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CHEERING AND APPLAUSE | 0:00:22 | 0:00:25 | |
Hello, I'm Frank Skinner and welcome to Room 101, | 0:00:33 | 0:00:36 | |
the show where three guests compete | 0:00:36 | 0:00:38 | |
to get their pet hates exiled for ever to the infamous vault. | 0:00:38 | 0:00:42 | |
Joining me tonight are broadcaster Janet Street-Porter, | 0:00:42 | 0:00:45 | |
explorer Ben Fogle | 0:00:45 | 0:00:47 | |
and comedian Greg Davies. | 0:00:47 | 0:00:48 | |
CHEERING | 0:00:48 | 0:00:51 | |
OK, let's have our first category. | 0:00:56 | 0:00:58 | |
Film & Television. | 0:01:03 | 0:01:04 | |
So, what winds up Janet about Film & Television? | 0:01:04 | 0:01:08 | |
Extreme Fishing with Robson Green. | 0:01:14 | 0:01:18 | |
I'm sorry, it's already a popular choice. | 0:01:20 | 0:01:24 | |
That is your economy version of this programme. | 0:01:24 | 0:01:27 | |
Now, fishing is a quiet pastime. Men and women fish. | 0:01:27 | 0:01:33 | |
And it gives millions of people quiet, contemplative pleasure. | 0:01:33 | 0:01:38 | |
This programme is jingoistic, chauvinistic... | 0:01:38 | 0:01:42 | |
It's absolute rubbish. | 0:01:42 | 0:01:45 | |
He goes all over the world, | 0:01:45 | 0:01:47 | |
catching loads of unnecessarily large and ugly fish, | 0:01:47 | 0:01:51 | |
which they line up on the deck, | 0:01:51 | 0:01:52 | |
and in the process he manages to be rude | 0:01:52 | 0:01:55 | |
about whole continents, countries... | 0:01:55 | 0:01:57 | |
It's simplistic twaddle. | 0:01:57 | 0:01:59 | |
It's like Top Gear for fishermen. | 0:01:59 | 0:02:02 | |
It's one of those men's programmes. | 0:02:02 | 0:02:04 | |
I call it shed television. | 0:02:04 | 0:02:06 | |
I have to admit, I quite like it. | 0:02:06 | 0:02:08 | |
There will be people in the audience here and watching at home | 0:02:10 | 0:02:13 | |
that have never seen this programme. | 0:02:13 | 0:02:15 | |
So let's have a look at Extreme Fishing with Robson Green. | 0:02:15 | 0:02:18 | |
Please, please, stay on the line, man! | 0:02:18 | 0:02:21 | |
I beg you, stay on the line. | 0:02:21 | 0:02:23 | |
HE GIVES OUT A PROLONGED GRUNT | 0:02:23 | 0:02:26 | |
HE PANTS AND GRUNTS | 0:02:26 | 0:02:32 | |
You did it, man! Woo-hoo-hoo! | 0:02:32 | 0:02:34 | |
Look at the size of that fish! | 0:02:34 | 0:02:37 | |
That's a 500lb fish. | 0:02:38 | 0:02:40 | |
A blue marlin. | 0:02:40 | 0:02:42 | |
The majority of the footage looked like a man having a difficult poo. | 0:02:44 | 0:02:48 | |
LAUGHTER | 0:02:48 | 0:02:50 | |
I would definitely watch Extreme Pooing with Robson Green. | 0:02:52 | 0:02:55 | |
ONLY if it was with Robson Green! | 0:02:55 | 0:02:57 | |
Yeah, of course! | 0:02:57 | 0:02:58 | |
Apparently, before Robson Green was on board, | 0:03:00 | 0:03:02 | |
they were going to have Abu Hamza present it. | 0:03:02 | 0:03:04 | |
LAUGHTER | 0:03:04 | 0:03:06 | |
They'd save quite a lot of money on tackle. | 0:03:06 | 0:03:08 | |
There's something I like about his enthusiasm, though. | 0:03:12 | 0:03:15 | |
He seems to really have a brilliant time. | 0:03:15 | 0:03:18 | |
That level of hyperbole, | 0:03:18 | 0:03:21 | |
that level of orgasmic enthusiasm, never lets up. | 0:03:21 | 0:03:25 | |
-We're allowed programmes like that. -Maybe you don't see it, Frank. | 0:03:25 | 0:03:28 | |
-Surely... -Oh, you are, by the way... -I knew it! | 0:03:28 | 0:03:32 | |
I knew we'd get there! | 0:03:32 | 0:03:34 | |
You're just the upper class version of that. | 0:03:34 | 0:03:37 | |
Oh! Oh! You've... You've played your class card rather early. | 0:03:37 | 0:03:42 | |
LAUGHTER | 0:03:42 | 0:03:44 | |
OK, then, what doesn't Ben Fogle like about TV And Film? | 0:03:44 | 0:03:48 | |
What I absolutely can't stand... | 0:03:53 | 0:03:57 | |
Is it when the vertical hold goes on the telly? | 0:03:57 | 0:04:00 | |
Can anyone guess? Multi-channel TV. | 0:04:01 | 0:04:05 | |
When you have so many channels that you can choose from, | 0:04:05 | 0:04:09 | |
that you can't settle on one. | 0:04:09 | 0:04:11 | |
Call me old-fashioned, but I grew up in a time | 0:04:11 | 0:04:13 | |
when we pretty much had the four channels and that was it. | 0:04:13 | 0:04:16 | |
Now you go on | 0:04:16 | 0:04:17 | |
and you have to go through all the terrestrial channels, | 0:04:17 | 0:04:21 | |
then you have all of the cable channels, then plus-one, | 0:04:21 | 0:04:23 | |
then you have 3-D, then you have HD, then you have minus-one, | 0:04:23 | 0:04:27 | |
and then, just as your wife's about to get in, | 0:04:27 | 0:04:30 | |
you go into the adult channels | 0:04:30 | 0:04:31 | |
and she comes in just as you get to Essex Babes and...er... | 0:04:31 | 0:04:35 | |
and it's a complete nightmare. | 0:04:35 | 0:04:37 | |
Now what I like about it, Ben, | 0:04:37 | 0:04:38 | |
is that there IS a channel called Essex Babes. | 0:04:38 | 0:04:41 | |
LAUGHTER | 0:04:41 | 0:04:43 | |
You haven't just made that up, have you? | 0:04:43 | 0:04:45 | |
534, I think. | 0:04:45 | 0:04:47 | |
I like that fact that you feel the need | 0:04:48 | 0:04:50 | |
to go through all the channels to get to Essex Babes. | 0:04:50 | 0:04:53 | |
You can jump straight to that, you know that? | 0:04:53 | 0:04:55 | |
But you go through them all and then half of them have adverts, | 0:04:55 | 0:04:58 | |
so you then have to jump back. | 0:04:58 | 0:05:00 | |
And the bottom line is, there's still absolutely nothing to watch. | 0:05:00 | 0:05:04 | |
But I've got the 3-D channel, and I wouldn't want to give that up. | 0:05:04 | 0:05:08 | |
-But then you have to put glasses on. -But that's brilliant! | 0:05:08 | 0:05:12 | |
And you have to go through the whole process | 0:05:12 | 0:05:14 | |
and it makes you all dizzy... | 0:05:14 | 0:05:16 | |
But in my flat, the flats kind of look in on each other a bit. | 0:05:16 | 0:05:18 | |
And I love the fact that my neighbours think | 0:05:18 | 0:05:20 | |
I'm living a sort of Reservoir Dogs lifestyle, | 0:05:20 | 0:05:23 | |
cos I've got about eight mates all in shades in the evenings, | 0:05:23 | 0:05:26 | |
all just sitting around in there. It must look brilliant. | 0:05:26 | 0:05:29 | |
That fact that we're watching Puss In Boots is neither here nor there. | 0:05:29 | 0:05:33 | |
LAUGHTER | 0:05:33 | 0:05:34 | |
But, yeah, that would go? | 0:05:34 | 0:05:36 | |
I firmly think we need to go back to a day where less is more, | 0:05:36 | 0:05:40 | |
we have fewer channels, and we just improve the quality overall. | 0:05:40 | 0:05:45 | |
People don't turn on the television for high quality. They want rubbish. | 0:05:45 | 0:05:49 | |
It's like eating a diet. You don't want to eat rich food all the time, | 0:05:51 | 0:05:54 | |
you want to eat rubbish, as well. | 0:05:54 | 0:05:56 | |
And in your world - you're being very... | 0:05:56 | 0:05:58 | |
If you don't mind me doing the class card again... | 0:05:58 | 0:06:00 | |
Here we go again! | 0:06:00 | 0:06:02 | |
It's a bit dictatorial to say, | 0:06:02 | 0:06:03 | |
"Let's go back to four channels and let's not give people choice," | 0:06:03 | 0:06:06 | |
-it's their human right to have choice. -Oh, blimey! | 0:06:06 | 0:06:09 | |
You've just been saying we can't have male TV, | 0:06:09 | 0:06:11 | |
and yet you do a show where lots of women | 0:06:11 | 0:06:14 | |
sit around whinging at each other all day. | 0:06:14 | 0:06:16 | |
So you're allowed to have that! | 0:06:16 | 0:06:18 | |
APPLAUSE AND CHEERING | 0:06:18 | 0:06:21 | |
I'm not going to even retaliate. | 0:06:22 | 0:06:24 | |
But when you are going through all those multi-channels, | 0:06:24 | 0:06:28 | |
-you do get captivated, caught up, for a couple of minutes... -Yeah. | 0:06:28 | 0:06:31 | |
..then you move to the next one. But you don't watch anything. | 0:06:31 | 0:06:34 | |
But that's the joy of it. | 0:06:34 | 0:06:35 | |
You watch a bit. You can just sit at home like this. | 0:06:35 | 0:06:39 | |
# I-I-I...will... # | 0:06:39 | 0:06:45 | |
BEN LAUGHS | 0:06:45 | 0:06:47 | |
LAUGHTER | 0:06:47 | 0:06:49 | |
# It's like flying without wings... # | 0:06:49 | 0:06:54 | |
-All human life! -APPLAUSE | 0:06:56 | 0:06:58 | |
That's not fair, though, cos you've just... | 0:06:58 | 0:07:01 | |
Anyway, what is Greg's TV And Film dislike? | 0:07:02 | 0:07:07 | |
It's unnecessary interviews with the public. | 0:07:11 | 0:07:14 | |
And I'm a big fan of the general public, | 0:07:15 | 0:07:18 | |
but, um, there are times when we don't need to talk to them. | 0:07:18 | 0:07:21 | |
LAUGHTER | 0:07:21 | 0:07:23 | |
I was watching some of the Jubilee footage | 0:07:23 | 0:07:26 | |
and a reporter went over to a couple, | 0:07:26 | 0:07:28 | |
who were dressed from head to foot in Union Jacks - | 0:07:28 | 0:07:32 | |
Union Jack hat and jacket and shoes - | 0:07:32 | 0:07:34 | |
I don't even know where you get those from! | 0:07:34 | 0:07:37 | |
And his opening question was, "Are you here to see the Jubilee?" | 0:07:37 | 0:07:41 | |
I mean, that's the start of the interview. | 0:07:42 | 0:07:45 | |
And OF COURSE that's what they're here for! | 0:07:45 | 0:07:47 | |
And then he went, "What are you most looking forward to?" | 0:07:47 | 0:07:50 | |
And they were obviously cross-eyed lunatics, and they went... | 0:07:50 | 0:07:53 | |
"Oh, we're looking forward to seeing the Queen." | 0:07:53 | 0:07:55 | |
All right, brilliant, that's incisive. | 0:07:55 | 0:07:57 | |
The interview, I swear, went on for ten minutes. | 0:07:57 | 0:08:00 | |
By the end of it he was, "What part of the Queen are you most...?" | 0:08:00 | 0:08:04 | |
LAUGHTER | 0:08:04 | 0:08:07 | |
"Are you looking forward to seeing her hands?" | 0:08:07 | 0:08:10 | |
And they were really trying... | 0:08:10 | 0:08:12 | |
"We're looking forward to seeing what sort of hat she's got on." | 0:08:12 | 0:08:15 | |
Really?! | 0:08:15 | 0:08:17 | |
"What colour hat might the Queen have? She might have red. | 0:08:17 | 0:08:20 | |
"She might have... Maybe she'll have a yellow hat!" Shut up! | 0:08:20 | 0:08:23 | |
LAUGHTER | 0:08:23 | 0:08:25 | |
If it's dead telly time... Like, if a sportsperson does really well, | 0:08:27 | 0:08:31 | |
they always take a camera to the pub in that person's home town, right? | 0:08:31 | 0:08:37 | |
And they're expecting to get incisive commentary | 0:08:37 | 0:08:40 | |
about how well this athlete's done, | 0:08:40 | 0:08:43 | |
just because these people live in their town. | 0:08:43 | 0:08:45 | |
"Oh, well done, Jessica Ennis has done an amazing thing. | 0:08:45 | 0:08:48 | |
"We're here talking to Barry, who is a butcher in the same town | 0:08:48 | 0:08:52 | |
"that Jessica Ennis happened to grow up in. He's never met her." | 0:08:52 | 0:08:55 | |
"Barry, what do you think of Jessica's...?" | 0:08:55 | 0:08:57 | |
"I think it's amazing!" | 0:08:57 | 0:08:59 | |
"It's amazing what Jessica's done." | 0:09:00 | 0:09:03 | |
"Have you ever met Jessica?" "No!" | 0:09:04 | 0:09:07 | |
"You seem to have been celebrating for a long time." | 0:09:07 | 0:09:10 | |
"I-I-I've drunk 30 pints." | 0:09:10 | 0:09:13 | |
"I can't see!" | 0:09:13 | 0:09:15 | |
"This eye has shut down." | 0:09:15 | 0:09:17 | |
Unfortunately, you're selling it really well. | 0:09:19 | 0:09:21 | |
I have to say though, | 0:09:24 | 0:09:25 | |
I find it very reassuring that people don't know about stuff. | 0:09:25 | 0:09:30 | |
Because have you ever been in the pub | 0:09:30 | 0:09:32 | |
and you're having a conversation, | 0:09:32 | 0:09:33 | |
you're all really involved and enjoying it, | 0:09:33 | 0:09:35 | |
and then there's one bloke who actually knows about the topic | 0:09:35 | 0:09:39 | |
and it really spoils it. | 0:09:39 | 0:09:41 | |
So I sort of wrap myself in the warm blanket of ignorance, | 0:09:41 | 0:09:46 | |
when I'm watching this. | 0:09:46 | 0:09:47 | |
And I'm glad we're all ignorant together. | 0:09:47 | 0:09:50 | |
Listening to everyone talk, though | 0:09:50 | 0:09:52 | |
I want to know what the audience think | 0:09:52 | 0:09:53 | |
about what we're talking about. I want a vox pop from the audience. | 0:09:53 | 0:09:57 | |
I'm sorry, Ben, that's just not going to happen. | 0:09:57 | 0:09:59 | |
-LAUGHTER -But I want one! | 0:09:59 | 0:10:02 | |
But my point is, that's because people don't want to hear experts, | 0:10:02 | 0:10:05 | |
they want to hear people like themselves talking about things. | 0:10:05 | 0:10:08 | |
I would say, if you didn't get random vox pops on the telly, | 0:10:08 | 0:10:13 | |
you would never have got this... | 0:10:13 | 0:10:15 | |
REPORTER: My friend, the zombie, Jonathan, you're looking good. | 0:10:15 | 0:10:18 | |
Jonathan just got an awesome face-paint job. What do you think? | 0:10:18 | 0:10:21 | |
I like turtles! | 0:10:21 | 0:10:23 | |
All right, you're a great zombie! And... | 0:10:23 | 0:10:26 | |
Good times here at the Waterfront Village... | 0:10:26 | 0:10:29 | |
LAUGHTER AND LIGHT APPLAUSE | 0:10:29 | 0:10:32 | |
Very good. | 0:10:32 | 0:10:34 | |
I take it all back! | 0:10:34 | 0:10:35 | |
Anyway... | 0:10:37 | 0:10:38 | |
LAUGHTER | 0:10:38 | 0:10:40 | |
..we come to the end of that round. | 0:10:40 | 0:10:42 | |
First of all, I can't possibly put in multi-channel TV. | 0:10:42 | 0:10:45 | |
What would I do with my nights?! | 0:10:45 | 0:10:48 | |
And I'm glad that Robson Green has found a job that he likes and stuff. | 0:10:48 | 0:10:52 | |
I don't like the idea of him being alone and listless, | 0:10:52 | 0:10:56 | |
so I think it's good, and people do like it. | 0:10:56 | 0:10:59 | |
I think you're right that, sometimes, | 0:10:59 | 0:11:01 | |
members of the public are horribly put on the spot by vox pops, | 0:11:01 | 0:11:04 | |
and it needs to stop. | 0:11:04 | 0:11:06 | |
So I'm going to put interviews with members of the public into Room 101. | 0:11:06 | 0:11:11 | |
CHEERING AND APPLAUSE | 0:11:11 | 0:11:13 | |
Anyway, let's have our next category. | 0:11:19 | 0:11:21 | |
What kind of People doesn't Ben like? | 0:11:28 | 0:11:30 | |
People who use suitcases on wheels. | 0:11:35 | 0:11:39 | |
LAUGHTER, CHEERING AND APPLAUSE | 0:11:39 | 0:11:41 | |
It's so annoying! | 0:11:41 | 0:11:44 | |
See, it's divided already. | 0:11:44 | 0:11:46 | |
But, just looking at this person makes my heart start pounding. | 0:11:46 | 0:11:50 | |
These are weapons! These ARE weapons. | 0:11:50 | 0:11:53 | |
They pull them around and up station platforms, through airports, | 0:11:53 | 0:11:58 | |
and they try and trip you up. You can't get past them... | 0:11:58 | 0:12:02 | |
and look how small they are! | 0:12:02 | 0:12:03 | |
Obviously, probably, most people use one slightly larger than this one. | 0:12:03 | 0:12:07 | |
But, often, they really are | 0:12:07 | 0:12:08 | |
just about large enough for a pair of pants. | 0:12:08 | 0:12:10 | |
-They are small. -Well, what do you want us to carry our luggage in?! | 0:12:10 | 0:12:14 | |
Just carry it in a bag. Pick it up. | 0:12:14 | 0:12:16 | |
Oh, just carry it in one of your posh little weekend leather holdalls?! | 0:12:16 | 0:12:20 | |
LAUGHTER | 0:12:20 | 0:12:21 | |
Oh, Janet! | 0:12:21 | 0:12:24 | |
Well, I'm sorry! | 0:12:24 | 0:12:25 | |
I travel a lot, and if I did not have a wheelie bag, | 0:12:25 | 0:12:29 | |
I would have put my back out numerous times. | 0:12:29 | 0:12:31 | |
I just think...you're horrible. | 0:12:31 | 0:12:33 | |
LAUGHTER | 0:12:33 | 0:12:36 | |
I have to say, I'm totally with Ben on this. Totally. | 0:12:38 | 0:12:41 | |
I think civilisation began with the wheel | 0:12:41 | 0:12:43 | |
and now it's ending with it. | 0:12:43 | 0:12:45 | |
You don't need to put your pants in a little... | 0:12:46 | 0:12:49 | |
But you're talking man speak. | 0:12:49 | 0:12:52 | |
I can see you're a rugged adventurer, | 0:12:52 | 0:12:53 | |
and you probably travel for three weeks with one pair of pants | 0:12:53 | 0:12:57 | |
and, you know, bare minimum. | 0:12:57 | 0:13:00 | |
Most of us like choice. | 0:13:00 | 0:13:02 | |
You've already said you don't like choice in TV channels. | 0:13:02 | 0:13:04 | |
We like choice in clothes, too, as well as television, | 0:13:04 | 0:13:07 | |
and that requires packing stuff in bags | 0:13:07 | 0:13:11 | |
that's a little bit, sometimes, too heavy to carry. | 0:13:11 | 0:13:14 | |
And also, it's putting a lot of people out of work. | 0:13:14 | 0:13:16 | |
I'd have thought, with a surname like yours, | 0:13:16 | 0:13:18 | |
you'd be a bit more loyal! | 0:13:18 | 0:13:20 | |
LAUGHTER AND APPLAUSE | 0:13:20 | 0:13:22 | |
Look at this! This is what I've started walking round with. | 0:13:24 | 0:13:27 | |
I mean, in the end, if you can't beat them, join them. | 0:13:27 | 0:13:29 | |
This is my wallet. | 0:13:29 | 0:13:31 | |
LAUGHTER | 0:13:31 | 0:13:33 | |
-Your wallet! -That's how it's getting. | 0:13:35 | 0:13:39 | |
I tell you, this has been my style for years, | 0:13:39 | 0:13:41 | |
and I'm going to stick with it. | 0:13:41 | 0:13:43 | |
I carry one of these, and when I'm in a queue, | 0:13:43 | 0:13:46 | |
this is what I do.... | 0:13:46 | 0:13:48 | |
-Right, so, I'm in the queue. We move along a bit. -Kick it with your foot. | 0:13:48 | 0:13:52 | |
-There you go! That is how you do it! -It's a grand tradition! | 0:13:52 | 0:13:57 | |
-Shuffle it along? -Yeah! And I love that. You don't need wheels. | 0:13:57 | 0:14:01 | |
-I agree. -And they walk right across you, don't they? | 0:14:01 | 0:14:04 | |
-They do! Exactly. -They forget they've got it. | 0:14:04 | 0:14:06 | |
Also, you know that classic moment in The Exorcist, | 0:14:06 | 0:14:09 | |
where the exorcist turns up? | 0:14:09 | 0:14:10 | |
You know that fabulous, iconic picture? | 0:14:10 | 0:14:14 | |
Just imagine how that would be now. | 0:14:14 | 0:14:16 | |
LAUGHTER | 0:14:16 | 0:14:18 | |
APPLAUSE | 0:14:18 | 0:14:20 | |
Rubbish! | 0:14:20 | 0:14:21 | |
Anyway, what kind of People wind up Janet? | 0:14:23 | 0:14:26 | |
Right, what really winds me up | 0:14:31 | 0:14:33 | |
is women who want to be treated like "ladies." | 0:14:33 | 0:14:38 | |
And by that, I mean women who want men to open doors for them, | 0:14:38 | 0:14:42 | |
women who want men to stand up when they come into the room, | 0:14:42 | 0:14:45 | |
or to show them to their seats... | 0:14:45 | 0:14:48 | |
That whole selective feminism, it really, really annoys me. | 0:14:48 | 0:14:54 | |
OK. I thought you were pro-choice? | 0:14:54 | 0:14:57 | |
I am pro-choice, | 0:14:57 | 0:14:58 | |
but I think if you're going to be a strong female and you want equality, | 0:14:58 | 0:15:02 | |
you're not going to get too wound up about whether men open doors for you, | 0:15:02 | 0:15:06 | |
and if you go on the Underground or go on a train, | 0:15:06 | 0:15:08 | |
why should a bloke get up for you? | 0:15:08 | 0:15:10 | |
I agree. I don't stand up for women on buses and trains. | 0:15:10 | 0:15:14 | |
It's borderline for some pensioners... | 0:15:14 | 0:15:16 | |
LAUGHTER | 0:15:16 | 0:15:17 | |
I've got to see proof that they're in trouble before I get up. | 0:15:17 | 0:15:21 | |
I'm a pensioner, and I wouldn't want you to stand up, no. | 0:15:21 | 0:15:23 | |
Thank you, Janet. And I wouldn't. | 0:15:23 | 0:15:25 | |
LAUGHTER AND APPLAUSE | 0:15:25 | 0:15:28 | |
Well, what if you'd been on the Titanic, and they said, | 0:15:30 | 0:15:33 | |
"Women and children first"? | 0:15:33 | 0:15:34 | |
Would you have said, "Don't patronise me"? | 0:15:34 | 0:15:37 | |
LAUGHTER | 0:15:37 | 0:15:39 | |
Was that your attempt to be me?! | 0:15:39 | 0:15:41 | |
I don't think a career in Dead Ringers awaits you. | 0:15:41 | 0:15:45 | |
-But... -Yeah? | 0:15:45 | 0:15:46 | |
-I would hold the door open for you any time. -Oh, don't... | 0:15:46 | 0:15:49 | |
But I'd also hold the door open for Ben and for Greg. | 0:15:49 | 0:15:52 | |
Oh, that's fine, if you hold the door open for all of us. But not just me. | 0:15:52 | 0:15:55 | |
I'd hold the door open for Piers Morgan! | 0:15:55 | 0:15:58 | |
LAUGHTER | 0:15:58 | 0:15:59 | |
If it was a trap door, and he was being hanged at the time. | 0:15:59 | 0:16:03 | |
APPLAUSE | 0:16:03 | 0:16:05 | |
This is the other extreme, I would say. | 0:16:05 | 0:16:08 | |
This is an Australian guy, | 0:16:08 | 0:16:09 | |
who set up a series of street signs for his girlfriend | 0:16:09 | 0:16:13 | |
as she drove home. | 0:16:13 | 0:16:14 | |
LAUGHTER | 0:16:16 | 0:16:19 | |
GASPING | 0:16:19 | 0:16:21 | |
-That is genuine, as well! -No! | 0:16:24 | 0:16:26 | |
That is fantastic! | 0:16:26 | 0:16:27 | |
LAUGHTER | 0:16:27 | 0:16:29 | |
Oh! What kind of People wind up Greg? | 0:16:29 | 0:16:33 | |
Well, it's not people, really. It's just a man. | 0:16:37 | 0:16:40 | |
-OK. -LAUGHTER | 0:16:40 | 0:16:43 | |
I go really regularly to the same town in Spain on holiday, | 0:16:43 | 0:16:47 | |
and there's just this old bloke who really hates me there. | 0:16:47 | 0:16:50 | |
LAUGHTER | 0:16:50 | 0:16:52 | |
Yeah? | 0:16:52 | 0:16:54 | |
LAUGHTER | 0:16:54 | 0:16:56 | |
He's about 85 and he looks like the deceased actor, Ernest Borgnine. | 0:16:57 | 0:17:03 | |
How do you know that he hates you? | 0:17:03 | 0:17:05 | |
It started off quite subtly, that I would... | 0:17:05 | 0:17:08 | |
He always sits on the same corner, and the house where I stay, | 0:17:08 | 0:17:12 | |
his house is on the road for me to get to it, | 0:17:12 | 0:17:14 | |
so I have to go past his house every time I come down. | 0:17:14 | 0:17:17 | |
And it started off, I would just drive past and he would do this... | 0:17:17 | 0:17:21 | |
LAUGHTER | 0:17:21 | 0:17:23 | |
-And I thought... -You do know that they drive on the right, don't you? | 0:17:23 | 0:17:27 | |
Yeah! But I thought I was being paranoid, | 0:17:27 | 0:17:30 | |
and all my family would say, "Oh, no, you're imagining it." | 0:17:30 | 0:17:33 | |
But then, it escalated, so that I would drive past, | 0:17:33 | 0:17:35 | |
and I'm not exaggerating, I've never said a word to this man, | 0:17:35 | 0:17:39 | |
I would drive past and just glance at him, and he would do this... | 0:17:39 | 0:17:43 | |
HE GROWLS | 0:17:43 | 0:17:44 | |
LAUGHTER | 0:17:44 | 0:17:46 | |
..which no normal human being does. | 0:17:46 | 0:17:49 | |
I really hate him! | 0:17:49 | 0:17:51 | |
Is it because you're the only non-Spanish person in the town? | 0:17:51 | 0:17:54 | |
He doesn't know I'm not Spanish. I've never spoken to him. | 0:17:54 | 0:17:56 | |
But you don't behave in a way that sounds very Spanish, or local. | 0:17:56 | 0:18:00 | |
You're behaving in quite an aggressive way. | 0:18:00 | 0:18:02 | |
What should I do? I should drive past him with castanets...? | 0:18:02 | 0:18:05 | |
LAUGHTER | 0:18:05 | 0:18:07 | |
..eating some meat and cheese? "Ey!" | 0:18:07 | 0:18:10 | |
And you're sure you're not just misreading his body language? | 0:18:10 | 0:18:13 | |
You can't misread this! You can't misread this, Ben! | 0:18:13 | 0:18:17 | |
HE GROWLS | 0:18:17 | 0:18:18 | |
Usually, you find that the Spanish are a very warm, friendly... | 0:18:20 | 0:18:26 | |
I mean, I'm basing this totally on The Man From Del Monte, | 0:18:26 | 0:18:29 | |
-but they're a very positive... -I've done controlled tests, Frank. | 0:18:29 | 0:18:33 | |
I sent a friend down without me, right? | 0:18:33 | 0:18:36 | |
Maybe I've gone too far... | 0:18:36 | 0:18:38 | |
but I hid at the top of the street, and my friend drove past him, | 0:18:38 | 0:18:41 | |
and my friend, who is very clearly English, went, "Beep, beep!" | 0:18:41 | 0:18:45 | |
and he went, "Ey!" | 0:18:45 | 0:18:46 | |
LAUGHTER | 0:18:46 | 0:18:48 | |
I swear to God, it's awful! | 0:18:50 | 0:18:52 | |
He's generally just absolutely, totally happy with life. | 0:18:52 | 0:18:56 | |
I've observed him from a distance. | 0:18:56 | 0:18:58 | |
He's, like, with his family, all the kids, "Ey!" | 0:18:58 | 0:19:01 | |
"Oh, look at Granddad, he's such a great laugh!" | 0:19:01 | 0:19:04 | |
I drive past... | 0:19:04 | 0:19:05 | |
HE GROWLS | 0:19:05 | 0:19:07 | |
Well, we did try to get him tonight, | 0:19:08 | 0:19:10 | |
but it turns out he's on Spanish television tonight, | 0:19:10 | 0:19:13 | |
putting Greg Davies into "Room Cera Uno." | 0:19:13 | 0:19:16 | |
LAUGHTER | 0:19:16 | 0:19:19 | |
APPLAUSE | 0:19:19 | 0:19:22 | |
Well, you argue your case well, because nobody wants to be hated, | 0:19:23 | 0:19:27 | |
and I do also know exactly what Janet means, | 0:19:27 | 0:19:30 | |
and I sympathise with her argument, | 0:19:30 | 0:19:32 | |
because you do feel that people are letting the side down a bit. | 0:19:32 | 0:19:36 | |
But I feel so passionately and strongly about suitcases on wheels | 0:19:36 | 0:19:40 | |
that I cannot go against Ben. | 0:19:40 | 0:19:42 | |
I'm going to put suitcases with wheels into Room 101! | 0:19:42 | 0:19:46 | |
CHEERING AND APPLAUSE | 0:19:46 | 0:19:50 | |
Anyway, let's have our next category. | 0:19:54 | 0:19:56 | |
Ooh, it's Shopping. | 0:20:01 | 0:20:03 | |
What does Janet hate about Shopping? | 0:20:03 | 0:20:06 | |
What I particularly hate when I go into a supermarket | 0:20:12 | 0:20:16 | |
and I've got all the way round and I get to the checkout... | 0:20:16 | 0:20:19 | |
is someone looks at me and says, "Can I help you pack your bags?" | 0:20:19 | 0:20:25 | |
OK, I'm a pensioner, but I can put three things in a bag. | 0:20:26 | 0:20:32 | |
But that's not... | 0:20:32 | 0:20:33 | |
I don't win to have a row with the checkout people, | 0:20:33 | 0:20:36 | |
because I think they're underpaid, they work really hard, | 0:20:36 | 0:20:39 | |
but why I hate them asking me if I want to have my bags packed | 0:20:39 | 0:20:42 | |
is because it's fake, it's fake friendliness. | 0:20:42 | 0:20:46 | |
I don't want people watching this programme who work on the tills | 0:20:46 | 0:20:49 | |
to think I hate them, cos I really don't hate them, | 0:20:49 | 0:20:51 | |
but I hate the bosses in the supermarket, | 0:20:51 | 0:20:54 | |
the cynical way that they try to, you know... | 0:20:54 | 0:20:58 | |
befriend you to make you go back there cos they're "friendlier". | 0:20:58 | 0:21:02 | |
So, essentially, Janet, when you're out in public, | 0:21:02 | 0:21:05 | |
you want to be totally ignored... | 0:21:05 | 0:21:07 | |
-and people never to open doors for you. -That's right. | 0:21:07 | 0:21:10 | |
So you want no contact with humans. | 0:21:10 | 0:21:13 | |
I like humans very much. | 0:21:13 | 0:21:15 | |
I've been married four times, I've made my life's work as being, | 0:21:15 | 0:21:19 | |
you know, getting on with the opposite sex. | 0:21:19 | 0:21:21 | |
Can I ask, when they left, do you do their packing for them? | 0:21:21 | 0:21:24 | |
LAUGHTER | 0:21:24 | 0:21:26 | |
APPLAUSE | 0:21:26 | 0:21:29 | |
-But I get asked. You know, I'm a man in my... -I get asked. | 0:21:29 | 0:21:32 | |
..early 30s. I get asked. | 0:21:32 | 0:21:35 | |
LAUGHTER | 0:21:35 | 0:21:37 | |
I am happy to accept help in every aspect of my life. | 0:21:37 | 0:21:41 | |
I feel if the supermarket assistant said to me, | 0:21:41 | 0:21:44 | |
"Would you like us to move your legs for you so can get your car, sir?" | 0:21:44 | 0:21:48 | |
I'd go, "Go for it." | 0:21:48 | 0:21:50 | |
LAUGHTER | 0:21:50 | 0:21:53 | |
APPLAUSE | 0:21:53 | 0:21:57 | |
I like packing, it's a little art form. | 0:21:59 | 0:22:01 | |
It IS an art form and that is why I like to let the professionals do it. | 0:22:01 | 0:22:04 | |
I find... Look, this is how I... When I pack myself, | 0:22:04 | 0:22:07 | |
this is my loaf when I get home. | 0:22:07 | 0:22:10 | |
LAUGHTER | 0:22:10 | 0:22:12 | |
I always end up like that. So they do it so brilliantly. | 0:22:12 | 0:22:16 | |
I tell you what I do like doing myself, | 0:22:16 | 0:22:18 | |
I like weighing my own fruit. | 0:22:18 | 0:22:20 | |
-Ugh! -Is that a euphemism? | 0:22:20 | 0:22:23 | |
LAUGHTER | 0:22:23 | 0:22:26 | |
Yeah, and I have to say, it weighs quite a bit more than it used to. | 0:22:26 | 0:22:29 | |
OK then. What does Greg hate about Shopping? | 0:22:32 | 0:22:36 | |
It is my firm and profound belief that shops that offer you | 0:22:41 | 0:22:46 | |
an escalator to get up to their goods and only stairs to get down | 0:22:46 | 0:22:51 | |
should be ceased from trading. | 0:22:51 | 0:22:53 | |
APPLAUSE | 0:22:53 | 0:22:57 | |
-Yes. -And it's not even the fact that there's stairs... | 0:22:59 | 0:23:02 | |
there's only stairs to get down - they hide the stairs from you. | 0:23:02 | 0:23:06 | |
They don't even make the stairs easy to find, | 0:23:06 | 0:23:08 | |
so it's like, "Oh, yes, come in and buy our stuff. | 0:23:08 | 0:23:11 | |
"We will take you up on this gliding metal machine. | 0:23:11 | 0:23:14 | |
"And have you got your stuff? Have you paid for it? | 0:23:14 | 0:23:16 | |
"Right. YOU WILL FIND YOUR OWN WAY OUT!" | 0:23:16 | 0:23:19 | |
But it's like exploring the exit to Narnia, trying to... | 0:23:19 | 0:23:23 | |
If they reversed it and it was the other way around... | 0:23:23 | 0:23:27 | |
Then I would never go shopping, problem solved. | 0:23:27 | 0:23:30 | |
It's horrible enough for me going shopping anyway, | 0:23:30 | 0:23:32 | |
because I have two shops - I can go to Debenhams or I can go to High And Mighty. | 0:23:32 | 0:23:35 | |
And I generally go to High And Mighty, because... | 0:23:35 | 0:23:38 | |
I am one of the few clients that they have that can shop | 0:23:38 | 0:23:41 | |
in both sections of that shop, you see, | 0:23:41 | 0:23:43 | |
cos I am both high and "mighty". | 0:23:43 | 0:23:46 | |
LAUGHTER | 0:23:46 | 0:23:49 | |
I'm like a mythical creature. | 0:23:49 | 0:23:51 | |
"Argh! We can clothe him from both sides of the shop! | 0:23:51 | 0:23:55 | |
"Behold! He exists!" | 0:23:55 | 0:23:58 | |
I really thought you meant the men's department | 0:23:58 | 0:24:00 | |
-and the women's department. -So did I. | 0:24:00 | 0:24:02 | |
LAUGHTER AND APPLAUSE | 0:24:02 | 0:24:07 | |
Of course, there is a method behind all of this, as you suggest. | 0:24:07 | 0:24:10 | |
The idea is they want to get you | 0:24:10 | 0:24:12 | |
on a nice, smooth, easy route INTO the shop | 0:24:12 | 0:24:15 | |
but they want to make getting out a cold, clunking, difficult... | 0:24:15 | 0:24:19 | |
It's a bit like marriage, in that respect. | 0:24:19 | 0:24:22 | |
But the idea is that they want to keep you in the shop | 0:24:22 | 0:24:25 | |
as long as possible, so you're walking around, going, "Where are the steps? | 0:24:25 | 0:24:28 | |
"Ooh, that is nice." | 0:24:28 | 0:24:29 | |
So it's not accidental, and there's all sorts of methods. | 0:24:29 | 0:24:32 | |
I've actually been looking into this and it's astonishing, | 0:24:32 | 0:24:36 | |
some of the things that they do. | 0:24:36 | 0:24:38 | |
One of the things is that they have smaller tiles | 0:24:38 | 0:24:42 | |
on the floor next to the more expensive objects, | 0:24:42 | 0:24:45 | |
so you become aware of the wheels on your trolley | 0:24:45 | 0:24:49 | |
clicking quicker and you think, "Oh, I'd better slow down." | 0:24:49 | 0:24:52 | |
So you slow down next to the expensive stuff. | 0:24:52 | 0:24:55 | |
-Ah! -All true, all true. -Wow. | 0:24:55 | 0:24:57 | |
The essentials that you need - | 0:24:57 | 0:24:59 | |
bread, milk, vegetables and all that - | 0:24:59 | 0:25:01 | |
are spread around the shop | 0:25:01 | 0:25:03 | |
so you have to walk past lots of other stuff | 0:25:03 | 0:25:05 | |
and mirrors are put in there to make you slow down. | 0:25:05 | 0:25:09 | |
And don't those mirrors make you look slimmer, as well, in the clothes section? | 0:25:09 | 0:25:12 | |
That's fairgrounds you're thinking of. | 0:25:12 | 0:25:15 | |
LAUGHTER | 0:25:15 | 0:25:16 | |
They also sometimes make your head look REALLY massive | 0:25:16 | 0:25:19 | |
and then really small again. | 0:25:19 | 0:25:21 | |
Anyway, what doesn't Ben like about Shopping? | 0:25:21 | 0:25:25 | |
One pence coins. | 0:25:30 | 0:25:33 | |
They're so annoying! | 0:25:33 | 0:25:35 | |
The fact... What... When was the last time something actually cost a penny? | 0:25:35 | 0:25:39 | |
And what happens is you buy something for £4.99, for example, | 0:25:39 | 0:25:44 | |
and you get 1p change. | 0:25:44 | 0:25:45 | |
Do you wait for that one pence in your change, | 0:25:45 | 0:25:48 | |
looking like you need that 1p? | 0:25:48 | 0:25:50 | |
Or would you leave it for them, | 0:25:50 | 0:25:52 | |
looking like you're very tight in leaving them a one-pence tip? | 0:25:52 | 0:25:56 | |
And then, if you do take it home, they clutter up your pockets, | 0:25:56 | 0:25:59 | |
you leave little piles of them everywhere. | 0:25:59 | 0:26:01 | |
I don't understand - why does something have to cost 4.99? | 0:26:01 | 0:26:04 | |
Why could it not cost £4.90, or even £5? | 0:26:04 | 0:26:09 | |
You know, what you need, Ben, is a big whisky bottle. | 0:26:09 | 0:26:14 | |
And you put all your coins in that | 0:26:14 | 0:26:16 | |
and then you leave them there forever. | 0:26:16 | 0:26:18 | |
But I can't stand getting them in your change and what do you do? | 0:26:19 | 0:26:22 | |
Because I don't have time to... | 0:26:22 | 0:26:24 | |
You put them in charity boxes by the checkout. | 0:26:24 | 0:26:27 | |
It'd be nicer to put a pound, rather than one pence in, wouldn't it? | 0:26:27 | 0:26:30 | |
Yeah, but it's better than putting nothing in. | 0:26:30 | 0:26:32 | |
Why not put a pound AND one pence in? | 0:26:32 | 0:26:35 | |
CHEERING AND APPLAUSE | 0:26:35 | 0:26:38 | |
I think you're just frightened of CHANGE! | 0:26:41 | 0:26:43 | |
LAUGHTER AND GROANS | 0:26:43 | 0:26:46 | |
-Oh, too good! -Yeah. | 0:26:46 | 0:26:49 | |
-I tell you what, though, they are little works of art. -Do you think? | 0:26:49 | 0:26:53 | |
Yeah, they are. | 0:26:53 | 0:26:54 | |
You know, the standard two pence piece | 0:26:54 | 0:26:57 | |
-used to have the fleur-de-lis on it? -Yes. | 0:26:57 | 0:27:01 | |
And they've changed it recently, so you get sort of a... | 0:27:01 | 0:27:05 | |
you get like a closer detail. | 0:27:05 | 0:27:07 | |
You see now... you get like just a close... | 0:27:09 | 0:27:13 | |
You know when you get the mystery guest on Question Of Sport? | 0:27:13 | 0:27:16 | |
It's like the heraldic version of that. | 0:27:16 | 0:27:19 | |
And the best coins I've ever seen in my life, get a load of this, | 0:27:19 | 0:27:23 | |
this is from Niue, this as a South Pacific island near New Zealand | 0:27:23 | 0:27:28 | |
and they brought out Star Wars coins. | 0:27:28 | 0:27:31 | |
-I heard about this. -Yeah. | 0:27:31 | 0:27:32 | |
And these are legal tender, they are things of beauty, I think. | 0:27:32 | 0:27:37 | |
-Wow. -They've got colour bits and you can go and buy stuff... | 0:27:37 | 0:27:41 | |
I would like to go to Niue and I'd like to get those coins | 0:27:41 | 0:27:44 | |
and just go in to a normal shop and just buy a bar of chocolate. | 0:27:44 | 0:27:48 | |
I would like... | 0:27:48 | 0:27:50 | |
to buy a Galaxy far, far away. | 0:27:50 | 0:27:53 | |
LAUGHTER | 0:27:53 | 0:27:55 | |
SCATTERED APPLAUSE | 0:27:55 | 0:27:56 | |
No, but don't you think they're great? And even the penny... | 0:27:56 | 0:27:59 | |
There's that design on the penny, | 0:27:59 | 0:28:01 | |
which could easily be R2-D2 at a Scottish wedding. | 0:28:01 | 0:28:05 | |
LAUGHTER | 0:28:05 | 0:28:07 | |
I got burgled a few years ago and they took everything, | 0:28:09 | 0:28:14 | |
they cleared the whole house out, | 0:28:14 | 0:28:16 | |
and the final insult was I went upstairs and in my bedroom, | 0:28:16 | 0:28:19 | |
I had a coin jar, where I just tossed all change | 0:28:19 | 0:28:22 | |
and they'd tipped it out onto my bed | 0:28:22 | 0:28:24 | |
and they'd picked out all the silver. | 0:28:24 | 0:28:27 | |
-Just left the pennies and 2ps. -That just about sums it up, though. | 0:28:27 | 0:28:30 | |
Not even burglars like 1 and 2p coins. | 0:28:30 | 0:28:32 | |
OK, then. So we've come to the end of that round. | 0:28:34 | 0:28:37 | |
And now, Janet is really glaring at me, because she hasn't won one yet. | 0:28:37 | 0:28:41 | |
But I like having people pack for me, I think it's a nice gesture | 0:28:41 | 0:28:45 | |
and I'm such a rubbish packer and I don't want to get rid of the penny, | 0:28:45 | 0:28:48 | |
because I think it is a beautiful, little, traditional, cute thing. | 0:28:48 | 0:28:53 | |
But that whole cynical thing that shops have got on | 0:28:53 | 0:28:56 | |
about making us buy and making us buy expensive things | 0:28:56 | 0:29:00 | |
and keeping us in their needs to be exposed, so I am going to put... | 0:29:00 | 0:29:04 | |
shops with escalators going up but stairs going down into Room 101! | 0:29:04 | 0:29:09 | |
CHEERING AND APPLAUSE | 0:29:09 | 0:29:12 | |
Next category, please! | 0:29:18 | 0:29:20 | |
OK. This is the Wildcard round, so there's no limitations now. | 0:29:25 | 0:29:29 | |
You can pick anything at all that you don't like. | 0:29:29 | 0:29:32 | |
So, what is Ben's Wildcard? | 0:29:32 | 0:29:34 | |
Umbrellas. | 0:29:39 | 0:29:41 | |
But it's not just the umbrella itself, | 0:29:41 | 0:29:43 | |
it's people that don't know how to drive an umbrella, | 0:29:43 | 0:29:46 | |
if that's the term I can use. | 0:29:46 | 0:29:48 | |
I personally think that when you get an umbrella, | 0:29:48 | 0:29:50 | |
you should actually have to pass a little licence | 0:29:50 | 0:29:52 | |
about how to use an umbrella. | 0:29:52 | 0:29:54 | |
Because you'll be walking down the street, | 0:29:54 | 0:29:56 | |
and shorter people with umbrellas go flying down the pavement, | 0:29:56 | 0:30:00 | |
and these pointy bits here poke you in the eyes, they... | 0:30:00 | 0:30:05 | |
they jab you in the ribs. | 0:30:05 | 0:30:07 | |
But also, if you are using an umbrella, you get caught in narrow bits... | 0:30:07 | 0:30:10 | |
especially if you're in the street in London, there's trees, | 0:30:10 | 0:30:14 | |
you have to pull it down a little bit, you get soaking wet, | 0:30:14 | 0:30:16 | |
you inevitably end up sharing it, | 0:30:16 | 0:30:18 | |
because I like to share it with the person I'm with, | 0:30:18 | 0:30:21 | |
so half of you gets soaking wet. I don't see the point. | 0:30:21 | 0:30:23 | |
Unless you're Greg's size and you can hold it | 0:30:23 | 0:30:25 | |
so you're like Jack and the Beanstalk | 0:30:25 | 0:30:27 | |
and you can shelter everyone in London, | 0:30:27 | 0:30:30 | |
there's no point in having an umbrella. | 0:30:30 | 0:30:33 | |
-Which I could do. -LAUGHTER | 0:30:33 | 0:30:36 | |
Well, what I do, my normal method is, if I've got the umbrella, | 0:30:36 | 0:30:40 | |
as I get nearer to people, I hold it high, high, high, like that. | 0:30:40 | 0:30:44 | |
That's good umbrella driving. You'd pass your test. | 0:30:44 | 0:30:46 | |
Yes, so it doesn't touch them. But I was doing that and I got home, | 0:30:46 | 0:30:49 | |
I was being followed by 30 Japanese tourists. | 0:30:49 | 0:30:52 | |
LAUGHTER | 0:30:52 | 0:30:55 | |
Ben, 15 years ago, I saw something, and I thought, | 0:30:55 | 0:30:59 | |
"This will change the world." | 0:30:59 | 0:31:01 | |
This is, you know, it's a game-changer. | 0:31:01 | 0:31:05 | |
-I've seen these. -LAUGHTER | 0:31:05 | 0:31:07 | |
It was the umbrella hat. | 0:31:07 | 0:31:09 | |
And I'm not kidding you, but when I saw it, I thought, | 0:31:09 | 0:31:12 | |
"That's the answer, isn't it?" | 0:31:12 | 0:31:14 | |
Can I say, I actually agree with that. | 0:31:14 | 0:31:16 | |
I think that is a very useful piece of kit. | 0:31:16 | 0:31:19 | |
I can't understand why these didn't change the world. I mean it. | 0:31:19 | 0:31:23 | |
I might be able to shine a light on that for you. | 0:31:23 | 0:31:26 | |
It's because you look an incredible bell-end in it. | 0:31:26 | 0:31:29 | |
LAUGHTER AND APPLAUSE | 0:31:29 | 0:31:32 | |
I'm practical, Greg. | 0:31:33 | 0:31:35 | |
I don't know about you. I play a lot of outdoor accordion... | 0:31:35 | 0:31:38 | |
LAUGHTER | 0:31:38 | 0:31:41 | |
..and it's perfect for that. And also, what about the deaf? | 0:31:41 | 0:31:44 | |
When the deaf are out and it's raining, | 0:31:45 | 0:31:48 | |
they have to do the first part of the sentence with one hand and then change... | 0:31:48 | 0:31:52 | |
LAUGHTER | 0:31:52 | 0:31:53 | |
With this, you can sign absolutely fluently. | 0:31:53 | 0:31:56 | |
I really approve of that. You see, I would like to keep those. | 0:31:56 | 0:32:00 | |
Yes, I'm glad we agree on that. | 0:32:00 | 0:32:02 | |
Can I have that later? | 0:32:02 | 0:32:03 | |
-Could we set up a small business together? -We could. | 0:32:03 | 0:32:06 | |
-SHE SIGHS -I think that would be excellent. | 0:32:06 | 0:32:08 | |
"Umbrellas for the deaf by Fogle and Skinner"?! | 0:32:08 | 0:32:11 | |
-LAUGHTER -Yeah! | 0:32:11 | 0:32:12 | |
Where do I sign for my investment(?) | 0:32:12 | 0:32:15 | |
LAUGHTER | 0:32:15 | 0:32:16 | |
Anyway, what is Greg's Wildcard? | 0:32:16 | 0:32:19 | |
LAUGHTER | 0:32:24 | 0:32:26 | |
It's friends who develop new interests and hobbies. | 0:32:26 | 0:32:30 | |
LAUGHTER | 0:32:30 | 0:32:33 | |
It just really winds me up when you get to a certain age that suddenly, | 0:32:33 | 0:32:37 | |
someone you've known since you were a kid is suddenly "into" something. | 0:32:37 | 0:32:41 | |
I just find it... I just think there should be a cut-off point. | 0:32:41 | 0:32:45 | |
You're allowed to develop interests up until the age of about 22, | 0:32:45 | 0:32:48 | |
and from that point onwards, you just stay the same. | 0:32:48 | 0:32:52 | |
I have friends who go, "Oh, of course, I'm into cycling now." | 0:32:52 | 0:32:55 | |
Oh, are you? Are you into cycling? Fascinating(!) | 0:32:55 | 0:32:59 | |
LAUGHTER | 0:32:59 | 0:33:00 | |
I would be a terrible friend for you, in that respect, | 0:33:00 | 0:33:04 | |
because I have had lessons and done hobbies like... | 0:33:04 | 0:33:08 | |
I've done tango, ice skating, drawing, horse riding, meditation... | 0:33:08 | 0:33:15 | |
I've done taxidermy, I've done... I've done yoga, Pilates... | 0:33:15 | 0:33:20 | |
-Have you?! -I've done French, German... | 0:33:20 | 0:33:22 | |
I think, the moral of this is, you can stop drinking, but you never replace it. | 0:33:22 | 0:33:26 | |
LAUGHTER AND APPLAUSE | 0:33:26 | 0:33:29 | |
But I believe you should always be having lessons in something | 0:33:30 | 0:33:33 | |
at any stage in your life, and I've always got a hobby on the go. | 0:33:33 | 0:33:37 | |
I'm all for people having new hobbies and interests. | 0:33:37 | 0:33:40 | |
I just want them never to talk to me about them, that's all. | 0:33:40 | 0:33:43 | |
Have you got any hobbies? | 0:33:43 | 0:33:46 | |
No, I'm a fairly lonely character, actually. | 0:33:46 | 0:33:49 | |
LAUGHTER | 0:33:49 | 0:33:50 | |
We have a clip. This is, I think, arguably, | 0:33:50 | 0:33:54 | |
the most marvellous hobby anyone could have. | 0:33:54 | 0:33:57 | |
LAUGHTER | 0:34:08 | 0:34:10 | |
-Come on! -You'd want to hear about a hobby like that! | 0:34:15 | 0:34:18 | |
Let me make it perfectly clear. | 0:34:18 | 0:34:19 | |
If a friend said to me, "Greg, I've got a new hobby - | 0:34:19 | 0:34:22 | |
"it's dressing live squirrels in human clothes," | 0:34:22 | 0:34:26 | |
I'd go, "Tell me more about it!" | 0:34:26 | 0:34:28 | |
LAUGHTER | 0:34:28 | 0:34:30 | |
Exactly! | 0:34:30 | 0:34:31 | |
"And tell me about the medical treatment | 0:34:31 | 0:34:33 | |
"that you personally receive." | 0:34:33 | 0:34:35 | |
It's just finding the right hobby, it's as simple as that. | 0:34:35 | 0:34:39 | |
OK, what Janet's Wildcard? | 0:34:39 | 0:34:40 | |
I've chosen local news. | 0:34:45 | 0:34:48 | |
Really, I'm talking about local news bulletins on the television, | 0:34:48 | 0:34:53 | |
where the areas they cover are so big, | 0:34:53 | 0:34:58 | |
like BBC Newsroom South East | 0:34:58 | 0:35:00 | |
seems to range from Dover to Eastbourne to Chatham, | 0:35:00 | 0:35:05 | |
and it always involves one murder, one cat lost somewhere, | 0:35:05 | 0:35:09 | |
a blocked drain, and a rugby match. | 0:35:09 | 0:35:12 | |
And you've wasted ten minutes of your time | 0:35:12 | 0:35:14 | |
and you know absolutely nothing about what's happened in your area. | 0:35:14 | 0:35:19 | |
I spend quite a lot of time in Whitstable, | 0:35:19 | 0:35:21 | |
and the staple diet of the local newspapers is, | 0:35:21 | 0:35:25 | |
"Should we have one-way traffic in the High Street?" | 0:35:25 | 0:35:29 | |
And that has been the main news story now for ten years. | 0:35:29 | 0:35:32 | |
LAUGHTER It's amazing! | 0:35:32 | 0:35:35 | |
Our local newspaper, when I was a kid, | 0:35:35 | 0:35:37 | |
was called The Smethwick Telephone. | 0:35:37 | 0:35:40 | |
And I've no idea why it was called The Telephone, | 0:35:40 | 0:35:43 | |
and I remember I was on stage in Birmingham, and I said, | 0:35:43 | 0:35:46 | |
"I don't know why it was called The Smethwick Telephone," | 0:35:46 | 0:35:49 | |
and this bloke said, "Cos it was from Smethwick." | 0:35:49 | 0:35:52 | |
LAUGHTER | 0:35:52 | 0:35:54 | |
But my favourite thing about local newspapers... | 0:35:58 | 0:36:00 | |
I don't how this started, | 0:36:00 | 0:36:02 | |
but it's the idea that every picture tells a story, | 0:36:02 | 0:36:05 | |
so every photograph has to tell the complete story, | 0:36:05 | 0:36:09 | |
like people can't read. | 0:36:09 | 0:36:11 | |
So I'm just going to read you a few local news stories, | 0:36:11 | 0:36:13 | |
and we'll show the accompanying picture. | 0:36:13 | 0:36:16 | |
"A heavily pregnant woman was refused bus travel | 0:36:16 | 0:36:18 | |
"because she had too many five pence pieces." | 0:36:18 | 0:36:21 | |
LAUGHTER | 0:36:21 | 0:36:23 | |
It's the whole story there! | 0:36:23 | 0:36:25 | |
"Residents are warning that someone will be seriously injured on pot-holed road." | 0:36:25 | 0:36:29 | |
LAUGHTER | 0:36:30 | 0:36:32 | |
"Hoteliers complain about noise levels from North Pier, Blackpool." | 0:36:33 | 0:36:38 | |
LAUGHTER | 0:36:38 | 0:36:40 | |
And, "Man discovers a 21-inch, three-and-a-half pound cucumber in his greenhouse." | 0:36:40 | 0:36:45 | |
LAUGHTER AND APPLAUSE | 0:36:45 | 0:36:47 | |
Anyway, we come to the end of that round, | 0:36:51 | 0:36:54 | |
and this is a tough one for me, cos I kind of like all these things. | 0:36:54 | 0:36:59 | |
And I can't put friends' hobbies in, | 0:36:59 | 0:37:02 | |
because I love obsessives and all kinds, and I'm a big hobbies fan, | 0:37:02 | 0:37:06 | |
and umbrellas, I like the whole thing of having an umbrella | 0:37:06 | 0:37:10 | |
and having it hanging on your arm | 0:37:10 | 0:37:11 | |
and pressing buttons and all that stuff. | 0:37:11 | 0:37:14 | |
I also really like local news, | 0:37:14 | 0:37:16 | |
but I admit, TV local news can go a bit rubbish. | 0:37:16 | 0:37:20 | |
So, although I don't want to get rid of the newspapers, | 0:37:20 | 0:37:23 | |
I am going to put local TV news into Room 101. | 0:37:23 | 0:37:27 | |
Yes! | 0:37:27 | 0:37:28 | |
CHEERING AND APPLAUSE | 0:37:28 | 0:37:30 | |
So... | 0:37:32 | 0:37:34 | |
..that brings us to the end of the show, and well done, Greg, | 0:37:36 | 0:37:38 | |
you were the most persuasive guest tonight, | 0:37:38 | 0:37:41 | |
-so you are this week's winner! -Oh, thank you! | 0:37:41 | 0:37:43 | |
CHEERING AND APPLAUSE | 0:37:43 | 0:37:45 | |
You did brilliantly well, all three of you. | 0:37:47 | 0:37:49 | |
Thank you very much, Greg Davies, Ben Fogle and Janet Street-Porter. | 0:37:49 | 0:37:52 | |
And thank you, goodnight! | 0:37:52 | 0:37:54 | |
CHEERING AND APPLAUSE | 0:37:54 | 0:37:57 | |
Subtitles by Red Bee Media Ltd | 0:38:14 | 0:38:19 |