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CHEERING AND APPLAUSE | 0:00:22 | 0:00:25 | |
Hello. I'm Frank Skinner and welcome to Room 101, | 0:00:33 | 0:00:38 | |
the show where three guests compete to get their pet hates | 0:00:38 | 0:00:41 | |
exiled forever to the dark vault that is Room 101. | 0:00:41 | 0:00:45 | |
In each round, only one choice can make it into the dreaded room. | 0:00:45 | 0:00:49 | |
The final decision is mine. | 0:00:49 | 0:00:51 | |
Joining me tonight are Masterchef's Gregg Wallace, | 0:00:51 | 0:00:54 | |
presenter and journalist, Gabby Logan, and comedian Sarah Millican. | 0:00:54 | 0:00:59 | |
CHEERING AND APPLAUSE | 0:00:59 | 0:01:02 | |
So, how are you feeling about Room 101? | 0:01:03 | 0:01:08 | |
Have you found the choices easy to make? | 0:01:08 | 0:01:10 | |
I did a law degree and so I was trained to argue anything. | 0:01:10 | 0:01:14 | |
So I can argue both sides, which I hate myself for. | 0:01:14 | 0:01:17 | |
Even on my first category, I will try and argue vehemently, | 0:01:17 | 0:01:20 | |
I could argue against it as well, I've found about myself. | 0:01:20 | 0:01:24 | |
I've found that's a skill that many women possess. | 0:01:24 | 0:01:27 | |
Right then, let's have our first category. | 0:01:28 | 0:01:31 | |
Well, it's Food & Drink. | 0:01:35 | 0:01:37 | |
I think we have to start with our resident expert, | 0:01:37 | 0:01:39 | |
so let's see what Gregg's food and drink choice is. | 0:01:39 | 0:01:43 | |
-So what is it? What is it, Gregg? -I really can't stand barbecues. | 0:01:50 | 0:01:54 | |
-CROWD: Oooh! -Don't "ooh" me! | 0:01:54 | 0:01:56 | |
Ohhh, you've lost. Ooh! | 0:01:56 | 0:01:58 | |
We've only just started, don't "ooh" me. | 0:01:58 | 0:02:01 | |
-Barbecues, I hate them, hate them. -What do you have against them? | 0:02:01 | 0:02:05 | |
It used to be, you'd get invited to someone's house | 0:02:05 | 0:02:08 | |
and the worst you'd have to put up with was a buffet. | 0:02:08 | 0:02:11 | |
Now, men who only ever normally go in the kitchen to throw their | 0:02:11 | 0:02:14 | |
empty beer cans away, think they've mastered one of the most difficult | 0:02:14 | 0:02:18 | |
cooking techniques known to man, with absolute disastrous results. | 0:02:18 | 0:02:22 | |
You're in the garden, no tables and chairs, a steak that needs cutting, | 0:02:22 | 0:02:27 | |
with a paper plate and a plastic fork. | 0:02:27 | 0:02:30 | |
You've also got a napkin and a glass of beer, it doesn't work! | 0:02:30 | 0:02:34 | |
Can I just say, I'm all for al fresco dining, | 0:02:35 | 0:02:38 | |
just not the barbecue. | 0:02:38 | 0:02:39 | |
No-one's suggesting for a second | 0:02:39 | 0:02:41 | |
that you're against al fresco dining. | 0:02:41 | 0:02:44 | |
The thought never crossed my mind, I won't have that, | 0:02:44 | 0:02:47 | |
I won't have that hung upon me. See, I love the fact that it's informal, | 0:02:47 | 0:02:51 | |
you don't get a knife and fork and it's all laid-back. | 0:02:51 | 0:02:54 | |
Things like a chicken leg and a lamb chop, | 0:02:54 | 0:02:56 | |
I don't want to eat them with a knife and fork. | 0:02:56 | 0:02:59 | |
If God gives food a handle... | 0:02:59 | 0:03:02 | |
let's use it! | 0:03:02 | 0:03:03 | |
What you're objecting to is the way we eat barbecues, | 0:03:03 | 0:03:06 | |
rather than the barbecue... | 0:03:06 | 0:03:07 | |
-No, and the people that cook them. -Because you do... | 0:03:07 | 0:03:10 | |
I've seen a man with a sausage on fire turning it! | 0:03:10 | 0:03:13 | |
-Charcoal grilling is a difficult skill. -What about a pig on a spit? | 0:03:15 | 0:03:20 | |
What you do on a Friday night with the curtains drawn... | 0:03:20 | 0:03:23 | |
Don't need to drag us in your private hell, Gabby. | 0:03:23 | 0:03:26 | |
Isn't it because you're from the professional | 0:03:26 | 0:03:29 | |
-showbiz cookery world, and... -Showbiz cookery?! | 0:03:29 | 0:03:32 | |
You keep telling us that it's a very special art, where really, | 0:03:32 | 0:03:35 | |
really cooking is just making food a bit hotter. | 0:03:35 | 0:03:39 | |
APPLAUSE | 0:03:41 | 0:03:44 | |
Can I ask you, I read on your Wikipedia page | 0:03:46 | 0:03:49 | |
that you are officially called an "ingredients expert"? | 0:03:49 | 0:03:52 | |
They said when we started doing Masterchef, "What can we call you?" | 0:03:52 | 0:03:55 | |
I said, "I'm a greengrocer." They said, "We can't do that." | 0:03:55 | 0:03:58 | |
So they came up with ingredients expert. | 0:03:58 | 0:04:01 | |
Do you look through ingredients in supermarkets? | 0:04:01 | 0:04:04 | |
Well, no, I'd be very careful of food packaging. | 0:04:04 | 0:04:07 | |
Like strawberry flavoured yoghurt, | 0:04:07 | 0:04:09 | |
you'd be lucky to find any strawberry in at all. | 0:04:09 | 0:04:11 | |
The same with condoms, as well? | 0:04:11 | 0:04:14 | |
They're strawberry flavoured sometimes, aren't they? | 0:04:14 | 0:04:17 | |
They've definitely not got any fruit in, have they not? | 0:04:17 | 0:04:21 | |
-Were you taking that as your five-a-day? -Well, one of them. | 0:04:21 | 0:04:25 | |
LAUGHTER AND APPLAUSE | 0:04:25 | 0:04:27 | |
OK, then, let's have a look at Gabby's choice | 0:04:32 | 0:04:34 | |
on the food and drink front. | 0:04:34 | 0:04:36 | |
-Blimey! -This is the buffet. | 0:04:43 | 0:04:46 | |
This is a heart attack waiting to happen and this, unfortunately, | 0:04:48 | 0:04:52 | |
seems to be the future of dining. If you look at the States | 0:04:52 | 0:04:55 | |
and the all you can eat buffet, which is anathema in itself. | 0:04:55 | 0:04:58 | |
For 4.99, how you can have lobster, steak and prawns, | 0:04:58 | 0:05:01 | |
as the Vegas hotels advertise, and it not come from some deep-freeze | 0:05:01 | 0:05:05 | |
and been there 20 years, I don't know. But this is... | 0:05:05 | 0:05:08 | |
But I think in America, Gabby, "all you can eat" is a challenge. | 0:05:08 | 0:05:12 | |
That's what I'm worried about, because this trend for over-eating | 0:05:12 | 0:05:16 | |
and no portion control, | 0:05:16 | 0:05:18 | |
the buffet is obviously the first stop, you know, | 0:05:18 | 0:05:21 | |
because you can just keep going, and the combinations of foods | 0:05:21 | 0:05:24 | |
that you can have on a buffet are infinitesimal. | 0:05:24 | 0:05:27 | |
I was in South Africa last year and you could have curried prawns, | 0:05:27 | 0:05:31 | |
lamb chops and spaghetti bolognese on the same plate, | 0:05:31 | 0:05:34 | |
and one of my colleagues did. You know, it's disgusting to look at, | 0:05:34 | 0:05:38 | |
to watch somebody eat that combination of food. | 0:05:38 | 0:05:41 | |
But that's what I love about buffets. | 0:05:41 | 0:05:43 | |
You don't have to have the salad or the green stuff, | 0:05:43 | 0:05:46 | |
you can just have the stuff you really like. | 0:05:46 | 0:05:48 | |
It's sort of like a savoury pick 'n' mix. | 0:05:48 | 0:05:50 | |
It's fraught with hazards. If you go first to the buffet, | 0:05:52 | 0:05:54 | |
you look greedy. If you wait, you get stuck in the queue | 0:05:54 | 0:05:57 | |
with somebody you don't want to talk to. | 0:05:57 | 0:06:00 | |
That's why you just pop something in, | 0:06:00 | 0:06:03 | |
then you don't have to talk to anybody. | 0:06:03 | 0:06:05 | |
You don't have to pile your plate up. You can keep going. | 0:06:05 | 0:06:09 | |
You get two plates' worth by the time you get to the end of the table. | 0:06:09 | 0:06:12 | |
I'm amazed that you bother with a plate, Sarah. | 0:06:12 | 0:06:16 | |
Well, look, I've got a clip now of something which | 0:06:17 | 0:06:21 | |
I think justifies the whole buffet culture. | 0:06:21 | 0:06:24 | |
Have a look at this. | 0:06:24 | 0:06:26 | |
'Guests at a cocktail party need three things, a glass of wine, | 0:06:26 | 0:06:30 | |
'a plate of hors d'oeuvres and a free hand. | 0:06:30 | 0:06:33 | |
'Of course, this isn't always possible.' | 0:06:33 | 0:06:36 | |
Hey! I'm Adam, Carol's husband. | 0:06:36 | 0:06:38 | |
'Don't let this happen to your guests. | 0:06:40 | 0:06:43 | |
'Party Plate Clips are a must-have for the sensible host or hostess. | 0:06:43 | 0:06:47 | |
'Guests can attach a clip to their appetiser dish | 0:06:47 | 0:06:49 | |
'and then rest their glass of wine in the holder. | 0:06:49 | 0:06:52 | |
'Even with a ridiculously full glass of wine, the Party Plate Clip | 0:06:52 | 0:06:56 | |
'keeps everything balanced and easy to hold. Party Plate Clips.' | 0:06:56 | 0:07:00 | |
APPLAUSE | 0:07:02 | 0:07:05 | |
-That's brilliant! That's brilliant. -Isn't it just the best thing ever? | 0:07:08 | 0:07:13 | |
The brilliant thing, it doesn't only fit on a plate, | 0:07:13 | 0:07:16 | |
it fits very neatly on the dashboard. | 0:07:16 | 0:07:20 | |
OK, let's see what Sarah's choice is. | 0:07:23 | 0:07:25 | |
Blimey! | 0:07:31 | 0:07:33 | |
My choice is Chicken Kiev. | 0:07:33 | 0:07:36 | |
But a dry Chicken Kiev. | 0:07:39 | 0:07:40 | |
I'm happy with a normal Chicken Kiev, it's maybe sort of 60% of my diet. | 0:07:42 | 0:07:47 | |
Oh, you're doing the "Chicken Kiev diet", very popular. | 0:07:48 | 0:07:53 | |
They're like adult nuggets, aren't they? You can sort of, | 0:07:53 | 0:07:56 | |
you can get away with it. I can't have nuggets any more, cos I'm 36, | 0:07:56 | 0:08:00 | |
but I can have a Chicken Kiev. | 0:08:00 | 0:08:02 | |
Although I've never had one that's the same size as me head before. | 0:08:02 | 0:08:05 | |
-But why do they get dry, then? -Because they burst in the oven! -Oh. | 0:08:05 | 0:08:11 | |
It's really annoying, cos I'm looking forward to, | 0:08:11 | 0:08:14 | |
cos chicken on its own, I could buy chicken on its own | 0:08:14 | 0:08:17 | |
if I wanted it, but I didn't want it, I want it with the stuff in! | 0:08:17 | 0:08:20 | |
And I can't cook, so I'm heavily reliant on oveny things. | 0:08:20 | 0:08:24 | |
I don't know that chicken was ever designed to be a sachet. | 0:08:24 | 0:08:29 | |
It was one of the first, I have this fact here, in 1976, | 0:08:30 | 0:08:35 | |
-it was Marks and Spencer's first ever ready-meal. -Wow! | 0:08:35 | 0:08:39 | |
What about that? And we actually asked about the price. | 0:08:39 | 0:08:43 | |
-The price of a Chicken Kiev in 1976 was two quid for two. -Whoa! | 0:08:43 | 0:08:50 | |
Really expensive. | 0:08:50 | 0:08:52 | |
And then we checked how much it costs in 2012 to buy a similar item. | 0:08:52 | 0:08:57 | |
Still two quid. Yeah. | 0:08:57 | 0:08:59 | |
So they were sort of quite elitist in the '70s, weren't they? | 0:08:59 | 0:09:02 | |
Yeah. And a brilliant investment. | 0:09:02 | 0:09:04 | |
You know, in these volatile financial times, | 0:09:06 | 0:09:09 | |
I suggest you put your money in Kievs. | 0:09:09 | 0:09:12 | |
So, look, you've all argued very well. | 0:09:13 | 0:09:15 | |
I feel, Sarah, I can't put the Kievs in. | 0:09:15 | 0:09:17 | |
I feel it's your fault, whereas, the Kievs per se are beautiful. | 0:09:17 | 0:09:22 | |
And I, well, I mean, I love all these things. | 0:09:22 | 0:09:26 | |
A barbecue, I think it's important that, | 0:09:26 | 0:09:29 | |
it's the people's cooking and we should champion that. | 0:09:29 | 0:09:33 | |
So, on this occasion, I am going to put Gabby's choice in. | 0:09:33 | 0:09:37 | |
So, buffets go into Room 101. | 0:09:37 | 0:09:39 | |
Thank you. | 0:09:39 | 0:09:41 | |
APPLAUSE | 0:09:41 | 0:09:44 | |
Anyway, let's move on to the next category. | 0:09:49 | 0:09:52 | |
Film & Television, and let's begin with Gabby's choice. | 0:09:57 | 0:10:02 | |
LAUGHTER AND APPLAUSE | 0:10:07 | 0:10:08 | |
Clever. | 0:10:08 | 0:10:11 | |
Oh, you've already won. | 0:10:11 | 0:10:14 | |
I'm not reserving all barrels for The Only Way Is Essex. | 0:10:15 | 0:10:18 | |
The Only Way Is Essex is symbolic of scripted reality, | 0:10:18 | 0:10:21 | |
which is this new genre of television | 0:10:21 | 0:10:24 | |
which seems to have taken over in the last year. | 0:10:24 | 0:10:27 | |
My main gripe with The Only Way Is Essex and its love children, | 0:10:27 | 0:10:30 | |
for example, Made In Chelsea, Geordie Shores, | 0:10:30 | 0:10:33 | |
Desperate Scousewives, I don't know if I've made that up or it exists, | 0:10:33 | 0:10:37 | |
these programmes, I fear, are going to be cheap ways | 0:10:37 | 0:10:41 | |
of filling our televisual time. If somebody said that the money | 0:10:41 | 0:10:45 | |
that was going into these was being taken out of comedy on a channel | 0:10:45 | 0:10:49 | |
-then you'd probably feel... -Oh, that's a low blow! | 0:10:49 | 0:10:52 | |
I sense though there is an intellectual aspect. | 0:10:55 | 0:10:58 | |
It was based on Aristotle's book The Only Way Is Ethics. | 0:10:58 | 0:11:01 | |
I worry about what my kids are going to watch, | 0:11:04 | 0:11:06 | |
who their role models are going to be | 0:11:06 | 0:11:08 | |
and I just think... They do nothing! They stand for nothing. | 0:11:08 | 0:11:12 | |
-They just... -OK, OK. Well, just in case, Gabby, | 0:11:12 | 0:11:15 | |
that no-one here has seen any scripted reality, | 0:11:15 | 0:11:21 | |
this is one of the moments on The Only Way Is Essex | 0:11:21 | 0:11:24 | |
when somebody got vajazzled. | 0:11:24 | 0:11:26 | |
"Step one - start by shaving or waxing your bikini area completely." | 0:11:26 | 0:11:31 | |
-Done that, babes? -Yeah. | 0:11:31 | 0:11:33 | |
-You're not hairy-werey today? -No, I've had a wax this week. | 0:11:33 | 0:11:36 | |
OK. "Stage two - | 0:11:36 | 0:11:39 | |
"apply the crystal stickers to the upper part of your bikini area only." | 0:11:39 | 0:11:43 | |
So, basically, don't put it on your bits. Basically. | 0:11:43 | 0:11:47 | |
"Practise vajazzling safely." Obviously. We're professionals. | 0:11:47 | 0:11:52 | |
"Do not wear vajazzle crystals for more than 24 hours." | 0:11:52 | 0:11:56 | |
Right, honey, so what kind of design would you like? | 0:11:56 | 0:11:59 | |
-Start off, then do what you think looks good. -I'm not good at art. | 0:11:59 | 0:12:03 | |
LAUGHTER | 0:12:03 | 0:12:04 | |
I think there's something lovely about their naturalness | 0:12:08 | 0:12:11 | |
because in actors, they have to play everything up. | 0:12:11 | 0:12:15 | |
You know that she would have looked into camera and gone, | 0:12:15 | 0:12:19 | |
"I'm no good at art." | 0:12:19 | 0:12:20 | |
I think if I was getting a vajazzle I'd just loads of tiny brown crystals | 0:12:20 | 0:12:25 | |
and just put it back on, like a triangle. | 0:12:25 | 0:12:29 | |
Hang on, you mean, blonde, surely? | 0:12:29 | 0:12:32 | |
Yeah, yeah, blonde, yeah, blonde. | 0:12:32 | 0:12:35 | |
No, I love... I'm showbiz, I love a star-studded opening. | 0:12:35 | 0:12:40 | |
AUDIENCE GROANS | 0:12:40 | 0:12:42 | |
I think they shouldn't call it vajazzling, | 0:12:42 | 0:12:45 | |
they should call it blinge. | 0:12:45 | 0:12:46 | |
Anyway, let's see what Gregg wants to put | 0:12:52 | 0:12:55 | |
into the Film & Television category. | 0:12:55 | 0:12:58 | |
I can't stand TV about ill people. | 0:13:03 | 0:13:07 | |
Hospital dramas, people having operations, it's just... | 0:13:09 | 0:13:14 | |
It just seems so wrong, I mean, I've been to hospital, | 0:13:14 | 0:13:17 | |
it's not a happy place. | 0:13:17 | 0:13:19 | |
It's got a theatre. | 0:13:19 | 0:13:21 | |
I mean, you can even sometimes see women having boob operations, | 0:13:23 | 0:13:27 | |
-let alone... -Can you?! Is there a viewing gallery? | 0:13:27 | 0:13:31 | |
People having plastic surgery, even the hospital dramas... | 0:13:31 | 0:13:35 | |
Listen, you wouldn't say, "Auntie Ethel's had a heart attack. | 0:13:35 | 0:13:38 | |
"Kids, we can all go to the hospital and point at the ill people." | 0:13:38 | 0:13:42 | |
It just seems wrong to me, it's like slowing down a car crash, | 0:13:42 | 0:13:46 | |
-simple as that. -OK. | 0:13:46 | 0:13:48 | |
-Do you like Animal Hospital? -No, it's another thing I can't... | 0:13:48 | 0:13:51 | |
You see, the first time I watched that I was so gutted. | 0:13:51 | 0:13:54 | |
I honestly thought it would be animals operating a hospital. | 0:13:54 | 0:13:58 | |
I thought there'd be an Alsatian with a scalpel sellotaped... | 0:13:59 | 0:14:04 | |
OK, well, we have a montage, | 0:14:04 | 0:14:07 | |
I'm going to call it a montage of medical drama, | 0:14:07 | 0:14:11 | |
just to give a bit of a flavour of what you're talking about. | 0:14:11 | 0:14:14 | |
No, no, no, no! | 0:14:14 | 0:14:15 | |
Argh! | 0:14:22 | 0:14:23 | |
No! | 0:14:23 | 0:14:26 | |
Ah! | 0:14:26 | 0:14:28 | |
APPLAUSE | 0:14:32 | 0:14:34 | |
That's like extreme You've Been Framed, isn't it? | 0:14:37 | 0:14:41 | |
I like it in programmes like Casualty, | 0:14:41 | 0:14:44 | |
it's like guessing who it's going to be and what's going to happen, | 0:14:44 | 0:14:47 | |
that's one of the best bits. | 0:14:47 | 0:14:49 | |
When a bloke looks through the kitchen window and says, | 0:14:49 | 0:14:51 | |
"Is that the next-door neighbour's Rottweiler in our garden," | 0:14:51 | 0:14:55 | |
and you think, "Don't go out. Don't go out." | 0:14:55 | 0:14:58 | |
"It's wee-ing up that World War II bomb." | 0:14:58 | 0:15:01 | |
Here's a bit of drama set in a hospital, Gregg. | 0:15:03 | 0:15:06 | |
I think you'll like this. | 0:15:06 | 0:15:08 | |
PA: 'Dr Caspar to the ER." | 0:15:08 | 0:15:10 | |
Since when were dogs allowed in hospital wards? | 0:15:33 | 0:15:36 | |
Well, yeah, that's from a programme called One Tree Hill, | 0:15:36 | 0:15:39 | |
which is a pretty bad place for a dog to live anyway, let's face it. | 0:15:39 | 0:15:44 | |
I think it's brilliantly done though because, I don't know | 0:15:46 | 0:15:49 | |
if you've worked with dogs and things and cats, | 0:15:49 | 0:15:51 | |
but they can't do anything, | 0:15:51 | 0:15:55 | |
so I was very impressed by the dog acting. | 0:15:55 | 0:15:58 | |
Let's see what sort of Film & Television | 0:15:58 | 0:16:00 | |
Sarah Millican doesn't like. | 0:16:00 | 0:16:02 | |
I have to say that I don't see the connection between my subject. | 0:16:08 | 0:16:12 | |
I don't know, what's in the tin? | 0:16:12 | 0:16:15 | |
It's not like programmes about beans I don't like. | 0:16:15 | 0:16:20 | |
"Oh, I hate all those programmes on the telly that are about beans." | 0:16:20 | 0:16:25 | |
Don't do anything rash, but have a tentative look at the tin. | 0:16:25 | 0:16:30 | |
Has it got... | 0:16:32 | 0:16:34 | |
SHE SHRIEKS | 0:16:34 | 0:16:36 | |
That's what I don't like. | 0:16:36 | 0:16:38 | |
-Surprises. -Yeah, I don't like surprises. | 0:16:38 | 0:16:40 | |
I don't like films and TV that have surprises. | 0:16:40 | 0:16:43 | |
I like to know what the surprise is. | 0:16:43 | 0:16:46 | |
I really wanted to watch The Texas Chainsaw Massacre | 0:16:46 | 0:16:48 | |
but I don't like horror films, but I'd heard it was a really good film, | 0:16:48 | 0:16:52 | |
so I got my boyfriend at the time to describe it | 0:16:52 | 0:16:54 | |
and he described the whole thing from start to finish, then I watched it, | 0:16:54 | 0:16:58 | |
and I was really smug throughout because I knew what was coming up. | 0:16:58 | 0:17:02 | |
And that's how I handle it. I'm not good at surprises in general though. | 0:17:02 | 0:17:06 | |
Is your favourite TV programme Tales Of The Expected? | 0:17:06 | 0:17:10 | |
You don't like surprise presents either? | 0:17:12 | 0:17:14 | |
No, for Christmas we used to make a list of things that we'd like | 0:17:14 | 0:17:18 | |
and then we'd get those things. Like, my boyfriend likes to buy surprises | 0:17:18 | 0:17:23 | |
for me, but I don't like surprises, | 0:17:23 | 0:17:26 | |
so I now give him a list of pre-approved surprises. | 0:17:26 | 0:17:29 | |
It's true, and then he's got five or six things | 0:17:29 | 0:17:32 | |
that he can pick any one from. | 0:17:32 | 0:17:34 | |
I don't know which one it's going to be, | 0:17:34 | 0:17:36 | |
but I know that's it's definitely not something rubbish | 0:17:36 | 0:17:39 | |
that he thinks I'd like that he'd be wrong about. | 0:17:39 | 0:17:41 | |
He gave me a Mr Potato Head once. I'm 36. | 0:17:41 | 0:17:45 | |
I love surprises so much that even when things aren't a surprise | 0:17:45 | 0:17:49 | |
I pretend that they're a surprise. | 0:17:49 | 0:17:50 | |
If somebody's trying to surprise me but I've rumbled them, I pretend. | 0:17:50 | 0:17:54 | |
My husband, he still thinks I'm lying when I say this, | 0:17:54 | 0:17:56 | |
when he proposed to me, I could see the box in his trousers | 0:17:56 | 0:17:59 | |
because they were a bit tight. We walked up the Wallace Monument, | 0:17:59 | 0:18:02 | |
which is about 300 steps, in Stirling, so I knew all the way up | 0:18:02 | 0:18:07 | |
that he was going to pull a box out at the end of it. | 0:18:07 | 0:18:11 | |
Of course, I was still overwhelmed | 0:18:11 | 0:18:13 | |
and cried appropriately and everything, but afterwards... | 0:18:13 | 0:18:16 | |
You're so romantic, "Cried appropriately." | 0:18:16 | 0:18:21 | |
The first argument we had after our engagement, | 0:18:21 | 0:18:24 | |
"I knew you were going to propose." | 0:18:24 | 0:18:25 | |
"No, you didn't!" "I did, I saw the box in your pocket." | 0:18:25 | 0:18:28 | |
-You haven't told him that? -I'm telling all of you! | 0:18:28 | 0:18:31 | |
You would've known by the fact he was taking you up a height | 0:18:31 | 0:18:33 | |
as that's where people get proposed to because there's less oxygen, | 0:18:33 | 0:18:37 | |
so you're more likely to say yes. | 0:18:37 | 0:18:38 | |
And the fact he spent three weeks before saying, | 0:18:38 | 0:18:41 | |
"Can't wait till we go to Scotland. | 0:18:41 | 0:18:43 | |
"I can't wait till we go to Scotland." | 0:18:43 | 0:18:45 | |
It is strange if people say that. | 0:18:45 | 0:18:47 | |
I have to decide which one of those things it is. Well... | 0:18:52 | 0:18:56 | |
there are some things that are terrifying in films and stuff | 0:18:56 | 0:19:00 | |
which I can't cope with, but I do like that bit of a mix. | 0:19:00 | 0:19:03 | |
Casualty and those dramas they're so loved, they're so loved. | 0:19:03 | 0:19:08 | |
I think on this occasion I'm going to put Gabby's choice in. | 0:19:08 | 0:19:12 | |
I'm going to put The Only Way Is Essex into Room 101. | 0:19:12 | 0:19:16 | |
CHEERING AND APPLAUSE | 0:19:16 | 0:19:18 | |
OK, let's have the next category, please. | 0:19:27 | 0:19:29 | |
It's People, and I want to find out what people Gregg don't like. | 0:19:35 | 0:19:39 | |
Ahhhh. | 0:19:48 | 0:19:50 | |
-Is it the elderly? -Scottish people? | 0:19:50 | 0:19:52 | |
That's old people at cash machines. | 0:19:52 | 0:19:55 | |
APPLAUSE | 0:19:57 | 0:20:01 | |
Now, I can understand, you know, also being a child in the '70s | 0:20:01 | 0:20:05 | |
and behind them in the queue in the Post Office saying, | 0:20:05 | 0:20:08 | |
"I don't understand this new money." That was hard enough. | 0:20:08 | 0:20:11 | |
But now, octogenarians with technology that you need | 0:20:11 | 0:20:15 | |
to get your cash out, is just disastrous. | 0:20:15 | 0:20:18 | |
Now, I have a theory that there is a chip in their card | 0:20:18 | 0:20:21 | |
which lets the machine know how old they are, | 0:20:21 | 0:20:24 | |
and if they are over 68, they get a game of Pacman. | 0:20:24 | 0:20:29 | |
That's the only explanation I've got for them being there for 25 minutes. | 0:20:29 | 0:20:34 | |
I think you're being a bit intolerant. | 0:20:34 | 0:20:36 | |
Listen, I got a round of applause, there. | 0:20:36 | 0:20:39 | |
I think we've all suffered the frustration of being | 0:20:39 | 0:20:42 | |
behind people that don't understand the new technology. | 0:20:42 | 0:20:45 | |
-Where are old people supposed to get their cash? -A special one. | 0:20:45 | 0:20:49 | |
Separate cash points for the elderly, with massive buttons. | 0:20:49 | 0:20:54 | |
I don't know any... | 0:20:54 | 0:20:55 | |
I think they're pretty good with tech... | 0:20:58 | 0:21:00 | |
Some of these old geezers can find their way | 0:21:00 | 0:21:02 | |
around a Thai bride website easily enough. | 0:21:02 | 0:21:05 | |
My mam's just started going online. She likes to buy clothes online | 0:21:08 | 0:21:13 | |
-because she likes to put comments on the website. -Oh, yeah? | 0:21:13 | 0:21:17 | |
But my sister has to tailor them, | 0:21:17 | 0:21:19 | |
because the last one she wanted to put on was, "The top is lovely, | 0:21:19 | 0:21:22 | |
"but sometimes the tassels go in me dinner." | 0:21:22 | 0:21:25 | |
I love old people. I genuinely love old people, | 0:21:25 | 0:21:29 | |
and I was really sad to hear, not so long ago, a few months ago, | 0:21:29 | 0:21:33 | |
that old people in London are the loneliest in the whole country. | 0:21:33 | 0:21:37 | |
And as I live in London, I thought, "Right, I'm going to make an effort | 0:21:37 | 0:21:41 | |
"when I see old people to smile at them." And they think I'm insane. | 0:21:41 | 0:21:45 | |
Yeah, they don't like it. I find them quite lazy. | 0:21:46 | 0:21:49 | |
The woman next door to me, | 0:21:49 | 0:21:51 | |
she hasn't took her milk in for about two weeks. | 0:21:51 | 0:21:54 | |
If this doesn't melt your heart, Gregg, I don't know what will. | 0:21:57 | 0:22:02 | |
This is...it's some old people. | 0:22:02 | 0:22:04 | |
It's in a restaurant, so it's on your home ground, | 0:22:04 | 0:22:06 | |
They're trying a bit of interviewing and it doesn't quite work out. | 0:22:06 | 0:22:11 | |
What time do you want me next week? Bye-bye. | 0:22:11 | 0:22:14 | |
Oh, yeah, yeah, of course, some pepper. | 0:22:16 | 0:22:19 | |
-What is it? -It's a microphone. | 0:22:22 | 0:22:24 | |
-What? -A microphone. | 0:22:24 | 0:22:26 | |
I thought it was pepper! | 0:22:28 | 0:22:30 | |
APPLAUSE | 0:22:30 | 0:22:34 | |
Let's see what kind of people Sarah doesn't like. | 0:22:35 | 0:22:38 | |
-That's you in the car, how lovely. -I know. | 0:22:46 | 0:22:49 | |
It's experts, so this is a mechanic in this scenario, obviously, | 0:22:49 | 0:22:53 | |
but also sort of dentists...anybody who knows a lot about something | 0:22:53 | 0:22:58 | |
that I might have to tap into, that I don't know the vocabulary. | 0:22:58 | 0:23:03 | |
If I'm in a restaurant and I don't understand the menu, | 0:23:03 | 0:23:06 | |
I Google it, really quietly, like that. | 0:23:06 | 0:23:10 | |
And I need to be able to do that in all of these instances. | 0:23:10 | 0:23:13 | |
I need to check that I'm not being ripped-off. | 0:23:13 | 0:23:16 | |
And it's the same with mechanics. | 0:23:16 | 0:23:18 | |
I take my car in, | 0:23:18 | 0:23:20 | |
I wish I could say it's definitely the flugelbinder, but... | 0:23:20 | 0:23:24 | |
You could say that, | 0:23:24 | 0:23:25 | |
but you'd be paying quite a lot of money, almost certainly. | 0:23:25 | 0:23:28 | |
Well, I went, I had a lump on my wrist | 0:23:28 | 0:23:32 | |
and I went and saw my doctor and he said, "It's a ganglion." | 0:23:32 | 0:23:36 | |
And I said, "Oh, right." I said, "What does that mean?" | 0:23:36 | 0:23:39 | |
He said you had to hit it with a Bible. | 0:23:39 | 0:23:41 | |
I thought, I'm not paying to see a doctor | 0:23:41 | 0:23:45 | |
who gives me advice from Medieval England. | 0:23:45 | 0:23:48 | |
So he said, "OK, I'll send you to see a specialist." | 0:23:48 | 0:23:51 | |
I went to see this specialist, and I said, | 0:23:51 | 0:23:54 | |
"Look, I've got a ganglion. | 0:23:54 | 0:23:55 | |
"My doctor said I should hit it with a Bible." | 0:23:55 | 0:23:58 | |
And he said, "It's absolutely outrageous | 0:23:58 | 0:24:02 | |
"that anyone would suggest that in 2010. | 0:24:02 | 0:24:05 | |
"Hit it with a book representing all the world's religions." | 0:24:05 | 0:24:08 | |
Fabulous. I could have hugged him. | 0:24:10 | 0:24:13 | |
I'll tell you what I'll do, I've got a list here of terms, | 0:24:16 | 0:24:20 | |
some of which are from dentistry and some of which are from mechanics. | 0:24:20 | 0:24:24 | |
-OK. -And I'm going to ask you three, right, to say which one it is. | 0:24:24 | 0:24:27 | |
So the first one here, is this dentistry or mechanics? | 0:24:27 | 0:24:30 | |
The pulp chamber. | 0:24:30 | 0:24:32 | |
Dentistry. | 0:24:32 | 0:24:33 | |
-Mechanics. -Dentistry. | 0:24:33 | 0:24:35 | |
It is, indeed. It's the central cavity of a tooth. | 0:24:35 | 0:24:39 | |
-Of course it is. -Did you know that? | 0:24:39 | 0:24:41 | |
See, I've already replaced that on my Micra. | 0:24:41 | 0:24:45 | |
What about a strut brace? | 0:24:50 | 0:24:52 | |
Pornography. | 0:24:52 | 0:24:54 | |
Oh, yes, sorry, that wasn't supposed to be there. | 0:24:55 | 0:24:58 | |
APPLAUSE | 0:24:59 | 0:25:02 | |
So let's see what kind of people Gabby Logan doesn't like. | 0:25:02 | 0:25:06 | |
You'd better say what it is before people, er... | 0:25:13 | 0:25:17 | |
everyone's a bit edgy at what you're going to say. | 0:25:17 | 0:25:20 | |
Controversial. | 0:25:25 | 0:25:28 | |
It's sales assistants, but a very specific kind of sales assistant, | 0:25:28 | 0:25:32 | |
-because there are very good sales assistants. -Of course. | 0:25:32 | 0:25:36 | |
But there are also, and I kind of feel like Mary Queen of Shops | 0:25:36 | 0:25:39 | |
when I get on this rant, but she has highlighted a dearth of talent | 0:25:39 | 0:25:43 | |
in the sales area across a whole load of services in this country. | 0:25:43 | 0:25:47 | |
We don't value sales assistants in the way that, for example, | 0:25:47 | 0:25:51 | |
in America you meet waitresses. That's their career. | 0:25:51 | 0:25:54 | |
They want to be a waitress. In this country, it's seen as a stop-gap. | 0:25:54 | 0:25:58 | |
We don't tip properly, we don't give sales people commission in shops. | 0:25:58 | 0:26:03 | |
So they have no real interest in their products. | 0:26:03 | 0:26:05 | |
I'll tell you what surprises me. | 0:26:05 | 0:26:07 | |
I'd have thought that you would get a bit of celebrity treatment. | 0:26:07 | 0:26:12 | |
I wouldn't even think of that when going into a shop. | 0:26:12 | 0:26:15 | |
Oh, you want a bit of celebrity treatment. What's the point? | 0:26:15 | 0:26:18 | |
I was in a shop buying something for my daughter and I said, | 0:26:21 | 0:26:24 | |
"Is this a true age five, or would you say it comes up | 0:26:24 | 0:26:27 | |
"a bit big for an age five? Cos she's just about to be six." | 0:26:27 | 0:26:29 | |
And the girl went, "What?" | 0:26:29 | 0:26:32 | |
And I said, "Well, you know, does this fit a normal five-year-old, | 0:26:32 | 0:26:35 | |
"or is this a bit big for a five-year-old?" | 0:26:35 | 0:26:37 | |
-And she turned to the other assistant and went... -No! | 0:26:37 | 0:26:42 | |
I felt like Julia Roberts in Pretty Woman. I handed everything to her | 0:26:42 | 0:26:46 | |
and I went, "Big mistake." And I just walked out of the shop. | 0:26:46 | 0:26:50 | |
See, I don't have kids. | 0:26:50 | 0:26:52 | |
I wouldn't have known how to answer that. | 0:26:52 | 0:26:54 | |
I would have gone, "Is your bairn a bit fat then, is it?" | 0:26:54 | 0:26:56 | |
We had a courier company and we had some truffles for Sally Clarke, | 0:26:58 | 0:27:02 | |
a formidable chef, coming back from Italy, and they lost them. | 0:27:02 | 0:27:05 | |
Four or five days later they got hold of them, and I phoned up. | 0:27:05 | 0:27:08 | |
They said, "Mr Wallace, we've found your package. | 0:27:08 | 0:27:11 | |
"We've got it in our London distribution centre." | 0:27:11 | 0:27:14 | |
I said "At Vauxhall?" "That's right." | 0:27:14 | 0:27:16 | |
"I'm at Covent Garden Market, I'll pick it up." | 0:27:16 | 0:27:19 | |
"You can't do that, sir. | 0:27:19 | 0:27:20 | |
"There's nobody down here who's trained to speak to the public." | 0:27:20 | 0:27:24 | |
True story. | 0:27:25 | 0:27:27 | |
Loads of chimps running around. | 0:27:28 | 0:27:31 | |
Could I have a bleurgh-blah?! I've come to pick up a bleurgh-bleugh! | 0:27:31 | 0:27:36 | |
OK. I'm not keen on putting in shop assistants, | 0:27:36 | 0:27:39 | |
because if I do I'll never get served in a shop ever again. | 0:27:39 | 0:27:43 | |
The same reason I wouldn't put in the emergency services, | 0:27:43 | 0:27:46 | |
if you'd chosen those. | 0:27:46 | 0:27:48 | |
-And I cannot put in elderly people. -You want to though, Frank. | 0:27:48 | 0:27:53 | |
-No I don't, I don't. -You so want to. -I think you're too cruel. | 0:27:53 | 0:27:56 | |
But, I also am very intimidated by experts and so it is | 0:27:56 | 0:28:01 | |
experts that intimidate us with their knowledge | 0:28:01 | 0:28:04 | |
that goes into Room 101. | 0:28:04 | 0:28:05 | |
APPLAUSE | 0:28:05 | 0:28:07 | |
And so to the next category. | 0:28:16 | 0:28:19 | |
This is the Wildcard round, because sometimes I feel | 0:28:24 | 0:28:27 | |
we constrain you too much in your hatred and dislikes. | 0:28:27 | 0:28:31 | |
So you get free reign. You can pick anything you like | 0:28:31 | 0:28:34 | |
that winds you up and we're going to start off with Sarah. | 0:28:34 | 0:28:38 | |
Let's see what really, really gets on Sarah's nerves. | 0:28:38 | 0:28:41 | |
Um? | 0:28:48 | 0:28:49 | |
It's erm... | 0:28:49 | 0:28:51 | |
cats that ignore me. | 0:28:51 | 0:28:53 | |
I don't have any animals, I'd like to have a pet, | 0:28:57 | 0:29:00 | |
but I don't have that sort of lifestyle. | 0:29:00 | 0:29:02 | |
I can't have an animal, so I have to rely on other people's animals, | 0:29:02 | 0:29:06 | |
stroking strangers' cats, that sort of thing. | 0:29:06 | 0:29:08 | |
So I will drive along and if I see a bonny looking cat, | 0:29:08 | 0:29:13 | |
I will pull in and then go and try and find the cat. | 0:29:13 | 0:29:16 | |
But they're little buggers in that they hide or they just, you know, | 0:29:16 | 0:29:20 | |
ignore me or they go right underneath a car, not my car. | 0:29:20 | 0:29:24 | |
it wouldn't be bad if they did that cos I'd have a hatch fitted | 0:29:24 | 0:29:27 | |
so I could drag them in. | 0:29:27 | 0:29:28 | |
But they hide right in the centre, where your arm just can't reach. | 0:29:28 | 0:29:32 | |
I've tried all the way round! | 0:29:32 | 0:29:34 | |
I need one of those grabby hands that pensioners have | 0:29:34 | 0:29:38 | |
-for when they drop things. -Or maybe just an old-fashioned rake. | 0:29:38 | 0:29:41 | |
So they don't, it's like they don't like you, Sarah. Can I suggest that? | 0:29:45 | 0:29:50 | |
-No, I don't think it's that. -No. | 0:29:50 | 0:29:52 | |
Can I stroke that one, even if he's got his back to us? | 0:29:52 | 0:29:55 | |
This is a good thing, cos if you go down here, they can't bite you. | 0:29:55 | 0:29:58 | |
-Yeah, well that one died in the 1980's. -Oh, it feels real! | 0:29:58 | 0:30:02 | |
-It is, well it was real. -That's a real stuffed cat. | 0:30:02 | 0:30:04 | |
Oh! Is this going back anywhere at the end of the show? | 0:30:04 | 0:30:07 | |
I totally want it. | 0:30:09 | 0:30:12 | |
I could put something to heat it up so it felt even more... | 0:30:12 | 0:30:16 | |
I don't think they're like ready meals, | 0:30:18 | 0:30:20 | |
you can bring them back to life with a microwave. | 0:30:20 | 0:30:22 | |
I saw a cat through a window recently and I went up | 0:30:22 | 0:30:26 | |
and I mewed at it. Miaow. | 0:30:26 | 0:30:29 | |
And it mewed back, but obviously it was silent, so it looked quite sad. | 0:30:29 | 0:30:33 | |
But it put its paw up, | 0:30:33 | 0:30:35 | |
it put its paw up at the glass like it was in prison in America, | 0:30:35 | 0:30:38 | |
and I put my paw up as well and we had a lovely moment. | 0:30:38 | 0:30:42 | |
-You put YOUR paw? -My hand, whatever. | 0:30:44 | 0:30:47 | |
Is there part of this that you're in a cat outfit? | 0:30:47 | 0:30:50 | |
Let's see what Gabby has chosen for her wildcard. | 0:30:52 | 0:30:57 | |
This is a replica of the Olympic torch. | 0:31:03 | 0:31:06 | |
But it's gone out. Symbolically it's gone out. | 0:31:07 | 0:31:10 | |
Because I am trying to put into Room 101 | 0:31:10 | 0:31:14 | |
people who poo-poo the Olympics, | 0:31:14 | 0:31:17 | |
who have no enthusiasm for the Olympics, | 0:31:17 | 0:31:19 | |
who put it down, who don't give it a chance. | 0:31:19 | 0:31:22 | |
On the 27th July, 204 countries are represented in 26 different sports. | 0:31:22 | 0:31:26 | |
Hundreds of millions of people will turn... | 0:31:26 | 0:31:29 | |
Am I picking up Five Live on this? | 0:31:29 | 0:31:31 | |
They're going to turn their eyes around the world on London, | 0:31:33 | 0:31:37 | |
and it is an amazing city. I'm lucky in my job to travel, | 0:31:37 | 0:31:41 | |
I've been to different cities and World Cups and all kinds of things, | 0:31:41 | 0:31:44 | |
and the festival atmosphere of an Olympic Games, | 0:31:44 | 0:31:48 | |
what it does to a city and a country's self-esteem, | 0:31:48 | 0:31:51 | |
is incredible. You don't have to love sport, you have to love drama, | 0:31:51 | 0:31:55 | |
passion, enthusiasm, the human spirit | 0:31:55 | 0:31:58 | |
and the things that make people unique. That's all you have to love. | 0:31:58 | 0:32:02 | |
And people who say, "I'm going away when the Olympics is on." | 0:32:02 | 0:32:06 | |
"I'm not watching that. Oh, it's going to be a nightmare." | 0:32:06 | 0:32:10 | |
It's two weeks, the Olympics. | 0:32:10 | 0:32:11 | |
I guarantee the most ardent kind of anti-Olympic person | 0:32:11 | 0:32:16 | |
will be moved when this comes to town, and you will cry | 0:32:16 | 0:32:19 | |
on an almost daily basis, as somebody triumphs against the odds. | 0:32:19 | 0:32:22 | |
Blimey! | 0:32:24 | 0:32:26 | |
Isn't there enough drug abuse in London, | 0:32:26 | 0:32:29 | |
without bringing in a load of athletes? | 0:32:29 | 0:32:31 | |
The good thing about the Olympics being in London is that | 0:32:33 | 0:32:36 | |
when we lose, the runners and whatnot won't have very far to go home. | 0:32:36 | 0:32:42 | |
Well, I must admit, | 0:32:43 | 0:32:45 | |
I'm sort of one of the people you're trying to put into Room 101, here. | 0:32:45 | 0:32:50 | |
I can't get very excited about the Olympics at all. | 0:32:50 | 0:32:53 | |
The other thing I think, and this is, this is not a joke, | 0:32:53 | 0:32:57 | |
I hate the logo so much it's put me off the Olympics. | 0:32:57 | 0:33:04 | |
APPLAUSE | 0:33:04 | 0:33:07 | |
-I think it really... -It's like the worst jigsaw you've ever seen. | 0:33:07 | 0:33:12 | |
I think that is just the tiniest part of this Olympic Games... | 0:33:12 | 0:33:16 | |
I know, but it's everywhere! | 0:33:16 | 0:33:18 | |
-I could do a better logo than that now. -Oh, you've got one. | 0:33:18 | 0:33:22 | |
No, I'll do one. I will do a better logo for the Olympics than that. | 0:33:22 | 0:33:27 | |
LAUGHTER AND APPLAUSE | 0:33:35 | 0:33:38 | |
We beat Paris, Moscow, New York and Madrid for this... | 0:33:40 | 0:33:44 | |
That's the problem though, that you can't top beating Paris. | 0:33:44 | 0:33:47 | |
French people crying on the telly, the Olympics can't follow that. | 0:33:47 | 0:33:51 | |
Anyway, let's see what Gregg Wallace has chosen as his wildcard. | 0:33:56 | 0:34:01 | |
-Music festivals, and that includes all live music. -What?! | 0:34:07 | 0:34:12 | |
And I'll tell you what, I know I'm getting old now and I only like | 0:34:12 | 0:34:16 | |
music by dead people, but I'll tell you why I don't like concerts. | 0:34:16 | 0:34:20 | |
You go to concerts to listen to music that you like | 0:34:20 | 0:34:24 | |
by bands who have made songs you like, | 0:34:24 | 0:34:27 | |
you get there to find half the concert is them playing music | 0:34:27 | 0:34:30 | |
you've never heard before, cos they want to promote a new album. | 0:34:30 | 0:34:34 | |
And then they do songs and change them. | 0:34:34 | 0:34:37 | |
So I went to see Elton John, he had a 15-minute Rocket Man. | 0:34:37 | 0:34:41 | |
Now, unless there was a bit missing off my LP, | 0:34:41 | 0:34:44 | |
Rocket Man was about three, three and a half minutes. | 0:34:44 | 0:34:47 | |
There was a big jazz section in it. | 0:34:47 | 0:34:49 | |
Now I think, if you go and see a band, you're going to see them | 0:34:49 | 0:34:52 | |
because you like the music they've done, | 0:34:52 | 0:34:54 | |
not possibly the music they're going to do, | 0:34:54 | 0:34:56 | |
and they should just leave their songs alone. | 0:34:56 | 0:34:59 | |
There's one thing I will say in your, there is, | 0:34:59 | 0:35:02 | |
occasionally you do see something and you do think to yourself, | 0:35:02 | 0:35:05 | |
maybe live music just isn't a very good idea after all. | 0:35:05 | 0:35:10 | |
# My baby's always dancing And it wouldn't be a bad thing | 0:35:10 | 0:35:15 | |
# But I don't get no loving And that's no lie | 0:35:15 | 0:35:18 | |
# We spent the night in Frisco At every kind of disco | 0:35:18 | 0:35:23 | |
# From that night I kissed our love goodbye | 0:35:23 | 0:35:26 | |
# Don't blame it on the sunshine Don't blame it on the moonlight | 0:35:26 | 0:35:31 | |
# Don't blame it on the good times Blame it on the boogie. # | 0:35:31 | 0:35:34 | |
APPLAUSE | 0:35:34 | 0:35:36 | |
Do you know, that's actually better than I remember. | 0:35:39 | 0:35:43 | |
Yes. I thought it was an Elton John gig during a hurricane. | 0:35:43 | 0:35:46 | |
Well, I have one, cos I feel strongly about this, I feel that | 0:35:47 | 0:35:50 | |
live music and bands experimenting on that is very important, Gregg. | 0:35:50 | 0:35:54 | |
I've got one last trump card that I think could win you over. | 0:35:54 | 0:35:58 | |
You are probably the most famous greengrocer in Britain, | 0:35:58 | 0:36:03 | |
maybe even in the world, is that true? | 0:36:03 | 0:36:06 | |
Well, then please welcome the London Vegetable Orchestra. | 0:36:06 | 0:36:10 | |
CHEERING AND APPLAUSE | 0:36:11 | 0:36:14 | |
MUSIC: "Stand By Me" by Ben E. King | 0:36:20 | 0:36:23 | |
-APPLAUSE -Well done. | 0:36:55 | 0:36:58 | |
Ohhh, I loved it. | 0:37:00 | 0:37:02 | |
I loved it. | 0:37:04 | 0:37:06 | |
I was actually playing a bit of air parsnip. | 0:37:06 | 0:37:10 | |
Anyway, now apparently the government says you should | 0:37:10 | 0:37:14 | |
listen to five of their songs a day. | 0:37:14 | 0:37:16 | |
OK, I'm going to make my choice. | 0:37:18 | 0:37:20 | |
Well, look, you may have guessed, I'm not going to put live music in, | 0:37:20 | 0:37:24 | |
it's very, it's very, very crucial to me. | 0:37:24 | 0:37:27 | |
And, erm...people who, cats who ignore you... | 0:37:27 | 0:37:32 | |
I think maybe you should get some catnip and everything'll be OK. | 0:37:32 | 0:37:37 | |
The reason I think I'm going to make this choice, Gabby, | 0:37:37 | 0:37:40 | |
is because I am one of the people who moan about the Olympics, | 0:37:40 | 0:37:44 | |
and you know what, I think in a way it's quite bad of me. | 0:37:44 | 0:37:47 | |
I'm going to change my ways. You were so passionate, | 0:37:47 | 0:37:49 | |
I am going to put people who moan about the Olympics into Room 101. | 0:37:49 | 0:37:55 | |
CHEERING AND APPLAUSE | 0:37:55 | 0:37:57 | |
And that brings us to the end of the show. | 0:38:02 | 0:38:05 | |
And so, well done, Gabby, | 0:38:05 | 0:38:07 | |
you've proved to be the most persuasive guest tonight, so you get | 0:38:07 | 0:38:10 | |
to choose one item to go into Room 101 that's completely unchallenged. | 0:38:10 | 0:38:15 | |
-What are you going for? -I'm going for shell suits. -Really? -Yes. | 0:38:15 | 0:38:19 | |
What a shame, I do think, they do say that if you hold a shell suit up | 0:38:19 | 0:38:24 | |
to your ear, you can hear the roar of the ocean at Southend-on-Sea. | 0:38:24 | 0:38:29 | |
OK, you have your own way, Gabby. | 0:38:29 | 0:38:31 | |
I'm going to put shell suits into Room 101. | 0:38:31 | 0:38:33 | |
APPLAUSE | 0:38:33 | 0:38:35 | |
Thanks very much to Gregg, to Gabby and to Sarah, | 0:38:37 | 0:38:40 | |
and to you, thank you. Good night. | 0:38:40 | 0:38:42 | |
Subtitles by Red Bee Media Ltd | 0:38:50 | 0:38:52 | |
Email [email protected] | 0:38:52 | 0:38:54 |