Browse content similar to The Lady's Abscess. Check below for episodes and series from the same categories and more!
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JEERING | 0:00:02 | 0:00:04 | |
-HE SIGHS -This is wrong. | 0:00:11 | 0:00:13 | |
CHEERING | 0:00:16 | 0:00:17 | |
Steady on! | 0:00:20 | 0:00:21 | |
Oh, frig, I've been buzzed. | 0:00:24 | 0:00:25 | |
I always get pickpocketed at the hangings. | 0:00:26 | 0:00:29 | |
Every time. | 0:00:29 | 0:00:30 | |
People were so desperate to get to the body | 0:00:47 | 0:00:49 | |
they trampled over each other. | 0:00:49 | 0:00:51 | |
People were injured. They attacked the hangman himself. | 0:00:51 | 0:00:55 | |
Warren? | 0:00:55 | 0:00:56 | |
Well, he's the hangman on Tuesdays, he's a good chap. | 0:00:56 | 0:00:58 | |
Clearly, these public executions have a very deleterious | 0:00:58 | 0:01:01 | |
effect on the crowd. | 0:01:01 | 0:01:03 | |
Yes, well done. Right, down the hatch. | 0:01:03 | 0:01:05 | |
And have some of this if you want, I will be. | 0:01:05 | 0:01:09 | |
What's that good for? | 0:01:09 | 0:01:10 | |
Hallucinations, if you drink enough of it. | 0:01:10 | 0:01:13 | |
I'll have a sip. | 0:01:14 | 0:01:15 | |
Hello, doctors. | 0:01:16 | 0:01:18 | |
If you have a moment, | 0:01:18 | 0:01:19 | |
I wanted to talk to you about my wife's torpid liver. | 0:01:19 | 0:01:22 | |
Let's test your theory, William - | 0:01:22 | 0:01:23 | |
does regular attendance at hangings damage a man's brain? | 0:01:23 | 0:01:27 | |
Mr Hubble, do you enjoy public executions? | 0:01:27 | 0:01:29 | |
I absolutely love them. | 0:01:29 | 0:01:31 | |
My dad used to take me when I was young. | 0:01:32 | 0:01:35 | |
You never forget your first hanging as a child, do you? | 0:01:35 | 0:01:39 | |
HE SIGHS | 0:01:39 | 0:01:41 | |
'Ere, you must be that famous surgeon, Mr Lessing. | 0:01:41 | 0:01:44 | |
Yes. | 0:01:44 | 0:01:45 | |
Caroline, what are you doing here? | 0:01:49 | 0:01:52 | |
I must be hallucinating. | 0:01:52 | 0:01:53 | |
Oh, I've just had the most amazing day. | 0:01:53 | 0:01:55 | |
I went to hear Charles Dickens reading from The Old Curiosity Shop | 0:01:55 | 0:01:58 | |
and talking about his new book, Dombey And Son. | 0:01:58 | 0:02:01 | |
He read for seven and a half hours. | 0:02:01 | 0:02:05 | |
He has such energy and humanity and wit. | 0:02:05 | 0:02:09 | |
He's not a self-obsessed bore at all. | 0:02:09 | 0:02:11 | |
Do you enjoy his books? | 0:02:11 | 0:02:13 | |
Yes. | 0:02:14 | 0:02:15 | |
Really? You like reading about pale, | 0:02:15 | 0:02:17 | |
consumptive children wandering around in graveyards, do you? | 0:02:17 | 0:02:20 | |
Oh, John! He's our greatest and most important polemical storyteller. | 0:02:20 | 0:02:25 | |
I tried reading The Pickwick Papers, it was longer than sorrow. | 0:02:25 | 0:02:28 | |
I lost the will to live by page 80. | 0:02:28 | 0:02:31 | |
Yeah, well, that was his first book. | 0:02:31 | 0:02:32 | |
It was light and satirical. | 0:02:32 | 0:02:34 | |
He's become so much more substantial since then. | 0:02:34 | 0:02:37 | |
His depiction of Mr Quilp, the malevolent, | 0:02:37 | 0:02:39 | |
lust-filled dwarf filled my mind for weeks. | 0:02:39 | 0:02:43 | |
Have you read Curiosity Shop? | 0:02:43 | 0:02:45 | |
It's my absolute favourite of his. | 0:02:45 | 0:02:47 | |
Now, look, the truly exciting news is that I talked | 0:02:47 | 0:02:50 | |
to his publisher, Mr Bradbury, after the reading and I told him about | 0:02:50 | 0:02:53 | |
the paper that I've written about the excessively long hours | 0:02:53 | 0:02:56 | |
that children work and he invited me to have dinner with him | 0:02:56 | 0:03:01 | |
and Mr Dickens to discuss it | 0:03:01 | 0:03:03 | |
at Charles Dickens' house! | 0:03:03 | 0:03:04 | |
So would you like to escort me? | 0:03:07 | 0:03:08 | |
I can't. When is it? | 0:03:08 | 0:03:09 | |
-Saturday evening. -Yes, I can't. | 0:03:11 | 0:03:12 | |
William, will you escort her? | 0:03:13 | 0:03:16 | |
I'm not sure I'm the right person for that sort of event, | 0:03:16 | 0:03:19 | |
but perhaps John... | 0:03:19 | 0:03:21 | |
-Yes, I'd love to escort you. -You haven't read the books. | 0:03:21 | 0:03:23 | |
No, of course not, but I'd like to try and get him to read | 0:03:23 | 0:03:26 | |
my drug diary. I think it will be right up his alley. | 0:03:26 | 0:03:28 | |
No, you have to be a fan of his if you're going to come for dinner. | 0:03:28 | 0:03:31 | |
So will you escort me, please, William? | 0:03:31 | 0:03:33 | |
Well, if your husband has no desire to attend, | 0:03:34 | 0:03:37 | |
then I'd be delighted | 0:03:37 | 0:03:40 | |
to escort you. I'd be very interested to meet the mighty boss. | 0:03:40 | 0:03:44 | |
Will you ask him from me what he's got against dwarfs? | 0:03:45 | 0:03:47 | |
SHE SCOFFS | 0:03:47 | 0:03:50 | |
You can see after only three days the skin is already | 0:03:53 | 0:03:56 | |
beginning to heal across the wound. | 0:03:56 | 0:03:58 | |
Well done, Mr Harris. I think you'll find you'll be back selling fish | 0:03:58 | 0:04:02 | |
sooner than you imagine. | 0:04:02 | 0:04:04 | |
Sorry, can I help you? | 0:04:04 | 0:04:05 | |
Sad to say that if you want to be one of the nurses | 0:04:05 | 0:04:07 | |
attending my operations, there's an unhappily long waiting list. | 0:04:07 | 0:04:10 | |
I have an observation to make. | 0:04:10 | 0:04:12 | |
I watched this amputation on Monday and I think you made a severe | 0:04:12 | 0:04:15 | |
mistake not cutting the dead flesh away from around the incision. | 0:04:15 | 0:04:18 | |
-I beg your pardon. -And you should be cleaning your instruments after use. | 0:04:20 | 0:04:24 | |
I'm sorry, who are you? | 0:04:24 | 0:04:25 | |
My name is Florence Nightingale. | 0:04:25 | 0:04:27 | |
Dr Hendrick, | 0:04:27 | 0:04:29 | |
please can we have this annoying nurse removed? | 0:04:29 | 0:04:31 | |
I'm not a nurse, I'm a volunteer. | 0:04:31 | 0:04:33 | |
Ah, you've met Miss Nightingale. Isn't she wonderful? | 0:04:33 | 0:04:36 | |
-No. -She's had some very exciting new ideas for the hospital. | 0:04:36 | 0:04:40 | |
She thinks the nurses should be sober. | 0:04:40 | 0:04:42 | |
She wants to clean the sheets more often, get rid of some of the rats. | 0:04:42 | 0:04:46 | |
And the surgeons must clean their instruments. | 0:04:46 | 0:04:48 | |
I'm sorry, but I am not going to be told how to proceed by some | 0:04:48 | 0:04:51 | |
volunteer who knows as much about surgery as I do about German opera. | 0:04:51 | 0:04:54 | |
Which, to be clear, is nothing. | 0:04:56 | 0:04:58 | |
God has sent me here. | 0:04:58 | 0:04:59 | |
I've prayed about making improvements to this hospital | 0:05:00 | 0:05:02 | |
and 83% of my prayers come true. | 0:05:02 | 0:05:05 | |
Sorry...you keep count of how many of your prayers come true? | 0:05:05 | 0:05:09 | |
-Mm-hmm. -Well, I keep a list of Jews I meet. | 0:05:09 | 0:05:13 | |
Patients won't know what an experienced surgeon I am | 0:05:13 | 0:05:16 | |
unless they can see the blood on my coat and instruments, will they? | 0:05:16 | 0:05:19 | |
Oh, that's a fair point. | 0:05:19 | 0:05:21 | |
Father wondered if you'd like to visit us over the summer | 0:05:21 | 0:05:24 | |
at the villa near Verona. | 0:05:24 | 0:05:26 | |
Oh, how delightful. | 0:05:26 | 0:05:28 | |
Er, when was he suggesting? | 0:05:28 | 0:05:31 | |
I'll say you're keen and find out. | 0:05:31 | 0:05:33 | |
Florence's father is Mr William Nightingale. | 0:05:33 | 0:05:37 | |
-Great friend of Lord Palmerston's. -I see. | 0:05:37 | 0:05:39 | |
Do let me know his reply, Miss Nightingale, | 0:05:40 | 0:05:43 | |
and let's clean up those instruments, shall we, Lessing? | 0:05:43 | 0:05:46 | |
We've got to get rid of her. | 0:05:54 | 0:05:57 | |
Why is she so appalling? | 0:05:57 | 0:05:59 | |
She doesn't know what she's doing. | 0:05:59 | 0:06:01 | |
She's already insisted that Hendrick get rid of two young surgeons | 0:06:01 | 0:06:03 | |
simply because all their patients died of gangrene. | 0:06:03 | 0:06:06 | |
Good men I'm talking about. | 0:06:06 | 0:06:07 | |
Oh, she does look awful. | 0:06:07 | 0:06:09 | |
Look at her - opening windows! | 0:06:10 | 0:06:13 | |
All she does is endlessly open windows. | 0:06:13 | 0:06:16 | |
She's letting in some fresh air. | 0:06:16 | 0:06:17 | |
But look at the way she's doing it, all proprietorial | 0:06:17 | 0:06:20 | |
and sanctimonious and pleased with herself. | 0:06:20 | 0:06:22 | |
-Thank you. -Yeah. | 0:06:22 | 0:06:23 | |
Mind you, I bet she's filthy in bed. | 0:06:24 | 0:06:26 | |
It's always the uptight, religious ones. | 0:06:28 | 0:06:29 | |
Once they unclench. | 0:06:29 | 0:06:31 | |
Let's get her locked up. | 0:06:31 | 0:06:33 | |
Can you certify that she's got a brain disorder? Or hysteria? | 0:06:33 | 0:06:36 | |
She isn't mad or hysterical. | 0:06:36 | 0:06:38 | |
Yes, she is, she told me that she has visions. | 0:06:38 | 0:06:41 | |
God told her to come here. | 0:06:41 | 0:06:43 | |
I'm not doing that. | 0:06:44 | 0:06:45 | |
HE SIGHS | 0:06:45 | 0:06:47 | |
You want patients to try ether on, let's ask her. | 0:06:47 | 0:06:49 | |
Give her too much, tragic accident in the name of progress. | 0:06:49 | 0:06:52 | |
I don't really want to kill nurses. | 0:06:52 | 0:06:54 | |
She's coming this way. | 0:06:56 | 0:06:57 | |
Good morning to you, Mr Lessing. | 0:06:57 | 0:06:59 | |
-Yes. -Who are your two friends here? | 0:06:59 | 0:07:01 | |
He's an alienist, he's a dentist. | 0:07:01 | 0:07:03 | |
Neither of them clean their instruments | 0:07:03 | 0:07:04 | |
or their bottoms. | 0:07:04 | 0:07:05 | |
Then they should start to. | 0:07:05 | 0:07:07 | |
I gather Dr Hendrick has asked for you and I | 0:07:07 | 0:07:09 | |
to visit Lady Neilson-Toy with him this afternoon. | 0:07:09 | 0:07:12 | |
Hendrick's patron? | 0:07:12 | 0:07:13 | |
YOU and me?! | 0:07:13 | 0:07:15 | |
She has got a lovely smile. | 0:07:20 | 0:07:22 | |
Agh! No. Get off! | 0:07:33 | 0:07:35 | |
Good try, little man, but you'll have to be a good deal quicker | 0:07:35 | 0:07:37 | |
-than that with me. -Sorry, Mister! Don't hurt me. | 0:07:37 | 0:07:40 | |
I've never tried it before. | 0:07:40 | 0:07:42 | |
It's only cos I'm desperate hungry. | 0:07:42 | 0:07:43 | |
I've got some bread, some cheese and...oh. | 0:07:48 | 0:07:52 | |
-A Swiss liqueur. -Thanks. | 0:07:52 | 0:07:55 | |
What's your name? | 0:07:55 | 0:07:56 | |
Don't know, Mister. Mother didn't want to give me a name | 0:07:56 | 0:07:58 | |
-until I was six in case I died before then. -I see. | 0:07:58 | 0:08:02 | |
But you're older than six now, aren't you? | 0:08:02 | 0:08:04 | |
What's your favourite name? | 0:08:04 | 0:08:06 | |
Winkle, like in the book by that man. | 0:08:07 | 0:08:09 | |
Let's maybe call you Oliver for now. | 0:08:11 | 0:08:13 | |
Little Ollie. | 0:08:13 | 0:08:15 | |
-We are you from, Ollie? -I was born in Deptford. | 0:08:15 | 0:08:17 | |
I never knew my father. | 0:08:17 | 0:08:19 | |
Mother used to collect horse dung for a living | 0:08:19 | 0:08:21 | |
before she became a tart. | 0:08:21 | 0:08:23 | |
Ah. Right. | 0:08:23 | 0:08:25 | |
What is it you do in here, Mister? | 0:08:28 | 0:08:31 | |
It's a wondrous room. | 0:08:31 | 0:08:32 | |
Don't touch that! | 0:08:32 | 0:08:33 | |
I'm a dentist. That's my dentist chair. | 0:08:35 | 0:08:37 | |
These are the drugs I try and give people to help with the pain. | 0:08:37 | 0:08:40 | |
-Have you got a bad tooth? -Hurts like a kick in the whiffle. -Does it? | 0:08:40 | 0:08:44 | |
Well, let's have a look then, shall we? | 0:08:44 | 0:08:46 | |
How much do you weigh, Ollie? | 0:08:46 | 0:08:48 | |
-I don't know. -Right. | 0:08:48 | 0:08:50 | |
I'm going to weigh you. | 0:08:50 | 0:08:51 | |
Then I would like you to inhale a bit of this for me | 0:08:54 | 0:08:59 | |
before I pull your tooth out. How's that? | 0:08:59 | 0:09:00 | |
Thanks, Mister. Didn't feel a thing. | 0:09:06 | 0:09:09 | |
Well, that is the power of ether. | 0:09:09 | 0:09:11 | |
-Astonishing. You's astonishing. -Well, thank you. | 0:09:11 | 0:09:18 | |
Hey, here's a coin for your tooth as well. | 0:09:18 | 0:09:20 | |
Child's tooth's worth a pretty penny, I can tell you. | 0:09:21 | 0:09:24 | |
FIRE CRACKLES | 0:09:25 | 0:09:27 | |
HE SNORES | 0:09:35 | 0:09:37 | |
And how long has this discomfort down below been with you, madam? | 0:09:37 | 0:09:43 | |
Oh, several weeks now. | 0:09:43 | 0:09:45 | |
We should examine her. | 0:09:45 | 0:09:47 | |
Oh, no, I don't want that. | 0:09:47 | 0:09:48 | |
Rest assured, my lady, there's no need for an examination. | 0:09:48 | 0:09:51 | |
I can diagnose perfectly well simply through conversation. | 0:09:51 | 0:09:55 | |
I suspect you have a large haemorrhoid. | 0:09:55 | 0:09:59 | |
Perhaps the size of a Christmas walnut. | 0:09:59 | 0:10:01 | |
If we book a time, Mr Lessing, my surgeon, | 0:10:01 | 0:10:04 | |
may be able to attend to the problem. | 0:10:04 | 0:10:05 | |
You feel it may require surgery?! | 0:10:05 | 0:10:08 | |
-Well... -It may. If I could examine, I'd be certain. | 0:10:08 | 0:10:12 | |
SHE GASPS Be quiet. | 0:10:12 | 0:10:14 | |
I am Sir Christopher Wren, you are my builder. | 0:10:15 | 0:10:19 | |
Madam, I fully understand your desire to avoid | 0:10:19 | 0:10:22 | |
examination by a man. | 0:10:22 | 0:10:23 | |
Especially this man. | 0:10:24 | 0:10:25 | |
-What a beautiful brooch you have here. A diamond tiger. -Oh, yes. | 0:10:27 | 0:10:31 | |
A birthday present from the maharaja of Dungarpur. | 0:10:31 | 0:10:35 | |
-It is my favourite possession. -It's beautiful. -Mmm. | 0:10:35 | 0:10:38 | |
I've travelled widely in Europe but I'd love to hear about India. | 0:10:38 | 0:10:41 | |
And perhaps while you enlighten me, if the men leave the room, | 0:10:41 | 0:10:45 | |
you might permit me to have a very brief look at you. | 0:10:45 | 0:10:47 | |
SHE SIMPERS | 0:10:50 | 0:10:52 | |
She has a large, red, weeping abscess on her left | 0:11:00 | 0:11:03 | |
buttock it that, in my opinion, needs removal. | 0:11:03 | 0:11:05 | |
As I thought. | 0:11:05 | 0:11:06 | |
Spent a lot of time looking at buttocks, have you? | 0:11:06 | 0:11:09 | |
Let us fix a time for this surgery. | 0:11:09 | 0:11:11 | |
SNIFFING | 0:11:13 | 0:11:16 | |
Hello, Ollie. | 0:11:20 | 0:11:22 | |
I got something for you - children's teeth for you to sell. | 0:11:22 | 0:11:26 | |
Thank you, Ollie. Where did you get these? | 0:11:26 | 0:11:29 | |
Will you pay me for them? | 0:11:29 | 0:11:30 | |
Yes, but where did you...? | 0:11:30 | 0:11:33 | |
Maybe it's best I don't know. | 0:11:33 | 0:11:35 | |
This isn't a human tooth, this is a cat's tooth. | 0:11:37 | 0:11:41 | |
-Is it? -Have you been pulling teeth out of dead cats? | 0:11:41 | 0:11:44 | |
The rest are children's. | 0:11:45 | 0:11:46 | |
Promise. | 0:11:46 | 0:11:48 | |
-What's that you're making? -It's a new device for inhaling ether. | 0:11:48 | 0:11:52 | |
Can I work for you? Please? | 0:11:52 | 0:11:54 | |
I'll do whatever you want - | 0:11:54 | 0:11:56 | |
be helpful, steal things for you. | 0:11:56 | 0:11:58 | |
Very well. I like you, you thieving little oik, | 0:11:59 | 0:12:02 | |
and I could do with a second. | 0:12:02 | 0:12:03 | |
Here, there's this new nostril just come on sale, Mr Squire's extract. | 0:12:05 | 0:12:10 | |
If you want to be a dentist, you have to be a chemist as well. | 0:12:10 | 0:12:13 | |
Shall we try and work out what's in it? | 0:12:13 | 0:12:15 | |
Thanks, Mister. | 0:12:16 | 0:12:19 | |
What for? | 0:12:19 | 0:12:20 | |
Offering me a life. | 0:12:20 | 0:12:21 | |
I'm sure Mr Dickens will be fascinated by your paper | 0:12:29 | 0:12:32 | |
on children's long work hours. | 0:12:32 | 0:12:34 | |
If he reads it. I hope we'll be able to impress him together. | 0:12:34 | 0:12:38 | |
I'm sure you will be able to. | 0:12:38 | 0:12:40 | |
And I shall do my very best. | 0:12:40 | 0:12:43 | |
Do you know his works well? | 0:12:43 | 0:12:44 | |
What man in London hasn't read all of Dickens? | 0:12:46 | 0:12:49 | |
Those are lovely gloves you have, Caroline. | 0:12:56 | 0:12:59 | |
Oh. Thank you. | 0:12:59 | 0:13:01 | |
I wear them on my hands, so... | 0:13:04 | 0:13:06 | |
They are lovely. | 0:13:07 | 0:13:08 | |
-Oh. -Oh, please excuse me. | 0:13:10 | 0:13:12 | |
Ah, we are here, I believe. | 0:13:14 | 0:13:16 | |
The great man will be down shortly. | 0:13:20 | 0:13:23 | |
Such an honour to be here, Mr Bradbury. | 0:13:23 | 0:13:24 | |
The honour is mine. | 0:13:24 | 0:13:25 | |
Dear friends, forgive me. | 0:13:34 | 0:13:35 | |
I've been sending money to my charity for fallen women. | 0:13:36 | 0:13:40 | |
-You must be the delightful Mrs Lessing. -Yes. | 0:13:40 | 0:13:42 | |
Thank you so much for all your many letters of support | 0:13:42 | 0:13:45 | |
and enthusiasm for my work and for my causes, I cherish every one. | 0:13:45 | 0:13:49 | |
You're most welcome, Mr Dickens. | 0:13:49 | 0:13:52 | |
This is my friend, Mr William Agar. | 0:13:54 | 0:13:56 | |
Sit, sit, sit, sit, sit, sit, sit. | 0:13:56 | 0:13:59 | |
Forgive my appearance. | 0:14:06 | 0:14:08 | |
I've been writing all morning in a state of pity and terror, | 0:14:08 | 0:14:12 | |
summoning the emotions needed for a new scene. | 0:14:12 | 0:14:17 | |
I've been crying, | 0:14:17 | 0:14:18 | |
but writing through my tears. | 0:14:18 | 0:14:21 | |
I've been crying and writing. | 0:14:21 | 0:14:23 | |
I have days like that. | 0:14:26 | 0:14:27 | |
But without the writing, obviously. | 0:14:28 | 0:14:32 | |
I so enjoyed your reading of Curiosity Shop on Tuesday. | 0:14:32 | 0:14:35 | |
It's my favourite of your novels. | 0:14:35 | 0:14:37 | |
-Dear lady. -The proportions of light and shade and comedy | 0:14:37 | 0:14:40 | |
and pathos are so beautifully judged. | 0:14:40 | 0:14:43 | |
I don't think I've been more moved by anything in my life than | 0:14:43 | 0:14:46 | |
the death of Little Nell at the end of Curiosity Shop. | 0:14:46 | 0:14:48 | |
And no barrister or physician ever worked harder at a book. | 0:14:48 | 0:14:52 | |
Thank you, all. I try to write not with the pen but... | 0:14:52 | 0:14:55 | |
..with blood... | 0:15:01 | 0:15:02 | |
..and dynamite. | 0:15:03 | 0:15:04 | |
Which of my characters is YOUR favourite? | 0:15:07 | 0:15:09 | |
I love... | 0:15:15 | 0:15:16 | |
..the character of Pickwick in The Pickwick Papers. | 0:15:18 | 0:15:21 | |
THEY CHUCKLE He is wonderful, isn't he? | 0:15:21 | 0:15:24 | |
Who else? | 0:15:25 | 0:15:26 | |
I like very much... | 0:15:30 | 0:15:31 | |
..Dombey in Dombey And Sons. | 0:15:32 | 0:15:35 | |
Oh, but he hasn't appeared yet. | 0:15:35 | 0:15:37 | |
He's who I'm currently writing. | 0:15:37 | 0:15:40 | |
Yes. | 0:15:40 | 0:15:41 | |
Yes, what I mean is I love the sound of it. | 0:15:41 | 0:15:45 | |
Cannot wait - cannot wait - | 0:15:46 | 0:15:48 | |
for that one. | 0:15:48 | 0:15:49 | |
Which of my other characters do you enjoy? | 0:15:52 | 0:15:55 | |
I do so love to hear readers' reactions to my creations. | 0:15:55 | 0:15:59 | |
I love... | 0:16:02 | 0:16:03 | |
There's so many to choose from! | 0:16:06 | 0:16:09 | |
Yes. | 0:16:09 | 0:16:10 | |
Mr Chuffwinkle. | 0:16:15 | 0:16:17 | |
Sorry, I mean...Mr Chuffsniff? | 0:16:19 | 0:16:21 | |
Do you mean Mr Chuffey or Mr Winkle? | 0:16:23 | 0:16:25 | |
Both of them. | 0:16:25 | 0:16:26 | |
-I think he means the Pecksniffs. -Yes, him. | 0:16:26 | 0:16:29 | |
-Them. -Yes. | 0:16:29 | 0:16:30 | |
Which? | 0:16:30 | 0:16:31 | |
-Which? -Which? | 0:16:31 | 0:16:33 | |
-Which? -Which of the Pecksniffs? | 0:16:33 | 0:16:35 | |
Er... | 0:16:37 | 0:16:38 | |
all of them. | 0:16:38 | 0:16:40 | |
But which of the Pecksniffs... | 0:16:40 | 0:16:43 | |
..is your favourite? | 0:16:45 | 0:16:46 | |
The one... | 0:16:49 | 0:16:51 | |
..who's a dwarf. | 0:16:52 | 0:16:54 | |
Dickens, Mrs Lessing has written a wonderful paper | 0:17:00 | 0:17:04 | |
objecting to the long hours many children have to work. | 0:17:04 | 0:17:07 | |
Oh, well, that's a subject very close my heart, | 0:17:08 | 0:17:11 | |
the exploitation of our children... | 0:17:11 | 0:17:14 | |
-is wrong. -Yes, and I think extremely harmful to our society. | 0:17:14 | 0:17:18 | |
Now, our chimney sweep, who's only six, | 0:17:18 | 0:17:21 | |
had to work 14 hours a day last week. | 0:17:21 | 0:17:23 | |
Yes, and often it's without lunch. | 0:17:23 | 0:17:26 | |
Are you aware of the Nine-Hour Movement, sir, that seeks to limit | 0:17:28 | 0:17:30 | |
the number of hours a child can work to nine hours a day? | 0:17:30 | 0:17:33 | |
Well, I'm a founder member of the Ten-Hour Movement. | 0:17:33 | 0:17:36 | |
Ah, well, this is one hour better, | 0:17:36 | 0:17:38 | |
so may be worth your consideration. | 0:17:38 | 0:17:41 | |
I myself am determined to campaign against public executions. | 0:17:41 | 0:17:46 | |
I believe they are damaging to the public's minds and cause frenzy. | 0:17:46 | 0:17:49 | |
Her idea is interesting. | 0:17:51 | 0:17:54 | |
You must send me your paper. | 0:17:54 | 0:17:55 | |
Well...I have it here with me. | 0:17:55 | 0:17:58 | |
Oh, wonderful. | 0:17:58 | 0:17:59 | |
After dinner. | 0:17:59 | 0:18:00 | |
Yes. Thank you. | 0:18:01 | 0:18:02 | |
Now, I wonder if you might tell us a little about your day. | 0:18:05 | 0:18:08 | |
I'd love to learn what a typical day involves for a great man | 0:18:08 | 0:18:11 | |
-such as yourself. -Dear lady. | 0:18:11 | 0:18:14 | |
Well, yesterday I was in fine spirits. | 0:18:14 | 0:18:16 | |
I awoke at 4am at my lodgings in Broadstairs. | 0:18:16 | 0:18:19 | |
I'd written 5,000 words by breakfast. | 0:18:19 | 0:18:22 | |
After a brief sit-down with one of my maids, | 0:18:23 | 0:18:28 | |
I walked into London, | 0:18:28 | 0:18:29 | |
that took four hours, and I arrived in Southwark | 0:18:29 | 0:18:32 | |
for a five-course lunch, which began with some oyster patties. | 0:18:32 | 0:18:37 | |
KNOCK AT DOOR | 0:19:19 | 0:19:21 | |
Mr Lessing, a message from Kensington. | 0:19:21 | 0:19:24 | |
Lady Neilson-Toy has taken a severe turn for the worst. | 0:19:24 | 0:19:26 | |
In the evening, I seek out the quaint | 0:19:28 | 0:19:32 | |
and the queer | 0:19:32 | 0:19:34 | |
on my antinomian nights... | 0:19:34 | 0:19:36 | |
-Oh. -..when I'm accompanied by a few young men, journalists | 0:19:36 | 0:19:41 | |
and young writers seeking pleasure in the company of the inimitable. | 0:19:41 | 0:19:45 | |
Who's the inimitable? | 0:19:45 | 0:19:46 | |
Is he a street magician? | 0:19:46 | 0:19:47 | |
Oh, you're the inimitable. | 0:19:50 | 0:19:52 | |
Yes, of course. | 0:19:52 | 0:19:53 | |
DOOR OPENS | 0:19:55 | 0:19:57 | |
Oh, you're here. | 0:19:58 | 0:19:59 | |
She's deteriorated. She has a high fever. Her pulse is very rapid. | 0:19:59 | 0:20:03 | |
LADY NEILSON-TOY WHIMPERS | 0:20:04 | 0:20:06 | |
I think you need to operate now. | 0:20:06 | 0:20:09 | |
I concur. | 0:20:09 | 0:20:10 | |
What can I do for you? | 0:20:12 | 0:20:13 | |
Open the window. | 0:20:13 | 0:20:14 | |
And jump out of it. | 0:20:16 | 0:20:17 | |
I'll turn her for you. | 0:20:19 | 0:20:20 | |
Has that helped you? | 0:20:31 | 0:20:32 | |
Yes, thank you. | 0:20:34 | 0:20:35 | |
Miss Nightingale, do you see that? | 0:20:38 | 0:20:40 | |
At the window. | 0:20:40 | 0:20:41 | |
I see an angel. | 0:20:42 | 0:20:44 | |
Do you see it too? | 0:20:44 | 0:20:46 | |
-No. -What's that? | 0:20:46 | 0:20:49 | |
She tells me how I can be saved. Yes. | 0:20:49 | 0:20:51 | |
I must deliver this woman to salvation. | 0:20:53 | 0:20:55 | |
I am the sword of the Lord. | 0:20:57 | 0:21:00 | |
There's nothing there and I think you know that. | 0:21:00 | 0:21:02 | |
Are you saying that people don't have visions? | 0:21:04 | 0:21:06 | |
I thought you did. | 0:21:06 | 0:21:07 | |
Yes, I make them up. | 0:21:09 | 0:21:11 | |
It can be very hard to make your way in this world as a woman | 0:21:12 | 0:21:14 | |
but people do tend to listen to God. | 0:21:14 | 0:21:16 | |
It seems to me you're a very intelligent young woman, | 0:21:19 | 0:21:22 | |
Miss Nightingale. | 0:21:22 | 0:21:23 | |
Would you like to assist me in this? | 0:21:25 | 0:21:26 | |
LADY NEILSON-TOY WAILS | 0:21:33 | 0:21:34 | |
Stupid people have been writing to The Examiner suggesting that the | 0:21:34 | 0:21:38 | |
death of Little Nell at the end of Curiosity Shop is sentimental. | 0:21:38 | 0:21:41 | |
SHE SCOFFS | 0:21:41 | 0:21:42 | |
Well, of course it's sentimental. | 0:21:43 | 0:21:45 | |
How could the death of a perfect, | 0:21:45 | 0:21:47 | |
virginal girl be anything other than full of deep sentiment? | 0:21:47 | 0:21:50 | |
Half the funerals in this city are for children under ten, Bradbury. | 0:21:50 | 0:21:54 | |
It's not a sentiment, it's fact. | 0:21:54 | 0:21:57 | |
Innocent little virgin girls die. | 0:21:57 | 0:21:59 | |
They die. They die. | 0:21:59 | 0:22:01 | |
They die! Innocence always dies. | 0:22:01 | 0:22:04 | |
Shall we have the creamed pineapple pudding... | 0:22:10 | 0:22:13 | |
-Mmm. -..now perhaps? | 0:22:13 | 0:22:14 | |
I feel the urge to go out, to walk, to take some drugs. | 0:22:14 | 0:22:17 | |
Do you like taking drugs, Mrs Lessing? | 0:22:19 | 0:22:21 | |
Yes. Yes, I went to a terrific ether frolic last week. | 0:22:21 | 0:22:25 | |
William has a friend who always has a great many new drugs. | 0:22:26 | 0:22:29 | |
Oh, excellent. Well, let us repair to his. | 0:22:29 | 0:22:32 | |
I'm not sure he'll be in. | 0:22:32 | 0:22:33 | |
Oh, yes, he will be. Come on, William. | 0:22:33 | 0:22:35 | |
Yes, he will be. | 0:22:35 | 0:22:37 | |
Let us go pig. | 0:22:37 | 0:22:38 | |
No, Ollie! | 0:22:40 | 0:22:41 | |
Ollie. | 0:22:43 | 0:22:44 | |
Ollie, you foolish boy. | 0:22:44 | 0:22:46 | |
KNOCK AT DOOR | 0:22:49 | 0:22:51 | |
KNOCK AT DOOR | 0:22:56 | 0:22:58 | |
-What? -Can we come in? | 0:22:58 | 0:23:00 | |
We want to try some of your chemicals for fun. | 0:23:00 | 0:23:04 | |
-This isn't a great time. -Oh, just let us in, John. | 0:23:04 | 0:23:06 | |
We want to take some ether and nitrous oxide | 0:23:06 | 0:23:08 | |
and hash and coca and cigars. | 0:23:08 | 0:23:10 | |
-We've got... -WHISPERS: -..Charles Dickens with us. | 0:23:10 | 0:23:13 | |
Er, one moment. | 0:23:16 | 0:23:18 | |
Very good. Hello. Yes, come on in. | 0:23:24 | 0:23:26 | |
-Ah. -Who'd like to take what? | 0:23:26 | 0:23:28 | |
How's that working, Mr Dickens? | 0:23:32 | 0:23:33 | |
If you're in the mood, I might read you some of my drug diary. | 0:23:36 | 0:23:39 | |
It's quite...I think it's good. | 0:23:41 | 0:23:43 | |
It's short. | 0:23:44 | 0:23:45 | |
Hurry up, Dickens. I'd like a go. | 0:23:49 | 0:23:51 | |
In a minute, Bradbury. | 0:23:51 | 0:23:52 | |
You know, more than anything in the world, I want to be a doctor. | 0:23:52 | 0:23:56 | |
A physician or a surgeon. | 0:23:58 | 0:23:59 | |
That's a wonderful notion. | 0:23:59 | 0:24:02 | |
But how? | 0:24:02 | 0:24:03 | |
Wonderful but impossible. | 0:24:03 | 0:24:06 | |
You don't know what it's like, William, to have society | 0:24:06 | 0:24:09 | |
forbid you from pursuing the one thing that you really want. | 0:24:09 | 0:24:13 | |
I do. | 0:24:13 | 0:24:14 | |
I do. | 0:24:14 | 0:24:16 | |
Mrs Lessing, let us discuss your paper. | 0:24:21 | 0:24:24 | |
Did you bring it with you? | 0:24:24 | 0:24:25 | |
Step in here with me, where there is more light. | 0:24:26 | 0:24:30 | |
Go and charm the unendurable. | 0:24:30 | 0:24:33 | |
Mrs Lessing. | 0:24:35 | 0:24:37 | |
Yes, here I come. | 0:24:37 | 0:24:38 | |
This is a cupboard. | 0:24:47 | 0:24:48 | |
Yes. | 0:24:51 | 0:24:52 | |
You wish to discuss poor children with me. | 0:24:55 | 0:24:58 | |
-Yes... -But...touch my beard first. | 0:24:58 | 0:25:01 | |
You don't have one. | 0:25:02 | 0:25:04 | |
There's a voluptuary quality to you, Mrs Lessing, | 0:25:04 | 0:25:06 | |
that I find entirely irresistible. | 0:25:06 | 0:25:08 | |
-Thank you. -You're like Venus entering a bar. | 0:25:09 | 0:25:13 | |
Touch my beard. | 0:25:13 | 0:25:14 | |
No, Mr Dickens. | 0:25:14 | 0:25:16 | |
Touch my crinkle, feel it. Go on. | 0:25:16 | 0:25:18 | |
-WHISPERS: -I wish to boss you... | 0:25:20 | 0:25:21 | |
Get off, you beast. | 0:25:21 | 0:25:23 | |
But I'm the inimitable. | 0:25:23 | 0:25:24 | |
Get off, you nasty tosspot. | 0:25:24 | 0:25:26 | |
Oh! | 0:25:26 | 0:25:27 | |
Little Nelly? | 0:25:32 | 0:25:33 | |
You haunt me still. | 0:25:33 | 0:25:35 | |
Ah, no! | 0:25:38 | 0:25:39 | |
Bradbury, we must leave this place. | 0:25:41 | 0:25:43 | |
Yes, get out, | 0:25:43 | 0:25:45 | |
you smug, self-aggrandising, pretentious, molesting turd pipe. | 0:25:45 | 0:25:51 | |
Do you know what, I promise you, | 0:25:51 | 0:25:52 | |
the first thing I'll do with your Dombey And Son when it comes out | 0:25:52 | 0:25:55 | |
is use it to wipe my notch. | 0:25:55 | 0:25:57 | |
Hear, hear, me too! | 0:25:57 | 0:25:59 | |
I will not be spoken to... | 0:25:59 | 0:26:02 | |
HE SHRIEKS | 0:26:03 | 0:26:05 | |
-Nelly! -Ollie! Well done, you've come round. | 0:26:05 | 0:26:09 | |
John, what's going on? | 0:26:09 | 0:26:10 | |
This child's near dead. | 0:26:10 | 0:26:11 | |
Yes, that's my new assistant. | 0:26:11 | 0:26:13 | |
I keep him in the cupboard. | 0:26:13 | 0:26:14 | |
Oh, look at this, he's stolen your idea. | 0:26:21 | 0:26:25 | |
What a bastard! | 0:26:29 | 0:26:30 | |
Oh, Lady Neilson-Toy, what a delightful honour. I see you're up. | 0:26:33 | 0:26:39 | |
-My prescription worked. -Yes, it did. | 0:26:40 | 0:26:42 | |
But I wish to complain in a most vigorous | 0:26:42 | 0:26:44 | |
manner about the behaviour of your surgeon. | 0:26:44 | 0:26:47 | |
My precious tiger brooch has been taken from my bedside. | 0:26:47 | 0:26:51 | |
No. | 0:26:51 | 0:26:53 | |
And you think I have taken it? | 0:26:53 | 0:26:54 | |
The brooch was there before surgery but gone afterwards. | 0:26:54 | 0:26:57 | |
That is a very serious accusation to make to a professional man. | 0:26:58 | 0:27:02 | |
Miss Nightingale, | 0:27:02 | 0:27:04 | |
we are accused of stealing Lady Neilson-Toy's tiger brooch. | 0:27:04 | 0:27:08 | |
-No, you are. -What's the matter? | 0:27:08 | 0:27:10 | |
Why don't you search both our bags? If that will reassure you. | 0:27:10 | 0:27:13 | |
I do not suspect Miss Nightingale. | 0:27:13 | 0:27:16 | |
A woman of such stainless reputation would never perform a theft. | 0:27:16 | 0:27:20 | |
Well, I'm willing to have my bag searched | 0:27:20 | 0:27:22 | |
if it will set aside doubts. | 0:27:22 | 0:27:24 | |
Well, yes, of course, me too. | 0:27:24 | 0:27:25 | |
-No. -Erm, try the side pockets. | 0:27:33 | 0:27:36 | |
In order to certify Miss Nightingale's innocence. | 0:27:36 | 0:27:38 | |
ROBERT GASPS | 0:27:45 | 0:27:46 | |
What is that doing there? | 0:27:46 | 0:27:48 | |
A good attempt, madame. | 0:27:49 | 0:27:51 | |
I think it is all too clear what has happened here. | 0:27:52 | 0:27:56 | |
No, it has been planted there. | 0:27:56 | 0:27:58 | |
But who on earth would do that? | 0:27:59 | 0:28:00 | |
And I know only too well how badly the nurses are paid here. | 0:28:00 | 0:28:04 | |
-I'm a volunteer. -But we can all recall you expressing | 0:28:04 | 0:28:06 | |
your admiration for the brooch, Miss Nightingale. | 0:28:06 | 0:28:09 | |
Dr Hendrick, I insist that this woman is removed from this hospital | 0:28:09 | 0:28:13 | |
immediately or I will press charges and remove my patronage. | 0:28:13 | 0:28:18 | |
Miss Nightingale... | 0:28:19 | 0:28:20 | |
..you must leave here. This might be a dirty stain on your reputation. | 0:28:24 | 0:28:28 | |
However, if you allow me | 0:28:28 | 0:28:30 | |
to holiday in your family's villa from the second week of August, | 0:28:30 | 0:28:33 | |
starting from Monday the 8th, shall we say, for three weeks, | 0:28:33 | 0:28:37 | |
I assure you no-one will ever hear of your thievery. | 0:28:37 | 0:28:40 | |
Hm? | 0:28:41 | 0:28:42 | |
Your friend - your husband - | 0:28:46 | 0:28:48 | |
is the most appalling man I've ever met. | 0:28:48 | 0:28:50 |