Browse content similar to Florist. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I'm comedian Rhod Gilbert and this is my Work Experience. | 0:00:02 | 0:00:05 | |
And this week, I'm a florist. | 0:00:06 | 0:00:08 | |
I knew self-raising and plain, | 0:00:10 | 0:00:12 | |
but knowing two kinds of flour doesn't make you Alan Titchmarsh, | 0:00:12 | 0:00:15 | |
so I tiptoed through the tulips to a florist in Porthcawl, | 0:00:15 | 0:00:18 | |
where Alison Hoskins's family have been peddling pansies | 0:00:18 | 0:00:20 | |
and dealing dahlias for generations. | 0:00:20 | 0:00:23 | |
Their fingers were as green as Shrek's kecks. | 0:00:23 | 0:00:25 | |
Done any floristry experience before? | 0:00:27 | 0:00:29 | |
Oh, floristry work? Yeah, I've done loads. | 0:00:29 | 0:00:31 | |
Loads of floristry work, me. | 0:00:31 | 0:00:33 | |
Please don't tell me no. | 0:00:33 | 0:00:34 | |
I know what flowers are. I've got nothing against them. Er... | 0:00:34 | 0:00:38 | |
They look very nice. | 0:00:38 | 0:00:40 | |
-That's it. -So would you know what a polyanthus was? | 0:00:40 | 0:00:43 | |
-No. -Viola? | 0:00:43 | 0:00:44 | |
-No. -Camellia? | 0:00:44 | 0:00:45 | |
-No. -Fresia? | 0:00:45 | 0:00:47 | |
-That's a cow. -Do you know any of these flowers? | 0:00:47 | 0:00:50 | |
Don't know, don't know, don't know, leaf. | 0:00:50 | 0:00:52 | |
Don't know, don't know, rose. | 0:00:54 | 0:00:56 | |
Don't know, don't know, don't know, don't know, don't know, don't know, | 0:00:56 | 0:00:59 | |
don't know, don't know, ribbon. | 0:00:59 | 0:01:01 | |
Shelf. | 0:01:01 | 0:01:02 | |
That's a bit worrying, that is, Rhod, I'm not going to lie. | 0:01:03 | 0:01:06 | |
First problem I've got, | 0:01:07 | 0:01:08 | |
not only is there about 50 billion different types of flowers | 0:01:08 | 0:01:11 | |
with all different names - | 0:01:11 | 0:01:13 | |
I don't quite know how I'm going to serve customers. | 0:01:13 | 0:01:16 | |
There's a lot more to being a florist than meets the eye, | 0:01:16 | 0:01:19 | |
let me tell you that. | 0:01:19 | 0:01:20 | |
Ali had agreed to give me a one-day PhD in floristry. | 0:01:20 | 0:01:23 | |
Tomorrow, I'd be helping out | 0:01:23 | 0:01:25 | |
on one of the busiest days of the year - Valentine's Day. | 0:01:25 | 0:01:27 | |
You could fit everything I knew about flowers | 0:01:27 | 0:01:30 | |
on Olly Murs's secateurs, | 0:01:30 | 0:01:31 | |
so we started with the basics. | 0:01:31 | 0:01:34 | |
What's different about this one? | 0:01:34 | 0:01:35 | |
-Can you tell? -What's different about it? | 0:01:37 | 0:01:39 | |
Yeah. | 0:01:39 | 0:01:40 | |
Does it feel any different to your usual flower, | 0:01:40 | 0:01:43 | |
or what you would expect a flower to feel like? | 0:01:43 | 0:01:45 | |
-It feels like a flower. -Really? | 0:01:45 | 0:01:46 | |
Yeah. | 0:01:46 | 0:01:48 | |
Is it a real flower? It's not a real flower. | 0:01:48 | 0:01:50 | |
It's not a real flower. So it took you how long to decide that? | 0:01:50 | 0:01:53 | |
I don't know, I wasn't timing it. | 0:01:53 | 0:01:54 | |
Now, you need to be able to inform our customers | 0:01:54 | 0:01:57 | |
what a real flower is and what isn't. | 0:01:57 | 0:01:59 | |
Don't blame me if you're selling fake flowers... | 0:01:59 | 0:02:01 | |
Well, I'm allowed to sell... | 0:02:01 | 0:02:03 | |
If I went in next door and bought a bit of fake Levi's, I'd report them. | 0:02:03 | 0:02:05 | |
Yeah, but if you wanted a vase of flowers to last a lifetime, | 0:02:05 | 0:02:08 | |
you'd buy artificial, wouldn't you? | 0:02:08 | 0:02:09 | |
-Who buys a vase of flowers to last a lifetime? -Plenty of people. | 0:02:09 | 0:02:12 | |
I was as confused as a footballer having a go at Lionel Blair | 0:02:12 | 0:02:15 | |
about Iraq, so Ali grabbed me hard by the gerberas | 0:02:15 | 0:02:18 | |
and started ramming me full of floristry. | 0:02:18 | 0:02:20 | |
Is that a real one or a fake? | 0:02:20 | 0:02:21 | |
That's artificial, yeah. | 0:02:21 | 0:02:23 | |
-Fake. -No. -Fake. -No. | 0:02:23 | 0:02:25 | |
-Fake. -No. -Fake. -No. | 0:02:25 | 0:02:27 | |
Surely, Rhod, you know what this is? | 0:02:27 | 0:02:29 | |
-Certainly do. Onion. -This is a daffodil. | 0:02:29 | 0:02:32 | |
-Daffodil flower. -Yeah, you should know that as a Welshman. | 0:02:32 | 0:02:35 | |
-Well, it's going to grow. -Where's the yellow bit? | 0:02:35 | 0:02:37 | |
-Real. -No. | 0:02:37 | 0:02:38 | |
-It's a peony. -How am I supposed to know that? | 0:02:38 | 0:02:40 | |
They're out of season. It's got a barcode on it. | 0:02:40 | 0:02:43 | |
-Look. Look at that barcode. -All right. | 0:02:43 | 0:02:45 | |
My dad's grown these in the greenhouse. | 0:02:45 | 0:02:47 | |
-Naughty boy. -Ready for planting. | 0:02:47 | 0:02:48 | |
That is some variation on a marijuana plant. | 0:02:48 | 0:02:50 | |
Definitely not marijuana. | 0:02:50 | 0:02:52 | |
-Definitely is. -We don't do drugs in Guttridge's, I'll have you know. | 0:02:52 | 0:02:55 | |
Do you think this is real or fake? | 0:02:55 | 0:02:57 | |
-Fake. -Wrong. | 0:02:57 | 0:02:58 | |
Do you think this is real or fake? | 0:02:58 | 0:03:01 | |
-Fake. -Yes! | 0:03:01 | 0:03:02 | |
THEY LAUGH | 0:03:02 | 0:03:05 | |
Time for my first practical lesson. | 0:03:05 | 0:03:07 | |
I've heard Gardeners' Question Time before, | 0:03:07 | 0:03:09 | |
but listening to a panel discuss a pensioner's bush for half an hour | 0:03:09 | 0:03:11 | |
doesn't teach you how to prepare flowers, | 0:03:11 | 0:03:13 | |
so Ali took me to her workshop to get my fingers green. | 0:03:13 | 0:03:17 | |
One of the first jobs as a trainee florist | 0:03:17 | 0:03:19 | |
is to learn to condition your flowers. | 0:03:19 | 0:03:21 | |
We have them in from Holland like that, all the leaves, | 0:03:21 | 0:03:24 | |
all the thorns on them, lethal to the customers. | 0:03:24 | 0:03:26 | |
We've got to take them off, ready for them. | 0:03:26 | 0:03:28 | |
So every flower that comes in, | 0:03:28 | 0:03:29 | |
you have to take all the leaves and the thorns off? | 0:03:29 | 0:03:31 | |
Yeah. We've got here 30, plus another couple of thousand. | 0:03:31 | 0:03:35 | |
-Go gently around... -You do thousands of these everyday? | 0:03:35 | 0:03:38 | |
-Thousands. -Being a florist is tedious. | 0:03:38 | 0:03:40 | |
Well, it's not if you get it done fast enough, is it? | 0:03:40 | 0:03:43 | |
This is only, like, the tiny proportion of your job. | 0:03:43 | 0:03:47 | |
It's the tedious proportion. | 0:03:47 | 0:03:49 | |
Roses are red, violets are blue, | 0:03:49 | 0:03:50 | |
but they were all vicious little bastards, who knew? | 0:03:50 | 0:03:53 | |
-Argh! -Just stop... | 0:03:53 | 0:03:56 | |
You did that deliberately! | 0:03:56 | 0:03:58 | |
I didn't at all. I just handed you the rose. | 0:03:58 | 0:04:01 | |
How was I going to cope on Valentine's Day? | 0:04:01 | 0:04:03 | |
I was to flower conditioning | 0:04:03 | 0:04:05 | |
what a dead rat in a cummerbund is to Crufts, | 0:04:05 | 0:04:07 | |
but at least I was learning about the job. | 0:04:07 | 0:04:09 | |
If the rugby's been on, or some sort of sporting event, | 0:04:09 | 0:04:13 | |
we might sell more roses the following couple of days. | 0:04:13 | 0:04:16 | |
-Are those out of guilt? -Definitely. | 0:04:16 | 0:04:18 | |
-Is that...? -A bit of making up. -Is it? | 0:04:18 | 0:04:20 | |
You must get quite involved in people's personal lives, though, | 0:04:20 | 0:04:23 | |
-doing flowers? -You do hear a couple of dark secrets... | 0:04:23 | 0:04:27 | |
-Do you?! -But they stay secret. | 0:04:27 | 0:04:29 | |
-Policy. -I bet you've got a lot of secrets, florists, haven't you? | 0:04:29 | 0:04:33 | |
Do you know everybody that's having affairs with everyone else in town? | 0:04:33 | 0:04:35 | |
-Do you kind of...? -Oof. -Do you? | 0:04:35 | 0:04:38 | |
You can't say that on camera. | 0:04:38 | 0:04:40 | |
Oh. Do you, though? | 0:04:40 | 0:04:43 | |
-Yeah. -Got that? | 0:04:43 | 0:04:45 | |
We'd made sure these petalled pricks would never hurt anyone again, | 0:04:47 | 0:04:50 | |
but I was far more worried about doing myself an injury. | 0:04:50 | 0:04:53 | |
Put the rose against the knife... | 0:04:54 | 0:04:56 | |
How are you doing that? | 0:04:58 | 0:05:00 | |
-It's just like a natural... -This is what I'm seeing happening... | 0:05:00 | 0:05:03 | |
Ooooooh! | 0:05:03 | 0:05:04 | |
Yeah, well, you've got to move your thumb. | 0:05:04 | 0:05:06 | |
-Spurt. -You've got to move your thumb. | 0:05:06 | 0:05:07 | |
Do you peel your potatoes at home? | 0:05:07 | 0:05:09 | |
-Yes. -With a knife? | 0:05:09 | 0:05:12 | |
No, with a potato peeler. What do you think? | 0:05:12 | 0:05:14 | |
Cover me in Baby Bio. | 0:05:14 | 0:05:16 | |
I often find myself opposing my thumbs, | 0:05:16 | 0:05:18 | |
but Ali Gaga wanted me to hack them off completely. | 0:05:18 | 0:05:21 | |
This was bloody lethal. | 0:05:21 | 0:05:22 | |
Don't stab me in the process! | 0:05:25 | 0:05:27 | |
-Did you do it? -No! | 0:05:27 | 0:05:28 | |
I cannot cut that. Can't do it. | 0:05:29 | 0:05:31 | |
Well, that's not the attitude to have, is it? | 0:05:33 | 0:05:35 | |
I want to cut it, don't get me wrong. | 0:05:35 | 0:05:38 | |
So far, so bad. | 0:05:38 | 0:05:40 | |
But if anyone could help me, it was Ali. | 0:05:40 | 0:05:42 | |
Like Charlie Dimmock, Alan Titchmarsh and Percy Thrower | 0:05:42 | 0:05:44 | |
rolled into one, | 0:05:44 | 0:05:45 | |
she was a right Charlie Titthrower. | 0:05:45 | 0:05:47 | |
She could whip up a bouquet before you could say, | 0:05:47 | 0:05:49 | |
"Andromeda polifolia." | 0:05:49 | 0:05:50 | |
Done. | 0:05:52 | 0:05:53 | |
-Very nice. -Think you can do it? | 0:05:53 | 0:05:55 | |
No. | 0:05:57 | 0:05:58 | |
Charlie Titthrower made bouquets look easy. | 0:05:59 | 0:06:02 | |
If I was going to work Valentine's Day, | 0:06:02 | 0:06:04 | |
I had to master this, | 0:06:04 | 0:06:05 | |
but I was flailing around like a cow trying to get in a dinghy. | 0:06:05 | 0:06:09 | |
Oh, shitting hell! | 0:06:10 | 0:06:13 | |
Oh, shit! | 0:06:13 | 0:06:15 | |
Have you got a towel? | 0:06:15 | 0:06:16 | |
Towel? | 0:06:17 | 0:06:19 | |
Daffodils are yellow, daisies are white, like my bouquets, | 0:06:19 | 0:06:22 | |
my bows were shite. | 0:06:22 | 0:06:24 | |
And Percy Tithammock was getting worried. | 0:06:24 | 0:06:26 | |
I'm never going to be able to do this. | 0:06:26 | 0:06:28 | |
-Of course you will. -Never. | 0:06:28 | 0:06:29 | |
You've got to be able to do it. | 0:06:29 | 0:06:30 | |
That's like a basic, basic, basic bow. | 0:06:30 | 0:06:32 | |
It's not even a complicated bow. | 0:06:32 | 0:06:34 | |
Looks complicated to me. | 0:06:34 | 0:06:36 | |
You can't do a bow, you can't cut flowers with a knife... | 0:06:36 | 0:06:39 | |
-No. -You can't distinguish what's fresh and what's silk. | 0:06:39 | 0:06:42 | |
I can't even tell what's a fake flower and what's a real flower. | 0:06:42 | 0:06:45 | |
-No. -So... | 0:06:45 | 0:06:46 | |
-We're not getting very far. -We're struggling. We're struggling. | 0:06:46 | 0:06:49 | |
I haven't got the hang of anything today. | 0:06:51 | 0:06:52 | |
I'm not very good at identifying flowers, I don't know many of them, | 0:06:52 | 0:06:56 | |
I can't even tell which ones are fake half the time. | 0:06:56 | 0:06:58 | |
I couldn't do a bow, couldn't do the presentation, the wrapping. | 0:06:58 | 0:07:01 | |
It does feel like there's a lot to learn. | 0:07:01 | 0:07:04 | |
Tomorrow is Valentine's Day | 0:07:04 | 0:07:06 | |
and I felt about as ready as a bat trapped in a postbox. | 0:07:06 | 0:07:09 | |
I hadn't got the hang of anything, which was very bad news | 0:07:09 | 0:07:12 | |
because Hammy Titpurse had been keeping a dark secret. | 0:07:12 | 0:07:15 | |
I've entered you into this competition. | 0:07:16 | 0:07:19 | |
It's a bit of a big deal. | 0:07:19 | 0:07:21 | |
We're going, next week, to Birmingham | 0:07:21 | 0:07:23 | |
to represent our company for the heats | 0:07:23 | 0:07:26 | |
-of the Chelsea Flower Show. -I can't tell if you're being serious now. | 0:07:26 | 0:07:29 | |
You've entered me in the Chelsea Flower Show? | 0:07:29 | 0:07:31 | |
Yeah. Well, no, not the actual Chelsea Flower Show, | 0:07:31 | 0:07:33 | |
the heats to the Chelsea Flower Show. | 0:07:33 | 0:07:35 | |
-So if you win this... -Oh, I'm not straight through to the final(?) | 0:07:35 | 0:07:37 | |
-Not straight through to the final. -Oh, it's just a heat, is it(?) | 0:07:37 | 0:07:40 | |
-Exactly. -Pop my kangaroo paws in water, | 0:07:40 | 0:07:42 | |
Jimmy Handbasket had entered me into | 0:07:42 | 0:07:44 | |
one of the most prestigious flower competitions in the world. | 0:07:44 | 0:07:47 | |
Carnations are red, periwinkles are blue, | 0:07:47 | 0:07:49 | |
I was up shit creek without a canoe. | 0:07:49 | 0:07:51 | |
-Good idea. -I think it's a great idea. | 0:07:53 | 0:07:55 | |
-Good idea, yeah. -You can do it, can't you? | 0:07:55 | 0:07:57 | |
-Oh, God, yes. -Bit of focus. | 0:07:57 | 0:07:59 | |
Yeah. I'd probably have suggested it if you hadn't... | 0:07:59 | 0:08:01 | |
Yeah? Well, I thought you'd like a bit of a challenge. | 0:08:01 | 0:08:04 | |
It does feel like the Chelsea Flower Show | 0:08:06 | 0:08:08 | |
might be a little bit beyond me at the moment. | 0:08:08 | 0:08:10 | |
It's not until next week, | 0:08:10 | 0:08:12 | |
but part of me feels it might be a bit early for me | 0:08:12 | 0:08:15 | |
because it was only a few hours ago I thought that was an onion. | 0:08:15 | 0:08:19 | |
I needed to focus on the competition, | 0:08:22 | 0:08:24 | |
but Valentine's Day waits for no man | 0:08:24 | 0:08:26 | |
and Jimmy Titblanket wanted all hands on deck. | 0:08:26 | 0:08:29 | |
Horny chancers would be looking for last-minute bonk tokens | 0:08:29 | 0:08:32 | |
and my first job of the day was to lure them in. | 0:08:32 | 0:08:35 | |
This is going to bring them in. | 0:08:37 | 0:08:39 | |
"Valentine's Day special. Violets are blue, roses are red, | 0:08:39 | 0:08:43 | |
"you buy me some flowers and I'll give you some head." | 0:08:43 | 0:08:47 | |
There's no way you're putting that on there. | 0:08:47 | 0:08:49 | |
Absolutely no way. | 0:08:49 | 0:08:50 | |
It's Valentine's Day, where's your sense of romance?! | 0:08:50 | 0:08:53 | |
No, that's not romantic at all. | 0:08:53 | 0:08:55 | |
Some people have just got no sense of romance. | 0:08:55 | 0:08:58 | |
No soul. Before the inevitable love rush, | 0:08:58 | 0:09:01 | |
Jimmy Mincefingers took me out back to discuss the brief | 0:09:01 | 0:09:04 | |
for the big flower competition. | 0:09:04 | 0:09:07 | |
Create a structural arrangement for a wedding in the Tate Modern, OK? | 0:09:07 | 0:09:11 | |
-That's the brief? -That's the brief. | 0:09:11 | 0:09:12 | |
They want you to design something, maybe freestanding. | 0:09:12 | 0:09:16 | |
What do we think? Weddings, church, steeple, couple. | 0:09:16 | 0:09:22 | |
You've got to do something cool, something funky, something wild, | 0:09:22 | 0:09:27 | |
so I'm thinking glass, I'm thinking cage work, Meccano sticks, | 0:09:27 | 0:09:32 | |
bit of plaiting. | 0:09:32 | 0:09:34 | |
Yeah, that's what I was thinking. | 0:09:34 | 0:09:35 | |
-Yeah? -I was thinking glass, cage work, | 0:09:35 | 0:09:38 | |
Meccano sticks and a bit of plaiting. | 0:09:38 | 0:09:40 | |
It's exactly... I know I haven't said it yet, | 0:09:40 | 0:09:42 | |
but that is what I was thinking. | 0:09:42 | 0:09:43 | |
No sooner had we started | 0:09:43 | 0:09:44 | |
than last-minute hump hunters started filling the shop. | 0:09:44 | 0:09:48 | |
Hello, there. | 0:09:48 | 0:09:49 | |
-These are a surprise. -Oh. -Would you like them gift-wrapped? | 0:09:49 | 0:09:52 | |
Oh, I see! I was totally confused, then. | 0:09:52 | 0:09:54 | |
I thought you'd brought me flowers! | 0:09:54 | 0:09:55 | |
-I did! -You've brought these in from outside. | 0:09:55 | 0:09:58 | |
-I'm with you now. -Could I have those flower hearts on the wall, | 0:09:58 | 0:10:01 | |
can I have one of those, please? | 0:10:01 | 0:10:03 | |
You want that thing that is behind everything else in the whole shop, | 0:10:03 | 0:10:06 | |
-do you? -The one that's furthest away. | 0:10:06 | 0:10:08 | |
Yeah, obviously the one | 0:10:08 | 0:10:09 | |
that's furthest away is the best one, isn't it?! | 0:10:09 | 0:10:11 | |
Well, it's certainly no problem. | 0:10:11 | 0:10:13 | |
-I can see that. -With the shop quiet for a full ten seconds, | 0:10:13 | 0:10:17 | |
we rushed out back to give my competition idea more thought. | 0:10:17 | 0:10:20 | |
But my head was still emptier than a naturist's laundry basket. | 0:10:20 | 0:10:23 | |
What about if we did two dead birds in a cage? | 0:10:23 | 0:10:26 | |
-Two dead lovebirds? -Two dead lovebirds, yeah, exactly. -No. | 0:10:26 | 0:10:29 | |
I'm thinking more conceptual, you know? | 0:10:29 | 0:10:32 | |
Having two birds in a cage, you're just, like, copying something, | 0:10:32 | 0:10:35 | |
-isn't it, or, like...? -You'd just be copying in flowers, | 0:10:35 | 0:10:39 | |
replicating another object. | 0:10:39 | 0:10:40 | |
-Exactly. -So you don't want to do that? | 0:10:40 | 0:10:42 | |
-I don't think you should do that. -Oh, it's too simple for us. | 0:10:42 | 0:10:44 | |
-Yeah, exactly. -I've got till Sunday to do this. | 0:10:44 | 0:10:46 | |
I mean, why would we bother copying an existing object | 0:10:46 | 0:10:48 | |
when we can try and invent an object that doesn't exist and then make it? | 0:10:48 | 0:10:52 | |
I desperately needed an idea for the competition, | 0:10:52 | 0:10:54 | |
but out front the shop was like Daffodilli Circus | 0:10:54 | 0:10:57 | |
and the flowery love vouchers weren't going to deliver themselves. | 0:10:57 | 0:11:01 | |
-Are you Amy? -Oh, Amy! | 0:11:01 | 0:11:04 | |
Happy Valentine's Day. | 0:11:04 | 0:11:05 | |
You have an admirer. | 0:11:05 | 0:11:06 | |
Valentine's delivery. | 0:11:10 | 0:11:12 | |
-Morning! -Thank you. | 0:11:12 | 0:11:14 | |
-Pleasure. -Mwah. -I'll give you a kiss anyway. | 0:11:14 | 0:11:18 | |
Ta-ta. Thank you. | 0:11:18 | 0:11:20 | |
-Thanks. -Ta-ta, ladies. | 0:11:20 | 0:11:21 | |
Thank you. That went really well. | 0:11:21 | 0:11:24 | |
I just kissed everyone in Regal Travel, some of them twice. | 0:11:24 | 0:11:27 | |
How was I going to do this competition piece? | 0:11:27 | 0:11:29 | |
The Valentine's crowds just kept coming | 0:11:29 | 0:11:32 | |
and Gary Spamsocks had me wrapping single red bonk bouquets, | 0:11:32 | 0:11:35 | |
and I just couldn't do it. | 0:11:35 | 0:11:37 | |
This is a single red rose, right? | 0:11:37 | 0:11:39 | |
-One single red rose. -£5. | 0:11:39 | 0:11:41 | |
-So far, I would estimate it cost 400 quid in man-hours. -Exactly. | 0:11:41 | 0:11:45 | |
I'm going to bite into my own arm in a minute. | 0:11:47 | 0:11:50 | |
You're really getting on my nerves now. | 0:11:50 | 0:11:52 | |
-I'm getting on my own nerves. -Come on, just do it! | 0:11:52 | 0:11:54 | |
You're getting on my nerves. | 0:11:54 | 0:11:55 | |
I was the worst wrapper since Vanilla Ice | 0:12:04 | 0:12:06 | |
and I was losing my lupin. | 0:12:06 | 0:12:08 | |
Jumpy Tithammock could see that the fiddly wrapping, | 0:12:08 | 0:12:10 | |
the busy shop and the looming competition | 0:12:10 | 0:12:12 | |
were all getting too much for me. | 0:12:12 | 0:12:14 | |
So I'm getting a bit anxious now about this competition. | 0:12:14 | 0:12:17 | |
-You are?! -Yeah. | 0:12:17 | 0:12:19 | |
How do you think I feel?! | 0:12:19 | 0:12:20 | |
I'm the one who's going to go in it. | 0:12:20 | 0:12:22 | |
I haven't heard much response from you | 0:12:22 | 0:12:24 | |
about what you're thinking of, what your design's going to be. | 0:12:24 | 0:12:26 | |
I'll level with you. I've got no ideas, | 0:12:27 | 0:12:29 | |
and I have no idea where to start having ideas, | 0:12:29 | 0:12:32 | |
and I've got absolutely no idea what to do. | 0:12:32 | 0:12:34 | |
I think that's where I am at the moment. | 0:12:34 | 0:12:37 | |
That doesn't instil me with any confidence whatsoever. | 0:12:37 | 0:12:40 | |
At the moment, it's taking everything I've got | 0:12:40 | 0:12:42 | |
to have a go at wrapping one single red rose, | 0:12:42 | 0:12:46 | |
so the Chelsea Flower Show is a little way down the line in my head. | 0:12:46 | 0:12:49 | |
Unless we enter one poorly packaged red rose in the Chelsea Flower Show. | 0:12:49 | 0:12:53 | |
Well, I can't even... I'm not even going to display | 0:12:53 | 0:12:55 | |
a poorly packaged red rose in the shop, so we'd better not, had we? | 0:12:55 | 0:12:58 | |
That's kind of my point. | 0:12:58 | 0:12:59 | |
Panicking about the looming competition, | 0:12:59 | 0:13:01 | |
I was very GLADIOLI when Titty Funthrower | 0:13:01 | 0:13:03 | |
let me get back to the relative calm of the workshop. | 0:13:03 | 0:13:07 | |
If we do a square... | 0:13:07 | 0:13:09 | |
-A square. -Is it like a twist round like that? | 0:13:09 | 0:13:10 | |
-Yeah. -Barmy Slapdoughnut could build a Hadron Collider | 0:13:10 | 0:13:13 | |
out of leftover snowdrops. | 0:13:13 | 0:13:15 | |
As we played around with basic building skills, | 0:13:15 | 0:13:18 | |
this was my chance to pick her brains. | 0:13:18 | 0:13:20 | |
Now we've got these on for the stability, and the foam on there, | 0:13:20 | 0:13:22 | |
on each corner, I'm really chuffed with this. | 0:13:22 | 0:13:25 | |
Chuffed? It's not up at the upper levels that you need to be, | 0:13:26 | 0:13:30 | |
but I'm pleased YOU'RE chuffed. | 0:13:30 | 0:13:31 | |
I'm not going to enter this in the Chelsea Flower Show. | 0:13:31 | 0:13:33 | |
Right, that's all right, then. As long as you know... | 0:13:33 | 0:13:36 | |
Just learning some basics, I'm happy with the progress. | 0:13:36 | 0:13:38 | |
I wasn't going to rush out now and burst open the doors | 0:13:38 | 0:13:40 | |
of the Chelsea Flower Show and go, | 0:13:40 | 0:13:41 | |
"Look, everyone, wait, a late entry!" | 0:13:41 | 0:13:44 | |
Out back, I was making progress with structural techniques, | 0:13:44 | 0:13:47 | |
but I daffodil had loads to learn, | 0:13:47 | 0:13:49 | |
and I had no idea what to do for the big competition. | 0:13:49 | 0:13:51 | |
How could I, when Splashy McDash kept sending me out on deliveries? | 0:13:51 | 0:13:55 | |
Clare must be out on site - | 0:13:59 | 0:14:01 | |
down the harbour, probably. | 0:14:01 | 0:14:02 | |
Oh, maybe I should go and find her down there? | 0:14:02 | 0:14:04 | |
-You might find her there. -I sought her here, I sought her there, | 0:14:04 | 0:14:07 | |
I sought her every-bloody-where. | 0:14:07 | 0:14:09 | |
Was she in town or down by the sea, that dammed elusive Clare Godfrey? | 0:14:09 | 0:14:13 | |
-Clare Godfrey? -No. | 0:14:13 | 0:14:15 | |
No? | 0:14:15 | 0:14:16 | |
Are you looking for her? | 0:14:17 | 0:14:19 | |
Hey, you should be a detective. | 0:14:19 | 0:14:22 | |
Clare Godfrey? Do you deliver in this area a lot? | 0:14:22 | 0:14:24 | |
-No. -Oh. -Are you trying to find her to give her those lovely flowers? | 0:14:24 | 0:14:28 | |
You should be a detective. Another one. | 0:14:28 | 0:14:30 | |
Oh, you're so kind. | 0:14:30 | 0:14:32 | |
Foxgloves come in purple, orchids many colours, | 0:14:32 | 0:14:34 | |
you could shove the ruddy lot up your glistening running colours. | 0:14:34 | 0:14:37 | |
The elusive Clare was keeping me from my competition piece. | 0:14:37 | 0:14:40 | |
Said she was on the site. | 0:14:41 | 0:14:43 | |
There's building work going on down there, is that the site? | 0:14:43 | 0:14:45 | |
Clare Godfrey, do you know a Clare Godfrey? | 0:14:45 | 0:14:48 | |
-No. -Don't know a Clare Godfrey? | 0:14:48 | 0:14:50 | |
No. No. Doesn't ring any bells for me. | 0:14:53 | 0:14:55 | |
I tell you what I like about this, | 0:14:55 | 0:14:57 | |
I like the fact that you're looking round anyway. | 0:14:57 | 0:14:59 | |
THEY LAUGH | 0:14:59 | 0:15:01 | |
Looking for a Clare Godfrey. | 0:15:01 | 0:15:02 | |
-Is that you? -Actually, try that grey building, there. | 0:15:02 | 0:15:05 | |
-That could be her. -Grey building. | 0:15:05 | 0:15:07 | |
-Valentine's, is it? -For Valentine's. | 0:15:07 | 0:15:10 | |
Hey, no flies on you, is there? | 0:15:10 | 0:15:11 | |
Poirot up there. | 0:15:13 | 0:15:14 | |
She may be in the lifeboat station. | 0:15:16 | 0:15:19 | |
I'll check the lifeboat station. | 0:15:19 | 0:15:21 | |
Hello, hello. | 0:15:21 | 0:15:22 | |
There's nobody in the lifeboat station, which... | 0:15:24 | 0:15:26 | |
..isn't the end of the world for me, | 0:15:28 | 0:15:30 | |
but it's not a great sign if you're stranded at sea right now. | 0:15:30 | 0:15:33 | |
Where have you been, Rhod? | 0:15:33 | 0:15:35 | |
-Where haven't I been? -An hour and a half ago | 0:15:35 | 0:15:37 | |
you left for a delivery that is round the corner. | 0:15:37 | 0:15:40 | |
Is that all it is? | 0:15:40 | 0:15:41 | |
It feels like longer. I need a little rest, I think. | 0:15:41 | 0:15:43 | |
You haven't got time for a rest. | 0:15:43 | 0:15:45 | |
It's Valentine's Day. | 0:15:45 | 0:15:46 | |
Do you see me resting? | 0:15:46 | 0:15:48 | |
-No. -No, come on. | 0:15:48 | 0:15:49 | |
Jesus ROSE from the dead in three days - | 0:15:49 | 0:15:52 | |
it had taken me almost as long to deliver one. | 0:15:52 | 0:15:54 | |
The Valentine's Day crowds were keeping me | 0:15:54 | 0:15:56 | |
from some desperately needed competition prep time, | 0:15:56 | 0:15:59 | |
but at least I was learning by osmosis | 0:15:59 | 0:16:00 | |
and my knowledge was blooming. | 0:16:00 | 0:16:02 | |
Did you want the Naomi roses, the better large-headed ones? | 0:16:02 | 0:16:04 | |
I don't know anything about roses other than they're quite attractive. | 0:16:04 | 0:16:07 | |
I think, when you see them, you'll prefer the ones that we've got. | 0:16:07 | 0:16:10 | |
The Dutch, much larger head. | 0:16:10 | 0:16:13 | |
Aesthetically much more pleasing. | 0:16:13 | 0:16:14 | |
Both good-quality roses. | 0:16:14 | 0:16:16 | |
Do you want me to show you the difference? | 0:16:16 | 0:16:17 | |
You can see the difference there, the size of the head. | 0:16:17 | 0:16:20 | |
Aesthetically, your Dutch is far superior to your Kenyan. | 0:16:20 | 0:16:24 | |
I'm going to go with the European one. | 0:16:24 | 0:16:25 | |
Go with the Dutch. | 0:16:25 | 0:16:27 | |
That looks so good. | 0:16:27 | 0:16:28 | |
I'll take that. | 0:16:28 | 0:16:30 | |
-You'll take it as it is? -As it is. | 0:16:30 | 0:16:31 | |
I shall turn away while you write the... | 0:16:31 | 0:16:33 | |
Yes, and I'd rather you didn't look at it. | 0:16:33 | 0:16:36 | |
I will not look at it. We do ask that it's nothing too smutty. | 0:16:36 | 0:16:39 | |
At last, Valentine's Day was over | 0:16:40 | 0:16:42 | |
and, back in the relative calm of the workshop, | 0:16:42 | 0:16:44 | |
I can finally resume my training for the big competition. | 0:16:44 | 0:16:47 | |
To say I had my work cut out was the greatest understatement | 0:16:47 | 0:16:50 | |
since God told Noah his ark would need windscreen wipers. | 0:16:50 | 0:16:53 | |
With tulips, they're quite good because you can manipulate them, | 0:16:53 | 0:16:56 | |
too, so you can bend them however you want. | 0:16:56 | 0:16:58 | |
Pretty much attached... | 0:16:58 | 0:17:00 | |
That doesn't bode well, does it? | 0:17:01 | 0:17:03 | |
I thought you said they were robust | 0:17:03 | 0:17:05 | |
and they stand up to a lot of bending. | 0:17:05 | 0:17:06 | |
'Finally free from the demands of hurried horn hunters | 0:17:06 | 0:17:09 | |
'and unwieldy wrapping paper, I was able to crocus | 0:17:09 | 0:17:12 | |
'on the real challenge ahead.' | 0:17:12 | 0:17:14 | |
You haven't been as frustrated with this as you were with the wrapping. | 0:17:14 | 0:17:17 | |
The wrapping was driving me insane. | 0:17:17 | 0:17:19 | |
My basic training over, it was time for me to go solo. | 0:17:19 | 0:17:22 | |
I'd have to start from scratch, but I was determined to give | 0:17:22 | 0:17:25 | |
this competition my best shot. | 0:17:25 | 0:17:27 | |
I'm a very different florist now to the naive fool | 0:17:27 | 0:17:30 | |
that walked in here a few days ago. | 0:17:30 | 0:17:33 | |
All I've got to do now is turn all those skills | 0:17:33 | 0:17:36 | |
into a Chelsea Flower Show award-winning floral sculpture, | 0:17:36 | 0:17:40 | |
so, really, I've broken the back of it. The donkey work is done. | 0:17:40 | 0:17:45 | |
It's just the finishing touches now. | 0:17:45 | 0:17:47 | |
They say you can't make an omelette without breaking a few eggs, | 0:17:47 | 0:17:50 | |
but I couldn't enter an omelette in the Chelsea Flower Show. | 0:17:50 | 0:17:52 | |
I needed flowers. | 0:17:52 | 0:17:54 | |
The competition is Sunday, it is now Friday morning, | 0:17:54 | 0:17:56 | |
so I've come down to a flower wholesalers here in Cardiff | 0:17:56 | 0:17:59 | |
because I've got my idea. | 0:17:59 | 0:18:01 | |
Inspiration has struck in the middle of the night. | 0:18:01 | 0:18:03 | |
I've got my idea for a structural floral arrangement | 0:18:03 | 0:18:06 | |
that I'm pretty sure is going to win this competition | 0:18:06 | 0:18:09 | |
on Sunday, so now I've just got to go and get my materials. | 0:18:09 | 0:18:12 | |
If I was going to bring the idea in my head to life, I had to work fast, | 0:18:12 | 0:18:15 | |
so Tinshy Binliner and her dad, Julian, | 0:18:15 | 0:18:17 | |
took me to a Cardiff wholesalers. | 0:18:17 | 0:18:19 | |
-I've got my idea. -You have? | 0:18:19 | 0:18:21 | |
Yeah. I've been thinking on it, I've slept on it, I've got my idea. | 0:18:21 | 0:18:24 | |
I need pussy willow, we've worked with, and I need bamboo. | 0:18:24 | 0:18:27 | |
I need to be able make a structure and then I need flowers. | 0:18:27 | 0:18:30 | |
And this is where I need some advice. | 0:18:30 | 0:18:32 | |
-Right, so... -I need quite a lot... | 0:18:32 | 0:18:34 | |
..of flowers - white or red, possibly. | 0:18:35 | 0:18:39 | |
Red could be good, Rhod, because Valentine's Day has been and gone. | 0:18:39 | 0:18:43 | |
We should be able to get some red roses cheap. | 0:18:43 | 0:18:45 | |
Between them, they'd seen more flowers | 0:18:45 | 0:18:47 | |
than Shirley Bassey's dressing room | 0:18:47 | 0:18:49 | |
and helped me bag some bargains. | 0:18:49 | 0:18:50 | |
With a trolley load of leftover poke tokens, | 0:18:50 | 0:18:53 | |
I was ready to get started on my competition-winning piece. | 0:18:53 | 0:18:56 | |
I think I've got everything I need. | 0:18:56 | 0:18:57 | |
I've got roses that were cheap as chips, | 0:18:57 | 0:19:00 | |
double-headed chrysanths, I've got my floral foam, | 0:19:00 | 0:19:02 | |
I've got some dark chocolate paint. | 0:19:02 | 0:19:04 | |
I don't really know how this is all going to come together. | 0:19:04 | 0:19:07 | |
There's a lot of guesswork involved. | 0:19:07 | 0:19:08 | |
I don't quite know what I'm doing. | 0:19:08 | 0:19:10 | |
I've got a vision in my head and, this afternoon, | 0:19:10 | 0:19:12 | |
I've got to make it all come together, | 0:19:12 | 0:19:14 | |
so I'm going to crack on. | 0:19:14 | 0:19:16 | |
My idea had been inspired by the Valentine's Day crowds, | 0:19:16 | 0:19:19 | |
but with just one DAHLIA to make it, | 0:19:19 | 0:19:21 | |
I had to summon the power of flowers because the heat was on. | 0:19:21 | 0:19:24 | |
It was on the street, John Street, Porthcawl, CF36 3BD. | 0:19:24 | 0:19:28 | |
I've got no idea what other people are going to come up with. | 0:19:30 | 0:19:33 | |
Absolutely no idea. | 0:19:33 | 0:19:34 | |
I've never been to a flower show before, | 0:19:34 | 0:19:36 | |
so I've got no idea what to expect, except that Ali says | 0:19:36 | 0:19:40 | |
people spend months dedicated to just this one day, | 0:19:40 | 0:19:43 | |
this one structural arrangement, this one competition. | 0:19:43 | 0:19:46 | |
I wouldn't say I'm definitely not going to win, | 0:19:46 | 0:19:48 | |
but the odds are certainly stacked fairly heavily against me. | 0:19:48 | 0:19:54 | |
My competition entry had to be all my own work, | 0:19:55 | 0:19:57 | |
but the closest I've come to making | 0:19:57 | 0:20:00 | |
a plant-based structural arrangement is rolling my own fags, | 0:20:00 | 0:20:02 | |
so Terry Grimbiscuit SNOWDROPPED in to check my progress. | 0:20:02 | 0:20:06 | |
If I was doing a competition, I'd be making my own chicken wire. | 0:20:07 | 0:20:10 | |
You made your own chicken wire? | 0:20:10 | 0:20:12 | |
It shows another technique. | 0:20:12 | 0:20:13 | |
-Of what? Chicken and wire? -No. | 0:20:13 | 0:20:15 | |
How do you make chicken wire? | 0:20:15 | 0:20:16 | |
So the finer bullion wire that we use there. | 0:20:16 | 0:20:19 | |
I made this chicken wire. | 0:20:19 | 0:20:20 | |
There was a barcode on it five minutes ago. | 0:20:20 | 0:20:23 | |
I put a bar code on it to make it look realistic. | 0:20:23 | 0:20:25 | |
Have I done too good a job? Does it look like shop-bought? | 0:20:25 | 0:20:27 | |
Just four hours to make a floral structural arrangement | 0:20:28 | 0:20:31 | |
with 90% plant-based material | 0:20:31 | 0:20:33 | |
on a wedding theme to go in the Tate Modern | 0:20:33 | 0:20:35 | |
for the Birmingham heat of the Chelsea Flower Show. | 0:20:35 | 0:20:38 | |
After saying it out loud, I only had two hours left. | 0:20:38 | 0:20:41 | |
I'm reminding myself of what Ali taught me. | 0:20:41 | 0:20:43 | |
I'm going to cover this in, like, a sheet of flowers. | 0:20:43 | 0:20:48 | |
Beautiful. I was putting the Rhod into RHODODENDRON. | 0:20:51 | 0:20:55 | |
If I'd been a pop star, I'd have been Lily Allen. | 0:20:55 | 0:20:57 | |
If I'd have been a rock star, I'd have been Axl Rose. | 0:20:57 | 0:20:59 | |
If I'd been a middle-of-the-road band, | 0:20:59 | 0:21:01 | |
I'd have been Chrysanthemum-ford And Sons. | 0:21:01 | 0:21:04 | |
I really want to give this my all. | 0:21:04 | 0:21:05 | |
I've really tried. I'm really enjoying it. | 0:21:05 | 0:21:08 | |
I'm really enjoying it. | 0:21:08 | 0:21:09 | |
I'm finding it really relaxing. | 0:21:09 | 0:21:11 | |
I think I want to be a florist. | 0:21:11 | 0:21:14 | |
I want to be an award-winning | 0:21:14 | 0:21:15 | |
Chelsea Flower Show first-prize-winning florist. | 0:21:15 | 0:21:19 | |
That's what I want to do. | 0:21:19 | 0:21:21 | |
-Done. -That's it. | 0:21:28 | 0:21:30 | |
-Roll on Sunday. -Are you excited or are you nervous? | 0:21:30 | 0:21:32 | |
I'm excited, can you tell? | 0:21:32 | 0:21:34 | |
I'm genuinely quite excited. | 0:21:34 | 0:21:35 | |
I'm genuinely really nervous. | 0:21:35 | 0:21:37 | |
You don't need to be... | 0:21:37 | 0:21:39 | |
What are you nervous about? | 0:21:39 | 0:21:40 | |
Well, like, the best judge in the country is going to be there, | 0:21:40 | 0:21:42 | |
marking your work. | 0:21:42 | 0:21:44 | |
Yeah, all right, don't get me nervous. | 0:21:44 | 0:21:45 | |
You do the nerves, I'll do the excitement. | 0:21:45 | 0:21:47 | |
-I'll see you Sunday. -All right, then. | 0:21:47 | 0:21:49 | |
-Good luck. -All right. -Look after the van now, OK? -Will do. | 0:21:49 | 0:21:52 | |
This is it. Sunday morning, Tamworth, just outside Birmingham. | 0:21:58 | 0:22:03 | |
The big competition, | 0:22:03 | 0:22:04 | |
and I'm actually feeling quite nervous | 0:22:04 | 0:22:06 | |
because some of the other competitors, | 0:22:06 | 0:22:08 | |
I can see them arriving, | 0:22:08 | 0:22:09 | |
getting their structural arrangements out of the cars, | 0:22:09 | 0:22:12 | |
and the standard looks pretty high. | 0:22:12 | 0:22:14 | |
This was a nervous moment. | 0:22:14 | 0:22:15 | |
Aspidistra leaves are green, horse chestnuts give you conkers, | 0:22:15 | 0:22:18 | |
but if my structure had fallen apart in the van, I'd go lupin bonkers. | 0:22:18 | 0:22:22 | |
Watch my structural arrangement. | 0:22:23 | 0:22:25 | |
We got my piece safely into the venue, | 0:22:27 | 0:22:29 | |
but my future as a competitive florist | 0:22:29 | 0:22:31 | |
was dangling by the nasturtiums | 0:22:31 | 0:22:33 | |
because we had a triffid-sized problem. | 0:22:33 | 0:22:36 | |
I've got five minutes before everyone's allowed in. | 0:22:36 | 0:22:38 | |
Ali has got the base | 0:22:38 | 0:22:39 | |
for my freestanding structural arrangement - | 0:22:39 | 0:22:41 | |
I can't do anything without that. | 0:22:41 | 0:22:42 | |
It's supposed to be vases with freestanding orchids inside. | 0:22:42 | 0:22:45 | |
I've planned it all out, I've sweated blood and guts | 0:22:45 | 0:22:47 | |
over this bloody thing, worked all day on it, | 0:22:47 | 0:22:49 | |
and I'm going to be let down at the last second | 0:22:49 | 0:22:52 | |
by Ali not turning up with the base. | 0:22:52 | 0:22:54 | |
Never trust anyone else if you're a florist. | 0:22:58 | 0:23:00 | |
Advice to any florists out there - do it all yourself. | 0:23:00 | 0:23:04 | |
The deadline was nearly up. | 0:23:04 | 0:23:05 | |
I could feel it rushing towards me | 0:23:05 | 0:23:07 | |
like a naked Alan Titchmarsh on a death slide. | 0:23:07 | 0:23:09 | |
But with moments to spare, Jammy Titsbammock finally rocked up. | 0:23:09 | 0:23:13 | |
Oh, hello. Oh, hello. | 0:23:13 | 0:23:14 | |
It's only 9.28 and a half. | 0:23:14 | 0:23:16 | |
-Are you all right? Are you excited? -"Excited"? | 0:23:16 | 0:23:19 | |
I've been taking your names in vain, I'll tell you that. | 0:23:19 | 0:23:23 | |
Dirty Gymsocks had made it clear | 0:23:23 | 0:23:24 | |
that if I didn't step up and do her proud, | 0:23:24 | 0:23:26 | |
I'd be pushing up the daisies, but she still hadn't seen | 0:23:26 | 0:23:29 | |
-what I've come up with. -Are you going to tell me what you've done? | 0:23:29 | 0:23:31 | |
I'm really nervous now. | 0:23:31 | 0:23:33 | |
You'll see it. | 0:23:33 | 0:23:34 | |
-I'm really anxious. -You'll see it. Right... | 0:23:34 | 0:23:37 | |
Welcome to the eventual winner of the Chelsea Flower Show 2017. | 0:23:37 | 0:23:44 | |
That's pretty good, Rhod. | 0:23:49 | 0:23:51 | |
It's Wedding Night. | 0:23:51 | 0:23:54 | |
Inspired by Valentine's Day hump hunters, | 0:23:54 | 0:23:56 | |
Naomi roses flow over double-headed chrysanths, | 0:23:56 | 0:24:00 | |
a bamboo bed accented with a love heart feature headboard | 0:24:00 | 0:24:03 | |
of pussy willow and bark and moss bed sheet detail. | 0:24:03 | 0:24:07 | |
Rhod's mechanics are teasingly obscured | 0:24:07 | 0:24:09 | |
by aspidistra leaf and chrysanthemum. | 0:24:09 | 0:24:11 | |
Well, considering the other day you couldn't even wrap a rose, | 0:24:11 | 0:24:15 | |
look what you've done! | 0:24:15 | 0:24:16 | |
You've had a really good go. | 0:24:16 | 0:24:18 | |
Wedding Night. | 0:24:18 | 0:24:20 | |
I thought I'd keep it conventional. | 0:24:20 | 0:24:22 | |
It took a lot of willpower on my part | 0:24:22 | 0:24:25 | |
to just have them quite romantic like that. | 0:24:25 | 0:24:27 | |
I'm surprised you haven't put a hat on it. | 0:24:27 | 0:24:30 | |
Oh, there's going to be... I haven't put the hair on yet. | 0:24:30 | 0:24:32 | |
Oh, you are going to add...? | 0:24:32 | 0:24:34 | |
Yeah, they're going to have real hair - only on the head. | 0:24:34 | 0:24:36 | |
Orchids reaching through the heavens through upright vases | 0:24:36 | 0:24:39 | |
completed my piece. | 0:24:39 | 0:24:41 | |
And along with my fellow competitors, | 0:24:42 | 0:24:44 | |
I did my finishing touches as the clock ticked down. | 0:24:44 | 0:24:46 | |
15 minutes left. | 0:24:47 | 0:24:49 | |
Just doing some touch-up work | 0:24:53 | 0:24:54 | |
where some of these haven't survived that well in transit. | 0:24:54 | 0:24:57 | |
The standard was incredibly high. | 0:24:57 | 0:24:58 | |
You could cut the atmosphere with a hedge trimmer. | 0:24:58 | 0:25:01 | |
My hands were shaking like a stoned folk musician | 0:25:01 | 0:25:03 | |
who's forgotten her tambourine. | 0:25:03 | 0:25:05 | |
I'm hot, I'm sweaty, I'm a little bit stress-y. | 0:25:05 | 0:25:09 | |
I think I've become a florist. | 0:25:09 | 0:25:11 | |
Look at me. | 0:25:11 | 0:25:12 | |
Trimming slightly uneven moss. | 0:25:13 | 0:25:16 | |
OK, you've got five minutes. | 0:25:16 | 0:25:18 | |
Rushing, stop rushing, don't rush. | 0:25:22 | 0:25:24 | |
More haste, less speed. | 0:25:24 | 0:25:26 | |
Perfect. | 0:25:26 | 0:25:27 | |
OK, everybody, that's time. | 0:25:32 | 0:25:34 | |
Time's up. You need to leave the room now. | 0:25:34 | 0:25:37 | |
Good luck. | 0:25:37 | 0:25:39 | |
I hadn't even used buttercups, | 0:25:40 | 0:25:41 | |
but the suspense was making my heart go giddy-up. | 0:25:41 | 0:25:44 | |
The judges have gone as quiet as a fuchsia's fart. | 0:25:44 | 0:25:48 | |
The judges are in there. They've been in there for a very long time. | 0:25:48 | 0:25:51 | |
Part of me just hopes I don't come last... | 0:25:51 | 0:25:53 | |
..and part of me is out to win this. | 0:25:54 | 0:25:56 | |
When head judge Tracy | 0:25:59 | 0:26:00 | |
gave each of us feedback one-to-one to explain the scoring, | 0:26:00 | 0:26:02 | |
my bum cheeks were clenched so tight | 0:26:02 | 0:26:04 | |
they could have pressed a fake flower. | 0:26:04 | 0:26:07 | |
Well, here's your mark card. | 0:26:07 | 0:26:08 | |
Thank you very much. Total of 68 out of 100. | 0:26:08 | 0:26:11 | |
Nearly 70%? | 0:26:11 | 0:26:13 | |
You mean 68 marks out of 100. | 0:26:13 | 0:26:16 | |
Yes, but 70... | 0:26:16 | 0:26:18 | |
No, it's 68. | 0:26:18 | 0:26:19 | |
If you'd said 70% to me when I arrived... | 0:26:19 | 0:26:21 | |
No, it's 68. | 0:26:21 | 0:26:22 | |
I'm in with a chance here. | 0:26:22 | 0:26:24 | |
If I do win and we go to Chelsea... | 0:26:24 | 0:26:26 | |
-Yeah. -..is there any improvements I could make to it | 0:26:26 | 0:26:28 | |
ahead of the finals? | 0:26:28 | 0:26:29 | |
You'd have to start all over again. | 0:26:29 | 0:26:31 | |
-I'd have to have a completely new idea? -Absolutely. | 0:26:31 | 0:26:34 | |
Or just a different position? | 0:26:34 | 0:26:35 | |
Smother me in Saxifraga oppositifolia. | 0:26:35 | 0:26:38 | |
An average of 69%. | 0:26:38 | 0:26:40 | |
When everyone POPPIED back in to hear the final results, | 0:26:40 | 0:26:43 | |
I knew I was in with a shout. | 0:26:43 | 0:26:44 | |
And so the all-important third place... | 0:26:45 | 0:26:51 | |
..is Dean Sharp from Fleurtations. | 0:26:53 | 0:26:56 | |
APPLAUSE | 0:26:56 | 0:26:58 | |
Dean, very well done. | 0:26:58 | 0:27:00 | |
It's a lovely piece of work. | 0:27:00 | 0:27:02 | |
And then in second place... | 0:27:04 | 0:27:05 | |
..is Charlotte Cook from Hillary's Floral Design. | 0:27:07 | 0:27:10 | |
We've done it. | 0:27:10 | 0:27:12 | |
We've done it. | 0:27:12 | 0:27:13 | |
And then in first place... | 0:27:15 | 0:27:18 | |
Married life might not be a bed of roses, but my piece was. | 0:27:18 | 0:27:22 | |
Would the judges reward the playful symbolism | 0:27:22 | 0:27:24 | |
in my absolutely amazing piece of work? | 0:27:24 | 0:27:27 | |
With an absolutely amazing piece of work... | 0:27:27 | 0:27:30 | |
..and they really do deserve the points that they've been given. | 0:27:32 | 0:27:36 | |
In first place is Tina Parks. | 0:27:39 | 0:27:41 | |
Creative, challenging, therapeutic, voyeuristic, | 0:27:45 | 0:27:48 | |
competitive and beautiful, | 0:27:48 | 0:27:50 | |
from birth to death, surrounding us at every significant milestone - | 0:27:50 | 0:27:53 | |
floristry has it all. | 0:27:53 | 0:27:55 | |
I'd arrived knowing roses were red and violets were blue, | 0:27:55 | 0:27:58 | |
but I'd learnt that roses could be white, black or yellow too. | 0:27:58 | 0:28:01 | |
In fact, roses can be purple, violet or titian. | 0:28:01 | 0:28:04 | |
Who gives a shit? I've given it my all in this competition. | 0:28:04 | 0:28:08 | |
The standard of the other entrants here | 0:28:08 | 0:28:11 | |
is clearly very high indeed and, alongside this, | 0:28:11 | 0:28:16 | |
mine admittedly does look like a piece of shit, | 0:28:16 | 0:28:20 | |
but it is a piece of shit that I am very proud of. | 0:28:20 | 0:28:23 | |
-Rhod? -Yes. | 0:28:23 | 0:28:25 | |
I've been having a look at people's marks. | 0:28:25 | 0:28:26 | |
Some of them, you've beaten them. | 0:28:26 | 0:28:28 | |
-Honestly. -I wasn't last. | 0:28:30 | 0:28:31 | |
-News just in... Breaking news. -Rhod wasn't last. | 0:28:33 | 0:28:36 | |
I wasn't last. | 0:28:36 | 0:28:38 | |
HE LAUGHS | 0:28:38 | 0:28:40 |