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This programme contains some strong language | 0:00:02 | 0:00:03 | |
I'm comedian Rhod Gilbert and this is my work experience. | 0:00:03 | 0:00:06 | |
This week, I'm an estate agent. | 0:00:06 | 0:00:07 | |
When I was a kid, being an agent was supercool. | 0:00:10 | 0:00:12 | |
Secret agent, double agent, and the coolest of the lot, estate agent. | 0:00:12 | 0:00:17 | |
'As I headed to an agency in Cwmbran, I was living every child's dream.' | 0:00:17 | 0:00:21 | |
-Hi, Gav. -How are you, Rhod? Are you all right? -Good, thanks. | 0:00:21 | 0:00:24 | |
-Good, good. Welcome to Peter Alan. -Thank you. | 0:00:24 | 0:00:26 | |
'New boss Gavin Shepherd and his team would train me up.' | 0:00:26 | 0:00:28 | |
As an estate agent, | 0:00:28 | 0:00:30 | |
I'd be joining the likes of nurses and lifeguards as one of the most loved | 0:00:30 | 0:00:33 | |
and valued sectors of society. | 0:00:33 | 0:00:35 | |
So, Rhod, what we're going to do, we're going to hit the road. | 0:00:35 | 0:00:38 | |
I'm going to show you a property that we have for sale. | 0:00:38 | 0:00:40 | |
-Mm-hm. -That is new to market. | 0:00:40 | 0:00:42 | |
-Are you ready? -I am... | 0:00:42 | 0:00:44 | |
Are you excited? | 0:00:44 | 0:00:45 | |
Let's sell some houses! | 0:00:46 | 0:00:47 | |
OK. Just one thing, happy people sell. | 0:00:47 | 0:00:50 | |
-Happy people sell. -Remember that. | 0:00:50 | 0:00:52 | |
Big smile, let's go. | 0:00:52 | 0:00:53 | |
What about grumpy people? | 0:00:53 | 0:00:54 | |
'This was my training day. | 0:00:56 | 0:00:57 | |
'By the end of the week, Gav had given me a challenge | 0:00:57 | 0:00:59 | |
'to sell an actual, real property,' | 0:00:59 | 0:01:01 | |
so I was curious to know what the current industry | 0:01:01 | 0:01:04 | |
perspective was on bullshitting. | 0:01:04 | 0:01:06 | |
What's the view these days of most estate agents on creatively describing... | 0:01:06 | 0:01:10 | |
embellishing, what do you want to call it...? | 0:01:10 | 0:01:13 | |
You can't. You've got to be honest, you know. | 0:01:13 | 0:01:15 | |
You've got to be creative with your wording, of course you have. | 0:01:15 | 0:01:18 | |
I think it's just got to be very real, very true. | 0:01:18 | 0:01:21 | |
'With 15 years' experience, | 0:01:21 | 0:01:22 | |
'Gav knew more about Victorian semis than Prince Albert's fluffer | 0:01:22 | 0:01:26 | |
'and he'd seen it all.' | 0:01:26 | 0:01:27 | |
I've walked in on people having sex. | 0:01:27 | 0:01:29 | |
I've gone upstairs, they've been well aware of the appointment, | 0:01:29 | 0:01:32 | |
and you walk in and the blanket's going like crazy. | 0:01:32 | 0:01:34 | |
You know exactly what's going on and you've got to quickly be able to turn | 0:01:34 | 0:01:37 | |
-the situation on its head. -Does that help you sell a house or hinder it? | 0:01:37 | 0:01:40 | |
-It depends how good the sex is they're having, I suppose. -Exactly! | 0:01:40 | 0:01:43 | |
Here we go. This is the Cedars. | 0:01:46 | 0:01:48 | |
Look at the size of that. | 0:01:51 | 0:01:52 | |
Whoa! | 0:01:52 | 0:01:53 | |
'My training started at a typical Valleys mining cottage near Usk. | 0:01:55 | 0:01:59 | |
'A great little bargain doer-upper for a first-time buyer.' | 0:01:59 | 0:02:02 | |
This is on the market for £3,250,000. | 0:02:03 | 0:02:07 | |
OK. Into the games room. | 0:02:09 | 0:02:12 | |
-Now we're talking. -Full-size snooker table. | 0:02:12 | 0:02:15 | |
-Can we have a game? -No. | 0:02:15 | 0:02:16 | |
That's one thing, you can't touch nothing in this man cave. | 0:02:16 | 0:02:19 | |
What if you broke an antique or something, you know? | 0:02:19 | 0:02:22 | |
Who are they going to come and shout at? | 0:02:22 | 0:02:24 | |
-It's going to be us. -How do bad do you think I am at snooker? | 0:02:24 | 0:02:26 | |
'Gav was trying to teach me stuff | 0:02:26 | 0:02:28 | |
'but the Valleys' answer to the Taj Mahal | 0:02:28 | 0:02:30 | |
'was blowing my mind and I was only half listening. | 0:02:30 | 0:02:33 | |
'That's right, I was semidetached.' | 0:02:33 | 0:02:35 | |
It's got four boilers. | 0:02:35 | 0:02:37 | |
I can't even imagine life with four boilers. | 0:02:37 | 0:02:39 | |
Nice, nice, nice... | 0:02:39 | 0:02:42 | |
Look at this! | 0:02:42 | 0:02:44 | |
Oh, my God! | 0:02:44 | 0:02:46 | |
'Part man, part Guess Who picture tile, | 0:02:48 | 0:02:51 | |
'Gav was worried that leaving me to sell this property would be like | 0:02:51 | 0:02:53 | |
'putting a beaver in charge of a log flume.' | 0:02:53 | 0:02:56 | |
Can you imagine if I walked in here and I was like... | 0:02:56 | 0:02:58 | |
"Oh, my God, Rhod, look at this!" | 0:02:58 | 0:03:00 | |
Amazing, I'd love one of these myself! | 0:03:00 | 0:03:02 | |
You're going to be like that... "Oh, my God, what's this idiot doing here?" | 0:03:02 | 0:03:05 | |
You're going to be concentrating on me, rather than looking at the room. | 0:03:05 | 0:03:09 | |
It's quite a back seat. | 0:03:09 | 0:03:11 | |
Definitely. You need to stand back, let them take it all in. | 0:03:11 | 0:03:15 | |
Let the property speak to them. | 0:03:15 | 0:03:16 | |
'Guess Who Gav was certainly letting this property speak to me. | 0:03:20 | 0:03:23 | |
'His job was a piece of piss. | 0:03:23 | 0:03:25 | |
'Just wander around doing nothing, let the house sell itself, | 0:03:25 | 0:03:27 | |
'and then steal the commission.' | 0:03:27 | 0:03:29 | |
So, again, exactly what I'm doing here, I'm standing back from you, | 0:03:31 | 0:03:34 | |
letting you explore. | 0:03:34 | 0:03:36 | |
Silence speaks volumes. | 0:03:36 | 0:03:38 | |
Silence speaks volumes. | 0:03:38 | 0:03:39 | |
So, if I'd walked in and I'd immediately be attracted to that, the view, | 0:03:39 | 0:03:43 | |
I'd walk up here, take the fountain, the gravel drive, the gardens, | 0:03:43 | 0:03:46 | |
the view, you'd just leave me... | 0:03:46 | 0:03:48 | |
Yeah, exactly. You're taking in the view there. | 0:03:48 | 0:03:51 | |
If I'm there and I'm nattering away and I'm taking you away | 0:03:51 | 0:03:53 | |
from the nicer parts of the property and what could sell it to you, | 0:03:53 | 0:03:57 | |
-so you've got to be careful. -Ssh! | 0:03:57 | 0:03:58 | |
Ssh! | 0:03:59 | 0:04:01 | |
-Thank you. -(OK.) | 0:04:06 | 0:04:08 | |
So, yeah, definitely. | 0:04:08 | 0:04:10 | |
Let the surroundings do the work. | 0:04:10 | 0:04:11 | |
Ssh! | 0:04:11 | 0:04:13 | |
We've been through this, Gav. | 0:04:13 | 0:04:14 | |
I'm not telling you again. | 0:04:14 | 0:04:16 | |
This is a great job, isn't it? | 0:04:17 | 0:04:19 | |
Driving round, coming to stunning houses, gravel drives, | 0:04:19 | 0:04:22 | |
just looking at the pool, snooping around. | 0:04:22 | 0:04:25 | |
Whoa, whoa, calm down. | 0:04:25 | 0:04:26 | |
This is just a little tiny, tiny part of the job. | 0:04:26 | 0:04:29 | |
What can you say? | 0:04:41 | 0:04:44 | |
-After you? -OK! | 0:04:44 | 0:04:45 | |
What... What's the story here? | 0:04:49 | 0:04:51 | |
This is where the property has been taken back into possession by the bank. | 0:04:51 | 0:04:55 | |
People have had to get evicted here from their home. | 0:04:55 | 0:04:58 | |
So for us as an estate agent, this is where it starts. | 0:04:58 | 0:05:02 | |
Whereas, you know, it's the end for them, you know? | 0:05:02 | 0:05:04 | |
And how tough is it to see what was once your home up for sale and you | 0:05:04 | 0:05:08 | |
have no control over it? | 0:05:08 | 0:05:10 | |
You're not going to go long in this job before you have a reality check. | 0:05:12 | 0:05:16 | |
This is happening all over the country, you know? | 0:05:16 | 0:05:19 | |
It does put things into perspective. | 0:05:19 | 0:05:21 | |
How do you turn this into a positive? | 0:05:22 | 0:05:24 | |
It's hard to see it as a happy home for some potential new chapter of | 0:05:24 | 0:05:28 | |
-somebody's life, isn't it? -That's a process it has to go through before it | 0:05:28 | 0:05:32 | |
becomes exciting, I suppose. | 0:05:32 | 0:05:34 | |
Believe it or not, this will be super popular. | 0:05:34 | 0:05:37 | |
-It's hard to look at it like that right now though, isn't it? -Yeah. | 0:05:37 | 0:05:40 | |
OK. | 0:05:42 | 0:05:44 | |
Forget it. Let's go. | 0:05:44 | 0:05:46 | |
'I had no idea estate agents were involved in these | 0:05:47 | 0:05:50 | |
'desperately sad situations. | 0:05:50 | 0:05:52 | |
'I wasn't sure I'd be tough enough for this job. | 0:05:52 | 0:05:54 | |
'But Gav was keen to stress how rewarding it could be.' | 0:05:54 | 0:05:57 | |
You're matching people to the right property. | 0:05:57 | 0:06:00 | |
That's what you're going to be doing this week. | 0:06:00 | 0:06:02 | |
Once you get a match, you'll want to scream from the rooftops. | 0:06:02 | 0:06:04 | |
-Brilliant, do you? -Yeah. | 0:06:04 | 0:06:06 | |
Yeah, yeah. Listen what the criteria is, look for it on our books, | 0:06:06 | 0:06:11 | |
match them up, book a viewing, sell the house. | 0:06:11 | 0:06:14 | |
I've got really mixed feelings about this. | 0:06:14 | 0:06:17 | |
On the one hand, | 0:06:17 | 0:06:19 | |
I think the same about estate agents as everybody does. | 0:06:19 | 0:06:22 | |
Exaggerating the positive aspects of properties - | 0:06:22 | 0:06:26 | |
I'm a bit worried about that. | 0:06:26 | 0:06:27 | |
On the other hand, | 0:06:27 | 0:06:29 | |
I'm quite excited because I can imagine it's really rewarding, | 0:06:29 | 0:06:31 | |
handing over the keys to somebody to their new house, a big deal. | 0:06:31 | 0:06:34 | |
It's the biggest thing you will ever buy and it's a really exciting moment | 0:06:34 | 0:06:37 | |
in people's lives and you're part of that. | 0:06:37 | 0:06:39 | |
So I've got mixed feelings. | 0:06:39 | 0:06:41 | |
'I was feeling ambivalent, but there was no time for navel-gazing nonsense | 0:06:41 | 0:06:44 | |
'because Gav had big, big plans for me.' | 0:06:44 | 0:06:47 | |
As much as you are part of the team, | 0:06:47 | 0:06:50 | |
you're also standing on your own two feet and you are in charge of your destiny. | 0:06:50 | 0:06:55 | |
So therefore, I do not want you walking over that door | 0:06:55 | 0:06:58 | |
any later than 8:45 tomorrow, do you hear me? | 0:06:58 | 0:07:01 | |
Ssh, Gav. | 0:07:02 | 0:07:04 | |
I'll be here. | 0:07:04 | 0:07:05 | |
'Next day, I took charge of my own destiny and turned up at 10am. | 0:07:05 | 0:07:09 | |
'If I could match some people to properties, | 0:07:09 | 0:07:11 | |
'I'd be buzzing like a sticky doorbell.' | 0:07:11 | 0:07:13 | |
-What do you think? -Yes, I can see you've made an effort. | 0:07:13 | 0:07:15 | |
Fantastic. Brilliant stuff. | 0:07:15 | 0:07:17 | |
Yeah, great. You look like an estate agent. | 0:07:17 | 0:07:19 | |
Is that a compliment? | 0:07:19 | 0:07:21 | |
'A sales environment isn't me at all, but at least Gav | 0:07:21 | 0:07:24 | |
'wasn't into all that cringey team-building "let's play a game" shit.' | 0:07:24 | 0:07:27 | |
Rhod, every day we have a bit of a game, just to lift everyone's spirits, | 0:07:27 | 0:07:30 | |
wake the brain up, so... | 0:07:30 | 0:07:32 | |
-Do you? -Yeah. To keep the fun side of the job... | 0:07:32 | 0:07:34 | |
-No. -You've heard of a game... -You don't play a game...? | 0:07:34 | 0:07:37 | |
-Yeah. -In this meeting? | 0:07:37 | 0:07:38 | |
HE LAUGHS AND WOMEN JOIN IN | 0:07:38 | 0:07:41 | |
-Sorry. -But if you've heard of a game called "boy, girl, fruit, flower", | 0:07:42 | 0:07:46 | |
you will be familiar with how this goes. | 0:07:46 | 0:07:50 | |
A... | 0:07:50 | 0:07:51 | |
A what? | 0:07:52 | 0:07:53 | |
So he says, A, and you've got to go B, C, D, do the alphabet in his head, | 0:07:53 | 0:07:57 | |
-silently. -In his head? Yeah. And that's the game? | 0:07:57 | 0:07:59 | |
You've got to say stop the bus. | 0:07:59 | 0:08:01 | |
Have you not played stop the bus before, Rhod? | 0:08:01 | 0:08:03 | |
-I haven't played stop the bus. -And if he lands on... | 0:08:03 | 0:08:05 | |
Did you not have a childhood? | 0:08:05 | 0:08:06 | |
If he says D in his head, you've got to use D, so D for animal, | 0:08:08 | 0:08:11 | |
D for car, D for place. | 0:08:11 | 0:08:13 | |
If three-year-olds can play this game, we should be able to, OK? | 0:08:13 | 0:08:16 | |
If three-year-olds can play this game, maybe we shouldn't be playing it. | 0:08:16 | 0:08:19 | |
-Stop the bus. -'Gav's sales team was pumped to the max, | 0:08:19 | 0:08:22 | |
'but I felt as uncomfortable as Donald Trump in a sombrero.' | 0:08:22 | 0:08:26 | |
-Animal. -I've got nothing at all. | 0:08:26 | 0:08:28 | |
Turkey. | 0:08:28 | 0:08:30 | |
Very good, yes. Place. | 0:08:30 | 0:08:32 | |
-Turkey. -Have you got Turkey for all of yours? | 0:08:32 | 0:08:34 | |
Let's smash it today. | 0:08:36 | 0:08:37 | |
Have fun, enjoy. | 0:08:37 | 0:08:39 | |
Remember, if the ship doesn't sail in, swim out and meet it. | 0:08:39 | 0:08:43 | |
Let's create some business. | 0:08:43 | 0:08:44 | |
Go for it. | 0:08:44 | 0:08:46 | |
Yes! | 0:08:48 | 0:08:49 | |
I'm feeling a really weird mix of pumped up and confident, | 0:08:49 | 0:08:52 | |
sell, sell, sell, | 0:08:52 | 0:08:54 | |
and the other part of me is thinking | 0:08:54 | 0:08:56 | |
I've got absolutely no chance of selling anything. | 0:08:56 | 0:08:59 | |
If the ship doesn't come in, which it almost certainly won't, | 0:08:59 | 0:09:02 | |
I imagine I will drown swimming out to meet it. | 0:09:02 | 0:09:04 | |
'But before I could sell a house, | 0:09:06 | 0:09:08 | |
'Guess Who Gav wanted me to get a potential new property onto his books.' | 0:09:08 | 0:09:11 | |
Photos are absolutely paramount. | 0:09:11 | 0:09:15 | |
They have to be spot-on, | 0:09:15 | 0:09:17 | |
so it's really important that you get the angle right | 0:09:17 | 0:09:19 | |
and as much of the room in as possible. | 0:09:19 | 0:09:21 | |
'Rock up and snap the joint. | 0:09:21 | 0:09:22 | |
'It was sounding like a piece of pizzle until Gav got serious | 0:09:22 | 0:09:25 | |
'and the bizzle went all shizzle.' | 0:09:25 | 0:09:26 | |
Always ask the people to go in front of you. | 0:09:26 | 0:09:29 | |
What if you're walking up the stairs and somebody is behind you and they | 0:09:29 | 0:09:32 | |
had a knife or a gun...? | 0:09:32 | 0:09:35 | |
Who the fuck have you set me up viewings with?! | 0:09:35 | 0:09:37 | |
They could be armed?! | 0:09:37 | 0:09:39 | |
You just don't know who you're viewing with. | 0:09:39 | 0:09:40 | |
I mean, we do our best to vet people. | 0:09:40 | 0:09:43 | |
Take your phone, so you've got all necessary cautions | 0:09:43 | 0:09:46 | |
to prevent any of this happening. | 0:09:46 | 0:09:47 | |
I've always wondered why, when I've been to view a property, | 0:09:47 | 0:09:50 | |
why the estate agent is always behind me and I'm always walking in front. | 0:09:50 | 0:09:53 | |
It's because they are worried I'd shoot them. | 0:09:53 | 0:09:56 | |
'On the popularity scale, | 0:09:56 | 0:09:57 | |
'estate agent comes between traffic warden and death squad, | 0:09:57 | 0:10:00 | |
'so in case things turned nasty, I'd need a safe word.' | 0:10:00 | 0:10:03 | |
Today, how about your safe word being David Dickinson? | 0:10:03 | 0:10:06 | |
If you feel a bit unnerved from the start, you phone the office... | 0:10:07 | 0:10:11 | |
I say, "where is David Dickinson?" | 0:10:11 | 0:10:13 | |
What you need to do is slip it into a sentence. | 0:10:13 | 0:10:15 | |
For instance, you could say, | 0:10:15 | 0:10:17 | |
could you please call David Dickinson and let him know | 0:10:17 | 0:10:20 | |
I'm going to be running late for my next viewing appointment? | 0:10:20 | 0:10:23 | |
'Armed with my safe word, I headed off to bring my first house to market, | 0:10:23 | 0:10:26 | |
'haunted by images of Dickinson in a gimp outfit.' | 0:10:26 | 0:10:29 | |
Hiya, love. All right? | 0:10:31 | 0:10:33 | |
Hiya. Rhod. | 0:10:33 | 0:10:34 | |
-Charmaine. -Am I at the right place? -Yeah, yeah. | 0:10:34 | 0:10:36 | |
-Come on in. -Thank you. | 0:10:36 | 0:10:38 | |
'As Charmaine pointed out her home's best features, | 0:10:38 | 0:10:40 | |
'I was on red alert. | 0:10:40 | 0:10:41 | |
'Any sign of trouble, I'd call the office | 0:10:41 | 0:10:43 | |
'and drop the mahoganied marvel casually into a sentence.' | 0:10:43 | 0:10:46 | |
-PHONE RINGS -Right. | 0:10:46 | 0:10:49 | |
Beautiful. It is that my phone? | 0:10:49 | 0:10:51 | |
Sorry, I was told to bring a mobile phone in case you tried to kill me. | 0:10:51 | 0:10:54 | |
SHE LAUGHS | 0:10:54 | 0:10:55 | |
-Right. -You walk in front of me. -Why? | 0:10:55 | 0:10:58 | |
I've been told, that's what I do. | 0:10:58 | 0:10:59 | |
-Upstairs. -Yeah. | 0:11:00 | 0:11:02 | |
It's a nice breeze. | 0:11:03 | 0:11:05 | |
-On a hot day like this. -Yeah, it's like a wind tunnel through here. | 0:11:05 | 0:11:08 | |
I won't put "wind tunnel", I'll put "bright and breezy". | 0:11:08 | 0:11:11 | |
Yeah. This is the big bedroom. | 0:11:11 | 0:11:13 | |
I don't go to bed in the night, I watch supernatural things. | 0:11:13 | 0:11:16 | |
-All about ghosts. -You don't use this bedroom? | 0:11:16 | 0:11:18 | |
Yeah, I come to bed about four. | 0:11:18 | 0:11:20 | |
Why do you come to bed at four? | 0:11:20 | 0:11:22 | |
Because I like watching ghost things, like Ghost Inside My Child, | 0:11:22 | 0:11:26 | |
My Haunted House, Paranormal Activities. | 0:11:26 | 0:11:30 | |
-Right. -My ideal job would be an undertaker. | 0:11:31 | 0:11:34 | |
-Right. -Yeah, I'm not scared of the dark, love. | 0:11:36 | 0:11:39 | |
You've got to be scared of the living, not the dead. | 0:11:39 | 0:11:41 | |
'Too right. Charmaine was living and she was starting to scare the shit out of me, | 0:11:41 | 0:11:45 | |
'but I needed to get as much detail as I could about the property | 0:11:45 | 0:11:47 | |
'before she killed me.' | 0:11:47 | 0:11:49 | |
-Playroom. -Playroom... | 0:11:50 | 0:11:52 | |
-Coffins. -You what? | 0:11:52 | 0:11:54 | |
-Coffins. -Coffins. | 0:11:54 | 0:11:56 | |
Candles, picture it, candles... | 0:11:56 | 0:11:58 | |
You go out first. | 0:11:58 | 0:12:00 | |
'Charmaine was batshit crazy, | 0:12:00 | 0:12:02 | |
'Norman Bates trapped in Velma-from-Scooby-Doo's body.' | 0:12:02 | 0:12:05 | |
Get a coffin, buy a coffin, have niblets, wine and what-have-you, | 0:12:06 | 0:12:10 | |
and take photos to see what you look like when you're dead. | 0:12:10 | 0:12:13 | |
'What was my bloody safe word? | 0:12:14 | 0:12:15 | |
'Daniel O'Donnell? No, David Dimbleby? | 0:12:15 | 0:12:18 | |
'Alarm bells were really ringing.' | 0:12:18 | 0:12:20 | |
ICE CREAM VAN CHIMES PLAY | 0:12:20 | 0:12:21 | |
-On ice cream route. That's a selling point, isn't it? -No. -It's not? | 0:12:23 | 0:12:26 | |
If you ain't got no money and your kid's screaming for an ice cream, | 0:12:26 | 0:12:29 | |
-isn't it? -Cross that out. -Yeah. | 0:12:29 | 0:12:31 | |
'Before I ran for my life, | 0:12:31 | 0:12:32 | |
'I had to get photos of Batshit Bates' three-bed kill pad, | 0:12:32 | 0:12:36 | |
'carefully noting any escape routes. | 0:12:36 | 0:12:37 | |
'Because happy people sell, but dead ones don't. | 0:12:37 | 0:12:40 | |
'My work done, I wanted to scarper, but I was determined to sell a house | 0:12:40 | 0:12:44 | |
'and Charmaine was a potential buyer.' | 0:12:44 | 0:12:46 | |
Obviously, I'm here to try and sell this one. | 0:12:46 | 0:12:48 | |
-Yeah. -And you don't mind if I sign you up as a new customer and try and | 0:12:48 | 0:12:50 | |
-find you somewhere...? -Yeah. It's got to be done up. -It's got to be done up? | 0:12:50 | 0:12:54 | |
-Yeah, so it got to be... -You don't want any work to do. | 0:12:54 | 0:12:56 | |
Rundown. No, I don't... I want loads of work to do. | 0:12:56 | 0:12:59 | |
I've got to do it up. | 0:12:59 | 0:13:00 | |
You're looking for somewhere really rundown that you can put your own stamp on | 0:13:00 | 0:13:03 | |
and do it up from scratch? | 0:13:03 | 0:13:05 | |
-You want it to be derelict. -Not like derelict, so there's no like walls. | 0:13:05 | 0:13:08 | |
It got to have a roof, but the inside can be as bogging | 0:13:08 | 0:13:11 | |
as it comes. Right? We can wipe our feet walking out. | 0:13:11 | 0:13:13 | |
Can I just jot that down? "Inside can be as bogging as it comes." | 0:13:13 | 0:13:16 | |
Because I'd like one of those Georgian houses. | 0:13:16 | 0:13:19 | |
Bogging Georgian shithole, yeah. | 0:13:19 | 0:13:20 | |
'South-facing gardens. | 0:13:20 | 0:13:22 | |
'I'd got the property onto our books and signed up a potential new buyer. | 0:13:22 | 0:13:26 | |
'But something told me that Batshit wouldn't be easy to please.' | 0:13:26 | 0:13:29 | |
-You don't like my shoes? -I hate them, love. | 0:13:29 | 0:13:31 | |
They're vile. Trousers are nice, but the shoes... | 0:13:31 | 0:13:34 | |
So I can keep the trousers on, can I? | 0:13:34 | 0:13:36 | |
First thing you look at a man were the shoes and I look at you and | 0:13:36 | 0:13:38 | |
-straightaway I think, "Twat". -Twat? -Twat. You've got twatty shoes on. | 0:13:38 | 0:13:42 | |
'I headed back to base as fast as my twat shoes would carry me, | 0:13:42 | 0:13:46 | |
'confident my arty photos would hit the spot.' | 0:13:46 | 0:13:49 | |
Please be vocal, give as much feedback as you can. | 0:13:49 | 0:13:52 | |
So, what have we got? | 0:13:52 | 0:13:55 | |
Hm! | 0:13:56 | 0:13:57 | |
-Nice candle. -You've taken the focus away from the bathroom. | 0:13:57 | 0:14:00 | |
Makes the bath look quite small, as well, doesn't it, | 0:14:00 | 0:14:03 | |
considering the size of the candle? | 0:14:03 | 0:14:05 | |
I have no idea so far what this house looks like. | 0:14:05 | 0:14:08 | |
'Like cats on a seesaw watching Wimbledon, | 0:14:08 | 0:14:10 | |
'the team lapped up my photos.' | 0:14:10 | 0:14:12 | |
Look at that. What do you think of that? | 0:14:14 | 0:14:16 | |
If I'm honest, I took that picture of the axe more for... | 0:14:16 | 0:14:19 | |
That was a David Dickinson moment. | 0:14:19 | 0:14:21 | |
I thought, just in case. | 0:14:21 | 0:14:22 | |
A little bit dark. | 0:14:22 | 0:14:25 | |
Out of ten, what would you give Rhod for these photos? | 0:14:25 | 0:14:28 | |
I think we'll go six for effort. | 0:14:28 | 0:14:30 | |
But four for quality. | 0:14:30 | 0:14:32 | |
Four for quality? | 0:14:32 | 0:14:33 | |
You tried. | 0:14:33 | 0:14:35 | |
Don't give up your night job. | 0:14:35 | 0:14:37 | |
THEY LAUGH | 0:14:37 | 0:14:38 | |
Shit! | 0:14:38 | 0:14:40 | |
'Some pictures are worth a thousand words, but mine were only worth two - | 0:14:40 | 0:14:43 | |
'the second one was "off" - but maybe with a thousand words, | 0:14:43 | 0:14:46 | |
'I could paint one half-decent picture.' | 0:14:46 | 0:14:48 | |
My description of Charmaine's property... | 0:14:48 | 0:14:51 | |
-OK. -A spacious reception room | 0:14:51 | 0:14:53 | |
will soothe your weary limbs in winter | 0:14:53 | 0:14:56 | |
with a real fire. | 0:14:56 | 0:14:57 | |
While in summer, throw the windows open and let the gentle Valleys breeze caress your soul. | 0:14:59 | 0:15:03 | |
-OK. -This stunning property might be a semi, | 0:15:03 | 0:15:06 | |
but it will give you a full erection. | 0:15:06 | 0:15:08 | |
-God! -You'll really love this mind-blowing opportunity | 0:15:16 | 0:15:19 | |
to enjoy the finest Cwmbran has to offer. | 0:15:19 | 0:15:22 | |
Come home to Cwmbran. | 0:15:22 | 0:15:23 | |
-Clever. -I'm quite impressed with that. | 0:15:26 | 0:15:28 | |
Do you know what? I absolutely love it, but there's a few things in there we wouldn't be able to use. | 0:15:28 | 0:15:33 | |
Maybe take out the bit about the full election, I grant you. | 0:15:33 | 0:15:35 | |
I like the "come home to Cwmbran", | 0:15:35 | 0:15:37 | |
I might steal that from you and use it in a few of my own. | 0:15:37 | 0:15:40 | |
Brilliant, so we like that? | 0:15:40 | 0:15:42 | |
-Yeah, yeah. Not a bad job there, Rhod. -Shall I type it up? -No. | 0:15:42 | 0:15:45 | |
'I'd got Charmaine's house on the market. | 0:15:45 | 0:15:48 | |
'Now all I had to do was sift through the stinking Edwardian crap gaffs and | 0:15:48 | 0:15:51 | |
'minging Victorian dump joints | 0:15:51 | 0:15:53 | |
'to find the bogging Georgian shithole of her dreams.' | 0:15:53 | 0:15:56 | |
I've got my properties ready to show Charmaine | 0:15:56 | 0:15:59 | |
and I think I've got just the places. | 0:15:59 | 0:16:01 | |
I'm confident by the end of today, she'll have the keys to one of them. | 0:16:01 | 0:16:04 | |
If not two. | 0:16:04 | 0:16:06 | |
'Before I set off, I needed to get some last-minute tips from Guess Who Gav.' | 0:16:06 | 0:16:10 | |
Silence is golden, | 0:16:10 | 0:16:12 | |
happy faces sell, anything else? | 0:16:12 | 0:16:15 | |
-Yes. -What? -Talk. Open up, keep it real. | 0:16:15 | 0:16:18 | |
It's all very confusing. | 0:16:18 | 0:16:20 | |
Silence is golden, but talk, open up and keep it real? | 0:16:20 | 0:16:23 | |
Now, sometimes you need to talk to them to help them open up | 0:16:23 | 0:16:25 | |
and see what they're thinking and... | 0:16:25 | 0:16:27 | |
I can't teach you on when to talk. | 0:16:27 | 0:16:29 | |
You just need to read people's body language. | 0:16:29 | 0:16:31 | |
Happy faces sell, if the ship doesn't sail in, | 0:16:31 | 0:16:34 | |
swim out to meet it, and silence is golden, sometimes. | 0:16:34 | 0:16:38 | |
Go, do your best, impress, | 0:16:38 | 0:16:40 | |
and come back with a sale. | 0:16:40 | 0:16:42 | |
The closest I've come to finding someone their dream home | 0:16:42 | 0:16:44 | |
is giving my hamster a roll of toilet paper, | 0:16:44 | 0:16:47 | |
but I've done my homework and was convinced | 0:16:47 | 0:16:49 | |
'this place would be right up Charmaine's batshit street.' | 0:16:49 | 0:16:52 | |
-I'm always slightly late. -Horrible street. -It's not. | 0:16:52 | 0:16:55 | |
-It's horrible. -Well, let's have a look at it, because you might love it. | 0:16:55 | 0:16:59 | |
Good start. Can't even get in! | 0:17:01 | 0:17:03 | |
I think I've got it. | 0:17:03 | 0:17:05 | |
Ah! Here we go! | 0:17:06 | 0:17:08 | |
-Et voila. -There we go. | 0:17:08 | 0:17:09 | |
OK. | 0:17:09 | 0:17:11 | |
-Small, isn't it? -Well, this isn't the whole thing. | 0:17:11 | 0:17:14 | |
This is just a little porch area. | 0:17:14 | 0:17:16 | |
High ceilings. Artex, got to go. | 0:17:16 | 0:17:20 | |
That wall will have to go. | 0:17:20 | 0:17:22 | |
This would be knocked in the... Yeah, it's nice and big. | 0:17:22 | 0:17:25 | |
-Not bad. -Do you like the wallpaper? -No, not really. | 0:17:25 | 0:17:27 | |
Not my style, love. | 0:17:28 | 0:17:30 | |
I'm trying to do what Gav taught me. | 0:17:31 | 0:17:33 | |
I'm trying to sit back, silence speaks volumes, whatever it was, sometimes. | 0:17:33 | 0:17:36 | |
I've done my research. | 0:17:36 | 0:17:38 | |
I think I'm doing quite well. | 0:17:38 | 0:17:40 | |
I know you said you like hosting parties that are a bit... | 0:17:40 | 0:17:44 | |
I like the dead. I like the dead, love. | 0:17:44 | 0:17:47 | |
-You like the dead. -Yeah. | 0:17:47 | 0:17:48 | |
Well, this place has got a basement. | 0:17:48 | 0:17:50 | |
I can feel the cold. | 0:17:50 | 0:17:52 | |
It's a little bit... Isn't it? | 0:17:52 | 0:17:54 | |
-Yeah. -I thought you might like this. | 0:17:54 | 0:17:56 | |
Perfect little space for your coffins. | 0:17:56 | 0:17:58 | |
This is under the street. | 0:17:58 | 0:17:59 | |
If she replaced the puppy wallpaper with pictures of her victims, | 0:17:59 | 0:18:02 | |
I thought I'd found a match | 0:18:02 | 0:18:04 | |
for some of Batshit Bates' twisted requirements. But I was wrong. | 0:18:04 | 0:18:07 | |
This ain't bogging. There's no ceilings falling down or anything, | 0:18:07 | 0:18:10 | |
-is there? -You want it worse than this? | 0:18:10 | 0:18:14 | |
Yeah. | 0:18:14 | 0:18:15 | |
-Time is precious, waste it wisely. Has this been a waste of time? -Yeah. | 0:18:17 | 0:18:20 | |
Sorry, Rhod, you done your best, but it wasn't good enough. | 0:18:20 | 0:18:24 | |
The wallpaper was right. Time WAS precious. | 0:18:24 | 0:18:26 | |
My ship wasn't coming in. | 0:18:26 | 0:18:28 | |
I only had one day left to sell a property. | 0:18:28 | 0:18:30 | |
Next morning, back at the office, | 0:18:30 | 0:18:32 | |
'Gav's unhappy face swam out to meet mine | 0:18:32 | 0:18:34 | |
'and our two faces bobbed about unhappily.' | 0:18:34 | 0:18:37 | |
We have got one final day and I think this could be it for you, Rhod. | 0:18:37 | 0:18:42 | |
We have got an open house booked. | 0:18:42 | 0:18:44 | |
We'll have a set time of the day | 0:18:44 | 0:18:46 | |
where the property can be viewed openly. | 0:18:46 | 0:18:49 | |
So, yeah, people can come and go as they please. | 0:18:49 | 0:18:52 | |
Do go out of your way to make an effort to sell this property today. | 0:18:52 | 0:18:55 | |
If that ship don't come in, Gav, | 0:18:55 | 0:18:57 | |
I'm going to be swimming out to meet it, mate. | 0:18:57 | 0:18:59 | |
Do you think you need some armbands? | 0:18:59 | 0:19:01 | |
I think I may need armbands! | 0:19:01 | 0:19:02 | |
So I've got to get this place ready. | 0:19:05 | 0:19:06 | |
Several buyers coming to have a look round. | 0:19:06 | 0:19:08 | |
It'll be down to me to try and sell it. Am I feeling confident? | 0:19:08 | 0:19:11 | |
I don't know any more. | 0:19:12 | 0:19:13 | |
'I had to sell this bloody house. | 0:19:13 | 0:19:15 | |
'I had just an hour to Laurence Llewelyn-Bowen it into shape | 0:19:15 | 0:19:18 | |
'before my first appointments. | 0:19:18 | 0:19:19 | |
'By the time I'd finished with this place, | 0:19:23 | 0:19:26 | |
'I'd be standing by in a blood-splattered pinny | 0:19:26 | 0:19:28 | |
'while potential buyers fought to the death in the garden.' | 0:19:28 | 0:19:32 | |
Does that say open house? | 0:19:32 | 0:19:34 | |
Or does it look total shit? | 0:19:34 | 0:19:36 | |
'As the aroma of fresh, fresh instant coffee wafted through the house, | 0:19:36 | 0:19:40 | |
'I prepared myself to feel the warm, warm buzz of the sale.' | 0:19:40 | 0:19:43 | |
To sell any home, | 0:19:43 | 0:19:45 | |
the piece de resistance is the smell of freshly baked bread. | 0:19:45 | 0:19:50 | |
FAN WHIRS | 0:19:53 | 0:19:54 | |
Hello. Rhod Gilbert. | 0:19:58 | 0:20:00 | |
Welcome to your new home. | 0:20:00 | 0:20:02 | |
After you. In case you're a killer. | 0:20:02 | 0:20:04 | |
-Hi. -Rhod Gilbert, how are you? -Callum. | 0:20:04 | 0:20:06 | |
-Hello, Callum. -How are you, all right? -Nice to meet you. Come in, Callum. | 0:20:06 | 0:20:10 | |
The house is now open. | 0:20:10 | 0:20:12 | |
-Oh, lovely. -Hopefully, this is giving him a nice sort of first impression, | 0:20:12 | 0:20:16 | |
the balloons... Looks quite... | 0:20:16 | 0:20:18 | |
-I'm Stacey. -Hi, Stacey. | 0:20:19 | 0:20:21 | |
-Nice to meet you. -Hi. | 0:20:21 | 0:20:22 | |
Hiya. Sorry, I put these up. I thought they'd be a fun welcoming addition | 0:20:22 | 0:20:25 | |
-but actually they're really annoying. -A bit different. | 0:20:25 | 0:20:28 | |
'My happy face firmly on, I'd done my homework, | 0:20:28 | 0:20:30 | |
'and I knew this house inside out.' | 0:20:30 | 0:20:32 | |
Rhod, hi, Karen. Come on in. | 0:20:32 | 0:20:33 | |
What this is, is a good space, isn't it? | 0:20:33 | 0:20:35 | |
They are good-sized rooms, they're nice sort of square rooms. | 0:20:35 | 0:20:38 | |
You can see it with a proper kitchen in there, | 0:20:38 | 0:20:40 | |
French doors onto the patio, you can see what it could look like. | 0:20:40 | 0:20:43 | |
Easy commute to the vibrant Cwmbran shopping centre. | 0:20:43 | 0:20:46 | |
That's not far from the M4. 'I was being silent when talking wasn't needed, | 0:20:46 | 0:20:49 | |
'talking when silence wasn't needed, and using body language, | 0:20:49 | 0:20:52 | |
'sometimes silently, when talking and silence weren't needed. | 0:20:52 | 0:20:56 | |
'And any questions, I had the answers.' | 0:20:56 | 0:20:58 | |
What would you say the rental income would be? | 0:20:58 | 0:21:01 | |
I will have to find that out and get back to you. | 0:21:01 | 0:21:04 | |
-Yeah? -I don't know how long it's been empty. | 0:21:04 | 0:21:06 | |
-Is it a flat roof? -Ooh. | 0:21:06 | 0:21:07 | |
They're asking me lots of questions I don't know about. | 0:21:09 | 0:21:11 | |
So I'm slightly winging, I feel a bit guilty. | 0:21:11 | 0:21:13 | |
-Where's the sun now? It's there. -I think the sun... | 0:21:13 | 0:21:16 | |
Some things, I've got no idea about because I haven't done enough | 0:21:17 | 0:21:19 | |
-homework. -How old is it? | 0:21:19 | 0:21:21 | |
-Do you know? -Oh, how old is it, that's a good question. | 0:21:21 | 0:21:24 | |
That is a good question. | 0:21:24 | 0:21:25 | |
Yeah, I couldn't tell you that. I can find out. I'll find out. | 0:21:25 | 0:21:28 | |
I'll have to find that out. I will look into it. | 0:21:28 | 0:21:31 | |
'I tried to swim out to meet the ship, | 0:21:31 | 0:21:32 | |
'but my trunks had come down and my bottom was showing. | 0:21:32 | 0:21:34 | |
'It was time to call the coastguard.' | 0:21:34 | 0:21:38 | |
'No allocated parking.' | 0:21:38 | 0:21:40 | |
No allocated parking, garage is nothing to do with it. | 0:21:40 | 0:21:42 | |
Furniture not included. | 0:21:42 | 0:21:44 | |
'As my crack sales team filled in the massive gaps in my knowledge, | 0:21:44 | 0:21:47 | |
'I was reduced to being a glorified speakerphone. | 0:21:47 | 0:21:49 | |
'As redundant as an expert in Michael Gove's house.' | 0:21:49 | 0:21:53 | |
Thanks ever so much. Bye-bye. | 0:21:53 | 0:21:55 | |
Thanks for coming. Take it easy. | 0:21:55 | 0:21:57 | |
Give me a call if you've got any more questions. | 0:21:57 | 0:21:59 | |
-Will do. -We'll give you a ring. | 0:21:59 | 0:22:01 | |
I think I did really, really well. | 0:22:02 | 0:22:04 | |
Either that or really, really badly. | 0:22:06 | 0:22:08 | |
'Gav knew more about getting clients to completion than a Soho masseuse. | 0:22:09 | 0:22:13 | |
'Back at the office, he assessed my performance.' | 0:22:13 | 0:22:16 | |
-How have you got on? -Well... | 0:22:16 | 0:22:18 | |
I don't think anybody... | 0:22:20 | 0:22:22 | |
-..was interested. -Was there any offers? | 0:22:23 | 0:22:26 | |
Anything for us to follow up while you go on and get on with your life? | 0:22:26 | 0:22:30 | |
I didn't ask them. Do you know what happened? | 0:22:30 | 0:22:33 | |
I got a little bit bamboozled with questions and I was ringing the office all the time. | 0:22:33 | 0:22:36 | |
When the time was up, they just sort of wandered off and I forgot to say... | 0:22:36 | 0:22:40 | |
"Does anybody want it?" | 0:22:40 | 0:22:42 | |
So, as easy as estate agency sounds, you know, | 0:22:42 | 0:22:45 | |
it's proven to be difficult for you to make a sale. | 0:22:45 | 0:22:48 | |
'Guess Who Gav wasn't impressed. | 0:22:48 | 0:22:50 | |
'I was now in desperate need of a montage to show me doing officey stuff, | 0:22:50 | 0:22:53 | |
'working with the team, pulling together some kind of rescue plan. | 0:22:53 | 0:22:56 | |
'My chances of feeling the buzz rested on one person - shoe-hating, | 0:22:56 | 0:23:00 | |
'coffin boffin Batshit Bates. | 0:23:00 | 0:23:02 | |
'I was determined to match Charmaine to her dream shithole.' | 0:23:02 | 0:23:05 | |
-Please, God... -Why don't you mark them up? | 0:23:07 | 0:23:10 | |
You're not allowed to mark them up because if we lose them all, | 0:23:10 | 0:23:13 | |
then somebody... | 0:23:13 | 0:23:14 | |
Not put the address on them. | 0:23:14 | 0:23:16 | |
Put a dot on there, you know them little sticky dots. | 0:23:16 | 0:23:18 | |
A code, I should have done that. | 0:23:18 | 0:23:19 | |
Yeah, yeah. Don't become a prison officer, love, | 0:23:19 | 0:23:21 | |
all right? | 0:23:21 | 0:23:23 | |
You know like the old brown velvet curtains your nan used to | 0:23:23 | 0:23:26 | |
have in her house? Vile, love, honestly. | 0:23:26 | 0:23:28 | |
They're not vile! Trendy, fashionable. | 0:23:28 | 0:23:31 | |
-There's nothing trendy about them. Bin 'em. -Right, I'll take them off. | 0:23:31 | 0:23:34 | |
Right. Customer is king. | 0:23:36 | 0:23:39 | |
Customer is king. I'm going in in my bloody socks! | 0:23:39 | 0:23:42 | |
'Keyless, clueless and now shoeless, | 0:23:44 | 0:23:46 | |
'it was time for yet another SOS call to the office.' | 0:23:46 | 0:23:49 | |
Hi, guys. We're stuck in Capel Street, Pontypool. | 0:23:50 | 0:23:53 | |
I don't think we've got the right keys for this property. | 0:23:53 | 0:23:55 | |
It's not just me. Charmaine can't open them either and I'm standing here in my socks. So... | 0:23:55 | 0:23:59 | |
Are we at the right property? | 0:23:59 | 0:24:02 | |
David Dickinson wouldn't get into this mess, would he? | 0:24:02 | 0:24:06 | |
Can you imagine David Dickinson getting into this state, Charmaine? | 0:24:06 | 0:24:10 | |
Is that the one who does that antique thing? | 0:24:10 | 0:24:12 | |
-Yeah, that's him. David Dickinson. -I'd smash him so hard in the face. | 0:24:12 | 0:24:16 | |
-I hate him with a venom. -Do you? -Worse than your shoes. | 0:24:16 | 0:24:19 | |
-Really? -I once said, | 0:24:19 | 0:24:21 | |
can I just go on the show so I can hit him in the face? | 0:24:21 | 0:24:24 | |
Call us back. Bye. | 0:24:24 | 0:24:26 | |
-Have you tried this one? -No. | 0:24:26 | 0:24:28 | |
I don't know if I tried... | 0:24:29 | 0:24:30 | |
Shut up. | 0:24:31 | 0:24:33 | |
Oh, no! | 0:24:33 | 0:24:35 | |
Your shithole awaits. | 0:24:36 | 0:24:38 | |
'Following Charmaine round at a safe distance, | 0:24:39 | 0:24:41 | |
'it was clear that my efforts with the team hadn't been wasted. | 0:24:41 | 0:24:44 | |
'The place was taking a lot of Batshit Bates' boxes.' | 0:24:44 | 0:24:47 | |
Is this bogging enough for you? Is it enough of a project? | 0:24:47 | 0:24:50 | |
-Yeah. -Enough work to do on it? -Yeah. | 0:24:50 | 0:24:52 | |
Look at the kitchen, love. You couldn't cope with that, could you? | 0:24:54 | 0:24:57 | |
-Too small. -You can actually cook and wash up at the same time. | 0:24:57 | 0:25:00 | |
-Isn't it? -That's a good thing, isn't it? -No. -OK. | 0:25:00 | 0:25:04 | |
Small. But knock this through, massive kitchen/dining room here, | 0:25:04 | 0:25:08 | |
lounge in the front. | 0:25:08 | 0:25:09 | |
Could work, I suppose. | 0:25:09 | 0:25:12 | |
'Hang on, my ship was coming in. | 0:25:12 | 0:25:14 | |
'I could see its tattered sails on the horizon | 0:25:14 | 0:25:16 | |
'and hear its rum-soaked crew crying, "Land ahoy, land ahoy!"' | 0:25:16 | 0:25:20 | |
Have a look at there what's missing, right, you tell me. | 0:25:21 | 0:25:25 | |
Doing your estate agent bit, what's missing from that house? | 0:25:25 | 0:25:28 | |
There's a chimney stack missing. | 0:25:28 | 0:25:29 | |
Right. Even though it looks like it's got the fires. | 0:25:29 | 0:25:33 | |
Obviously, it hasn't. | 0:25:33 | 0:25:35 | |
No chimney, no house, end of. | 0:25:35 | 0:25:37 | |
-That's it. -Game over. | 0:25:37 | 0:25:39 | |
-I've cocked up there. -You've cocked right up. | 0:25:41 | 0:25:44 | |
-I really don't like this house. -OK. -Sorry. | 0:25:44 | 0:25:47 | |
-OK. -I really don't like it. | 0:25:47 | 0:25:49 | |
It's the chimney, that's what it all comes down to on this one. | 0:25:49 | 0:25:51 | |
It's the chimney. When I seen your shoes, I hated them, | 0:25:51 | 0:25:54 | |
when I seen this house didn't have a chimney, I hated it. | 0:25:54 | 0:25:57 | |
'I'd never feel Gav's buzz. | 0:25:57 | 0:25:59 | |
'Never match Batshit to her bogging dream dump, | 0:25:59 | 0:26:02 | |
'my face would never know what it was to be a happy selling face. | 0:26:02 | 0:26:05 | |
'My ship had sunk. Or had it?' | 0:26:05 | 0:26:08 | |
As your estate agent, I probably shouldn't say this, because... | 0:26:08 | 0:26:12 | |
..you are selling your place and you're doing it through us, | 0:26:13 | 0:26:16 | |
and I've brought you on as a new client to try and buy a place for you. | 0:26:16 | 0:26:20 | |
So I definitely shouldn't say this. | 0:26:20 | 0:26:22 | |
But I think you should stay where you are. | 0:26:22 | 0:26:24 | |
-Everything you want, you've got in your house. -Yeah. | 0:26:24 | 0:26:27 | |
If I took you to your own house now, you would buy it off me, | 0:26:27 | 0:26:30 | |
-shaking hands today. -130, no questions asked. | 0:26:30 | 0:26:32 | |
-130. -No questions asked. | 0:26:32 | 0:26:34 | |
Views of the mountains. You've got exactly what you want. | 0:26:34 | 0:26:36 | |
130. | 0:26:36 | 0:26:38 | |
Deal. That's wicked. | 0:26:38 | 0:26:41 | |
Best estate agent ever! | 0:26:41 | 0:26:42 | |
The best estate agent... What a day. | 0:26:42 | 0:26:44 | |
What a day. | 0:26:44 | 0:26:46 | |
That is the buzz. Gav said it was a buzz. | 0:26:47 | 0:26:49 | |
It was a reward and it certainly is. | 0:26:49 | 0:26:52 | |
'It was a masterstroke. | 0:26:52 | 0:26:54 | |
'My sunken metaphorical ship had been salvaged. | 0:26:54 | 0:26:57 | |
'Next morning, I couldn't wait to break the good news.' | 0:26:57 | 0:27:00 | |
The big news is that Charmaine, | 0:27:00 | 0:27:02 | |
I landed her as a new client and this is the really genius bit, | 0:27:02 | 0:27:06 | |
I said, "What you are looking for is this, this, this, | 0:27:06 | 0:27:08 | |
"you've got it all already". | 0:27:08 | 0:27:09 | |
Light bulb moment, she went, "Yeah, I have, you're right". | 0:27:09 | 0:27:12 | |
I said, "stay in your own House". | 0:27:12 | 0:27:14 | |
Flogged her her own house for the price she was looking for. | 0:27:14 | 0:27:17 | |
She hasn't had to move, there's no solicitors, no surveyors. | 0:27:18 | 0:27:21 | |
I tell you what, I've never thought about that myself, Rhod. | 0:27:21 | 0:27:23 | |
She's never been happier. | 0:27:23 | 0:27:25 | |
She's over the moon. She's woken up today in her new house. | 0:27:25 | 0:27:27 | |
In her old house. She's realised what she's got. | 0:27:27 | 0:27:32 | |
What he said is he's lost a property for you. That's what he's saying. | 0:27:32 | 0:27:36 | |
Happy faces sell. I've sold. | 0:27:36 | 0:27:39 | |
'As Batshit Bates headed back to her own brand-new old kill pad, | 0:27:39 | 0:27:43 | |
'I looked forward to my employee of the decade award from Gav.' | 0:27:43 | 0:27:46 | |
How do you think I've got on? | 0:27:48 | 0:27:50 | |
Honestly? Well, for a start, you have cost us a lot of money. | 0:27:50 | 0:27:55 | |
You've lost us a buyer. | 0:27:55 | 0:27:58 | |
And yeah, I hate to say it to you, | 0:27:58 | 0:28:00 | |
Rhod, I would probably say... | 0:28:00 | 0:28:03 | |
You've said enough. | 0:28:05 | 0:28:06 | |
I don't think you need to say anything else. | 0:28:08 | 0:28:10 | |
I think I get the picture. Here's the door. | 0:28:10 | 0:28:12 | |
'It's been a funny old week. | 0:28:14 | 0:28:15 | |
'And I actually really enjoyed it.' | 0:28:15 | 0:28:18 | |
To put the keys into somebody's hands and wish them well | 0:28:18 | 0:28:20 | |
in a new chapter in their life must be really exciting. | 0:28:20 | 0:28:23 | |
I'm guessing, because I didn't actually experience it, | 0:28:23 | 0:28:26 | |
because I was hopeless. | 0:28:26 | 0:28:28 | |
There's a lot more to the job than I expected. | 0:28:28 | 0:28:30 | |
I was pretty bad. | 0:28:30 | 0:28:31 | |
Whoops! | 0:28:31 | 0:28:33 |