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CHEERING AND APPLAUSE | 0:00:22 | 0:00:27 | |
Hey! | 0:00:30 | 0:00:31 | |
Hello and welcome to QI. | 0:00:33 | 0:00:35 | |
About a third of the total used by British fertility clinics | 0:00:36 | 0:00:40 | |
-is Viking sperm. -Wow. -Really? | 0:00:40 | 0:00:42 | |
Why have they got so much? | 0:00:42 | 0:00:43 | |
Is it because it's dark like 20 hours out of 24? | 0:00:43 | 0:00:48 | |
It doesn't get dark in Denmark like that. | 0:00:48 | 0:00:49 | |
How do you cope with having one and a half hours of daylight? | 0:00:49 | 0:00:52 | |
-It doesn't happen. -It doesn't happen! | 0:00:52 | 0:00:55 | |
Denmark's the same as Scotland, where you come from. | 0:00:55 | 0:00:58 | |
LAUGHTER | 0:00:58 | 0:01:00 | |
Oh, applauding that. | 0:01:03 | 0:01:05 | |
It's up in the Arctic Circle, like way, way further. | 0:01:06 | 0:01:11 | |
A Danish winter is about one and a half hours daylight. | 0:01:11 | 0:01:14 | |
No, darling, no. | 0:01:14 | 0:01:15 | |
You keep saying the same thing. | 0:01:15 | 0:01:17 | |
-It's true. -It's wrong. -It's not, it's true. | 0:01:17 | 0:01:19 | |
-An hour and a half... -So... No darling... | 0:01:19 | 0:01:21 | |
I've been there. An hour-and-a-half. | 0:01:21 | 0:01:23 | |
LAUGHTER | 0:01:23 | 0:01:24 | |
Here's the thing, if that's not true and the more you say it, | 0:01:26 | 0:01:29 | |
the more points are going to make it not true for you. | 0:01:29 | 0:01:32 | |
All right, when I went to Denmark, right... | 0:01:32 | 0:01:34 | |
-Was it night-time? -It was winter. | 0:01:34 | 0:01:37 | |
-INAUDIBLE -It was always night-time. | 0:01:37 | 0:01:41 | |
LAUGHTER | 0:01:41 | 0:01:43 | |
You've come home late, you've slept through the day - | 0:01:43 | 0:01:46 | |
I did it as a teenager - and you wake up at five in the afternoon and | 0:01:46 | 0:01:50 | |
-you don't see the daylight. You're like a ghost. -But for all... | 0:01:50 | 0:01:54 | |
It was dark for 20-odd hours per day in winter. | 0:01:54 | 0:01:58 | |
But your inability to distinguish the Scandinavian countries means | 0:01:58 | 0:02:01 | |
it's possible you were in Norway. | 0:02:01 | 0:02:03 | |
That is possible. | 0:02:04 | 0:02:06 | |
It is possible I was in one of the other countries. | 0:02:06 | 0:02:08 | |
But is it not true? It was about an hour and a half... | 0:02:08 | 0:02:11 | |
Stop saying it! | 0:02:11 | 0:02:12 | |
LAUGHTER | 0:02:12 | 0:02:14 | |
Puritan couples could have a conversation and they would talk | 0:02:14 | 0:02:17 | |
through a tube and, in fact, | 0:02:17 | 0:02:19 | |
those were then used as the very first commercial hearing aids, | 0:02:19 | 0:02:22 | |
about 1800. | 0:02:22 | 0:02:23 | |
So, have a look at that. These ones are actually... | 0:02:23 | 0:02:26 | |
This will work, will it? | 0:02:26 | 0:02:28 | |
-If you speak... -Oh, Jesus. | 0:02:28 | 0:02:29 | |
LAUGHTER | 0:02:29 | 0:02:31 | |
What's wrong with you? | 0:02:31 | 0:02:32 | |
Speak in it to yourself and then you can hear most clearly. | 0:02:32 | 0:02:35 | |
I can just do that. | 0:02:35 | 0:02:36 | |
Hello, Ross. Hello. | 0:02:38 | 0:02:39 | |
-Hello. -I can hear you. -Germany calling. | 0:02:41 | 0:02:44 | |
The one in the picture, we actually have here. | 0:02:46 | 0:02:49 | |
-Oh, that's the one in the picture? -The one in the picture. | 0:02:49 | 0:02:51 | |
I can't look quite as cheerful. | 0:02:51 | 0:02:53 | |
I can hear the sea. | 0:02:54 | 0:02:56 | |
Is that what you're supposed to...? | 0:02:56 | 0:02:58 | |
LAUGHTER | 0:02:58 | 0:03:00 | |
You know how people worry about what earrings to wear? | 0:03:00 | 0:03:02 | |
Those, I think, are working. They're working for you. | 0:03:02 | 0:03:04 | |
You look like Mickey Mouse and Prince Charles had a child. | 0:03:04 | 0:03:07 | |
LAUGHTER | 0:03:07 | 0:03:12 | |
You put that bit in your ear, you wombat. | 0:03:15 | 0:03:17 | |
Hello. | 0:03:17 | 0:03:18 | |
I wonder will this like amplify it between that and the... | 0:03:19 | 0:03:22 | |
Oh, no way. | 0:03:22 | 0:03:24 | |
Just to get on the show again, you must be joking. | 0:03:26 | 0:03:31 | |
How do you get urine off a nun? | 0:03:31 | 0:03:33 | |
I don't think that nuns pee at all. | 0:03:37 | 0:03:39 | |
Oh. | 0:03:39 | 0:03:40 | |
I know a lot about nuns. | 0:03:41 | 0:03:43 | |
-Do you? Why's that? -Because I was educated by them and it was | 0:03:43 | 0:03:45 | |
in a boarding school, so I actually lived with them. | 0:03:45 | 0:03:48 | |
Right. And they never weed? | 0:03:48 | 0:03:49 | |
Never. I never saw one of them enter or leave a bathroom. | 0:03:49 | 0:03:52 | |
The thing is, they've got those very long frocks on, haven't they? | 0:03:52 | 0:03:55 | |
Very long frocks and they might have some sort of divine catheter or | 0:03:55 | 0:03:58 | |
something, but they don't... | 0:03:58 | 0:03:59 | |
LAUGHTER | 0:03:59 | 0:04:00 | |
But you don't see them coming out of the bathroom. | 0:04:00 | 0:04:03 | |
The divine catheter are a great group, aren't they? | 0:04:03 | 0:04:08 | |
Everybody at home playing QI bingo, that's "Divine Catheter". | 0:04:08 | 0:04:12 | |
In the 18th century, women who wore the long frocks used to have | 0:04:15 | 0:04:18 | |
the equivalent of a gravy boat on a sort of ribbon for long church services. | 0:04:18 | 0:04:21 | |
They actually had one of those things we were all just imagining in our heads? | 0:04:21 | 0:04:24 | |
-Yes, they did. They actually did. -A gravy boat on a ribbon. | 0:04:24 | 0:04:27 | |
Yep. | 0:04:27 | 0:04:28 | |
Is this urine in the picture, or is it just something...? | 0:04:31 | 0:04:33 | |
The gravy boat's fallen off. | 0:04:34 | 0:04:37 | |
LAUGHTER | 0:04:37 | 0:04:39 | |
Help me! | 0:04:39 | 0:04:41 | |
That's "The gravy boat's fallen off." | 0:04:41 | 0:04:44 | |
Is it necessary to get urine off nuns? | 0:04:45 | 0:04:48 | |
It was necessary. It was the 1960s. | 0:04:48 | 0:04:50 | |
Oh, it was a condiment, wasn't it, nun wee? | 0:04:50 | 0:04:52 | |
A condiment? | 0:04:52 | 0:04:53 | |
LAUGHTER | 0:04:53 | 0:04:55 | |
Have you got a slightly bigger bottle of nun wee? | 0:04:55 | 0:04:57 | |
Curiously, these never events do occur. | 0:05:02 | 0:05:04 | |
I was hosting the British Funeral Director's Awards recently. | 0:05:04 | 0:05:08 | |
We've got to get you a new agent, dude. | 0:05:11 | 0:05:14 | |
It was quite quiet initially. | 0:05:14 | 0:05:16 | |
LAUGHTER | 0:05:16 | 0:05:20 | |
I hope you opened with that. | 0:05:20 | 0:05:21 | |
It took place at the end of the day. They'd had their trade show in the | 0:05:21 | 0:05:25 | |
venue and so around the edges the room there were coffins, caskets, | 0:05:25 | 0:05:30 | |
people looking not unlike this fellow, sort of sitting up in them. | 0:05:30 | 0:05:33 | |
Were you picking a new home? | 0:05:33 | 0:05:35 | |
AUDIENCE GROANS | 0:05:36 | 0:05:38 | |
No, sorry. Because he's old and he'll be dead soon. | 0:05:40 | 0:05:42 | |
-I'm sorry if I've... -LAUGHTER | 0:05:42 | 0:05:45 | |
Can I tell you something, Jimmy? | 0:05:45 | 0:05:46 | |
This is.... I don't think you realise how this is getting to me, | 0:05:46 | 0:05:50 | |
because this morning, this very morning, | 0:05:50 | 0:05:52 | |
I received a letter through the post inviting me to be the new face of | 0:05:52 | 0:05:56 | |
the Stannah stairlift. | 0:05:56 | 0:05:58 | |
CHEERING AND APPLAUSE | 0:05:58 | 0:05:59 | |
Take it! | 0:05:59 | 0:06:00 | |
And... The worst thing about this... | 0:06:05 | 0:06:08 | |
Grin and bank it, Giles. | 0:06:08 | 0:06:10 | |
The worst thing about this is, my wife said, | 0:06:10 | 0:06:13 | |
"I think we should consider this." | 0:06:13 | 0:06:15 | |
Then, this is a true story, this is a true story, | 0:06:15 | 0:06:18 | |
I then phoned them up and I said, | 0:06:18 | 0:06:21 | |
have you thought of Nigel Havers? | 0:06:21 | 0:06:23 | |
It turned out they had. I was about 17th on the list. | 0:06:25 | 0:06:28 | |
LAUGHTER | 0:06:28 | 0:06:30 | |
I'm afraid this is not the first invitation of its kind I've received | 0:06:30 | 0:06:33 | |
because I also... this is maybe how they got hold of my name. | 0:06:33 | 0:06:36 | |
I was considered for being the new figure stretched out on the floor | 0:06:36 | 0:06:42 | |
reaching for the alarm. | 0:06:42 | 0:06:44 | |
"Help, I've fallen and I can't get up." | 0:06:46 | 0:06:48 | |
Yep, that one. But June Whitfield has got that gig at the moment. | 0:06:48 | 0:06:52 | |
Jerry, now, this time that we're talking about, the Battle of Normandy, | 0:06:59 | 0:07:02 | |
you were in the UK. | 0:07:02 | 0:07:04 | |
Yes, I'd been born six months earlier, yeah. | 0:07:04 | 0:07:06 | |
-And where were you? -I was actually born in Highgate, in a Tube station. | 0:07:06 | 0:07:10 | |
-During an air raid? -Not during an air raid, but you didn't know. | 0:07:10 | 0:07:13 | |
-Your mother just missed her train and... -Yes. Yes. | 0:07:13 | 0:07:17 | |
Women in the ninth month would often spend nights in the subway, | 0:07:17 | 0:07:21 | |
because those were the bomb shelters. | 0:07:21 | 0:07:23 | |
Have you been back to the station? | 0:07:23 | 0:07:24 | |
Yeah, and there's not even a plaque there. | 0:07:24 | 0:07:27 | |
LAUGHTER | 0:07:27 | 0:07:30 | |
You need to have been conceived to have a plaque there. | 0:07:30 | 0:07:34 | |
When you were Mayor of Cincinnati... 1977, is that right? | 0:07:34 | 0:07:39 | |
'77, '78, yeah. | 0:07:39 | 0:07:40 | |
-Oh, my God. -What are you doing in that picture? | 0:07:40 | 0:07:44 | |
Well, you know, when you're Mayor | 0:07:44 | 0:07:45 | |
you get a lot of ceremonial things to do, so it probably was some... | 0:07:45 | 0:07:49 | |
Oh, I know! That's when I got circumcised. | 0:07:49 | 0:07:51 | |
LAUGHTER | 0:07:51 | 0:07:55 | |
That's when everybody got circumcised. | 0:07:55 | 0:07:57 | |
Is it true about Cincinnati that there is a full abandoned subway system | 0:07:57 | 0:08:02 | |
that was never used that's underneath the city? | 0:08:02 | 0:08:04 | |
Yeah, they ran out of money, actually, and so it was never completed, | 0:08:04 | 0:08:08 | |
-but, yes, there is. -So, are there stations and...? | 0:08:08 | 0:08:10 | |
-Yeah. -Why did they not do it...? | 0:08:10 | 0:08:12 | |
It was before my time. | 0:08:12 | 0:08:13 | |
If I were Mayor, we would have finished that subway. | 0:08:13 | 0:08:17 | |
Quite right indeed. | 0:08:17 | 0:08:19 | |
APPLAUSE | 0:08:19 | 0:08:21 | |
You think women did duelling, or just a boy's thing? | 0:08:23 | 0:08:25 | |
Oh, if you've been to the big market in Newcastle on a Saturday night... | 0:08:25 | 0:08:28 | |
I hope that women did do duelling as well. | 0:08:29 | 0:08:31 | |
Yeah, they did, it was called petticoat duels. | 0:08:31 | 0:08:34 | |
And possibly the most famous... | 0:08:34 | 0:08:36 | |
That's kind of snatch and grab. | 0:08:45 | 0:08:46 | |
I never thought of hiding a pistol there! | 0:08:49 | 0:08:52 | |
So, the most famous one, 1892 in Austria, it was a topless duel... | 0:08:52 | 0:08:57 | |
Oh, that's brilliant. | 0:08:57 | 0:08:59 | |
Channel 5, where are you? | 0:08:59 | 0:09:00 | |
LAUGHTER | 0:09:00 | 0:09:03 | |
..between Princess Metternich and Countess Kielmannsegg | 0:09:03 | 0:09:06 | |
and what I love about it, | 0:09:06 | 0:09:07 | |
it's said to have been caused | 0:09:07 | 0:09:08 | |
by a disagreement over a flower arrangement. | 0:09:08 | 0:09:12 | |
Any excuse, that sounds like. | 0:09:12 | 0:09:14 | |
Yeah, well I don't like the flowers, so get your top off. | 0:09:14 | 0:09:20 | |
I'll "duel" you. | 0:09:20 | 0:09:21 | |
Apparently both women were worried that if they were wounded and | 0:09:23 | 0:09:26 | |
some fabric into the wound, it would get infected. | 0:09:26 | 0:09:28 | |
It's the very first emancipated duel in that every single person who took | 0:09:28 | 0:09:33 | |
part - all the seconds, the two duellers and, indeed, the medic - | 0:09:33 | 0:09:36 | |
were all women. It's hard to say who won. | 0:09:36 | 0:09:38 | |
The Princess, she was injured first on the nose, | 0:09:38 | 0:09:41 | |
so the Countess got first blood, as it were, | 0:09:41 | 0:09:43 | |
but she was then injured on the arm, which is a better wound. | 0:09:43 | 0:09:45 | |
So, there's points for where you cut the person, then? | 0:09:45 | 0:09:48 | |
Yeah, who does better. | 0:09:48 | 0:09:50 | |
As long as you come out with both your nipples, | 0:09:50 | 0:09:52 | |
I'm sure you'll be all right. | 0:09:52 | 0:09:53 | |
Oh! | 0:09:54 | 0:09:56 | |
LAUGHTER | 0:09:56 | 0:09:59 | |
Milk everywhere. | 0:10:01 | 0:10:02 | |
AUDIENCE GROANS | 0:10:02 | 0:10:05 | |
Boobs aren't full of milk. That's not why we have... | 0:10:05 | 0:10:09 | |
Do you suppose that there's milk all the time? | 0:10:09 | 0:10:12 | |
So, we've got a baby in the house, there's milk everywhere. | 0:10:12 | 0:10:16 | |
LAUGHTER | 0:10:16 | 0:10:18 | |
Boobs are sometimes full of milk. | 0:10:18 | 0:10:21 | |
Possibly not those four. | 0:10:21 | 0:10:22 | |
Perhaps they weren't at the time of the duel. | 0:10:22 | 0:10:24 | |
Stop it! | 0:10:29 | 0:10:30 | |
Stop it! | 0:10:31 | 0:10:32 | |
You are perforated. | 0:10:35 | 0:10:36 | |
I often wonder how we get to where we do. | 0:10:40 | 0:10:42 | |
Now, I've been practising this and I can do it about one in three. | 0:10:44 | 0:10:48 | |
So, you've all got an opportunity to give this a go. | 0:10:48 | 0:10:52 | |
There we go. That was pretty cool. | 0:10:53 | 0:10:56 | |
APPLAUSE | 0:10:56 | 0:11:00 | |
OK. So, it is just a length of chain and then you place the ring | 0:11:00 | 0:11:05 | |
up in like this. | 0:11:05 | 0:11:07 | |
If you hold it with your thumb and then hold it with one of your | 0:11:07 | 0:11:11 | |
fingers and what you need to do, | 0:11:11 | 0:11:13 | |
you just let the finger go and not the thumb. | 0:11:13 | 0:11:16 | |
-Just try and let the... -Oh, yes. | 0:11:16 | 0:11:17 | |
Yeah, Ross has got it. | 0:11:17 | 0:11:18 | |
-Just a few more goes. -All right, you're determined. | 0:11:23 | 0:11:25 | |
Put the chain... OK. | 0:11:25 | 0:11:26 | |
Don't make me get up and show you. | 0:11:28 | 0:11:31 | |
So, make your hand wide like this, | 0:11:31 | 0:11:34 | |
OK, and then hook your thumb like this, | 0:11:34 | 0:11:37 | |
but then hook the chain, | 0:11:37 | 0:11:38 | |
just hold that like that and only let your finger go. | 0:11:38 | 0:11:41 | |
LAUGHTER | 0:11:43 | 0:11:48 | |
I feel like a teaching assistant. | 0:11:51 | 0:11:53 | |
Where can you get one of those this time of day? | 0:11:53 | 0:11:56 | |
Oh, yes. | 0:11:56 | 0:11:57 | |
CHEERING | 0:11:57 | 0:12:00 | |
What's the worst thing you can do on a bed of nails? | 0:12:03 | 0:12:06 | |
Fall from a great height. | 0:12:07 | 0:12:09 | |
I would say so. | 0:12:09 | 0:12:10 | |
I'd say an orgy. | 0:12:10 | 0:12:12 | |
LAUGHTER | 0:12:12 | 0:12:14 | |
I think that getting nailed on some nails would be a terrible thing. | 0:12:14 | 0:12:18 | |
Well, here's the thing. | 0:12:18 | 0:12:19 | |
So, I think you could have an orgy if you were fantastically careful | 0:12:19 | 0:12:22 | |
about how you got on and off. | 0:12:22 | 0:12:24 | |
Are we talking about the nails or the people? | 0:12:24 | 0:12:26 | |
It's about the even distribution of weight across the nails. | 0:12:29 | 0:12:32 | |
-I did do this. -Did you? -I went on a bed of nails with a contortionist. | 0:12:32 | 0:12:36 | |
What a night that was. | 0:12:36 | 0:12:38 | |
I filmed it. | 0:12:40 | 0:12:42 | |
And he showed me how to lie and it's all right if you're lying down, | 0:12:42 | 0:12:45 | |
but he said be very careful, | 0:12:45 | 0:12:47 | |
because your instinct when you get up is to put your weight on your hands | 0:12:47 | 0:12:50 | |
and then that really hurts a lot. | 0:12:51 | 0:12:54 | |
When I was at school, one afternoon, for some reason, | 0:12:54 | 0:12:57 | |
some circus skills people came round | 0:12:57 | 0:12:59 | |
and tried to teach us all circus skills. | 0:12:59 | 0:13:02 | |
I love the heavy note of disapproval in your voice. | 0:13:02 | 0:13:07 | |
Absolute waste of bloody time! | 0:13:07 | 0:13:10 | |
I was seven. | 0:13:10 | 0:13:12 | |
You can learn circus skills later, what I needed was maths. | 0:13:12 | 0:13:15 | |
They came round and tried to teach us how to juggle, | 0:13:16 | 0:13:19 | |
we couldn't juggle, tried to put clown make up on, | 0:13:19 | 0:13:22 | |
some of us had an allergic reaction, you know... | 0:13:22 | 0:13:24 | |
One of the things was a bed of nails and they taught us how to lie on | 0:13:25 | 0:13:29 | |
a bed of nails and the way you lie on a bed of nails is you just lie | 0:13:29 | 0:13:32 | |
on it and it's fine. | 0:13:32 | 0:13:33 | |
When I was at boarding school, at the beginning of every year, | 0:13:35 | 0:13:37 | |
you had to put your skirt on | 0:13:37 | 0:13:39 | |
and then you had to kneel in front of matron | 0:13:39 | 0:13:40 | |
and the top of your hem had to touch the floor and if it didn't, | 0:13:40 | 0:13:45 | |
-you had to go and get a new skirt. -Or a bigger pen. | 0:13:45 | 0:13:47 | |
-Bigger pen? -Just get the bigger pen | 0:13:49 | 0:13:51 | |
and then you can have a shorter skirt. | 0:13:51 | 0:13:53 | |
Bigger pen, you see, so it reached... | 0:13:53 | 0:13:55 | |
I'm pretty sure it was "hem", Lee. | 0:13:55 | 0:13:56 | |
-It was hem. -Oh, I thought you said "pen". | 0:13:56 | 0:13:58 | |
-No, hem. -I wondered why everyone was looking at me, going, what's he | 0:13:58 | 0:14:02 | |
-talking about? -I love that Lee has such confidence that he can say | 0:14:02 | 0:14:05 | |
there's no way that joke didn't work. | 0:14:05 | 0:14:07 | |
Yeah. There must be a technical error on that, because this is gold, | 0:14:07 | 0:14:10 | |
this stuff. | 0:14:10 | 0:14:12 | |
Oh, a hem! | 0:14:14 | 0:14:15 | |
I was once in a gymnasium and I was on the leg extension... | 0:14:17 | 0:14:23 | |
Honestly, no. | 0:14:23 | 0:14:24 | |
Right, there's a thing, right, and you put your feet on it like that. | 0:14:24 | 0:14:28 | |
Please don't fart now. | 0:14:28 | 0:14:29 | |
Clear the studio. | 0:14:32 | 0:14:34 | |
You put your feet on it and you push with your legs | 0:14:34 | 0:14:37 | |
and as I started to push | 0:14:37 | 0:14:40 | |
I let out the longest... | 0:14:40 | 0:14:44 | |
it was so long that as I went like that it changed key. | 0:14:44 | 0:14:48 | |
I went... | 0:14:49 | 0:14:50 | |
-And the guy... -You know what that's called? | 0:14:52 | 0:14:54 | |
That's called a trombone. | 0:14:54 | 0:14:56 | |
Well, it got me thrown out of the Salvation Army. | 0:14:57 | 0:15:00 | |
And I went... | 0:15:00 | 0:15:01 | |
It was... Because the note changed, | 0:15:03 | 0:15:06 | |
I laughed so much and I turned to the bloke in the gym and went, | 0:15:06 | 0:15:09 | |
"I bet that happens all the time," and he went, "No". | 0:15:09 | 0:15:13 | |
LAUGHTER | 0:15:13 | 0:15:16 | |
Name the cause of the first mass extinction. | 0:15:16 | 0:15:18 | |
Oh, now this is a trick one, | 0:15:20 | 0:15:21 | |
because you're trying to get us to do the dinosaur one, | 0:15:21 | 0:15:24 | |
but there was one before that, wasn't there? | 0:15:24 | 0:15:26 | |
After 14 years, he understands the format. | 0:15:26 | 0:15:28 | |
And the thing I still can't do is think in my head. | 0:15:39 | 0:15:42 | |
Run, Forrest! | 0:15:45 | 0:15:46 | |
Where do you think, then? | 0:15:47 | 0:15:49 | |
-Out of my mouth. -In your mouth. | 0:15:50 | 0:15:52 | |
Is it ice, ice? | 0:15:52 | 0:15:54 | |
-It is not ice... -..Baby. -No. | 0:15:54 | 0:15:56 | |
Very good. They had a problem, but they didn't solve it. | 0:15:59 | 0:16:01 | |
There was a massive extinction. | 0:16:01 | 0:16:03 | |
It's sea anemone greed and really the invention of the mouth. | 0:16:04 | 0:16:09 | |
So, what happens is, these are... | 0:16:09 | 0:16:11 | |
This is when the problems come, when we invent the mouth. | 0:16:11 | 0:16:14 | |
Yes. These are Ediacarans and they are the first complex life forms | 0:16:14 | 0:16:18 | |
on earth and they hung around on the sea floor | 0:16:18 | 0:16:21 | |
for about 37 million years. | 0:16:21 | 0:16:23 | |
They didn't have a mouth, they didn't have an anus, | 0:16:23 | 0:16:25 | |
they just lived through osmosis. | 0:16:25 | 0:16:27 | |
They got along fine. | 0:16:27 | 0:16:28 | |
They're just fine. And then, what happens is the Cambrian explosion, | 0:16:28 | 0:16:32 | |
so that's, give or take a Tuesday, about 542 million years ago, | 0:16:32 | 0:16:36 | |
we suddenly get life forms rocketing, | 0:16:36 | 0:16:38 | |
because there's more oxygen around | 0:16:38 | 0:16:40 | |
and you get sea anenome-like creatures, | 0:16:40 | 0:16:42 | |
-they have a mouth and do you know what they did? -They ate them. | 0:16:42 | 0:16:45 | |
Absolutely right. They ate the lot of them. | 0:16:45 | 0:16:47 | |
And the terrible, tragic thing was | 0:16:47 | 0:16:48 | |
that they couldn't tell each other what was happening. | 0:16:48 | 0:16:51 | |
-Oh, don't, that's so sad. -Yep. No mouth. | 0:16:51 | 0:16:53 | |
-Just lying there being eaten and not being able to... -Or warn each other. | 0:16:55 | 0:16:58 | |
I've had boyfriends like that and I understand how they feel. | 0:16:58 | 0:17:01 | |
LAUGHTER | 0:17:01 | 0:17:02 | |
Nothing you can do, just let them get on with it. | 0:17:06 | 0:17:09 | |
It's been a learning experience being with you. | 0:17:09 | 0:17:14 | |
I went to an exhibition at the Tate and it was on pop art and there was | 0:17:14 | 0:17:17 | |
a room that was set aside from everyone else | 0:17:17 | 0:17:19 | |
because it was very explicit, | 0:17:19 | 0:17:21 | |
by this artist called Jeff Coons who does basically high art, | 0:17:21 | 0:17:25 | |
but pornography. | 0:17:25 | 0:17:26 | |
And this middle-class woman and her two kids came up and the guy on | 0:17:26 | 0:17:29 | |
the door stopped them and said, this is for over-18s only, you can't come in. | 0:17:29 | 0:17:33 | |
And she said, I'll go in, have a look, come back out and tell you what I saw. | 0:17:33 | 0:17:36 | |
So, she went into the room and she came back out a split second later, | 0:17:36 | 0:17:39 | |
completely ashen-faced and I heard her lean down to these two kids and | 0:17:39 | 0:17:42 | |
she said, what happens between a man and woman is a beautiful thing, | 0:17:42 | 0:17:45 | |
what I saw in that room is of no help to anyone. | 0:17:45 | 0:17:48 | |
LAUGHTER | 0:17:48 | 0:17:51 | |
Like what he said after the circus skills one. | 0:17:52 | 0:17:56 | |
I'm trying to get my head around long division, | 0:17:56 | 0:17:59 | |
I don't need this bullshit. | 0:17:59 | 0:18:00 | |
Is it a large piece of land, a forest? | 0:18:04 | 0:18:07 | |
It is, it's a massive piece of land. | 0:18:07 | 0:18:08 | |
Here is the thing that Norway has that Finland doesn't really have. | 0:18:08 | 0:18:12 | |
Norway has hundreds of very big mountains and Finland doesn't. | 0:18:12 | 0:18:15 | |
And this is the nicest gift, they're going to give them a mountain. | 0:18:15 | 0:18:18 | |
-Oh, wow. -This is the Halti range, it's on the border of the two countries. | 0:18:18 | 0:18:23 | |
They're going to give them the Halditsohkka peak. | 0:18:23 | 0:18:26 | |
It's only 4,366 feet high, but it doesn't even come into Norway's | 0:18:26 | 0:18:30 | |
top 200 highest peaks. | 0:18:30 | 0:18:32 | |
It will be Finland's highest mountain. | 0:18:32 | 0:18:36 | |
But they'll have to come and visit it, they can't put it... | 0:18:36 | 0:18:39 | |
It's on the border, so the border will just go... | 0:18:39 | 0:18:42 | |
I like you, I like you so much | 0:18:53 | 0:18:54 | |
because I found myself explaining that. | 0:18:54 | 0:18:56 | |
What does the world's fussiest eater eat? | 0:19:00 | 0:19:04 | |
Is the world's fussiest eater not a human being? | 0:19:04 | 0:19:06 | |
-Correct. -Is it something that is so fussy that it just doesn't eat | 0:19:06 | 0:19:10 | |
-and then dies? -No, it's very specific. | 0:19:10 | 0:19:13 | |
It only likes one thing on the menu. | 0:19:13 | 0:19:15 | |
It's so deeply unpleasant. | 0:19:15 | 0:19:18 | |
There are a few parasites who have cornered the market so decisively. | 0:19:18 | 0:19:22 | |
It's a little leech. | 0:19:22 | 0:19:23 | |
It rarely sees the light of day because it lives | 0:19:23 | 0:19:26 | |
up a hippopotamus's bottom. | 0:19:26 | 0:19:28 | |
It's called Placobdelloides jaegerskioeldi. | 0:19:32 | 0:19:36 | |
Here's the thing, hippos have incredibly tough skin, | 0:19:36 | 0:19:38 | |
so if the leech is looking for a blood meal off the hippo, | 0:19:38 | 0:19:42 | |
it really has to go to the rectal region because that's where | 0:19:42 | 0:19:44 | |
the blood vessels are. The skin is vascular. | 0:19:44 | 0:19:46 | |
-It's where the best restaurants are. -Seriously, best place to hang out. | 0:19:46 | 0:19:49 | |
Here's the thing, has anybody ever seen a hippo being excused? | 0:19:49 | 0:19:53 | |
-No. I've not seen that. -Well, it's the most extraordinary thing | 0:19:53 | 0:19:56 | |
because they are noted for the violence of their bowel movements, OK. | 0:19:56 | 0:19:59 | |
So they fire out an absolute explosion of slurry. | 0:19:59 | 0:20:02 | |
I know how they feel, guys. | 0:20:02 | 0:20:03 | |
Why are their bowel movements so violent? I'm interested! | 0:20:06 | 0:20:09 | |
OK, so it is extraordinary. | 0:20:09 | 0:20:10 | |
What's amazing is that the leech is able to hold on. | 0:20:10 | 0:20:13 | |
It has a fantastic grip! | 0:20:13 | 0:20:16 | |
It's got a pair of suckers, front and rear, | 0:20:16 | 0:20:17 | |
which provide incredible anchorage, | 0:20:17 | 0:20:20 | |
-so while this poo is spraying everywhere. -Well... | 0:20:20 | 0:20:23 | |
Yes, Ross? | 0:20:23 | 0:20:24 | |
Is it something helpful? | 0:20:24 | 0:20:25 | |
Yeah, it is! | 0:20:25 | 0:20:27 | |
LAUGHTER | 0:20:27 | 0:20:28 | |
-I have a slight confession. -Yes? -Right. | 0:20:28 | 0:20:31 | |
I recently was bored in a hotel room... | 0:20:32 | 0:20:35 | |
-Yeah. -No! | 0:20:35 | 0:20:37 | |
If you go online, and type in "hippos pooing", right? | 0:20:40 | 0:20:45 | |
Sorry, I'm just going to stop you there, why would you do that? | 0:20:45 | 0:20:49 | |
Start with moss. | 0:20:49 | 0:20:50 | |
Plot your way out. | 0:20:50 | 0:20:52 | |
Bears... in the woods. | 0:20:52 | 0:20:55 | |
-And there... -LAUGHTER | 0:20:55 | 0:20:58 | |
..there are huge amounts of videos of people filming hippos at zoos, | 0:20:58 | 0:21:04 | |
who, their tail goes up, and they go... | 0:21:04 | 0:21:06 | |
It's unbelievable. | 0:21:07 | 0:21:08 | |
I don't know how it, it just sort of... | 0:21:08 | 0:21:11 | |
Have you got a leech?! | 0:21:18 | 0:21:19 | |
So, the world's fussiest eater won't eat anything but hippo's arse. | 0:21:23 | 0:21:28 | |
In fact, they've taken the little leeches into the lab and offered | 0:21:28 | 0:21:31 | |
them other things to eat, and they refuse. | 0:21:31 | 0:21:34 | |
So it's not interested in the dung at all? | 0:21:34 | 0:21:35 | |
-No, it doesn't want the dung. -It just hears it coming! | 0:21:35 | 0:21:38 | |
Yeah, wa-a-ah! | 0:21:38 | 0:21:39 | |
Make of this nonsensical question what you will. | 0:21:51 | 0:21:53 | |
Who blows their nose for something to eat? | 0:21:53 | 0:21:57 | |
My children. | 0:21:57 | 0:21:59 | |
I suppose there might be some good bacteria in your mucus. | 0:21:59 | 0:22:02 | |
That's what I was told about children doing... | 0:22:02 | 0:22:04 | |
That does actually help their immune system, to consume their bogies. | 0:22:04 | 0:22:08 | |
-Yeah. -Was that one of your children that told you that? | 0:22:08 | 0:22:13 | |
-Because I think that... -"It's very good for me, actually!" | 0:22:13 | 0:22:16 | |
There's a conflict of interest there. | 0:22:16 | 0:22:18 | |
Is it an anteater? | 0:22:18 | 0:22:20 | |
-Is it an anteater? -Well, they suck up ants through their noses, | 0:22:20 | 0:22:23 | |
-don't they? -Yes, | 0:22:23 | 0:22:24 | |
but we're actually looking for something that blows its nose. | 0:22:24 | 0:22:28 | |
Blows its nose... | 0:22:28 | 0:22:29 | |
-Yes? -Bird, mammal? | 0:22:29 | 0:22:32 | |
Bird-mammal... Are you trying to psych me out so I tell you? | 0:22:32 | 0:22:34 | |
-Trying. -OK, it's a worm, you did it! | 0:22:34 | 0:22:38 | |
Worms haven't got noses, they've got spiracles. | 0:22:39 | 0:22:41 | |
Oh, well, here is the extraordinary thing. Have a look at this. | 0:22:41 | 0:22:45 | |
Prepare yourselves for this bit of footage. | 0:22:45 | 0:22:47 | |
This is a... | 0:22:47 | 0:22:48 | |
ALL: EUGH! | 0:22:48 | 0:22:52 | |
Make it stop! | 0:23:00 | 0:23:01 | |
It's called a nemertean, or a ribbon worm. | 0:23:03 | 0:23:06 | |
And it literally blows its nose, | 0:23:06 | 0:23:08 | |
so explosively ejects its proboscis from its body, in search of food. | 0:23:08 | 0:23:13 | |
They are also known as proboscis worms. | 0:23:13 | 0:23:15 | |
Is that snot, then? | 0:23:15 | 0:23:16 | |
No, it's its nose. | 0:23:16 | 0:23:17 | |
And when they detect food, or prey, | 0:23:17 | 0:23:19 | |
the muscle contractions of the body wall forces the proboscis, | 0:23:19 | 0:23:23 | |
literally its nose, out of the body, | 0:23:23 | 0:23:24 | |
-and it turns it inside out like a rubber glove. -Right. | 0:23:24 | 0:23:26 | |
OK? And the one that's shown here is a gorgon worm, | 0:23:26 | 0:23:30 | |
and it's got these branching spaghetti-like tentacles on its proboscis, | 0:23:30 | 0:23:33 | |
which then envelops the prey with a sticky toxin, | 0:23:33 | 0:23:36 | |
and draws it back into the body. | 0:23:36 | 0:23:39 | |
Are you telling me that it ate that bloke? | 0:23:39 | 0:23:42 | |
LAUGHTER | 0:23:42 | 0:23:45 | |
-Let's have another look, let's have one more... -No, let's not! | 0:23:45 | 0:23:49 | |
It's amazing, isn't it? | 0:23:53 | 0:23:55 | |
No! | 0:23:55 | 0:23:56 | |
LAUGHTER | 0:23:56 | 0:23:58 | |
Was it not more prevalent post the wipe-out of the dinosaurs? | 0:23:59 | 0:24:03 | |
Isn't there a theory that they died because of a change in temperature? | 0:24:03 | 0:24:06 | |
Well, the thing is, dinosaurs were neither warm- nor cold-blooded, | 0:24:06 | 0:24:09 | |
but they were somewhere in between. | 0:24:09 | 0:24:10 | |
-They were just right, weren't they? -Yeah, they were just right! | 0:24:10 | 0:24:13 | |
-They liked to sit on the fence. -Lovely Goldilocks blood. | 0:24:13 | 0:24:15 | |
Because, there are disadvantages to being warm-blooded, OK? | 0:24:15 | 0:24:18 | |
One of the things is, you have to keep eating to get fuel | 0:24:18 | 0:24:21 | |
to maintain the constant body temperature. | 0:24:21 | 0:24:23 | |
So if, for example, a lion was as big as a Tyrannosaurus rex, | 0:24:23 | 0:24:26 | |
it probably wouldn't be able to eat enough to survive. | 0:24:26 | 0:24:29 | |
Isn't there a theory on the dinosaurs, | 0:24:29 | 0:24:31 | |
where they died out because over a certain temperature all the eggs | 0:24:31 | 0:24:34 | |
hatched as male, and below a certain temperature they all hatched | 0:24:34 | 0:24:38 | |
as female? And then the temperature went down, | 0:24:38 | 0:24:40 | |
and they all hatched as female, and then there were no more, no-one to mate with. | 0:24:40 | 0:24:43 | |
Well, there are as many theories about how the dinosaurs... | 0:24:43 | 0:24:46 | |
But that's the correct one. The one that I can vaguely remember, | 0:24:46 | 0:24:50 | |
I'm 90% sure is 100% correct. | 0:24:50 | 0:24:52 | |
There's someone who's never watched King Kong. | 0:24:52 | 0:24:55 | |
Massive gorilla, mate. | 0:24:57 | 0:24:59 | |
Twatted all of them. | 0:24:59 | 0:25:00 | |
LAUGHTER | 0:25:00 | 0:25:02 | |
Well, that's spoilt the end of that film. | 0:25:03 | 0:25:08 | |
Time for another parlour game. | 0:25:08 | 0:25:10 | |
"Are you there, Moriarty?" | 0:25:10 | 0:25:12 | |
Who knows how to play this? | 0:25:12 | 0:25:14 | |
You're blindfolded, I'm guessing? | 0:25:14 | 0:25:15 | |
-Yes, you are. -You're blindfolded, and you're as tall as a newspaper. | 0:25:15 | 0:25:19 | |
This is a British one, which I frankly don't understand, OK. | 0:25:20 | 0:25:24 | |
So, you are blindfolded, you hold each other's left hands, | 0:25:24 | 0:25:29 | |
one of you shouts out, "Are you there Moriarty?" | 0:25:29 | 0:25:31 | |
The other one shouts, "Yes". | 0:25:31 | 0:25:33 | |
And the one who said, "Are you there, Moriarty", then tries to hit them with the newspaper. | 0:25:33 | 0:25:37 | |
-I'll be the shouter. -OK. | 0:25:37 | 0:25:39 | |
-You take turns, you take turns. -Oh, all right, OK. | 0:25:39 | 0:25:42 | |
Obviously, I'm going to have to hit the target, but I'm not sure | 0:25:42 | 0:25:45 | |
how comfortable I am hitting a woman on national television. | 0:25:45 | 0:25:48 | |
It's Susan, you'll be all right. | 0:25:48 | 0:25:50 | |
LAUGHTER | 0:25:50 | 0:25:52 | |
Right, left hands held. | 0:25:52 | 0:25:54 | |
-Give me your hand. -Left hand, yeah. | 0:25:54 | 0:25:56 | |
-OK, so, Matt? -Yes? | 0:25:57 | 0:25:59 | |
You're going to say, "Are you there, Moriarty?" | 0:25:59 | 0:26:02 | |
And Susan, you're going to say, "Yes". | 0:26:02 | 0:26:03 | |
-And then, Matt, you're going to try and hit her. -OK. -OK, go. | 0:26:03 | 0:26:07 | |
Are you there, Moriarty? | 0:26:07 | 0:26:08 | |
Yes. | 0:26:08 | 0:26:09 | |
-Do I try again? -You try again, now, Susan. | 0:26:12 | 0:26:14 | |
Sorry, I thought you meant... | 0:26:14 | 0:26:17 | |
-Right. -Go on, Susan. -Are you there, Moriarty? | 0:26:17 | 0:26:20 | |
No, I'm not, no. | 0:26:20 | 0:26:21 | |
Ow! Ow! | 0:26:24 | 0:26:26 | |
-Do you know what? -Yeah? -I love the idea that someone has turned on this for the first time, | 0:26:26 | 0:26:30 | |
and gone, "It's really changed without Stephen, hasn't it? | 0:26:30 | 0:26:36 | |
Uncle Stephen would never have allowed this!" | 0:26:38 | 0:26:41 | |
AH! | 0:26:41 | 0:26:43 | |
I know you're there! | 0:26:43 | 0:26:45 | |
Ow! Ow! | 0:26:46 | 0:26:47 | |
This is good, this is good. | 0:26:48 | 0:26:50 | |
I found her, so I don't need to... | 0:26:50 | 0:26:51 | |
Right, you two, come on, let's have a go. So, put your blindfold on... | 0:26:51 | 0:26:55 | |
I've got quite a big head, so I'm not sure it's going to fit round. | 0:26:55 | 0:26:58 | |
-Oh, there we go. -There we go. Right. -Do we stand up? -No... | 0:26:58 | 0:27:01 | |
Ow! | 0:27:01 | 0:27:02 | |
I think Alan's won. | 0:27:04 | 0:27:05 | |
So, now, hold left hands. | 0:27:06 | 0:27:08 | |
I'm not going near him, he's an animal! | 0:27:08 | 0:27:10 | |
Hold left hands. | 0:27:10 | 0:27:12 | |
OK, so, Josh shouts, "Are you there, Moriarty?" | 0:27:12 | 0:27:15 | |
Are you there, Moriarty? | 0:27:15 | 0:27:16 | |
Ow. Ow! | 0:27:16 | 0:27:19 | |
-Alan, so, you have to say... -How am I doing? | 0:27:20 | 0:27:22 | |
He missed! Let me just do it again. | 0:27:24 | 0:27:26 | |
Josh is going to shout, "Are you there, Moriarty?" | 0:27:26 | 0:27:28 | |
Alan's going to shout, "Yes", to indicate his location, | 0:27:28 | 0:27:31 | |
and then he's going to try and escape Josh hitting him. | 0:27:31 | 0:27:34 | |
OK? Right, Josh. | 0:27:34 | 0:27:36 | |
-Are you there, Moriarty? -Yes. | 0:27:36 | 0:27:38 | |
Now, try and escape. | 0:27:38 | 0:27:40 | |
Just one hit! | 0:27:41 | 0:27:42 | |
Ow! | 0:27:42 | 0:27:43 | |
I don't... Ow! | 0:27:46 | 0:27:48 | |
LAUGHTER | 0:27:48 | 0:27:53 | |
Ow! | 0:27:55 | 0:27:56 | |
No! | 0:27:59 | 0:28:00 | |
LAUGHTER | 0:28:03 | 0:28:06 | |
Josh, you were rubbish at that game, you were rubbish! | 0:28:13 | 0:28:16 | |
I don't want to turn this into a Carry On film, but mine wasn't as rigid as Alan's. | 0:28:16 | 0:28:20 | |
I'm not sure that was the problem. | 0:28:22 | 0:28:24 | |
I think the overall winner of that is Alan. | 0:28:25 | 0:28:27 |