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APPLAUSE AND CHEERING | 0:00:22 | 0:00:24 | |
Hello. I'm Frank Skinner. Welcome to Room 101, | 0:00:35 | 0:00:40 | |
the show where three guests compete to get their pet hates exiled forever | 0:00:40 | 0:00:44 | |
to the dark vault that is Room 101. | 0:00:44 | 0:00:47 | |
Joining me tonight are TV Dragon Deborah Meaden, | 0:00:47 | 0:00:50 | |
pop star Paloma Faith and comedian Jason Manford. | 0:00:50 | 0:00:54 | |
OK, let's kick off. Shall we have our first category, please? | 0:01:03 | 0:01:06 | |
Shopping. OK. | 0:01:11 | 0:01:13 | |
So what doesn't Deborah like about shopping? | 0:01:13 | 0:01:16 | |
Cue. | 0:01:21 | 0:01:22 | |
This is people who don't get their money out or ready until the... | 0:01:22 | 0:01:27 | |
AUDIENCE APPROVAL | 0:01:27 | 0:01:29 | |
..until the cashier actually says, "That's £50, please", | 0:01:33 | 0:01:37 | |
and they look really surprised. "Oh? I've got to pay?" | 0:01:37 | 0:01:39 | |
Having watched all of their goods come through. | 0:01:39 | 0:01:42 | |
It's all right for you, Deborah. You keep all your money in a big pile on the table! | 0:01:42 | 0:01:45 | |
What if they have to rush through to pack | 0:01:48 | 0:01:51 | |
so then they don't have time to get their wallet. That always happens to me. | 0:01:51 | 0:01:54 | |
Ah, well, I'm usually ahead of the cashier. | 0:01:54 | 0:01:57 | |
-I'm like that. -And I'm that person... -Of course you are! | 0:01:57 | 0:02:02 | |
I am that person who... | 0:02:02 | 0:02:04 | |
I imagine you're a person who's an impatient person who has things to do. | 0:02:04 | 0:02:08 | |
-Is that fair to say? -I don't know if I'm impatient, but I'm... | 0:02:08 | 0:02:12 | |
-No, you don't sound at all impatient(!) -Not at all, no. | 0:02:12 | 0:02:14 | |
I'm very relaxed about things. | 0:02:14 | 0:02:16 | |
No, but I am prepared | 0:02:16 | 0:02:18 | |
and it's not a surprise that if you've bought a lot of goods that they're going to ask for your money. | 0:02:18 | 0:02:24 | |
But their money's in their bag. It's easy for you, cos you've got more of it! | 0:02:24 | 0:02:29 | |
It's easy for you to find. | 0:02:29 | 0:02:32 | |
Some people are trying to... "Oh, I can't find my money cos I'm on minimum wage." | 0:02:32 | 0:02:35 | |
-Oh! -So... -Don't go for the sympathy vote. He's really competitive. | 0:02:35 | 0:02:41 | |
-I'm just saying... -Do not go for the sympathy vote! | 0:02:41 | 0:02:43 | |
No, I think it's a good point... | 0:02:43 | 0:02:45 | |
Jason is not on minimum wage, you do know that? | 0:02:45 | 0:02:47 | |
Too right! | 0:02:48 | 0:02:49 | |
Don't let that shirt fool you, Deborah! | 0:02:49 | 0:02:51 | |
I'm like you. I'm ahead of the game. | 0:02:57 | 0:02:59 | |
I get to a point where I'm annoyed, when I put my card in the chip and pin machine, | 0:02:59 | 0:03:03 | |
if they tell me, "Just put your number in there." | 0:03:03 | 0:03:07 | |
"I know how it works! I've had this for..." "Put your number in." | 0:03:07 | 0:03:09 | |
"I know! I know what to do!" | 0:03:09 | 0:03:12 | |
"You can take it out now." "I know! It says, 'Take it out'! | 0:03:12 | 0:03:14 | |
"I wasn't gonna leave it here, was I?" | 0:03:14 | 0:03:17 | |
I think they're both a bit up-tight. | 0:03:17 | 0:03:20 | |
I wonder if they're thinking, "That's Deborah Meaden in the queue behind us. | 0:03:26 | 0:03:31 | |
"If we take ages to get the money, she might say, 'Oh, I'll pay'." | 0:03:31 | 0:03:34 | |
The cashier helps, doesn't he, sometimes. | 0:03:36 | 0:03:38 | |
He's like, "Want any help with your packing?" | 0:03:38 | 0:03:40 | |
And you always say no. You go, "I'm all right, really." | 0:03:40 | 0:03:43 | |
Even though there's loads of it. You go, "I'm all right." | 0:03:43 | 0:03:45 | |
And they look at you like you've insulted their skills. | 0:03:45 | 0:03:48 | |
They look at you like, "OK. Let's see how we manage it triple speed." | 0:03:48 | 0:03:52 | |
Beep! Beep! Beep! Beep! Beep! | 0:03:54 | 0:03:57 | |
OK. What is Paloma's shopping hate? | 0:03:59 | 0:04:03 | |
LAUGHTER AND CHEERING | 0:04:08 | 0:04:11 | |
"Ooh", go the crowd! | 0:04:12 | 0:04:14 | |
Ugg boots. | 0:04:16 | 0:04:17 | |
This is an actual item of shopping. | 0:04:17 | 0:04:20 | |
Ugg stands for ugly! | 0:04:20 | 0:04:22 | |
Everyone seems to like them | 0:04:24 | 0:04:26 | |
and their justification for it is, "But they're comfortable." | 0:04:26 | 0:04:30 | |
Well, look at me. | 0:04:30 | 0:04:32 | |
That does not factor in my system. | 0:04:33 | 0:04:36 | |
That is not good enough in my book. | 0:04:39 | 0:04:41 | |
I actually have a rule that if anybody turns up to work for me in these, | 0:04:41 | 0:04:46 | |
they immediately will get fired. | 0:04:46 | 0:04:49 | |
Wow! | 0:04:49 | 0:04:51 | |
And how many industrial tribunals have you been taken to? | 0:04:51 | 0:04:54 | |
They make people walk in a lazy way. | 0:04:58 | 0:05:01 | |
Like, if you lazily wear Ugg boots, | 0:05:01 | 0:05:05 | |
you might become lazy in every other area of your life. | 0:05:05 | 0:05:07 | |
I get your point! | 0:05:07 | 0:05:09 | |
-I daren't say it! -She's got some, I know! | 0:05:11 | 0:05:14 | |
I wear them all the time. When I'm not wearing these, | 0:05:14 | 0:05:17 | |
I wear those. And you're gonna hate... You're gonna hate this, | 0:05:17 | 0:05:20 | |
Crocs. | 0:05:20 | 0:05:22 | |
Oh, they were the other ones! | 0:05:22 | 0:05:24 | |
Hold on. You said that these make people walk lazy | 0:05:25 | 0:05:30 | |
and then they become lazy in everyday life. | 0:05:30 | 0:05:33 | |
-That's what you're saying. -Yeah... Well, she's the proof. -Deborah. -I get it. | 0:05:33 | 0:05:37 | |
How many businesses do you run? | 0:05:37 | 0:05:39 | |
-19 at the moment. -19 businesses. | 0:05:39 | 0:05:41 | |
-Aside from that... -Apart from... | 0:05:41 | 0:05:44 | |
They're just ugly. | 0:05:44 | 0:05:46 | |
Aside from actual proof! | 0:05:46 | 0:05:48 | |
OK, maybe that's wrong. Maybe that's a sweeping statement. | 0:05:48 | 0:05:51 | |
But, yeah, I'm happy to admit that that might be wrong. | 0:05:51 | 0:05:54 | |
-Let's see what's in my one, then! -My main point... | 0:05:54 | 0:05:57 | |
I just think that they're really unattractive and ugly and horrible. | 0:05:59 | 0:06:03 | |
Have you actually worn a pair? | 0:06:03 | 0:06:05 | |
-I would never. -I feel, like you say, you can't judge a man till you've walked in his shoes. | 0:06:05 | 0:06:10 | |
-True. -Shall I try them on? -It's only fair. -Yeah, try 'em on! | 0:06:10 | 0:06:13 | |
Please, whoever's at home, do not freeze-frame this | 0:06:13 | 0:06:17 | |
and put it in some silly gossip column! | 0:06:17 | 0:06:19 | |
I hate it already. | 0:06:19 | 0:06:22 | |
I hate it! | 0:06:22 | 0:06:24 | |
LAUGHTER AND APPLAUSE | 0:06:24 | 0:06:26 | |
WOLF WHISTLE | 0:06:26 | 0:06:28 | |
You look great! | 0:06:28 | 0:06:29 | |
Can you take them off? I don't like them. | 0:06:29 | 0:06:32 | |
I think they look quite sexy. | 0:06:32 | 0:06:34 | |
I find them horrible and repulsive and they're too hot. | 0:06:34 | 0:06:37 | |
We've got a picture of Raquel Welch looking great in Uggs. | 0:06:39 | 0:06:43 | |
That's what I look like at home! | 0:06:45 | 0:06:48 | |
LAUGHTER AND APPLAUSE | 0:06:48 | 0:06:50 | |
Let's talk about comfort. I think this could change your mind. | 0:06:56 | 0:06:59 | |
The new invention is this, right? | 0:06:59 | 0:07:02 | |
It's called a pillow hat. | 0:07:02 | 0:07:05 | |
There you go. | 0:07:11 | 0:07:13 | |
Can you still hear me? | 0:07:15 | 0:07:17 | |
Now this is... When I was a drinking man, | 0:07:18 | 0:07:21 | |
this would have been really handy. | 0:07:21 | 0:07:23 | |
Cos when I used to go to the urinal in the 1980s, | 0:07:23 | 0:07:26 | |
I used to stand like this! | 0:07:26 | 0:07:29 | |
LAUGHTER | 0:07:29 | 0:07:31 | |
-I love it. -I get the same feeling about that as I do about Ugg boots. | 0:07:39 | 0:07:44 | |
Yeah. You look like a dead Teletubby! | 0:07:44 | 0:07:47 | |
It's fine! | 0:07:55 | 0:07:57 | |
OK. What doesn't Jason like about shopping? | 0:07:57 | 0:08:01 | |
It's this shop | 0:08:06 | 0:08:09 | |
on the high street, called Lush. | 0:08:09 | 0:08:11 | |
Ah, yes. | 0:08:11 | 0:08:12 | |
CHEERING | 0:08:12 | 0:08:14 | |
Even if you don't want handmade soap, | 0:08:19 | 0:08:22 | |
and you don't want any involvement in the shop, | 0:08:22 | 0:08:25 | |
the smell from the shop spills out onto the street. | 0:08:25 | 0:08:29 | |
And not in a good way, like Greggs. | 0:08:29 | 0:08:31 | |
LAUGHTER | 0:08:31 | 0:08:33 | |
It's like you've been punched in the nose | 0:08:34 | 0:08:38 | |
by a mango or something. I don't know what... | 0:08:38 | 0:08:41 | |
All the soaps are like "Fun Green", | 0:08:41 | 0:08:44 | |
"Fun Pink" and "Mango and Lime". | 0:08:44 | 0:08:46 | |
I just want to wash my balls, I don't need one of my five a day! | 0:08:46 | 0:08:50 | |
I mean, not in the shop, don't get me wrong. | 0:08:52 | 0:08:54 | |
I just find it odd. I suppose as a bloke, | 0:08:56 | 0:08:59 | |
I just grab some soap or some shower gel or whatever, and wash in it. | 0:08:59 | 0:09:04 | |
I don't really focus on the types | 0:09:04 | 0:09:06 | |
and I don't need it to smell a certain way. | 0:09:06 | 0:09:08 | |
I don't even... I made the mistake - have you used that mint and tea tree shower gel? | 0:09:08 | 0:09:14 | |
Have you used that? | 0:09:14 | 0:09:15 | |
No. I usually... I'm a soap man. | 0:09:15 | 0:09:17 | |
-That's the one that makes you go all... -It's the coldest thing you've ever put on your body in your life. | 0:09:17 | 0:09:21 | |
Up here, it's all right. Down there, it's like a polar bear's having a lick. | 0:09:21 | 0:09:25 | |
Freezing. Freezing. | 0:09:25 | 0:09:27 | |
Well, I'm a big soap fan, I must say. | 0:09:31 | 0:09:34 | |
I had apple and laburnum, I was using recently. | 0:09:34 | 0:09:38 | |
-What?! -Yeah. -I only know what half of that is! | 0:09:38 | 0:09:40 | |
I actually got a scratch on my back | 0:09:40 | 0:09:44 | |
from a bit of branch that was in the soap. | 0:09:44 | 0:09:47 | |
-You liked that? That was... -That's what I told my girlfriend, anyway. | 0:09:47 | 0:09:52 | |
I don't think I've ever gone out to go, "I want that certain soap or shower gel". | 0:09:52 | 0:09:57 | |
-Really? -I just grab whatever's in there. | 0:09:57 | 0:10:00 | |
I went about three weeks washing in Frizz-Ease. | 0:10:00 | 0:10:02 | |
It's just for easing frizzy hair. | 0:10:02 | 0:10:04 | |
It's not for washing in. I didn't realise. | 0:10:04 | 0:10:08 | |
All your armpit hair was straight. | 0:10:08 | 0:10:10 | |
All my pubic hair was straight! | 0:10:10 | 0:10:12 | |
My willy looked like Cher. | 0:10:14 | 0:10:16 | |
I had to roll them all back with a pencil. | 0:10:19 | 0:10:21 | |
LAUGHTER | 0:10:21 | 0:10:24 | |
They do cut it to size, though... Not your pubic hair. | 0:10:24 | 0:10:28 | |
The soap. | 0:10:30 | 0:10:31 | |
APPLAUSE | 0:10:31 | 0:10:34 | |
I think that's it for shopping, isn't it? | 0:10:34 | 0:10:37 | |
Well, I like fancy soaps, so I'm drawn to this place. | 0:10:37 | 0:10:42 | |
And I think women certainly look great in Uggs. | 0:10:42 | 0:10:45 | |
I thought you looked great in Uggs when you put them on. | 0:10:45 | 0:10:47 | |
So I'm afraid I do get annoyed by people that don't have their change ready | 0:10:47 | 0:10:53 | |
so I am going to put people who don't have their change ready at the till into Room 101. | 0:10:53 | 0:10:58 | |
APPLAUSE AND CHEERING | 0:10:58 | 0:11:00 | |
Anyway, let's have our next category. | 0:11:14 | 0:11:16 | |
What kind of people wind up Paloma? | 0:11:21 | 0:11:24 | |
This is quite clever, this prop. | 0:11:29 | 0:11:31 | |
Jobsworths. | 0:11:31 | 0:11:33 | |
It's a mathematical sign for "more than". | 0:11:33 | 0:11:36 | |
It's more than my job's worth. | 0:11:36 | 0:11:39 | |
AUDIENCE: Ooh-hoo! | 0:11:39 | 0:11:42 | |
The thing that irritates me really | 0:11:44 | 0:11:45 | |
is people who are doing their job | 0:11:45 | 0:11:49 | |
and they take their power too seriously. | 0:11:49 | 0:11:52 | |
And there's no like consideration for the fact that you're a human being. | 0:11:52 | 0:11:56 | |
The kind of jobsworths I'm talking about are like, | 0:11:56 | 0:11:59 | |
Immigration, when you aren't part of that country. | 0:11:59 | 0:12:03 | |
And they're really enjoying saying, "Stand behind the yellow line." | 0:12:03 | 0:12:06 | |
And your foot's an inch over it | 0:12:06 | 0:12:09 | |
and they're like, "Please stand behind the line, ma'am." | 0:12:09 | 0:12:12 | |
And I'm just like... | 0:12:12 | 0:12:15 | |
And, um, traffic wardens. | 0:12:15 | 0:12:18 | |
They love to do that. | 0:12:18 | 0:12:20 | |
"You have to move on." It's all like, "Sorry, but it's my job." | 0:12:20 | 0:12:24 | |
And that's what they say. | 0:12:24 | 0:12:25 | |
But why are you parked there? Do you know what I mean? | 0:12:25 | 0:12:28 | |
I had a jobsworth. A barman, or landlord, where I went into the pub | 0:12:29 | 0:12:34 | |
just to use the toilet. | 0:12:34 | 0:12:36 | |
I just needed a loo, I didn't need a drink. | 0:12:36 | 0:12:38 | |
I just thought I'd just use the loo. | 0:12:38 | 0:12:40 | |
And he said, "The toilets are for customers only." | 0:12:40 | 0:12:44 | |
And I said, "Well, I have been a customer here, once. | 0:12:44 | 0:12:48 | |
"And I didn't use the loo. | 0:12:48 | 0:12:51 | |
"So..." | 0:12:51 | 0:12:52 | |
I've had experiences with traffic wardens in particular, | 0:12:55 | 0:12:58 | |
where you've realised that they're being really unhelpful | 0:12:58 | 0:13:03 | |
and then suddenly you just go to him, | 0:13:03 | 0:13:05 | |
"Mate, if I give you 20 quid", | 0:13:05 | 0:13:07 | |
and they go, "All right." | 0:13:07 | 0:13:09 | |
Wow, where's this? | 0:13:09 | 0:13:11 | |
-So you know they were just being belligerent on purpose. -I'm so glad you said that on TV, Paloma(!) | 0:13:12 | 0:13:19 | |
Yes, and of course there is bribery. | 0:13:21 | 0:13:23 | |
That is one way around it. | 0:13:24 | 0:13:26 | |
I think it's a Ying and Yang thing. | 0:13:26 | 0:13:28 | |
These people, if there weren't people like that | 0:13:28 | 0:13:30 | |
who are following rules and are very stiff and unbending, | 0:13:30 | 0:13:33 | |
then people like you with your wacky, colourful, anarchic sense | 0:13:33 | 0:13:38 | |
wouldn't exist. You need Ying and Yang. You need the balance. | 0:13:38 | 0:13:42 | |
But do you think it's harmful for somebody's foot to be an inch over the yellow line? | 0:13:42 | 0:13:46 | |
-Rules is rules. -It can be an inch one day... | 0:13:46 | 0:13:49 | |
Oh, God, I bet you're a Tory voter! | 0:13:49 | 0:13:53 | |
Guess who's not gonna win this round? | 0:14:04 | 0:14:06 | |
OK. What sort of people wind up Jason? | 0:14:10 | 0:14:13 | |
People in lifts. | 0:14:24 | 0:14:26 | |
They just wind me up. I don't know what it is. | 0:14:27 | 0:14:30 | |
I spend a lot of time in hotels and find myself in lifts quite a lot. | 0:14:30 | 0:14:34 | |
It's the only time you say good night to a stranger, for some reason. | 0:14:34 | 0:14:37 | |
You get out of a lift. "Good night." "Why have I done that? It's weird." | 0:14:37 | 0:14:40 | |
Then you get the bloke on the ground floor who goes, | 0:14:40 | 0:14:43 | |
he gets nearest the buttons and he goes, "What floor?" | 0:14:43 | 0:14:46 | |
And you go, "You're not in charge of the lift. Why have you... | 0:14:46 | 0:14:49 | |
-"You've got no more... You've got no more..." -He's trying to be helpful. | 0:14:49 | 0:14:52 | |
"You've got no more right to those buttons than I have." | 0:14:52 | 0:14:55 | |
You'd be a miserable contestant on Countdown! | 0:14:56 | 0:15:00 | |
"I'll move my own numbers, thank you very much!" | 0:15:00 | 0:15:03 | |
I just don't like the presumption. I don't like it. | 0:15:03 | 0:15:05 | |
The ones that get me, when you're waiting to cross the road and you're at a pelican crossing. | 0:15:05 | 0:15:10 | |
And you've been there for ages and someone comes and presses the button, | 0:15:10 | 0:15:14 | |
even though it's got "Wait" lit up | 0:15:14 | 0:15:16 | |
and you've clicked, like you're too stupid and you would have stood there | 0:15:16 | 0:15:19 | |
and not pressed the button! How insulting! And worst of all, | 0:15:19 | 0:15:23 | |
is when you haven't pressed the button! | 0:15:23 | 0:15:24 | |
I didn't realise how dangerous lifts could be. | 0:15:27 | 0:15:31 | |
This is a safety instructions diagram | 0:15:31 | 0:15:35 | |
warning people about - and it's a genuine thing - | 0:15:35 | 0:15:39 | |
for taking a wheelie bin into a lift. | 0:15:39 | 0:15:43 | |
Could that really happen? | 0:15:51 | 0:15:53 | |
That's brilliant. | 0:15:53 | 0:15:56 | |
That is brilliant. | 0:15:56 | 0:15:57 | |
Anyway, what is Deborah's "People" choice? | 0:15:57 | 0:16:00 | |
It's people who say, "With all due respect". | 0:16:06 | 0:16:10 | |
Because what that actually means is, "Brace yourself, | 0:16:10 | 0:16:13 | |
"cos I've got your 'get out of jail free' card | 0:16:13 | 0:16:16 | |
"and whatever I say next, you're not going to like it | 0:16:16 | 0:16:18 | |
"and I have no respect for you whatsoever." | 0:16:18 | 0:16:20 | |
-That is true. -Hmm. | 0:16:20 | 0:16:22 | |
They never quantify how much respect you are actually due. | 0:16:22 | 0:16:26 | |
No, but you know it's none! | 0:16:26 | 0:16:28 | |
You know underneath that, it's none. | 0:16:28 | 0:16:30 | |
The other phrase that gets me is people who say, again, a phrase that means nothing, | 0:16:30 | 0:16:34 | |
"I just live each day as it comes." | 0:16:34 | 0:16:36 | |
We all do! That's the only... | 0:16:36 | 0:16:38 | |
That's the only option, isn't it? | 0:16:38 | 0:16:40 | |
"Oh, no, not me. I like to save seven or eight days up and then use them all at once!" | 0:16:40 | 0:16:44 | |
I'm amazed, Deborah, that anyone would dare say this to you. | 0:16:47 | 0:16:50 | |
Cos aren't you usually the boss in these situations? | 0:16:50 | 0:16:53 | |
Actually, I've had someone say it in the Den, just the once, very early on. | 0:16:53 | 0:16:57 | |
And actually somebody said - it was a really smooth pitch - | 0:16:57 | 0:17:01 | |
and it was this really confident guy, | 0:17:01 | 0:17:03 | |
and I remember just asking him a question, | 0:17:03 | 0:17:06 | |
proffering it in a way that I kind of, "Doesn't that happen?" | 0:17:06 | 0:17:09 | |
and it was, "With all due respect..." | 0:17:09 | 0:17:12 | |
-and you could just feel the tension. -Oh! -Exactly. | 0:17:12 | 0:17:14 | |
That's what happened! Five Dragons all went... Like that. | 0:17:14 | 0:17:17 | |
So he didn't get an investment. And nobody's done it again. | 0:17:17 | 0:17:20 | |
I used to do that thing where... Well, I say a thing. | 0:17:22 | 0:17:24 | |
I might be the only person who ever did it! | 0:17:24 | 0:17:26 | |
Where I'd be ringing up, you know, one of the power companies or something, | 0:17:26 | 0:17:31 | |
complaining about money or whatever. | 0:17:31 | 0:17:33 | |
And at the end of the conversation, I'd be really angry and say, | 0:17:33 | 0:17:36 | |
"I want the money back in my account now! Right. OK. Love you. Bye." | 0:17:36 | 0:17:39 | |
"Oh, no!" | 0:17:39 | 0:17:41 | |
I'd just told Norweb I love them! | 0:17:44 | 0:17:46 | |
OK. That brings us to the end of that round. | 0:17:49 | 0:17:50 | |
I am not going to put in "people in lifts", | 0:17:50 | 0:17:55 | |
because I think they're trying to be nice to you, | 0:17:55 | 0:17:58 | |
they're trying to press the buttons to help you out. | 0:17:58 | 0:18:01 | |
I think you're the bad guy in this story! | 0:18:01 | 0:18:03 | |
-And Deborah, with all due respect... -Oh, no! | 0:18:03 | 0:18:06 | |
I think you're being a bit touchy | 0:18:09 | 0:18:11 | |
about people who feel they need to tell you something but are a bit frightened. | 0:18:11 | 0:18:14 | |
-Really? -However, I do agree there are some people who have no flexibility | 0:18:14 | 0:18:18 | |
and they can really make life miserable. | 0:18:18 | 0:18:20 | |
So I am going to put "Jobsworths" into Room 101. | 0:18:20 | 0:18:23 | |
OK, next category, please! | 0:18:38 | 0:18:41 | |
What doesn't Jason like about entertainment? | 0:18:49 | 0:18:51 | |
LAUGHTER | 0:18:56 | 0:18:58 | |
It's not musicals. I love musicals. | 0:18:59 | 0:19:02 | |
But it's those musicals that sing all the way through. | 0:19:02 | 0:19:05 | |
Like there's no respite, there's no talking. | 0:19:05 | 0:19:09 | |
It doesn't even rhyme after a bit, they don't even care. | 0:19:09 | 0:19:12 | |
# Would you like a cup of tea? | 0:19:12 | 0:19:14 | |
# I will have a cup of tea | 0:19:14 | 0:19:15 | |
# Would you like sugar in your tea? | 0:19:15 | 0:19:17 | |
# I will have sugar in my tea. # | 0:19:17 | 0:19:18 | |
You can talk that. You don't need to sing that. | 0:19:18 | 0:19:22 | |
They're sitting in a pub and somebody will say it's dark | 0:19:22 | 0:19:24 | |
and they'll go, # Oh darkness... # And off they go. | 0:19:24 | 0:19:27 | |
I hate musicals in general. | 0:19:27 | 0:19:30 | |
-You can't hate musicals. -I hate all of them. | 0:19:30 | 0:19:33 | |
In life, I just don't relate to that. | 0:19:33 | 0:19:36 | |
When something goes wrong, you don't suddenly go, | 0:19:36 | 0:19:39 | |
# Aah! # It's all geared towards you enjoying yourself. | 0:19:39 | 0:19:44 | |
-I thought that's what you did for a living. -That's your job, though. | 0:19:44 | 0:19:48 | |
I'll tell you what does annoy me, they make musicals of anything now. | 0:19:48 | 0:19:52 | |
You get something blah, blah. So it could be Horse Riding: The Musical. | 0:19:52 | 0:19:57 | |
Any word with colon, the musical. | 0:19:57 | 0:19:59 | |
Not Colon: The Musical. | 0:19:59 | 0:20:02 | |
LAUGHTER | 0:20:02 | 0:20:04 | |
Songs about the digestive system! | 0:20:04 | 0:20:07 | |
Then, of course, there's Colon The Barbarian. | 0:20:08 | 0:20:12 | |
It shows the colon in a very bad light. | 0:20:12 | 0:20:15 | |
I've got a clip here and this is when | 0:20:15 | 0:20:19 | |
you think there should be singing, but instead there's talking. Get a load of this. | 0:20:19 | 0:20:25 | |
If a picture paints a thousand words | 0:20:26 | 0:20:29 | |
Then why can't I paint you? | 0:20:31 | 0:20:33 | |
The words will never show | 0:20:37 | 0:20:38 | |
The you I've come to know. | 0:20:40 | 0:20:43 | |
That was Telly Savalas, obviously. | 0:20:45 | 0:20:47 | |
In 1975, that was Number One. | 0:20:47 | 0:20:50 | |
You keep thinking, "In a minute, he'll start singing", but he never does. | 0:20:50 | 0:20:54 | |
It's the easiest job anyone's ever had. | 0:20:54 | 0:20:57 | |
He just talks the whole thing. | 0:20:57 | 0:20:58 | |
And I'm not condemning Telly Savalas because me | 0:20:58 | 0:21:02 | |
and him see eye to eye on a lot of things. | 0:21:02 | 0:21:04 | |
I can't sing it like he can, but I can assure you | 0:21:07 | 0:21:10 | |
this is my kind of town. | 0:21:10 | 0:21:12 | |
I was told to get there before it all blew away. | 0:21:24 | 0:21:26 | |
It was spectacular cherry blossom time | 0:21:26 | 0:21:29 | |
in Birmingham's Bournville. | 0:21:29 | 0:21:31 | |
LAUGHTER | 0:21:31 | 0:21:35 | |
That's amazing. | 0:21:41 | 0:21:43 | |
I love that guy. | 0:21:44 | 0:21:46 | |
Anyway, let's see what winds Deborah up about entertainment. | 0:21:47 | 0:21:51 | |
It's concert etiquette. | 0:21:58 | 0:22:01 | |
Ah. | 0:22:01 | 0:22:02 | |
It's that time when you walk into an opera or into the Albert Hall | 0:22:02 | 0:22:07 | |
and you feel like everybody else knows when they should clap, | 0:22:07 | 0:22:10 | |
what they should wear, | 0:22:10 | 0:22:12 | |
are they allowed to cough? | 0:22:12 | 0:22:13 | |
Can I open my sweets? | 0:22:13 | 0:22:16 | |
You know, whatever it is you do... You're about to applaud | 0:22:16 | 0:22:19 | |
and you just see everybody turn round. | 0:22:19 | 0:22:21 | |
They can feel you about to applaud. | 0:22:21 | 0:22:23 | |
"Oh, no, I just chose the wrong moment again." So, concert etiquette. | 0:22:23 | 0:22:27 | |
You're not talking about going to see a band, | 0:22:27 | 0:22:31 | |
-you're talking about going to see something a bit more refined. -A posh thing. | 0:22:31 | 0:22:36 | |
Yeah. I can remember being in the Albert Hall and you get to the end of a movement | 0:22:36 | 0:22:40 | |
and you think, "That's brilliant, I'm going to applaud". | 0:22:40 | 0:22:43 | |
I often applaud at the end of a movement. | 0:22:43 | 0:22:46 | |
Oh, no, I can't believe... I delivered that! | 0:22:46 | 0:22:49 | |
-That was fantastic. -Is this Colon: The Musical again? | 0:22:49 | 0:22:52 | |
It is, yeah. | 0:22:52 | 0:22:54 | |
Would you go to see a rock band? | 0:22:54 | 0:22:57 | |
-Would I go? Absolutely. -Would you crowd surf? | 0:22:57 | 0:23:00 | |
Would I crowd surf?! | 0:23:00 | 0:23:03 | |
This is how I imagine Deborah would crowd surf if she crowd surfed. | 0:23:03 | 0:23:08 | |
LAUGHTER | 0:23:08 | 0:23:10 | |
APPLAUSE | 0:23:10 | 0:23:12 | |
-In fairness, it would be a speedboat. -Of course. | 0:23:18 | 0:23:21 | |
Anyway, what is Paloma's entertainment hate? | 0:23:21 | 0:23:25 | |
Oh. | 0:23:30 | 0:23:32 | |
-These are overnight successes. -Oh, OK. | 0:23:32 | 0:23:36 | |
And I'm not really putting the overnight successes in Room 101, | 0:23:36 | 0:23:42 | |
I'm putting the people who think it's a good idea to have those people, | 0:23:42 | 0:23:47 | |
-to make them stars, because I don't think they're really equipped for it. -Yeah. | 0:23:47 | 0:23:51 | |
Like when we have people who've just been on reality TV shows | 0:23:51 | 0:23:55 | |
and then suddenly they, like, become stars, | 0:23:55 | 0:23:59 | |
and then everybody's surprised that they have these mental breakdowns. | 0:23:59 | 0:24:04 | |
And it's like, of course you're going to have a mental breakdown | 0:24:04 | 0:24:08 | |
because last week you were eating beans | 0:24:08 | 0:24:11 | |
and this week everyone's saying that you're going to be the next big thing. | 0:24:11 | 0:24:16 | |
If you graft from the beginning to get somewhere, | 0:24:16 | 0:24:18 | |
then you've had enough hard knocks on the way up | 0:24:18 | 0:24:21 | |
that when you actually get there and you open the paper and everyone's slagging you off, | 0:24:21 | 0:24:25 | |
you just go, "Oh well, I've heard that before." | 0:24:25 | 0:24:28 | |
You're all right. | 0:24:28 | 0:24:31 | |
I know. | 0:24:31 | 0:24:32 | |
APPLAUSE | 0:24:32 | 0:24:35 | |
-What about this bloke then? -Who's he? | 0:24:37 | 0:24:40 | |
-Who's he? -Who is he? | 0:24:40 | 0:24:41 | |
That's showbiz, isn't it? | 0:24:41 | 0:24:43 | |
This bloke won Britain's Got Talent in 2011. | 0:24:43 | 0:24:48 | |
So recently! | 0:24:48 | 0:24:50 | |
-So recently. That is Jai McDowall. -Oh, yeah. | 0:24:50 | 0:24:54 | |
I loved that gasp of non-recognition from the audience. | 0:24:54 | 0:24:57 | |
It's sad. | 0:24:57 | 0:24:59 | |
-So recently. -They put him on a pedestal and now what's he doing? | 0:24:59 | 0:25:02 | |
-Was he the guy...? -He's probably on a pedestal, painting ceilings. | 0:25:02 | 0:25:07 | |
-Was he the guy inside the dancing dog? -No. | 0:25:07 | 0:25:10 | |
Have we found some people we would never have found? | 0:25:13 | 0:25:16 | |
-Yeah. -We must have done. -Susan Boyle. -Susan Boyle is one. | 0:25:16 | 0:25:21 | |
-She's one. There are others. -Paul Potts. -Pol Pot?! | 0:25:21 | 0:25:25 | |
Not Pol Pot. | 0:25:25 | 0:25:27 | |
He's bad. | 0:25:27 | 0:25:28 | |
He was an overnight success. He started at Year Zero. | 0:25:30 | 0:25:35 | |
What I'm saying is if you say get rid of these people who make people overnight successes, | 0:25:35 | 0:25:40 | |
then we get rid of all the artists who do make it. | 0:25:40 | 0:25:43 | |
How about we put in a little bit more protection for the people who enter? | 0:25:43 | 0:25:47 | |
And they're a bit kinder to them? | 0:25:47 | 0:25:49 | |
Lovely sentiment, but that's not what you're trying to put in Room 101 and that's the game. | 0:25:49 | 0:25:53 | |
I find the X Factor, | 0:26:02 | 0:26:03 | |
I only find it good at the beginning, | 0:26:03 | 0:26:06 | |
-you know when you get the proper nutters. -You like the medieval bit. -I do. | 0:26:06 | 0:26:11 | |
It's not fair. | 0:26:11 | 0:26:13 | |
When it gets to the part where they're all talented, I'm not bothered. | 0:26:13 | 0:26:16 | |
I agree with that. | 0:26:16 | 0:26:17 | |
If it was me, I'd have that show in reverse. | 0:26:17 | 0:26:21 | |
I'd try and find the nutter. That's what I'd do. | 0:26:21 | 0:26:24 | |
OK, we come to the end of that round and you've all argued your case very well. | 0:26:27 | 0:26:33 | |
It is difficult when you go to a concert | 0:26:33 | 0:26:37 | |
and you make a fool of yourself | 0:26:37 | 0:26:40 | |
and I love musicals, but I'm not so partial to ones when you sing all the way through | 0:26:40 | 0:26:46 | |
and the overnight successes, I do feel a bit | 0:26:46 | 0:26:49 | |
sorry for them. | 0:26:49 | 0:26:51 | |
But at least they've had a taste of it. | 0:26:51 | 0:26:53 | |
But maybe they're not emotionally equipped to make those decisions for themselves. | 0:26:53 | 0:26:57 | |
Then they'll find pain wherever they work. | 0:26:57 | 0:27:00 | |
I am going to put concert etiquette into Room 101. | 0:27:07 | 0:27:10 | |
APPLAUSE | 0:27:10 | 0:27:13 | |
Let's have our next category. | 0:27:24 | 0:27:26 | |
It's the Wildcard category, which means there are no restraints, no categories. | 0:27:32 | 0:27:36 | |
You can just choose anything at all that you don't like. | 0:27:36 | 0:27:40 | |
So, what is Jason's wildcard? | 0:27:40 | 0:27:42 | |
It is little cars that hide behind big cars. | 0:27:49 | 0:27:53 | |
LAUGHTER AND APPLAUSE | 0:27:53 | 0:27:56 | |
"Oh, look! | 0:28:01 | 0:28:03 | |
"We've got a space! We've got a space! | 0:28:03 | 0:28:05 | |
-"Oh, you little..." -LAUGHTER DROWNS SPEECH | 0:28:05 | 0:28:07 | |
It winds me up. | 0:28:10 | 0:28:12 | |
There's no reason not to park here, and then we'd know. | 0:28:12 | 0:28:15 | |
I've had to make a decision now. Get here. Oh, great(!) | 0:28:16 | 0:28:20 | |
It's even worse when you're the passenger and you go, "I've seen one. I've seen one." | 0:28:20 | 0:28:24 | |
Then you just like an idiot to the rest of the car. | 0:28:24 | 0:28:27 | |
Like you can't see a car. | 0:28:27 | 0:28:30 | |
I think most of those little cars are better for the environment. | 0:28:30 | 0:28:35 | |
-Right. -So actually I think it's the big cars that are the problem. | 0:28:35 | 0:28:39 | |
-Really? -If more people had little cars, | 0:28:39 | 0:28:41 | |
everyone would see each other and the environment would be a better place. | 0:28:41 | 0:28:45 | |
APPLAUSE | 0:28:45 | 0:28:48 | |
I find parking difficult at the best of times. | 0:28:51 | 0:28:54 | |
-Hmm. -I failed my driving test six times. So... | 0:28:54 | 0:29:00 | |
Oh, yeah, laugh. I cried myself to sleep! | 0:29:00 | 0:29:03 | |
I remember one of them was parallel parking. | 0:29:06 | 0:29:08 | |
He said, "Can you put your car between that red car and that blue car?" | 0:29:08 | 0:29:11 | |
And I said no. | 0:29:11 | 0:29:13 | |
I don't live there. I mean, why do they do that? "Park it there." | 0:29:13 | 0:29:17 | |
"I'll tell you what. Let's find a proper space and we'll walk back, if you're bothered." | 0:29:17 | 0:29:22 | |
That's what I do in real life! | 0:29:22 | 0:29:23 | |
Yeah. Though I do that thing, if I park, and then walk to the place I'm going, | 0:29:23 | 0:29:28 | |
-and I see another space, I always say, "I could have parked there." -That is annoying. | 0:29:28 | 0:29:33 | |
In a car park, why don't they have a system | 0:29:35 | 0:29:39 | |
where, when you go into the car park, you're given a number | 0:29:39 | 0:29:42 | |
like at a deli counter | 0:29:42 | 0:29:44 | |
and that is the number of your parking bay | 0:29:44 | 0:29:47 | |
and you just drive straight there and park. | 0:29:47 | 0:29:50 | |
That's genius. Hang on. | 0:29:50 | 0:29:53 | |
Deborah, you should get on this. | 0:29:53 | 0:29:54 | |
Actually, I was sitting there thinking, "That seems like a very good idea." | 0:29:54 | 0:29:58 | |
-It's a brilliant idea. -You just said it on national TV now. | 0:29:58 | 0:30:01 | |
Then as you leave, you'd clock out so they'd know that bay was now empty. | 0:30:01 | 0:30:06 | |
That is a very good idea. Mind, you'd have to know where the bay is. | 0:30:06 | 0:30:10 | |
You'd have to kind of know your car park. | 0:30:10 | 0:30:13 | |
It would be in numerical order. | 0:30:13 | 0:30:14 | |
That's a good idea. That is brilliant. | 0:30:16 | 0:30:18 | |
-Gosh, he's good! -I didn't tell you about that particular detail! | 0:30:18 | 0:30:22 | |
Now this is the best piece of parking I think I've ever seen. | 0:30:24 | 0:30:29 | |
MAN: Nice parking! | 0:30:36 | 0:30:38 | |
Brilliant. | 0:30:38 | 0:30:40 | |
Anyway, what is Deborah's wildcard? | 0:30:42 | 0:30:44 | |
It is smart casual. | 0:30:51 | 0:30:54 | |
Smart...casual. | 0:30:55 | 0:30:57 | |
How does that work? What does that mean on invitations? | 0:30:57 | 0:31:00 | |
Is it smart... | 0:31:00 | 0:31:02 | |
or is it casual? | 0:31:02 | 0:31:04 | |
Smart-casual. | 0:31:04 | 0:31:05 | |
But it's easier for men than for women. | 0:31:07 | 0:31:09 | |
Cos it changes according to the group of friends. | 0:31:09 | 0:31:11 | |
Some groups of friends, if you say smart casual, I turn up in jeans with something sparkly on top. | 0:31:11 | 0:31:16 | |
And she's wearing top-to-toe sequins. | 0:31:16 | 0:31:18 | |
-So it changes all the time. -If you're friends with Shirley Bassey, that's going to happen. | 0:31:18 | 0:31:22 | |
I got invited to a wedding a little while ago. | 0:31:22 | 0:31:25 | |
It said, "Dress code - fabulous." | 0:31:25 | 0:31:28 | |
-I mean, what's that? -What did you wear? Please, tell me what you wore. | 0:31:28 | 0:31:31 | |
I just didn't go. That was that. | 0:31:31 | 0:31:34 | |
Cos I don't know what that is. | 0:31:34 | 0:31:36 | |
Tonight, I am wearing what I think is probably the ultimate smart casual. | 0:31:38 | 0:31:43 | |
They're called cord-arounds. | 0:31:43 | 0:31:45 | |
I'm going to show you these. | 0:31:45 | 0:31:47 | |
These are corduroy trousers | 0:31:47 | 0:31:50 | |
but the cord, instead of going straight down... | 0:31:50 | 0:31:53 | |
-Goes around! -..is horizontal. | 0:31:53 | 0:31:56 | |
-Ooh, look at that! -Can you see that? | 0:31:56 | 0:31:58 | |
This is the genuine blurb from the company. | 0:31:58 | 0:32:00 | |
"Don't you hate it when vertical cord friction heats your crotch | 0:32:00 | 0:32:05 | |
"to uncomfortable, even dangerous levels?" | 0:32:05 | 0:32:10 | |
Wait for it! | 0:32:10 | 0:32:12 | |
"Cord-arounds mesh evenly, | 0:32:12 | 0:32:14 | |
"lowering the crotch heat index by 22 per cent." | 0:32:14 | 0:32:18 | |
"Crotch heat index"! That's amazing! | 0:32:19 | 0:32:21 | |
Crotch heat index! | 0:32:21 | 0:32:23 | |
OK, then. What is Paloma's wildcard? | 0:32:28 | 0:32:32 | |
This is the book Fifty Shades Of Grey. | 0:32:37 | 0:32:40 | |
Yes, Fifty Shades of Grey, written by EL James. | 0:32:40 | 0:32:44 | |
My beef with it is, there are a few levels to it, | 0:32:44 | 0:32:49 | |
then I'm going to read out quotes to back up my argument. | 0:32:49 | 0:32:54 | |
I hope you've selected these carefully! | 0:32:54 | 0:32:57 | |
Basically, first of all, it's written with the worst English imaginable. | 0:32:58 | 0:33:03 | |
The second thing is it's as if feminism never existed. | 0:33:06 | 0:33:10 | |
And then the third thing is I think it gives a bad message to men and women | 0:33:11 | 0:33:15 | |
about women's sexuality. | 0:33:15 | 0:33:19 | |
Just to point out, I won't read the quote because I've been told it's a bit too sordid, | 0:33:19 | 0:33:24 | |
but there is this girl in it | 0:33:24 | 0:33:28 | |
who's never been intimate with a man before | 0:33:28 | 0:33:32 | |
and therefore has never climaxed before. | 0:33:32 | 0:33:35 | |
But he just touches her nipples a bit and she does climax. | 0:33:35 | 0:33:40 | |
Now, I just want to point out to most men | 0:33:40 | 0:33:43 | |
and some young women, | 0:33:43 | 0:33:46 | |
that that's not possible. | 0:33:46 | 0:33:49 | |
I just think it's giving out the wrong message. | 0:33:55 | 0:33:59 | |
Can I just point out that I think it's possible | 0:33:59 | 0:34:02 | |
to climax just from a slight touch of horizontal corduroy. | 0:34:02 | 0:34:04 | |
-There are... -I think my crotch heat index just went up! | 0:34:10 | 0:34:14 | |
-Woo! -There are some bits where she says, | 0:34:16 | 0:34:18 | |
these are the non-feminist bits where he says, | 0:34:18 | 0:34:22 | |
"Miss Steele, you're not just a pretty face. | 0:34:22 | 0:34:24 | |
"You've had six..." I'll doctor it for the sake of the fact this is 8.30. | 0:34:24 | 0:34:29 | |
"Six climaxes so far, | 0:34:29 | 0:34:32 | |
"and all of them belonged to me." | 0:34:32 | 0:34:34 | |
Like, what a BEEP-hole! | 0:34:34 | 0:34:37 | |
"Because actually, no, they were mine, thanks." | 0:34:37 | 0:34:41 | |
I've underlined so many bits. I could teach a course on how rubbish this is. | 0:34:50 | 0:34:54 | |
I think you should do the audio book! | 0:34:56 | 0:34:58 | |
God, what if you'd blinded Deborah then? | 0:35:01 | 0:35:04 | |
People are reading this! | 0:35:07 | 0:35:10 | |
I've just had an image of Deborah Meaden in hospital, saying, | 0:35:10 | 0:35:13 | |
"I'm blind!" And they say, "What was it?" And you say, "It was Fifty Shades Of Grey." | 0:35:13 | 0:35:17 | |
There is this argument now that it's wakened things in some people that... | 0:35:20 | 0:35:24 | |
I think there are loads of other books that could have done that | 0:35:24 | 0:35:27 | |
without making people feel like they have to get back to 1940s values. | 0:35:27 | 0:35:33 | |
But also, at the same time, what if, just in this instance... | 0:35:33 | 0:35:37 | |
Read some of it. Go on, read some. | 0:35:40 | 0:35:44 | |
I mean, that's impossible, that. | 0:35:45 | 0:35:46 | |
This book, I should point out, | 0:35:49 | 0:35:51 | |
has, in the last year, out-sold the Highway Code. | 0:35:51 | 0:35:55 | |
It's true. It means there's going to be a lot more people being rear-ended. | 0:35:55 | 0:35:58 | |
From a feminist point of view, it's on thin ice. | 0:36:03 | 0:36:06 | |
Because this woman, Anastasia Steele, | 0:36:06 | 0:36:08 | |
she meets this bloke Christian Grey and she basically signs a contract | 0:36:08 | 0:36:12 | |
in which she gives him control of her life. | 0:36:12 | 0:36:15 | |
Let me read this. This is the first paragraph of the contract. | 0:36:15 | 0:36:18 | |
"The submissive" - that's her - "The submissive will obey any instructions | 0:36:18 | 0:36:24 | |
"given by the dominant" - that's him - | 0:36:24 | 0:36:26 | |
"immediately, without any hesitation or reservation | 0:36:26 | 0:36:30 | |
"and in an expeditious manner." | 0:36:30 | 0:36:32 | |
Which is exactly the same clause that Nick Clegg had | 0:36:32 | 0:36:35 | |
in his contract with David Cameron. | 0:36:35 | 0:36:37 | |
If some woman turned up going, "I want to be submissive to you and you be in charge", | 0:36:42 | 0:36:47 | |
you'd be going, "Well, can I watch the football first?" | 0:36:47 | 0:36:50 | |
-It's not... -Yeah, but she has to do it in this book. | 0:36:50 | 0:36:54 | |
Yeah, she'd have to say yes. | 0:36:54 | 0:36:56 | |
Well, I think that sounds all right. | 0:36:56 | 0:36:58 | |
OK. So we come to the end of that round. | 0:37:01 | 0:37:04 | |
And, um... | 0:37:04 | 0:37:05 | |
Jason argues very well for the annoying car parking. | 0:37:06 | 0:37:10 | |
But I also think that the point that little cars are saving our lives | 0:37:10 | 0:37:15 | |
-does slightly blow that out the water. -What?! | 0:37:15 | 0:37:18 | |
Smart casual, I like the excitement of some people getting it right and some people getting it wrong. | 0:37:18 | 0:37:23 | |
But I do think that the whole concept of Fifty Shades Of Grey, | 0:37:23 | 0:37:27 | |
the idea that it's awoken all these little people in their suburbs | 0:37:27 | 0:37:32 | |
is just wrong. | 0:37:32 | 0:37:34 | |
Because there's all sorts of lovely books, videos and a whole internet | 0:37:34 | 0:37:37 | |
that can do that. | 0:37:37 | 0:37:39 | |
So I am going to put Fifty Shades Of Grey into Room 101. | 0:37:39 | 0:37:43 | |
And that brings us to the end of the show. | 0:37:58 | 0:38:01 | |
And well done, Paloma. You were the most persuasive guest, | 0:38:01 | 0:38:05 | |
so you are tonight's winner! | 0:38:05 | 0:38:06 | |
So thanks very much, Jason Manford, Deborah Meaden and Paloma Faith. | 0:38:14 | 0:38:18 | |
And thank you! Good night! | 0:38:18 | 0:38:19 | |
Subtitles by Red Bee Media Ltd | 0:38:42 | 0:38:45 |