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This programme contains some strong language and adult humour. | 0:00:02 | 0:00:09 | |
HE SHOUTS | 0:00:09 | 0:00:10 | |
He's not going to stop Trident, he says. | 0:00:10 | 0:00:13 | |
I hope you feel you really have had the full experience now. | 0:00:13 | 0:00:16 | |
Welcome to Inside The Story! | 0:00:19 | 0:00:23 | |
I'm Dale Maily, | 0:00:23 | 0:00:24 | |
fearless hetero journalist who's not afraid to be unafraid. | 0:00:24 | 0:00:28 | |
I deliver fair, impartial news as it happens, wherever it happens, | 0:00:28 | 0:00:33 | |
telling you the right way to think. | 0:00:33 | 0:00:35 | |
The BBC, a once-fantastic British institution, | 0:00:36 | 0:00:40 | |
has been rocked by a barrage of scandals, including paedophile | 0:00:40 | 0:00:44 | |
cover-ups, biased news coverage and extortionate executive payoffs. | 0:00:44 | 0:00:49 | |
I'm here at their lavish headquarters to find out why | 0:00:49 | 0:00:52 | |
this Trotskyite Marxist corporation has been taking the Michael | 0:00:52 | 0:00:56 | |
out of the taxpayer for so long. | 0:00:56 | 0:00:58 | |
Why would you say it is value for taxpayers' money? | 0:00:58 | 0:01:01 | |
Cos it costs the equivalent of about a pint of lager a week. | 0:01:01 | 0:01:03 | |
-When did you start just making Marxist propaganda? -Oh, erm... | 0:01:03 | 0:01:08 | |
Do you work inside the BBC? | 0:01:08 | 0:01:09 | |
As you can see again, silence, just silence, a wall of silence. | 0:01:09 | 0:01:12 | |
Where do they keep the paedophiles? | 0:01:12 | 0:01:14 | |
It's clear I'm not getting any answers from these yoghurt weavers, | 0:01:17 | 0:01:20 | |
so I've decided to penetrate Auntie. | 0:01:20 | 0:01:23 | |
Oh, my God, how much did that cost? Look at that! How much did that... | 0:01:23 | 0:01:27 | |
I mean, that's not from Ikea, is it? | 0:01:27 | 0:01:29 | |
-I mean, what is that? Is this taxpayer subsidised? -I don't know. | 0:01:29 | 0:01:33 | |
Those clothes - how much did they cost? | 0:01:33 | 0:01:36 | |
-Did the British taxpayer pay for that? -This is my shirt. | 0:01:36 | 0:01:38 | |
You've got to ask, you've got to ask the... | 0:01:38 | 0:01:40 | |
As a real journalist, I'm getting inside the story. | 0:01:40 | 0:01:42 | |
Ah, come on, go away. | 0:01:42 | 0:01:43 | |
There's a token white person just standing there in the sunlight. | 0:01:43 | 0:01:47 | |
I think you must be ashamed. | 0:01:47 | 0:01:49 | |
Reaching out as a Marxist, lunatic, Trotskyite organisation. | 0:01:49 | 0:01:52 | |
Is that what you want? | 0:01:52 | 0:01:53 | |
Look, they're even saying all the places they're broadcasting to. | 0:01:53 | 0:01:56 | |
Dakkar, Islamabad, Kabul - guilty. Guilty as charged. | 0:01:56 | 0:01:59 | |
Are you interviewing anyone in a foreign language or...? | 0:01:59 | 0:02:02 | |
-Yeah, it's in a foreign language. -Uh-huh, uh-huh. | 0:02:02 | 0:02:05 | |
And what country is that from? | 0:02:05 | 0:02:07 | |
That's for...from Pakistan. | 0:02:07 | 0:02:09 | |
Really, from Pakistan? | 0:02:11 | 0:02:12 | |
Yeah, this is part of the BBC World Service, so of course... | 0:02:12 | 0:02:16 | |
-Oh, of course, yeah, yeah, yeah. So, you talk to Pakistan every day? -Yes. | 0:02:16 | 0:02:20 | |
Jesus CHRIST! | 0:02:20 | 0:02:21 | |
Sorry, do you work here? | 0:02:23 | 0:02:25 | |
-Yes, I do. -And how much do you get paid? | 0:02:25 | 0:02:28 | |
-I'm not sure if I can tell you. -You've been censored. | 0:02:28 | 0:02:32 | |
Hello, my name's Paapa Essiedu and I was the first black actor to | 0:02:36 | 0:02:40 | |
play Hamlet at the Royal Shakespeare Company up in | 0:02:40 | 0:02:42 | |
Stratford-upon-Avon, but when I'm not doing that, | 0:02:42 | 0:02:44 | |
I play one of the country's most loved characters. | 0:02:44 | 0:02:48 | |
As a young actor, | 0:02:48 | 0:02:49 | |
you're always on the lookout for that breakthrough role | 0:02:49 | 0:02:52 | |
so I play Boris in the classical clown tradition - this affable, | 0:02:52 | 0:02:56 | |
bumbling kind of cuddly bear-type figure | 0:02:56 | 0:02:59 | |
who will just say and do the stupidest things. | 0:02:59 | 0:03:02 | |
Kind of like a five-year-old in a grown man's body. | 0:03:02 | 0:03:06 | |
Oh, yeah, I do all my own stunts. | 0:03:06 | 0:03:08 | |
-Oh, Christ! -I'm so lucky I've got a great team around me. | 0:03:11 | 0:03:14 | |
There's so much planning that goes into these things, | 0:03:14 | 0:03:16 | |
right down to the tightness of my harness round my bottom to | 0:03:16 | 0:03:19 | |
give me the perfect wedgie. | 0:03:19 | 0:03:21 | |
It took a while to find a voice for Boris, if I'm honest. | 0:03:21 | 0:03:24 | |
And it was called whiff-whaff! | 0:03:24 | 0:03:26 | |
You've got to kind of combine this strange rumble. | 0:03:26 | 0:03:30 | |
Behold this brick. | 0:03:30 | 0:03:32 | |
With saying the stupidest sentences imaginable. | 0:03:32 | 0:03:36 | |
Being blinded by a champagne cork or being reincarnated as an | 0:03:36 | 0:03:39 | |
olive or locked in a disused fridge. | 0:03:39 | 0:03:41 | |
The jeopardy of a stunt is sometimes | 0:03:41 | 0:03:43 | |
as, if not more important, than the humour of it. | 0:03:43 | 0:03:45 | |
There were some particularly troubling unemployment statistics | 0:03:48 | 0:03:51 | |
in the press and we needed something that was funny, | 0:03:51 | 0:03:54 | |
but at the same time shocking to distract away from it and it | 0:03:54 | 0:03:57 | |
was an ad lib, actually. | 0:03:57 | 0:03:59 | |
I remember I was stumbling and trying to run in this suit, | 0:03:59 | 0:04:03 | |
it was quite difficult, and I saw this kid in front of me, | 0:04:03 | 0:04:07 | |
and I thought, "Just go with it." | 0:04:07 | 0:04:10 | |
WHISTLE BLOWS | 0:04:12 | 0:04:14 | |
I mean, sometimes, as an actor, | 0:04:16 | 0:04:17 | |
it's really important to just follow your instincts. | 0:04:17 | 0:04:19 | |
We've got a lot of stuff planned for my stint as Foreign Secretary | 0:04:19 | 0:04:23 | |
so we're deep in rehearsals for that. | 0:04:23 | 0:04:25 | |
Those are our pledges | 0:04:25 | 0:04:27 | |
and those are our peas and... Our pledges! | 0:04:27 | 0:04:31 | |
It's going to be absolutely hilarious! So, stay tuned. | 0:04:31 | 0:04:34 | |
-Hello, I am Anders and this is Ole. -Hello! -And we are Chicken Squared. | 0:04:39 | 0:04:43 | |
All I ever wanted to do was design things and maximise space. | 0:04:43 | 0:04:47 | |
When these other children are outside playing, | 0:04:48 | 0:04:52 | |
we are inside increasing efficiency of Mother's spice cupboard. | 0:04:52 | 0:04:56 | |
When we are 15 years old, we have designed the Billy bookcase. | 0:04:56 | 0:05:00 | |
-Billy bookcase. -For Ikea. -Ik... Ikea. | 0:05:00 | 0:05:03 | |
This is something that is taking the world by storm. | 0:05:03 | 0:05:06 | |
But, eventually, furniture has become too easy for us, too boring. | 0:05:06 | 0:05:10 | |
We are looking for something different to test ourselves. | 0:05:10 | 0:05:13 | |
We were watching a programme about the horrific state | 0:05:13 | 0:05:16 | |
of mass animal farming in Europe and were deeply shocked | 0:05:16 | 0:05:20 | |
by these poultry farms. | 0:05:20 | 0:05:21 | |
This was something that has made me very upsetting. | 0:05:21 | 0:05:24 | |
We just could not believe the horrific waste of space. | 0:05:24 | 0:05:28 | |
-So, Ole, a bit of space there. -Oh. It is a space. | 0:05:28 | 0:05:31 | |
Look at all that space there. Look, I'm dancing! | 0:05:31 | 0:05:35 | |
What if, instead of changing the building, you change the animal? | 0:05:35 | 0:05:39 | |
-That is when it hit us. -Square chickens. | 0:05:39 | 0:05:41 | |
-It just made total ergonomic sense. -What shape is an oven? -Square. | 0:05:41 | 0:05:46 | |
-A sandwich? -Square. -A refrigerated lorry? -Square. -Square. | 0:05:46 | 0:05:51 | |
Ole realised that in much the same way you can bend and | 0:05:51 | 0:05:53 | |
manipulate the human baby, you can do the same with the chickens | 0:05:53 | 0:05:57 | |
so we put the chicks into a square container and whoosh! | 0:05:57 | 0:06:00 | |
The chicken becomes a squicken. | 0:06:00 | 0:06:03 | |
The square chicken has its own identity, its own apartment. | 0:06:03 | 0:06:07 | |
It's a very tight-knit community. | 0:06:07 | 0:06:09 | |
That is Godmorgan, that is Serge, Ivar, Knutson and that is Keith. | 0:06:09 | 0:06:15 | |
That was a cheeky little joke that we have made. Haha! | 0:06:15 | 0:06:19 | |
Hey! | 0:06:20 | 0:06:22 | |
I'm Duckface and I'm an Insta-celebrity and I'm all | 0:06:22 | 0:06:24 | |
about raising awareness about totes important issues using social media. | 0:06:24 | 0:06:29 | |
Let's change the planet one hashtag at a time, babes. Love you! | 0:06:29 | 0:06:33 | |
So, guys, I've just heard that they're being so mean to, | 0:06:33 | 0:06:37 | |
like, whales, which are, like, my favourite creature under the sea. | 0:06:37 | 0:06:41 | |
But what if we just wailed, babes, for whales? Get it? | 0:06:41 | 0:06:45 | |
Wailing for Whales! | 0:06:45 | 0:06:47 | |
HE WAILS | 0:06:47 | 0:06:49 | |
Shut up! | 0:06:52 | 0:06:54 | |
Wailing for Whales on Snapchat! | 0:06:54 | 0:06:57 | |
Wailing For Whales, here with my little bitches? | 0:06:57 | 0:06:59 | |
The Japanese keep whaling. | 0:06:59 | 0:07:01 | |
-Do you know, like, whales? -Yeah. -Like the fish? -Yeah, yeah. | 0:07:01 | 0:07:03 | |
-Have you seen this trending yet? -Yeah, yeah. | 0:07:03 | 0:07:05 | |
-Did you know that? -Yeah, I did. -Wailing For Whales. | 0:07:05 | 0:07:07 | |
I will do it on my Facebook. | 0:07:07 | 0:07:09 | |
-So sexy! -Thank you. -She's a bitch, I hate her. | 0:07:09 | 0:07:11 | |
-Oh, my God, it's all about you. -We have to look after the whales. | 0:07:11 | 0:07:14 | |
THEY SCREAM | 0:07:14 | 0:07:17 | |
Can someone fucking hold this? | 0:07:19 | 0:07:21 | |
THEY WAIL | 0:07:21 | 0:07:24 | |
-I wail for whales, bitches! -Yeah, that's right, bitches. | 0:07:24 | 0:07:27 | |
She's wailing for whales! What have you done? Nothing! | 0:07:27 | 0:07:31 | |
You've done it, babes, well done. We've totally saved the whales. | 0:07:31 | 0:07:34 | |
Yaay! | 0:07:34 | 0:07:36 | |
Tweet me. | 0:07:36 | 0:07:38 | |
-We knew the rebrand had to be revolution, not evolution. -Nyaah! | 0:07:40 | 0:07:45 | |
You could say that we are really thinking inside the box. | 0:07:45 | 0:07:50 | |
And so we are launching the Squicken at one of Britain's largest | 0:07:52 | 0:07:56 | |
agricultural events to show them the future of the farming. | 0:07:56 | 0:08:00 | |
Good afternoon, ladies. Have you heard of the Square Chicken Company? | 0:08:00 | 0:08:03 | |
It looks awful. What is it? | 0:08:03 | 0:08:05 | |
-Vot shape is an oven? -Square. | 0:08:05 | 0:08:08 | |
Vot shape is a lorry? | 0:08:08 | 0:08:09 | |
Square. | 0:08:11 | 0:08:12 | |
-Square. -Square. | 0:08:12 | 0:08:14 | |
What?! | 0:08:14 | 0:08:15 | |
And you stack the chicken up and to the side, and then you have | 0:08:15 | 0:08:18 | |
lots of chickens in the barn. | 0:08:18 | 0:08:20 | |
-Isn't that animal cruelty? -No. What is it that you farm? | 0:08:23 | 0:08:27 | |
Turkeys, cows. | 0:08:27 | 0:08:29 | |
-You have the square turkeys? -No, we don't have none at the moment. | 0:08:29 | 0:08:33 | |
That is an awful waste of space. | 0:08:33 | 0:08:35 | |
A vaste of space! | 0:08:35 | 0:08:36 | |
I think that English people like the idea | 0:08:38 | 0:08:40 | |
that the animals are free-range. | 0:08:40 | 0:08:42 | |
Cos you are just breaking an animal's legs and then just | 0:08:42 | 0:08:44 | |
-leaving it there to grow. -Yeah. | 0:08:44 | 0:08:46 | |
Its feet have become extended into its arm, like small dinosaur, | 0:08:46 | 0:08:50 | |
with its toes into its bottom. | 0:08:50 | 0:08:52 | |
-My grandchildren's children would probably agree with all that. -Yeah. | 0:08:53 | 0:08:57 | |
We have asked the chickens and 70% of chickens are happier | 0:08:57 | 0:09:00 | |
when they are square. | 0:09:00 | 0:09:02 | |
The other 30% did not respond to the survey. | 0:09:02 | 0:09:05 | |
-How did they answer it? -Like that. | 0:09:05 | 0:09:07 | |
Maybe soon, you will catch up vith the technology in Sweden. | 0:09:08 | 0:09:11 | |
OK. | 0:09:11 | 0:09:12 | |
The cost of the arena has soared to more than £750 million. | 0:09:15 | 0:09:20 | |
London Mayor Sadiq Khan has ordered an investigation into | 0:09:20 | 0:09:22 | |
the stadium's finances and the deal by which West Ham pay | 0:09:22 | 0:09:26 | |
just £2.5 million a year in rent. | 0:09:26 | 0:09:29 | |
The taxpayer built the stadium, | 0:09:29 | 0:09:32 | |
the taxpayer put most of the money into redeveloping the stadium. | 0:09:32 | 0:09:38 | |
Well, we're finally here in the Olympic Stadium. | 0:09:38 | 0:09:41 | |
People literally going crazy, | 0:09:41 | 0:09:43 | |
questions swirling in the fans' mind all summer about how Boris | 0:09:43 | 0:09:47 | |
managed to put pen to paper without the European Commission seeing it. | 0:09:47 | 0:09:51 | |
Absolutely extraordinary scenes! | 0:09:51 | 0:09:53 | |
How does it feel to be here? | 0:09:53 | 0:09:54 | |
Well, it's great to the taxpayer for paying for it. | 0:09:54 | 0:09:56 | |
I don't think that we have borrowed the taxpayers' money here. | 0:09:56 | 0:09:59 | |
You've literally taken it. | 0:09:59 | 0:10:00 | |
And you've got the taxpayers' money. | 0:10:00 | 0:10:02 | |
-Are you going to give it back? -Are we fuck! | 0:10:02 | 0:10:03 | |
# Boris Johnson's having a party | 0:10:03 | 0:10:05 | |
# Boris Johnson's having a party... # | 0:10:05 | 0:10:07 | |
Is an iron being held to the British taxpayers' feet | 0:10:07 | 0:10:10 | |
-at the moment over the 138 million? -Yes. | 0:10:10 | 0:10:12 | |
It's still going to be an athletics track, | 0:10:12 | 0:10:14 | |
we're still going to support the athletics, the British Council. | 0:10:14 | 0:10:17 | |
For nothing, innit? We're laughing all the way. | 0:10:17 | 0:10:19 | |
You're laughing all the way to the bank while the taxpayers | 0:10:19 | 0:10:22 | |
literally have the piss ripped out of them. | 0:10:22 | 0:10:24 | |
-Isn't that right? -Sod the taxman! | 0:10:24 | 0:10:26 | |
# They paid for our ground | 0:10:26 | 0:10:29 | |
# Except for Scousers, they've paid for our ground. # | 0:10:29 | 0:10:31 | |
Thank you. | 0:10:31 | 0:10:33 | |
Extraordinary scenes! | 0:10:33 | 0:10:35 | |
Extraordinary scenes! | 0:10:35 | 0:10:36 | |
APPLAUSE | 0:10:36 | 0:10:38 | |
When we came to Birmingham this week, | 0:10:44 | 0:10:46 | |
some big questions were hanging in the air. | 0:10:46 | 0:10:50 | |
Do we have a plan for Brexit? We do. | 0:10:50 | 0:10:53 | |
Are we ready for the effort it will take to see it through? | 0:10:55 | 0:10:58 | |
We are. | 0:10:58 | 0:11:00 | |
The referendum was not just a vote to withdraw from the EU. | 0:11:01 | 0:11:05 | |
It was about something broader, | 0:11:05 | 0:11:07 | |
something that the European Union had come to represent. | 0:11:07 | 0:11:11 | |
Now is the time to forge a bold new confident role for ourselves | 0:11:11 | 0:11:16 | |
on the world stage. | 0:11:16 | 0:11:18 | |
I understand the frustration people feel when they see the rich | 0:11:18 | 0:11:21 | |
and powerful getting away with things that they themselves | 0:11:21 | 0:11:24 | |
wouldn't dream of doing | 0:11:24 | 0:11:25 | |
and they wouldn't get away with if they tried. | 0:11:25 | 0:11:28 | |
Conservatives have always understood that if you want to preserve | 0:11:28 | 0:11:31 | |
something important, you need to be prepared to reform it. | 0:11:31 | 0:11:36 | |
This is our generation's moment. | 0:11:36 | 0:11:39 | |
I'm Eugene X, a totally non-racist white South African, | 0:11:53 | 0:11:56 | |
and I've come to the UK for a multicultural holiday, | 0:11:56 | 0:11:59 | |
and who better to get tips from than Paul Golding? | 0:11:59 | 0:12:02 | |
-Terrorist scum! -Off our streets! | 0:12:02 | 0:12:05 | |
-Taliban scum! -Off our streets! | 0:12:05 | 0:12:07 | |
Leader of Britain First, an organisation that is also | 0:12:07 | 0:12:10 | |
totally not racist that organise marches to protect British values. | 0:12:10 | 0:12:14 | |
It's going to be an absolute gas. | 0:12:14 | 0:12:17 | |
Paul, I want to see the UK and all the finest spots | 0:12:17 | 0:12:19 | |
without getting radicalised. | 0:12:19 | 0:12:21 | |
Where should I go and where should I not go? | 0:12:21 | 0:12:23 | |
Well, if you don't want to get radicalised, | 0:12:23 | 0:12:25 | |
-then stay away from places like Bradford... -Right. | 0:12:25 | 0:12:28 | |
..Blackburn, Luton, east London... | 0:12:28 | 0:12:30 | |
How will I know if I'm being radicalised? | 0:12:30 | 0:12:31 | |
If you're in Bradford and you feel like growing a beard... | 0:12:31 | 0:12:34 | |
-Then maybe... -..and you feel like wearing bedsheets... -Right. | 0:12:34 | 0:12:36 | |
-And you feel like running around shouting, "Allahu Akbar..." -Right. | 0:12:36 | 0:12:39 | |
..then I would start to get worried. | 0:12:39 | 0:12:41 | |
What aspects of our culture are you most worried about losing? | 0:12:41 | 0:12:45 | |
-Our national identity. -What is that? | 0:12:45 | 0:12:47 | |
We've got our history, | 0:12:47 | 0:12:49 | |
stretching back all the way to the beginning of the dawn of history. | 0:12:49 | 0:12:51 | |
-Yes. -God Save... The monarchy. -Monarchy. | 0:12:51 | 0:12:54 | |
Excuse me, sir. Is the Queen safe? | 0:12:54 | 0:12:57 | |
MUSIC: Instrumental of Rule Britannia | 0:12:57 | 0:12:59 | |
Our flags. | 0:12:59 | 0:13:00 | |
Good gosh, the UK really is a country of flags. | 0:13:00 | 0:13:03 | |
-Probably some historical anthems. -Right. -Jerusalem. | 0:13:04 | 0:13:08 | |
MUSIC: Jerusalem plays through headphones | 0:13:08 | 0:13:09 | |
Oh, ja, brah, Jerusalem. | 0:13:09 | 0:13:11 | |
What an absolute banger. | 0:13:11 | 0:13:13 | |
-Castles. -Castles. | 0:13:14 | 0:13:16 | |
Look at this handsome British Castle, | 0:13:16 | 0:13:18 | |
built by the famous King William the Conqueror, who was from France. | 0:13:18 | 0:13:22 | |
Yeah, stuff like that. | 0:13:22 | 0:13:24 | |
And what you don't want is these people, sort of, | 0:13:24 | 0:13:26 | |
trashing the great British culture. Is that right? | 0:13:26 | 0:13:28 | |
-And changing it so it's completely irrecognisable? -Absolutely. | 0:13:28 | 0:13:31 | |
Our country is changing for the worse. | 0:13:31 | 0:13:33 | |
It's changing out of something... | 0:13:33 | 0:13:35 | |
From what has existed for centuries, millenniums. It's changing. | 0:13:35 | 0:13:39 | |
Where... The town I grew up in, Erith, in south-east London, | 0:13:39 | 0:13:42 | |
when I was growing up it was completely English. | 0:13:42 | 0:13:45 | |
It was a lovely place to grow up. | 0:13:45 | 0:13:47 | |
-When I go back there now, it looks like Nigeria. -Right. | 0:13:47 | 0:13:50 | |
I'm here in Paul's Golding's town of Erith. | 0:13:50 | 0:13:52 | |
In order to fit in, I've worn this traditional Nigerian dress. | 0:13:52 | 0:13:55 | |
Let's have a look about. | 0:13:55 | 0:13:56 | |
Oruko mi ni Eugene. | 0:13:58 | 0:14:00 | |
Nibo ni ka tsaya. | 0:14:01 | 0:14:03 | |
Haven't a bloody clue, mate. | 0:14:03 | 0:14:04 | |
Oruko mi ni Eugene. | 0:14:04 | 0:14:06 | |
Oruko mi ni Eugene. | 0:14:10 | 0:14:12 | |
-You speak English? -Yeah, of course I do. -Oh, right. | 0:14:14 | 0:14:16 | |
-That's not English though. -No, that was Nigerian. | 0:14:16 | 0:14:19 | |
Well, how can I understand it then? | 0:14:19 | 0:14:21 | |
Great top tip there from Paul Golding. Thank you, Paul Golding. | 0:14:21 | 0:14:24 | |
-Lovely to meet you. -You too. | 0:14:24 | 0:14:25 | |
'The Conservative Party has begun a new era, | 0:14:27 | 0:14:30 | |
'and the Prime Minister Theresa May has created a new cabinet, | 0:14:30 | 0:14:33 | |
'bringing lesser-known faces to the fore. | 0:14:33 | 0:14:36 | |
'In this film we follow James Tottington-Burbidge, | 0:14:36 | 0:14:39 | |
'Conservative MP, | 0:14:39 | 0:14:40 | |
'who after falling out of favour with the former Prime Minister...' | 0:14:40 | 0:14:43 | |
I just wanted to give you this Bullingdon album. | 0:14:43 | 0:14:45 | |
-Oh, well, thank you very much. -Would you give me a sign of it? | 0:14:45 | 0:14:47 | |
'..now finds himself one of the key players in shaping | 0:14:47 | 0:14:50 | |
'Theresa May's Britain.' | 0:14:50 | 0:14:52 | |
Yeah, I've just come down to Scotland to speak to the Scotch, | 0:14:55 | 0:14:58 | |
cos they're bloody playing up after the Brexit thing, | 0:14:58 | 0:15:00 | |
don't know their place, | 0:15:00 | 0:15:01 | |
so I've got to tell them what for | 0:15:01 | 0:15:03 | |
and make sure they're with us in the negotiation. | 0:15:03 | 0:15:05 | |
'After a majority Remain vote in Scotland, | 0:15:05 | 0:15:08 | |
'the Scottish National Party have made it clear they'll | 0:15:08 | 0:15:11 | |
'do anything in their power to stay in the EU. | 0:15:11 | 0:15:14 | |
'This has led to calls for a second independence referendum, | 0:15:14 | 0:15:17 | |
'calls that cannot be ignored by Westminster.' | 0:15:17 | 0:15:20 | |
'Scotland's First Minister has delighted this conference with | 0:15:20 | 0:15:23 | |
'a challenge to Theresa May - "If you can't find | 0:15:23 | 0:15:26 | |
' "a way to keep Scotland in the single market, I will." ' | 0:15:26 | 0:15:29 | |
I have never doubted that Scotland will one day become | 0:15:29 | 0:15:33 | |
an independent country, and I believe it today. | 0:15:33 | 0:15:36 | |
'James has been sent north of the border to gauge whether | 0:15:36 | 0:15:39 | |
'the Scottish people really do want to trade in being British for | 0:15:39 | 0:15:42 | |
'being in the European Union.' | 0:15:42 | 0:15:43 | |
BAGPIPES PLAY | 0:15:43 | 0:15:44 | |
I'm on the phone! Jesus Christ. | 0:15:44 | 0:15:47 | |
My name's James. I've just come up from London. | 0:15:49 | 0:15:51 | |
Apparently there's been a huge upsurge | 0:15:51 | 0:15:53 | |
in the desire for independence since the Brexit vote? | 0:15:53 | 0:15:55 | |
Yeah, there's probably a really strong thing for independence. | 0:15:55 | 0:15:59 | |
I think they need to make a big decision. | 0:15:59 | 0:16:01 | |
But surely Scotland was just a country full of barbarians | 0:16:01 | 0:16:04 | |
in dresses before the Englishmen came. | 0:16:04 | 0:16:06 | |
Your attitude towards us, | 0:16:06 | 0:16:08 | |
it's like we're just one of your peasants. | 0:16:08 | 0:16:10 | |
Well, yes, you are the peasants, | 0:16:10 | 0:16:12 | |
but that's not a problem. I mean, we love the peasants. | 0:16:12 | 0:16:14 | |
Shall I come back in three days' time when you're sober or...? | 0:16:14 | 0:16:18 | |
Me, personally, I wanted independence before the referendum. | 0:16:18 | 0:16:21 | |
-But, why, though? Do you not want to preserve the United Kingdom? -No. | 0:16:21 | 0:16:24 | |
-We were promised that we would remain within the EU... -Yeah. | 0:16:24 | 0:16:27 | |
And then now, obviously, we're not going to be in the EU. | 0:16:27 | 0:16:30 | |
Yeah, yeah, yeah. | 0:16:30 | 0:16:31 | |
-Can I just ask you...? -No, I'm going to the pub shortly. -Two seconds. | 0:16:31 | 0:16:34 | |
You're... You're always in the pub, you Scottish people. | 0:16:34 | 0:16:36 | |
In England, we know that the Scottish knowing their place | 0:16:36 | 0:16:39 | |
-is a vital... -Excuse me? | 0:16:39 | 0:16:41 | |
Well, I mean, you said it. | 0:16:46 | 0:16:47 | |
-The independence referendum was fair and democratic. -Yeah. | 0:16:47 | 0:16:51 | |
-The EU referendum was not democratic. -Why not? | 0:16:51 | 0:16:54 | |
Because it played on fears and people's emotions and wasn't | 0:16:54 | 0:16:58 | |
based on fact in the slightest. | 0:16:58 | 0:17:00 | |
Some Scottish people want to have another independence referendum. | 0:17:00 | 0:17:03 | |
Would you be able to report on your neighbours | 0:17:03 | 0:17:05 | |
if they started talking that talk? | 0:17:05 | 0:17:07 | |
No, what do you think, that we're from bloody China or somewhere? | 0:17:07 | 0:17:10 | |
No, I think you're Scottish, and we're English, | 0:17:10 | 0:17:12 | |
-and you need to help us out. -Why? | 0:17:12 | 0:17:14 | |
Well, before we came up here, | 0:17:14 | 0:17:15 | |
you were all barbarians running around in skirts. | 0:17:15 | 0:17:17 | |
You shouldn't take a photo with that flag, with that flag any more. | 0:17:21 | 0:17:25 | |
It's illegal. | 0:17:25 | 0:17:26 | |
Her family, who come from a strict Pakistani background, | 0:17:28 | 0:17:31 | |
wanted the marriage to repay a debt. | 0:17:31 | 0:17:33 | |
She was repeatedly beaten. | 0:17:33 | 0:17:35 | |
Successful action against forced marriages | 0:17:35 | 0:17:38 | |
so often depends on the potential victims speaking out. | 0:17:38 | 0:17:41 | |
I was born here, so I knew what my rights were. | 0:17:41 | 0:17:44 | |
I was worth more than just a repayment. | 0:17:44 | 0:17:46 | |
Every bride likes to take control of her wedding, | 0:17:48 | 0:17:50 | |
so what happens when she has no say on her big day? | 0:17:50 | 0:17:53 | |
Welcome to... | 0:17:53 | 0:17:55 | |
Seriously Don't Tell The Bride. | 0:17:55 | 0:17:56 | |
This is Mehat. | 0:17:58 | 0:18:00 | |
He's come to this bridal-wear shop to look at some wedding | 0:18:00 | 0:18:02 | |
dresses for the big day. | 0:18:02 | 0:18:05 | |
Hello, there! | 0:18:05 | 0:18:06 | |
Come on in! | 0:18:06 | 0:18:08 | |
I assume this is the groom? | 0:18:08 | 0:18:09 | |
No, this is the bride's brother. | 0:18:09 | 0:18:11 | |
-Oh, OK. And you are... -I'm her father. | 0:18:11 | 0:18:14 | |
Right. | 0:18:14 | 0:18:15 | |
-And the groom is... -Pakistan. Waiting for delivery. | 0:18:15 | 0:18:17 | |
OK. Well, let's look at some dresses. | 0:18:19 | 0:18:23 | |
Mehat is a British Pakistani, | 0:18:23 | 0:18:25 | |
and his sister's wedding is a big deal for the family. | 0:18:25 | 0:18:28 | |
Yeah, on one hand I'm really excited about my sister getting married. | 0:18:28 | 0:18:32 | |
But, at the same time, | 0:18:32 | 0:18:33 | |
I do wish my dad had threatened to have her hanged if she said no. | 0:18:33 | 0:18:36 | |
But that's just Dad. | 0:18:38 | 0:18:39 | |
The bride and groom's parents are meeting at Mehat's house, | 0:18:42 | 0:18:45 | |
where he and his dad are about to discover who his sister is marrying. | 0:18:45 | 0:18:49 | |
What? Sorry, you're breaking up. Is your Wi-Fi playing up? | 0:18:49 | 0:18:52 | |
Joining them via Skype from Pakistan | 0:18:52 | 0:18:55 | |
for a stag do is the groom, Mohammad. | 0:18:55 | 0:18:57 | |
All I'm saying is, I just don't... | 0:18:57 | 0:18:59 | |
Dad wants a more traditional wedding, whereas Mehat, | 0:18:59 | 0:19:01 | |
like many other people, wants his dad to step out of the Dark Ages. | 0:19:01 | 0:19:06 | |
-Hello? -Dad, have we got any dips or anything? | 0:19:06 | 0:19:08 | |
-No, we've got to save the pennies for the honeymoon. -Right. | 0:19:08 | 0:19:11 | |
When you say honeymoon, you mean dowry? | 0:19:11 | 0:19:13 | |
After a fun afternoon at the stag do, | 0:19:15 | 0:19:18 | |
Mehat's father has had a call from the bridal-wear shop to say | 0:19:18 | 0:19:21 | |
that his daughter's dress is ready for a fitting. | 0:19:21 | 0:19:24 | |
OK, so maybe you'd like to come out and take a look in the long mirror. | 0:19:24 | 0:19:27 | |
Of course, I don't want you to feel forced or anything. | 0:19:29 | 0:19:31 | |
ANTHEMIC MUSIC | 0:19:31 | 0:19:34 | |
Now, Mehat, you're actually about a foot taller than your sister, | 0:19:35 | 0:19:39 | |
but we can always take it in if needs be. | 0:19:39 | 0:19:41 | |
Yeah, I think she'd like that. | 0:19:41 | 0:19:42 | |
Great. Do you want to, er, walk up and down a bit, | 0:19:42 | 0:19:45 | |
just to get a feel for it? | 0:19:45 | 0:19:46 | |
Yeah. | 0:19:49 | 0:19:50 | |
I actually think you look fab. | 0:19:50 | 0:19:52 | |
-Thank you! -Enough. Enough, thank you, that's enough. | 0:19:53 | 0:19:56 | |
Thank you, stop filming. Cut! Switch it off now. | 0:19:56 | 0:20:00 | |
So, it seems as if Mehat's dad has pulled it out of the bag | 0:20:00 | 0:20:02 | |
and the wedding will go ahead. | 0:20:02 | 0:20:05 | |
Join us next week, when mischievous dad Sylvan tries to marry off | 0:20:05 | 0:20:08 | |
daughter Aaliyah as part of a property deal, | 0:20:08 | 0:20:11 | |
on Seriously Don't Tell The Bride - Iran Special. | 0:20:11 | 0:20:14 | |
SLOW CLAP | 0:20:14 | 0:20:17 | |
Today Jim McCormick was sentenced to ten years in prison for | 0:20:19 | 0:20:23 | |
selling fake bomb detectors around the world. | 0:20:23 | 0:20:26 | |
In truth, the elaborate hoax was just a rebranding of | 0:20:26 | 0:20:29 | |
a novelty machine for finding golf balls. | 0:20:29 | 0:20:32 | |
At the height of the Iraq war, police used thousands | 0:20:32 | 0:20:35 | |
at checkpoints, believing they'd help prevent explosions. | 0:20:35 | 0:20:38 | |
British businesses have form when it comes to exploiting | 0:20:42 | 0:20:45 | |
war-torn countries, and conmen like me want in on the gravy train, | 0:20:45 | 0:20:48 | |
so I've come to the government-run International Business Festival | 0:20:48 | 0:20:51 | |
in Liverpool to sell virtually useless | 0:20:51 | 0:20:54 | |
untested military supplies to Johnny Foreigner. | 0:20:54 | 0:20:57 | |
-Well... -Portable military supplies? -That's right. | 0:20:57 | 0:20:59 | |
We're trying to find a niche. | 0:20:59 | 0:21:00 | |
One of our first products, the bulletproof burka, | 0:21:00 | 0:21:03 | |
-you might have heard of that. -No. -No? | 0:21:03 | 0:21:04 | |
This is used in a lot of countries | 0:21:04 | 0:21:06 | |
which have serious security issues right now. | 0:21:06 | 0:21:08 | |
So, you look it under the burka like that. | 0:21:08 | 0:21:11 | |
-I've worked for the military for a long time. -Oh, really? Great. | 0:21:11 | 0:21:13 | |
-We got the P46125, you know those? -Oh, yeah? -Islamatectors. | 0:21:13 | 0:21:17 | |
-Oh, right. -So, basically, they detect extremism. | 0:21:17 | 0:21:20 | |
-Right. -Mostly Muslim extremism. -Yeah, yeah. | 0:21:20 | 0:21:22 | |
-Potential security threats. -That's relevant at the moment, so... -Yeah. | 0:21:22 | 0:21:26 | |
-The P4561, so it picks up on certain key indicators. -Like what? | 0:21:26 | 0:21:31 | |
-You know, skin colour, beard length, things like that. -Seriously? -Yeah. | 0:21:31 | 0:21:35 | |
Spotting it earlier as well. | 0:21:35 | 0:21:36 | |
Spotting it earlier, yeah, and provides you with useful, | 0:21:36 | 0:21:38 | |
like, cross-examination questions for potential suspects, like, | 0:21:38 | 0:21:41 | |
-"Do you want a pork chop?" -Right. -Obviously! -Yeah! | 0:21:41 | 0:21:45 | |
-Bomb detecting... -Yeah. -..animals. | 0:21:45 | 0:21:46 | |
Obviously you've got dogs and dolphins which are used by the | 0:21:46 | 0:21:49 | |
military right now, but there's a move now, I'm not sure | 0:21:49 | 0:21:51 | |
-if you're aware, otters, very intelligent animals. -Oh, right. | 0:21:51 | 0:21:53 | |
-Real otters? -Real otters, yeah. Families of otters. Yeah. | 0:21:53 | 0:21:57 | |
Yeah, but how do they report to you? | 0:21:57 | 0:21:59 | |
They come back and they go... HE SMACKS HIS LIPS | 0:21:59 | 0:22:01 | |
Like that. | 0:22:01 | 0:22:02 | |
And then you know that there's something wrong. | 0:22:02 | 0:22:05 | |
-Well, I hope to make a killing. -Yeah. Well, I hope you do. -THEY LAUGH | 0:22:05 | 0:22:09 | |
The Labour Party is in the midst of a civil war. | 0:22:12 | 0:22:14 | |
With Jeremy Corbyn having won his second leadership election | 0:22:14 | 0:22:18 | |
by a landslide, many believe that Labour is too left-wing | 0:22:18 | 0:22:21 | |
to be elected into government. | 0:22:21 | 0:22:22 | |
In this series, we follow two Labour Party members | 0:22:22 | 0:22:25 | |
on opposing sides of the argument. | 0:22:25 | 0:22:27 | |
Robin, a dyed-in-the-wool socialist and canvasser, and Penny, | 0:22:27 | 0:22:31 | |
a Labour Party adviser and self-confessed Blairite. | 0:22:31 | 0:22:34 | |
Both are convinced that their version of Labour is the future. | 0:22:34 | 0:22:37 | |
It's morally unacceptable for Britain... | 0:22:41 | 0:22:44 | |
It's July, and anti-Trident protesters have gathered | 0:22:44 | 0:22:46 | |
outside Westminster to await the result of a parliamentary vote | 0:22:46 | 0:22:49 | |
about the renewal of Britain's nuclear deterrent. | 0:22:49 | 0:22:53 | |
Overhearing the commotion from his office, | 0:22:53 | 0:22:56 | |
Penny has come down to see what the demonstrators would do | 0:22:56 | 0:22:59 | |
if ever faced with a nuclear stand-off. | 0:22:59 | 0:23:01 | |
Oh, well, I just popped out from Parliament, a quick break, | 0:23:01 | 0:23:03 | |
and I saw all these people on Parliament Square exercising | 0:23:03 | 0:23:06 | |
their democratic right to protest | 0:23:06 | 0:23:08 | |
against nuclear weapons, which is lovely... | 0:23:08 | 0:23:10 | |
if it were the '60s. | 0:23:10 | 0:23:11 | |
Most Labour MPs are said to be for the £205 billion renewal | 0:23:11 | 0:23:15 | |
of Trident, but with the Labour leader being a lifelong campaigner | 0:23:15 | 0:23:18 | |
against nuclear arms, | 0:23:18 | 0:23:20 | |
the party looks more at odds with itself than ever. | 0:23:20 | 0:23:22 | |
TIN RATTLES | 0:23:23 | 0:23:25 | |
Sorry. | 0:23:25 | 0:23:26 | |
Excuse me. Sorry... Would you mind? | 0:23:26 | 0:23:29 | |
-What? -It's just quite... It's quite noisy. -Where? -This. | 0:23:29 | 0:23:33 | |
Quite NOISY?! | 0:23:33 | 0:23:34 | |
Yes. It was just quite annoying. | 0:23:34 | 0:23:36 | |
-ANNOYING?! -Yes. | 0:23:36 | 0:23:38 | |
This is annoying! | 0:23:38 | 0:23:40 | |
-I mean, it's not... -What? -DOG BARKS | 0:23:40 | 0:23:43 | |
Well, that's not going to stop Trident, is it? Doing that all the time? | 0:23:43 | 0:23:45 | |
-This is not going to stop Trident, he says! -HE LAUGHS MANICALLY | 0:23:45 | 0:23:48 | |
Jesus Christ. | 0:23:48 | 0:23:49 | |
Hey, I love your sign, man. Where'd you get that one from? | 0:23:51 | 0:23:54 | |
-I did it myself. -Did you do it yourself? -Yeah! | 0:23:54 | 0:23:56 | |
Amazing, I like it, high five. | 0:23:56 | 0:23:57 | |
Corbynista Robin has come along to the demonstration to talk | 0:23:57 | 0:24:00 | |
to like-minded people about the consequences of nuclear war. | 0:24:00 | 0:24:04 | |
But you know what they say, now, if you're going to play with nukes, | 0:24:04 | 0:24:07 | |
you're going to end up burning in a smelting apocalypse | 0:24:07 | 0:24:09 | |
the like of which we haven't | 0:24:09 | 0:24:11 | |
-even seen since Independence Day. -Yeah, yeah, yeah. | 0:24:11 | 0:24:13 | |
Well, it's not a great turnout, is it? | 0:24:13 | 0:24:15 | |
I mean on a sunny day, you'd have thought people would want to be in the sun. | 0:24:15 | 0:24:18 | |
Well, perhaps they've got more important things to do. | 0:24:18 | 0:24:20 | |
-What's more important than... -What? | 0:24:20 | 0:24:22 | |
..saving people from nuclear disasters? | 0:24:22 | 0:24:23 | |
Well, you know, perhaps they've got things to do | 0:24:23 | 0:24:25 | |
that are, sort of, remotely achievable. | 0:24:25 | 0:24:27 | |
Do you think we're going to lose or win? | 0:24:27 | 0:24:29 | |
Almost certainly lose. | 0:24:29 | 0:24:30 | |
Shit. | 0:24:30 | 0:24:31 | |
Are they? | 0:24:32 | 0:24:34 | |
Why are we here then if they're going to win? | 0:24:34 | 0:24:36 | |
-Shit. -Yeah. | 0:24:39 | 0:24:40 | |
I don't know, I see no reason why the UK needs nuclear weapons today. | 0:24:40 | 0:24:43 | |
Considering we won't even use them. | 0:24:43 | 0:24:44 | |
Well, it's so other countries don't bully us, you know? | 0:24:44 | 0:24:47 | |
-Take our lunch money. -Who's going to bully us? -Well, the bigger boys. | 0:24:47 | 0:24:50 | |
So, I suppose we should just let it happen to us, should we, | 0:24:50 | 0:24:52 | |
if Putin decides to push the button? | 0:24:52 | 0:24:54 | |
We'll just let him blow us all up, would you? | 0:24:54 | 0:24:56 | |
-Yeah. -Yes. Lovely... Lovely to chat. | 0:24:56 | 0:24:58 | |
Yeah. | 0:25:02 | 0:25:03 | |
We're losing one in five of them at the moment, and everything | 0:25:07 | 0:25:10 | |
that is impacting on them will have an affect on other species. | 0:25:10 | 0:25:14 | |
More than half of our native animals and plants are in decline. | 0:25:14 | 0:25:17 | |
Children like these will always love discovering nature, but what | 0:25:17 | 0:25:21 | |
will still be there for the next generation to enjoy, nobody knows. | 0:25:21 | 0:25:25 | |
Hello. | 0:25:25 | 0:25:26 | |
I'm Tim Fogey-Brown, | 0:25:26 | 0:25:27 | |
and welcome to a special twilight edition of Countryphilia. | 0:25:27 | 0:25:31 | |
Now, it's a sad fact that we're all too unaware of that due to | 0:25:31 | 0:25:34 | |
the expansion of city centres, certain beautiful British species, | 0:25:34 | 0:25:39 | |
such as the common hedgehog and the humble ant, are sadly in decline. | 0:25:39 | 0:25:43 | |
But, here on the margins of London, certain species are still thriving. | 0:25:43 | 0:25:47 | |
I'm talking of course about the dogger. | 0:25:47 | 0:25:49 | |
And I'm here to find out more. | 0:25:49 | 0:25:51 | |
Dogging is the quintessentially British pastime | 0:25:53 | 0:25:56 | |
of observing public coitus. | 0:25:56 | 0:25:58 | |
And I'm here to meet somewhat of an expert in the field. | 0:25:58 | 0:26:02 | |
Tell me, where did this passion first come from? | 0:26:02 | 0:26:04 | |
-How did you get into this? -Oh, that's an interesting question. | 0:26:04 | 0:26:06 | |
It was a long while ago now, and I was sitting at home and Janet, | 0:26:06 | 0:26:10 | |
my wife, she just popped out for a couple of years. | 0:26:10 | 0:26:12 | |
-So, I went over to the woods... -Yeah. -And I heard some noises... | 0:26:12 | 0:26:16 | |
-Right. -..I'd never heard before. | 0:26:16 | 0:26:17 | |
-Sort of like, er... -What sort of noise? | 0:26:17 | 0:26:19 | |
GUTTURAL MOAN | 0:26:19 | 0:26:21 | |
I see, and what sort of spe...? HE MOANS AGAIN | 0:26:21 | 0:26:23 | |
Well, what were you listening to, then? What was that species? | 0:26:23 | 0:26:25 | |
-That particular species was called a Newcastle Rustler. -Right. | 0:26:25 | 0:26:28 | |
'It was getting late, so in order to increase our chances of | 0:26:28 | 0:26:31 | |
'a sighting, we headed to a local car park.' | 0:26:31 | 0:26:34 | |
Now, listen, just to be on the cautious side, is there any danger? | 0:26:34 | 0:26:37 | |
-These are wild, feral creatures. -Right. | 0:26:37 | 0:26:40 | |
You've been to Windsor Safari Park? | 0:26:40 | 0:26:41 | |
-Yes. -This is very, very similar. -Mmm. -OK? | 0:26:41 | 0:26:44 | |
But the difference is the creatures themselves | 0:26:44 | 0:26:46 | |
are quite often in the cars. We'll be the ones outside. | 0:26:46 | 0:26:49 | |
What is it we're doing here in this bush? | 0:26:49 | 0:26:52 | |
We're seeing if we can actually catch | 0:26:52 | 0:26:55 | |
a couple of Labradors in the act. | 0:26:55 | 0:26:57 | |
There we go. Door's opening. | 0:26:57 | 0:26:59 | |
Oh, goodness. Stay close to me, | 0:26:59 | 0:27:00 | |
Timmy, Timmy, Timmy. Timmy toes, Timmy toes... | 0:27:00 | 0:27:03 | |
'It was easy to see why Mark was hooked on these elusive creatures. | 0:27:03 | 0:27:07 | |
'And, like a moth to a flame, I too was being lured in.' | 0:27:07 | 0:27:10 | |
-Give them a signal. So, flash your torch... -Flash my torch. | 0:27:10 | 0:27:13 | |
And watch. Let's see if we can attract their attention. That's... | 0:27:13 | 0:27:17 | |
CAR DOOR CLOSES | 0:27:17 | 0:27:19 | |
That's the sign. That's the sign. | 0:27:19 | 0:27:20 | |
-OK. -So let's move in. Follow me. | 0:27:20 | 0:27:22 | |
-Come on. Come on. -I should come now, should I? What, in there? | 0:27:25 | 0:27:29 | |
-Oh, my God. -Yes, in you come. | 0:27:29 | 0:27:31 | |
'I couldn't believe that I was about to see a Croydon Blue up close.' | 0:27:32 | 0:27:36 | |
That's it, Timmy. That's it. | 0:27:36 | 0:27:38 | |
Shh, shh, shh... | 0:27:38 | 0:27:40 | |
That's a good boy. | 0:27:41 | 0:27:42 | |
OK. | 0:27:43 | 0:27:44 | |
GENTLE CLASSICAL MUSIC | 0:27:47 | 0:27:49 | |
Timmy, I really was surprised at you there. | 0:27:52 | 0:27:54 | |
That really was absolutely marvellous, and I hope you feel | 0:27:54 | 0:27:56 | |
you really have had the full experience now. | 0:27:56 | 0:28:00 | |
It was wonderful. | 0:28:00 | 0:28:01 | |
Come on. | 0:28:01 | 0:28:02 | |
Look, Ole, a bit of space there. | 0:28:07 | 0:28:09 | |
MUSIC: Maggie's Farm by Bob Dylan | 0:28:09 | 0:28:10 | |
-And there, look, space. Oh! -It is a whole area of space. | 0:28:10 | 0:28:14 | |
Space there. | 0:28:14 | 0:28:16 | |
Look at that, space there. | 0:28:16 | 0:28:17 | |
Space, look. | 0:28:17 | 0:28:18 | |
-Open up space here. -Like that. | 0:28:18 | 0:28:21 | |
CHICKENS CLUCK | 0:28:21 | 0:28:23 | |
# And I wake up in the morning... # | 0:28:23 | 0:28:25 | |
Look at all this space here. | 0:28:25 | 0:28:27 | |
Look at the space! | 0:28:27 | 0:28:28 | |
-Look! -Using the space! | 0:28:29 | 0:28:31 | |
I can't breathe. | 0:28:32 | 0:28:33 | |
He can't breathe. | 0:28:33 | 0:28:34 | |
-I can't breathe. -He can't breathe? | 0:28:34 | 0:28:37 |