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CHEERING AND APPLAUSE | 0:00:26 | 0:00:29 | |
Hello. I'm Frank Skinner and welcome to Room 101, | 0:00:32 | 0:00:37 | |
the show where three guests will be vying to have their pet hates and peeves | 0:00:37 | 0:00:41 | |
forever consigned to the dark, desolate wasteland that is Room 101. | 0:00:41 | 0:00:46 | |
Our guests' choices have been sorted into categories, | 0:00:46 | 0:00:49 | |
but there's only enough space for one at a time - the final decision is mine. | 0:00:49 | 0:00:54 | |
Choosing the one I like least from a category can be difficult. | 0:00:54 | 0:00:57 | |
Take, for example, this group. | 0:00:57 | 0:00:59 | |
You've got to have a bit of light amidst the dark, haven't you? Give me another category. | 0:01:05 | 0:01:10 | |
-LAUGHTER -That's it, much cheerier(!) | 0:01:15 | 0:01:18 | |
So let's meet the guests. | 0:01:18 | 0:01:20 | |
Joining me tonight are wildlife expert, Chris Packham, | 0:01:20 | 0:01:23 | |
presenter, Chris Tarrant, and rock legend, Alice Cooper. | 0:01:23 | 0:01:26 | |
CHEERING AND APPLAUSE | 0:01:26 | 0:01:29 | |
Let's have our first category. | 0:01:35 | 0:01:37 | |
OK, so the first category is celebrities. | 0:01:42 | 0:01:45 | |
Let's have a look at Alice Cooper's choice. | 0:01:45 | 0:01:48 | |
LAUGHTER | 0:01:51 | 0:01:54 | |
Exactly. I hate all reality TV stars. | 0:01:54 | 0:01:58 | |
Reality "stars" are not stars | 0:01:58 | 0:02:00 | |
because they've never worked for anything. | 0:02:00 | 0:02:03 | |
When I pick up a magazine and it says, "Tiffany and Jeff breaking up", | 0:02:03 | 0:02:08 | |
and I go, "I don't know who these people are." | 0:02:08 | 0:02:10 | |
You know, I'm at the point where... | 0:02:10 | 0:02:12 | |
You understand that, even in the States, we have a bunch of drunk kids in New Jersey | 0:02:12 | 0:02:18 | |
in a house that I would like to open the gas line | 0:02:18 | 0:02:21 | |
-and just light the match and let it blow up, you know? -APPLAUSE | 0:02:21 | 0:02:25 | |
-This is Jersey Shore of which you speak, isn't it? -Yes. | 0:02:26 | 0:02:30 | |
But, I mean, Big Brother. | 0:02:30 | 0:02:32 | |
You've got this horrendous person | 0:02:32 | 0:02:34 | |
that you wouldn't talk to in real life | 0:02:34 | 0:02:36 | |
and this other horrendous person | 0:02:36 | 0:02:39 | |
that you would rather kill than look at | 0:02:39 | 0:02:41 | |
and if they're on an island, | 0:02:41 | 0:02:44 | |
I hope the tidal wave kills all of them, you know? | 0:02:44 | 0:02:47 | |
APPLAUSE | 0:02:47 | 0:02:49 | |
-That's fire and water you've finished them off with already. -Yeah. | 0:02:51 | 0:02:56 | |
Well, I must admit, I am sort of interested in these people a bit. | 0:02:56 | 0:03:00 | |
I think they do us a lot of good | 0:03:00 | 0:03:03 | |
because, compared to them, in the world of celebrity, | 0:03:03 | 0:03:06 | |
-since they've arrived, we all look much deeper, more talented. -Yeah. | 0:03:06 | 0:03:11 | |
You know, I never thought that you would come up with a positive thought on it, | 0:03:11 | 0:03:15 | |
but you actually are right. | 0:03:15 | 0:03:17 | |
We had a reality star called... | 0:03:17 | 0:03:18 | |
I think it's fair to call him that, he was on talent show, called Chico. | 0:03:18 | 0:03:22 | |
-I don't know if he ever made...? -No. | 0:03:22 | 0:03:25 | |
He had a catchphrase, which is very important in this business, and it was, "It's Chico time." | 0:03:25 | 0:03:31 | |
And when he took his photo, | 0:03:32 | 0:03:34 | |
I'll tell you how he signified that it was "Chico time". | 0:03:34 | 0:03:38 | |
LAUGHTER | 0:03:38 | 0:03:39 | |
I'm not sure about this because I do like those... | 0:03:40 | 0:03:44 | |
I like those programmes. | 0:03:44 | 0:03:46 | |
-I like watching reality stuff. -I just... I'm old school. | 0:03:46 | 0:03:50 | |
I like a star that's a star, | 0:03:50 | 0:03:51 | |
he's worked to be a star and there he is - he's a star. | 0:03:51 | 0:03:54 | |
And go look at him and you go, "Oh, that's a star." | 0:03:54 | 0:03:57 | |
And then you look at these kids and you go, "Really? Really?!" | 0:03:57 | 0:04:01 | |
I can't pick a single hole in Alice's argument cos we all agree. | 0:04:01 | 0:04:05 | |
-Nancy...what's she called, Dallaglio? -Yes. | 0:04:05 | 0:04:08 | |
Oh, that's the rugby player. Same thing. What's she famous for? | 0:04:08 | 0:04:12 | |
Well, she went out with Sven-Goran Eriksson. | 0:04:12 | 0:04:15 | |
She stayed IN with Sven-Goran Eriksson. | 0:04:15 | 0:04:17 | |
LAUGHTER | 0:04:17 | 0:04:18 | |
It's... Which can't be easy, Frank. | 0:04:18 | 0:04:20 | |
And that's it. | 0:04:20 | 0:04:21 | |
LAUGHTER But there are those still. There's one there on the screen, | 0:04:21 | 0:04:25 | |
and it's not Brad on the left, who is incredibly famous, | 0:04:25 | 0:04:28 | |
is in all the magazines Alice is talking about, | 0:04:28 | 0:04:30 | |
makes a very large amount of money, | 0:04:30 | 0:04:33 | |
sells books, which she ghost writes in crayon by the... LAUGHTER | 0:04:33 | 0:04:38 | |
..by the shed-load! | 0:04:38 | 0:04:41 | |
She's very popular. | 0:04:41 | 0:04:42 | |
I went to a book signing that took about six or seven hours - Jordan. | 0:04:42 | 0:04:47 | |
Her second book was a bit quicker. | 0:04:47 | 0:04:49 | |
LAUGHTER | 0:04:49 | 0:04:51 | |
Anyway, um...you argue with true venom, Alice. | 0:04:51 | 0:04:56 | |
Let's see what Chris Tarrant doesn't like about celebrity. | 0:04:56 | 0:05:00 | |
LAUGHTER AND APPLAUSE | 0:05:04 | 0:05:07 | |
Jedward! | 0:05:10 | 0:05:12 | |
I've said it now. Jedward! | 0:05:13 | 0:05:16 | |
They are everything that Alice is on about, except they have a name. | 0:05:16 | 0:05:21 | |
I don't understand a word they say, I don't think it would matter much if I found out, | 0:05:21 | 0:05:26 | |
but they cannot sing, they cannot dance at all, | 0:05:26 | 0:05:29 | |
they irritate the... out of just about everybody. | 0:05:29 | 0:05:35 | |
They were on The X Factor, | 0:05:35 | 0:05:36 | |
which supposedly is a search for excellence, | 0:05:36 | 0:05:39 | |
someone who's got the X factor, someone like Mr Cooper on my left, | 0:05:39 | 0:05:43 | |
who can go on to be a great star or whatever. | 0:05:43 | 0:05:46 | |
It's the Y Factor! Why are they still on? | 0:05:46 | 0:05:48 | |
LAUGHTER | 0:05:48 | 0:05:50 | |
And, genetically, twins breed twins. | 0:05:50 | 0:05:52 | |
There'll be bloody thousands of them! | 0:05:52 | 0:05:54 | |
LAUGHTER | 0:05:54 | 0:05:56 | |
-Isn't there something loveable about them? -No. | 0:05:56 | 0:05:59 | |
I love...they've got a fabulous sort of... | 0:05:59 | 0:06:02 | |
They're fools, but they seem resilient - they bounce back. | 0:06:02 | 0:06:06 | |
-Why? -They were dropped by their record label and were seen 20 minutes later | 0:06:06 | 0:06:10 | |
in a local park playing leapfrog. | 0:06:10 | 0:06:14 | |
LAUGHTER | 0:06:14 | 0:06:16 | |
I have a clip which... you'll really enjoy this. | 0:06:16 | 0:06:20 | |
This shows how durable they are. | 0:06:20 | 0:06:23 | |
This is Jedward on stage and one of them, don't ask me which one, | 0:06:23 | 0:06:26 | |
actually, mid-song, fractures a bone in his leg. | 0:06:26 | 0:06:30 | |
# Pressure on people People on streets... # | 0:06:30 | 0:06:33 | |
LAUGHTER | 0:06:35 | 0:06:37 | |
# Too cold, too cold. # | 0:06:42 | 0:06:44 | |
Come on! Are you OK? | 0:06:44 | 0:06:46 | |
Let's do this! | 0:06:49 | 0:06:51 | |
LAUGHTER | 0:06:51 | 0:06:53 | |
Are you sure that wasn't an assassination attempt and...? | 0:06:55 | 0:06:58 | |
-I think they've changed the world. -No, they haven't! | 0:07:00 | 0:07:03 | |
Who would have thought we'd be in a position | 0:07:03 | 0:07:05 | |
where the Cheeky Girls are not the stupidest twins in showbiz? | 0:07:05 | 0:07:08 | |
There is that. | 0:07:09 | 0:07:11 | |
-They're massively popular across... -Who with? -Across the world. | 0:07:11 | 0:07:14 | |
-Where? -In New Zealand, there's a big Jedward fan club. | 0:07:14 | 0:07:19 | |
Here, this is their meeting. | 0:07:19 | 0:07:21 | |
LAUGHTER | 0:07:21 | 0:07:24 | |
Ha-ha-ha! | 0:07:26 | 0:07:27 | |
And they actually did great services for the United States. | 0:07:27 | 0:07:30 | |
They received full military honours, Jedward, for their part | 0:07:30 | 0:07:34 | |
in the killing of Osama Bin Laden. | 0:07:34 | 0:07:37 | |
-Really? Oh. -Here they are receiving their... | 0:07:37 | 0:07:40 | |
They worked undercover in Al-Qaeda under the name of Jihadward. | 0:07:40 | 0:07:46 | |
LAUGHTER | 0:07:46 | 0:07:48 | |
I tweeted something about them in some wildlife context once | 0:07:51 | 0:07:55 | |
about some talentless animal and compared it | 0:07:55 | 0:07:58 | |
to these chumps and I got hate tweets. | 0:07:58 | 0:08:02 | |
-LAUGHTER -Hundreds of hate tweets. | 0:08:02 | 0:08:04 | |
Yes, sorry about that. It just really wound me up, Chris. | 0:08:04 | 0:08:08 | |
LAUGHTER | 0:08:08 | 0:08:10 | |
OK, you make your point, Chris. | 0:08:10 | 0:08:14 | |
Let's see which celebrity Chris Packham doesn't like. | 0:08:14 | 0:08:19 | |
CHEERING AND APPLAUSE | 0:08:24 | 0:08:27 | |
-It is the odious... -Ooh! -..Chris Moyles. | 0:08:29 | 0:08:33 | |
Just saying his name, I've probably developed a rash. | 0:08:33 | 0:08:38 | |
-Can I ask what it is that you don't like about him? -Yeah. OK. | 0:08:38 | 0:08:41 | |
Well, there's a list of things. Firstly... | 0:08:41 | 0:08:44 | |
Hold on a minute. | 0:08:44 | 0:08:46 | |
To me, he's a totemic figure | 0:08:46 | 0:08:49 | |
for the celebration of mediocrity and ignorance. | 0:08:49 | 0:08:53 | |
-You know, he... -APPLAUSE | 0:08:53 | 0:08:56 | |
And he manifests this by speaking without ever thinking, you know, | 0:08:59 | 0:09:05 | |
and when he... And he's self-aggrandizing. | 0:09:05 | 0:09:08 | |
He... Oh, my goodness me. | 0:09:08 | 0:09:11 | |
Hold on. I've just got to breathe a bit. | 0:09:11 | 0:09:14 | |
I see him as a sort of cheeky Jabba The Hutt. | 0:09:14 | 0:09:17 | |
LAUGHTER | 0:09:17 | 0:09:19 | |
Can I say, before you tear in any more, | 0:09:19 | 0:09:22 | |
Chris Moyles does, um, he's done 17.5 hours of radio a week... | 0:09:22 | 0:09:28 | |
Oh, my God! | 0:09:28 | 0:09:29 | |
..for seven years. | 0:09:29 | 0:09:31 | |
They say that if an infinite number of monkeys | 0:09:31 | 0:09:34 | |
typed on an infinite number of typewriters, | 0:09:34 | 0:09:37 | |
eventually they would produce the works of Shakespeare. | 0:09:37 | 0:09:40 | |
But, on the way, they'd produce quite a bit of casual sexism. | 0:09:40 | 0:09:44 | |
I think that's how it's worked... | 0:09:44 | 0:09:46 | |
He's doing hours and hours of stuff, you've got to allow him the odd slip. | 0:09:46 | 0:09:51 | |
One badly damaged marmoset | 0:09:51 | 0:09:53 | |
typing on a Speak And Spell machine would produce his average show(!) | 0:09:53 | 0:09:58 | |
LAUGHTER AND APPLAUSE | 0:09:58 | 0:10:02 | |
I worked with Moyles at Capital Radio, | 0:10:03 | 0:10:05 | |
-when he did the prestigious 1am slot until 2.30am or something. -See? He's paid his dues. | 0:10:05 | 0:10:10 | |
You know, he did a 52-hour marathon on the radio | 0:10:10 | 0:10:15 | |
and raised £2.4 million for charity. | 0:10:15 | 0:10:17 | |
And how many people died in their rooms, you know? | 0:10:17 | 0:10:21 | |
LAUGHTER | 0:10:21 | 0:10:23 | |
Well, look, you've all argued with tremendous passion in this round, | 0:10:23 | 0:10:28 | |
but, er, I'm not going to let Chris Moyles in | 0:10:28 | 0:10:31 | |
because I think radio is a tough job and he does loads of it | 0:10:31 | 0:10:35 | |
and I think some of it is great. | 0:10:35 | 0:10:37 | |
And even Homer nods, as they say. | 0:10:37 | 0:10:40 | |
-Jedward, I have a soft spot for... -Oh, come on! | 0:10:40 | 0:10:43 | |
-Because I like them. -No! -I like fools of all kinds. | 0:10:43 | 0:10:46 | |
But I'm going to go with Alice. | 0:10:46 | 0:10:48 | |
You know what, I am going to put all reality TV stars into Room 101. | 0:10:48 | 0:10:53 | |
Thank you. Thank you. | 0:10:53 | 0:10:55 | |
CHEERING AND APPLAUSE | 0:10:55 | 0:10:58 | |
The next category, please. | 0:11:06 | 0:11:08 | |
Animals. Oh, dear. | 0:11:13 | 0:11:16 | |
Animals that wind up Alice Cooper. | 0:11:18 | 0:11:20 | |
LAUGHTER | 0:11:23 | 0:11:25 | |
I hate people that have wild animals as pets. | 0:11:25 | 0:11:30 | |
I don't get it. Eventually, that animal is going to eat you. | 0:11:30 | 0:11:35 | |
LAUGHTER | 0:11:35 | 0:11:36 | |
Chris, being a zoologist, is thinking, | 0:11:36 | 0:11:38 | |
-"That giraffe will never eat that man, ever." -LAUGHTER | 0:11:38 | 0:11:43 | |
Didn't you used to keep snakes? | 0:11:43 | 0:11:44 | |
I have a snake here. I can't remember where I put it. | 0:11:44 | 0:11:47 | |
LAUGHTER | 0:11:47 | 0:11:49 | |
A lot of people have snakes. Not many people have tigers and lions. | 0:11:50 | 0:11:55 | |
It's always you read in the paper, "I don't know what happened. | 0:11:55 | 0:11:59 | |
"I raised him from a cub | 0:11:59 | 0:12:01 | |
"and now he's this big and he just took my face off." | 0:12:01 | 0:12:04 | |
You know. He's a tiger. You're lunch! | 0:12:04 | 0:12:08 | |
LAUGHTER | 0:12:08 | 0:12:09 | |
-My girlfriend keeps tigers and lions, Alice. -Really? | 0:12:09 | 0:12:14 | |
-Does she really? -I'm in a difficult position. | 0:12:14 | 0:12:16 | |
-Your girlfriend keeps tigers and lions? -She does, yeah. | 0:12:16 | 0:12:20 | |
Now, look, I think... | 0:12:20 | 0:12:22 | |
-Is that why you're wearing a camouflage shirt? -LAUGHTER | 0:12:22 | 0:12:27 | |
No, my partner has a sanctuary where she gets animals | 0:12:27 | 0:12:30 | |
from people who have tried to keep them, like Alice is talking about. | 0:12:30 | 0:12:33 | |
Her last one came from Florida and it was a tiger | 0:12:33 | 0:12:36 | |
and it was brought over to the UK. | 0:12:36 | 0:12:38 | |
She keeps it in a large enclosure with plenty of space | 0:12:38 | 0:12:40 | |
and it will live out the rest of its life acting as an ambassador for its species. | 0:12:40 | 0:12:45 | |
-Many people come to see it and learn about it. -It's working as an ambassador? | 0:12:45 | 0:12:49 | |
-Is that like Geri Halliwell did for UNICEF? -LAUGHTER | 0:12:49 | 0:12:53 | |
I mean, I kept lots of exotic animals when I was a kid, | 0:12:54 | 0:12:59 | |
-and now I let my girlfriend do it for me. -Like what? What did you have? | 0:12:59 | 0:13:02 | |
We had British wild animals - | 0:13:02 | 0:13:04 | |
foxes and badgers and owls and buzzards. | 0:13:04 | 0:13:06 | |
-And then rattle snakes. -As pets? -Yeah. | 0:13:06 | 0:13:08 | |
-Where did you keep them? Were they just in your house? -Yeah, in the bedroom. | 0:13:08 | 0:13:12 | |
You had a fox in your bedroom and a badger? | 0:13:12 | 0:13:14 | |
-That's amazing. Is it legal, Chris? -Well, no. -I'm sorry, I... | 0:13:14 | 0:13:19 | |
LAUGHTER | 0:13:19 | 0:13:21 | |
I love animals. I love animals. | 0:13:21 | 0:13:22 | |
I have dogs, I have, you know, snakes, everything like that, | 0:13:22 | 0:13:26 | |
and I treat them like they're made out of porcelain. | 0:13:26 | 0:13:29 | |
They're my favourite things in the world - animals. | 0:13:29 | 0:13:31 | |
It's just that when they get to weigh four times more than you do and they want to play, | 0:13:31 | 0:13:38 | |
they can break you in half just playing with you. | 0:13:38 | 0:13:41 | |
I don't know anybody who has a giraffe. | 0:13:41 | 0:13:44 | |
-Oh, Michael Jackson had a giraffe, and look what it did to him. -LAUGHTER | 0:13:44 | 0:13:49 | |
-Hey, come on. -APPLAUSE | 0:13:50 | 0:13:54 | |
You're not trying to pin this on the giraffe, are you? | 0:13:57 | 0:14:00 | |
-Call it doctor all you want, but it was the giraffe. -LAUGHTER | 0:14:00 | 0:14:04 | |
OK, let's see what kind of animals wind up Chris Tarrant. | 0:14:06 | 0:14:10 | |
-Oh, I hate them! -Aaah. | 0:14:14 | 0:14:16 | |
No, sorry. Parrots - I hate parrots! | 0:14:16 | 0:14:19 | |
I love birds. I spend a lot of time out in the country. | 0:14:19 | 0:14:22 | |
I hate...it didn't help that when I was six I was attacked by a parrot. | 0:14:22 | 0:14:26 | |
-Well, that is... -It just went "Waaark!" and attacked me. | 0:14:26 | 0:14:29 | |
-You can't blame all parrots for one... -I do! | 0:14:29 | 0:14:33 | |
They don't...they don't sing, they don't talk. | 0:14:33 | 0:14:37 | |
-"Did you hear what it...?" "Mwark!" -They do talk. -No, they do not. | 0:14:37 | 0:14:41 | |
There's one in my pub, it never says a bloomin' thing. | 0:14:41 | 0:14:44 | |
"Did you hear what it said? Shakespeare sonnet." No it wasn't. "Wark!" | 0:14:44 | 0:14:48 | |
Pretty boy. "Bwark!" They don't! | 0:14:48 | 0:14:50 | |
They can't fly, they fly a bit. They've got these horrible... | 0:14:50 | 0:14:53 | |
they haven't got lovely, chirpy beaks, they've got these can openers. | 0:14:53 | 0:14:57 | |
Look at them. Horrible things! And they crap...everywhere. | 0:14:57 | 0:15:02 | |
Long John Silver, you never saw him from behind, did you? | 0:15:02 | 0:15:07 | |
LAUGHTER | 0:15:07 | 0:15:09 | |
In the pirate films, when I was a kid, I used to like the parrots better than the pirates. | 0:15:09 | 0:15:14 | |
I would have made Parrots Of The Caribbean if I was going to make that. | 0:15:14 | 0:15:18 | |
I just thought they were fascinating. | 0:15:18 | 0:15:21 | |
If you go to a beautiful island in the Caribbean, St Lucia, | 0:15:21 | 0:15:25 | |
there's signs everywhere saying, "Do not eat the parrot." | 0:15:25 | 0:15:29 | |
It never crossed my mind, frankly. | 0:15:29 | 0:15:31 | |
-You can't do anything with them. They are horrible. -I think they repeat on you. | 0:15:33 | 0:15:37 | |
GROANS AND LAUGHTER | 0:15:37 | 0:15:39 | |
-Parrots can talk. -Of course they can't. -They can. -You've got a badger in your bed. | 0:15:41 | 0:15:46 | |
I am not going to argue with a man who wakes up with a Shetland pony(!) | 0:15:46 | 0:15:50 | |
OK, which animals wind up Chris Packham? | 0:15:51 | 0:15:56 | |
Hold on. | 0:16:02 | 0:16:04 | |
There is only one animal species that I don't like | 0:16:04 | 0:16:08 | |
and that is Homo sapiens, the human species. | 0:16:08 | 0:16:12 | |
-What? -We have ruined everything. | 0:16:14 | 0:16:18 | |
Before you go on, is this just another sneaky way of getting Chris Moyles in? | 0:16:18 | 0:16:22 | |
LAUGHTER | 0:16:22 | 0:16:24 | |
We have ruined everything. | 0:16:29 | 0:16:31 | |
We had a lovely little blue planet, drifting in a solar system, | 0:16:31 | 0:16:35 | |
everything was in harmony, things were evolving, | 0:16:35 | 0:16:38 | |
things were becoming extinct, we were having a nice little time with dinosaurs, | 0:16:38 | 0:16:42 | |
and then, all of a sudden, mammals and then hominids. | 0:16:42 | 0:16:46 | |
You know, we stand upright with our opposing thumb and our bigger brain | 0:16:46 | 0:16:50 | |
and then some idiot invents agriculture about 12,000 years ago | 0:16:50 | 0:16:54 | |
and then another idiot comes up with medicine so we live too long. | 0:16:54 | 0:16:59 | |
And, all of a sudden, you've got 6.97 billion human beings trashing the whole lot. | 0:16:59 | 0:17:06 | |
APPLAUSE | 0:17:06 | 0:17:08 | |
-What are you doing, you fools? -Why are you all clapping? | 0:17:08 | 0:17:11 | |
But we are the stewards of creation. | 0:17:13 | 0:17:15 | |
That's why we invented the high-vis jacket. | 0:17:15 | 0:17:17 | |
LAUGHTER | 0:17:17 | 0:17:20 | |
We should be living in harmony with the rest of the world and we don't do it. | 0:17:20 | 0:17:25 | |
Do you know, there are more... When it comes to vertebrate animals, animals with backbones, | 0:17:25 | 0:17:29 | |
there are more humans than any other species on the planet... | 0:17:29 | 0:17:34 | |
-But that's because we're best, Chris. -But we're not. | 0:17:34 | 0:17:37 | |
-You're telling us we are not best? -We're not best. | 0:17:37 | 0:17:40 | |
That's...look at this. | 0:17:40 | 0:17:42 | |
LAUGHTER | 0:17:43 | 0:17:45 | |
You ask a chimpan... | 0:17:45 | 0:17:47 | |
Rubbish! | 0:17:47 | 0:17:48 | |
OK, this is my trump card, | 0:17:49 | 0:17:52 | |
because I think there's something very magical about humanity. | 0:17:52 | 0:17:55 | |
It's easy to criticise and talk about the bad things we've done to the planet, | 0:17:55 | 0:17:59 | |
but I think there's also something beautiful and wondrous and magical about it. | 0:17:59 | 0:18:04 | |
Here is my argument against you, Chris Packham. | 0:18:04 | 0:18:07 | |
Ladies and gentlemen, I give you the human race! | 0:18:07 | 0:18:10 | |
CHEERING AND APPLAUSE | 0:18:10 | 0:18:13 | |
RHYTHMIC CLAPPING | 0:18:15 | 0:18:17 | |
What time is it? | 0:18:23 | 0:18:25 | |
It's Chico time! | 0:18:25 | 0:18:27 | |
-Oh, come on! -CHEERING AND APPLAUSE | 0:18:31 | 0:18:34 | |
I think I win. | 0:18:38 | 0:18:40 | |
OK, so we come to the end of the animals round, | 0:18:44 | 0:18:47 | |
and, you know what, I can't put human beings in | 0:18:47 | 0:18:51 | |
because they're too special and wondrous and marvellous. | 0:18:51 | 0:18:54 | |
I don't think it's right to put the wild animals we've kept, | 0:18:54 | 0:18:57 | |
because I think you keep a snake and I'm putting you next to that man with the giraffe. | 0:18:57 | 0:19:01 | |
-And although I love parrots, you argued it with such verve, Chris. -As you would(!) | 0:19:01 | 0:19:07 | |
I am going to put parrots into Room 101. | 0:19:07 | 0:19:10 | |
Bye-bye. | 0:19:12 | 0:19:14 | |
Bye. | 0:19:14 | 0:19:16 | |
APPLAUSE | 0:19:16 | 0:19:17 | |
OK, the next category, please. | 0:19:24 | 0:19:27 | |
-LAUGHTER -OK, it's People. | 0:19:33 | 0:19:36 | |
So, um, let's see what kind of people wind up Chris Tarrant. | 0:19:36 | 0:19:41 | |
LAUGHTER | 0:19:45 | 0:19:49 | |
That's me! | 0:19:50 | 0:19:52 | |
Yes. | 0:19:52 | 0:19:54 | |
I just hate, and I have to say you fit into the category nicely, | 0:19:54 | 0:19:58 | |
almost all men in shorts. | 0:19:58 | 0:20:00 | |
I'm sorry, but men in shorts are ridiculous. | 0:20:00 | 0:20:03 | |
They get on the train, | 0:20:03 | 0:20:05 | |
and I don't know why they always find me in the posh carriages, and they sit like that. | 0:20:05 | 0:20:10 | |
And there's something kind of... | 0:20:10 | 0:20:12 | |
There's sort of big dark bits either side and they're sort of... | 0:20:12 | 0:20:17 | |
There's something very unpleasant lolling about in the gloom. | 0:20:17 | 0:20:21 | |
LAUGHTER | 0:20:21 | 0:20:23 | |
But you can't look away, am I right? | 0:20:23 | 0:20:25 | |
No, no! | 0:20:25 | 0:20:26 | |
LAUGHTER | 0:20:26 | 0:20:27 | |
I really do find nearly all men in shorts, | 0:20:27 | 0:20:31 | |
including the president incumbent, deeply unpleasant. You're a very elegant man, | 0:20:31 | 0:20:36 | |
-you're very stylish. -I was caught unawares. | 0:20:36 | 0:20:38 | |
-You look ridiculous. -That's not a photoshoot, you'll be surprised to hear. | 0:20:38 | 0:20:42 | |
Frank, you're a handsome, good-looking son-of-a-gun. | 0:20:42 | 0:20:46 | |
You'd look better with trousers on. Alice would. | 0:20:46 | 0:20:48 | |
No, I live in Arizona. | 0:20:48 | 0:20:50 | |
-You'd look better with trousers on. -Nine months of the year, I play golf every day | 0:20:50 | 0:20:55 | |
and it's 110 degrees. We wear shorts. But... | 0:20:55 | 0:20:57 | |
we don't wear socks up to here with sandals. | 0:20:57 | 0:21:01 | |
That's a great look. | 0:21:01 | 0:21:03 | |
You're right about one thing, you know, | 0:21:03 | 0:21:06 | |
there should be a law against Speedos. | 0:21:06 | 0:21:08 | |
-Oh! -Walking down the beach like... | 0:21:08 | 0:21:11 | |
LAUGHTER | 0:21:14 | 0:21:16 | |
You know they looked in the mirror when they put them on and went, | 0:21:16 | 0:21:19 | |
"Oh, yeah!" | 0:21:19 | 0:21:20 | |
LAUGHTER | 0:21:20 | 0:21:23 | |
I gotta have that! | 0:21:23 | 0:21:25 | |
We've got a picture - Cristiano Ronaldo is an international sportsman, | 0:21:25 | 0:21:29 | |
but even he's pushing it a bit with these shorts. | 0:21:29 | 0:21:32 | |
GROANS AND LAUGHTER | 0:21:32 | 0:21:34 | |
-Oh, please! -They're short. I tell you something - | 0:21:34 | 0:21:37 | |
Debenhams said that after these pictures appeared in the press, | 0:21:37 | 0:21:41 | |
sales of those particular shorts went up 117%. | 0:21:41 | 0:21:46 | |
That's two pairs. | 0:21:46 | 0:21:47 | |
-LAUGHTER -What about this? | 0:21:47 | 0:21:50 | |
-This is Peter Stringfellow on holiday. -Oh, no, no! | 0:21:50 | 0:21:53 | |
Oh, no! | 0:21:53 | 0:21:55 | |
GROANS AND LAUGHTER No, no, no! | 0:21:55 | 0:21:58 | |
And apparently, after these pictures appeared in the press, | 0:21:58 | 0:22:02 | |
Woolworths closed. | 0:22:02 | 0:22:04 | |
LAUGHTER | 0:22:04 | 0:22:07 | |
-We have a lovely picture of you out and about. -Not in shorts. | 0:22:07 | 0:22:10 | |
I think these just about qualify as shorts. What do you think? | 0:22:10 | 0:22:14 | |
LAUGHTER | 0:22:14 | 0:22:17 | |
What am I doing? | 0:22:17 | 0:22:19 | |
-I think you're... -It looks like I'm leaving prison. | 0:22:19 | 0:22:22 | |
God, they don't feed them that well in prison. | 0:22:22 | 0:22:25 | |
LAUGHTER | 0:22:25 | 0:22:27 | |
Another few pounds in there. | 0:22:27 | 0:22:29 | |
OK, let's see what kind of people Chris Packham doesn't like. | 0:22:32 | 0:22:37 | |
Living statues. | 0:22:45 | 0:22:47 | |
What is so clever about being silver and standing still? | 0:22:49 | 0:22:55 | |
LAUGHTER AND APPLAUSE | 0:22:55 | 0:22:58 | |
I imagine the careers advisor comes in to the school. | 0:23:01 | 0:23:06 | |
"What do you want to do?" | 0:23:06 | 0:23:09 | |
"I want to be silver and stand still for a living." | 0:23:09 | 0:23:11 | |
I mean, I just don't get it. | 0:23:11 | 0:23:14 | |
It's not intrinsically clever at all, just to stand still. | 0:23:14 | 0:23:17 | |
It's a waste of silver paint more than anything else. | 0:23:17 | 0:23:20 | |
Cos it's got to come off, presumably, nightly. | 0:23:20 | 0:23:23 | |
Could you stand still that long? I don't think I could. | 0:23:23 | 0:23:25 | |
I wouldn't want to, Chris, because it's utterly pointless. | 0:23:25 | 0:23:29 | |
It's all right to be paid for standing still, it's like working for the Council. | 0:23:29 | 0:23:35 | |
They're kind of making an effort. | 0:23:35 | 0:23:36 | |
I mean, they could just be there begging if they wanted to. | 0:23:36 | 0:23:40 | |
It's a step up from that, isn't it? | 0:23:40 | 0:23:42 | |
-Static begging? -If someone's going to hold their hand out, | 0:23:42 | 0:23:46 | |
they could at least give it a lick of paint. | 0:23:46 | 0:23:50 | |
I've got into this very annoying habit with the homeless. | 0:23:50 | 0:23:53 | |
If they do this, I give them a low five. They hate it. | 0:23:53 | 0:23:56 | |
This is like when you've given up on everything else. | 0:23:56 | 0:24:00 | |
-You paint yourself. -Yeah, you can't play a musical instrument, | 0:24:00 | 0:24:04 | |
you can't eat fire, you can't do a card trick, you can't even beg with dignity, | 0:24:04 | 0:24:08 | |
so all you can do is get down to B&Q, silver yourself up and stand still. | 0:24:08 | 0:24:14 | |
LAUGHTER AND APPLAUSE | 0:24:14 | 0:24:17 | |
I had a really bad busker a couple of months ago. | 0:24:18 | 0:24:22 | |
I mean awful. And they intrude on your life. | 0:24:22 | 0:24:25 | |
I went to put some money in the tin out of sympathy. | 0:24:25 | 0:24:28 | |
He had a dog with him and when I went to put the money in, the dog went... | 0:24:28 | 0:24:31 | |
and just put the paw over the tin. | 0:24:31 | 0:24:34 | |
LAUGHTER | 0:24:36 | 0:24:38 | |
"Don't encourage him." | 0:24:38 | 0:24:40 | |
-Didn't the girl die in Goldfinger, from being painted gold? -Yes. | 0:24:40 | 0:24:44 | |
So how do they get around that? | 0:24:44 | 0:24:46 | |
Well, I think that's a film. | 0:24:46 | 0:24:48 | |
OK... | 0:24:50 | 0:24:52 | |
Alice Cooper, what kind of people don't you like? | 0:24:52 | 0:24:55 | |
I hate people that talk in cinemas. | 0:25:01 | 0:25:05 | |
We all go to the movies. | 0:25:05 | 0:25:07 | |
And we always have the guy behind us that talks through the movie. | 0:25:07 | 0:25:11 | |
Or takes a phone call during the movie. | 0:25:11 | 0:25:14 | |
And as if no-one exists except them in the whole... | 0:25:14 | 0:25:19 | |
That's what makes me more mad than the talking, | 0:25:19 | 0:25:22 | |
is the fact that they just disregard everybody else in the theatre. | 0:25:22 | 0:25:26 | |
A lot of times I turn around and go, | 0:25:26 | 0:25:29 | |
"Is this your first time at a movie?" | 0:25:29 | 0:25:33 | |
Because Leo DiCaprio is talking now and I want to hear what he's saying. | 0:25:33 | 0:25:40 | |
-And they blankly look at you like... -To be fair, | 0:25:40 | 0:25:44 | |
if I was in a cinema and Alice Cooper... | 0:25:44 | 0:25:47 | |
I'd probably be fairly blank, I think. | 0:25:50 | 0:25:53 | |
No, I take that back. I'd be terrified. | 0:25:53 | 0:25:56 | |
You have one big plus, Alice - | 0:25:56 | 0:25:58 | |
-you're Alice. -I actually did take Linda Blair to see The Exorcist. | 0:25:58 | 0:26:04 | |
-Really? -Yes. | 0:26:04 | 0:26:06 | |
-I bet that turned heads. -We sat there | 0:26:06 | 0:26:08 | |
and a guy in front was talking. | 0:26:08 | 0:26:11 | |
She taps him on the shoulder and in her deepest voice says, | 0:26:11 | 0:26:15 | |
"Shut up!" | 0:26:15 | 0:26:18 | |
-LAUGHTER -To be fair to these men, I think a lot of them | 0:26:18 | 0:26:22 | |
are explaining the plot to their girlfriends. | 0:26:22 | 0:26:25 | |
GROANING AND LAUGHTER | 0:26:25 | 0:26:29 | |
That was Moylesie. | 0:26:29 | 0:26:31 | |
LAUGHTER | 0:26:31 | 0:26:34 | |
I went to see Beaches, the Bette Midler film, | 0:26:34 | 0:26:37 | |
and I got shushed for crying. | 0:26:37 | 0:26:40 | |
-LAUGHTER -That is true. | 0:26:40 | 0:26:42 | |
I started off just going... | 0:26:42 | 0:26:44 | |
Then after a bit there was a slight whimper coming in. | 0:26:44 | 0:26:47 | |
And someone shushed me. That's not good, is it? | 0:26:47 | 0:26:50 | |
No, you can cry in a movie. I mean, cried in, er... | 0:26:50 | 0:26:54 | |
Weekend At Bernie's II. | 0:26:54 | 0:26:56 | |
LAUGHTER | 0:26:56 | 0:26:57 | |
Some people say some really funny stuff occasionally. | 0:26:57 | 0:27:00 | |
I went to see The Sound Of Music | 0:27:00 | 0:27:03 | |
and it was a sing-along-a Sound Of Music, | 0:27:03 | 0:27:06 | |
so it's a bit of a crazy atmosphere. | 0:27:06 | 0:27:09 | |
And I would say there were a few gay men in the audience. | 0:27:09 | 0:27:13 | |
And it was a frivolous atmosphere. | 0:27:13 | 0:27:16 | |
There's a bit where Christopher Plummer is walking round the house like this, | 0:27:16 | 0:27:21 | |
looking for Julie Andrews. And a guy behind me said, | 0:27:21 | 0:27:24 | |
"She's in the gazebo with an 80-piece orchestra. | 0:27:24 | 0:27:27 | |
LAUGHTER | 0:27:27 | 0:27:30 | |
OK, again, you've all argued extremely well, I must say. | 0:27:31 | 0:27:36 | |
Er, I... | 0:27:36 | 0:27:38 | |
I tell you what. I hate to do this, but I'll have to go with Alice Cooper. | 0:27:38 | 0:27:43 | |
I'm going to put people who talk in the cinema into Room 101. | 0:27:43 | 0:27:46 | |
APPLAUSE AND CHEERING | 0:27:46 | 0:27:50 | |
OK, let's move on to the next category. | 0:28:00 | 0:28:04 | |
Ah, this is the Wildcard Round because we feel we might constrain you a bit in your choices, | 0:28:08 | 0:28:13 | |
so we give you one round where you're free to pick the thing that winds you up most of all. | 0:28:13 | 0:28:18 | |
So let's find out what Chris Tarrant chose. | 0:28:18 | 0:28:22 | |
LAUGHTER | 0:28:28 | 0:28:30 | |
All commercials on the television that try and sell me insurance. | 0:28:30 | 0:28:34 | |
They are just driving me up the wall! | 0:28:34 | 0:28:37 | |
When you're a kid, I remember my dad saying, "The insurance man's coming", knock on the door, | 0:28:37 | 0:28:41 | |
it's something you were afraid of or quite spooky. | 0:28:41 | 0:28:44 | |
Now they are just... I don't know why, | 0:28:44 | 0:28:46 | |
they just line up to make the most infuriating commercial and they use the oddest things. | 0:28:46 | 0:28:51 | |
They choose the strangest people. | 0:28:51 | 0:28:53 | |
Michael Parkinson. I have huge love and respect for Michael Parkinson, | 0:28:53 | 0:28:57 | |
except he's doing some sort of commercial for... | 0:28:57 | 0:28:59 | |
basically choose your own funeral arrangements, whatever, with free pen(!) | 0:28:59 | 0:29:04 | |
LAUGHTER Michael, what are you doing? | 0:29:04 | 0:29:07 | |
It's like, "I didn't know which coffin to go for, | 0:29:07 | 0:29:10 | |
"but now I've got a free Biro, that's the one for me." What's that about? | 0:29:10 | 0:29:14 | |
In case anyone hasn't seen that, | 0:29:14 | 0:29:16 | |
let's have a look at the advert of which Chris speaks. | 0:29:16 | 0:29:19 | |
I've met thousands of fascinating people | 0:29:19 | 0:29:22 | |
and I have some wonderful memories, | 0:29:22 | 0:29:24 | |
but if you'd like to leave your loved ones more than happy memories, you might want to look at this - | 0:29:24 | 0:29:29 | |
The Axa Sun Life Guaranteed Over-50 plan. | 0:29:29 | 0:29:33 | |
You'll receive a free Parker pen just for inquiring. | 0:29:33 | 0:29:37 | |
You're dead! Who are you going to write to? | 0:29:37 | 0:29:40 | |
LAUGHTER | 0:29:40 | 0:29:42 | |
-From the grave? -What you want is a Papermate | 0:29:42 | 0:29:45 | |
so you can write upside down, so you can write on the lid. | 0:29:45 | 0:29:49 | |
I'm sorry, it's just always insurance of some form or another. | 0:29:49 | 0:29:52 | |
And if it's not them, what do they use? Meerkats. | 0:29:52 | 0:29:56 | |
CHEERING No! No, not that one. | 0:29:56 | 0:29:59 | |
What's that one called? Aleksandr Orlov or something. | 0:29:59 | 0:30:02 | |
He wants to have the snip, simples. | 0:30:02 | 0:30:04 | |
He does. Gone. | 0:30:05 | 0:30:07 | |
The meerkat had a best-selling book. | 0:30:08 | 0:30:10 | |
So did Jordan! LAUGHTER | 0:30:10 | 0:30:13 | |
Yeah, but I think that the meerkat wrote more of his than she did. | 0:30:13 | 0:30:17 | |
LAUGHTER AND APPLAUSE | 0:30:17 | 0:30:19 | |
OK, let's see what Chris Packham's wildcard is. | 0:30:23 | 0:30:28 | |
Children's art. | 0:30:35 | 0:30:37 | |
LAUGHTER AND APPLAUSE | 0:30:37 | 0:30:40 | |
-That's terrible. -Now, look... -You're bad. -You can't do that. | 0:30:42 | 0:30:46 | |
There's nothing wrong with children's art, OK? | 0:30:46 | 0:30:50 | |
It's children's art in public places, | 0:30:50 | 0:30:52 | |
and that includes pinned to the fridges of the houses that I visit, | 0:30:52 | 0:30:56 | |
because that essentially becomes a public place when I visit it. | 0:30:56 | 0:31:00 | |
LAUGHTER | 0:31:00 | 0:31:03 | |
-Now, I had a friend and he was a... -I find that hard to believe. | 0:31:03 | 0:31:07 | |
LAUGHTER | 0:31:07 | 0:31:09 | |
-Was it a weasel? -It was past tense. It was past tense. | 0:31:09 | 0:31:13 | |
He was very, very keen on art. | 0:31:16 | 0:31:18 | |
I have a passionate interest in art myself. | 0:31:18 | 0:31:21 | |
He was an artist and I went round to his house. | 0:31:21 | 0:31:23 | |
He's had a kid and he's got some rubbish like this on the fridge. | 0:31:23 | 0:31:27 | |
-Well, I tore it up and put it in the bin. -No! | 0:31:27 | 0:31:30 | |
-You didn't! -I did. | 0:31:30 | 0:31:32 | |
-I did. -Chris, tell me you're exaggerating for comic effect. | 0:31:32 | 0:31:36 | |
I'm not exaggerating. William, his son, | 0:31:36 | 0:31:38 | |
had done this hideous caricature of some deformed animal or something | 0:31:38 | 0:31:42 | |
and I tore it up and put it in the bin. | 0:31:42 | 0:31:44 | |
You know, how could he be so hypocritical? | 0:31:46 | 0:31:48 | |
Obviously, yes, enjoy it, share it with the family | 0:31:48 | 0:31:51 | |
and then file it away where it can't be seen. | 0:31:51 | 0:31:54 | |
Well, look, we got some of our production team's children to draw you. | 0:31:54 | 0:31:59 | |
LAUGHTER | 0:31:59 | 0:32:01 | |
They've watched...they've watched Autumn thingy, and all that, | 0:32:01 | 0:32:06 | |
and this was what they came up with. | 0:32:06 | 0:32:08 | |
-AUDIENCE: -Aww... | 0:32:08 | 0:32:09 | |
LAUGHTER AND APPLAUSE | 0:32:09 | 0:32:12 | |
I don't know...I think Michaela Strachan has looked better. | 0:32:12 | 0:32:17 | |
-But doesn't that make you feel a bit guilty, that they've drawn a lovely Chris Packham? -It doesn't. | 0:32:18 | 0:32:23 | |
-I'm very flattered that they've, done that, and I... -We told them to. | 0:32:23 | 0:32:27 | |
But, nevertheless, they picked up their felt tips and they, you know, | 0:32:28 | 0:32:32 | |
inscribed a hideous caricature of myself on a piece of cheap paper. | 0:32:32 | 0:32:37 | |
-And as much as I appreciate that... -You're a monster. | 0:32:38 | 0:32:42 | |
And as much as I appreciate that and I'm flattered by that, | 0:32:42 | 0:32:45 | |
I would take that home and I would write to the child and say thank you very much, | 0:32:45 | 0:32:49 | |
-because I would want to encourage their interest... -You can't write with hands like that(!) | 0:32:49 | 0:32:54 | |
LAUGHTER | 0:32:54 | 0:32:56 | |
-I just wouldn't put it on the wall, that's all. -OK. | 0:32:56 | 0:33:00 | |
I've got a bit of an itchy... | 0:33:01 | 0:33:03 | |
LAUGHTER | 0:33:03 | 0:33:05 | |
More realistic than you think. | 0:33:07 | 0:33:10 | |
OK, let's see Alice Cooper's wildcard. | 0:33:13 | 0:33:16 | |
LAUGHTER | 0:33:21 | 0:33:23 | |
I hate clowns that make animals out of balloons. | 0:33:24 | 0:33:28 | |
I hate the sound of it. | 0:33:28 | 0:33:30 | |
IMITATES SQUEAKY BALLOON | 0:33:30 | 0:33:32 | |
I was on an airplane one time when, and I don't smoke, | 0:33:32 | 0:33:36 | |
this is back when you could smoke on an airline, | 0:33:36 | 0:33:39 | |
and there'd be a kid with a balloon and I would light a cigarette and walk by and pop it. | 0:33:39 | 0:33:43 | |
LAUGHTER | 0:33:43 | 0:33:45 | |
I'm so sorry. When we get off the plane and you're in your car, I'll buy you another balloon, OK? | 0:33:45 | 0:33:52 | |
-But not on an enclosed airplane where you get... -MAKES BALLOON NOISES | 0:33:52 | 0:33:55 | |
I can't stand the sound of a squeaky balloon. | 0:33:55 | 0:33:59 | |
In case anyone isn't familiar with the sound... | 0:33:59 | 0:34:02 | |
BALLOON SQUEAKS | 0:34:02 | 0:34:03 | |
It's not that easy to do. | 0:34:05 | 0:34:06 | |
LAUGHTER | 0:34:08 | 0:34:11 | |
Sorry. I'm Catholic. I'm not used to this. | 0:34:11 | 0:34:13 | |
I'm no big fan of the balloons at all. | 0:34:17 | 0:34:19 | |
-They're stupid-looking, aren't they? You've never seen a good-looking balloon hat. -No. | 0:34:19 | 0:34:24 | |
I've never seen an accurate facsimile of any animal. | 0:34:24 | 0:34:27 | |
-No. That's nothing you've ever had in your bed? -Never. | 0:34:27 | 0:34:31 | |
LAUGHTER | 0:34:31 | 0:34:33 | |
-I'm going to try one thing to win you over. -OK. | 0:34:33 | 0:34:37 | |
Alice, I would like you to meet, | 0:34:37 | 0:34:40 | |
and please give a warm hand to Mr Graham Lee. | 0:34:40 | 0:34:43 | |
APPLAUSE | 0:34:43 | 0:34:45 | |
-Hey, Alice, guess what Graham does. -Yeah, I was afraid of that. | 0:34:53 | 0:34:57 | |
So, Graham, can you make us a little bit of wildlife? | 0:34:57 | 0:35:01 | |
Of course I can. This is a classic of balloon modelling. | 0:35:01 | 0:35:05 | |
Here we go. | 0:35:06 | 0:35:08 | |
And it's...get hold of it like this and there we go. | 0:35:08 | 0:35:12 | |
A little swan. APPLAUSE | 0:35:12 | 0:35:15 | |
Brilliant! | 0:35:15 | 0:35:17 | |
This next one is going to win you over. | 0:35:21 | 0:35:23 | |
Graham prepared one earlier. Can you go and get it, Graham? | 0:35:23 | 0:35:26 | |
-Wait a second. -If this one doesn't challenge... | 0:35:26 | 0:35:30 | |
APPLAUSE | 0:35:32 | 0:35:34 | |
That is brilliant. Look at that snake's face. | 0:35:52 | 0:35:55 | |
I absolutely lose. That's... How long did that take? | 0:35:55 | 0:35:58 | |
-Oh, probably about 16 hours. -Anybody got a cigarette? | 0:35:58 | 0:36:03 | |
LAUGHTER | 0:36:03 | 0:36:06 | |
That's amazing, that really is. | 0:36:08 | 0:36:09 | |
What about a big hand for Graham Lee? | 0:36:09 | 0:36:12 | |
APPLAUSE | 0:36:12 | 0:36:14 | |
I've come to my final decision of the night. | 0:36:20 | 0:36:22 | |
Chris, I feel sorry for you, because you've argued so well all night, | 0:36:22 | 0:36:28 | |
but all the things you've chosen are just really nice things. | 0:36:28 | 0:36:33 | |
I can't put children's art in, it would just be wrong. | 0:36:33 | 0:36:37 | |
And I'm not going to put balloon animals in | 0:36:37 | 0:36:40 | |
because I love the fact that they are made by us and makes us, sort of, God-like creatures. | 0:36:40 | 0:36:48 | |
But I am, and to be honest, with some gusto, | 0:36:48 | 0:36:52 | |
-I am going to put insurance adverts into Room 101. -Yes! | 0:36:52 | 0:36:56 | |
CHEERING AND APPLAUSE | 0:36:56 | 0:36:58 | |
And that brings us to the end of the show | 0:37:08 | 0:37:12 | |
and well done, Chris, you were the most persuasive contestant tonight and you win. | 0:37:12 | 0:37:17 | |
Oh, fantastic. | 0:37:17 | 0:37:19 | |
APPLAUSE | 0:37:19 | 0:37:22 | |
And, as winner, you get to put one choice | 0:37:25 | 0:37:28 | |
completely unchallenged into Room 101. What will it be? | 0:37:28 | 0:37:32 | |
Sooty. | 0:37:32 | 0:37:34 | |
AUDIENCE BOOS | 0:37:34 | 0:37:36 | |
I can't stand Sooty. | 0:37:36 | 0:37:38 | |
40 years, it's still not an act. | 0:37:38 | 0:37:41 | |
It's just a bloke with his hand up a yellow bag. | 0:37:41 | 0:37:45 | |
Anybody could work with it - Ozzy Osbourne, Prince Charles. | 0:37:46 | 0:37:52 | |
-If Ozzy Osbourne did it, though, Sooty would be like this. -LAUGHTER | 0:37:52 | 0:37:56 | |
-Anyway, it goes straight in, Chris. -Good! At last! Yes! | 0:37:56 | 0:37:59 | |
Thank you very much, Chris Tarrant, Chris Packham and Alice Cooper, and thank you. Good night. | 0:38:03 | 0:38:08 | |
CHEERING AND APPLAUSE | 0:38:08 | 0:38:11 | |
Subtitles by Red Bee Media Ltd | 0:38:28 | 0:38:31 |