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This programme contains some strong language and adult humour | 0:00:02 | 0:00:08 | |
YOLO 4 Yemen. | 0:00:08 | 0:00:09 | |
I don't forgive him! I want to see him in chains. | 0:00:14 | 0:00:17 | |
MUSIC: Jump Around by House Of Pain | 0:00:17 | 0:00:19 | |
I'm Toby. | 0:00:19 | 0:00:20 | |
And I'm Toby. | 0:00:20 | 0:00:21 | |
-And we're literally best mates, aren't we mate? -We are mate. | 0:00:21 | 0:00:24 | |
We just love food, so a few years | 0:00:24 | 0:00:25 | |
ago we took over a boozer in East London, | 0:00:25 | 0:00:27 | |
priced out the locals and turned it into a gastro-pub. | 0:00:27 | 0:00:30 | |
Then some telly producers we knew at uni gave us our own | 0:00:30 | 0:00:33 | |
TV cookery show because that's how that works. | 0:00:33 | 0:00:36 | |
This is Gastro Kitchen. | 0:00:36 | 0:00:38 | |
Television is served. | 0:00:38 | 0:00:40 | |
Not only do we cook food and eat food, we also say things about food. | 0:00:42 | 0:00:47 | |
I love food. | 0:00:47 | 0:00:48 | |
I literally love it, | 0:00:48 | 0:00:49 | |
I'm passionate about it...sometimes I think I might even fancy it a bit. | 0:00:49 | 0:00:53 | |
Well, I actually love food so much that I truly believe | 0:00:53 | 0:00:57 | |
that pretty much everyone should eat it. | 0:00:57 | 0:00:59 | |
OK, what's for starters? | 0:00:59 | 0:01:01 | |
I've decided to go for an absolute classic, foie gras. | 0:01:01 | 0:01:04 | |
But this isn't any old foie gras, | 0:01:04 | 0:01:06 | |
it's made by a man with a very unusual past. | 0:01:06 | 0:01:10 | |
Foie gras is a delicious form of pate made from the liver of a goose. | 0:01:11 | 0:01:16 | |
The geese are force-fed corn, twice a day, | 0:01:16 | 0:01:18 | |
to fatten them up and give that pate a lovely, rich, buttery taste. | 0:01:18 | 0:01:23 | |
One farmer's pioneering techniques are paving the way to ensure | 0:01:24 | 0:01:27 | |
an even tastier taste. | 0:01:27 | 0:01:29 | |
My name is Hank Duke and I spent five years as | 0:01:30 | 0:01:33 | |
a CIA interrogator at "Gitanamo" Bay Terrorist Prison Facility. | 0:01:33 | 0:01:37 | |
After I retired from torturing "Ayrabs", I wanted a quiet life. | 0:01:38 | 0:01:42 | |
So, I moved here to Norfolk. | 0:01:42 | 0:01:43 | |
And I became the UK's only produce of foie gras. | 0:01:43 | 0:01:47 | |
What in the name of Jon Bon Jovi is going on here?! | 0:01:47 | 0:01:51 | |
Get outta here! | 0:01:51 | 0:01:52 | |
Welcome to the big house! | 0:01:52 | 0:01:54 | |
Well, I run a pretty tight ship. | 0:01:54 | 0:01:57 | |
They get ten minutes exercise and they're back on with the | 0:01:57 | 0:02:00 | |
blindfolds and some shut the... | 0:02:00 | 0:02:02 | |
..hell up! | 0:02:02 | 0:02:03 | |
Hey! Don't you look at me like that! | 0:02:03 | 0:02:06 | |
I'll get in there and I'll kick your little face in. | 0:02:06 | 0:02:08 | |
HE CHUCKLES | 0:02:08 | 0:02:10 | |
Sadly there's no redemption for these little souls, | 0:02:10 | 0:02:12 | |
they going to turn their little minds to evil. | 0:02:12 | 0:02:14 | |
All, except Little Hank up there. | 0:02:14 | 0:02:16 | |
Oh, he's one of us now. | 0:02:16 | 0:02:18 | |
He's a little turncoat. He sleeps in my bed and he eats at my table. | 0:02:18 | 0:02:22 | |
He's the best friend I ever, goddamn, had. | 0:02:22 | 0:02:25 | |
Well this right here is your classic sensory deprivation kit. | 0:02:25 | 0:02:28 | |
Consisting of ear muffs and a blindfold, | 0:02:28 | 0:02:31 | |
and after two days of wearing that... | 0:02:31 | 0:02:33 | |
they usually ready to go on hunger strike. | 0:02:33 | 0:02:36 | |
And that's when the force-feeding begins. | 0:02:36 | 0:02:37 | |
And let me tell you, my dick gets real hard for a force-feeding. | 0:02:37 | 0:02:41 | |
'Mmm, that sounds delish! | 0:02:43 | 0:02:44 | |
'But what will the British public think? | 0:02:44 | 0:02:46 | |
'I've take some of Hank's foie gras to market.' | 0:02:46 | 0:02:50 | |
It's called Freedom Foie Gras it's produced by an | 0:02:50 | 0:02:53 | |
American chap called Hank Duke, he retired from Guantanamo Bay | 0:02:53 | 0:02:56 | |
and he employed all of the techniques he learnt there into making foie gras. | 0:02:56 | 0:02:59 | |
It is tasty. | 0:02:59 | 0:03:00 | |
-What you do is, you force-feed the geese for about three hours... -Yeah we know... | 0:03:00 | 0:03:03 | |
The liver expands so that it's almost bursting, | 0:03:03 | 0:03:06 | |
-but it gives it a lovely buttery taste. -Mmm. | 0:03:06 | 0:03:08 | |
-Force-fed down the neck, you know... -Mm hmm. | 0:03:10 | 0:03:13 | |
I hate the idea, they just stick a tube in a duck, | 0:03:13 | 0:03:15 | |
and they just pour food till the liver explodes. | 0:03:15 | 0:03:20 | |
It's similar to, erm, duck pate, really. | 0:03:20 | 0:03:22 | |
It is very similar to the duck pate, but with a lot more intense pain. | 0:03:22 | 0:03:26 | |
-So much pain. -Yeah. | 0:03:26 | 0:03:28 | |
To just feed us a little bit of things spread on a bread. | 0:03:28 | 0:03:31 | |
Well at least the goose knows he's becoming part of an | 0:03:31 | 0:03:33 | |
incredible luxury product. | 0:03:33 | 0:03:35 | |
Obviously, there are lot of, erm, quite extreme geese in this country so...you know, he's dealing | 0:03:35 | 0:03:39 | |
with that problem as well as producing a lovely by-product. | 0:03:39 | 0:03:41 | |
Honestly, the more he's telling me the more, the more I'm becoming a vegetarian. | 0:03:41 | 0:03:45 | |
Some geese, they're real little shits. | 0:03:45 | 0:03:47 | |
What do you have against geese? | 0:03:47 | 0:03:49 | |
Well have you ever been pecked by a goose? | 0:03:49 | 0:03:50 | |
You ever been pecked by a goose? | 0:03:50 | 0:03:51 | |
Or do you know anyone that's been pecked by a goose? | 0:03:51 | 0:03:53 | |
-Erm, maybe my kids at some point. -You see? | 0:03:53 | 0:03:56 | |
Welcome to Inside The Story. | 0:03:59 | 0:04:03 | |
I'm Dale Maily, fearless, | 0:04:03 | 0:04:04 | |
hetero journalist who's not afraid to be unafraid. | 0:04:04 | 0:04:08 | |
I deliver fair, impartial news as it happens. | 0:04:08 | 0:04:11 | |
Wherever it happens. | 0:04:11 | 0:04:13 | |
Telling you the right way to think. | 0:04:13 | 0:04:15 | |
There's nothing better than watching beautiful women, | 0:04:16 | 0:04:19 | |
or even children, in make-up competing in what our | 0:04:19 | 0:04:22 | |
American cousins call "a beauty pageant." | 0:04:22 | 0:04:25 | |
But now a group of cross-dressing transgenders are trying to | 0:04:25 | 0:04:28 | |
take our pageants for themselves. | 0:04:28 | 0:04:30 | |
And it's totally wrong. | 0:04:30 | 0:04:32 | |
Isn't it? | 0:04:32 | 0:04:33 | |
What constitutes real beauty? | 0:04:33 | 0:04:36 | |
-Ha, interesting, what constitutes real beauty? -Real beauty. | 0:04:36 | 0:04:39 | |
Nothing does. It's in the eye of the beholder. | 0:04:39 | 0:04:42 | |
When you realised that you had these feelings, | 0:04:42 | 0:04:45 | |
why didn't you just fight them? | 0:04:45 | 0:04:46 | |
Well, there is a, erm, I mean, erm... | 0:04:48 | 0:04:51 | |
I was told, that I should know my place, and I should, | 0:04:51 | 0:04:54 | |
you know, be who I'm supposed to be. | 0:04:54 | 0:04:57 | |
-It was quite confusing. -Oh, that died out years ago. | 0:04:58 | 0:05:01 | |
If you want to wear a dress, wear a dress. | 0:05:01 | 0:05:02 | |
If you want to wear eyeliner, wear eyeliner. | 0:05:02 | 0:05:04 | |
But what if your dad said, "No, Dale." | 0:05:04 | 0:05:06 | |
You know, I mean, "You can't have eyeliner." | 0:05:06 | 0:05:08 | |
Am I allowed to swear? I'd say, "Fuck you." | 0:05:08 | 0:05:11 | |
I am here with the absolute blonde bombshell that is Pamela. | 0:05:11 | 0:05:15 | |
I mean, goodness me, you're a sight for sore eyes, aren't you? | 0:05:15 | 0:05:17 | |
Goodness me! | 0:05:17 | 0:05:18 | |
You're a woman, I bet you can parallel park as well. | 0:05:18 | 0:05:21 | |
-Eh, I've not lost me driving skills. -Fantastic! | 0:05:21 | 0:05:25 | |
I would take you for a drink and I'd even pay for it. | 0:05:25 | 0:05:28 | |
Well that's very kind of you. | 0:05:28 | 0:05:29 | |
Would you have white wine or a pint or...? | 0:05:29 | 0:05:32 | |
Erm. | 0:05:32 | 0:05:33 | |
That is, I mean that's not English, is it? That's... | 0:05:33 | 0:05:36 | |
'It was competition time and I already had a favourite. | 0:05:36 | 0:05:40 | |
'Who, I'm not ashamed to say, I hoped would join me for a spritzer.' | 0:05:40 | 0:05:44 | |
A body of a woman and a mind of a man. What more could you want? | 0:05:44 | 0:05:48 | |
'It was now all down to the judges to crown their winner.' | 0:05:48 | 0:05:52 | |
Give it up, nice and loud, for Miya! | 0:05:52 | 0:05:54 | |
For Miya! | 0:05:54 | 0:05:55 | |
Miya's won. | 0:05:55 | 0:05:57 | |
'Typically British stunner Pamela was pipped to the post... | 0:05:57 | 0:06:01 | |
'by a foreigner!' | 0:06:01 | 0:06:02 | |
CROWD APPLAUDS | 0:06:02 | 0:06:04 | |
-You actually want a boob job? -Yeah, I want a free boob job. | 0:06:04 | 0:06:07 | |
So will you just, when you get those boobs, | 0:06:07 | 0:06:09 | |
will you just spend your days just sexually assaulting yourself? | 0:06:09 | 0:06:11 | |
I know I would. | 0:06:11 | 0:06:13 | |
This is Dale Maily for Inside The Story. | 0:06:13 | 0:06:16 | |
I'm off to the pub. | 0:06:16 | 0:06:19 | |
I mean look at ya, got your crown, absolutely incredible. Shall we...? | 0:06:19 | 0:06:23 | |
-Let's go... -Shall we go? I mean... | 0:06:23 | 0:06:25 | |
-Let's just... -I know. I know. | 0:06:26 | 0:06:28 | |
I knew Dad was wrong about girls like you. | 0:06:28 | 0:06:30 | |
Ha. After you, after you. | 0:06:30 | 0:06:31 | |
-REPORTER: -British activists and South Korean families gather outside | 0:06:35 | 0:06:38 | |
a Reckitt Benckiser shareholders' meeting in London. | 0:06:38 | 0:06:41 | |
After the firm accepted responsibility for selling | 0:06:41 | 0:06:43 | |
products linked to fatal lung injuries. | 0:06:43 | 0:06:46 | |
Since 2011, 530 have registered claims for lung ailments | 0:06:46 | 0:06:51 | |
after using humidifier sterilisers in South Korea. | 0:06:51 | 0:06:54 | |
92 deaths are believe to be linked to the item. | 0:06:54 | 0:06:57 | |
Reckitt, known for brands like Dettol and Nurofen | 0:06:57 | 0:07:00 | |
have offered compensation. | 0:07:00 | 0:07:03 | |
I apologise again. | 0:07:03 | 0:07:04 | |
-This time you lie! -I'm very sorry. -You are murderer! | 0:07:04 | 0:07:07 | |
MUSIC: Dance Of The Hours by Amilcare Ponchielli | 0:07:07 | 0:07:15 | |
I've just got to clear a humidifier | 0:07:17 | 0:07:19 | |
on two that might be causing lung damage. | 0:07:19 | 0:07:21 | |
All right. Thanks. | 0:07:21 | 0:07:23 | |
-Hey, how are you doing? -What happened? | 0:07:26 | 0:07:27 | |
Toxic build-up on the floor, unfortunate. | 0:07:27 | 0:07:29 | |
-Are you serious? -Yeah. -I knew it. | 0:07:29 | 0:07:30 | |
-You were feeling light headed? -Yeah. -Really? | 0:07:30 | 0:07:35 | |
-OK, you're joking? -Ha-ha, yeah. | 0:07:35 | 0:07:37 | |
Hey, there's been something spilt, | 0:07:39 | 0:07:41 | |
well there're been some reputational damage apparently, | 0:07:41 | 0:07:44 | |
there might be some stuff in the atmosphere, | 0:07:44 | 0:07:45 | |
that might be affecting people quite badly. Yeah. | 0:07:45 | 0:07:47 | |
A lot of careers have already been risked in this whole process, | 0:07:47 | 0:07:50 | |
but it could be affecting people quite badly. | 0:07:50 | 0:07:52 | |
Can you come over here? OK. | 0:07:52 | 0:07:54 | |
Hi, you might have some compensational build-up | 0:07:54 | 0:07:56 | |
in one of your moral vacuums, | 0:07:56 | 0:07:57 | |
so we need to come and clean it out from one of the pipes. | 0:07:57 | 0:07:59 | |
It could be affecting respiratory conditions. | 0:07:59 | 0:08:02 | |
Can I just check in the kitchen and make sure everything is all right? | 0:08:02 | 0:08:04 | |
In the kitchen. | 0:08:04 | 0:08:05 | |
I mean once we get it cleaned out, | 0:08:07 | 0:08:09 | |
you guys can just breathe easy, you know. | 0:08:09 | 0:08:11 | |
Toxicity levels are getting better, I've got some 'Kill-it Bang', | 0:08:12 | 0:08:15 | |
so I'm gonna kill it dead. | 0:08:15 | 0:08:16 | |
If you can try and get them to release the compensation | 0:08:16 | 0:08:19 | |
from the moral vacuum we can get it | 0:08:19 | 0:08:20 | |
-to the Koreans that need it. -Yes, yes. -That'd be great. | 0:08:20 | 0:08:22 | |
-REPORTER: -The appalling conditions that workers say they have to live | 0:08:26 | 0:08:30 | |
in, so they can pack the fruit destined for our supermarkets. | 0:08:30 | 0:08:33 | |
Every where you look the fields are littered with migrant workers, | 0:08:33 | 0:08:37 | |
but it's common to see them in the same field as sprayers. | 0:08:37 | 0:08:40 | |
'This week on Toby vs Toby, | 0:08:50 | 0:08:52 | |
'we went to pick some fruit for our summer pudding.' | 0:08:52 | 0:08:55 | |
There is literally nothing more delicious than fresh fruit | 0:08:55 | 0:08:58 | |
from a pick-your-own fruit farm. | 0:08:58 | 0:09:00 | |
HONKS HORN | 0:09:00 | 0:09:01 | |
OK, the producers have given us one | 0:09:05 | 0:09:07 | |
hour to pick as much fruit as we can. | 0:09:07 | 0:09:09 | |
Winner gets to drive mummy home? | 0:09:09 | 0:09:10 | |
Oh, my God. You are on! This is going to be crazy! | 0:09:10 | 0:09:14 | |
Now, what Toby doesn't know is that I've brought along | 0:09:14 | 0:09:17 | |
a few special helpers with me today...my nephews! | 0:09:17 | 0:09:19 | |
YAY! | 0:09:19 | 0:09:21 | |
Toby Jr and Toby Jr! | 0:09:21 | 0:09:23 | |
This is Mikel, he's from Albania. | 0:09:23 | 0:09:26 | |
Mikel, please explain what it is you do for a living? | 0:09:26 | 0:09:29 | |
This is where you keep them? | 0:09:40 | 0:09:42 | |
I get it! | 0:09:43 | 0:09:44 | |
Hello! Hi... | 0:09:44 | 0:09:46 | |
Toby, hi. | 0:09:48 | 0:09:50 | |
OK guys, three, two, one and... | 0:09:50 | 0:09:53 | |
TOBY BLOWS WHISTLE | 0:09:53 | 0:09:54 | |
Start picking! | 0:09:54 | 0:09:56 | |
MUSIC: My Old Man by Danny La Rue | 0:09:56 | 0:09:59 | |
Well, I mean the pace they're working at, | 0:09:59 | 0:10:01 | |
you must be paying them a fair whack, Mikel? | 0:10:01 | 0:10:03 | |
'I only wanted the juiciest and ripest summer fruits, | 0:10:08 | 0:10:11 | |
'so it wasn't long before I was spurring on the workers myself.' | 0:10:11 | 0:10:15 | |
Oh, my God, look, look, look over here, | 0:10:18 | 0:10:19 | |
there's loads over here as well. | 0:10:19 | 0:10:21 | |
Quick we've only got five minutes. Quick! | 0:10:21 | 0:10:23 | |
Soon, I had enough for my pudding, phew! | 0:10:23 | 0:10:25 | |
And just in time because... | 0:10:25 | 0:10:27 | |
Hang fire Toby, times up mate, it's been an hour and I've got | 0:10:27 | 0:10:30 | |
four delicious punnets of gorgeous summer fruit. | 0:10:30 | 0:10:32 | |
That's great mate, but I've filled up 14 buckets full of fruit. | 0:10:32 | 0:10:36 | |
Mikel, you can have your passports back now, fella. | 0:10:36 | 0:10:39 | |
What a rascal! | 0:10:39 | 0:10:40 | |
Well done mate, gutted for me though. | 0:10:40 | 0:10:42 | |
Looks like you're going to be mummy home. | 0:10:42 | 0:10:45 | |
Sweet! I haven't been this excited since Euro '96. | 0:10:45 | 0:10:48 | |
Gazza. | 0:10:48 | 0:10:50 | |
-Reporter: -The Labour Party is in the midst of a civil war. | 0:10:53 | 0:10:56 | |
With Jeremy Corbyn having won his | 0:10:56 | 0:10:57 | |
second leadership election by a landslide, | 0:10:57 | 0:10:59 | |
many believe that | 0:10:59 | 0:11:00 | |
Labour is too left-wing to be elected into government. | 0:11:00 | 0:11:04 | |
In this series, | 0:11:04 | 0:11:05 | |
we follow two Labour Party members on opposing sides of the argument. | 0:11:05 | 0:11:08 | |
Robin, a dyed-in-the-wool Socialist and canvasser, | 0:11:08 | 0:11:11 | |
and Penny, a Labour Party adviser and self-confessed Blairite. | 0:11:11 | 0:11:15 | |
Both are convinced, that they're version of Labour is the future. | 0:11:15 | 0:11:19 | |
It's July, and Sir John Chilcot has finally delivered his damning | 0:11:23 | 0:11:27 | |
verdict on former Prime Minister Tony Blair's decision | 0:11:27 | 0:11:30 | |
to commit British troops to the Iraq War in 2003. | 0:11:30 | 0:11:34 | |
I accept...full responsibility. | 0:11:34 | 0:11:39 | |
CROWD CHANTS: Tony Blair. War Criminal! | 0:11:39 | 0:11:41 | |
The report concluded that an | 0:11:41 | 0:11:42 | |
imminent threat from weapons of mass destruction | 0:11:42 | 0:11:45 | |
was both flawed and exaggerated. | 0:11:45 | 0:11:47 | |
With protestors gathering outside Westminster calling for Blair to be tried as a war criminal, | 0:11:47 | 0:11:52 | |
never has being a Blairite been so unpopular. | 0:11:52 | 0:11:54 | |
Undeterred, Penny is attempting some damage limitation. | 0:11:54 | 0:11:58 | |
Oh, well, I'm just sort of down here, erm, | 0:11:58 | 0:12:00 | |
doing a small, sort of, questionnaire for the Labour Party. | 0:12:00 | 0:12:03 | |
Just trying to work out how angry people actually are. | 0:12:03 | 0:12:06 | |
Do you think Tony Blair should have...fully vindicated or only slightly vindicated? | 0:12:06 | 0:12:10 | |
No, he should be sent to The Hague. | 0:12:10 | 0:12:11 | |
-Oh, he did, he had a mini-break in Amsterdam with Cherie recently. -He's a war criminal. -Right. | 0:12:11 | 0:12:15 | |
-Don't you think we should move on and think of... -No, I don't! | 0:12:15 | 0:12:18 | |
I think we should move back. | 0:12:18 | 0:12:20 | |
Move back and make absolutely sure that everybody who was involved | 0:12:20 | 0:12:24 | |
in this, including people like Bush, | 0:12:24 | 0:12:26 | |
-are absolutely brought to account. -Absolutely, yes. | 0:12:26 | 0:12:29 | |
So in conclusion, you'd say that | 0:12:29 | 0:12:31 | |
-you forgive Tony but... -I don't forgive Tony. | 0:12:31 | 0:12:33 | |
No, I absolutely do not say, | 0:12:33 | 0:12:35 | |
but I do not want you to write anything about me | 0:12:35 | 0:12:38 | |
because you're not listening to me. | 0:12:38 | 0:12:39 | |
-Oh, no, I am. -You're projecting your view about Tony. | 0:12:39 | 0:12:42 | |
I don't forgive him, I want to see him in chains! | 0:12:42 | 0:12:46 | |
They keep saying "Blair lied, millions died." | 0:12:46 | 0:12:48 | |
Perhaps if they realised it was | 0:12:48 | 0:12:50 | |
only 500,000 they'd be a bit less angry. | 0:12:50 | 0:12:52 | |
Maybe I should go and tell them that. | 0:12:52 | 0:12:54 | |
Tony is an incredibly sensitive man... | 0:12:54 | 0:12:56 | |
-How many houses has he got? Nine? -Eight or nine. -Yeah. | 0:12:56 | 0:12:58 | |
It's not about his houses, | 0:12:58 | 0:12:59 | |
it's about the sleep that he's losing | 0:12:59 | 0:13:01 | |
and I'm worried about him, you know. | 0:13:01 | 0:13:02 | |
A lot of people here, actually, they | 0:13:02 | 0:13:05 | |
don't give a monkey's about Tony's health. | 0:13:05 | 0:13:07 | |
Even the phrase, "rot in hell" has been used. OK. | 0:13:07 | 0:13:11 | |
-OK, you said Penny was your first name... -Penny, that's right. | 0:13:12 | 0:13:15 | |
Penny has attracted the attention of a news crew, | 0:13:15 | 0:13:18 | |
and is all too happy to give his thoughts on the situation. | 0:13:18 | 0:13:20 | |
-You joined the Labour Party because of Blair... -Because of Tony, yeah... | 0:13:20 | 0:13:24 | |
-Did he let you down? -Tony's the first to admit his mistakes, | 0:13:24 | 0:13:26 | |
I think he feels as upset about this as, erm, as anyone. | 0:13:26 | 0:13:29 | |
And considering what happened afterwards, | 0:13:29 | 0:13:31 | |
the hundreds of thousands of people | 0:13:31 | 0:13:32 | |
-who've died, you look at the Middle East now. -Yes... | 0:13:32 | 0:13:34 | |
Isn't there a case that Mr Blair should be taken to court? | 0:13:34 | 0:13:38 | |
-Taken to a criminal court? -To any court. | 0:13:38 | 0:13:40 | |
Well, I, just, I think this | 0:13:40 | 0:13:41 | |
has already taken the best part of seven years, | 0:13:41 | 0:13:44 | |
it's punishment enough, you know. | 0:13:44 | 0:13:45 | |
He did have to do six or seven | 0:13:45 | 0:13:47 | |
interviews as part of this inquiry, | 0:13:47 | 0:13:48 | |
which were gruelling. | 0:13:48 | 0:13:49 | |
-Thank you very much. Cheers. -OK, thanks very much. | 0:13:49 | 0:13:52 | |
Well I'm just putting them down here. | 0:13:52 | 0:13:54 | |
No, we will not, let's put you down there! | 0:13:54 | 0:13:57 | |
-I'm just leaving them on the floor. -No. -Pick 'em up. -Pick them up! | 0:13:57 | 0:13:59 | |
-Pick them up? -Yes. -Yeah. Go on. -Pick them up! | 0:13:59 | 0:14:02 | |
I think they're better on the floor. | 0:14:02 | 0:14:04 | |
-No they're not, you're better on the floor, I'll tell you that. -You're a wanker. | 0:14:04 | 0:14:07 | |
Now it's time for America to bind the wounds of division, | 0:14:14 | 0:14:17 | |
we have to get together, for those who have chosen | 0:14:18 | 0:14:22 | |
not to support me in the past, of which there were a few people. | 0:14:22 | 0:14:25 | |
CROWD LAUGHS | 0:14:25 | 0:14:26 | |
I'm reaching out to you. | 0:14:27 | 0:14:30 | |
Hillary has worked over a long period of time, | 0:14:30 | 0:14:34 | |
and we owe her a major debt of gratitude | 0:14:34 | 0:14:36 | |
for her service to our country. | 0:14:36 | 0:14:40 | |
I've spent my entire life and business | 0:14:40 | 0:14:44 | |
looking at the untapped potential in projects, | 0:14:44 | 0:14:46 | |
and in people, all over the world. | 0:14:46 | 0:14:48 | |
No dream is too big, no challenge is too great. | 0:14:49 | 0:14:52 | |
Working together, | 0:14:52 | 0:14:54 | |
we will begin the urgent task of rebuilding our nation | 0:14:54 | 0:14:58 | |
and renewing the American dream. | 0:14:58 | 0:15:01 | |
And I love this country. | 0:15:01 | 0:15:04 | |
Thank you, thank you very much. | 0:15:04 | 0:15:06 | |
CROWD CHEERS | 0:15:06 | 0:15:08 | |
So, I'm from Airbus, | 0:15:08 | 0:15:09 | |
proud sponsors of the Science Museum. | 0:15:09 | 0:15:11 | |
Very excited to be down here today with the new exhibit | 0:15:11 | 0:15:14 | |
so we can show patrons what Airbus' business is all about. | 0:15:14 | 0:15:17 | |
We're not just about planes you fly on holiday in, | 0:15:17 | 0:15:19 | |
we're also heavily involved in weapons. | 0:15:19 | 0:15:22 | |
LOUD BANG | 0:15:22 | 0:15:23 | |
We sell to virtually anyone. | 0:15:23 | 0:15:25 | |
Even if you have a poor humanitarian record, like Saudi Arabia. | 0:15:25 | 0:15:29 | |
-NEWSREADER: -It's the seemingly indiscriminate bombing | 0:15:29 | 0:15:31 | |
that's led rights groups to accuse the Saudis of war crimes. | 0:15:31 | 0:15:34 | |
The feeling here isn't that the outside world | 0:15:34 | 0:15:37 | |
doesn't know what's happening in Yemen, | 0:15:37 | 0:15:39 | |
it's that they don't care. | 0:15:39 | 0:15:40 | |
To balance out the bad press with some good press, | 0:15:40 | 0:15:44 | |
we've collaborated with our friends at the Science Museum | 0:15:44 | 0:15:46 | |
and introduced a fun new educational programme. | 0:15:46 | 0:15:49 | |
A flight simulator where you can fly one of our death machines | 0:15:49 | 0:15:52 | |
heading over to Yemen. | 0:15:52 | 0:15:54 | |
I'm from Airbus, we've got a brand-new exhibition | 0:15:54 | 0:15:56 | |
that shows you what it's like to experience flying | 0:15:56 | 0:15:59 | |
a Eurofighter over a small Yemeni village and boom! | 0:15:59 | 0:16:02 | |
And blowing up some little villages, it's super fun, | 0:16:02 | 0:16:04 | |
would you like to experience the quality | 0:16:04 | 0:16:06 | |
-of an Airbus missile attack... -Yeah. | 0:16:06 | 0:16:08 | |
..as if you were a Saudi Arabian fighter jet pilot? | 0:16:08 | 0:16:10 | |
-Yeah. -You would? -Yeah. -Excellent. | 0:16:10 | 0:16:12 | |
Obviously, some of these people look a bit sad, | 0:16:12 | 0:16:14 | |
but they're probably going to get bombed anyway. | 0:16:14 | 0:16:17 | |
How much is it? | 0:16:17 | 0:16:18 | |
It's totally free, it's on us, we make enough money, | 0:16:18 | 0:16:20 | |
you can have this one for free. | 0:16:20 | 0:16:21 | |
But it's the experience of pure death | 0:16:21 | 0:16:23 | |
-and destruction or your money back. -OK. | 0:16:23 | 0:16:25 | |
And then afterwards, we can offer you counselling if you feel | 0:16:25 | 0:16:27 | |
bad about it, if the experience | 0:16:27 | 0:16:29 | |
-was too realistic and stuff like that. -Yeah. | 0:16:29 | 0:16:31 | |
-This is the missile release button. -OK. | 0:16:31 | 0:16:33 | |
And then you have to push the missile release button and | 0:16:33 | 0:16:36 | |
boom and ahh! | 0:16:36 | 0:16:37 | |
And the poor kids, you know, | 0:16:37 | 0:16:38 | |
and you get to really get the authentic experience | 0:16:38 | 0:16:41 | |
of what it's like to be a Saudi Arabian fighter pilot. | 0:16:41 | 0:16:44 | |
-Would you like to have a go? -Yes. -Oh, brilliant. Great. | 0:16:44 | 0:16:48 | |
EXPLOSION EFFECTS | 0:16:48 | 0:16:51 | |
Would you like to have a go? It's totally free. | 0:16:51 | 0:16:54 | |
No, I don't think so. | 0:16:54 | 0:16:56 | |
Hey, I'm Duckface and I'm an Insta-celebrity. | 0:16:56 | 0:16:59 | |
And I'm all about raising awareness about totes important issues | 0:16:59 | 0:17:02 | |
using social media. | 0:17:02 | 0:17:04 | |
Let's change the planet one hashtag at a time, babes. | 0:17:04 | 0:17:06 | |
Love you! | 0:17:06 | 0:17:07 | |
Oh, hey, guys, it's your gorgeous Duckface here again. | 0:17:07 | 0:17:11 | |
So, babes, last night I heard about this terrible place called Yemen. | 0:17:11 | 0:17:14 | |
There are bombs dropping and it's awful. Eurgh. | 0:17:14 | 0:17:17 | |
So we're going to launch... | 0:17:17 | 0:17:19 | |
YOLO, like, the only live once, babe. | 0:17:19 | 0:17:23 | |
Shut up. | 0:17:23 | 0:17:25 | |
YOLO. YOLO! | 0:17:25 | 0:17:27 | |
-Do you know about Yemen? -A bit. | 0:17:27 | 0:17:29 | |
-BOTH: -YOLO! -Mwah, we love you. -Seize the day. | 0:17:29 | 0:17:32 | |
-ALL: -YOLO for Yemen. | 0:17:32 | 0:17:34 | |
That's right, guys, | 0:17:34 | 0:17:35 | |
everyone is part of the human race. | 0:17:35 | 0:17:37 | |
-Just good luck with everything. -You have one life, yeah. | 0:17:37 | 0:17:39 | |
Better conditions in Yemen, you get me? | 0:17:39 | 0:17:41 | |
-YOLO for Yemen, you just live once. -You only live once. | 0:17:41 | 0:17:45 | |
Come on, a bit more profound than that, go. | 0:17:45 | 0:17:47 | |
-You only live once? -You only live once, right? | 0:17:47 | 0:17:50 | |
I'm afraid I'm not sure I'm comfortable with that. | 0:17:50 | 0:17:52 | |
-Can you just give me a bit of pouty-ness for that. -No. | 0:17:52 | 0:17:55 | |
Hmmm. Ming, ming. | 0:17:55 | 0:17:57 | |
Sorry, babes, I was just meditating. | 0:17:57 | 0:17:58 | |
Well, that'll show those warmongering bitches | 0:17:58 | 0:18:00 | |
not to do that again. | 0:18:00 | 0:18:02 | |
Anyway, guys, got to run, | 0:18:02 | 0:18:03 | |
I've got a charity gala to go to with Lila Donnan. | 0:18:03 | 0:18:06 | |
Bye. | 0:18:06 | 0:18:08 | |
Tweet me. | 0:18:08 | 0:18:10 | |
-NEWSREADER: -Food poverty is often thought of as a problem | 0:18:11 | 0:18:14 | |
for the developing world, not the developed. | 0:18:14 | 0:18:16 | |
-NEWSREADER: -Benefit cuts due to hit the just-about-managing families | 0:18:16 | 0:18:21 | |
or JAMs. | 0:18:21 | 0:18:22 | |
-NEWSREADER: -Here at the Wokingham food bank, | 0:18:22 | 0:18:24 | |
they support around 80 people a month, | 0:18:24 | 0:18:26 | |
a growing number of whom have had to come here | 0:18:26 | 0:18:28 | |
after their benefits were stopped. | 0:18:28 | 0:18:31 | |
Here in the UK, charities have accused | 0:18:32 | 0:18:34 | |
British supermarkets of wasting | 0:18:34 | 0:18:37 | |
thousands of tonnes of surplus food | 0:18:37 | 0:18:40 | |
at a time when millions of hungry people are using food banks. | 0:18:40 | 0:18:43 | |
I'm on my way to a farm in Wales who are looking to buck that trend. | 0:18:43 | 0:18:47 | |
-Oh, Piers. -Colin. -Hi. Good to see you. | 0:18:49 | 0:18:51 | |
-Welcome to the farm. -Thanks for having me. | 0:18:51 | 0:18:53 | |
So, what exactly do you do here? | 0:18:53 | 0:18:55 | |
Well, it's not exactly what, but rather who. | 0:18:55 | 0:18:57 | |
-Come, let me show you. -Pretty loud in here. | 0:18:57 | 0:18:59 | |
It is pretty loud, yeah, absolutely. | 0:18:59 | 0:19:02 | |
-Wow. -So, basically, what we're doing is harnessing the power of wind, | 0:19:02 | 0:19:05 | |
methane to be exact. | 0:19:05 | 0:19:07 | |
We've got 150 disadvantaged units - the unemployed, redundant... | 0:19:07 | 0:19:10 | |
-Hi, guys. -..who over a day can power | 0:19:10 | 0:19:13 | |
-a small town like Market Harborough. -Sure. | 0:19:13 | 0:19:15 | |
HE FARTS | 0:19:15 | 0:19:17 | |
The surplus supermarket food gets delivered over there, | 0:19:17 | 0:19:19 | |
put into their troughs, ready for feeding. | 0:19:19 | 0:19:21 | |
-Looks like we've got cheese strings today. -Uh-huh. | 0:19:21 | 0:19:23 | |
The hungry get fed and a roof over their head and we get a much-needed | 0:19:23 | 0:19:27 | |
form of sustainable energy. | 0:19:27 | 0:19:28 | |
Well, sounds fantastic. I'm definitely sold. Bye, guys. | 0:19:28 | 0:19:31 | |
Keep up the good work! | 0:19:31 | 0:19:34 | |
-NEWSREADER: -We know Big Brother is already watching us, | 0:19:34 | 0:19:37 | |
but is the government about to get even more up close and personal? | 0:19:37 | 0:19:41 | |
The right to privacy is more than just keeping your e-mails safe | 0:19:41 | 0:19:44 | |
from the government. | 0:19:44 | 0:19:45 | |
It makes complete sense to give these abilities | 0:19:45 | 0:19:48 | |
to our agencies to help make us all safer. | 0:19:48 | 0:19:50 | |
Somewhere there is a pot of data which could be used to blackmail, | 0:19:50 | 0:19:54 | |
it could be used to attack. | 0:19:54 | 0:19:57 | |
Sorry...just looking at your phone. | 0:20:01 | 0:20:04 | |
-Can I...can I just have a look? -Why? | 0:20:07 | 0:20:09 | |
It's the Snooper's Charter, we can check anyone's data. | 0:20:09 | 0:20:12 | |
It's a matter of national security. | 0:20:12 | 0:20:15 | |
-Can I see your phone? -Oh, God. | 0:20:15 | 0:20:18 | |
Because if you've got nothing to hide, you've got nothing to fear. | 0:20:18 | 0:20:21 | |
I'm just checking your direct messages on Snapchat. | 0:20:21 | 0:20:24 | |
Do you let people look at your phone a lot? | 0:20:24 | 0:20:26 | |
I'm just seeing from your location services that you just go home, | 0:20:26 | 0:20:29 | |
-work, Tesco's Express. -What do you need that for? | 0:20:29 | 0:20:31 | |
-This is your phone? -It's my phone. | 0:20:33 | 0:20:35 | |
It's just that the number that I've called | 0:20:35 | 0:20:37 | |
it's just going to try and sort of download all of your calls, | 0:20:37 | 0:20:40 | |
-your phone history... -Why would you do that? | 0:20:40 | 0:20:44 | |
In this age, we've just all got to do our bit, you know. | 0:20:44 | 0:20:46 | |
-No, no. -Well, what have you got to hide? | 0:20:46 | 0:20:48 | |
-I've got nothing to hide. -Are you sure? -Yeah. | 0:20:48 | 0:20:50 | |
I just saw that e-mail from your doctor and I just want you to know | 0:20:50 | 0:20:54 | |
that it's OK, I have herpes as well. | 0:20:54 | 0:20:56 | |
Look, mate, you've got nothing to hide, you've got nothing to fear. | 0:20:56 | 0:21:00 | |
-I'm just trying to hack your server. -Why? | 0:21:11 | 0:21:14 | |
I'm just trying to catch all your communications data. | 0:21:14 | 0:21:16 | |
No, you can't do this, sir, sorry. | 0:21:16 | 0:21:18 | |
Well, if you've got nothing to hide, you've got nothing to fear. | 0:21:18 | 0:21:20 | |
You're not a terrorist, are you? | 0:21:20 | 0:21:22 | |
You're not one of those weird white converts, are you? | 0:21:22 | 0:21:24 | |
Because if you've got nothing to hide, you've got nothing to fear. | 0:21:24 | 0:21:27 | |
OK, and I'm in. | 0:21:27 | 0:21:29 | |
Boys, seriously, I mean, I'd delete all of those photos. | 0:21:29 | 0:21:31 | |
You're way too old for Snapchat anyway. | 0:21:31 | 0:21:34 | |
Amazing what technology can do nowadays. | 0:21:35 | 0:21:37 | |
I'm back at the methane farm, | 0:21:42 | 0:21:44 | |
where I've arranged to speak to Rhys, | 0:21:44 | 0:21:46 | |
a local lad who looks after the herd. | 0:21:46 | 0:21:48 | |
So, can you talk me through what you're doing here today? | 0:21:49 | 0:21:52 | |
Well, I saw this one out in the field and he was hobbling, | 0:21:52 | 0:21:55 | |
so I found out that he's got a stone in his shoe, | 0:21:55 | 0:21:58 | |
but he's all right to go back out to pasture, now, aren't you, boyo? | 0:21:58 | 0:22:01 | |
-Cheers, mate. -All right. | 0:22:01 | 0:22:03 | |
-Are they happy? -Well, they like the routine, you see. | 0:22:03 | 0:22:06 | |
They get so excited when it comes to feeding time, | 0:22:06 | 0:22:09 | |
because, well, releasing methane, | 0:22:09 | 0:22:11 | |
it's a really nice feeling, isn't it? | 0:22:11 | 0:22:13 | |
Could you introduce me to one? | 0:22:13 | 0:22:15 | |
Yeah, yeah, absolutely, I can do that, yes. | 0:22:15 | 0:22:17 | |
Bye-bye, Cyril, bye. | 0:22:17 | 0:22:19 | |
I'll show you Ian. Ian. | 0:22:19 | 0:22:22 | |
Ian! | 0:22:22 | 0:22:24 | |
So, this is Ian. One of the finest specimens we have here. | 0:22:25 | 0:22:29 | |
-He pumps out a lot. Don't you, boy? -Well, yeah. | 0:22:29 | 0:22:32 | |
How did you end up on the farm, Ian? | 0:22:32 | 0:22:34 | |
Well, you know how it is. | 0:22:34 | 0:22:35 | |
You know, me kids' mobile phone bills were racking up | 0:22:35 | 0:22:38 | |
and I'm just struggling a bit, really, with all the benefit cuts. | 0:22:38 | 0:22:42 | |
-And how are you all finding it now? -Good. Yeah. -Yeah? | 0:22:42 | 0:22:47 | |
The food's decent and the people are lovely... | 0:22:47 | 0:22:51 | |
..had to... | 0:22:51 | 0:22:53 | |
-There you go. -All right. Had to... | 0:22:53 | 0:22:56 | |
-Had... -IAN SIGHS | 0:22:56 | 0:22:59 | |
Had to give up smoking. | 0:22:59 | 0:23:01 | |
-Sure. -You could blow the whole valley up, | 0:23:01 | 0:23:03 | |
with, you know, because of all the methane. | 0:23:03 | 0:23:05 | |
-Really, is that true? -That's right. Yeah. | 0:23:05 | 0:23:07 | |
-Nice to meet you, Ian. -Thanks a lot, Ian. | 0:23:07 | 0:23:10 | |
Hey, hey! | 0:23:10 | 0:23:13 | |
Oi! | 0:23:13 | 0:23:15 | |
So, what is it like living on a farm like this, I ask Piers, | 0:23:15 | 0:23:18 | |
the farm's owner. | 0:23:18 | 0:23:20 | |
How does your family deal with life on the farm? | 0:23:20 | 0:23:23 | |
Well, the wife was a bit sceptical at first, but she's come around now. | 0:23:23 | 0:23:25 | |
She likes to feed them their treats on Sundays - cider, beers, | 0:23:25 | 0:23:28 | |
50ps sometimes. | 0:23:28 | 0:23:29 | |
We've had an ingenious development in the tech, | 0:23:29 | 0:23:32 | |
it's called the power bottom. | 0:23:32 | 0:23:33 | |
You can actually harness methane on the move. | 0:23:33 | 0:23:35 | |
Which is great. It means you can use it inside the house. | 0:23:35 | 0:23:38 | |
How's he doing in maths? | 0:23:38 | 0:23:39 | |
-Yeah, he's doing all right. -FARTING | 0:23:39 | 0:23:42 | |
SHE CLEARS HER THROAT | 0:23:42 | 0:23:44 | |
It's hypocrisy to take money from a dirty company like BP | 0:23:44 | 0:23:48 | |
that are actually causing | 0:23:48 | 0:23:49 | |
the same sort of thing that's shown in this exhibit. | 0:23:49 | 0:23:52 | |
In this edition of Arts Week, | 0:23:53 | 0:23:55 | |
we look at the historic exhibit Sunken Cities | 0:23:55 | 0:23:58 | |
at the British Museum. | 0:23:58 | 0:24:00 | |
It is thought that fossil fuels like oil and coal | 0:24:00 | 0:24:03 | |
are heavily contributing towards climate change | 0:24:03 | 0:24:06 | |
and rising sea levels. | 0:24:06 | 0:24:07 | |
So, it's marvellous to see oil giant BP are sponsoring this exhibit. | 0:24:07 | 0:24:13 | |
With their history of contributing to climate change | 0:24:13 | 0:24:15 | |
and rising sea levels, BP are the only people | 0:24:15 | 0:24:19 | |
who could have sponsored Sunken Cities. | 0:24:19 | 0:24:21 | |
So, I've met up with the marvellous artist | 0:24:21 | 0:24:24 | |
who's captured what sunken cities of the future may look like. | 0:24:24 | 0:24:28 | |
With this piece, you've really captured that sense of horror, | 0:24:28 | 0:24:31 | |
of terror that I get when thinking about the world | 0:24:31 | 0:24:33 | |
that we're bequeathing to our children | 0:24:33 | 0:24:35 | |
and our children's children. | 0:24:35 | 0:24:37 | |
Absolutely. You see, BP converts fossils into fuel, | 0:24:37 | 0:24:39 | |
but what they're really doing is converting our future | 0:24:39 | 0:24:42 | |
into a watery nightmare. | 0:24:42 | 0:24:44 | |
I'm sorry, sir, what do you make of this submerged art? | 0:24:45 | 0:24:48 | |
Oh, right. | 0:24:48 | 0:24:49 | |
You see, BP who sponsored this gallery | 0:24:49 | 0:24:51 | |
wanted to put some sunken cities of the future in here, | 0:24:51 | 0:24:54 | |
as well as those of the past, you know? | 0:24:54 | 0:24:56 | |
Well, it's an interesting concept, isn't it? | 0:24:56 | 0:24:59 | |
-Hm. -That could be the future. -MAN LAUGHS | 0:24:59 | 0:25:02 | |
-What does it say to you? -Go for it, just burn. | 0:25:02 | 0:25:05 | |
-Just burn, just burn. -Just burn, yeah. | 0:25:05 | 0:25:07 | |
What does it do to you? | 0:25:07 | 0:25:08 | |
How do you feel when you look at the piece? | 0:25:08 | 0:25:11 | |
Sinking is what I feel. | 0:25:12 | 0:25:13 | |
Sinking, like rising tides of sea levels brought on | 0:25:13 | 0:25:17 | |
by British Petroleum and then just dashed. | 0:25:17 | 0:25:20 | |
Excuse me. | 0:25:20 | 0:25:21 | |
Oh, this is amazing, is this part of it? | 0:25:21 | 0:25:24 | |
Suddenly, a completely unexpected improvised layer of performance | 0:25:24 | 0:25:28 | |
took the exhibition by storm. | 0:25:28 | 0:25:30 | |
Wonderful. | 0:25:30 | 0:25:32 | |
You see, this is a piece of interpretive art. | 0:25:32 | 0:25:34 | |
This security man will now remove the piece | 0:25:34 | 0:25:36 | |
to take climate change out of our minds. | 0:25:36 | 0:25:37 | |
-So we're in complete denial. -This is amazing. You are amazing. | 0:25:37 | 0:25:40 | |
There's something incredible happening. | 0:25:40 | 0:25:42 | |
Just let him do his performance. Let him do his performance. | 0:25:42 | 0:25:44 | |
So he wants me to take the climate change piece, | 0:25:44 | 0:25:46 | |
put it in a dark bag and take it away. | 0:25:46 | 0:25:49 | |
-So nobody thinks about... -Marvellous, marvellous. -Yes. | 0:25:49 | 0:25:52 | |
Now, what we're going to need | 0:25:52 | 0:25:54 | |
for this fabulous meal is a drop of nice vino. | 0:25:54 | 0:25:57 | |
And fortunately for us, Tamsin Chivers | 0:25:57 | 0:25:59 | |
who's our regular wine expert, and also white and middle-class, | 0:25:59 | 0:26:02 | |
knows a thing or two about wine. | 0:26:02 | 0:26:04 | |
Now, for Toby & Toby's fist course, I'm looking for a wine | 0:26:11 | 0:26:14 | |
with a full-bodied taste | 0:26:14 | 0:26:16 | |
to really compliment that creamy foie gras. | 0:26:16 | 0:26:18 | |
And this lovely Chardonnay is absolutely perfect | 0:26:18 | 0:26:22 | |
and you can tell it's a special wine, because it has one of these. | 0:26:22 | 0:26:25 | |
Any wine that someone wants to steal must be good. | 0:26:25 | 0:26:29 | |
"How will I look if I turn up at Greg's party | 0:26:29 | 0:26:32 | |
"with this bottle of wine?" | 0:26:32 | 0:26:33 | |
That's a question that you won't need to ask yourself | 0:26:33 | 0:26:35 | |
if you go for this lovely number here which goes beautifully | 0:26:35 | 0:26:39 | |
with Toby & Toby's chicken salad. | 0:26:39 | 0:26:41 | |
Now, it comes in a rustic box which adds a definite sense | 0:26:41 | 0:26:45 | |
of smugness, more than a hint of arriving at the party | 0:26:45 | 0:26:49 | |
with a more expensive bottle than your friends, | 0:26:49 | 0:26:51 | |
especially Susan, I hate Susan. | 0:26:51 | 0:26:54 | |
And, finally, dessert. Always my favourite wine to choose. | 0:26:54 | 0:26:57 | |
And a great one for Toby & Toby's summer fruits pudding | 0:26:57 | 0:27:00 | |
is this delightful Spanish number. | 0:27:00 | 0:27:03 | |
Very nice. There's a real undertone there of thinking | 0:27:07 | 0:27:10 | |
that you're the life of the party, but actually being too drunk | 0:27:10 | 0:27:13 | |
to realise that you're embarrassing yourself. | 0:27:13 | 0:27:15 | |
That's lovely. | 0:27:15 | 0:27:17 | |
-I'm also getting... -SHE SNIFFS | 0:27:21 | 0:27:23 | |
I'm also getting...I'm getting divorced, did I mention that? | 0:27:23 | 0:27:28 | |
Apparently I keep pissing the bed and I said to David, | 0:27:28 | 0:27:32 | |
"David, listen, maybe I wouldn't have to drink so much | 0:27:32 | 0:27:35 | |
"if you would just lose a little bit of weight, you fat shit." | 0:27:35 | 0:27:38 | |
And he didn't like that one bit, did he? Oh, no. | 0:27:38 | 0:27:41 | |
Off he went to the football, like he always fucking does. | 0:27:41 | 0:27:44 | |
MUSIC: Buffalo Stance by Neneh Cherry | 0:27:45 | 0:27:47 | |
Well, I guess we can all agree that the meal has been a roaring success. | 0:27:47 | 0:27:51 | |
Well, we'll see you next week | 0:27:51 | 0:27:53 | |
on Gastro Kitchen. | 0:27:53 | 0:27:54 | |
-Bye. -Bye-bye. | 0:27:54 | 0:27:56 | |
# They all came running | 0:27:56 | 0:27:57 | |
# They were making noise, manhandling toys | 0:27:57 | 0:27:59 | |
# That's the girls on the block with the nasty curls | 0:27:59 | 0:28:02 | |
# Wearing padded bras sucking beers through straws | 0:28:02 | 0:28:04 | |
# Dropping down their drawers, where did you get yours? | 0:28:04 | 0:28:07 | |
# Gigolo Huh, sukka? | 0:28:07 | 0:28:09 | |
# Gigolo | 0:28:09 | 0:28:11 | |
# Gigolo Huh, sukka? | 0:28:11 | 0:28:13 | |
# Who's looking good today? | 0:28:15 | 0:28:17 | |
# Who's looking good in every way? | 0:28:17 | 0:28:20 | |
# No style rookie | 0:28:20 | 0:28:22 | |
# You better watch, don't mess with me | 0:28:22 | 0:28:26 | |
# No money man could win my love. # | 0:28:26 | 0:28:29 |