17:17 | 0:17:20 | |
LAUGHTER | 0:17:20 | 0:17:23 | |
Now, what do monkeys spend their money on? | 0:17:23 | 0:17:27 | |
It depends on the monkey, doesn't it? | 0:17:27 | 0:17:29 | |
Your macaque will spend it on cigarettes and drink. | 0:17:29 | 0:17:32 | |
Your mandrill, DIY. | 0:17:32 | 0:17:34 | |
LAUGHTER Clever! | 0:17:34 | 0:17:37 | |
Very good. Man-drill. | 0:17:39 | 0:17:41 | |
-Surely the macaque would spend it on lavatory paper. -Of course! | 0:17:44 | 0:17:48 | |
Oh, we're going that way, are we? Oh, OK. I see. | 0:17:49 | 0:17:53 | |
Food, I bet this... | 0:17:53 | 0:17:54 | |
Is this going to be some sort of experiment where they got rewarded | 0:17:54 | 0:17:58 | |
with something and they had to take it somewhere to get something else? | 0:17:58 | 0:18:01 | |
-Like sort of a monkey thing? -Well, they actually were taught... | 0:18:01 | 0:18:04 | |
they were taught the principles of money, monetary exchange. | 0:18:04 | 0:18:07 | |
They were given silver discs | 0:18:07 | 0:18:08 | |
and taught that they could exchange them for food. | 0:18:08 | 0:18:11 | |
These are capuchins. | 0:18:11 | 0:18:12 | |
So called because of their colours, the creamy top... | 0:18:12 | 0:18:15 | |
-They really do look at a camera lens, monkeys. -Those do, yeah. | 0:18:15 | 0:18:17 | |
-You see those shots of loads of monkeys all staring at a camera lens. -Yeah. | 0:18:17 | 0:18:21 | |
If you've noticed, there's one of them who's not looking at the camera lens. | 0:18:21 | 0:18:24 | |
LAUGHTER | 0:18:24 | 0:18:26 | |
Quite notably, yes. | 0:18:31 | 0:18:33 | |
Unless that monkey has had a very unfortunate accident with a camera. | 0:18:33 | 0:18:37 | |
Or he's looking for a game of anal hoopla. | 0:18:37 | 0:18:40 | |
Why are capuchins called capuchins? | 0:18:40 | 0:18:42 | |
-Isn't it something to do with... -Cappuccino. | 0:18:42 | 0:18:45 | |
Cappuccino? Because they're coffee-coloured? | 0:18:45 | 0:18:47 | |
Because they are the same colour as cappuccino, | 0:18:47 | 0:18:49 | |
cream colour at the top, dark at the bottom. | 0:18:49 | 0:18:51 | |
-But that's why... -Monks. | 0:18:51 | 0:18:53 | |
That's right, it starts with the monks. | 0:18:53 | 0:18:55 | |
APPLAUSE | 0:18:55 | 0:18:57 | |
What is going on today? | 0:18:58 | 0:19:00 | |
Something's gone wrong with me, I tell you, because normally... | 0:19:00 | 0:19:04 | |
Capuchin monks have a cream-coloured cowl and dark habit. | 0:19:04 | 0:19:07 | |
And so the coffee was named cappuccino, | 0:19:07 | 0:19:10 | |
-because it was creamy at the top and coffee below. -Oh! | 0:19:10 | 0:19:14 | |
And similarly, capuchin monkeys have that colouring. | 0:19:14 | 0:19:17 | |
It's impossible to take your eyes off that one, I want to. | 0:19:17 | 0:19:21 | |
I just imagine what's going on in his head. | 0:19:21 | 0:19:23 | |
It is so severely inspecting, isn't he? | 0:19:23 | 0:19:25 | |
"Mate, you've got a problem back here, seriously." | 0:19:25 | 0:19:29 | |
"Something's just crawled into your arse." | 0:19:29 | 0:19:31 | |
LAUGHTER | 0:19:31 | 0:19:34 | |
Researchers at Yale taught capuchin monkeys that in exchange | 0:19:34 | 0:19:36 | |
for a certain number of tokens, | 0:19:36 | 0:19:38 | |
they could buy a certain number of grapes or little cubes of jelly. | 0:19:38 | 0:19:43 | |
Once they grasped this, the extraordinary thing was, | 0:19:43 | 0:19:46 | |
they really got the whole concept. | 0:19:46 | 0:19:47 | |
One of the monkeys used their new currency to give to a female | 0:19:47 | 0:19:51 | |
to have sex with him - | 0:19:51 | 0:19:53 | |
essentially a prostitute. | 0:19:53 | 0:19:55 | |
And the female would then take the disc and buy herself a grape. | 0:19:55 | 0:19:59 | |
So the money had gone, you know, through the system, as money does. | 0:19:59 | 0:20:03 | |
Anyway, what uses can you think of for a parachute on your wedding day? | 0:20:03 | 0:20:07 | |
Dress? | 0:20:08 | 0:20:09 | |
Yes! It's that simple. | 0:20:09 | 0:20:12 | |
APPLAUSE | 0:20:12 | 0:20:15 | |
You're running away with it. | 0:20:15 | 0:20:17 | |
Well, normally I'm thick as shit, | 0:20:17 | 0:20:18 | |
I can't really understand what's going on. Anyway. | 0:20:18 | 0:20:21 | |
It was particularly in World War II, and parachutes were made out of? | 0:20:21 | 0:20:24 | |
-AUDIENCE: -Silk. -BILL: -Silk, yes. | 0:20:24 | 0:20:26 | |
Thank you, ladies and gentlemen, exactly. | 0:20:26 | 0:20:29 | |
And any spare, or ones that were found in fields, | 0:20:29 | 0:20:32 | |
were grabbed by grateful people to turn into wedding dresses. | 0:20:32 | 0:20:35 | |
There was a village in 1941 where a German soldier | 0:20:35 | 0:20:39 | |
landed in his parachute and he... | 0:20:39 | 0:20:41 | |
Didn't have a swastika on it, did it? | 0:20:41 | 0:20:44 | |
No, no, fortunately not! Or if it did... | 0:20:44 | 0:20:46 | |
ALAN SINGS THE WEDDING MARCH | 0:20:46 | 0:20:49 | |
"I say, she's got a bloody swastika!" | 0:20:49 | 0:20:51 | |
LAUGHTER | 0:20:51 | 0:20:53 | |
"I think that's in very bad taste." | 0:20:56 | 0:20:58 | |
Even if they were, it was great, because that village | 0:21:00 | 0:21:03 | |
turned them into bloomers, you known, into long knickers. | 0:21:03 | 0:21:05 | |
Oh, that's all right, to have a swastika on your bloomers, though. | 0:21:05 | 0:21:08 | |
-Well, no-one would see. -I think it's positively encouraged, actually. | 0:21:08 | 0:21:13 | |
"There's something you don't know about me..." | 0:21:13 | 0:21:15 | |
LAUGHTER | 0:21:15 | 0:21:17 | |
But there you see a wedding dress, | 0:21:20 | 0:21:22 | |
and the majority of wedding dresses were not white until after the war. | 0:21:22 | 0:21:28 | |
White was a more common colour than any other, | 0:21:28 | 0:21:30 | |
but it still wasn't the majority. | 0:21:30 | 0:21:32 | |
Jane Austen's mother wore a bright red dress, for example. | 0:21:32 | 0:21:36 | |
And Queen Victoria had a white wedding dress, | 0:21:36 | 0:21:39 | |
and that was quite a sort of fashion statement that people copied. | 0:21:39 | 0:21:43 | |
But things didn't get really white | 0:21:43 | 0:21:45 | |
until the age of the washing machine and things like that. | 0:21:45 | 0:21:48 | |
Right, it was a luxury, afforded by the rich. | 0:21:48 | 0:21:50 | |
And even in the '50s, people expected to wear their wedding dress | 0:21:50 | 0:21:54 | |
again, it wasn't a one-off thing, as it is now. | 0:21:54 | 0:21:56 | |
But I'll tell you an interesting thing about Queen Victoria. | 0:21:56 | 0:21:58 | |
-Yeah? -Yeah. | 0:21:58 | 0:21:59 | |
When she died, towards the end of her life... | 0:21:59 | 0:22:03 | |
LAUGHTER | 0:22:03 | 0:22:05 | |
-No, it's gossip and I feel guilty about telling you. -Go on. | 0:22:05 | 0:22:07 | |
She won't find out. | 0:22:07 | 0:22:09 | |
She was wider than she was tall. | 0:22:09 | 0:22:12 | |
-Really? -So? | 0:22:12 | 0:22:14 | |
APPLAUSE | 0:22:14 | 0:22:16 | |
-I wore my wedding dress again, actually. -Did you? | 0:22:21 | 0:22:24 | |
Yeah. I went to a fancy dress party as Alaska. | 0:22:24 | 0:22:27 | |
-LAUGHTER -Anyway... | 0:22:27 | 0:22:29 | |
Tell us about...more about old... | 0:22:29 | 0:22:31 | |
She was 59 inches tall, | 0:22:31 | 0:22:34 | |
-and she was 66 inches wide. -Wow! -Bless her. -Really? -Yes. | 0:22:34 | 0:22:38 | |
-But wide or in circumference? -In circumference. -Yeah, I was going to say. -Sorry, not wide. | 0:22:38 | 0:22:42 | |
-She can't possibly have been... -No, no. Sorry. LAUGHTER | 0:22:42 | 0:22:46 | |
That's circumference. Yeah. | 0:22:46 | 0:22:48 | |
-I don't mean width, but I mean... -"Here she comes." | 0:22:48 | 0:22:50 | |
All the way round was 66. | 0:22:50 | 0:22:52 | |
-"We're going to have to knock through." -Yeah. | 0:22:52 | 0:22:56 | |
Can't get through any of the doors. | 0:22:56 | 0:22:58 | |
And that's how the Victoria Line was started. | 0:22:59 | 0:23:01 | |
She needs a pew of her own. | 0:23:03 | 0:23:05 | |
The Albert Hall was just a cast of her body. | 0:23:07 | 0:23:09 | |
This is her bust size, I'm talking about. 66. | 0:23:11 | 0:23:14 | |
-Wow! -66 bust? -Yeah. -Crikey! -Good Lord! | 0:23:14 | 0:23:16 | |
-She was very short. -Oo-hee, there's some lovin' there. | 0:23:16 | 0:23:20 | |
Her bloomers were sold, quite recently, for over £6,000. | 0:23:20 | 0:23:23 | |
Must have been an enormous swastika on there. | 0:23:23 | 0:23:26 | |
-Almost certainly a swastika. -What do you think their waist was? | 0:23:26 | 0:23:29 | |
Bloomers start at the waist, they're like pants... | 0:23:29 | 0:23:31 | |
-80 inches. -Well... -XXXL. | 0:23:31 | 0:23:34 | |
Yeah, they were XXX... There were lots of Xs, 52 inch waist. | 0:23:34 | 0:23:37 | |
-And she was what, what did we, how tall? -4'11". | 0:23:37 | 0:23:39 | |
-59 inches. -4'11". Aw. -Bless her heart. | 0:23:39 | 0:23:43 | |
-A tiny, little Queen. -Yes, she was! | 0:23:43 | 0:23:46 | |
Now it's time to enrol in the dreaded school of General Ignorance. | 0:23:46 | 0:23:50 | |
Name a monogamous bird? | 0:23:50 | 0:23:52 | |
Me. | 0:23:52 | 0:23:54 | |
LAUGHTER | 0:23:54 | 0:23:55 | |
Swan. | 0:23:55 | 0:23:56 | |
KLAXON BLARES | 0:23:56 | 0:23:58 | |
Sorry, we just had to get you there. | 0:23:58 | 0:24:00 | |
-MAN IN AUDIENCE: -Penguin. | 0:24:01 | 0:24:03 | |
Penguin. Penguin from the audience. | 0:24:03 | 0:24:05 | |
Oh, does the audience want one? KLAXON BLARES | 0:24:05 | 0:24:08 | |
APPLAUSE | 0:24:08 | 0:24:11 | |
-That's what happens... -We've got a dumb audience. | 0:24:11 | 0:24:13 | |
-Yeah, you see. -Not so clever now. | 0:24:13 | 0:24:15 | |
LAUGHTER | 0:24:15 | 0:24:18 | |
-ANOTHER MAN: -Magpie. | 0:24:18 | 0:24:19 | |
No, it's a nun, it's a nun. | 0:24:19 | 0:24:21 | |
APPLAUSE | 0:24:21 | 0:24:23 | |
Almost no birds are monogamous, | 0:24:24 | 0:24:26 | |
even ones that are thought of as monogamous are not truly monogamous. | 0:24:26 | 0:24:30 | |
They misbehave. They cheat. | 0:24:30 | 0:24:32 | |
I mean, the only one we've come up with is the black vulture. | 0:24:32 | 0:24:35 | |
-Where you do genetic tests... -Nobody... -Nobody will have him. -No. | 0:24:35 | 0:24:38 | |
Ugh! | 0:24:38 | 0:24:40 | |
A proud, handsome fellow. | 0:24:40 | 0:24:42 | |
-Or girl. -He is monogamous? -He is, yeah. -Not by choice. -Yeah. | 0:24:42 | 0:24:46 | |
LAUGHTER | 0:24:46 | 0:24:48 | |
No infidelity is found by DNA testing, | 0:24:48 | 0:24:51 | |
whereas in almost all the other birds... | 0:24:51 | 0:24:53 | |
Ducks are... They're dirty sods, aren't they? | 0:24:53 | 0:24:56 | |
Swans have also...black swans in particular - one in six signets is | 0:24:56 | 0:25:00 | |
the result of extra-pair copulation, what we would call extra-marital. | 0:25:00 | 0:25:04 | |
-Yes. -Despite the love hearts | 0:25:04 | 0:25:06 | |
and the beautiful romantic shape that they make. | 0:25:06 | 0:25:08 | |
Other orders or classes of animal that are genuinely monogamous, | 0:25:08 | 0:25:11 | |
apart from black vultures, are the flatworm Diplozoon paradoxum. | 0:25:11 | 0:25:16 | |
When a male meets a female, they actually fuse together, | 0:25:16 | 0:25:18 | |
so they don't really have any choice in the matter. | 0:25:18 | 0:25:21 | |
So they remain faithful till death. | 0:25:21 | 0:25:24 | |
And voles. | 0:25:24 | 0:25:25 | |
-That's very sweet. Look at that. -Aw! | 0:25:25 | 0:25:27 | |
How can you not love a vole? | 0:25:27 | 0:25:29 | |
Everything eats them as well, it's such a shame for them. Yeah. | 0:25:29 | 0:25:32 | |
-Owls in particular. -Yeah. -An owl can hear the heartbeat of a vole or... | 0:25:32 | 0:25:37 | |
-Or a shrew. -..or something, from, when it's four feet underground, | 0:25:37 | 0:25:41 | |
-when it's flying overhead. -I know, it's amazing. | 0:25:41 | 0:25:43 | |
And they've got their concave face, the owls, | 0:25:43 | 0:25:45 | |
it's like an echo chamber, and they can hear the heartbeat underground. | 0:25:45 | 0:25:48 | |
-Isn't that amazing? They say they can, anyway. -Yeah. | 0:25:48 | 0:25:53 | |
"Yes, I heard it underground. Hmm." | 0:25:53 | 0:25:55 | |
I was like that when I had my ears waxed | 0:25:55 | 0:25:57 | |
and it was like that, you know, coming out of the surgery. | 0:25:57 | 0:26:00 | |
"Oh, my God, I can hear a vole four miles away!" | 0:26:00 | 0:26:03 | |
I saw an owl flying for the first time in my life this year. | 0:26:03 | 0:26:08 | |
-And they make no noise at all, do they? -No. | 0:26:08 | 0:26:10 | |
-And apparently they're really thick. -Are they? | 0:26:10 | 0:26:12 | |
-They're not as wise as people have been going on about, are they? -No, apparently not. | 0:26:12 | 0:26:16 | |
Barn owls are really stupid, they don't even know where they live. | 0:26:16 | 0:26:19 | |
They have to have the habitat built into the name. | 0:26:19 | 0:26:21 | |
"Where do I live? Barn, barn! That's it. Oh, yes." | 0:26:25 | 0:26:27 | |
LAUGHTER | 0:26:27 | 0:26:30 | |
Well, voles are monogamous and charming | 0:26:30 | 0:26:32 | |
and indeed their names are an anagram of? | 0:26:32 | 0:26:35 | |
-Love. -Yes. Isn't that nice? | 0:26:35 | 0:26:38 | |
Well, many supposedly monogamous birds have a little tit on the side. | 0:26:38 | 0:26:42 | |
Who can marry you at sea? | 0:26:44 | 0:26:48 | |
The captain of the ship. | 0:26:48 | 0:26:50 | |
KLAXON BLARES | 0:26:50 | 0:26:51 | |
A vicar who happened to be on the ship. | 0:26:56 | 0:26:59 | |
Ship's entertainer? | 0:26:59 | 0:27:01 | |
No. No, I don't think so. | 0:27:01 | 0:27:02 | |
That would be great, wouldn't it? "Des O'Connor's marrying you." | 0:27:02 | 0:27:06 | |
The thing is, a ship's captain can't, and never has been able to. | 0:27:06 | 0:27:10 | |
-It's a total myth. -Oh. -Where's that come from, then? Why do I know that to be true? | 0:27:10 | 0:27:13 | |
It seems to come from films, you know, all kinds of things. | 0:27:13 | 0:27:16 | |
The Amorous Adventures of Moll Flanders, it happens. | 0:27:16 | 0:27:18 | |
-Look, Bill, there's your pipe character made flesh. -Oh, yes. | 0:27:18 | 0:27:21 | |
-Oh, yes. It is, yeah. -Look at that moustache. | 0:27:21 | 0:27:23 | |
"Good God! | 0:27:23 | 0:27:25 | |
"I can't marry you, but I can have a bloody good go." | 0:27:26 | 0:27:28 | |
LAUGHTER | 0:27:28 | 0:27:31 | |
"The things I can do with this moustache, | 0:27:33 | 0:27:35 | |
-"you wouldn't believe, madam." -"Extraordinary." | 0:27:35 | 0:27:38 | |
"Ooh, oooh!" | 0:27:38 | 0:27:41 | |
"You can actually play hoopla with this moustache." | 0:27:41 | 0:27:45 | |
"And once I bring the pipe into play... | 0:27:45 | 0:27:48 | |
"..you'll be begging for mercy." | 0:27:50 | 0:27:51 | |
"Ooh, ho-ah!" | 0:27:51 | 0:27:52 | |
A ship's captain is no more qualified to marry you than I am. | 0:27:54 | 0:27:58 | |
So, to the scores. Oh, my actual. | 0:27:58 | 0:28:01 | |
Well, in first place, the blindingly, anagrammatically, | 0:28:01 | 0:28:04 | |
factually gifted Jo Brand, with seven points! | 0:28:04 | 0:28:07 | |
APPLAUSE | 0:28:07 | 0:28:10 | |
Well done, Jo. | 0:28:10 | 0:28:12 | |
Plus 7, that's a rare plus. | 0:28:12 | 0:28:15 | |
In second place, what a debut, with minus 4, it's Greg. | 0:28:15 | 0:28:20 | |
Well done, Greg Davies. APPLAUSE | 0:28:20 | 0:28:23 | |
In third place, with a mighty minus 13, is Bill Bailey. | 0:28:26 | 0:28:29 | |
APPLAUSE | 0:28:29 | 0:28:32 | |
But never knowingly out-hopelessed, | 0:28:35 | 0:28:37 | |
with minus 32, is Alan Davies. | 0:28:37 | 0:28:39 | |
APPLAUSE | 0:28:39 | 0:28:41 | |
It only remains for me to thank Greg, Bill, Jo and Alan. | 0:28:46 | 0:28:49 | |
And I leave you with this wise old adage off a bumper sticker. | 0:28:49 | 0:28:53 | |
"Marriage is like a hurricane, | 0:28:53 | 0:28:54 | |
"it starts with all that sucking and blowing, | 0:28:54 | 0:28:57 | |
"and in the end you lose your house." | 0:28:57 | 0:28:59 | |
Good night. APPLAUSE | 0:28:59 | 0:29:01 |