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APPLAUSE AND CHEERING | 0:00:25 | 0:00:31 | |
Hello, I'm Frank Skinner and welcome to Room 101, | 0:00:33 | 0:00:38 | |
the show where three guests compete to have their biggest bugbears | 0:00:38 | 0:00:41 | |
banished for ever to the notorious vault. | 0:00:41 | 0:00:44 | |
Joining me tonight are former England cricketer Phil Tufnell, | 0:00:44 | 0:00:46 | |
writer and broadcaster Victoria Coren | 0:00:46 | 0:00:49 | |
and national treasure Sir Terry Wogan. | 0:00:49 | 0:00:52 | |
CHEERING | 0:00:52 | 0:00:56 | |
Can we have our first category? | 0:00:59 | 0:01:01 | |
Oh, it's sport. | 0:01:06 | 0:01:08 | |
So what winds up Terry about sport? | 0:01:08 | 0:01:12 | |
-PHIL: -That one. | 0:01:12 | 0:01:14 | |
AUDIENCE LAUGHS | 0:01:14 | 0:01:18 | |
This is a finely worked piece here. | 0:01:18 | 0:01:21 | |
And it does sum up what I feel about sport. | 0:01:21 | 0:01:23 | |
It is exacerbated by the London Olympics. | 0:01:23 | 0:01:27 | |
Some poor fellow or girl would come out of the swimming pool | 0:01:27 | 0:01:31 | |
or off an athletics track drained of all emotion, | 0:01:31 | 0:01:36 | |
four to six years of training gone for nothing | 0:01:36 | 0:01:39 | |
because they'd come fourth or last. | 0:01:39 | 0:01:42 | |
Speechless with disappointment and exhaustion. | 0:01:42 | 0:01:46 | |
And a fellow like him sticks a microphone under their nose | 0:01:48 | 0:01:51 | |
and says, "How are you feeling?" | 0:01:51 | 0:01:53 | |
LAUGHTER | 0:01:53 | 0:01:55 | |
We have an example of the kind of thing you mean, Terry. | 0:01:56 | 0:01:59 | |
This is Purchase and Hunter, the rowers, | 0:01:59 | 0:02:02 | |
who've just got a silver medal. | 0:02:02 | 0:02:05 | |
What are your thoughts now? | 0:02:05 | 0:02:07 | |
HE SIGHS | 0:02:07 | 0:02:09 | |
We gave it everything, we tried everything. | 0:02:09 | 0:02:13 | |
We wanted to win so badly. | 0:02:13 | 0:02:15 | |
It just... | 0:02:16 | 0:02:18 | |
Sorry to everybody we've let down. | 0:02:18 | 0:02:21 | |
You've let nobody down. | 0:02:21 | 0:02:22 | |
It's heartbreaking. | 0:02:22 | 0:02:25 | |
I sort of find it reassuring that at least they're out of breath. | 0:02:25 | 0:02:29 | |
You watch the England football team and you imagine at the end | 0:02:33 | 0:02:36 | |
of a game they could sit down and eat a full roast dinner. | 0:02:36 | 0:02:39 | |
Phil, I imagine you didn't work up much of a sweat, did you? | 0:02:41 | 0:02:45 | |
Well, no, not really. As you say, I was never out of breath, really. | 0:02:45 | 0:02:49 | |
I was a little spin bowler | 0:02:49 | 0:02:51 | |
and then just sat in the dressing room drinking tea and smoking fags | 0:02:51 | 0:02:55 | |
while we were batting. | 0:02:55 | 0:02:57 | |
Any young people watching... | 0:02:57 | 0:02:59 | |
Harold Larwood, the England fast bowler, when they brought out the drinks interval, | 0:03:00 | 0:03:05 | |
he used to have a pint of bitter. | 0:03:05 | 0:03:07 | |
Yes, so did some of the boys when I toured. | 0:03:07 | 0:03:10 | |
At my first test match we were out there, Lambie, Botham, Gower. | 0:03:10 | 0:03:14 | |
The drinks break - all come out and, | 0:03:14 | 0:03:16 | |
"Have a little drop of that, Tuffers. | 0:03:16 | 0:03:18 | |
"That'll make you feel better." Gin and tonic. | 0:03:18 | 0:03:21 | |
LAUGHTER | 0:03:21 | 0:03:23 | |
You'll like this, cos I... | 0:03:23 | 0:03:24 | |
I like the post-match interview but sometimes, | 0:03:24 | 0:03:28 | |
if they've lost, it's very difficult for them - | 0:03:28 | 0:03:31 | |
especially if they're quite close to the people who've won. | 0:03:31 | 0:03:35 | |
INTERVIEWER SPEAKS GERMAN, PLAYERS CHANT | 0:03:35 | 0:03:39 | |
PLAYERS: # Y viva Espana! # | 0:03:52 | 0:03:56 | |
I have to say, they're great footballers | 0:03:59 | 0:04:01 | |
but they're lousy at the conga. | 0:04:01 | 0:04:02 | |
One of the things that was great about the Olympics - | 0:04:02 | 0:04:05 | |
apart from the sport which was an unfortunate by-product - | 0:04:05 | 0:04:08 | |
wasn't it nice that for all youngsters watching, there was | 0:04:08 | 0:04:13 | |
this sense of a new sort of hero? | 0:04:13 | 0:04:14 | |
They'd been watching these awful reality stars | 0:04:14 | 0:04:18 | |
and here was a type of person with goals and ambitions that were | 0:04:18 | 0:04:22 | |
more inspiring, for which you need to get some personality. | 0:04:22 | 0:04:25 | |
You need to hear some of the emotion. | 0:04:25 | 0:04:28 | |
If you just saw them doing the sport, | 0:04:28 | 0:04:29 | |
-you wouldn't get the same lesson in it. -That was very good. | 0:04:29 | 0:04:32 | |
You sound like my sports psychologist. That was fantastic. | 0:04:32 | 0:04:36 | |
Do you have a sports psychologist? | 0:04:36 | 0:04:37 | |
No, I didn't go. | 0:04:37 | 0:04:39 | |
LAUGHTER | 0:04:39 | 0:04:42 | |
Maybe I'm being a begrudger, | 0:04:42 | 0:04:43 | |
but I just found it a little bit disheartening that people come off | 0:04:43 | 0:04:47 | |
not having done so well and they get a microphone. | 0:04:47 | 0:04:50 | |
Perhaps if they were allowed to rest for a little bit, | 0:04:50 | 0:04:53 | |
put their thoughts together | 0:04:53 | 0:04:55 | |
in the same way that Sir Alex Ferguson is always interviewed. | 0:04:55 | 0:05:00 | |
A considerable time after the game. | 0:05:00 | 0:05:02 | |
But he's still horrible. | 0:05:02 | 0:05:05 | |
But he's not out of breath. | 0:05:05 | 0:05:06 | |
That's true. | 0:05:06 | 0:05:08 | |
I can tell this is coming from a good place. That's fair enough. | 0:05:08 | 0:05:13 | |
OK, what is Phil's sports gripe? | 0:05:13 | 0:05:16 | |
Careful. There he comes. | 0:05:16 | 0:05:19 | |
Yes, the Australian cricket team from 1990 to 2002. | 0:05:21 | 0:05:25 | |
LAUGHTER | 0:05:25 | 0:05:27 | |
APPLAUSE | 0:05:27 | 0:05:29 | |
Does that coincide with your own career? | 0:05:31 | 0:05:35 | |
-It does, funnily enough. -I thought it might. | 0:05:35 | 0:05:37 | |
They made my life a misery for 12 years. | 0:05:37 | 0:05:40 | |
I think five Ashes series I participated in. Won none. | 0:05:40 | 0:05:45 | |
Won the odd Test match, but we never won a series and, er, | 0:05:45 | 0:05:48 | |
you know, that side that we came up against, I think statistically, | 0:05:48 | 0:05:53 | |
was the best side that's ever played the game, and I managed to cop it. | 0:05:53 | 0:05:57 | |
The only thing you ever won in Australia was | 0:05:57 | 0:05:59 | |
-I'm a Celebrity... Get Me Out of Here! -It was. | 0:05:59 | 0:06:01 | |
But they knew it, as well. | 0:06:08 | 0:06:09 | |
That's what really annoyed me about 'em. | 0:06:09 | 0:06:11 | |
It was hard not to notice for them, wasn't it? | 0:06:11 | 0:06:13 | |
I know, and they used to sledge you and they used to give you stick. | 0:06:13 | 0:06:17 | |
I mean, one of the best sledges, I think, was off Ian Healy. | 0:06:17 | 0:06:20 | |
He said to me, just as Shane Warne was coming up to bowl, | 0:06:20 | 0:06:23 | |
he said, "Oi, Tuffers, can you lend me your brain? | 0:06:23 | 0:06:25 | |
"I'm building an idiot." | 0:06:25 | 0:06:27 | |
Your batting average against Australia - | 0:06:30 | 0:06:32 | |
-do you know what that is? -Erm... | 0:06:32 | 0:06:34 | |
Three? | 0:06:35 | 0:06:36 | |
-It's not quite that high. -What, a little bit more? | 0:06:36 | 0:06:39 | |
-Not that high? -It's 2.72. | 0:06:39 | 0:06:41 | |
2.72?! | 0:06:41 | 0:06:42 | |
For people who don't know about cricket, | 0:06:47 | 0:06:50 | |
Phil's fielding was quite legendary, | 0:06:50 | 0:06:53 | |
and just to give you an insight into what Phil's fielding was like, | 0:06:53 | 0:06:58 | |
we have a clip of him on The One Show, | 0:06:58 | 0:07:00 | |
which sort of is an echo of it. | 0:07:00 | 0:07:03 | |
This, in 1990, would have cost you 780 quid, right? | 0:07:03 | 0:07:06 | |
-Just one bottle? -One bottle of that. | 0:07:06 | 0:07:09 | |
And now, if you wanted to flog that now - £23,000. | 0:07:09 | 0:07:13 | |
So, it's amazing and... | 0:07:13 | 0:07:14 | |
-Just think what you could do with that much money! -I know. I know. | 0:07:14 | 0:07:18 | |
-Would you drink that? -It's got like currency. | 0:07:18 | 0:07:20 | |
-I'd drink it, but I wouldn't buy it. -Yeah. -No, it's b... Oh! | 0:07:20 | 0:07:24 | |
LAUGHTER | 0:07:24 | 0:07:26 | |
PHIL LAUGHS UPROARIOUSLY | 0:07:26 | 0:07:28 | |
Yes, what a beauty! | 0:07:28 | 0:07:30 | |
-But it was a scam. -It was a scam. | 0:07:32 | 0:07:34 | |
Now, that was very expertly done, but a very fine gag. | 0:07:34 | 0:07:37 | |
I watched that at home and completely thought you'd knocked... | 0:07:37 | 0:07:41 | |
Maybe because I could remember this incident. | 0:07:41 | 0:07:44 | |
Oh, hello. | 0:07:44 | 0:07:45 | |
TONY GREIG: Oh, there's a mix-up, there's going to be a run-out! | 0:07:47 | 0:07:50 | |
LAUGHTER | 0:07:50 | 0:07:52 | |
Oh, my goodness gracious me! | 0:07:53 | 0:07:55 | |
You would not believe that that was possible. | 0:07:55 | 0:08:00 | |
He got so excited. | 0:08:00 | 0:08:02 | |
Sorry, Phil. | 0:08:02 | 0:08:03 | |
HE GROANS | 0:08:03 | 0:08:05 | |
That's the first time I've actually wanted to cry on a cricket field. | 0:08:05 | 0:08:08 | |
As an Australian bloke once said to me... | 0:08:08 | 0:08:10 | |
-AUSSIE ACCENT: -"You were about as popular as a ginger-haired stepson." | 0:08:10 | 0:08:14 | |
OK, let's have a look at Victoria's sports hate. | 0:08:18 | 0:08:22 | |
I don't like people who are naked in public changing rooms. | 0:08:27 | 0:08:32 | |
I'm not comfortable with nudity when it's me alone in the bath. | 0:08:38 | 0:08:42 | |
I certainly don't want to be trying to put my clothes back on | 0:08:42 | 0:08:46 | |
in the gym, you know, appropriately, under a towel, sliding things on, | 0:08:46 | 0:08:50 | |
and someone just strolls past, | 0:08:50 | 0:08:52 | |
and it's usually somebody perfect - they go to the gym all the time - | 0:08:52 | 0:08:55 | |
all, you know, perky and completely hairless. | 0:08:55 | 0:08:57 | |
"Look at me, I'm perfect. Why don't you just kill yourself now?" | 0:08:57 | 0:09:01 | |
Don't they have cubicles in ladies'... | 0:09:01 | 0:09:03 | |
Is it open-plan in a ladies' changing room? | 0:09:03 | 0:09:06 | |
-There's lockers where your stuff is. -But it's all out in the open, is it? | 0:09:06 | 0:09:09 | |
-Yeah, but you don't have to... -I didn't know that. | 0:09:09 | 0:09:12 | |
I like the way when Phil said, "All in the..." | 0:09:13 | 0:09:15 | |
he did a bit of a swagger. | 0:09:15 | 0:09:17 | |
It's even worse in a blokes' gym, I imagine. | 0:09:18 | 0:09:22 | |
What do you mean, you "imagine"? You don't go? | 0:09:22 | 0:09:24 | |
No, I've been in one once. | 0:09:24 | 0:09:26 | |
But it's hard to compare, obviously. | 0:09:26 | 0:09:28 | |
With men... How can I put this delicately at this hour? | 0:09:28 | 0:09:31 | |
But with men, size is very much... | 0:09:31 | 0:09:34 | |
You know, with women, I don't know if women have made up their mind | 0:09:34 | 0:09:37 | |
about whether big breasts or small breasts are superior in any way. | 0:09:37 | 0:09:42 | |
With men, the votes have all been counted. | 0:09:42 | 0:09:44 | |
LAUGHTER | 0:09:44 | 0:09:46 | |
Well, I say it about ladies' changing rooms | 0:09:46 | 0:09:49 | |
cos that's where I am more often than in the men's. | 0:09:49 | 0:09:52 | |
You should get around more. | 0:09:53 | 0:09:54 | |
Men are exactly the same. | 0:09:56 | 0:09:58 | |
We all feel completely inadequate, | 0:09:58 | 0:10:01 | |
and then somebody walks in, bit like yourself... | 0:10:01 | 0:10:04 | |
Yes, I think I represent the small handful. | 0:10:05 | 0:10:08 | |
I have found, um, a way round it, and I would recommend this. | 0:10:14 | 0:10:20 | |
Now, this is a commercially available item. | 0:10:20 | 0:10:23 | |
We haven't had this made for the show or anything. | 0:10:23 | 0:10:26 | |
But you can take one of these into a dressing room... | 0:10:26 | 0:10:32 | |
..and, er, obviously by now you're getting a few stares, but... | 0:10:33 | 0:10:37 | |
So you just set this up, and then zip it down, | 0:10:40 | 0:10:44 | |
you go in with your, um, you know, your gear on... | 0:10:44 | 0:10:47 | |
Yeah. | 0:10:48 | 0:10:49 | |
And, um, you have all the privacy you need. | 0:10:49 | 0:10:52 | |
TOILET FLUSHES | 0:10:54 | 0:10:56 | |
LAUGHTER | 0:10:56 | 0:10:57 | |
But that's a genuine item that people, er... That people use. | 0:11:02 | 0:11:06 | |
-Good. -Wondering what else was going to jump out then! | 0:11:06 | 0:11:08 | |
Yeah, that would have been better, wouldn't it, | 0:11:08 | 0:11:11 | |
if a girl had come out in a sequin leotard? | 0:11:11 | 0:11:13 | |
We don't have that kind of money. | 0:11:13 | 0:11:15 | |
LAUGHTER | 0:11:15 | 0:11:16 | |
OK, we come to the end of that round. | 0:11:16 | 0:11:19 | |
You've all argued your cases very well, I must say. | 0:11:19 | 0:11:23 | |
I, myself, suffer in dressing rooms, | 0:11:23 | 0:11:27 | |
through insecurity and horror and envy, | 0:11:27 | 0:11:32 | |
but I sort of think it's my problem, | 0:11:32 | 0:11:35 | |
rather than their problem, | 0:11:35 | 0:11:38 | |
and I know it's very tough for those losers being interviewed, | 0:11:38 | 0:11:42 | |
but I do like the drama of it, | 0:11:42 | 0:11:44 | |
and also I hate the Australian cricket team, | 0:11:44 | 0:11:47 | |
so I'm going to put them into Room 101. | 0:11:47 | 0:11:49 | |
CHEERING | 0:11:49 | 0:11:50 | |
Anyway, let's have our next category. | 0:12:00 | 0:12:02 | |
So, what winds Phil up about food and drink? | 0:12:09 | 0:12:12 | |
Ah! | 0:12:16 | 0:12:18 | |
Hors d'oeuvres. Would you like an hors d'oeuvre, Terry? | 0:12:18 | 0:12:21 | |
-I'd love one, but I've been warned against them. -Yes, precisely. | 0:12:21 | 0:12:24 | |
I couldn't agree more. | 0:12:24 | 0:12:25 | |
No, hors d'oeuvres, can't sta... I don't think I've ever actually | 0:12:25 | 0:12:29 | |
enjoyed eating any single hors d'oeuvre in me life, to be fair. | 0:12:29 | 0:12:33 | |
-Really? -You're at a posh do, aren't you, | 0:12:33 | 0:12:35 | |
with your DJ on and you're sitting there having a drink, | 0:12:35 | 0:12:38 | |
and there's this little chap with sort of a roof tile, | 0:12:38 | 0:12:40 | |
full of all this little sort of stuff coming round, and he goes, | 0:12:40 | 0:12:43 | |
"Would you like an hors d'oeuvre?" You go, "No." | 0:12:43 | 0:12:45 | |
They keep coming back. "Would you like an hors d'oeuvre?" | 0:12:45 | 0:12:48 | |
"No, can you leave me alone? I'm having a chat." | 0:12:48 | 0:12:50 | |
So eventually you go, "Well, OK, what are they?" | 0:12:50 | 0:12:53 | |
and the bloke goes, "Pfft! Dunno, but I wouldn't have one". | 0:12:53 | 0:12:56 | |
You know what I mean? | 0:12:56 | 0:12:57 | |
And they look disgusting, and so you eventually go, | 0:12:57 | 0:13:00 | |
"Oh, go on, I'll try one," and it's disgusting, | 0:13:00 | 0:13:03 | |
and you spend the next five minutes sort of going... | 0:13:03 | 0:13:06 | |
..and trying to find somewhere to spit it out. I can't stand 'em. | 0:13:08 | 0:13:11 | |
All you're doing is reinforcing your image as an unsophisticated lout. | 0:13:11 | 0:13:15 | |
-Well, no... -LAUGHTER | 0:13:15 | 0:13:18 | |
I couldn't agree more. | 0:13:19 | 0:13:21 | |
I mean, what is wrong with a Twiglet? | 0:13:22 | 0:13:25 | |
That's a very good discussion point. | 0:13:27 | 0:13:29 | |
It's small food. No point of it. | 0:13:31 | 0:13:33 | |
Well, there's ways round this. | 0:13:33 | 0:13:35 | |
I mean, for a start, I wear the plate ring. | 0:13:35 | 0:13:38 | |
And then... | 0:13:42 | 0:13:43 | |
And then I can be chatting to someone in an animated fashion, | 0:13:43 | 0:13:47 | |
and I say, "Oh, there you go," | 0:13:47 | 0:13:49 | |
and I even go so far as a finger fork. | 0:13:49 | 0:13:53 | |
These are all a way round it. | 0:13:57 | 0:13:59 | |
Well, I don't like big, bloating meals any more. | 0:13:59 | 0:14:03 | |
I like little delicate... | 0:14:03 | 0:14:05 | |
And you get to taste all sorts of different things. | 0:14:05 | 0:14:08 | |
I like them to start, and then I like the big, bloating meal afterwards. | 0:14:08 | 0:14:12 | |
OK! Well, you've got the best of all possible worlds. | 0:14:12 | 0:14:17 | |
OK, then. What doesn't Victoria like about food and drink? | 0:14:17 | 0:14:20 | |
Yes, I don't like the phrase "English breakfast tea". | 0:14:25 | 0:14:29 | |
It's that... It's just tea. | 0:14:31 | 0:14:33 | |
Something's happened the last few years, | 0:14:34 | 0:14:37 | |
I think, since the encroachment of these giant coffee places | 0:14:37 | 0:14:41 | |
trying to make you drink, sort of, huge American children's drinks. | 0:14:41 | 0:14:45 | |
And they're trying to trick us into thinking that tea isn't a thing. | 0:14:47 | 0:14:51 | |
They make it sound niche, make it sound small, | 0:14:51 | 0:14:53 | |
make it sound like you're a bit pernickety for wanting it. | 0:14:53 | 0:14:55 | |
No. Cup of tea. Call it by its simple name. | 0:14:55 | 0:14:58 | |
But you could easily end up with a cup of Lapsang Souchong. | 0:14:58 | 0:15:03 | |
Well, then you're entitled to throw it in the face of the person that brought it for you and say, | 0:15:03 | 0:15:08 | |
"I want normal tea." | 0:15:08 | 0:15:09 | |
I-I don't know if you're legally entitled to do that. | 0:15:12 | 0:15:16 | |
But it's... I think, for example, | 0:15:16 | 0:15:18 | |
it's very rude not to have in your house | 0:15:18 | 0:15:20 | |
the ingredients of a normal cup of tea. | 0:15:20 | 0:15:22 | |
You have to have those things in your house. It's rude not to. | 0:15:22 | 0:15:25 | |
But people think it's OK to offer tea when they just mean | 0:15:25 | 0:15:28 | |
they've got some strange thing they can make into a hot health drink. | 0:15:28 | 0:15:32 | |
Don't want it. Just tea. | 0:15:32 | 0:15:33 | |
LAUGHTER | 0:15:33 | 0:15:35 | |
Blimey! | 0:15:37 | 0:15:38 | |
This feels to me a bit like a sort of new-age colonialism, | 0:15:39 | 0:15:44 | |
cos you're saying that all the Lapsang Souchongs and the Ceylons | 0:15:44 | 0:15:47 | |
and the Darjeelings are some sort of quirky splinter group. | 0:15:47 | 0:15:51 | |
You're a tea fascist, that's what you are. | 0:15:52 | 0:15:54 | |
This is what you should be drinking out of... | 0:15:54 | 0:15:56 | |
I mean, that is brilliant, but it's not a new colonialism. | 0:16:01 | 0:16:04 | |
It's a fight against the colonialism by the Americans. | 0:16:04 | 0:16:07 | |
-Everybody knows what I mean by those coffee chains... -Oh, yeah. | 0:16:07 | 0:16:10 | |
..that come here, take over the high streets, | 0:16:10 | 0:16:12 | |
drive the little independent places out of business, | 0:16:12 | 0:16:15 | |
don't really pay any tax - we're getting nothing in return - | 0:16:15 | 0:16:18 | |
in return for being tricked into having giant drinks that | 0:16:18 | 0:16:21 | |
make us fat and rot our teeth and turn us gradually into Americans. | 0:16:21 | 0:16:24 | |
We're not even getting a penny in tax money, and the fight-back... | 0:16:24 | 0:16:27 | |
It's true, it's not just about drinking tea. | 0:16:27 | 0:16:29 | |
It's also about remembering who we are and being proud of it, | 0:16:29 | 0:16:33 | |
not in a fascist way, | 0:16:33 | 0:16:34 | |
in a little, local, quiet, polite, knitting, | 0:16:34 | 0:16:37 | |
how-are-you-over-the-garden-fence tea kind of way. | 0:16:37 | 0:16:40 | |
APPLAUSE AND CHEERING | 0:16:40 | 0:16:42 | |
Do you ever use an infuser? | 0:16:47 | 0:16:48 | |
-No! -No? | 0:16:48 | 0:16:50 | |
I put a tea bag in a cup and I pour boiling water on it. | 0:16:50 | 0:16:53 | |
This is called the TEA.Tanic. | 0:16:53 | 0:16:55 | |
LAUGHTER | 0:16:55 | 0:16:57 | |
And look - it hangs on the side so it's in sinking mode. | 0:16:59 | 0:17:03 | |
I would like to just check here that you used a glass cup | 0:17:04 | 0:17:07 | |
so that everyone could see the TEA.Tanic there, | 0:17:07 | 0:17:09 | |
not because you think it's acceptable to have a glass cup. | 0:17:09 | 0:17:12 | |
Well, y-you are very strict, Victoria, I must say. | 0:17:12 | 0:17:15 | |
My mum always used to say her dream was to have a see-through teapot | 0:17:15 | 0:17:20 | |
so she could watch all the mechanics of the tea brewing. | 0:17:20 | 0:17:24 | |
We were simple people, I'll be honest with you. | 0:17:25 | 0:17:28 | |
She also used to say, | 0:17:28 | 0:17:29 | |
"Don't put hot tea bags in the bin or you'll set it on fire." | 0:17:29 | 0:17:33 | |
What doesn't Terry like about food and drink? | 0:17:35 | 0:17:38 | |
There won't be anything. | 0:17:41 | 0:17:42 | |
Well, I wouldn't say I don't like crisps. | 0:17:44 | 0:17:47 | |
It's packaging. Not just packaging for... | 0:17:47 | 0:17:49 | |
-You know, tin of sardines, or your favourites, the pilchard... -Ah, yes. | 0:17:49 | 0:17:54 | |
You put the finger in the ring thing, | 0:17:54 | 0:17:58 | |
dislocate your finger, | 0:17:58 | 0:18:01 | |
break your toenail, | 0:18:01 | 0:18:03 | |
damn thing comes away, | 0:18:03 | 0:18:04 | |
and you've got to get a tin opener anyway. | 0:18:04 | 0:18:07 | |
And it's all for a sardine. | 0:18:07 | 0:18:09 | |
-Mm. -But if you take it even further, | 0:18:09 | 0:18:11 | |
I mean, when you get to my distinguished age... | 0:18:11 | 0:18:14 | |
FRANK TITTERS | 0:18:14 | 0:18:15 | |
..it becomes very difficult to open things. | 0:18:15 | 0:18:18 | |
-AUDIENCE: -Aww! | 0:18:18 | 0:18:19 | |
Has anybody tried to break into a toothbrush lately? | 0:18:20 | 0:18:23 | |
LAUGHTER | 0:18:23 | 0:18:25 | |
You're in the bathroom, you think, | 0:18:29 | 0:18:31 | |
"Ah, I will restore my dentures to their pristine glory. | 0:18:31 | 0:18:35 | |
"I have a new toothbrush here." | 0:18:35 | 0:18:37 | |
Apparently, Terry, I'm told that the way to get into a toothbrush | 0:18:40 | 0:18:45 | |
is with a tin opener, | 0:18:45 | 0:18:47 | |
that a tin opener runs down the natural groove round the side | 0:18:47 | 0:18:50 | |
and then it comes out quite neatly. | 0:18:50 | 0:18:52 | |
-So, um... -You turned out to be a bit of a smart aleck, didn't you? | 0:18:52 | 0:18:55 | |
-Yeah. I haven't tried it yet. I've got a tin opener. -Oh. | 0:18:55 | 0:18:58 | |
A pretty sophisticated tin opener. | 0:18:58 | 0:19:01 | |
If I can get the packaging off! | 0:19:01 | 0:19:02 | |
I have scissors. | 0:19:07 | 0:19:09 | |
HE GROANS | 0:19:10 | 0:19:12 | |
Anyway, apparently that works. | 0:19:13 | 0:19:15 | |
You know those kind of bottles that you think, | 0:19:16 | 0:19:19 | |
"Oh, I'll just screw the top off it," but you can't. | 0:19:19 | 0:19:22 | |
You've got to press it down before you turn it round, | 0:19:22 | 0:19:26 | |
-and it still doesn't come off. -Right. | 0:19:26 | 0:19:28 | |
There you are, without your vinegar for your chips... | 0:19:28 | 0:19:31 | |
FRANK CHUCKLES | 0:19:31 | 0:19:33 | |
-And I goes on for ever. -It's difficult. | 0:19:33 | 0:19:35 | |
It's made me realise why old people get up so early, | 0:19:35 | 0:19:38 | |
cos they need about... | 0:19:38 | 0:19:40 | |
I like them to be a bit difficult, | 0:19:44 | 0:19:47 | |
cos is there any greater joy | 0:19:47 | 0:19:49 | |
than when your girlfriend passes you a bottle or a jar and says, | 0:19:49 | 0:19:54 | |
"Can you open this?" and you go... | 0:19:54 | 0:19:56 | |
And inside, obviously, you're really straining, | 0:19:56 | 0:19:59 | |
and you just pass it back casually like that, | 0:19:59 | 0:20:01 | |
but, really, your spirit is going, "Yes!" | 0:20:01 | 0:20:03 | |
I tend to hand the thing to me wife! | 0:20:04 | 0:20:06 | |
So, um, we come to the end of that round. | 0:20:08 | 0:20:11 | |
My goodness me, it's a good one, I tell you. | 0:20:11 | 0:20:13 | |
I like hors d'oeuvres, | 0:20:13 | 0:20:15 | |
and your argument is that you don't handle them very well, | 0:20:15 | 0:20:18 | |
but to remove them for everyone - I don't think that seems fair. | 0:20:18 | 0:20:23 | |
The trouble is you just can't hold onto anything, Phil. Simple as that. | 0:20:23 | 0:20:27 | |
I'm on my fourth wife. | 0:20:33 | 0:20:35 | |
-So you're not wrong. -That's er... | 0:20:40 | 0:20:42 | |
And, Victoria, I know what you mean, but I do think | 0:20:44 | 0:20:47 | |
we have to accept there are many teas. They're not all weirdo teas. | 0:20:47 | 0:20:51 | |
They are proper tea leaves, and we need to distinguish them. | 0:20:51 | 0:20:54 | |
But I have to admit that as I get older, | 0:20:54 | 0:20:57 | |
life is becoming a war against packaging on food | 0:20:57 | 0:21:00 | |
and so many things, so I am going to put food packaging into Room 101. | 0:21:00 | 0:21:05 | |
Anyway, let's have our next category. | 0:21:16 | 0:21:18 | |
Ah, language. Fabulous! So, what winds up Victoria about language? | 0:21:23 | 0:21:29 | |
Well, I decided to go with the verb "to party". | 0:21:35 | 0:21:40 | |
As in, "Do you want to party? Do you like to party? | 0:21:40 | 0:21:42 | |
"I'm going to go and party. I partied last night." | 0:21:42 | 0:21:44 | |
As if the person speaking is so dedicated to the pursuit of fun | 0:21:44 | 0:21:48 | |
they don't even have time | 0:21:48 | 0:21:50 | |
to use a verb AND a noun in the same sentence. | 0:21:50 | 0:21:52 | |
Can I just say... Verb - a "doing" word. | 0:21:54 | 0:21:56 | |
APPLAUSE | 0:21:59 | 0:22:02 | |
If you're a little bit shy of going to a party | 0:22:04 | 0:22:07 | |
and nervous of meeting new people, | 0:22:07 | 0:22:10 | |
the type of person who's going "to party", | 0:22:10 | 0:22:13 | |
rather than go to a party, just feels terrifyingly upbeat. | 0:22:13 | 0:22:19 | |
You just picture the conga, | 0:22:19 | 0:22:22 | |
bowls of drugs and car keys in a bowl. | 0:22:22 | 0:22:25 | |
I mean, it's... It's just... | 0:22:25 | 0:22:28 | |
LAUGHTER AND APPLAUSE | 0:22:29 | 0:22:31 | |
You need to get out more, love! | 0:22:34 | 0:22:37 | |
Oh, God. Careful - you could be wife number five! | 0:22:39 | 0:22:42 | |
I know what you mean - there is something about someone saying, | 0:22:44 | 0:22:47 | |
"Let's party," which doesn't... | 0:22:47 | 0:22:49 | |
I mean, no-one's ever said, "Let's dinner party," have they? It... | 0:22:49 | 0:22:53 | |
It does suggest a degree of wildness. | 0:22:53 | 0:22:57 | |
You take this young fellow here. | 0:22:57 | 0:22:59 | |
He's an Australian teenager who had a party so raucous | 0:22:59 | 0:23:02 | |
that he actually got interviewed on the news, things got so out of hand. | 0:23:02 | 0:23:07 | |
Thanks for joining us. | 0:23:07 | 0:23:09 | |
The only question that I can think to ask is, what were you thinking? | 0:23:09 | 0:23:13 | |
Er... I wasn't, really. | 0:23:15 | 0:23:16 | |
Why don't you take this opportunity now to apologise to your parents | 0:23:16 | 0:23:20 | |
and to your neighbours, | 0:23:20 | 0:23:21 | |
who have said today that they were frightened? | 0:23:21 | 0:23:23 | |
I will say sorry now for everything that happened. | 0:23:23 | 0:23:26 | |
Why don't you take your glasses off, so we can see you, | 0:23:26 | 0:23:29 | |
and then apologise to your neighbours for frightening them? | 0:23:29 | 0:23:32 | |
Hmm... Nah, nah, I'll leave these on. No, I like them. | 0:23:32 | 0:23:35 | |
What would you say to other kids who were thinking of partying | 0:23:35 | 0:23:38 | |
when their parents are out of town? | 0:23:38 | 0:23:41 | |
Get me to do it for you. | 0:23:41 | 0:23:42 | |
Well, we've got to go but I suggest you go away | 0:23:42 | 0:23:45 | |
and take a good, long, hard look at yourself. | 0:23:45 | 0:23:47 | |
I have. Everyone has. They love it. | 0:23:48 | 0:23:50 | |
-He's fantastic! -Is she, sort of, telling him off on television? | 0:23:53 | 0:23:57 | |
I have to say, I'm totally with the teenager on that one. | 0:23:57 | 0:24:01 | |
-It's youth that you're trying to put into Room 101. -It's not. | 0:24:01 | 0:24:04 | |
No, it isn't! No, it isn't, and I won't have that said about youth | 0:24:04 | 0:24:07 | |
because a VAST proportion of the nation's youth, | 0:24:07 | 0:24:10 | |
I am delighted to say, | 0:24:10 | 0:24:13 | |
are still spending their weekends | 0:24:13 | 0:24:15 | |
maybe doing brass rubbings of old coins, | 0:24:15 | 0:24:18 | |
reading books about the Anglo-Saxons... But they ARE. | 0:24:18 | 0:24:21 | |
There are still young people that have metal detectors and like going to libraries. | 0:24:21 | 0:24:24 | |
Do you think they say, "Hey, let's library"? | 0:24:24 | 0:24:27 | |
OK, what doesn't Terry like about language? | 0:24:30 | 0:24:33 | |
Well, you don't need to be an expert to know it's language on TV. | 0:24:38 | 0:24:43 | |
For instance, "It's a big ask." | 0:24:43 | 0:24:45 | |
Why not just say... | 0:24:47 | 0:24:49 | |
"It's going to be very difficult for him | 0:24:49 | 0:24:52 | |
"to score a goal under these circumstances"? | 0:24:52 | 0:24:54 | |
And the other thing... "You nailed it!" | 0:24:56 | 0:24:59 | |
What?! | 0:24:59 | 0:25:01 | |
Again... | 0:25:03 | 0:25:04 | |
"I thought you did splendidly there." | 0:25:04 | 0:25:07 | |
And then there's..."a journey". | 0:25:07 | 0:25:12 | |
-We've all been on one. -Everybody's been... | 0:25:12 | 0:25:15 | |
In the reality show, "I've been on a journey." We ALL go on a journey! | 0:25:15 | 0:25:20 | |
It only has one finish, our journey. | 0:25:22 | 0:25:25 | |
What is genuinely frightening, actually, | 0:25:25 | 0:25:27 | |
about shows like that is that... | 0:25:27 | 0:25:29 | |
You're talking about cliches. You don't want to hear these cliches. | 0:25:29 | 0:25:32 | |
But those shows have been running long enough that on them you now see | 0:25:32 | 0:25:35 | |
a generation of people who learned how to speak FROM those shows. | 0:25:35 | 0:25:39 | |
Television can have a very pernicious effect. I mean... | 0:25:39 | 0:25:44 | |
look at this programme. | 0:25:44 | 0:25:46 | |
Undermining the moral fibre of the country. | 0:25:46 | 0:25:48 | |
-Well... -Come on, now. | 0:25:48 | 0:25:52 | |
Don't I represent positivity? | 0:25:52 | 0:25:54 | |
-Not so far this evening. -OK. | 0:25:54 | 0:25:56 | |
I think that you're the first person I ever heard | 0:25:57 | 0:26:01 | |
use the word "ginormous". | 0:26:01 | 0:26:03 | |
Which is a terrible word. | 0:26:03 | 0:26:05 | |
-So what about YOUR pernicious influence? -It's an evocative word... | 0:26:05 | 0:26:08 | |
No, there's no need for it. We've got "gigantic". | 0:26:08 | 0:26:11 | |
-.."enormous" and "gigantic". -Why need to put them together? | 0:26:11 | 0:26:15 | |
It's like Jedward. | 0:26:15 | 0:26:16 | |
"Ginormous" is one of my pet-hate words. | 0:26:19 | 0:26:21 | |
He's eaten alive with jealousy cos he didn't think of it. | 0:26:21 | 0:26:24 | |
Just as a little, sort of, flavour of, er...new language, | 0:26:26 | 0:26:31 | |
we have a clip - it's sort of a compilation - from Made In Chelsea. | 0:26:31 | 0:26:35 | |
Just listen out for the new and wondrous words in this. | 0:26:35 | 0:26:39 | |
OMG, this is never going to work. | 0:26:39 | 0:26:41 | |
It was obvs a success. | 0:26:41 | 0:26:43 | |
Everything you do is just successful, you know... | 0:26:43 | 0:26:47 | |
-She's in love with you, totes. -Yeah, blates, blates. | 0:26:47 | 0:26:50 | |
That's genuinely nearly reduced me to tears! | 0:26:53 | 0:26:56 | |
It WAS very moving. | 0:26:56 | 0:26:57 | |
I've never seen that programme. | 0:26:57 | 0:26:59 | |
They're AWFUL! | 0:26:59 | 0:27:02 | |
APPLAUSE | 0:27:02 | 0:27:04 | |
What is Phil's language gripe? | 0:27:10 | 0:27:13 | |
Right... | 0:27:13 | 0:27:15 | |
-Well, this is... This is... -AUDIENCE MURMUR | 0:27:18 | 0:27:21 | |
-Oooh! -They've got it. They've got it! | 0:27:21 | 0:27:25 | |
People who raise their last couple of words of the SENTENCE? | 0:27:25 | 0:27:30 | |
When you're talking to THEM? | 0:27:30 | 0:27:32 | |
Just sort of, like, gets on my nerves, cos you don't quite know... | 0:27:32 | 0:27:36 | |
You know, you're having a conversation with them and | 0:27:36 | 0:27:39 | |
you're not quite sure whether you've got to then speak | 0:27:39 | 0:27:42 | |
or have they asked you a question? | 0:27:42 | 0:27:44 | |
Or was it a fact? You know, or something like that. | 0:27:44 | 0:27:47 | |
And also, I think people who do that just raise it | 0:27:47 | 0:27:50 | |
at the end of a sentence, I think, sort of... | 0:27:50 | 0:27:52 | |
are almost tried to coax you into agreeing with them. Can't stand it. | 0:27:52 | 0:27:55 | |
-But they're Australians. -That might have something to do with it! | 0:27:55 | 0:28:00 | |
There is a little, sort of, thing that comes across here, perhaps. | 0:28:00 | 0:28:04 | |
-Yeah. -It's your anti-Australian bias. | 0:28:04 | 0:28:06 | |
It is a little bit. "Hello, Tuffers, lovely day for CRICKET?" | 0:28:06 | 0:28:09 | |
You know, "Oh, shut up!" you know what I mean? | 0:28:09 | 0:28:13 | |
You know, everything is just a little bit too overenthusiastic. | 0:28:13 | 0:28:17 | |
You see, I like it, cos it's like the sentence ends | 0:28:17 | 0:28:20 | |
on a sort of a high, doesn't it? | 0:28:20 | 0:28:22 | |
It can make bad stuff sound good, you know. | 0:28:22 | 0:28:24 | |
"I don't love you any MORE?" | 0:28:24 | 0:28:26 | |
It's sort of, "Oh, that's all right, don't worry about it!" I like that. | 0:28:28 | 0:28:32 | |
It's like Richard Wagner's operas - | 0:28:32 | 0:28:35 | |
rather than completing a movement, | 0:28:35 | 0:28:37 | |
they often leave you slightly hanging there. | 0:28:37 | 0:28:40 | |
You wait for it to finish and it doesn't quite finish. | 0:28:40 | 0:28:42 | |
It's good to have suspense in life. Life isn't about easy endings. | 0:28:42 | 0:28:47 | |
It's cleverer than that, it's more complicated. | 0:28:47 | 0:28:49 | |
I'll say this for you - | 0:28:49 | 0:28:51 | |
-you are a man with a really unusual frame of reference. -Thank you. | 0:28:51 | 0:28:54 | |
Right, I... I like variety in language of all types. | 0:28:56 | 0:29:02 | |
And I do think there's something slightly... | 0:29:02 | 0:29:04 | |
It's a bit like dancing girls coming on at the end of a show, | 0:29:04 | 0:29:07 | |
that "da-da-da-da". And, er... | 0:29:07 | 0:29:10 | |
I am very close to putting Terry in because I know it is annoying, | 0:29:11 | 0:29:15 | |
that stuff. But I don't think it's all... It's not ALL TV. | 0:29:15 | 0:29:18 | |
It's not even all reality. | 0:29:18 | 0:29:19 | |
I don't think they ever used the phrase "nail it" on the search to find Jesus Christ Superstar. | 0:29:19 | 0:29:24 | |
Pfft! | 0:29:24 | 0:29:25 | |
But I do... | 0:29:29 | 0:29:30 | |
You have won me over to the fact that people who use the word | 0:29:30 | 0:29:34 | |
"party" as a verb have sort of taken over parties | 0:29:34 | 0:29:38 | |
and they've made them loud and boisterous. | 0:29:38 | 0:29:40 | |
And what about the people who actually just want to have | 0:29:40 | 0:29:43 | |
a social gathering and share their thoughts and interests? | 0:29:43 | 0:29:45 | |
I am going to put... | 0:29:45 | 0:29:47 | |
-the verb "to party" into Room 101. -Well played! | 0:29:47 | 0:29:50 | |
Next category, please. | 0:30:00 | 0:30:01 | |
Ah, this is the wildcard round, so the gloves are off. | 0:30:06 | 0:30:09 | |
No categories to worry about. | 0:30:09 | 0:30:10 | |
You can just choose anything at all you don't like. | 0:30:10 | 0:30:14 | |
So, what is Victoria's wildcard? | 0:30:14 | 0:30:16 | |
I don't like windows that don't open, | 0:30:22 | 0:30:25 | |
or worse, that open slightly but not properly. | 0:30:25 | 0:30:28 | |
And people will know this if they travel for work, | 0:30:28 | 0:30:31 | |
because it's a particular kind of British hotel | 0:30:31 | 0:30:34 | |
that you'd never go and stay in for a holiday, but you're there, | 0:30:34 | 0:30:38 | |
and they've got a window, and it opens a little bit like that, | 0:30:38 | 0:30:41 | |
but not more, and if you ask them to open it some more, | 0:30:41 | 0:30:43 | |
they won't do it for your own safety. | 0:30:43 | 0:30:46 | |
If they're under the impression that everyone who wants to kill themselves would think, | 0:30:46 | 0:30:50 | |
"I'm so unhappy, I want to end it. Oh, the window doesn't open. | 0:30:50 | 0:30:53 | |
"I think I'll just devote my life to charitable works instead," | 0:30:53 | 0:30:57 | |
then that's fine, if that's the reason. | 0:30:57 | 0:30:59 | |
I've stayed in that hotel, though, those hotels, | 0:30:59 | 0:31:02 | |
and after a couple of nights, | 0:31:02 | 0:31:04 | |
I fancied throwing meself out the window. | 0:31:04 | 0:31:06 | |
I know the one you mean. | 0:31:06 | 0:31:08 | |
You can still get stuff out of those slightly... | 0:31:08 | 0:31:11 | |
I mean, luckily for rock stars, | 0:31:11 | 0:31:13 | |
this has happened, along with the rise of the flat-screen TV. | 0:31:13 | 0:31:17 | |
I, um, I know a little tune about windows. | 0:31:21 | 0:31:25 | |
Ah! | 0:31:25 | 0:31:27 | |
You ready? | 0:31:27 | 0:31:29 | |
MICROSOFT WINDOWS OPENING TUNE | 0:31:29 | 0:31:32 | |
There is a serious point. I really mean this quite seriously. | 0:31:37 | 0:31:40 | |
It seems like a trivial thing, that the window doesn't open, | 0:31:40 | 0:31:44 | |
but it's part of a huge problem which is becoming OK to tell people | 0:31:44 | 0:31:47 | |
that something restrictive is for their own safety, | 0:31:47 | 0:31:50 | |
and the things to worry about being told it's for your own safety | 0:31:50 | 0:31:53 | |
are massive queues at airports, ID cards, | 0:31:53 | 0:31:56 | |
body scanners at the railway station, police carrying guns. | 0:31:56 | 0:32:00 | |
You're told it's for your own safety, but somehow, | 0:32:00 | 0:32:02 | |
whenever you hear those words, it's yourself being restricted | 0:32:02 | 0:32:06 | |
and somebody else taking control. And when I hear it, | 0:32:06 | 0:32:08 | |
I just want to smash my way through the window with a hammer. | 0:32:08 | 0:32:11 | |
LAUGHTER | 0:32:11 | 0:32:13 | |
It's a very fine line, all this, though, this thing about, | 0:32:51 | 0:32:54 | |
you know, we've got to have our rights and that. | 0:32:54 | 0:32:56 | |
Some people are not as bright as you | 0:32:56 | 0:32:58 | |
and they need protecting from their own foolishness. | 0:32:58 | 0:33:01 | |
You think there are people | 0:33:01 | 0:33:03 | |
that are so stupid that you have to not allow them to open the window, | 0:33:03 | 0:33:06 | |
in case they don't know how to stay on the right side of it? | 0:33:06 | 0:33:09 | |
LAUGHTER | 0:33:09 | 0:33:11 | |
I could argue that perhaps I'm being a bit more broadminded than you, | 0:33:11 | 0:33:14 | |
whereas your mind can only open this far. | 0:33:14 | 0:33:16 | |
So, what is Terry's wildcard? | 0:33:18 | 0:33:21 | |
"Research shows..." | 0:33:27 | 0:33:30 | |
"Research shows..." | 0:33:30 | 0:33:31 | |
I think it's best illustrated by coffee. | 0:33:31 | 0:33:35 | |
I have a small, er... | 0:33:35 | 0:33:37 | |
This may take some time. | 0:33:37 | 0:33:39 | |
LAUGHTER | 0:33:39 | 0:33:40 | |
"According to a Greek study, one cup of coffee a day | 0:33:40 | 0:33:43 | |
"could reduce your blood pressure. | 0:33:43 | 0:33:45 | |
"British research says it could keep you awake all night, | 0:33:45 | 0:33:48 | |
"which, according to Japanese research, is bad for your heart. | 0:33:48 | 0:33:52 | |
"Two cups a day, says the University of Florida, | 0:33:52 | 0:33:54 | |
"could keep Alzheimer's at bay, | 0:33:54 | 0:33:56 | |
"but according to a French researcher, | 0:33:56 | 0:33:58 | |
"could be dangerous if you're pregnant. | 0:33:58 | 0:34:00 | |
"A US study has found that three cups a day | 0:34:00 | 0:34:02 | |
"can lower the risk of gallstones, | 0:34:02 | 0:34:04 | |
"while another from Sweden reports that three cups | 0:34:04 | 0:34:07 | |
"may make a woman's breasts shrink. | 0:34:07 | 0:34:08 | |
"Meanwhile, down in Japan, | 0:34:10 | 0:34:12 | |
"researchers have found five coffees a day | 0:34:12 | 0:34:14 | |
"will reduce the risk of liver damage. | 0:34:14 | 0:34:16 | |
"On the other hand, it may lead to osteoporosis." | 0:34:16 | 0:34:19 | |
I think a cup of tea is the wisest thing. | 0:34:21 | 0:34:23 | |
Course, you needn't worry about any of these foods | 0:34:27 | 0:34:30 | |
cos you can't get through the packaging. | 0:34:30 | 0:34:32 | |
Exactly. And, of course, | 0:34:33 | 0:34:35 | |
I have my racing snake figure to think about as well. | 0:34:35 | 0:34:38 | |
But it is confusing. There used to be things that were good for you | 0:34:38 | 0:34:41 | |
and things that were bad for you, and that was it. | 0:34:41 | 0:34:44 | |
Do you remember this advert from my youth? | 0:34:44 | 0:34:46 | |
CROWD CHEERS | 0:34:46 | 0:34:48 | |
May I have your autograph, please, Mr Best? I've seen you on telly. | 0:34:49 | 0:34:52 | |
-And I've seen you on telly. You're Aunt Bet's nephew, aren't you? -Yeah. | 0:34:52 | 0:34:55 | |
Remember that last match in Spain? | 0:34:55 | 0:34:57 | |
-Cor! -Terrible game. Didn't have an egg for breakfast. | 0:34:57 | 0:35:00 | |
Well, there you are. | 0:35:00 | 0:35:01 | |
PHIL SPLUTTERS | 0:35:01 | 0:35:02 | |
Didn't have an egg for breakfast, | 0:35:02 | 0:35:04 | |
but I did have two bottles of vodka and a threesome. | 0:35:04 | 0:35:07 | |
But eggs were definitely good for you then, no doubt. | 0:35:10 | 0:35:12 | |
Milk was definitely good for you. | 0:35:12 | 0:35:14 | |
It was straightforward, but it has changed horribly. | 0:35:14 | 0:35:17 | |
I was always told that you can survive just on Guinness. | 0:35:17 | 0:35:21 | |
It's meant to be very good for you, Tel. | 0:35:24 | 0:35:26 | |
You should know about the Guinness. Like a drop of Guinness? | 0:35:26 | 0:35:29 | |
-As soon as I could afford to drink something else... -You did. | 0:35:29 | 0:35:33 | |
OK, what is Phil's wildcard? | 0:35:38 | 0:35:41 | |
Yes! | 0:35:41 | 0:35:42 | |
Tips. | 0:35:45 | 0:35:47 | |
To tip, or not to tip? | 0:35:47 | 0:35:49 | |
That is the question. | 0:35:49 | 0:35:51 | |
Because I don't go to work... Or when I used to play cricket, | 0:35:51 | 0:35:54 | |
get a few wickets or something, and someone at the end of the day go, | 0:35:54 | 0:35:57 | |
"Listen, you did really well today, Phil. | 0:35:57 | 0:36:00 | |
"Here's a couple of quid. Go and have a drink." | 0:36:00 | 0:36:02 | |
You know what I mean? No-one used to tip me. | 0:36:02 | 0:36:04 | |
Whereas cricketers in Pakistan - it happens all the time. | 0:36:04 | 0:36:08 | |
I was in America the other day, and I went into a brasserie. | 0:36:11 | 0:36:14 | |
I sat down, I had a cup of coffee and a ham sandwich, | 0:36:14 | 0:36:17 | |
the bill's come up, it said 10, so I got 10 out. | 0:36:17 | 0:36:22 | |
I was in there for, you know, five minutes. | 0:36:22 | 0:36:24 | |
Put the 10 down, I walked out of the brasserie, | 0:36:24 | 0:36:27 | |
the bloke chased me down the road with his mate, frogmarched me, | 0:36:27 | 0:36:32 | |
virtually, back to the place and said, "You haven't paid our tip." | 0:36:32 | 0:36:35 | |
Can I say I believe that, cos I've seen Phil play cricket, | 0:36:35 | 0:36:39 | |
and a man who worked in a brasserie would catch him easily. | 0:36:39 | 0:36:42 | |
Do you tip when it's already on the bill, and... | 0:36:43 | 0:36:47 | |
No. | 0:36:47 | 0:36:48 | |
I don't think it should be shared out amongst all the waiters either. | 0:36:48 | 0:36:52 | |
If I want to tip a good waiter, I want them to get... | 0:36:52 | 0:36:54 | |
-Mm. -I don't want people who are perhaps rubbish | 0:36:54 | 0:36:56 | |
getting the same tip as them. | 0:36:56 | 0:36:58 | |
It's like when... You know at the end of a Take That gig | 0:36:58 | 0:37:00 | |
and they come out and they all get the same applause. | 0:37:00 | 0:37:03 | |
It seems wrong. | 0:37:03 | 0:37:04 | |
Here's an example of a tip. | 0:37:06 | 0:37:08 | |
Damien Hirst, you know, the artist, | 0:37:08 | 0:37:10 | |
he got out of a cab and he gave the man this as a tip. | 0:37:10 | 0:37:14 | |
Signed. It says, "A great drive." | 0:37:15 | 0:37:17 | |
As well as the fare, he gave him that, | 0:37:17 | 0:37:20 | |
and the bloke put it up for auction, and it went for 4,500 quid! | 0:37:20 | 0:37:25 | |
-That's great. -What about that for a tip? -That's terrific. | 0:37:25 | 0:37:28 | |
So what I've started doing now is I give them... I say, "That's £7.80. | 0:37:28 | 0:37:33 | |
"A bloke went into a doctor's..." | 0:37:33 | 0:37:34 | |
OK, we come to the end of the wildcard round. | 0:37:37 | 0:37:41 | |
I think that we probably need windows to not open all the way, | 0:37:41 | 0:37:45 | |
because not everyone is as smart as you are, Victoria, | 0:37:45 | 0:37:49 | |
and we have to protect fools. | 0:37:49 | 0:37:51 | |
Those health fad things - they are annoying | 0:37:51 | 0:37:54 | |
but I suppose it's because people are, at long last, | 0:37:54 | 0:37:58 | |
trying to get fitter and healthier | 0:37:58 | 0:38:00 | |
and thinking about what they eat and stuff like that. | 0:38:00 | 0:38:03 | |
So, although you were both excellent, I thought... | 0:38:03 | 0:38:06 | |
I thought you made a very good point about tipping. | 0:38:06 | 0:38:09 | |
It's a horrible story, Phil, about being chased, | 0:38:09 | 0:38:12 | |
so I am going to put tipping into Room 101. | 0:38:12 | 0:38:14 | |
And that brings us to the end of the show. | 0:38:26 | 0:38:30 | |
Well done, Phil, you were the most persuasive guest, | 0:38:30 | 0:38:32 | |
-so you are this week's winner. -Thank you. | 0:38:32 | 0:38:35 | |
CHEERING AND APPLAUSE | 0:38:35 | 0:38:37 | |
So, thanks very much, Victoria Coren, Phil Tufnell | 0:38:37 | 0:38:40 | |
and Sir Terry Wogan, and thank you. Good night. | 0:38:40 | 0:38:43 | |
Subtitles by Red Bee Media Ltd | 0:39:05 | 0:39:08 |