Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
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CHEERING AND APPLAUSE | 0:00:23 | 0:00:28 | |
Hello, I'm Frank Skinner and welcome to Room 101, | 0:00:33 | 0:00:37 | |
the show where three guests compete to get their pet hates | 0:00:37 | 0:00:40 | |
exiled for ever to the dark vault that is Room 101. | 0:00:40 | 0:00:43 | |
In each round, only one choice can make it into the dreaded room. | 0:00:43 | 0:00:47 | |
The final decision is mine. | 0:00:47 | 0:00:49 | |
Sometimes it can be difficult deciding my least favourite. | 0:00:49 | 0:00:52 | |
Take, for example, this category... | 0:00:52 | 0:00:54 | |
Well, I mean, it would be wrong to separate them. | 0:01:02 | 0:01:05 | |
I think we can cram them all in. | 0:01:05 | 0:01:07 | |
So, let's meet the guests. | 0:01:07 | 0:01:09 | |
Joining me tonight are author and academic Germaine Greer, | 0:01:09 | 0:01:12 | |
comedian Ross Noble and pop music's very own Jamelia! | 0:01:12 | 0:01:15 | |
CHEERING AND APPLAUSE | 0:01:15 | 0:01:19 | |
OK, let's have our first category. | 0:01:23 | 0:01:25 | |
Modern life. | 0:01:30 | 0:01:32 | |
Let's see Germaine's choice. | 0:01:33 | 0:01:35 | |
-Computer pop-ups. AUDIENCE: -Oh! | 0:01:42 | 0:01:45 | |
"Ooh," go the crowd. | 0:01:45 | 0:01:48 | |
Yes, they are a little annoying. | 0:01:48 | 0:01:50 | |
Exasperating. There you are, actually working on something, | 0:01:50 | 0:01:53 | |
and suddenly - bing! - up comes this thing, and you have to hunt around | 0:01:53 | 0:01:56 | |
and find the little X to get rid of it, | 0:01:56 | 0:01:58 | |
and then it's something else hiding underneath. | 0:01:58 | 0:02:01 | |
By the time you've got your screen clear again, | 0:02:01 | 0:02:03 | |
you've forgotten what you were doing. | 0:02:03 | 0:02:06 | |
The ones I hate the most are the ones that pretend to be helpful. | 0:02:06 | 0:02:10 | |
You write "Dear", | 0:02:10 | 0:02:11 | |
and up comes a pop-up that says, "Are you trying to write a letter?" | 0:02:11 | 0:02:16 | |
Argh! | 0:02:16 | 0:02:18 | |
Isn't one of the worst sounds in the world...? | 0:02:19 | 0:02:22 | |
MICROSOFT WINDOWS ERROR NOISE | 0:02:22 | 0:02:25 | |
Ohh. It's like life stops for a second. | 0:02:25 | 0:02:30 | |
What I'd really like to know about computers is this - | 0:02:30 | 0:02:33 | |
is it just my computer, | 0:02:33 | 0:02:35 | |
or do you get things listed in your favourites | 0:02:35 | 0:02:38 | |
that aren't your favourites? | 0:02:38 | 0:02:41 | |
There's all my things, which are, you know, football and, um... | 0:02:41 | 0:02:46 | |
Russian literature... | 0:02:46 | 0:02:48 | |
..and then I'll get stuff like Radio Station Guide. | 0:02:50 | 0:02:55 | |
When I die, someone will look at my favourites and say "What kind of man was this?" | 0:02:55 | 0:03:00 | |
That says a lot about what you think your funeral will be like. | 0:03:00 | 0:03:03 | |
"Dearly beloved, we are gathered here today... | 0:03:03 | 0:03:06 | |
"Right, we've got his hard drive. Let's have a look." | 0:03:06 | 0:03:10 | |
I hope they go for favourites rather than history. | 0:03:10 | 0:03:13 | |
LAUGHTER | 0:03:13 | 0:03:14 | |
-Do you ever google yourself, Germaine? -No, never. | 0:03:14 | 0:03:20 | |
So you've never googled yourself? You must google yourself. | 0:03:20 | 0:03:23 | |
On an almost hourly basis. | 0:03:23 | 0:03:25 | |
-You have? -Yeah. | 0:03:27 | 0:03:29 | |
It really kind of scared me. | 0:03:29 | 0:03:31 | |
There was a killer in America, | 0:03:31 | 0:03:34 | |
whose name was Jamelia something-or-other, | 0:03:34 | 0:03:37 | |
and she'd done a really bad crime... | 0:03:37 | 0:03:39 | |
So many killers have. | 0:03:39 | 0:03:42 | |
LAUGHTER AND APPLAUSE | 0:03:42 | 0:03:45 | |
OK, what is Ross Noble's choice? | 0:03:49 | 0:03:51 | |
-Health and safety. -Oh, God. | 0:03:58 | 0:04:00 | |
CHEERING AND APPLAUSE | 0:04:00 | 0:04:02 | |
Health and safety in all its many forms. | 0:04:04 | 0:04:08 | |
I know there'll be do-gooders that say, | 0:04:08 | 0:04:10 | |
"But come on, we don't want people being injured | 0:04:10 | 0:04:13 | |
"and it's there to help." | 0:04:13 | 0:04:14 | |
No, the reason we have danger is to get rid of idiots. | 0:04:14 | 0:04:19 | |
These signs, my thing that I like to do is, | 0:04:19 | 0:04:22 | |
I get those in the supermarket | 0:04:22 | 0:04:25 | |
and I walk along and land on them and I lie on the floor, going, | 0:04:25 | 0:04:30 | |
"Aaagh! Some idiot left a big yellow sign." | 0:04:30 | 0:04:33 | |
God's honest truth, right, | 0:04:35 | 0:04:37 | |
in Afghanistan, right, Camp Bastion, | 0:04:37 | 0:04:40 | |
in Afghanistan, on the base, | 0:04:40 | 0:04:43 | |
the guys over there who wear full camouflage, full, proper camouflage, | 0:04:43 | 0:04:48 | |
at night, for safety reasons, | 0:04:48 | 0:04:51 | |
have to wear high-vis sashes. | 0:04:51 | 0:04:54 | |
It's a war zone, and you're wearing camouflage! | 0:04:54 | 0:04:57 | |
Camouflage and high-vis are two ends of the spectrum, | 0:04:57 | 0:05:01 | |
and we're getting soldiers to wear high-vis in a war zone?! No! | 0:05:01 | 0:05:06 | |
LAUGHTER AND APPLAUSE | 0:05:08 | 0:05:10 | |
Oh, my God. | 0:05:17 | 0:05:18 | |
Here's an example. This is from Barking, right? | 0:05:22 | 0:05:26 | |
Don't say it. | 0:05:26 | 0:05:27 | |
They've decided in Barking, it was quite a wide pavement, | 0:05:27 | 0:05:30 | |
so they thought they'd put yellow lines down | 0:05:30 | 0:05:33 | |
to give people guidance on where to walk. | 0:05:33 | 0:05:36 | |
LAUGHTER | 0:05:36 | 0:05:39 | |
This woman is dicing with death. | 0:05:39 | 0:05:41 | |
She's about to reach out of the zone into the post-box zone. | 0:05:41 | 0:05:46 | |
I also like the fact that there's a trapdoor in front of her. | 0:05:46 | 0:05:49 | |
Even in schools now, | 0:05:51 | 0:05:53 | |
they're not allowed - well, they're allowed to play conkers | 0:05:53 | 0:05:56 | |
if they wear the goggles. I'm not joking. I have two daughters, | 0:05:56 | 0:05:59 | |
and they're not allowed to bring skipping ropes to school, | 0:05:59 | 0:06:02 | |
because they're dangerous. | 0:06:02 | 0:06:04 | |
-You're kidding me? -No. They are not allowed to skip. | 0:06:04 | 0:06:07 | |
To be fair, though, as a child, | 0:06:07 | 0:06:10 | |
I was tied to many trees with skipping ropes. | 0:06:10 | 0:06:12 | |
And also, I think what's happened | 0:06:14 | 0:06:17 | |
is that the headmaster has googled you | 0:06:17 | 0:06:20 | |
and thought, "The mum's a strangler..." | 0:06:20 | 0:06:24 | |
OK, so, that is Ross's choice. | 0:06:27 | 0:06:30 | |
Let's see what Jamelia doesn't like about modern life. | 0:06:30 | 0:06:34 | |
Oh! | 0:06:39 | 0:06:40 | |
I had to... | 0:06:41 | 0:06:43 | |
-Can you actually read that? -This is exactly my problem. | 0:06:43 | 0:06:46 | |
I hate text speak. | 0:06:46 | 0:06:48 | |
I hate "LOL" and all of that, | 0:06:48 | 0:06:51 | |
because I feel as if I'm decoding something. | 0:06:51 | 0:06:55 | |
I didn't go to school for so many years to communicate in this way. | 0:06:55 | 0:06:59 | |
It really irritates me. | 0:06:59 | 0:07:01 | |
-But it's the future. -It's not the future. | 0:07:01 | 0:07:03 | |
It is. The language is changing. In ten years' time, | 0:07:03 | 0:07:07 | |
people on Countdown will say, | 0:07:07 | 0:07:09 | |
"Consonant, consonant, consonant, consonant, consonant, consonant". | 0:07:09 | 0:07:13 | |
That'll be it. | 0:07:13 | 0:07:14 | |
-In ten years' time, Countdown probably won't exist and... -Whoa! | 0:07:14 | 0:07:19 | |
LAUGHTER | 0:07:19 | 0:07:21 | |
If anyone just tunes in and hears that, they'll be horrified. | 0:07:21 | 0:07:25 | |
Well, nobody will know how to spell. | 0:07:25 | 0:07:27 | |
This is going to become the norm, | 0:07:27 | 0:07:30 | |
so we have to put it in Room 101 as soon as possible. We do! | 0:07:30 | 0:07:34 | |
CHEERING | 0:07:34 | 0:07:35 | |
Can I ask you a personal question? | 0:07:35 | 0:07:38 | |
I've heard that some parents are anti this because the kids use it | 0:07:38 | 0:07:42 | |
and because the parents don't understand it, | 0:07:42 | 0:07:45 | |
the kids can have secret conversations | 0:07:45 | 0:07:47 | |
and the parents can't work it out. Is that right? | 0:07:47 | 0:07:50 | |
Well, my kids aren't old enough for texting. | 0:07:50 | 0:07:53 | |
I mean, they can, but they're not old enough for this. | 0:07:53 | 0:07:55 | |
I am strongly against it, like, they won't be... | 0:07:55 | 0:08:00 | |
I'm the leader of my house, and I will be seeing all text messages. | 0:08:00 | 0:08:04 | |
-I'll be seeing every message you ever send. -What?! | 0:08:04 | 0:08:07 | |
As a parent, I need to be a spy. I'm going to be a spy. | 0:08:07 | 0:08:11 | |
I am! | 0:08:11 | 0:08:12 | |
-I'm going to know everything you do before you even do it. -What, me? | 0:08:12 | 0:08:17 | |
LAUGHTER | 0:08:17 | 0:08:19 | |
Have you just adopted Frank? | 0:08:19 | 0:08:22 | |
Yeah, we're keeping it hush-hush at the moment. The paperwork's still going through. | 0:08:22 | 0:08:27 | |
I just love saying, "This is my mum". "Isn't she a murderer?" | 0:08:27 | 0:08:30 | |
"No, it wasn't her." | 0:08:30 | 0:08:32 | |
I honestly do like it. | 0:08:33 | 0:08:35 | |
I think it's shorter and quicker. | 0:08:35 | 0:08:38 | |
I start all my prayers now "OMG." | 0:08:38 | 0:08:41 | |
-I've got one more thing. -Oh, sorry. -I'm very passionate about this. | 0:08:46 | 0:08:52 | |
Even in e-mails, I'm now starting to get this text speak. | 0:08:52 | 0:08:56 | |
You know, I'm a businesswoman. Give me proper words. | 0:08:56 | 0:09:00 | |
-Are you a businesswoman? -I AM a businesswoman. -What are you selling? | 0:09:00 | 0:09:03 | |
Myself... In a good way! | 0:09:03 | 0:09:05 | |
LAUGHTER AND APPLAUSE | 0:09:05 | 0:09:08 | |
Can I just say - OMG. | 0:09:14 | 0:09:18 | |
Can I just say WTF? | 0:09:18 | 0:09:21 | |
OK. At the end of this, I must admit, I hate computer pop-ups. | 0:09:24 | 0:09:30 | |
And I hate health and safety. | 0:09:30 | 0:09:32 | |
But Jamelia argues her case so strongly, | 0:09:32 | 0:09:36 | |
even though I really like text speak, | 0:09:36 | 0:09:38 | |
I cannot argue with the woman, | 0:09:38 | 0:09:40 | |
so I'm going to put text speak into Room 101. | 0:09:40 | 0:09:44 | |
CHEERING AND APPLAUSE | 0:09:44 | 0:09:47 | |
Right, then, let's have our next category. | 0:09:57 | 0:10:00 | |
It's people. | 0:10:05 | 0:10:06 | |
Let's see what people wind up Ross Noble. | 0:10:06 | 0:10:10 | |
What this is is, um... | 0:10:17 | 0:10:19 | |
cycling commuters. | 0:10:19 | 0:10:21 | |
-Oh. -Now, just whoa there. | 0:10:21 | 0:10:24 | |
Not ALL cycling commuters. | 0:10:24 | 0:10:26 | |
But there's certain cyclists | 0:10:26 | 0:10:28 | |
that think that because they're saving the planet | 0:10:28 | 0:10:31 | |
and all pandas are living because they're doing a bit of pedalling, | 0:10:31 | 0:10:35 | |
it's all right for them to go straight through red lights | 0:10:35 | 0:10:39 | |
and break the law. Oh, yeah. | 0:10:39 | 0:10:40 | |
CHEERING AND APPLAUSE | 0:10:40 | 0:10:44 | |
By that rationale... | 0:10:44 | 0:10:46 | |
Are they clapping the going through the red lights? | 0:10:46 | 0:10:49 | |
I think they might be, yeah. | 0:10:49 | 0:10:51 | |
I like the ones that have a bike and they haven't got a helmet on, | 0:10:51 | 0:10:56 | |
and the bike's not particularly well maintained, | 0:10:56 | 0:10:59 | |
and they're just riding around, just taking risks. | 0:10:59 | 0:11:02 | |
-I don't mind that. -Dangerous ones are all right. -Exactly. | 0:11:02 | 0:11:05 | |
I don't mind the ones that are risking themselves. | 0:11:05 | 0:11:08 | |
But the ones that have got the light mounted | 0:11:08 | 0:11:11 | |
like a flashing Teletubby... | 0:11:11 | 0:11:13 | |
A Teletubby that's flashing, I don't mean Tinky Winky giving it... | 0:11:13 | 0:11:17 | |
-No. -That would be very disturbing. "Eh-oh!" | 0:11:17 | 0:11:20 | |
What we should have is, at every traffic light, a sniper. | 0:11:21 | 0:11:28 | |
LAUGHTER AND SCATTERED APPLAUSE | 0:11:28 | 0:11:30 | |
You lot are really worrying me now. | 0:11:30 | 0:11:33 | |
"Let's kill people!" | 0:11:33 | 0:11:36 | |
You could lead this lot out onto the street, | 0:11:36 | 0:11:39 | |
holding up flaming torches. | 0:11:39 | 0:11:41 | |
Just find the nearest cyclist and drag them down. | 0:11:41 | 0:11:44 | |
-But you... -There's a... Go on. | 0:11:44 | 0:11:46 | |
-But you cycle, don't you? -I do, yeah. | 0:11:46 | 0:11:49 | |
But I cycle in the woods and in the fields, | 0:11:49 | 0:11:53 | |
on a mountain bike. | 0:11:53 | 0:11:54 | |
I do cycle and I like cycling, | 0:11:54 | 0:11:57 | |
but it's just the... Recumbent bikes. Have you seen these? | 0:11:57 | 0:12:00 | |
If you don't know what a recumbent bike is, we have a picture of one. | 0:12:00 | 0:12:05 | |
Do you? There. | 0:12:05 | 0:12:06 | |
Now, I'm sorry, right? | 0:12:06 | 0:12:09 | |
I mean, it's handy, | 0:12:09 | 0:12:10 | |
cos you're already in the coffin position | 0:12:10 | 0:12:14 | |
for when you die - Boom! Straight in the back of the hearse. | 0:12:14 | 0:12:17 | |
Just a ramp, that's all you need. | 0:12:17 | 0:12:19 | |
Have a cat flap on the back of the coffin. | 0:12:19 | 0:12:22 | |
I must admit, I am very tempted by the recumbent bike. | 0:12:22 | 0:12:26 | |
If I was going on one of those, I'd start to think at myself, | 0:12:26 | 0:12:29 | |
"How small a dog could I pass under?" | 0:12:29 | 0:12:33 | |
If it was a soaking wet Afghan hound, | 0:12:33 | 0:12:36 | |
it'd be like going through a car-wash. | 0:12:36 | 0:12:39 | |
Lovely fringes of silky fur. | 0:12:39 | 0:12:42 | |
We've got a clip of someone cycling in the countryside. | 0:12:42 | 0:12:46 | |
It doesn't look that idyllic to me. | 0:12:46 | 0:12:50 | |
LAUGHTER | 0:12:58 | 0:12:59 | |
You see? | 0:13:04 | 0:13:05 | |
That there is exactly what we need, an antelope on every junction. | 0:13:05 | 0:13:11 | |
A giant antelope at every single junction. | 0:13:11 | 0:13:15 | |
Fair enough. I feel you've made your point. | 0:13:15 | 0:13:19 | |
OK, then. What kind of people wind up Jamelia? | 0:13:19 | 0:13:23 | |
This represents, um, smelly people. Now... | 0:13:29 | 0:13:33 | |
LAUGHTER | 0:13:36 | 0:13:37 | |
That's just cruel. | 0:13:39 | 0:13:41 | |
No, I'll tell you. To me, smelly people are very inconsiderate. | 0:13:41 | 0:13:46 | |
And they're also the most... | 0:13:46 | 0:13:48 | |
I don't know, they want to get close to you. | 0:13:48 | 0:13:51 | |
And they want to... People with smelly breath always talk. | 0:13:51 | 0:13:55 | |
It's a kind of like their rule. | 0:13:55 | 0:13:57 | |
"I haven't brushed my teeth, so I'm going to talk right in your face." | 0:13:57 | 0:14:01 | |
Yeah, they all do that breathing thing. | 0:14:01 | 0:14:03 | |
Yeah, but it's inconsiderate. It's mean, and I just think it's... | 0:14:03 | 0:14:09 | |
I've got a very sensitive nose, and I think it's unfair. I have! | 0:14:09 | 0:14:14 | |
I can smell people, and I think... | 0:14:14 | 0:14:17 | |
Have we got any in tonight, would you say? | 0:14:19 | 0:14:21 | |
I get more and more irate every time it happens, | 0:14:23 | 0:14:26 | |
and I'm now 30 years old, so if someone who smells is near me, | 0:14:26 | 0:14:30 | |
I'm very much like, "Arrrgh!" | 0:14:30 | 0:14:32 | |
I love the fact that you said that you've got to 30 now and it's getting worse. | 0:14:32 | 0:14:37 | |
Imagine what it's like when you're going to be in an old folks' home. | 0:14:37 | 0:14:40 | |
"Oh, blimey! Ooh, lavender and piss!" | 0:14:40 | 0:14:44 | |
I think that's a Jane Austen novel, actually. | 0:14:48 | 0:14:50 | |
I find, if there's anyone at home | 0:14:51 | 0:14:54 | |
who thinks they might have a body odour problem, | 0:14:54 | 0:14:57 | |
I think when people are dry retching... | 0:14:57 | 0:15:00 | |
That's the first thing to look out for. | 0:15:00 | 0:15:02 | |
I've got to say, | 0:15:02 | 0:15:04 | |
there's something I find uneasy about the smelly people thing, | 0:15:04 | 0:15:08 | |
because I think a lot of them don't know and they're not told by people, | 0:15:08 | 0:15:12 | |
-so it's not their fault. -There is no excuse. | 0:15:12 | 0:15:14 | |
As far as I'm concerned, if you're wearing clothes, | 0:15:14 | 0:15:17 | |
you can afford deodorant. Simple as that. | 0:15:17 | 0:15:19 | |
That's a fabulous maxim you've come up with. | 0:15:19 | 0:15:22 | |
There are answers. | 0:15:22 | 0:15:24 | |
This is not a joke thing, this is an actual American product, | 0:15:24 | 0:15:29 | |
which was produced for this very problem. | 0:15:29 | 0:15:33 | |
Are you suffering from pungent pits? Foul feet? | 0:15:33 | 0:15:37 | |
Beastly butt odour? | 0:15:37 | 0:15:39 | |
How do you stop the stink? | 0:15:39 | 0:15:41 | |
Hi, I'm Adam Jay, and this is Doc Bottoms' A Spray. | 0:15:41 | 0:15:45 | |
A Spray your butt, A Spray your feet, A Spray under your arms. | 0:15:45 | 0:15:49 | |
You can even A Spray your privates. | 0:15:49 | 0:15:51 | |
A Spray is safe for all your odour zones. | 0:15:51 | 0:15:54 | |
Call right now before you stink up the place. | 0:15:54 | 0:15:58 | |
That is the greatest invention, I'm sorry. | 0:15:59 | 0:16:02 | |
The cleavage surprised me. | 0:16:02 | 0:16:04 | |
You never hear anyone say, | 0:16:04 | 0:16:06 | |
"She's a nice girl, but her cleavage..." | 0:16:06 | 0:16:08 | |
LAUGHTER | 0:16:08 | 0:16:10 | |
OK, I think that's a very good point, | 0:16:10 | 0:16:13 | |
so what kind of people annoy Germaine? | 0:16:13 | 0:16:17 | |
The people who annoy me are "ac-tors". | 0:16:24 | 0:16:27 | |
One of the problems about them, you see, | 0:16:27 | 0:16:30 | |
and it's interesting this should be poor old Hamlet, | 0:16:30 | 0:16:33 | |
because it doesn't matter how dim an actor is, | 0:16:33 | 0:16:35 | |
he always thinks he has a Hamlet in him, | 0:16:35 | 0:16:38 | |
and it's going to be different from everybody else's Hamlet. | 0:16:38 | 0:16:42 | |
I can remember one Hamlet who actually took all his clothes off, | 0:16:42 | 0:16:46 | |
and got himself flogged on stage, he had so little faith in the play | 0:16:46 | 0:16:52 | |
and so little modesty himself. | 0:16:52 | 0:16:54 | |
And actors always think that people are interested in them, | 0:16:54 | 0:16:57 | |
and that they are interesting and they're really not. | 0:16:57 | 0:17:02 | |
I have done a bit of acting myself, though, | 0:17:02 | 0:17:04 | |
and I am, I think you'll agree, fascinating. | 0:17:04 | 0:17:07 | |
Yes, but not because you're an actor, | 0:17:07 | 0:17:09 | |
you're fascinating because you're YOU. | 0:17:09 | 0:17:11 | |
You've so upped your chances of winning this round. | 0:17:14 | 0:17:17 | |
We had to put up with all that Hugh Grant carry on | 0:17:18 | 0:17:21 | |
-during the Murdoch carry on, remember that? -Yes. | 0:17:21 | 0:17:26 | |
And he would say incredible things like, | 0:17:26 | 0:17:28 | |
that he was having to check his car every day | 0:17:28 | 0:17:32 | |
to see if there was a bug in his car, | 0:17:32 | 0:17:34 | |
and no-one ever said, "Hugh, dear, WAS there ever a bug in your car?" | 0:17:34 | 0:17:39 | |
No. Apparently there was a woman looking under the dashboard for one. | 0:17:39 | 0:17:43 | |
LAUGHTER | 0:17:43 | 0:17:45 | |
I've heard actors say some funny and interesting things. | 0:17:46 | 0:17:52 | |
-I mean, I wrote them. -Usually written by other people. | 0:17:52 | 0:17:55 | |
Why is my morning news programme | 0:17:57 | 0:17:59 | |
messed up with actors who have to come tottering on | 0:17:59 | 0:18:02 | |
and talk some kind of connected sense | 0:18:02 | 0:18:04 | |
about what they're doing at the moment, | 0:18:04 | 0:18:06 | |
and everyone appears to be so interested. | 0:18:06 | 0:18:09 | |
It's not interesting. | 0:18:09 | 0:18:11 | |
You hear me? | 0:18:12 | 0:18:13 | |
-AUDIENCE MEMBER: -Why are you watching it then?! | 0:18:13 | 0:18:15 | |
I'm waiting for the next bit of news, I don't have very much choice. | 0:18:15 | 0:18:20 | |
It's that or GMTV. | 0:18:20 | 0:18:22 | |
LAUGHTER | 0:18:22 | 0:18:24 | |
Forgot to mention Kate Winslet is in. | 0:18:24 | 0:18:26 | |
LAUGHTER AND APPLAUSE | 0:18:26 | 0:18:29 | |
OK, now it comes to my decision. | 0:18:32 | 0:18:33 | |
I'm not going to let smelly people in. | 0:18:33 | 0:18:36 | |
It feels a bit cruel and unkind. | 0:18:36 | 0:18:40 | |
And I know there are some dodgy cyclists, but I think most cyclists | 0:18:40 | 0:18:44 | |
are basically saving the planet - good, courageous people. | 0:18:44 | 0:18:48 | |
LAUGHTER AND BOOING | 0:18:48 | 0:18:50 | |
I'm going to put actors into Room 101. | 0:18:51 | 0:18:55 | |
CHEERS AND BOOS | 0:18:55 | 0:18:58 | |
Anyway, let's move on to the next category. | 0:19:06 | 0:19:09 | |
Airports. Right, what doesn't Jamelia like about airports? | 0:19:14 | 0:19:19 | |
What I don't like is, erm... | 0:19:26 | 0:19:29 | |
airport security. It hasn't quite got to this stage for me. | 0:19:29 | 0:19:32 | |
No, it's quite strict there. | 0:19:32 | 0:19:34 | |
But, um, I find that I find | 0:19:34 | 0:19:36 | |
the whole experience of going to the airport terrifying. | 0:19:36 | 0:19:40 | |
-I'm not a criminal, you know, despite what Google may say. -Yeah. | 0:19:40 | 0:19:45 | |
I'm not. There are just so many different stages and checks | 0:19:45 | 0:19:48 | |
and it scares the life out of me. | 0:19:48 | 0:19:50 | |
And I just think that... | 0:19:50 | 0:19:52 | |
I know I'm not a criminal, and when you're coming from Europe, | 0:19:52 | 0:19:55 | |
you have the option of going through Nothing To Declare | 0:19:55 | 0:19:59 | |
and Something To Declare - "I've got eggs in my bag." | 0:19:59 | 0:20:02 | |
Why can't we have that for criminals going to and from countries? | 0:20:02 | 0:20:05 | |
LAUGHTER | 0:20:05 | 0:20:06 | |
-You know? -Oh, sort of Terrorists and Non-Terrorists? | 0:20:06 | 0:20:09 | |
Exactly. Exactly! | 0:20:09 | 0:20:11 | |
Why do they trust people to go through Nothing To Declare | 0:20:11 | 0:20:15 | |
and Something To Declare? | 0:20:15 | 0:20:16 | |
-Why can't they trust me to say, "I'm not a criminal, it's fine." -Yeah. | 0:20:16 | 0:20:20 | |
And then just... The whole thing, they make you take off your shoes, | 0:20:20 | 0:20:23 | |
it's very undignified. | 0:20:23 | 0:20:25 | |
So many times, I've been told to take off my hat. | 0:20:25 | 0:20:28 | |
-I'm like, "I haven't done my hair yet." -Oh, that. Yes, God. | 0:20:28 | 0:20:32 | |
I rather risk the plane going down! | 0:20:32 | 0:20:34 | |
Can I just say - what would the alternative be? | 0:20:35 | 0:20:38 | |
Because if there was no airport security, | 0:20:38 | 0:20:40 | |
-we'd be dicing with death, wouldn't we? -Well, would we? | 0:20:40 | 0:20:44 | |
I mean, how many terrorists have there REALLY been on aeroplanes? | 0:20:44 | 0:20:47 | |
OK, so you'll take a few shots. | 0:20:47 | 0:20:49 | |
This thing is, the ones... | 0:20:51 | 0:20:53 | |
I really wish you were in government. | 0:20:53 | 0:20:56 | |
"Oh, come on! There haven't been that many!" | 0:20:56 | 0:20:59 | |
But the thing is, | 0:20:59 | 0:21:00 | |
the terrorists that have been on planes have been on the planes - | 0:21:00 | 0:21:03 | |
they've already done it, so, you know, there's no use punishing me, | 0:21:03 | 0:21:07 | |
I haven't done anything! | 0:21:07 | 0:21:09 | |
Well, I must say, you've given a very convincing argument. | 0:21:09 | 0:21:13 | |
I was on my way to Korea, and they took nail clippers off me. | 0:21:14 | 0:21:19 | |
In hand luggage. | 0:21:19 | 0:21:21 | |
What are you going to do with that? | 0:21:21 | 0:21:23 | |
Exactly, will I stand up on the plane and say, "Nobody move!"? | 0:21:23 | 0:21:26 | |
"Don't, don't... I'll trim you if I have to!" | 0:21:27 | 0:21:31 | |
-I've had the full strip-search. -Yeah? | 0:21:33 | 0:21:35 | |
Yeah, I was going into Dubai and the bloke went, "You. Come." | 0:21:35 | 0:21:39 | |
He took me in a room and he said... | 0:21:39 | 0:21:41 | |
And I realise humour isn't the... It's not the time or place. | 0:21:41 | 0:21:45 | |
And he literally went, "Take you clothes off." | 0:21:45 | 0:21:48 | |
I couldn't help myself, I went, "Buy me a drink first." | 0:21:48 | 0:21:51 | |
I... | 0:21:52 | 0:21:53 | |
-I couldn't, like... I could not help myself. -I think that's actually... | 0:21:53 | 0:21:58 | |
That's a worse offence in Dubai, isn't it? | 0:21:58 | 0:22:01 | |
I tell you what I do, as well. | 0:22:01 | 0:22:04 | |
I have a habit of if the thing doesn't beep when I go through, | 0:22:04 | 0:22:07 | |
I go, "Come on!" | 0:22:07 | 0:22:09 | |
They don't like that. That makes them edgy. | 0:22:09 | 0:22:12 | |
OK, then. Let's see Germaine's choice. | 0:22:12 | 0:22:15 | |
The most loathsome thing about air travel these days is budget airlines. | 0:22:22 | 0:22:28 | |
You understand when you pay... | 0:22:28 | 0:22:30 | |
a small price to go somewhere on a plane that you're going to be | 0:22:30 | 0:22:34 | |
in a tiny seat and you're going to have the seat in front | 0:22:34 | 0:22:36 | |
banging against your knees. | 0:22:36 | 0:22:38 | |
You understand all of that. | 0:22:38 | 0:22:39 | |
But what is completely unnecessary is the systematic humiliation | 0:22:39 | 0:22:45 | |
of the passengers. | 0:22:45 | 0:22:47 | |
It starts when you get there - you then queue at security, | 0:22:47 | 0:22:51 | |
you then queue at the gate. | 0:22:51 | 0:22:53 | |
You feel absolutely like cattle. | 0:22:53 | 0:22:56 | |
Then you get out and you're going to board the plane | 0:22:56 | 0:22:59 | |
and you queue AGAIN on the stairs up to the plane. | 0:22:59 | 0:23:02 | |
By the time you get into your micro-seat, you are so abject, | 0:23:02 | 0:23:07 | |
you would even buy a scratchcard. | 0:23:07 | 0:23:10 | |
That's pretty bad. | 0:23:12 | 0:23:14 | |
I flew on a well-known budget airline and I was spotted, | 0:23:14 | 0:23:19 | |
photographed and the headline in the Daily Mirror said, | 0:23:19 | 0:23:23 | |
"Frank Skinflint." | 0:23:23 | 0:23:25 | |
Which I thought was a bit harsh, because I resent... | 0:23:27 | 0:23:30 | |
You know, sometimes I fly first class. You know, posh. | 0:23:30 | 0:23:33 | |
And sometimes I fly budget, depending on the distance. I... | 0:23:33 | 0:23:36 | |
I'll tell you what put me off flying first class | 0:23:36 | 0:23:39 | |
is there's often a lot of other celebrities on the flight, | 0:23:39 | 0:23:42 | |
and I hate that. | 0:23:42 | 0:23:44 | |
What worries me... I'm sitting there, thinking, | 0:23:44 | 0:23:47 | |
"If this plane crashes, what's the billing going to be?" | 0:23:47 | 0:23:50 | |
I was on with Ant and Dec once, and I thought, | 0:23:52 | 0:23:54 | |
"I've got no chance, Ant and Dec. "It'll be, 'Ant and Dec die... | 0:23:54 | 0:23:58 | |
" 'comedian also perishes.' " | 0:23:58 | 0:24:00 | |
Can I show you this? This is a genuine item that you can buy. | 0:24:02 | 0:24:05 | |
This thing is a beat-the-hand-luggage jacket, right? | 0:24:05 | 0:24:10 | |
And the idea is that you actually... | 0:24:10 | 0:24:13 | |
You go on... | 0:24:14 | 0:24:16 | |
LAUGHTER | 0:24:16 | 0:24:18 | |
No way! | 0:24:26 | 0:24:28 | |
Look, there's a laptop in my pocket. | 0:24:28 | 0:24:31 | |
You can buy these. Can you imagine trying to get through in this? | 0:24:32 | 0:24:37 | |
I love it. | 0:24:37 | 0:24:38 | |
I want one. I really want one. | 0:24:38 | 0:24:41 | |
OK, let's see what Ross Noble doesn't like about airports. | 0:24:41 | 0:24:46 | |
Woo! | 0:24:50 | 0:24:52 | |
Miniature novelty cakes. | 0:24:54 | 0:24:55 | |
-Er, the carousel. The baggage carousel. -You don't like that?! | 0:24:57 | 0:25:01 | |
Well, don't get me wrong, I've enjoyed the carousel. | 0:25:01 | 0:25:05 | |
One of the greatest days of my life - | 0:25:05 | 0:25:07 | |
I was with a bunch of mates, | 0:25:07 | 0:25:09 | |
and we were at quite a small airport I, for a bit of a laugh, I got on... | 0:25:09 | 0:25:14 | |
You know the bags come out that way and then it disappears behind? | 0:25:14 | 0:25:17 | |
I got on the carousel and rode it through, | 0:25:17 | 0:25:19 | |
so I disappeared into the baggage bit and went all the way round... | 0:25:19 | 0:25:23 | |
-Are you serious? -Seriously, yeah. | 0:25:23 | 0:25:24 | |
I jumped on one bit, | 0:25:24 | 0:25:26 | |
and I went into the baggage bit - cos nobody's going to turn round... | 0:25:26 | 0:25:29 | |
Even security aren't going to go, | 0:25:29 | 0:25:31 | |
"There's a bloke travelling into the..." | 0:25:31 | 0:25:33 | |
It would even register, so I travelled through. | 0:25:33 | 0:25:36 | |
It was quite good, cos the blokes loading the bags | 0:25:36 | 0:25:38 | |
just looked and they went, "You all right?" | 0:25:38 | 0:25:41 | |
And I went, "All right?" And they... They weren't fussed. | 0:25:41 | 0:25:44 | |
And I went along the thing like that and around, | 0:25:44 | 0:25:47 | |
and then everyone's waiting next to the hole there, ready, like that. | 0:25:47 | 0:25:51 | |
So I curled up into a ball, closed my eyes, | 0:25:51 | 0:25:54 | |
then I came through the flap and appeared and went, "Oh, am I here?" | 0:25:54 | 0:25:58 | |
And I got up and just walked off. | 0:25:58 | 0:26:00 | |
Let me get this right - | 0:26:01 | 0:26:03 | |
you said this was one of the greatest days of your life?! | 0:26:03 | 0:26:07 | |
Honestly, it was like... | 0:26:07 | 0:26:08 | |
I felt like Brucie was going to go, "Cuddly toy, Ross Noble..." | 0:26:08 | 0:26:13 | |
But the thing that I hate about them | 0:26:15 | 0:26:18 | |
is there's always someone that has to start just creeping forward... | 0:26:18 | 0:26:22 | |
-It's tempting. -..then someone else creeps forward. | 0:26:22 | 0:26:24 | |
And then you're all up against there, and it's that, "Argh!" | 0:26:24 | 0:26:28 | |
-But you see... -And also they put a sign on the thing - | 0:26:28 | 0:26:31 | |
and, granted, I realise the irony of this - | 0:26:31 | 0:26:36 | |
"Do not ride on the..." | 0:26:36 | 0:26:39 | |
Now what sort of idiot...? | 0:26:39 | 0:26:40 | |
But everyone just pushes, and they don't spread themselves out evenly | 0:26:41 | 0:26:47 | |
and wait for the bags to come around - everyone gathers, | 0:26:47 | 0:26:50 | |
and then a little squeeze in of the trolley, like that. | 0:26:50 | 0:26:53 | |
And when people do that to me, I punch them in the head. | 0:26:53 | 0:26:56 | |
BANG! "Move back behind the line!" | 0:26:56 | 0:26:59 | |
It's the ones that don't notice their own bag, | 0:26:59 | 0:27:01 | |
and then they start chasing it - they're the problem. | 0:27:01 | 0:27:04 | |
They should have a grinder at the end of the carousel, | 0:27:04 | 0:27:07 | |
so people stay focused on their luggage. | 0:27:07 | 0:27:09 | |
Anyway, I've got some... | 0:27:11 | 0:27:12 | |
This is secret camera footage of baggage handlers, | 0:27:12 | 0:27:16 | |
um, with our beloved luggage. | 0:27:16 | 0:27:20 | |
And there you go, it just goes into the... | 0:27:21 | 0:27:24 | |
This is real stuff as well. | 0:27:24 | 0:27:26 | |
It's one of the few occasions | 0:27:26 | 0:27:27 | |
I've wanted there to be a bomb in the bag. | 0:27:27 | 0:27:30 | |
Ohh! | 0:27:31 | 0:27:33 | |
Oh, missed! | 0:27:33 | 0:27:35 | |
-So, um... -And that was live puppies. | 0:27:35 | 0:27:37 | |
Well, it started as live puppies. | 0:27:39 | 0:27:41 | |
OK, then. Um, airports. | 0:27:41 | 0:27:45 | |
Well, you've all argued particularly well. | 0:27:45 | 0:27:48 | |
I'm not going to let the luggage carousel in, | 0:27:48 | 0:27:50 | |
cos that's one of the little exciting things in my life | 0:27:50 | 0:27:53 | |
and I think that budget airlines are just important | 0:27:53 | 0:27:56 | |
because they're so cheap. | 0:27:56 | 0:27:58 | |
A lot of people wouldn't be able to fly at all, probably, | 0:27:58 | 0:28:01 | |
if it wasn't for budget airlines, | 0:28:01 | 0:28:03 | |
so at great risk to all of our lives, I'm going to put in... | 0:28:03 | 0:28:07 | |
-airport security. -Hey! | 0:28:07 | 0:28:09 | |
APPLAUSE | 0:28:09 | 0:28:13 | |
Sorry. | 0:28:14 | 0:28:16 | |
OK, another category. | 0:28:21 | 0:28:23 | |
OK, we now come to the wildcard round, | 0:28:29 | 0:28:31 | |
and in this one there are no holds barred, you can pick anything | 0:28:31 | 0:28:34 | |
at all you don't like without the restraints of the usual categories. | 0:28:34 | 0:28:38 | |
So let's see what Jamelia's wild card is. | 0:28:38 | 0:28:41 | |
My wild card is mornings. | 0:28:47 | 0:28:50 | |
Mornings? | 0:28:52 | 0:28:53 | |
I want to know who decided | 0:28:53 | 0:28:55 | |
that everything has to start in the morning. | 0:28:55 | 0:28:58 | |
Why...? | 0:28:58 | 0:28:59 | |
LAUGHTER AND APPLAUSE | 0:28:59 | 0:29:04 | |
Why can our day not start at 12, or at least 11? | 0:29:05 | 0:29:09 | |
There'll be students at home thinking, | 0:29:09 | 0:29:11 | |
"What's she talking about?" | 0:29:11 | 0:29:13 | |
They'll be googling "morning". | 0:29:13 | 0:29:16 | |
I'm a mother of two, and they go to school, | 0:29:18 | 0:29:20 | |
and every morning we have to get up about half six or seven, | 0:29:20 | 0:29:23 | |
and it's horrible. | 0:29:23 | 0:29:25 | |
Who decided that school has to start at nine o'clock? | 0:29:25 | 0:29:29 | |
Why can't it start at 11? | 0:29:29 | 0:29:31 | |
Can we not try it out? Who do I talk to? | 0:29:31 | 0:29:33 | |
LAUGHTER | 0:29:33 | 0:29:35 | |
I don't know the answer. | 0:29:35 | 0:29:37 | |
It's no good getting on to me about it, | 0:29:37 | 0:29:39 | |
I don't know who made it that way. | 0:29:39 | 0:29:42 | |
Does anyone like waking up? | 0:29:42 | 0:29:43 | |
I do, if I know I've got a Cumberland sausage in the fridge. | 0:29:43 | 0:29:47 | |
Honestly, that will get me out of bed. You know a Cumberland? | 0:29:47 | 0:29:50 | |
Have you ever heated one in a microwave? | 0:29:50 | 0:29:54 | |
-Don't they straighten? -No, I tell you what it's like... | 0:29:54 | 0:29:57 | |
I've heard they uncoil in the microwave. | 0:29:57 | 0:30:00 | |
They come up like a cobra. | 0:30:00 | 0:30:02 | |
I always think, as well, with black pudding, | 0:30:02 | 0:30:05 | |
when you get a whole black pudding, | 0:30:05 | 0:30:07 | |
I always looking for a cord on it, cos a black pudding always looks | 0:30:07 | 0:30:10 | |
like if you pull a cord on it, it'll just expand into a Goth. | 0:30:10 | 0:30:14 | |
There's nothing worse than pulling the cord | 0:30:16 | 0:30:18 | |
and finding out it's just a vein. | 0:30:18 | 0:30:20 | |
LAUGHTER AND GROANS | 0:30:20 | 0:30:22 | |
Being left with an aorta. | 0:30:22 | 0:30:25 | |
LAUGHTER AND GROANS | 0:30:25 | 0:30:27 | |
Oh, shut your faces! | 0:30:27 | 0:30:30 | |
I didn't realise it was vegan night! | 0:30:30 | 0:30:32 | |
I had an alarm clock, it was sort of a lamp alarm clock thing, | 0:30:32 | 0:30:37 | |
and it was a football, and it was activated by sound, | 0:30:37 | 0:30:41 | |
so if you woke up in the night, you could go like this | 0:30:41 | 0:30:46 | |
and the light would come on and it was brilliant. | 0:30:46 | 0:30:49 | |
Unfortunately, if you... | 0:30:49 | 0:30:53 | |
broke wind with any kind of rigour, | 0:30:53 | 0:30:58 | |
the light would come on, which always felt like a reprimand. | 0:30:58 | 0:31:02 | |
LAUGHTER | 0:31:02 | 0:31:03 | |
OK, let's have a look at Germaine's choice. | 0:31:03 | 0:31:06 | |
It might be difficult to tell, but this is a fun run. | 0:31:14 | 0:31:17 | |
You don't want to put fun runs into Room 101? | 0:31:17 | 0:31:21 | |
-I do. -OK. -I'm really fed up with them. | 0:31:21 | 0:31:23 | |
I'm fed up with them because, first of all, I'm meant to like them. | 0:31:23 | 0:31:28 | |
They are so worthy and so noble, | 0:31:28 | 0:31:30 | |
and the people are all being so self-sacrificing, | 0:31:30 | 0:31:34 | |
and it's supposed to be fun, | 0:31:34 | 0:31:36 | |
that's the other thing, and all I can see is misery. | 0:31:36 | 0:31:39 | |
I can see people really abusing their bodies. | 0:31:39 | 0:31:42 | |
For charity, which I'm not really keen on either. I really feel... | 0:31:42 | 0:31:48 | |
Let's go the whole way and put charity into Room 101. | 0:31:48 | 0:31:51 | |
I've tried in the past, | 0:31:51 | 0:31:53 | |
however, that's another thing. What really gets me is, | 0:31:53 | 0:31:57 | |
you see people doing things that are really stupid, | 0:31:57 | 0:32:00 | |
like running along loaded down with heavy things, | 0:32:00 | 0:32:04 | |
taking hours and days to get to the finishing line, | 0:32:04 | 0:32:07 | |
wrecking their own health, destroying their joints. | 0:32:07 | 0:32:10 | |
They're all going to need attention later on | 0:32:10 | 0:32:13 | |
and become a burden on the health service, | 0:32:13 | 0:32:15 | |
but it's really the worthiness of it. | 0:32:15 | 0:32:18 | |
Also, I'm sick of them. | 0:32:18 | 0:32:20 | |
There are so many of them. Enough, we've had enough fun runs. | 0:32:20 | 0:32:23 | |
They're wrongly-named, they're misery runs. | 0:32:23 | 0:32:26 | |
They're dangerous, and why don't you just write a cheque? | 0:32:26 | 0:32:30 | |
LAUGHTER | 0:32:30 | 0:32:32 | |
I know what you mean about the misuse of the word fun. | 0:32:32 | 0:32:35 | |
Anyone who's ever been glassed in a fun pub will know | 0:32:35 | 0:32:38 | |
that you can't impose fun on anyone. | 0:32:38 | 0:32:42 | |
It's like "fun-size". | 0:32:42 | 0:32:43 | |
A fun-size chocolate bar is a smaller chocolate bar | 0:32:43 | 0:32:47 | |
than a normal one. | 0:32:47 | 0:32:49 | |
So that means our economy is now more fun than it used to be. | 0:32:49 | 0:32:53 | |
What I love about when you watch the Great North Run | 0:32:53 | 0:32:57 | |
and the London Marathon | 0:32:57 | 0:32:58 | |
is you've got some little Kenyan guy with no shoes on up the front, | 0:32:58 | 0:33:02 | |
and he's just running like mad, | 0:33:02 | 0:33:05 | |
and that in itself, but I love to watch him | 0:33:05 | 0:33:09 | |
and imagine all the people dressed as rhinos and turtles are after him. | 0:33:09 | 0:33:14 | |
There's rhinos and Honey Monsters going, "Kill him!" | 0:33:14 | 0:33:19 | |
OK, fun runs. And finally, what is Ross Noble's wild-card choice? | 0:33:21 | 0:33:27 | |
Folk dancing. | 0:33:34 | 0:33:35 | |
Folk dancing? | 0:33:35 | 0:33:37 | |
Folk dancing. | 0:33:37 | 0:33:38 | |
You know, I travel quite a lot, and it just seems wherever you go, | 0:33:38 | 0:33:41 | |
you're just trying to relax and have a nice time, | 0:33:41 | 0:33:44 | |
and the next thing you know, and it's the words that just strike | 0:33:44 | 0:33:48 | |
fear into my heart, "Oh, you're lucky, any minute now | 0:33:48 | 0:33:51 | |
"there'll be a display of local dancing." | 0:33:51 | 0:33:55 | |
LAUGHTER | 0:33:55 | 0:33:56 | |
Usually it's rubbish as well. | 0:33:58 | 0:34:00 | |
Especially, and I know I'm in a dodgy area, | 0:34:00 | 0:34:02 | |
but if you go to Africa, | 0:34:02 | 0:34:04 | |
and I know it's meant to be this deeply cultural thing, | 0:34:04 | 0:34:07 | |
and you have local dancing, | 0:34:07 | 0:34:09 | |
but I swear they've just changed out of their tracksuits, | 0:34:09 | 0:34:12 | |
put on a coconut bra, and go... | 0:34:12 | 0:34:14 | |
That's not a dance! | 0:34:15 | 0:34:17 | |
-Do they have coconuts in Africa? -No, they don't! | 0:34:17 | 0:34:20 | |
That is what aroused my suspicion. | 0:34:22 | 0:34:24 | |
LAUGHTER | 0:34:24 | 0:34:27 | |
"Hang on a second. There's no coconuts here. | 0:34:27 | 0:34:30 | |
"That should be a bit of grass or a tiger's face." | 0:34:30 | 0:34:33 | |
They don't even have tigers - it's lions! | 0:34:34 | 0:34:36 | |
"You lot, where are you...?!" | 0:34:36 | 0:34:38 | |
Look, have you been to Africa?! | 0:34:38 | 0:34:40 | |
Oh, no, now I come to think of it... | 0:34:40 | 0:34:43 | |
What you went to was Whipsnade Safari Park! | 0:34:43 | 0:34:45 | |
It doesn't matter where you go in the world, | 0:34:46 | 0:34:49 | |
it's just the same arsing about with different pants on. | 0:34:49 | 0:34:54 | |
Or no pants at all sometimes. | 0:34:54 | 0:34:57 | |
Well, on a good day. | 0:34:57 | 0:34:59 | |
Now, I really disagree with you on this. | 0:34:59 | 0:35:02 | |
I think that folk dancing is a link to an ancient world | 0:35:02 | 0:35:06 | |
that's been steamrollered by industrialisation. | 0:35:06 | 0:35:09 | |
No. | 0:35:09 | 0:35:12 | |
I do, when I see the Morris dancers, | 0:35:12 | 0:35:15 | |
there's something fabulously pagan and exciting about it. | 0:35:15 | 0:35:18 | |
I take your point, and I raise you five geography teachers | 0:35:18 | 0:35:21 | |
with a pig's bladder on a stick. | 0:35:21 | 0:35:22 | |
-I love it! -# Oh, hey nonny no, with a hey nonny no... # | 0:35:22 | 0:35:25 | |
No, I love that! | 0:35:25 | 0:35:26 | |
It doesn't matter who's doing it, it's what it represents. | 0:35:26 | 0:35:30 | |
The original Morris dancers were like the bad boys. | 0:35:30 | 0:35:33 | |
They were courageous figures. | 0:35:33 | 0:35:36 | |
You take the maypole, it's brilliant. | 0:35:36 | 0:35:39 | |
I love maypole dancing. | 0:35:39 | 0:35:41 | |
It's like swingball, but instead of a ball they use villagers. | 0:35:41 | 0:35:44 | |
LAUGHTER | 0:35:44 | 0:35:46 | |
I love it. | 0:35:46 | 0:35:47 | |
In England, there's something real about it | 0:35:47 | 0:35:50 | |
and it doesn't have all that plasticness of the 21st century. | 0:35:50 | 0:35:54 | |
-AUDIENCE MEMBER: -Yeah! -Thanks. | 0:35:54 | 0:35:57 | |
-And also... -Whoa, whoa, whoa! | 0:35:57 | 0:35:59 | |
Some Morris dancers have clearly got in. | 0:35:59 | 0:36:02 | |
I don't like it. If I hear jingling, I'm coming up there. | 0:36:02 | 0:36:06 | |
I really, really disagree with you, Ross. | 0:36:06 | 0:36:09 | |
I think you have this image of folk dancing | 0:36:09 | 0:36:12 | |
as something that's frozen and doesn't change and doesn't evolve. | 0:36:12 | 0:36:17 | |
But in fact, it can be modernised. | 0:36:17 | 0:36:20 | |
I'll give you a fabulous example, this might change your mind. | 0:36:20 | 0:36:23 | |
I'd ask you, ladies and gentlemen, | 0:36:23 | 0:36:25 | |
to welcome the sensational Time Gentlemen Please Dancers. | 0:36:25 | 0:36:29 | |
CHEERING AND APPLAUSE | 0:36:29 | 0:36:32 | |
SHE BEATBOXES | 0:36:52 | 0:36:55 | |
APPLAUSE | 0:37:15 | 0:37:19 | |
I rest my case. | 0:37:26 | 0:37:30 | |
The whole time I was sat there I was just ready for one of them | 0:37:30 | 0:37:34 | |
to drag me up, | 0:37:34 | 0:37:36 | |
"Hey, come on, join in". | 0:37:36 | 0:37:39 | |
And then sell me some local produce. | 0:37:39 | 0:37:41 | |
LAUGHTER | 0:37:41 | 0:37:43 | |
I am not going to put folk-dancing into Room 101. Over my dead body. | 0:37:43 | 0:37:48 | |
I'm a bit torn with the other two. | 0:37:48 | 0:37:51 | |
Go on, give it to your mum again. | 0:37:51 | 0:37:54 | |
You're right. | 0:37:55 | 0:37:57 | |
You're right, I'll go with my mum and put mornings into Room 101. | 0:37:57 | 0:38:00 | |
APPLAUSE | 0:38:00 | 0:38:02 | |
And that brings us to the end of the show. | 0:38:14 | 0:38:16 | |
Well done, Jamelia, you were the most persuasive guest tonight, | 0:38:16 | 0:38:19 | |
and you are the winner. | 0:38:19 | 0:38:21 | |
APPLAUSE | 0:38:21 | 0:38:24 | |
And as winner, you get to put one choice unchallenged into Room 101. | 0:38:25 | 0:38:28 | |
What will that be? | 0:38:28 | 0:38:30 | |
I would like to put in silent letters. | 0:38:30 | 0:38:34 | |
I don't get the point of them. | 0:38:34 | 0:38:36 | |
My daughter, she's five, and I'm teaching her spelling, | 0:38:36 | 0:38:39 | |
and...knee. | 0:38:39 | 0:38:41 | |
"Mummy, why is there a K? Why is it not ker-nee?" | 0:38:41 | 0:38:45 | |
It would make life a lot easier for me | 0:38:45 | 0:38:47 | |
if silent letters would go into Room 101. | 0:38:47 | 0:38:50 | |
OK. | 0:38:50 | 0:38:52 | |
It's the sort of thing you find in text speak, | 0:38:52 | 0:38:54 | |
-the loss of silent letters. -True. | 0:38:54 | 0:38:56 | |
Anyway, in it goes! | 0:38:58 | 0:39:00 | |
Thank you very much, Ross, Jamelia and Germaine. | 0:39:04 | 0:39:07 | |
And thank you. Goodnight! | 0:39:07 | 0:39:09 | |
APPLAUSE | 0:39:09 | 0:39:11 | |
Subtitles by Red Bee Media Ltd | 0:39:31 | 0:39:34 |