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CHEERING AND APPLAUSE | 0:00:24 | 0:00:29 | |
Ladies and gentlemen, welcome to QI, | 0:00:33 | 0:00:38 | |
where this week the name of the game is Naming Names. | 0:00:38 | 0:00:40 | |
There's an old Chinese proverb that says, | 0:00:40 | 0:00:42 | |
"The beginning of wisdom is to call things by their right names." | 0:00:42 | 0:00:46 | |
So let's get off on the right foot by naming my guests. | 0:00:46 | 0:00:49 | |
A household name - Romesh Ranganathan. | 0:00:49 | 0:00:52 | |
CHEERING AND APPLAUSE | 0:00:52 | 0:00:55 | |
A rose by any other name - Cariad Lloyd. | 0:00:57 | 0:01:01 | |
-Ahh! -CHEERING AND APPLAUSE | 0:01:01 | 0:01:03 | |
A name to conjure with - Phill Jupitus. | 0:01:06 | 0:01:09 | |
CHEERING AND APPLAUSE | 0:01:09 | 0:01:11 | |
And old what's-his-name - | 0:01:14 | 0:01:16 | |
Alan Davies! | 0:01:16 | 0:01:18 | |
CHEERING AND APPLAUSE | 0:01:18 | 0:01:20 | |
So, this week, their buzzers are their porn names, OK? | 0:01:24 | 0:01:28 | |
So that's... If you've not played that game, | 0:01:28 | 0:01:30 | |
it's the first pet's name and mother's maiden name. | 0:01:30 | 0:01:34 | |
So Phill goes... | 0:01:34 | 0:01:35 | |
BASS RIFF | 0:01:35 | 0:01:37 | |
-GRAVELLY MALE VOICE: -'Hi, it's Schroeder Swan.' | 0:01:37 | 0:01:40 | |
That's quite sexy. Very sexy. | 0:01:44 | 0:01:46 | |
I don't know how much you paid that bloke, | 0:01:46 | 0:01:47 | |
but I'd have done that for nothing. | 0:01:47 | 0:01:50 | |
-And more convincingly. -Well... -That sounded like you found | 0:01:50 | 0:01:53 | |
an asthmatic tramp on the South Bank out there. | 0:01:53 | 0:01:56 | |
Cariad goes... | 0:01:56 | 0:01:57 | |
BASS RIFF | 0:01:57 | 0:01:59 | |
-SULTRY FEMALE VOICE: -'Hello. I'm Snuffy. | 0:01:59 | 0:02:02 | |
'Snuffy Storey.' | 0:02:02 | 0:02:03 | |
-And... -It does, though, mean you can now... | 0:02:06 | 0:02:09 | |
You can access my bank account, I think. | 0:02:09 | 0:02:11 | |
-That is a very, very specific kind of porn right there. -Mm-hm. Yeah. | 0:02:13 | 0:02:17 | |
Romesh goes... | 0:02:17 | 0:02:19 | |
BASS RIFF | 0:02:19 | 0:02:20 | |
-REEDY VOICE: -'Oh, hello. It's Goldie Silveragi.' | 0:02:20 | 0:02:24 | |
-CARIAD: -Why didn't you get a sexy voice? | 0:02:26 | 0:02:29 | |
-Why've -I -been given that one? | 0:02:29 | 0:02:31 | |
It's quite camp. | 0:02:31 | 0:02:33 | |
And Alan goes... | 0:02:33 | 0:02:35 | |
MUSIC: You're the First, the Last, My Everything by Barry White | 0:02:35 | 0:02:37 | |
-NORTHERN VOICE: -'Ey up, it's Nobby Stiles!' | 0:02:37 | 0:02:40 | |
LAUGHTER AND APPLAUSE | 0:02:40 | 0:02:42 | |
I have to say, Nobby Stiles is a very good porn name, isn't it? | 0:02:46 | 0:02:50 | |
-It suggests a certain... -It's very farming-specific, isn't it? | 0:02:53 | 0:02:56 | |
I'm not really good with my hands but... "Nobby" Stiles! | 0:02:56 | 0:02:59 | |
Now, here's my first, very simple question. | 0:03:02 | 0:03:05 | |
Who is offended by what? | 0:03:05 | 0:03:07 | |
Oh, God, everybody by everything. | 0:03:08 | 0:03:10 | |
Yes, well, there is that. | 0:03:10 | 0:03:12 | |
Anybody who reads a tweet and doesn't understand it immediately | 0:03:12 | 0:03:16 | |
-is offended by it. -Yeah. | 0:03:16 | 0:03:18 | |
-Do you tweet? -I do tweet. Yeah, I do. -Right. | 0:03:18 | 0:03:21 | |
But I'm often scared to tweet about anything that's, you know... | 0:03:21 | 0:03:25 | |
-controversial. -What do you do? | 0:03:25 | 0:03:27 | |
Just the colour beige, or...? | 0:03:27 | 0:03:29 | |
No, just like Emojis and, like, GIFs of Japanese girls | 0:03:29 | 0:03:32 | |
-cutting hairs with crab hands. -Right. | 0:03:32 | 0:03:35 | |
-ROMESH: -Well, that's... | 0:03:35 | 0:03:37 | |
The problem is with Twitter, even if you choose something, like, | 0:03:37 | 0:03:40 | |
that you think is really innocent and can't be offensive, it can be. | 0:03:40 | 0:03:44 | |
You tweet about porridge and somebody goes, | 0:03:44 | 0:03:46 | |
"Well, actually, I had a porridge-related incident | 0:03:46 | 0:03:49 | |
"many years ago and actually I find it highly offensive. | 0:03:49 | 0:03:51 | |
"I can't believe you'd even not bother to consider the feelings | 0:03:51 | 0:03:54 | |
"of people that had Ready Brek-related incidents | 0:03:54 | 0:03:56 | |
"in their childhood." | 0:03:56 | 0:03:57 | |
-Is that, then, @ThreeBears? Is that the sort of...? -Yeah. | 0:03:57 | 0:04:01 | |
APPLAUSE | 0:04:03 | 0:04:06 | |
It's not Twitter-related, so it's more to do with who. | 0:04:08 | 0:04:12 | |
-"Who is offended by what?" -Yes. | 0:04:12 | 0:04:14 | |
Um...Doctor offended by Daleks. | 0:04:14 | 0:04:17 | |
Er, doctor is the right area. | 0:04:17 | 0:04:18 | |
-But not Doctor Who. -Oh. | 0:04:18 | 0:04:21 | |
It is to do with doctors. | 0:04:21 | 0:04:22 | |
Generally medical practitioners? | 0:04:22 | 0:04:24 | |
It is a large organisation. | 0:04:24 | 0:04:26 | |
Think of it as an acronym. | 0:04:26 | 0:04:28 | |
World Health Organization. | 0:04:28 | 0:04:30 | |
The World Health Organization. Absolutely right. | 0:04:30 | 0:04:32 | |
They are worried that scientists are naming diseases that offend people | 0:04:32 | 0:04:37 | |
and that, indeed, we've done this too much in the past. | 0:04:37 | 0:04:39 | |
So, for example, Spanish flu would be a good example. | 0:04:39 | 0:04:43 | |
It affects people in Spain, possibly, and tourism. | 0:04:43 | 0:04:46 | |
People might think, if you go to Spain, you'll get Spanish flu. | 0:04:46 | 0:04:49 | |
Legionnaires' disease. | 0:04:49 | 0:04:50 | |
There's not a legionnaire in the world | 0:04:50 | 0:04:51 | |
not been distressed by the thought. | 0:04:51 | 0:04:54 | |
Oh, I know one, Essex wind. | 0:04:54 | 0:04:56 | |
It's awful, innit, Phill? | 0:05:00 | 0:05:02 | |
Terrible. It blows right up your Thames corridor. | 0:05:02 | 0:05:05 | |
Creutzfeldt-Jakob disease, which I imagine... | 0:05:06 | 0:05:08 | |
I don't know who that would offend. People called Creutzfeldt? | 0:05:08 | 0:05:11 | |
Jakob Creutzfeldt, I would imagine, very offended. | 0:05:11 | 0:05:14 | |
Swine flu, apparently. | 0:05:14 | 0:05:15 | |
Very offensive to people who work with, I don't know, pigs. | 0:05:15 | 0:05:18 | |
-Mrs Swine. -Mrs Swine? -Mrs Swine is upset about it. | 0:05:18 | 0:05:20 | |
The kind of idea is you're trying to minimise unnecessary distress. | 0:05:20 | 0:05:24 | |
So, for example, if you call something sudden death syndrome, | 0:05:24 | 0:05:27 | |
that's just too frightening. | 0:05:27 | 0:05:28 | |
Hold on a sec. If you're about to die imminently, | 0:05:28 | 0:05:31 | |
you can't just say something cuddly so they're not offended. | 0:05:31 | 0:05:34 | |
-No. -If they're going to die in the next 20 minutes, | 0:05:34 | 0:05:36 | |
-you can't just go, "You've just got the chills"... -Yeah. | 0:05:36 | 0:05:38 | |
..because you don't want them to be upset. | 0:05:38 | 0:05:40 | |
No, but here's the thing, | 0:05:40 | 0:05:41 | |
doctors have certain acronyms, and I love these. | 0:05:41 | 0:05:43 | |
There's SBI, | 0:05:43 | 0:05:45 | |
which is "something bad inside". | 0:05:45 | 0:05:46 | |
And it means the doctor knows there's something wrong, | 0:05:46 | 0:05:48 | |
not entirely sure what it is. | 0:05:48 | 0:05:50 | |
SVBI - "something VERY bad inside". | 0:05:50 | 0:05:53 | |
Again, don't know what it is, but it'll definitely kill you. | 0:05:54 | 0:05:57 | |
Which I like. | 0:05:57 | 0:05:58 | |
There's loads for fat people. There's CBT, | 0:05:58 | 0:06:00 | |
which is "chronic biscuit toxicity". | 0:06:00 | 0:06:02 | |
The other best one for fat people is BW. | 0:06:05 | 0:06:08 | |
"Beached whale". | 0:06:08 | 0:06:09 | |
AUDIENCE GROANS | 0:06:09 | 0:06:12 | |
And my favourite acronym, PRATFO. | 0:06:12 | 0:06:14 | |
"Patient reassured and told to F off". | 0:06:14 | 0:06:16 | |
APPLAUSE | 0:06:17 | 0:06:20 | |
There used to be loads of occupational diseases. | 0:06:22 | 0:06:25 | |
Certain diseases that were entirely... | 0:06:25 | 0:06:27 | |
Miners' cough. | 0:06:27 | 0:06:29 | |
Yeah, miners' lung. | 0:06:29 | 0:06:30 | |
Joggers' nipple. | 0:06:30 | 0:06:31 | |
Joggers' nipple, yes. | 0:06:31 | 0:06:33 | |
The very first one ever was chimney-sweep's scrotum. | 0:06:33 | 0:06:36 | |
-What?! -Yep. Chimney-sweep's scrotum. -What...? | 0:06:38 | 0:06:41 | |
Well, he should put the fire out! | 0:06:41 | 0:06:43 | |
-LAUGHING: -Bagpiper's fungus! Bagpiper's fungus! | 0:06:43 | 0:06:45 | |
Bagpiper's fungus is a terrible thing. | 0:06:45 | 0:06:47 | |
It's apparently if you don't clean the bagpipes, | 0:06:47 | 0:06:50 | |
you can get a sort of horrible microbe. | 0:06:50 | 0:06:52 | |
Imagine getting a fungus from an instrument that makes that noise. | 0:06:52 | 0:06:56 | |
Do you know what I mean? | 0:06:56 | 0:06:57 | |
Sounds like it's trying to kill you anyway, doesn't it? | 0:06:57 | 0:07:00 | |
I've seen all these things listed outside a flat in Amsterdam. | 0:07:00 | 0:07:04 | |
Is chimney-sweep's scrotum because once they're up there | 0:07:06 | 0:07:09 | |
and if you poke the sweep up...? | 0:07:09 | 0:07:12 | |
I'm just guessing. | 0:07:12 | 0:07:14 | |
Poor Dick Van Dyke. | 0:07:14 | 0:07:15 | |
-AS DICK VAN DYKE: -"Oh, Mary Poppins, | 0:07:18 | 0:07:20 | |
"me scrotum's playing me up something rotten. | 0:07:20 | 0:07:24 | |
"Step in time! | 0:07:25 | 0:07:27 | |
"ARRRRGH!" | 0:07:30 | 0:07:32 | |
That was the subplot they never managed in the film. | 0:07:32 | 0:07:35 | |
# A spoonful of... # | 0:07:35 | 0:07:37 | |
That's why they're all doing that! That's why they're all doing that! | 0:07:37 | 0:07:42 | |
APPLAUSE | 0:07:42 | 0:07:45 | |
Do you think he was in too much pain to do the accent properly? | 0:07:50 | 0:07:53 | |
So, anyway. Can you tell me what this bird's name is? | 0:07:54 | 0:07:59 | |
Is it a wagtail? | 0:08:00 | 0:08:02 | |
It is not a wag... | 0:08:02 | 0:08:03 | |
What I really want is I want its actual name. | 0:08:03 | 0:08:05 | |
Is it Phillip, Jeremy, Mabel? | 0:08:05 | 0:08:08 | |
Well, to assist you, you have some bird whistles beside you. | 0:08:08 | 0:08:11 | |
-Ooh! -Yeah. | 0:08:11 | 0:08:12 | |
See if you can come up with the actual name. | 0:08:12 | 0:08:15 | |
HE PLAYS A TRILL | 0:08:15 | 0:08:17 | |
Oh. That's better than mine. | 0:08:17 | 0:08:19 | |
SHE PLAYS LIKE A CLANGER | 0:08:19 | 0:08:21 | |
Oh, here we go. "..said Tiny Clanger." | 0:08:21 | 0:08:24 | |
Oh, you've got lots of different ones. | 0:08:24 | 0:08:26 | |
CARIAD CONTINUES PLAYING | 0:08:26 | 0:08:28 | |
ALAN PUFFS | 0:08:28 | 0:08:29 | |
HE LAUGHS | 0:08:29 | 0:08:30 | |
The famous calling sound of a goose with asthma. | 0:08:33 | 0:08:36 | |
THEY PLAY A CLANGER CONVERSATION | 0:08:38 | 0:08:40 | |
What is going on? | 0:08:40 | 0:08:41 | |
What are you doing? | 0:08:43 | 0:08:44 | |
It's just my ears popped. | 0:08:44 | 0:08:46 | |
HONKING CALL | 0:08:49 | 0:08:51 | |
Is that a duck call? | 0:08:51 | 0:08:52 | |
It's supposed to be a duck. A duck call. Sounds like a... | 0:08:52 | 0:08:54 | |
HALF-HONK AND PUFFING | 0:08:54 | 0:08:56 | |
Try the littlie. | 0:08:58 | 0:09:00 | |
HONKING CALL Hang on! | 0:09:00 | 0:09:02 | |
CHEERING AND APPLAUSE | 0:09:02 | 0:09:05 | |
Well... THEY ALL PLAY AT ONCE | 0:09:08 | 0:09:10 | |
..it could be any one of these tunes. | 0:09:10 | 0:09:11 | |
Here is the extraordinary thing. | 0:09:11 | 0:09:13 | |
This bird is called - and this is such a lovely name - | 0:09:13 | 0:09:15 | |
it's called a superb fairy-wren. | 0:09:15 | 0:09:18 | |
-Ah! -Isn't that the sweetest thing? | 0:09:18 | 0:09:20 | |
And every single nest has a family name. | 0:09:20 | 0:09:22 | |
So it's like it has a surname, and the surname is given to the mother | 0:09:22 | 0:09:26 | |
when the kids are all in the eggs | 0:09:26 | 0:09:27 | |
and what she does is she lays the eggs | 0:09:27 | 0:09:28 | |
and she waits for nine days and then she sits by the eggs | 0:09:28 | 0:09:31 | |
and she starts singing a unique tune. So it might be... | 0:09:31 | 0:09:34 | |
GASPING TWEETS | 0:09:34 | 0:09:35 | |
..better than that. | 0:09:35 | 0:09:37 | |
What beautiful song does she sing, Sandi? | 0:09:38 | 0:09:40 | |
UPBEAT TWITTERING | 0:09:40 | 0:09:43 | |
THEY ALL PLAY AT ONCE | 0:09:43 | 0:09:45 | |
Can I...? | 0:09:59 | 0:10:00 | |
CHEERING AND APPLAUSE | 0:10:01 | 0:10:04 | |
Basically, she sings the same tune every four minutes, | 0:10:08 | 0:10:11 | |
over and over, for a week. | 0:10:11 | 0:10:13 | |
Now, I would imagine this drives the chicks in the eggs completely barmy. | 0:10:13 | 0:10:17 | |
My daughter does that with Let It Go. | 0:10:17 | 0:10:19 | |
Oh, I hate that song. I can't be doing with it. | 0:10:19 | 0:10:21 | |
I didn't used to but, holy smokes, it's a test. | 0:10:21 | 0:10:25 | |
Anyway, what happens is the chicks in the egg, | 0:10:25 | 0:10:27 | |
they actually hear it and they commit it to memory, | 0:10:27 | 0:10:29 | |
and Mum and Dad and eggs, they all know the tune. It's a unique tune. | 0:10:29 | 0:10:32 | |
# Waterloo... # | 0:10:32 | 0:10:34 | |
I don't think there are lyrics. | 0:10:40 | 0:10:42 | |
What happens is she goes away and gets food, | 0:10:43 | 0:10:45 | |
when she returns to the nest, she sings this particular tune | 0:10:45 | 0:10:48 | |
that they all know and they have to sing it back to her | 0:10:48 | 0:10:50 | |
and that way she can be absolutely sure | 0:10:50 | 0:10:52 | |
there isn't a cuckoo in the nest. | 0:10:52 | 0:10:54 | |
So, they have, as it were, a surname just for that nest. | 0:10:54 | 0:10:58 | |
-That is amazing. -That really is amazing. | 0:10:58 | 0:11:00 | |
-But if they were people... -Yeah. | 0:11:00 | 0:11:02 | |
..how annoying would they be to have round for dinner? | 0:11:02 | 0:11:04 | |
Unbelievably irritating. | 0:11:04 | 0:11:05 | |
"Andrew, shall we do our song? | 0:11:05 | 0:11:07 | |
"We all know this song, we've sung it from when we were children. | 0:11:08 | 0:11:11 | |
"Let's do it, shall we?" | 0:11:11 | 0:11:12 | |
They're not even real, and I'm going to leave! | 0:11:12 | 0:11:14 | |
I knew a family that did that. | 0:11:14 | 0:11:15 | |
They had a whistle and in the supermarket, | 0:11:15 | 0:11:18 | |
the mum would do a certain whistle and the kid would whistle back. | 0:11:18 | 0:11:20 | |
No, darling, that's the Von Trapps. That's a film. | 0:11:20 | 0:11:23 | |
They did, they had a whistle in the supermarket in case they got lost. | 0:11:23 | 0:11:26 | |
My mum would summon me home by whistling. | 0:11:26 | 0:11:28 | |
-Seriously? -Yeah. | 0:11:28 | 0:11:29 | |
She taught me how to do it with the two fingers. | 0:11:29 | 0:11:31 | |
HE WHISTLES LOUDLY | 0:11:31 | 0:11:33 | |
-Wow. -Now, I could hear that, er... | 0:11:33 | 0:11:37 | |
three miles away. | 0:11:37 | 0:11:38 | |
So me and me brother would be playing with mates | 0:11:38 | 0:11:41 | |
and we'd be out all day and then, at tea-time, | 0:11:41 | 0:11:43 | |
my mum would go out the back door and go... | 0:11:43 | 0:11:45 | |
HE WHISTLES LOUDLY | 0:11:45 | 0:11:46 | |
-And then we would... -Wow. That is a seriously good whistle. | 0:11:46 | 0:11:48 | |
-We would come back. -One time, do you remember, we were in Manchester... | 0:11:48 | 0:11:52 | |
-Oh, yeah, yeah. -..and I had to get a train... -Yeah. | 0:11:52 | 0:11:55 | |
..and a taxi went by and I went, "TAXI!" like that, | 0:11:55 | 0:11:58 | |
and he ignored me and it went about 50 yards | 0:11:58 | 0:12:00 | |
and he did that and it braked. | 0:12:00 | 0:12:02 | |
-PHILL IMITATES SQUEALING BRAKES -And he did a U-turn and came back. | 0:12:02 | 0:12:05 | |
-ROMESH: -Oh, was the taxi driver your mum? | 0:12:05 | 0:12:08 | |
APPLAUSE | 0:12:08 | 0:12:10 | |
Here is the thing about the birds which is extraordinary, | 0:12:13 | 0:12:15 | |
it isn't just birds who do this. | 0:12:15 | 0:12:17 | |
Horses also do this. They have a signature whinny. | 0:12:17 | 0:12:20 | |
Wow. | 0:12:20 | 0:12:22 | |
Serious. | 0:12:24 | 0:12:25 | |
-Has the picture budget been slashed? -Yeah. -Why...? | 0:12:26 | 0:12:29 | |
That's from Horses And Orthodontistry. | 0:12:29 | 0:12:32 | |
I'm so allergic to horses | 0:12:33 | 0:12:34 | |
-that I just sneezed at the sight of that picture. -Seriously? | 0:12:34 | 0:12:37 | |
I don't think it's an allergy. That photo is terrifying. | 0:12:37 | 0:12:41 | |
He's going, "WHERE ARE MY EYES?! WHERE ARE MY EYES? | 0:12:41 | 0:12:46 | |
"THE CROWS HAVE GOT MY EYES! | 0:12:46 | 0:12:48 | |
"AAAAARRRRGH!" | 0:12:50 | 0:12:52 | |
That's the mother horse going, | 0:12:54 | 0:12:55 | |
"WHERE ARE YOU?! COME HOME!" | 0:12:55 | 0:12:58 | |
"KIDS, BRING MY EYES BACK!" | 0:12:58 | 0:13:00 | |
That overbite reminds me of my games teacher at school. | 0:13:02 | 0:13:06 | |
So, here's the thing. Horses have signature whinnies. | 0:13:07 | 0:13:09 | |
So, say, for example, you have a horse - shall we call it Alan? - | 0:13:09 | 0:13:12 | |
in a stall, and another horse called Shergar walks by | 0:13:12 | 0:13:16 | |
and goes out of sight behind a barrier. | 0:13:16 | 0:13:18 | |
Alan notices that and... | 0:13:18 | 0:13:20 | |
You're being Alan the horse? | 0:13:20 | 0:13:21 | |
..goes back to eating. If, when Shergar is behind the barrier, | 0:13:21 | 0:13:24 | |
scientists play his identifying whinny, | 0:13:24 | 0:13:26 | |
Alan won't really pay any attention. | 0:13:26 | 0:13:28 | |
If they play the identifying whinny of a different horse, | 0:13:28 | 0:13:32 | |
Alan gets really freaked out because he knows | 0:13:32 | 0:13:34 | |
that the horse he saw walk past wasn't the one that he's just heard. | 0:13:34 | 0:13:38 | |
This is on the list of things scientists can be arsed to do. | 0:13:38 | 0:13:41 | |
Now, who sold seashells on the seashore? | 0:13:43 | 0:13:48 | |
Is it someone who's got no idea | 0:13:48 | 0:13:50 | |
of the laws of sort of supply and demand? | 0:13:50 | 0:13:53 | |
APPLAUSE | 0:13:55 | 0:13:57 | |
Interestingly, there were plenty of seashells, | 0:13:59 | 0:14:02 | |
and lots of people who wanted to buy them. So who...? | 0:14:02 | 0:14:05 | |
-The answer is "she", isn't it? -KLAXON | 0:14:05 | 0:14:07 | |
Yay! | 0:14:07 | 0:14:09 | |
Er, well, it is in the rhyme. Can you do the rhyme? | 0:14:10 | 0:14:12 | |
-Do you know the rhyme? -She... No, I can't, because I've got a lisp. | 0:14:12 | 0:14:15 | |
Ah! | 0:14:15 | 0:14:17 | |
What a fantastically mean thing to do to you. | 0:14:17 | 0:14:20 | |
Make him do it, Sandi! Make him do it! | 0:14:20 | 0:14:22 | |
-She sells seashells on the seashore. -Mm-hm. | 0:14:22 | 0:14:25 | |
And though she goes home again. I don't know the second bit. | 0:14:25 | 0:14:28 | |
The shells she sells are seashells, I'm sure | 0:14:28 | 0:14:31 | |
For if she sells seashells on the seashore | 0:14:31 | 0:14:33 | |
Then I'm sure she sells seashore shells. | 0:14:33 | 0:14:36 | |
-Wow. -Is the full rhyme. | 0:14:36 | 0:14:37 | |
AUDIENCE OOHS Thank you very much. Oh, yes. | 0:14:37 | 0:14:40 | |
APPLAUSE Oh, yes. | 0:14:40 | 0:14:42 | |
-That is not... -I know, I know! | 0:14:42 | 0:14:45 | |
That is the first time I've heard that typical British reaction | 0:14:45 | 0:14:48 | |
to a tongue twister. | 0:14:48 | 0:14:51 | |
And it is "Ooooh!" | 0:14:51 | 0:14:53 | |
That's what we think of articulate people. | 0:14:55 | 0:14:58 | |
"Ooooh!" | 0:14:58 | 0:15:00 | |
I didn't know we had that in our make-up. | 0:15:04 | 0:15:07 | |
So "she", but who was "she"? | 0:15:07 | 0:15:09 | |
The woman who sold seashells? | 0:15:09 | 0:15:11 | |
Was she a Cockney woman who some white Victorian man | 0:15:11 | 0:15:15 | |
made up a nice rhyme about, but actually, she was probably | 0:15:15 | 0:15:18 | |
a prostitute who died of syphilis? | 0:15:18 | 0:15:20 | |
Well... | 0:15:23 | 0:15:24 | |
That turned Dickens really quickly. | 0:15:25 | 0:15:29 | |
-That was... -I wonder why they didn't include that bit in the rhyme. | 0:15:29 | 0:15:32 | |
-"..and then she got syphilis." -It's like those nursery rhymes... | 0:15:32 | 0:15:34 | |
What a dark place your head is, Cariad. | 0:15:34 | 0:15:37 | |
It was an actual woman, she worked in Lyme Regis. | 0:15:39 | 0:15:42 | |
It was the Dorset lady. | 0:15:42 | 0:15:43 | |
-She's a killer! Look at the weapon! -There she is. | 0:15:43 | 0:15:45 | |
She found the first dinosaur in the UK, didn't she? | 0:15:45 | 0:15:48 | |
-The first whole...? -She was the inspiration for the tongue twister. | 0:15:48 | 0:15:50 | |
She's a Victorian fossil hunter called Mary Anning. | 0:15:50 | 0:15:53 | |
-Mary Anning. -Oh, she's the fossil hunter - | 0:15:53 | 0:15:55 | |
-she's all over the Natural History Museum. -Yeah. | 0:15:55 | 0:15:57 | |
All over the Natural History Museum, and she's incredible. | 0:15:57 | 0:16:00 | |
She was very brave, because it's very dangerous. | 0:16:00 | 0:16:02 | |
That is a picture of her with her dog, Tray. | 0:16:02 | 0:16:03 | |
-She's about to kill it and put it in that bag. -Well... | 0:16:03 | 0:16:07 | |
I can't tell if the dog is already... | 0:16:07 | 0:16:08 | |
"And now I shall make a fossil!" | 0:16:08 | 0:16:10 | |
Bang! Bang! | 0:16:12 | 0:16:14 | |
"Finish your painting, please, before the dog wakes up." | 0:16:15 | 0:16:20 | |
I don't know if the picture shows the dog already dead. | 0:16:24 | 0:16:26 | |
It died in a landslide, and she was very fond of it. | 0:16:26 | 0:16:29 | |
In a landslide caused by...? | 0:16:29 | 0:16:32 | |
Well, it is... I don't know if you... | 0:16:33 | 0:16:35 | |
-She found HUGE fossils. -Yeah. | 0:16:38 | 0:16:40 | |
She is really an extraordinary woman. | 0:16:40 | 0:16:42 | |
And her findings absolutely made important changes | 0:16:42 | 0:16:44 | |
in scientific thinking because, up until the 1820s, | 0:16:44 | 0:16:47 | |
lots of people didn't believe extinctions could happen, | 0:16:47 | 0:16:50 | |
cos it would imply that God's creations were less than perfect. | 0:16:50 | 0:16:53 | |
But she, in fact, discovered the very first | 0:16:53 | 0:16:55 | |
ichthyosaur skeleton correctly identified, | 0:16:55 | 0:16:57 | |
the first two plesiosaur skeletons | 0:16:57 | 0:17:00 | |
and the first pterosaur skeleton outside Germany. | 0:17:00 | 0:17:03 | |
She also found... I'm going to give you some examples. She found these, | 0:17:03 | 0:17:06 | |
and she is the very first person who worked out what they are. | 0:17:06 | 0:17:09 | |
So I'm going to pass you one there for you to share. | 0:17:09 | 0:17:12 | |
Do you know what that is? | 0:17:12 | 0:17:14 | |
Oh. This is... | 0:17:14 | 0:17:15 | |
£9.50 in a Cornwall gift shop. | 0:17:15 | 0:17:18 | |
Is this dinosaur shit? | 0:17:19 | 0:17:21 | |
It is. It is absolutely that. | 0:17:21 | 0:17:24 | |
OK. Now I feel weird. | 0:17:24 | 0:17:26 | |
These have been tumbled to prove you can, in fact, polish a turd. | 0:17:27 | 0:17:30 | |
But, um... | 0:17:30 | 0:17:32 | |
That's amazing. | 0:17:34 | 0:17:35 | |
People thought they were bezoars, so stomach stones, | 0:17:35 | 0:17:38 | |
something from the inside of the stomach, but what she did, | 0:17:38 | 0:17:41 | |
she cracked one open and she discovered... | 0:17:41 | 0:17:43 | |
PHILL LAUGHS | 0:17:43 | 0:17:44 | |
-Oh, God! -It's science, it's science! | 0:17:45 | 0:17:47 | |
She discovered fish scales and teeth, | 0:17:47 | 0:17:49 | |
and she's the first person who realised that, in fact, coprolites - | 0:17:49 | 0:17:52 | |
which is the correct term for them - is in fact dinosaur poo. | 0:17:52 | 0:17:54 | |
Isn't that extraordinary? | 0:17:54 | 0:17:55 | |
To have a dinosaur's bit of poo in your hands, I think it's incredible. | 0:17:55 | 0:17:58 | |
I feel a bit sorry for her, that, you know, | 0:17:58 | 0:18:00 | |
she's done all these amazing things | 0:18:00 | 0:18:02 | |
and when they decide to come up with a rhyme about her | 0:18:02 | 0:18:04 | |
they made up one about she used to knock out seashells. | 0:18:04 | 0:18:07 | |
Well, here's the thing. That's how she made a living. | 0:18:07 | 0:18:09 | |
She was very poor. Her father was a cabinet-maker, | 0:18:09 | 0:18:11 | |
he died when she was 11. And so she had to make a living. | 0:18:11 | 0:18:13 | |
And actually, people selling fossils | 0:18:13 | 0:18:15 | |
has been a big thing on the Lyme Regis coast... | 0:18:15 | 0:18:17 | |
She did start finding them when she was 12 or 13, didn't she? | 0:18:17 | 0:18:19 | |
Yeah. She could sell them to tourists. | 0:18:19 | 0:18:21 | |
It was one of the very first... | 0:18:21 | 0:18:23 | |
So your £9.50 for a coprolite is probably about right. | 0:18:23 | 0:18:25 | |
She really sort of pains me slightly, | 0:18:25 | 0:18:27 | |
because she sold things to men | 0:18:27 | 0:18:29 | |
who then wrote scientific articles about them, | 0:18:29 | 0:18:31 | |
and she didn't get the credit. She wasn't allowed to join, | 0:18:31 | 0:18:33 | |
for example, the Geological Society of London. | 0:18:33 | 0:18:35 | |
They didn't admit women until 1904. | 0:18:35 | 0:18:38 | |
She didn't get full credit until, 163 years after her death, | 0:18:38 | 0:18:42 | |
the Royal Society included Anning in a list of the ten British women | 0:18:42 | 0:18:46 | |
who have most influenced the history of science. | 0:18:46 | 0:18:48 | |
Was she not allowed to join the society because she was a woman? | 0:18:48 | 0:18:50 | |
Or because she killed that dog? | 0:18:50 | 0:18:52 | |
I think the dog didn't help, if I'm honest with you. | 0:18:53 | 0:18:57 | |
Right, time for a look in Mother Toksvig's | 0:18:57 | 0:18:59 | |
Bumper Book Of Neological Novelties, I think. | 0:18:59 | 0:19:02 | |
Here are some new names for things. | 0:19:02 | 0:19:04 | |
But can you tell me what any of them are? | 0:19:04 | 0:19:07 | |
-Adorkable? -Adorkable. Do you know what it is? | 0:19:07 | 0:19:09 | |
Is that when somebody's, like, really into comic books, | 0:19:09 | 0:19:11 | |
but it's quite cute? It's manic pixie dream girl syndrome. | 0:19:11 | 0:19:14 | |
Adorably dorkish, so socially inept but charming with it. | 0:19:14 | 0:19:18 | |
Are these...? | 0:19:18 | 0:19:19 | |
These are new words that have recently... What's happening here? | 0:19:19 | 0:19:22 | |
They're what's known as neologisms, | 0:19:22 | 0:19:24 | |
so they are new terms that have entered the language. | 0:19:24 | 0:19:27 | |
-Oh, I see. -Al desco is having your lunch... | 0:19:27 | 0:19:30 | |
-Having your lunch at your desk. -Yeah. | 0:19:30 | 0:19:32 | |
A belfie, I can't remember what a belfie is. | 0:19:32 | 0:19:34 | |
A belfie is where you take a selfie, but you have a bell. | 0:19:34 | 0:19:37 | |
-Really? -No, it is a selfie, but what of? | 0:19:39 | 0:19:42 | |
What part of you is a belfie? | 0:19:42 | 0:19:43 | |
-Oh, my God! -Yes. | 0:19:43 | 0:19:44 | |
- Oh! - Really? | 0:19:46 | 0:19:47 | |
-Your bell end? -It's... | 0:19:47 | 0:19:49 | |
APPLAUSE | 0:19:50 | 0:19:53 | |
I thought that was a dick pic. | 0:19:54 | 0:19:55 | |
-It's your bottom. -Oh, your bottom? | 0:19:55 | 0:19:58 | |
-Yes, it's a picture of your... -That's a bumfie! | 0:19:58 | 0:20:00 | |
A bumfie? | 0:20:00 | 0:20:01 | |
How is "belfie" bum? | 0:20:02 | 0:20:04 | |
I don't... Darling, I didn't write them. | 0:20:04 | 0:20:06 | |
I'm just telling you. These are all examples | 0:20:06 | 0:20:08 | |
that have been included in the OED in recent years. | 0:20:08 | 0:20:10 | |
The OED have got to stop adding now. | 0:20:10 | 0:20:12 | |
-Stop adding. -Those are just... | 0:20:12 | 0:20:13 | |
It's like the OED has been taken over | 0:20:13 | 0:20:16 | |
by a 14-year-old boy who's bored. | 0:20:16 | 0:20:18 | |
-BREAKING VOICE: -"Yeah, we'll put 'em all in! Ha-ha! | 0:20:18 | 0:20:21 | |
"And I'll make up 12." | 0:20:21 | 0:20:22 | |
I like that one, stoor-sooker. | 0:20:22 | 0:20:23 | |
-What is that? -Is that Scottish? | 0:20:23 | 0:20:25 | |
Yes. It's to do with sucking. It's to do with sucking. | 0:20:25 | 0:20:27 | |
-Really? -Oh, it's something nasty again. | 0:20:27 | 0:20:29 | |
-I think I'll lead the quiz now. -No, no, it's fine. | 0:20:29 | 0:20:31 | |
It's a Scottish neologism for a vacuum cleaner. | 0:20:31 | 0:20:33 | |
It's a stair-sucker, a stoor-sooker. PHILL LAUGHS | 0:20:33 | 0:20:36 | |
Oh, right. What's honkenbonkers? | 0:20:36 | 0:20:38 | |
Honkenbonkers, it just means amazing. | 0:20:38 | 0:20:41 | |
Is that the one you were thinking, | 0:20:41 | 0:20:43 | |
"That's the one I might take from this"? | 0:20:43 | 0:20:45 | |
Yeah. | 0:20:45 | 0:20:46 | |
"What am I just going to throw into casual conversation?" | 0:20:46 | 0:20:49 | |
The good thing about any of these words, | 0:20:49 | 0:20:50 | |
is if I hear someone using them, | 0:20:50 | 0:20:52 | |
I can beat them to death with the OED, which is quite a hefty book. | 0:20:52 | 0:20:56 | |
Wabsteid is another Scottish one for website. | 0:20:56 | 0:21:00 | |
What's cauldpress? | 0:21:00 | 0:21:01 | |
Cauldpress is a Scottish neologism for a fridge. | 0:21:01 | 0:21:04 | |
These are just Scottish words! | 0:21:04 | 0:21:06 | |
Does anybody know where the word "quiz" comes from? | 0:21:06 | 0:21:08 | |
As we're doing a kind of quiz. | 0:21:08 | 0:21:10 | |
I feel like I do know, but I can't remember. | 0:21:10 | 0:21:13 | |
- I feel like that. - Do we get a point for that? | 0:21:14 | 0:21:16 | |
Alan can have a point for that, I'm fine with that, yeah. | 0:21:18 | 0:21:21 | |
So when you say it, I'm going to go... | 0:21:21 | 0:21:23 | |
"Oh, yeah..." | 0:21:23 | 0:21:24 | |
-You watch. Watch, watch. -OK. | 0:21:26 | 0:21:29 | |
-We don't really know. -Oh... Oh! | 0:21:29 | 0:21:31 | |
So it used to mean a sort of eccentric person. | 0:21:34 | 0:21:37 | |
How it has come to mean asking people questions for points, | 0:21:37 | 0:21:40 | |
we don't really know. There's a story that Richard Daley, | 0:21:40 | 0:21:42 | |
who was a proprietor, a theatre proprietor in Dublin in 1791, | 0:21:42 | 0:21:45 | |
made a bet that, within 48 hours, | 0:21:45 | 0:21:47 | |
he could get a word into common parlance. | 0:21:47 | 0:21:49 | |
And he distributed the word "quiz" | 0:21:49 | 0:21:51 | |
to be put up on walls all over Dublin, | 0:21:51 | 0:21:53 | |
and it became part of the language. | 0:21:53 | 0:21:56 | |
So really, when they say the police are quizzing the suspect, | 0:21:56 | 0:21:58 | |
that's wrong, isn't it? | 0:21:58 | 0:21:59 | |
No, that's from inquisitive. And inquisition. | 0:21:59 | 0:22:03 | |
So that's a separate... | 0:22:03 | 0:22:04 | |
You've got it, you're in the right chair. | 0:22:04 | 0:22:07 | |
I had a little cold feeling then! | 0:22:08 | 0:22:10 | |
CHEERING AND APPLAUSE | 0:22:13 | 0:22:16 | |
Right, OK. | 0:22:25 | 0:22:27 | |
A new word is created in English every 98 minutes or so. | 0:22:27 | 0:22:32 | |
Now, would you rather be in a non-routine operation | 0:22:32 | 0:22:36 | |
or a mass deposition event? | 0:22:36 | 0:22:38 | |
Well, I don't like the sound of a non-routine operation. | 0:22:38 | 0:22:41 | |
-I'd prefer a non-routine operation. -Do you? | 0:22:41 | 0:22:43 | |
-I just think, if it's routine... -It's a better story. | 0:22:43 | 0:22:45 | |
Well, if it's routine, | 0:22:45 | 0:22:46 | |
the person's more likely to be a bit blase about it | 0:22:46 | 0:22:48 | |
if you've done it loads of times. | 0:22:48 | 0:22:49 | |
Where, if it's non-routine, he'll think, | 0:22:49 | 0:22:51 | |
"I probably should stay awake while I'm doing this." | 0:22:51 | 0:22:53 | |
If it's non-routine, they're going to have the book open. | 0:22:53 | 0:22:56 | |
Exactly. Like they're doing it for the first time. | 0:22:56 | 0:23:00 | |
-I imagine it being like a chef. -If it's routine, they'll go, | 0:23:00 | 0:23:02 | |
"Just for a game, I'm going to do it with my blindfold on." | 0:23:02 | 0:23:05 | |
I can tell you that the non-routine operation | 0:23:06 | 0:23:08 | |
is a phrase used by Trans-Florida Airlines. | 0:23:08 | 0:23:12 | |
OK. Crash landing? | 0:23:12 | 0:23:13 | |
-It is. It is their word for a plane crash. -Oh-ho! | 0:23:13 | 0:23:16 | |
"Notice to passengers..." | 0:23:16 | 0:23:18 | |
Must be in the lead! | 0:23:18 | 0:23:20 | |
"..in case of a non-routine operation, | 0:23:20 | 0:23:21 | |
"we'd like you to be familiar with the location of the airplane exits." | 0:23:21 | 0:23:25 | |
-You'd hope they'd call that non-routine, wouldn't you? -Yeah. | 0:23:25 | 0:23:27 | |
What a damning indictment of the airline if they don't. | 0:23:27 | 0:23:30 | |
Can I show you my favourite airport sign? | 0:23:30 | 0:23:32 | |
Cos you know you never get proper information. | 0:23:32 | 0:23:34 | |
I think this is absolutely fantastic. There we go. | 0:23:34 | 0:23:38 | |
It kind of says everything, doesn't it? | 0:23:45 | 0:23:46 | |
-It's fair enough. -Loses something in translation. | 0:23:46 | 0:23:48 | |
-It's honest. -It's absolutely fine. | 0:23:48 | 0:23:50 | |
The other thing is, a mass deposition event is, in fact, | 0:23:50 | 0:23:53 | |
a huge pile of poo. | 0:23:53 | 0:23:54 | |
In fact, it's a rather specific pile of poo. | 0:23:54 | 0:23:56 | |
It's a euphemistic term given by archaeologists | 0:23:56 | 0:23:58 | |
to the discovery of a thick layer of horse dung | 0:23:58 | 0:24:01 | |
at a site called the Col de la Traversette, | 0:24:01 | 0:24:04 | |
and it's believed to be associated | 0:24:04 | 0:24:05 | |
with Hannibal's crossing of the Alps into Italy in 218 BC. | 0:24:05 | 0:24:10 | |
I love this. The team analysing the poo, OK, | 0:24:10 | 0:24:13 | |
are hoping to find signs of elephant droppings. | 0:24:13 | 0:24:16 | |
Here's a quote from one of the team. | 0:24:16 | 0:24:17 | |
"There's even the possibility of finding an elephant tapeworm egg. | 0:24:17 | 0:24:20 | |
"This would really be the pot of gold at the end of the rainbow." | 0:24:20 | 0:24:24 | |
And so we reach that round that dare not speak its name. | 0:24:26 | 0:24:29 | |
Fingers on buzzers, please, for General Ignorance. | 0:24:29 | 0:24:32 | |
Name the cause of the first mass extinction? | 0:24:32 | 0:24:35 | |
Oh, now this is a trick one, | 0:24:35 | 0:24:36 | |
because you're trying to get us to do the dinosaur one, | 0:24:36 | 0:24:39 | |
but there was one before that, wasn't there? | 0:24:39 | 0:24:41 | |
After 14 years, he understands the format! | 0:24:41 | 0:24:44 | |
APPLAUSE | 0:24:47 | 0:24:49 | |
Is it ice? Ice? | 0:24:53 | 0:24:54 | |
-It is not ice, no. CARIAD: -Baby! | 0:24:54 | 0:24:57 | |
-Very good. -They had a problem, but they didn't solve it. | 0:24:59 | 0:25:02 | |
There was a massive extinction. | 0:25:02 | 0:25:03 | |
It's sea anemone greed and, really, the invention of the mouth. | 0:25:05 | 0:25:10 | |
So what happens is... | 0:25:10 | 0:25:11 | |
So many problems come when we invent the mouth! | 0:25:11 | 0:25:14 | |
These are ediacarans, | 0:25:14 | 0:25:16 | |
and ediacarans are the very first complex life forms on earth. | 0:25:16 | 0:25:20 | |
And they hung around on the sea floor for about 37 million years. | 0:25:20 | 0:25:24 | |
They didn't have a mouth, they didn't have an anus. | 0:25:24 | 0:25:26 | |
They just lived through osmosis. | 0:25:26 | 0:25:27 | |
They got along fine! | 0:25:27 | 0:25:29 | |
They were just fine. And then, what happens is, the Cambrian explosion, | 0:25:29 | 0:25:32 | |
so that's - give or take a Tuesday - about 542 million years ago. | 0:25:32 | 0:25:36 | |
You suddenly get life forms suddenly rocketing | 0:25:36 | 0:25:39 | |
cos there's more oxygen around, | 0:25:39 | 0:25:41 | |
and you get sea anemone-like creatures, they have a mouth. | 0:25:41 | 0:25:43 | |
-And do you know what they did? -They ate them. -They ate them. | 0:25:43 | 0:25:45 | |
Absolutely right. They ate the lot of them. | 0:25:45 | 0:25:47 | |
And the terrible, tragic thing | 0:25:47 | 0:25:49 | |
was that they couldn't tell each other what was happening. | 0:25:49 | 0:25:51 | |
-Oh, don't! That's so sad! -Yeah. -No mouth. | 0:25:51 | 0:25:53 | |
-Just lying there being eaten and not being able to... -Or warn each other. | 0:25:55 | 0:25:59 | |
I've had boyfriends like that, and I understand how they feel. | 0:25:59 | 0:26:02 | |
Nothing you can do. Just let them get on with it. | 0:26:06 | 0:26:09 | |
It's been a learning experience being with you, Cariad. | 0:26:09 | 0:26:12 | |
That's why I'm adorkable! | 0:26:13 | 0:26:15 | |
I thought for a moment you meant you'd had boyfriends | 0:26:15 | 0:26:17 | |
with no mouth or anus. | 0:26:17 | 0:26:19 | |
-It felt like that, Alan. -They can't cry for help. -No. | 0:26:19 | 0:26:23 | |
Can't speak. | 0:26:23 | 0:26:24 | |
Now, name a self-confessed Nazi. | 0:26:26 | 0:26:29 | |
-Self-confessed...? -Um... | 0:26:29 | 0:26:30 | |
All those guys. They're like, "Me! It's me!" | 0:26:30 | 0:26:32 | |
They didn't call themselves Nazis, did they? | 0:26:32 | 0:26:35 | |
Absolutely right. There are none. | 0:26:35 | 0:26:37 | |
Because they didn't call themselves Nazis. | 0:26:37 | 0:26:38 | |
You are just doing brilliantly. | 0:26:38 | 0:26:40 | |
Absolutely right. | 0:26:42 | 0:26:43 | |
APPLAUSE | 0:26:45 | 0:26:47 | |
All this time, all this time you've been intimidated | 0:26:50 | 0:26:53 | |
to say what you know. | 0:26:53 | 0:26:56 | |
Now you can just speak. It's lovely, Alan. | 0:26:56 | 0:26:59 | |
No, indeed. | 0:26:59 | 0:27:01 | |
Hang on, I'll throw him off his game. | 0:27:01 | 0:27:02 | |
-AS STEPHEN FRY: -Maa! Maa! | 0:27:02 | 0:27:04 | |
-I like that Churchill called them "Nazzies". -"Nazzies", yeah. | 0:27:06 | 0:27:10 | |
And he referred to the Gestapo as the "Jester-po". | 0:27:10 | 0:27:14 | |
That's very good. You are absolutely right. | 0:27:14 | 0:27:16 | |
No self-respecting Nazi ever called themselves a Nazi. | 0:27:16 | 0:27:19 | |
It was the German exiles who called them that. | 0:27:19 | 0:27:21 | |
So our panellists emerge at the scores, | 0:27:21 | 0:27:24 | |
but let's see who has made a name for themselves, | 0:27:24 | 0:27:27 | |
and who has a black mark next to theirs. | 0:27:27 | 0:27:30 | |
In fourth place, with a magnificent -2, | 0:27:30 | 0:27:34 | |
it is Phill! | 0:27:34 | 0:27:36 | |
CHEERING AND APPLAUSE | 0:27:36 | 0:27:39 | |
-Yes! -In third place, with 4 points, | 0:27:41 | 0:27:43 | |
it's Romesh! | 0:27:43 | 0:27:45 | |
CHEERING AND APPLAUSE | 0:27:45 | 0:27:47 | |
OK, I don't know if you're going to be able to guess who wins | 0:27:49 | 0:27:52 | |
if I tell you who's in second place. With 5 points, | 0:27:52 | 0:27:55 | |
it's Cariad. | 0:27:55 | 0:27:56 | |
CHEERING AND APPLAUSE | 0:27:56 | 0:27:58 | |
Alan! Oh, my God! | 0:27:58 | 0:28:00 | |
And the winner is Alan, with 7. | 0:28:00 | 0:28:03 | |
EXCITED CHEERING AND APPLAUSE | 0:28:03 | 0:28:05 | |
It only remains for me to thank... | 0:28:13 | 0:28:15 | |
I'm going to be UNBEARABLE! | 0:28:15 | 0:28:17 | |
SANDI LAUGHS | 0:28:17 | 0:28:19 | |
I shall bear with it. | 0:28:19 | 0:28:20 | |
It only remains for me to thank Cariad, Phill, Romesh and Alan. | 0:28:20 | 0:28:23 | |
Finally, let me leave you with this Neolithic newspaper nugget | 0:28:23 | 0:28:27 | |
from the Johannesburg Star. | 0:28:27 | 0:28:28 | |
The Sunday morning quiet of the city centre was shattered | 0:28:28 | 0:28:31 | |
when a man went berserk in Plain Street. | 0:28:31 | 0:28:33 | |
He smashed about 4,000 rands' worth of shop windows | 0:28:33 | 0:28:36 | |
before being shot in the thigh | 0:28:36 | 0:28:38 | |
by a passing churchgoer. | 0:28:38 | 0:28:39 | |
Goodnight. | 0:28:41 | 0:28:42 | |
CHEERING AND APPLAUSE | 0:28:42 | 0:28:45 |