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CHEERING AND APPLAUSE | 0:00:26 | 0:00:29 | |
Hello, I'm Frank Skinner and welcome to Room 101, | 0:00:32 | 0:00:37 | |
the show in which three guests battle to get the things they hate | 0:00:37 | 0:00:42 | |
into the dreaded Room 101. | 0:00:42 | 0:00:43 | |
Our guest choices have been sorted into categories and in each round, | 0:00:43 | 0:00:47 | |
only one item can be chosen, the final decision is mine. | 0:00:47 | 0:00:51 | |
So, let's meet the guests. | 0:00:51 | 0:00:52 | |
Joining me tonight are | 0:00:52 | 0:00:53 | |
comedian Rhod Gilbert, The Apprentice's Nick Hewer | 0:00:53 | 0:00:56 | |
and the reigning "Rear Of The Year", Carol Vorderman. | 0:00:56 | 0:00:59 | |
CHEERING AND APPLAUSE | 0:00:59 | 0:01:01 | |
OK, can we have the first category, please? | 0:01:06 | 0:01:09 | |
It's Travel. | 0:01:13 | 0:01:14 | |
And I'd like to know | 0:01:14 | 0:01:16 | |
what Carol Vorderman hates about travel. | 0:01:16 | 0:01:18 | |
Wait for it. | 0:01:23 | 0:01:26 | |
Look at that. | 0:01:26 | 0:01:28 | |
Look at that! | 0:01:28 | 0:01:29 | |
LAUGHTER AND APPLAUSE | 0:01:29 | 0:01:33 | |
That is a brilliant prop, I love that. | 0:01:33 | 0:01:35 | |
When the props are getting applause, what a night it is. | 0:01:35 | 0:01:38 | |
It's fantastic. | 0:01:38 | 0:01:39 | |
There are three things, apparently, | 0:01:39 | 0:01:42 | |
that you need to spend three quarters of your time doing | 0:01:42 | 0:01:46 | |
while you're camping. | 0:01:46 | 0:01:47 | |
One of them is keeping dry, | 0:01:47 | 0:01:50 | |
the other is keeping clean, | 0:01:50 | 0:01:52 | |
and the other is going to the toilet. | 0:01:52 | 0:01:54 | |
And all three are quite difficult. | 0:01:54 | 0:01:57 | |
I went on the internet and there is advice that says what you should do. | 0:01:57 | 0:02:02 | |
Get a dustpan and brush and sweep all the bugs up | 0:02:02 | 0:02:04 | |
every morning from inside your tent and also after every meal. | 0:02:04 | 0:02:09 | |
This is meant to be a holiday. | 0:02:09 | 0:02:11 | |
-There is a special device for insects, though. -Which is what? | 0:02:11 | 0:02:15 | |
You must have seen one of these. | 0:02:15 | 0:02:17 | |
LAUGHTER | 0:02:17 | 0:02:19 | |
I can spend hours killing insects with one of these, it's fabulous. | 0:02:19 | 0:02:23 | |
But it's not just insects, Frank. | 0:02:23 | 0:02:25 | |
On this website, this woman said, "Oh, we had a hilarious time. | 0:02:25 | 0:02:28 | |
"We went camping to the New Forest," she said, | 0:02:28 | 0:02:32 | |
"and the tent smelled of fish for two weeks." | 0:02:32 | 0:02:35 | |
And she said, "Nobody knew what it was and I cleaned everything, | 0:02:35 | 0:02:39 | |
"until we picked the tent up and beneath were two squashed toads." | 0:02:39 | 0:02:45 | |
They'd been living on top of two squashed... This is camping, | 0:02:45 | 0:02:48 | |
this is a holiday, camping is wrong. | 0:02:48 | 0:02:51 | |
Never do it, it should go immediately into Room 101. | 0:02:51 | 0:02:55 | |
Do not subject any other children to going camping. | 0:02:55 | 0:02:59 | |
I camped for four days in Oxfordshire two years ago, | 0:02:59 | 0:03:01 | |
and I didn't wash, I didn't change my clothes. | 0:03:01 | 0:03:04 | |
I loved it, I felt I was released from the tyranny of hygiene. | 0:03:04 | 0:03:08 | |
It's like being on the school holidays again, | 0:03:08 | 0:03:11 | |
same pants for weeks. | 0:03:11 | 0:03:14 | |
How are you at putting up a tent? | 0:03:14 | 0:03:16 | |
Er, miserable, generally. | 0:03:16 | 0:03:18 | |
I've got just the thing. | 0:03:18 | 0:03:20 | |
This is... Have you seen these? These are the future. | 0:03:20 | 0:03:24 | |
-Oh, yeah. -These are absolutely... This is amaz... | 0:03:24 | 0:03:27 | |
I used to hate putting up tents. | 0:03:27 | 0:03:29 | |
I went on a holiday once with six very drunken mates | 0:03:29 | 0:03:33 | |
and we just got the tent out and we lay under it like a duvet. | 0:03:33 | 0:03:37 | |
LAUGHTER | 0:03:37 | 0:03:39 | |
Come on, Carol, help me out. You've got it. Right? | 0:03:39 | 0:03:42 | |
-Take the strap off. -Yeah. -I'm getting excited already. | 0:03:42 | 0:03:45 | |
You seen one of these, Nick? | 0:03:45 | 0:03:47 | |
-Yeah, I took one to Mongolia. -Oh, right. Here we go. | 0:03:47 | 0:03:50 | |
LAUGHTER | 0:03:52 | 0:03:54 | |
-No. -That's it. | 0:03:54 | 0:03:57 | |
CHEERING AND APPLAUSE | 0:03:57 | 0:04:01 | |
Let me tell you, I took one of those and slept in the Gobi Desert. | 0:04:01 | 0:04:05 | |
How do you knock your pegs into the Gobi Desert? | 0:04:05 | 0:04:08 | |
-No, it's all right. It's fine. -It's sand. | 0:04:08 | 0:04:10 | |
No, no, it's scrub. Come on, Francis. Scrub. | 0:04:10 | 0:04:13 | |
Anyway, the point is... | 0:04:13 | 0:04:15 | |
LAUGHTER ..it takes a second to release. | 0:04:15 | 0:04:20 | |
I bet you 500 quid you couldn't put that back in there in under 20. | 0:04:20 | 0:04:23 | |
-500 quid? -Yeah, 500. | 0:04:23 | 0:04:25 | |
CHEERING AND APPLAUSE | 0:04:25 | 0:04:27 | |
-Neatly. -Hold the bag. Can you hold the bag, Carol? | 0:04:29 | 0:04:32 | |
-Carol, hold the bag! -Neatly. Properly. | 0:04:32 | 0:04:36 | |
It's got... | 0:04:40 | 0:04:41 | |
-Hold the bag, Carol. -I'm holding it! -For God's sake, hold the bag! | 0:04:41 | 0:04:45 | |
Don't ever take me on a camping holiday. | 0:04:45 | 0:04:48 | |
Oh, God! Sudoku's a walk in the park compared to this! | 0:04:48 | 0:04:52 | |
-That's 500 quid I owe you, Nick. -I'll take a cheque, Frank. | 0:04:52 | 0:04:56 | |
Rubbish. | 0:04:56 | 0:04:57 | |
Let me tell you, this camping's a dirty business, a nasty business. | 0:04:57 | 0:05:00 | |
But for very young children, it must be preserved. | 0:05:00 | 0:05:05 | |
-And not... -Why? | 0:05:05 | 0:05:06 | |
-Because kids love the adventure. -I didn't. -No, they don't. | 0:05:06 | 0:05:09 | |
LAUGHTER | 0:05:09 | 0:05:12 | |
It's not an adventure. We used to go camping when I was a kid | 0:05:12 | 0:05:15 | |
through the South of France for six ruddy weeks | 0:05:15 | 0:05:18 | |
and me and my brother and my dad in one tent, | 0:05:18 | 0:05:20 | |
and the only advice I've got is, | 0:05:20 | 0:05:22 | |
if it looks like Lucozade, it's not always Lucozade. | 0:05:22 | 0:05:25 | |
LAUGHTER | 0:05:25 | 0:05:27 | |
OK, let's see what Rhod Gilbert doesn't like about travel. | 0:05:27 | 0:05:31 | |
LAUGHTER AND APPLAUSE | 0:05:37 | 0:05:39 | |
This caravan represents all holidays, Frank. | 0:05:46 | 0:05:49 | |
Once they worked out how to do the rain, | 0:05:49 | 0:05:52 | |
we thought we might as well cash in. | 0:05:52 | 0:05:55 | |
-Holidays, Rhod. -Holidays, well, I've never had one | 0:05:55 | 0:05:57 | |
that wasn't an absolute out and out unmitigated disaster. | 0:05:57 | 0:06:02 | |
Every single holiday has gone disastrously wrong, | 0:06:02 | 0:06:05 | |
every single one. You name one I've had... | 0:06:05 | 0:06:08 | |
You probably don't know 'em, I'll name 'em. | 0:06:08 | 0:06:10 | |
My parents were teachers, school would break up, next day, | 0:06:10 | 0:06:13 | |
instead of hanging around with my mates, off we'd go on holiday | 0:06:13 | 0:06:17 | |
for six weeks, to the South of France | 0:06:17 | 0:06:18 | |
in a stinking Hillman Avenger estate, with plastic seats, | 0:06:18 | 0:06:22 | |
all day, terrible heat. I get terrible car sickness, | 0:06:22 | 0:06:26 | |
I vomited every single inch of the way around. | 0:06:26 | 0:06:28 | |
By the time I got to the South of France, I was practically inside out. | 0:06:28 | 0:06:32 | |
I had what my mother called a receptacle, | 0:06:32 | 0:06:35 | |
which is just a Tupperware box, and that's all, for six weeks. | 0:06:35 | 0:06:38 | |
My brother had magnetic chess, | 0:06:38 | 0:06:40 | |
my sister had her Etch-a-Sketch and a book. I used to be there with a Tupperware box, | 0:06:40 | 0:06:44 | |
that I threw into and the level just rose like that for the whole time. | 0:06:44 | 0:06:47 | |
And every single holiday, right up to the present day. | 0:06:47 | 0:06:51 | |
This year, I've had earache for five days in the Caribbean, | 0:06:51 | 0:06:54 | |
I had a nervous breakdown in the Maldives. | 0:06:54 | 0:06:56 | |
LAUGHTER | 0:06:56 | 0:06:58 | |
Thanks for laughing at that more than the earache. | 0:06:58 | 0:07:02 | |
-Well, I love holidays. -Do you? -I can't imagine anyone not liking them. -They're stressful. | 0:07:02 | 0:07:07 | |
Even if they don't go well, the joy of coming home. | 0:07:07 | 0:07:10 | |
-That's not the holiday, is it? -No, but even a bad holiday has that, | 0:07:10 | 0:07:14 | |
you get in and the telly's had a chance to cool down. | 0:07:14 | 0:07:17 | |
And you get that little rainbow film on the water in the toilet. | 0:07:17 | 0:07:21 | |
This is you advocating holidays as your telly's had a chance to cool down. | 0:07:21 | 0:07:25 | |
-No, this is the very worst aspects. -It's great when you get home and the plugs are a bit cooler | 0:07:25 | 0:07:30 | |
than when you went away. Certainly changed my mind there(!) | 0:07:30 | 0:07:34 | |
You'll get no sympathy out of me, a kid off to the South of France! | 0:07:34 | 0:07:37 | |
We were going to Rhyl! | 0:07:37 | 0:07:38 | |
LAUGHTER | 0:07:38 | 0:07:39 | |
The only people I knew as a child who'd been abroad | 0:07:39 | 0:07:43 | |
had been involved in World War II. | 0:07:43 | 0:07:45 | |
That's true. Let's see what Nick Hewer doesn't like about travel. | 0:07:45 | 0:07:49 | |
Am I going to get soaked again? | 0:07:51 | 0:07:53 | |
LAUGHTER | 0:07:56 | 0:08:00 | |
Right, this is a train manager. | 0:08:00 | 0:08:03 | |
-Oh, train manager. -Train manager. -We thought you said "rain manager". | 0:08:03 | 0:08:07 | |
-A train manager. -Oh, what a let-down. | 0:08:07 | 0:08:09 | |
Now, the point of this is | 0:08:09 | 0:08:11 | |
that we just get too much information all over the place. | 0:08:11 | 0:08:16 | |
But I'm picking trains as a place | 0:08:16 | 0:08:19 | |
which are particularly noisome places. | 0:08:19 | 0:08:22 | |
You get on and the first thing you hear is, | 0:08:22 | 0:08:24 | |
"Good afternoon, I'm Barry, your train manager." | 0:08:24 | 0:08:28 | |
Do I need to know his name? | 0:08:28 | 0:08:31 | |
Does he know my name? I mean, think about it. | 0:08:31 | 0:08:35 | |
If there's a little problem, | 0:08:35 | 0:08:37 | |
are we going to go shuffling off down the train, saying, | 0:08:37 | 0:08:39 | |
"Anybody seen Barry?" | 0:08:39 | 0:08:41 | |
LAUGHTER We're going to say, "Where's the train manager? | 0:08:41 | 0:08:45 | |
"The coach is on fire." Not, "Where's Barry?" | 0:08:45 | 0:08:48 | |
He's a manager too, what happened to the guard? | 0:08:48 | 0:08:51 | |
And from then on, it's a constant stream of information, | 0:08:51 | 0:08:54 | |
most of which is absolutely unnecessary. | 0:08:54 | 0:08:56 | |
He tells us where we are. We're at Euston. | 0:08:56 | 0:09:00 | |
We know that, we've just got on his bloody train at Euston. | 0:09:00 | 0:09:04 | |
And he tells us then where we're off to. | 0:09:04 | 0:09:07 | |
We sort of have an idea about that, because that's where we want to go. | 0:09:07 | 0:09:11 | |
He tells us where the buffet car is, who's running it... It's Suzie. | 0:09:11 | 0:09:18 | |
Any sort of pastry you want, Suzie's got, newspapers, coffees, | 0:09:18 | 0:09:23 | |
this, that and the other thing, and all the rest. | 0:09:23 | 0:09:26 | |
By the time he's finished, we're in Watford. | 0:09:26 | 0:09:28 | |
-In Watford, we're told to take our luggage with us, yeah? -Why? | 0:09:28 | 0:09:32 | |
Because if you don't, we're going to blow it up, | 0:09:32 | 0:09:35 | |
and we're going to follow you and we're going to track you down | 0:09:35 | 0:09:38 | |
and we'll Taser you and eventually shoot you. | 0:09:38 | 0:09:41 | |
And furthermore, "Take care". | 0:09:41 | 0:09:44 | |
What are we going to do, toss ourselves off the bloody train?! | 0:09:44 | 0:09:47 | |
LAUGHTER | 0:09:47 | 0:09:50 | |
I've had enough of it. | 0:09:50 | 0:09:52 | |
I may be intolerant, but really, on balance, too much noise. | 0:09:52 | 0:09:59 | |
I have to say, I'm always glad of an announcement on a train, | 0:09:59 | 0:10:03 | |
because if I'm on the phone to my girlfriend, it sort of proves | 0:10:03 | 0:10:06 | |
that I'm on a train and not having an affair in a hotel somewhere. | 0:10:06 | 0:10:09 | |
LAUGHTER | 0:10:09 | 0:10:12 | |
Sometimes, if I am having an affair in a hotel, I'll begin by going... | 0:10:12 | 0:10:15 | |
ANNOUNCEMENT CHIME | 0:10:15 | 0:10:16 | |
And it's possible that I might leave some belongings behind | 0:10:16 | 0:10:20 | |
if I didn't have that reminder, | 0:10:20 | 0:10:23 | |
-and I like being thanked for using the train, it gives it a warmth. -Do you think he means it? -Yes. | 0:10:23 | 0:10:28 | |
Does he give a damn that you're going to come back? | 0:10:28 | 0:10:31 | |
No, of course he doesn't. | 0:10:31 | 0:10:33 | |
I don't know, they always seems such nice fellows. | 0:10:33 | 0:10:36 | |
They do little gags and stuff. It's cosy. | 0:10:36 | 0:10:38 | |
I know if I hadn't made it as a comic, | 0:10:38 | 0:10:40 | |
I would have to seek out a tannoy, somewhere. | 0:10:40 | 0:10:44 | |
LAUGHTER | 0:10:44 | 0:10:45 | |
It's the lowest form of showbiz, the train manager. | 0:10:45 | 0:10:49 | |
OK, well, you argue the case well. | 0:10:49 | 0:10:51 | |
Now, I think camping is one of the few chances that we get | 0:10:51 | 0:10:55 | |
to get back to the soil and to the earth, | 0:10:55 | 0:10:57 | |
and you have to join in, you have to be at one with the canvas. | 0:10:57 | 0:11:00 | |
And lots of people in this audience don't have glamorous jobs like us, | 0:11:00 | 0:11:05 | |
they're slogging away in an office. | 0:11:05 | 0:11:07 | |
They dream of their holidays, that's all they've got left! | 0:11:07 | 0:11:10 | |
I actually like the train people. | 0:11:10 | 0:11:12 | |
I like the train people as well, but I know what you mean, | 0:11:12 | 0:11:16 | |
they can be a bit over the top, so it's a very close-run thing. | 0:11:16 | 0:11:18 | |
But on this occasion, I'm going to go with Nick | 0:11:18 | 0:11:20 | |
and I'm going to push train managers into Room 101. | 0:11:20 | 0:11:25 | |
-Oh! -Thank you, thank you. Very good. | 0:11:25 | 0:11:28 | |
CHEERING AND APPLAUSE | 0:11:28 | 0:11:30 | |
And so another category, please. | 0:11:38 | 0:11:41 | |
Ah, well, this is the Wildcard round, | 0:11:46 | 0:11:48 | |
in which there is no restraints. | 0:11:48 | 0:11:50 | |
You can choose anything, anything that you really, really don't like. | 0:11:50 | 0:11:54 | |
So, what is Rhod Gilbert's wildcard? | 0:11:54 | 0:11:58 | |
LAUGHTER | 0:12:01 | 0:12:03 | |
Me. I'm putting myself in. | 0:12:08 | 0:12:12 | |
-What?! -Ahh. | 0:12:12 | 0:12:13 | |
APPLAUSE | 0:12:13 | 0:12:14 | |
I don't want sympathy. Oh, thanks for the applause, there! | 0:12:14 | 0:12:20 | |
I'm lazy, intolerant, stupid. I was in my house today, | 0:12:20 | 0:12:25 | |
the place is disgusting. | 0:12:25 | 0:12:27 | |
The house is disgusting, | 0:12:27 | 0:12:28 | |
because I cannot be bothered to do anything, to lift a finger. | 0:12:28 | 0:12:32 | |
The ceiling is coming down where somebody stood on it | 0:12:32 | 0:12:35 | |
and went through it about three years ago. | 0:12:35 | 0:12:37 | |
Three windows are smashed. | 0:12:37 | 0:12:39 | |
The carpet is...has got so many stains on it, | 0:12:39 | 0:12:42 | |
it looks like a vet's operating table. | 0:12:42 | 0:12:45 | |
The only thing I do around the house is, I will wash up, | 0:12:45 | 0:12:47 | |
and the only reason I do that is because I had a mate in university | 0:12:47 | 0:12:51 | |
who was even lazier than I was, and he really used to wind me up. | 0:12:51 | 0:12:55 | |
Like, once the bowls had gone, | 0:12:55 | 0:12:58 | |
he'd be having cornflakes out of a saucepan, out of a frying pan. | 0:12:58 | 0:13:01 | |
And I came home one day | 0:13:01 | 0:13:02 | |
and he was having a glass of squash out of six egg cups. | 0:13:02 | 0:13:05 | |
LAUGHTER | 0:13:05 | 0:13:06 | |
And I thought, I never want to be like that, | 0:13:06 | 0:13:09 | |
so I wash up, but that is the only thing that I do. | 0:13:09 | 0:13:13 | |
If I put you into Room 101, right, so then you'd be gone. | 0:13:13 | 0:13:17 | |
You'd be in there with people like Richard Madeley, twice, actually. | 0:13:17 | 0:13:22 | |
LAUGHTER | 0:13:22 | 0:13:25 | |
What would happen to this guy? | 0:13:25 | 0:13:27 | |
So on Saturday, I went to the Lowry Theatre in Salford, | 0:13:27 | 0:13:31 | |
to watch Rhod Gilbert. | 0:13:31 | 0:13:33 | |
It was the best and funniest show I've ever, ever seen. | 0:13:33 | 0:13:37 | |
And then after the show, I met Rhod Gilbert. | 0:13:37 | 0:13:41 | |
That's pretty cool, | 0:13:41 | 0:13:42 | |
and he signed my ticket and I am very, very happy about that. | 0:13:42 | 0:13:48 | |
I've now met the funniest guy, | 0:13:48 | 0:13:50 | |
well, I think the funniest guy in the world. | 0:13:50 | 0:13:53 | |
I've met my two favourite guitarists... | 0:13:53 | 0:13:56 | |
Oh, I've met Davina McCall once as well. | 0:13:59 | 0:14:02 | |
LAUGHTER | 0:14:02 | 0:14:04 | |
APPLAUSE | 0:14:04 | 0:14:08 | |
Do you want to break his heart? | 0:14:08 | 0:14:12 | |
I feel a little bit bad now. | 0:14:12 | 0:14:14 | |
-Quite right. -Having seen that, yeah. | 0:14:14 | 0:14:17 | |
-But we can't put you in Room 101. -Why not? -Well... | 0:14:17 | 0:14:21 | |
You said before that you can put in anything, no restraints. | 0:14:21 | 0:14:24 | |
OK. Yeah, but this is a comedy show, not a Swiss clinic. | 0:14:24 | 0:14:27 | |
LAUGHTER AND APPLAUSE | 0:14:27 | 0:14:30 | |
Anyway, let's see what Carol Vorderman's Wildcard is. | 0:14:33 | 0:14:38 | |
Ugh! | 0:14:42 | 0:14:43 | |
Handbags. | 0:14:44 | 0:14:46 | |
When my mum was growing up and when she was a young woman, | 0:14:46 | 0:14:49 | |
she had about three handbags. | 0:14:49 | 0:14:51 | |
I have six, which is quite a lot of handbags. They're all very old. | 0:14:51 | 0:14:57 | |
Now, when Sex In The City came along in the '90s, it kind of, | 0:14:57 | 0:15:01 | |
well, it was basically just a great big advertising drama | 0:15:01 | 0:15:04 | |
for the fashion industry. | 0:15:04 | 0:15:06 | |
And suddenly, all these really expensive handbags | 0:15:06 | 0:15:10 | |
started coming out and girls would say, | 0:15:10 | 0:15:13 | |
"I've got to have that bag, I've got to have that bag." | 0:15:13 | 0:15:16 | |
Why? You don't need them, they look stupid. | 0:15:16 | 0:15:20 | |
But they buy these bags that are about this big, | 0:15:20 | 0:15:23 | |
they're about half the size of the woman, to go to lunch. | 0:15:23 | 0:15:27 | |
Why do you need a bag that big to go to lunch? | 0:15:27 | 0:15:30 | |
There was Katie Holmes, married to Tom Cruise, | 0:15:30 | 0:15:33 | |
I really loathe all this big handbag thing. | 0:15:33 | 0:15:35 | |
It's only in the last 15 years it's started. | 0:15:35 | 0:15:37 | |
We have a picture of Katie Holmes with that very bag. | 0:15:37 | 0:15:40 | |
Oh, you'll see what I mean. Look at the size of that bag! | 0:15:40 | 0:15:43 | |
I think we know who's in there, don't we? | 0:15:43 | 0:15:46 | |
LAUGHTER AND APPLAUSE | 0:15:46 | 0:15:49 | |
Frankly, it's small wonder there were bloody riots on Oxford Street | 0:15:49 | 0:15:54 | |
when this sort of carry-on was going on. | 0:15:54 | 0:15:57 | |
Wow! Because of handbags? | 0:15:57 | 0:15:58 | |
CHEERING AND APPLAUSE | 0:15:58 | 0:16:02 | |
-What's going on here, there's a handbag revolution? -No, it creates envy and jealousy. -It does. | 0:16:02 | 0:16:08 | |
I think it's loathsome. | 0:16:08 | 0:16:09 | |
I think handbags can actually prevent crime. Take a look at this. | 0:16:09 | 0:16:13 | |
Guys breaking into a jewellery store. | 0:16:13 | 0:16:17 | |
No-one doing anything, too frightened. | 0:16:17 | 0:16:19 | |
I'd be frightened myself. But what about this lady? | 0:16:19 | 0:16:22 | |
Here she comes. Straight from the grotto. | 0:16:22 | 0:16:26 | |
She's got a big bag. | 0:16:26 | 0:16:29 | |
LAUGHTER | 0:16:29 | 0:16:31 | |
Quick, get on the scooter, get on... Quick, get on the scooter... | 0:16:36 | 0:16:39 | |
Oh! | 0:16:39 | 0:16:41 | |
LAUGHTER AND APPLAUSE | 0:16:41 | 0:16:44 | |
That's brilliant. | 0:16:44 | 0:16:46 | |
What do you think of this bag? | 0:16:49 | 0:16:50 | |
This is the kind of bag that my girlfriend would use. | 0:16:50 | 0:16:53 | |
-Yeah. -And can I just give this a demonstration? | 0:16:53 | 0:16:56 | |
We can be in a public place, maybe at the theatre or the cinema, | 0:16:56 | 0:16:59 | |
and she'll say to me, "I'm going to the toilet now," | 0:16:59 | 0:17:02 | |
and she'll hand me this. | 0:17:02 | 0:17:03 | |
-LAUGHTER -And people are looking at me, I can see them reaching | 0:17:03 | 0:17:07 | |
for their camera phones, and I do that thing that blokes always do, | 0:17:07 | 0:17:10 | |
when a woman leaves you with her handbag. | 0:17:10 | 0:17:13 | |
You don't want to hold it like this | 0:17:13 | 0:17:15 | |
because that suggests that you know how a handbag works. | 0:17:15 | 0:17:18 | |
So, blokes tend to hold it like that. | 0:17:18 | 0:17:23 | |
I'm not really familiar with a handbag, generally speaking. | 0:17:23 | 0:17:26 | |
I've seen that, I've seen that. | 0:17:26 | 0:17:29 | |
And the best of all, get it next to something really male. | 0:17:29 | 0:17:35 | |
LAUGHTER | 0:17:35 | 0:17:37 | |
Yeah. That's what I would go for. | 0:17:37 | 0:17:40 | |
APPLAUSE | 0:17:40 | 0:17:42 | |
I want to know what Nick Hewer's wildcard is. | 0:17:45 | 0:17:49 | |
What have I got? | 0:17:49 | 0:17:50 | |
CHEERING AND APPLAUSE | 0:17:54 | 0:17:56 | |
Um, EastEnders. | 0:18:02 | 0:18:05 | |
There is one thing that I loathe and abhor about EastEnders, | 0:18:05 | 0:18:08 | |
and it's the aggression | 0:18:08 | 0:18:11 | |
and the violence that seems to be threaded through every episode. | 0:18:11 | 0:18:15 | |
And that violence over the years has drifted and leeched | 0:18:15 | 0:18:19 | |
into the British consciousness, so that today, | 0:18:19 | 0:18:22 | |
I think this country is worse for it, | 0:18:22 | 0:18:26 | |
because I think there is a vein, a seam, of aggression in this country | 0:18:26 | 0:18:30 | |
that I would attribute in no small measure to this little lot here. | 0:18:30 | 0:18:35 | |
And let me tell you, as a sort of an example, | 0:18:35 | 0:18:37 | |
I'm not blaming this particularly on EastEnders, but it's the sort of attitude. | 0:18:37 | 0:18:41 | |
I was queuing for the security check at an airport recently, | 0:18:41 | 0:18:46 | |
and there was a bloke in front of me who was reading the paper | 0:18:46 | 0:18:50 | |
and the queue had moved on and created a sort of a space. | 0:18:50 | 0:18:54 | |
And the bloke behind me said, "Oi, you, doughnut!" | 0:18:54 | 0:18:58 | |
The bloke reading the paper looked up and said, | 0:18:58 | 0:19:00 | |
"You talking to me?!" Suddenly, I thought, | 0:19:00 | 0:19:02 | |
"I'm going to be in the middle of an EastEnders brawl here." | 0:19:02 | 0:19:05 | |
Why can't we be kinder to each other and more patient? | 0:19:05 | 0:19:09 | |
And I think that EastEnders, God bless them, | 0:19:09 | 0:19:13 | |
great actors, great stories, all the rest of it, | 0:19:13 | 0:19:16 | |
just less of the violence, please, you're doing us harm. | 0:19:16 | 0:19:20 | |
-It's hard to have a story where somebody kills without violence. -But there isn't a murder every week. | 0:19:20 | 0:19:25 | |
It's hard to have a story where you blow a house up without blowing it up. | 0:19:25 | 0:19:28 | |
But not every week. Frank, join me in this little message. | 0:19:28 | 0:19:32 | |
I'll be honest, I didn't know it was still on. | 0:19:32 | 0:19:35 | |
In case anyone here has never watched EastEnders, | 0:19:35 | 0:19:38 | |
which I know that's fairly unlikely, we have a montage to sort of, | 0:19:38 | 0:19:41 | |
I think, point out some of the things you're talking about, Nick. | 0:19:41 | 0:19:45 | |
Oi! What do you think you're playing at? | 0:19:45 | 0:19:49 | |
-Who are you calling scrubbers?! -You are nothing but low-life scum! | 0:19:49 | 0:19:54 | |
-Oi! -Get off! -Oi, oi, oi! -Out! -Mind the baby, all right?! | 0:19:54 | 0:19:57 | |
-Get off me! -Argh! Watch out! Ow! Ow! | 0:19:57 | 0:20:01 | |
-You're not that tough now, are you? -Just get off me, you cow! -Get off her! Get off! | 0:20:01 | 0:20:04 | |
Argh! You've gone too far! | 0:20:04 | 0:20:07 | |
-Argh! Come on then, if you think you're 'ard enough! -Oh, oh! | 0:20:07 | 0:20:12 | |
LAUGHTER | 0:20:12 | 0:20:14 | |
You know that video was part of London's Olympic bid? | 0:20:14 | 0:20:19 | |
LAUGHTER | 0:20:19 | 0:20:22 | |
Also, it's loved by many people. | 0:20:22 | 0:20:24 | |
We have some people visiting the set of EastEnders. | 0:20:24 | 0:20:28 | |
Look, the Mayor Of London. | 0:20:28 | 0:20:30 | |
Even Queen Victoria doesn't seem to like Boris Johnson. | 0:20:30 | 0:20:33 | |
-LAUGHTER -Which one is Boris Johnson? | 0:20:33 | 0:20:37 | |
LAUGHTER AND APPLAUSE | 0:20:37 | 0:20:40 | |
OK, so that is the... that's the Wildcard round. | 0:20:43 | 0:20:45 | |
I have to say, it's a tricky one. | 0:20:45 | 0:20:47 | |
-I'm not going to put Rhod Gilbert in. -Come on. -Because if I put you in there, | 0:20:47 | 0:20:52 | |
this'll just be, basically, an episode of Countdown. | 0:20:52 | 0:20:55 | |
Yes. Past and present. | 0:20:55 | 0:20:58 | |
And I don't watch EastEnders, but I know it's loved by the masses | 0:20:58 | 0:21:02 | |
and a lot of people have an affection for it. | 0:21:02 | 0:21:05 | |
And I'm OK on handbags, | 0:21:05 | 0:21:06 | |
but I suppose it can be an excessive example of capitalism, | 0:21:06 | 0:21:10 | |
so, under duress, I'm going to put handbags into Room 101. | 0:21:10 | 0:21:13 | |
Yes! Yeah! | 0:21:13 | 0:21:15 | |
CHEERING AND APPLAUSE | 0:21:15 | 0:21:19 | |
OK, let's have our next category. | 0:21:27 | 0:21:30 | |
Modern Life. OK, here's Rhod's choice. | 0:21:35 | 0:21:39 | |
Is that you? | 0:21:47 | 0:21:49 | |
Yeah, it is me. | 0:21:49 | 0:21:50 | |
It looks like John Culshaw doing me. | 0:21:52 | 0:21:55 | |
What, but he's out of shot, yeah? | 0:21:56 | 0:21:58 | |
LAUGHTER AND APPLAUSE | 0:21:58 | 0:22:00 | |
It is advertising slogans. | 0:22:04 | 0:22:06 | |
You don't like advertising slogans?! They're beautiful, aren't they? | 0:22:06 | 0:22:10 | |
It's more than advertising slogans themselves. | 0:22:10 | 0:22:13 | |
It's the thought that it's somebody's job to come up with them. | 0:22:13 | 0:22:16 | |
You get one go on this planet. | 0:22:16 | 0:22:18 | |
One go on this weird spinning ball, in this weird universe, | 0:22:18 | 0:22:21 | |
and nobody's meaningful contribution to this world should be | 0:22:21 | 0:22:25 | |
a slogan for a Twix, should it? | 0:22:25 | 0:22:27 | |
If you got an alien and you showed them a human being | 0:22:28 | 0:22:33 | |
and you said, "Look at this, alien, this is a human being. | 0:22:33 | 0:22:36 | |
"This is where we're at. This is where our species has arrived at. | 0:22:36 | 0:22:39 | |
"That brain has evolved to have 100 billion brain cells | 0:22:39 | 0:22:42 | |
"that are constantly transmitting and receiving electrochemical signals | 0:22:42 | 0:22:46 | |
"that allow it to run and dance and play tennis | 0:22:46 | 0:22:49 | |
"and compute and write poetry and go to the moon and imagine and dream." | 0:22:49 | 0:22:53 | |
And the alien's going, "Whoa! This is amazing. | 0:22:53 | 0:22:56 | |
"That's incredible. What are you going to do with it?" | 0:22:56 | 0:22:59 | |
"Well, | 0:22:59 | 0:23:00 | |
"at the moment, he's working on a new catchphrase for the Coco Pops monkey." | 0:23:00 | 0:23:04 | |
LAUGHTER | 0:23:04 | 0:23:06 | |
I can't see that that is a job that drags humanity down to a low ebb. | 0:23:06 | 0:23:11 | |
-It's a waste of human... -It's like poetry, isn't it? | 0:23:11 | 0:23:14 | |
It's a waste of human potential. | 0:23:14 | 0:23:16 | |
-It's the modern poetry, the advertising slogan. It's beautiful. -No, poetry's the modern poetry. | 0:23:16 | 0:23:21 | |
"Peugeot - the reality's even better than the dream." That's beautiful. | 0:23:21 | 0:23:25 | |
-Is it? -Yeah. What about that one, "Taste The Rainbow - Skittles"? | 0:23:25 | 0:23:31 | |
LAUGHTER | 0:23:31 | 0:23:33 | |
"Ronseal - does what it says on the tin." Great(!) | 0:23:33 | 0:23:35 | |
You've got the right tin. Brilliant(!) | 0:23:35 | 0:23:37 | |
20 years, they've been using that. 20 years. | 0:23:37 | 0:23:42 | |
All it means is the tin is accurately labelled. Good on you, Ronseal. | 0:23:42 | 0:23:45 | |
Because, I don't know about you, but I'm 43 years old, | 0:23:45 | 0:23:48 | |
I have never once opened a tin of something to find something else in there. | 0:23:48 | 0:23:53 | |
Never once have I had the wrong thing in a tin. | 0:23:53 | 0:23:55 | |
Every single tin of everything I've ever had | 0:23:55 | 0:23:58 | |
in any country in the world has had what it said on the tin in it. | 0:23:58 | 0:24:01 | |
Well, you're one of the lucky ones. | 0:24:01 | 0:24:04 | |
LAUGHTER | 0:24:04 | 0:24:06 | |
Here's an advert with a very fine slogan at the end, | 0:24:07 | 0:24:11 | |
but also an unusual thing - the person doing the advert | 0:24:11 | 0:24:15 | |
seems to take a bit of convincing themselves about the actual product. | 0:24:15 | 0:24:19 | |
Is this the powder of the future? | 0:24:19 | 0:24:21 | |
They claim that new Ariel Future | 0:24:21 | 0:24:23 | |
gives their best cleaning ever from the least powder ever. | 0:24:23 | 0:24:27 | |
Can you believe that? I find it difficult. | 0:24:27 | 0:24:29 | |
Smaller pack, smaller scoop, | 0:24:29 | 0:24:31 | |
but better cleaning? | 0:24:31 | 0:24:33 | |
I wanted proof. | 0:24:33 | 0:24:35 | |
We took 20 of the most difficult everyday stains | 0:24:35 | 0:24:37 | |
-like makeup, gravy, clay. -And what about the other stains? | 0:24:37 | 0:24:41 | |
Of the 20 stains, Ariel Future cleans significantly better on 14 | 0:24:41 | 0:24:46 | |
and just as well as Ariel Ultra on the rest. | 0:24:46 | 0:24:48 | |
I was looking for proof | 0:24:48 | 0:24:50 | |
and I believe I may have seen the powder of the future. | 0:24:50 | 0:24:53 | |
SHE LAUGHS | 0:24:53 | 0:24:55 | |
CHEERING AND APPLAUSE | 0:24:55 | 0:24:57 | |
-I love that. -Well... | 0:25:00 | 0:25:03 | |
It was quite an interesting advert to do, that, | 0:25:03 | 0:25:05 | |
because I was hosting Tomorrow's World at the same time | 0:25:05 | 0:25:08 | |
and I got sacked. I did. | 0:25:08 | 0:25:10 | |
I got sacked from Tomorrow's World for doing that advert. | 0:25:10 | 0:25:12 | |
-What, for spilling the beans about the future of washing powder? -Yeah. | 0:25:12 | 0:25:16 | |
It's a beautiful advert | 0:25:16 | 0:25:18 | |
and I like the way you represent the thinking consumer. | 0:25:18 | 0:25:21 | |
You're going out there, you're asking them, and that's important. | 0:25:21 | 0:25:24 | |
That was the strapline. | 0:25:24 | 0:25:25 | |
That took somebody about six years to come up with that strapline. | 0:25:25 | 0:25:29 | |
It's ironic that it's been such a stain on your career. | 0:25:29 | 0:25:32 | |
GROANING | 0:25:32 | 0:25:34 | |
APPLAUSE | 0:25:34 | 0:25:36 | |
Let's see what Carol doesn't like about modern life. | 0:25:38 | 0:25:42 | |
Facebook. | 0:25:49 | 0:25:51 | |
Do you know how many users worldwide there are on Facebook? I hate Facebook. | 0:25:51 | 0:25:55 | |
800 million people use Facebook every single day. | 0:25:55 | 0:26:01 | |
250 million pictures are put on Facebook every day. | 0:26:01 | 0:26:07 | |
A quarter of a billion photographs are put up there. Why? | 0:26:07 | 0:26:11 | |
To prove that you're having a better time than the next person. | 0:26:11 | 0:26:15 | |
You've got to do your Facebook face. Everyone has to go like this. | 0:26:15 | 0:26:20 | |
There was one woman who found her friend so annoying | 0:26:21 | 0:26:25 | |
that she de-friended her, | 0:26:25 | 0:26:28 | |
cos apparently, you can do this on Facebook. | 0:26:28 | 0:26:30 | |
She de-friended her. Her friend was so upset, she set fire to her house. | 0:26:30 | 0:26:34 | |
And finally, young people aged between 16-30 | 0:26:35 | 0:26:40 | |
would rather lose the sense of smell than lose their ability to Facebook. | 0:26:40 | 0:26:48 | |
Well, that's why that woman didn't know her house was on fire. | 0:26:48 | 0:26:52 | |
LAUGHTER AND APPLAUSE | 0:26:52 | 0:26:54 | |
Facebook - it's a blight on modern-day living. | 0:26:57 | 0:27:01 | |
I like the fact... Cos in this country, we're very, kind of, stuffy | 0:27:01 | 0:27:05 | |
and we don't want to share. | 0:27:05 | 0:27:06 | |
And on Facebook, it seems people are opening up and saying, this is me. | 0:27:06 | 0:27:10 | |
I find it very odd. I'm on Facebook. I don't USE it. | 0:27:10 | 0:27:13 | |
I don't do anything with it. | 0:27:13 | 0:27:14 | |
And then I get dozens of people who want to be my friend. | 0:27:14 | 0:27:17 | |
I don't know who they are. Why do they want to be my friend? | 0:27:17 | 0:27:21 | |
They can push off. | 0:27:21 | 0:27:23 | |
-I've got enough friends. I don't want any more friends. -That's certainly the Facebook spirit. | 0:27:23 | 0:27:28 | |
There's no privacy any more. You can be tagged and you can be poked. | 0:27:28 | 0:27:32 | |
-Have you ever been poked? -Not recently. -No. | 0:27:32 | 0:27:36 | |
Neither have I. | 0:27:36 | 0:27:37 | |
Yeah, I don't know why you brought that up. | 0:27:37 | 0:27:39 | |
OK, so, where were we? Modern Life. | 0:27:42 | 0:27:46 | |
What doesn't Nick Hewer like about modern life? | 0:27:46 | 0:27:48 | |
Frank, and what we have here is tracksuits. | 0:27:54 | 0:27:58 | |
This is gym man. | 0:27:58 | 0:27:59 | |
He hasn't just come from the gym and he's not going to the gym. | 0:27:59 | 0:28:03 | |
But he wants people to think that he's sporty. | 0:28:03 | 0:28:07 | |
The reality is, of course, that he's terribly comfy. | 0:28:07 | 0:28:11 | |
He can walk down any high street | 0:28:14 | 0:28:18 | |
making a lowing noise as he passes fast food outlets. | 0:28:18 | 0:28:23 | |
And when he goes in and comes out | 0:28:23 | 0:28:25 | |
and he does spill a bit of mustard down the front, | 0:28:25 | 0:28:29 | |
it doesn't matter cos this outfit, rich in manmade fibres, | 0:28:29 | 0:28:33 | |
can be tossed into the washing machine tonight | 0:28:33 | 0:28:36 | |
and ready again tomorrow. | 0:28:36 | 0:28:38 | |
It has an expandable waistband | 0:28:39 | 0:28:43 | |
and you'll notice that the trainer laces are undone. | 0:28:43 | 0:28:47 | |
Fat feet. | 0:28:48 | 0:28:49 | |
Here we have him. | 0:28:53 | 0:28:55 | |
I think you're underestimating the joy of elastication. | 0:28:55 | 0:28:59 | |
I've always thought that | 0:28:59 | 0:29:02 | |
if elastic was invented first, there'd be no buttons or zips, | 0:29:02 | 0:29:06 | |
because it makes life so much easier. | 0:29:06 | 0:29:08 | |
It's like the automatic gearbox. | 0:29:08 | 0:29:10 | |
There would've been no manual gearbox if that had been invented first. | 0:29:10 | 0:29:14 | |
Buttons and that are complicated. | 0:29:14 | 0:29:15 | |
You've never wanted to put it into third | 0:29:15 | 0:29:18 | |
and really put your foot down, Frank? | 0:29:18 | 0:29:20 | |
What, a button? | 0:29:24 | 0:29:26 | |
It's just something that offends me. | 0:29:26 | 0:29:28 | |
-I'm not asking for huge support. -You argue it very well. | 0:29:28 | 0:29:32 | |
-I have to say, I cannot go with advertising slogans. -Why not? | 0:29:32 | 0:29:37 | |
I do think they are the poetry of the 21st century. | 0:29:37 | 0:29:40 | |
And I understand that non-sporty people are slightly cheating by wearing sportswear, | 0:29:40 | 0:29:44 | |
but I have a sympathy for their heaving carcasses. | 0:29:44 | 0:29:48 | |
Whereas I think it's true that Facebook can cause all sorts of sinister things | 0:29:48 | 0:29:53 | |
and sometimes stops people just talking to people. | 0:29:53 | 0:29:58 | |
So I'm going to put Facebook into Room 101. | 0:29:58 | 0:30:01 | |
CHEERING AND APPLAUSE | 0:30:01 | 0:30:03 | |
OK, let's have our next category. | 0:30:14 | 0:30:17 | |
Sport. | 0:30:20 | 0:30:23 | |
What doesn't Carol Vorderman like about sport? | 0:30:23 | 0:30:26 | |
Yes! | 0:30:31 | 0:30:32 | |
APPLAUSE | 0:30:32 | 0:30:34 | |
-I feel I don't actually need to say anything. -No. | 0:30:34 | 0:30:38 | |
-Golf is not a sport. -Oh! | 0:30:38 | 0:30:41 | |
That's why it has to go into Room 101. | 0:30:41 | 0:30:44 | |
A sport, I would say, has spectators who can get excited | 0:30:44 | 0:30:48 | |
about watching people doing whatever it is that they're doing | 0:30:48 | 0:30:51 | |
and you get a thrill that rushes through you, going, "Yeah, that's fantastic!" | 0:30:51 | 0:30:55 | |
Whether it's football, or rugby, or whatever it might be. | 0:30:55 | 0:30:58 | |
That doesn't happen in golf. If you're a spectator - | 0:30:58 | 0:31:00 | |
and I know because I was once taken to an event - you stand there | 0:31:00 | 0:31:05 | |
in silence, like this, | 0:31:05 | 0:31:07 | |
for 20 minutes. | 0:31:07 | 0:31:09 | |
Then somebody hits a ball over there. | 0:31:09 | 0:31:11 | |
You can't see it against the grey sky, and then it lands over there. | 0:31:11 | 0:31:17 | |
And you go... | 0:31:17 | 0:31:19 | |
like that. | 0:31:19 | 0:31:20 | |
Then you wait another 20 minutes for the same thing. It's not a sport. | 0:31:20 | 0:31:24 | |
But it's got... I know what you mean by it not being a sport, | 0:31:24 | 0:31:27 | |
-in that it's not desperately physical. -It's not a sport. | 0:31:27 | 0:31:31 | |
But that's good, because it means the fat, the old, | 0:31:31 | 0:31:33 | |
the alienated can play. It's like Countdown in that respect. | 0:31:33 | 0:31:37 | |
-LAUGHTER -What do you mean by the alienated can play golf, anyway? | 0:31:37 | 0:31:41 | |
What does that mean? | 0:31:41 | 0:31:42 | |
If you don't have any friends, you can play golf on your own. | 0:31:42 | 0:31:46 | |
If you haven't got friends, you can do anything on your own. | 0:31:46 | 0:31:49 | |
What about seesawing? | 0:31:49 | 0:31:51 | |
Yeah. | 0:31:51 | 0:31:53 | |
LAUGHTER AND APPLAUSE | 0:31:53 | 0:31:56 | |
What I think about golf is that every single golfer, | 0:31:56 | 0:31:59 | |
and I'm accusing every single one of them out there, | 0:31:59 | 0:32:02 | |
lies and cheats in every single game that they play. | 0:32:02 | 0:32:06 | |
Always this constant lying to yourself, | 0:32:06 | 0:32:08 | |
"I won't count that one, I won't count that shot." | 0:32:08 | 0:32:11 | |
They never play it by the rules. | 0:32:11 | 0:32:12 | |
You're only cheating yourself. | 0:32:12 | 0:32:14 | |
Give me a cheer if you do that. | 0:32:14 | 0:32:15 | |
SILENCE | 0:32:15 | 0:32:18 | |
-Oh. -But I think it's not about that, it's about being out there | 0:32:18 | 0:32:22 | |
in the open air, the course is like a living creature. | 0:32:22 | 0:32:25 | |
I think it's good for the soul. | 0:32:25 | 0:32:28 | |
Just to show how at one with nature golfers are, | 0:32:28 | 0:32:31 | |
look at this beautiful moment. | 0:32:31 | 0:32:33 | |
GASPS | 0:32:38 | 0:32:40 | |
You just killed a bird. | 0:32:40 | 0:32:42 | |
-That's awful! -Yes, yes, she hit a birdie. | 0:32:43 | 0:32:46 | |
LAUGHTER | 0:32:46 | 0:32:48 | |
OK, what doesn't Nick Hewer like about sport? | 0:32:48 | 0:32:52 | |
LAUGHTER | 0:32:55 | 0:32:57 | |
My little two minutes really is about British sportsmanship. | 0:32:57 | 0:33:02 | |
That is the Northampton and England winger, who, when he scores, | 0:33:02 | 0:33:08 | |
he sort of has a triumphant dive, because he's a show-off, basically. | 0:33:08 | 0:33:13 | |
So you're anti, sort of, flamboyance as well, in sport? | 0:33:13 | 0:33:16 | |
No, we gave the world cricket and soccer and rugby, | 0:33:16 | 0:33:20 | |
and today, I worry that British sportsmanship, right, | 0:33:20 | 0:33:25 | |
has reached a low ebb. | 0:33:25 | 0:33:27 | |
Let me just give you a couple of examples. | 0:33:27 | 0:33:29 | |
You hear commentators saying, | 0:33:29 | 0:33:32 | |
"He's won a penalty." Excuse me? | 0:33:32 | 0:33:35 | |
You're awarded a penalty for being fouled. | 0:33:35 | 0:33:38 | |
And when you actually win one, by diving or whatever it is, | 0:33:38 | 0:33:42 | |
you're then congratulated by your team-mates. | 0:33:42 | 0:33:45 | |
Another example is that whenever the ball crosses the goal line, | 0:33:45 | 0:33:49 | |
-everybody claims it's a corner or it's not a corner. -Yep. | 0:33:49 | 0:33:52 | |
When the ball goes into touch, it's everybody's ball, | 0:33:52 | 0:33:56 | |
and if somebody looks on-side, everybody claims it. | 0:33:56 | 0:33:58 | |
Why don't they just pack it in and be honest about it? | 0:33:58 | 0:34:02 | |
Sportsmanship, let's get it back, let's get it back. | 0:34:02 | 0:34:05 | |
-I have to say... -APPLAUSE | 0:34:05 | 0:34:07 | |
I think that the England football team in the past | 0:34:10 | 0:34:14 | |
have been a little bit, they've been a bit too sporting, in a way. | 0:34:14 | 0:34:19 | |
They've been too much on the side of the opposition. Look at this. | 0:34:19 | 0:34:24 | |
LAUGHTER | 0:34:24 | 0:34:26 | |
Now I think I'd have said, | 0:34:26 | 0:34:28 | |
"No, we're not going to do the Nazi salute." | 0:34:28 | 0:34:31 | |
But they just didn't want to offend anybody. | 0:34:31 | 0:34:34 | |
-Is that what you want to go back to, Nick? -Er, no. | 0:34:34 | 0:34:39 | |
I think it's just something happening in the stand, that's all. | 0:34:39 | 0:34:43 | |
Everyone stops and has a look. | 0:34:43 | 0:34:46 | |
Somebody could have Photoshopped the World Yo-yo Championships. | 0:34:46 | 0:34:51 | |
LAUGHTER | 0:34:51 | 0:34:53 | |
Well, here's a celebration, I don't think this is triumphalist, | 0:34:53 | 0:34:56 | |
so this, I think this is a celebration you'll like. | 0:34:56 | 0:34:59 | |
This is from Iceland, right, | 0:34:59 | 0:35:01 | |
and there's a club team there called Stjarnan FC, | 0:35:01 | 0:35:04 | |
and their goal celebrations have become works of art. | 0:35:04 | 0:35:09 | |
Get a load of this. So, the guy scores a penalty. | 0:35:09 | 0:35:15 | |
So, he's ready, now he's ready now. | 0:35:15 | 0:35:17 | |
He starts with the big cast and then he's reeling it in. | 0:35:17 | 0:35:20 | |
What is he reeling in? | 0:35:20 | 0:35:21 | |
It's the big fish, here it comes. | 0:35:21 | 0:35:23 | |
LAUGHTER AND APPLAUSE | 0:35:23 | 0:35:25 | |
Photo opportunity with the big fish. | 0:35:25 | 0:35:29 | |
And... | 0:35:29 | 0:35:32 | |
LAUGHTER AND APPLAUSE | 0:35:32 | 0:35:35 | |
What doesn't Rhod Gilbert like about sport? | 0:35:39 | 0:35:42 | |
This is, well, opening or closing ceremonies, I guess. | 0:35:47 | 0:35:51 | |
It's the Olympics one I'm thinking of, primarily, coming up to 2012. | 0:35:51 | 0:35:55 | |
The TV audience is apparently going to be four billion, | 0:35:55 | 0:35:58 | |
essentially who are going to watch 500 people in tracksuits | 0:35:58 | 0:36:02 | |
walk around a track. And I don't get it as a spectacle. | 0:36:02 | 0:36:07 | |
If I wanted to watch 500 people in tracksuits, | 0:36:07 | 0:36:09 | |
I'd go and hang around a Job Centre in Manchester. You can just... | 0:36:09 | 0:36:12 | |
It's a waste of money, it's a massive PR exercise. | 0:36:12 | 0:36:17 | |
It's going to be embarrassing. | 0:36:17 | 0:36:19 | |
The teams come out in alphabetical order, | 0:36:19 | 0:36:21 | |
but the Greeks always come out first, | 0:36:21 | 0:36:24 | |
because of the heritage and historical thing. | 0:36:24 | 0:36:26 | |
And then the host nation comes out last, sort of comes in last, | 0:36:26 | 0:36:29 | |
and I thought, "That's going to be good practice." | 0:36:29 | 0:36:32 | |
Well, they are, it's always a bit embarrassing. | 0:36:32 | 0:36:36 | |
I remember, was it Vancouver, the Winter Olympics, the last one? | 0:36:36 | 0:36:39 | |
-I don't watch the Winters. -Everyone arrived, like the French, the Austrians, the Germans, | 0:36:39 | 0:36:44 | |
all of them confident, all waving, confident of winning medals. | 0:36:44 | 0:36:47 | |
Then you had the Brits at the back, coming out like this, | 0:36:47 | 0:36:51 | |
following a gritter like that. | 0:36:51 | 0:36:53 | |
Literally. | 0:36:53 | 0:36:55 | |
So how would you start the Olympics then? | 0:36:55 | 0:36:59 | |
Save... 80 million quid, it's going to cost. | 0:36:59 | 0:37:01 | |
100 quid, 103 quid, I reckon I could do it. | 0:37:01 | 0:37:04 | |
Scissors, a ribbon and then Bill Oddie, | 0:37:04 | 0:37:08 | |
he'll do it for 100 quid. Right. | 0:37:08 | 0:37:10 | |
He cuts the ribbon, 103 quid all in, | 0:37:10 | 0:37:12 | |
and then to get the global viewing audience up, | 0:37:12 | 0:37:15 | |
you smash a bottle of champagne against Pippa Middleton's bottom. | 0:37:15 | 0:37:18 | |
That's it. | 0:37:18 | 0:37:20 | |
At Beijing, at the end, in the closing ceremony, when they handed | 0:37:20 | 0:37:25 | |
the Olympic flag to Boris, did you not get a little tear in your eye? | 0:37:25 | 0:37:30 | |
-Um, no. -Look at that. It's a beautiful thing. | 0:37:30 | 0:37:34 | |
It made me all tingly. | 0:37:34 | 0:37:36 | |
-No? -It looks like somebody's clumsily shaved the Honey Monster | 0:37:37 | 0:37:40 | |
and then pushed him out of a third-storey window. | 0:37:40 | 0:37:44 | |
Well, look, I think that golf, I'm not going to put in... | 0:37:44 | 0:37:48 | |
-Ohh! -..because I think it's a spiritual exercise for many people. | 0:37:48 | 0:37:52 | |
Boo. | 0:37:52 | 0:37:53 | |
And I don't want to knock the British sportsmanship, | 0:37:53 | 0:37:58 | |
because I think there's still a lot of great sportsmanship going on | 0:37:58 | 0:38:02 | |
and people highlight just the bad stuff. | 0:38:02 | 0:38:04 | |
I must admit, if I'm going to be absolutely honest, | 0:38:04 | 0:38:07 | |
I'd be happy to save 80 million quid by not having an opening ceremony | 0:38:07 | 0:38:11 | |
and just somebody blowing a whistle. | 0:38:11 | 0:38:14 | |
-Yeah, Bill Oddie. -So, I'm going to put opening and closing ceremonies into Room 101. | 0:38:14 | 0:38:19 | |
CHEERING AND APPLAUSE | 0:38:19 | 0:38:22 | |
Even though it's just disappeared into Room 101, | 0:38:32 | 0:38:36 | |
there is still time to announce our own Room 101 closing ceremony. | 0:38:36 | 0:38:41 | |
Please enjoy. | 0:38:41 | 0:38:43 | |
This is the Room 101 mascot, Bolty! | 0:38:50 | 0:38:55 | |
And please welcome, from EastEnders, carrying the Olympic Flame, | 0:39:05 | 0:39:10 | |
Well-Hard. | 0:39:10 | 0:39:11 | |
Good night. | 0:39:23 | 0:39:26 | |
Oh, please. Please stop! | 0:39:28 | 0:39:30 |