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CHEERING AND APPLAUSE | 0:00:26 | 0:00:29 | |
Hello, I'm Frank Skinner and welcome to Room 101, | 0:00:33 | 0:00:37 | |
the show in which three guests battle to get the things they hate into the dreaded room. | 0:00:37 | 0:00:42 | |
Joining me are The One Show's Alex Jones, broadcaster Clive Anderson and comedian Jack Whitehall! | 0:00:42 | 0:00:47 | |
CHEERING | 0:00:47 | 0:00:49 | |
OK, so let's see our first category. | 0:00:54 | 0:00:56 | |
Ah, the great outdoors. So what does Alex hate about the great outdoors? | 0:01:01 | 0:01:07 | |
-Oh, hold on! -That's me. | 0:01:10 | 0:01:12 | |
No, I have to help this a little. | 0:01:12 | 0:01:14 | |
SHE LAUGHS Here we go. | 0:01:14 | 0:01:18 | |
Oh! | 0:01:18 | 0:01:20 | |
LAUGHTER AND GROANS | 0:01:21 | 0:01:24 | |
Yeah. It is. | 0:01:28 | 0:01:30 | |
It is seagulls and, to be honest, that has happened way too many times. | 0:01:30 | 0:01:35 | |
When has it happened to you? | 0:01:35 | 0:01:37 | |
The most recent time, I was in the House of Lords. | 0:01:37 | 0:01:40 | |
-Yes. -I was out on the balcony. | 0:01:40 | 0:01:42 | |
And it was a dinner. | 0:01:42 | 0:01:44 | |
It was the first time that Christine Bleakley and I would be sitting next to each other. | 0:01:44 | 0:01:49 | |
-Oh, tense! -So I thought, "Make an impression." | 0:01:49 | 0:01:53 | |
-Yes. -So I go out, have a little orange juice on the balcony, calm myself. | 0:01:53 | 0:01:58 | |
Next thing, one of these... MIMICS AIRCRAFT ENGINE | 0:01:58 | 0:02:02 | |
It deposited this lumpy stuff right down my arm, down a cream coat. | 0:02:02 | 0:02:07 | |
-Did you see the bird? -I did see the bird. It was a massive one. | 0:02:07 | 0:02:11 | |
I think it might have been Adrian Chiles. | 0:02:11 | 0:02:13 | |
LAUGHTER | 0:02:13 | 0:02:16 | |
Well, we've got a special guest. | 0:02:16 | 0:02:17 | |
-No, we haven't. -They're scavengers. | 0:02:20 | 0:02:23 | |
They're a menace on society, | 0:02:23 | 0:02:25 | |
they will eat your food and then poo on you! | 0:02:25 | 0:02:28 | |
They are on the edges of society, I'll give you that. They're outlaws. | 0:02:29 | 0:02:32 | |
We have video evidence of this, of criminal activity. | 0:02:32 | 0:02:37 | |
Look at this character, right? | 0:02:37 | 0:02:40 | |
Outside a mini-market... | 0:02:40 | 0:02:42 | |
In he goes, straight, straight to the orange Doritos! | 0:02:44 | 0:02:48 | |
APPLAUSE | 0:02:52 | 0:02:55 | |
Oh, look, and there's his mate going in for dips! | 0:02:56 | 0:02:59 | |
The thing is, we've all stolen snacks from a mini-market, but you don't eat it right outside the shop! | 0:02:59 | 0:03:05 | |
LAUGHTER | 0:03:05 | 0:03:08 | |
-They get really big as well, you know. -Huge. | 0:03:08 | 0:03:11 | |
-Enormous. -In 2002, a seagull did actually manage to kill somebody. | 0:03:11 | 0:03:16 | |
LAUGHTER | 0:03:18 | 0:03:20 | |
Are you not thinking of Steven Seagal? | 0:03:20 | 0:03:22 | |
-No! -They do grow. They grow enormous. Look at this. | 0:03:25 | 0:03:29 | |
'Tom Steinfort, 9 News.' | 0:03:29 | 0:03:31 | |
Police say they hope someone burdened with information will help solve a 27-year-old gangland murder... | 0:03:31 | 0:03:37 | |
-You see, they're endless fun. -Well, no. | 0:03:40 | 0:03:42 | |
I'd like to stick up for seagulls. | 0:03:42 | 0:03:44 | |
These animals that nick our food, they're finding stuff that's there. | 0:03:44 | 0:03:50 | |
Foxes do it, pigeons do it, seagulls do it. | 0:03:50 | 0:03:52 | |
But they're brilliant at it. I sat on the beach at Brighton eating fish and chips. | 0:03:52 | 0:03:58 | |
I just chucked chips into the air | 0:03:58 | 0:04:01 | |
and they just plucked it out of the air like that. | 0:04:01 | 0:04:03 | |
That is... Could you do that? | 0:04:03 | 0:04:05 | |
-No. -Let's try. | 0:04:05 | 0:04:08 | |
-OK. -Could you catch this in your mouth? | 0:04:08 | 0:04:11 | |
I think she'll do it. She's got the teeth for it. | 0:04:11 | 0:04:14 | |
LAUGHTER | 0:04:14 | 0:04:16 | |
Get ready, Alex. Don't laugh. | 0:04:16 | 0:04:18 | |
-Oh! -It hit me right there. | 0:04:18 | 0:04:21 | |
Come on, I've seen Fern Britton do this with a Black Forest gateau. | 0:04:21 | 0:04:26 | |
Last one. | 0:04:26 | 0:04:28 | |
Oh! | 0:04:28 | 0:04:30 | |
Let's see what Jack Whitehall doesn't like about the great outdoors. | 0:04:31 | 0:04:35 | |
Glamping. | 0:04:40 | 0:04:42 | |
-Glamorous camping. -Yes. | 0:04:42 | 0:04:45 | |
Because it's not a real camping experience. | 0:04:45 | 0:04:48 | |
You go and stay in some luxury yurt | 0:04:48 | 0:04:51 | |
and you have a lovely time and there's a bed and a stove. | 0:04:51 | 0:04:54 | |
That's not how I remember camping. | 0:04:54 | 0:04:56 | |
Camping should be a real experience - | 0:04:56 | 0:04:59 | |
five members of the family in a horrible little tent, | 0:04:59 | 0:05:03 | |
fighting over the last wet wipe. | 0:05:03 | 0:05:05 | |
You shouldn't wake up after a camping experience in a bed. | 0:05:06 | 0:05:10 | |
You should wake up with grass stains on your knees | 0:05:10 | 0:05:12 | |
and a sense that you can never look your best friend in the eye again. | 0:05:12 | 0:05:16 | |
-Yes. -That's camping. | 0:05:16 | 0:05:18 | |
-It's a life experience. -I agree with you. | 0:05:18 | 0:05:21 | |
There's nothing more exciting than the sound of a zip going up and down in a dark field. | 0:05:21 | 0:05:26 | |
LAUGHTER | 0:05:26 | 0:05:29 | |
I can show you some examples. | 0:05:29 | 0:05:31 | |
Would you like to see the bubble tent, for example? | 0:05:31 | 0:05:34 | |
-Look at that. -Ooh! | 0:05:34 | 0:05:36 | |
It's sort of a dogging palace. | 0:05:36 | 0:05:38 | |
And if you shake it, does a snowstorm happen? | 0:05:40 | 0:05:43 | |
-Don't you think that's beautiful? -I think it would get really warm. | 0:05:43 | 0:05:48 | |
It's a bit like sleeping in a conservatory though, isn't it? | 0:05:48 | 0:05:51 | |
-Yes, but it's so difficult to travel with a conservatory. -True, true. | 0:05:51 | 0:05:56 | |
I would say, though, Jack... | 0:05:56 | 0:05:58 | |
Would it not be fair to say that this trend is represented | 0:05:58 | 0:06:03 | |
by your good self to some extent? | 0:06:03 | 0:06:05 | |
You're a young, successful, well-educated man, | 0:06:05 | 0:06:09 | |
but you're here tonight in your T-shirt, your hair a bit raggedy. | 0:06:09 | 0:06:13 | |
You're a sort of... You're a glamp. | 0:06:13 | 0:06:17 | |
LAUGHTER | 0:06:17 | 0:06:20 | |
-Whoa! -That's why I need camping | 0:06:20 | 0:06:23 | |
because otherwise, when else am I going to poo in a hole in the ground? | 0:06:23 | 0:06:27 | |
So what doesn't Clive like about the great outdoors? | 0:06:29 | 0:06:32 | |
What is that?! | 0:06:36 | 0:06:39 | |
Well... Well, my... | 0:06:39 | 0:06:41 | |
My selection was deer. | 0:06:41 | 0:06:44 | |
But I was expecting you to produce a little model Bambi and everyone would turn against me, | 0:06:44 | 0:06:49 | |
but you've combined a deer with... It might even be me, | 0:06:49 | 0:06:52 | |
but I suppose it's the devil. | 0:06:52 | 0:06:54 | |
I love the countryside, I love all the animals and creatures in it, but there are just too many deer. | 0:06:54 | 0:07:00 | |
There's more deer now than there have ever been in this country. Maybe three million of them. | 0:07:00 | 0:07:05 | |
-Three million? -I haven't counted them. Don't hold me to the last... | 0:07:05 | 0:07:08 | |
-Three million? -Roughly. -All they need is a charismatic leader. | 0:07:08 | 0:07:12 | |
LAUGHTER | 0:07:12 | 0:07:15 | |
Maybe the Dalai "Llama". | 0:07:15 | 0:07:16 | |
-Near enough. -APPLAUSE | 0:07:18 | 0:07:21 | |
I don't know how you'll do it if you put the deer into Room 101, | 0:07:22 | 0:07:26 | |
but one way to do it would be to reintroduce things like wolves. | 0:07:26 | 0:07:30 | |
It's a good idea. We should have wolves in this country. | 0:07:30 | 0:07:35 | |
They would keep the deer population down to manageable proportions. | 0:07:35 | 0:07:38 | |
Wouldn't they keep the human population down as well? | 0:07:38 | 0:07:42 | |
-They've reintroduced beavers into Scotland recently. -That's right. | 0:07:42 | 0:07:47 | |
Let me guess. They did a film about it on The One Show! | 0:07:47 | 0:07:51 | |
I tried to stop myself, but it just came out. | 0:07:51 | 0:07:54 | |
They're lovely creatures. I was photographing beavers in Scotland this year. | 0:07:54 | 0:07:59 | |
LAUGHTER Oh, yeah? | 0:07:59 | 0:08:02 | |
I've got some brilliant... I've got some brilliant beaver shots I could show you. | 0:08:02 | 0:08:08 | |
Anyway, I'm getting off the subject. | 0:08:08 | 0:08:10 | |
There are too many deer. I don't want to get rid of all of them. | 0:08:10 | 0:08:14 | |
If you could put a good proportion of them in Room 101, that would be a great idea. | 0:08:14 | 0:08:19 | |
One thing I found very odd was this idea that deer kidnap people. | 0:08:19 | 0:08:23 | |
-You know there was this series of kidnappings done by deer? -What? | 0:08:23 | 0:08:27 | |
-No, I didn't. -Look at this. I have evidence. | 0:08:27 | 0:08:29 | |
SCREAMS | 0:08:33 | 0:08:35 | |
Was that kidnapping or was it some sort of mating ritual? | 0:08:40 | 0:08:45 | |
If you see the rest of it, she's bundled into the back of a sleigh and they're off! | 0:08:45 | 0:08:50 | |
-Do you think you could actually kill a deer? -I just saw this programme as a mechanism | 0:08:50 | 0:08:56 | |
where we can adjust the population | 0:08:56 | 0:08:58 | |
without having to get too messy ourselves. | 0:08:58 | 0:09:01 | |
I think I can change your mind. I have one last Exhibit A. | 0:09:01 | 0:09:06 | |
I have a special guest. | 0:09:06 | 0:09:08 | |
Usually, we have big applause for a special guest. | 0:09:08 | 0:09:11 | |
But if you applaud this time, somebody might get killed, | 0:09:11 | 0:09:14 | |
so can we have a very silent welcome indeed for Arthur, the deer? | 0:09:14 | 0:09:19 | |
AUDIENCE: Aw! | 0:09:19 | 0:09:23 | |
Can someone get Clive a hammer? | 0:09:23 | 0:09:25 | |
LAUGHTER | 0:09:25 | 0:09:28 | |
-Come on, Clive. -Can I come and say "hello"? -You can say "hello". | 0:09:28 | 0:09:32 | |
-You know what we're all hoping for. -I'm sorry, Arthur. | 0:09:32 | 0:09:35 | |
I didn't mean you. I didn't mean you, honestly. No, not you. | 0:09:35 | 0:09:40 | |
AUDIENCE: Aw! | 0:09:40 | 0:09:42 | |
So, sorry. I'll, um... | 0:09:42 | 0:09:44 | |
I withdraw my... I withdraw my offer. | 0:09:44 | 0:09:47 | |
Clive was just saying how much he likes eating venison. | 0:09:47 | 0:09:50 | |
-Is he a red deer? -Yes. | 0:09:51 | 0:09:54 | |
And he hasn't got his horns at the moment. Is he too young for that? | 0:09:54 | 0:09:58 | |
No, he doesn't have any horns. He's castrated. | 0:09:58 | 0:10:01 | |
I was about to say, he looks more of a Martha than an Arthur! | 0:10:01 | 0:10:05 | |
OK, I think we can say goodbye to Arthur, but don't applaud. | 0:10:05 | 0:10:09 | |
Just a wave for Arthur. | 0:10:09 | 0:10:11 | |
I don't think that's a good idea either. | 0:10:13 | 0:10:15 | |
-There he goes. -Aw! | 0:10:15 | 0:10:17 | |
-To the BBC canteen! -Yes. | 0:10:17 | 0:10:19 | |
Anyway, we've come to the end of the Great Outdoors round. | 0:10:22 | 0:10:26 | |
I don't feel I can put deer in, having seen one in the flesh. | 0:10:26 | 0:10:31 | |
-I withdraw my suggestion. -They're such beautiful things. | 0:10:31 | 0:10:35 | |
I get your point about seagulls and their general messiness, | 0:10:35 | 0:10:39 | |
-but they are mystical creatures that I find beautiful. -Mystical?! | 0:10:39 | 0:10:44 | |
I'm a fan of camping, but I do think glamping is the wrong approach | 0:10:44 | 0:10:49 | |
to the whole thing. I agree with Jack. | 0:10:49 | 0:10:50 | |
So I am going to put glamping into Room 101. | 0:10:50 | 0:10:53 | |
APPLAUSE | 0:10:53 | 0:10:56 | |
Anyway, let's have our next category. | 0:11:00 | 0:11:03 | |
It's going out, so what doesn't Jack like about going out? | 0:11:08 | 0:11:12 | |
The Last Supper? | 0:11:16 | 0:11:18 | |
-Jesus! No... -LAUGHTER | 0:11:18 | 0:11:20 | |
It's shared tables. | 0:11:20 | 0:11:23 | |
If you look closely, Jack, you'll see why this picture is featured. | 0:11:23 | 0:11:27 | |
-Oh, I'm in it! -LAUGHTER | 0:11:27 | 0:11:30 | |
-That's you sharing a table. -Good. | 0:11:30 | 0:11:33 | |
-You fit in rather well. -I fit in rather well, don't I? | 0:11:33 | 0:11:36 | |
So, shared tables. When you go out to a restaurant for a night out | 0:11:36 | 0:11:40 | |
and then they put you on a shared table and you have to sit next to strangers. | 0:11:40 | 0:11:45 | |
It's ludicrous. Where does that end? | 0:11:45 | 0:11:48 | |
We're going to share seats, we're going to share the table, there'll be two people next to me. | 0:11:48 | 0:11:53 | |
Next, let's share food or the bill. | 0:11:53 | 0:11:55 | |
Before you know it, it's car keys in a bowl time. It shouldn't happen. | 0:11:55 | 0:11:59 | |
It's dangerous. This as well. This is the Last Supper. This is Jesus. | 0:11:59 | 0:12:04 | |
If I was next to Jesus of Nazareth at dinner, that would be quite cool. | 0:12:04 | 0:12:08 | |
I imagine his conversation would be interesting. | 0:12:08 | 0:12:11 | |
When you go to these restaurants, you're not sat next to Jesus of Nazareth. | 0:12:11 | 0:12:15 | |
You're sat next to Gareth of the Wandsworth Borough Council. | 0:12:15 | 0:12:19 | |
He's not as fun. He can turn water into wine. | 0:12:19 | 0:12:21 | |
All Gareth can do is turn rather bland noodles into unfeasibly smelly wind. | 0:12:21 | 0:12:25 | |
It's difficult because a particular well-known restaurant that I frequent | 0:12:27 | 0:12:32 | |
is one of those with the long benches, | 0:12:32 | 0:12:35 | |
so I sit on one side and my girlfriend sits on the other. | 0:12:35 | 0:12:39 | |
There's people sitting next to us. | 0:12:39 | 0:12:41 | |
And people eavesdrop. | 0:12:41 | 0:12:44 | |
-Yeah. -Don't you find that? | 0:12:44 | 0:12:45 | |
I'll be talking to her and she'll start going... | 0:12:45 | 0:12:49 | |
That means there's someone listening. | 0:12:49 | 0:12:51 | |
She texts me about the people we're sitting next to. | 0:12:51 | 0:12:55 | |
Honestly, I was with her. I got a text that said, "Fattest neck in the world?" | 0:12:55 | 0:13:00 | |
And then I had to start looking around for the fattest neck and there he was. | 0:13:02 | 0:13:06 | |
It's not just the table, it's the bench thing going on where you're sat opposite your date, | 0:13:06 | 0:13:12 | |
then there's a man next to you there and a man next to you there and you're being squashed down. | 0:13:12 | 0:13:18 | |
You're having more intimacy with him | 0:13:18 | 0:13:19 | |
than you'll end up having with your girlfriend that night. | 0:13:19 | 0:13:23 | |
You're trying to get a bit of your neighbour's area. I know a man that did that. His name was Hitler. | 0:13:23 | 0:13:28 | |
Every time you go to one of these restaurants, you're supporting the Nazis! | 0:13:28 | 0:13:32 | |
-That's the way I see it. -Well, you argue your case very well. | 0:13:34 | 0:13:39 | |
I'll tell you what I do like, I like looking at other people's food as a way of choosing what to have. | 0:13:39 | 0:13:45 | |
It's handy, in that respect. | 0:13:45 | 0:13:47 | |
But people don't like it. It's like they think you're copying. | 0:13:47 | 0:13:50 | |
They start sitting like that. | 0:13:50 | 0:13:52 | |
Maybe you, Frank, and you, Jack, have a particular problem because you're well-known people. | 0:13:54 | 0:13:59 | |
You're saying you're sitting down and people are getting close to you. | 0:13:59 | 0:14:03 | |
They might be saying, "That's Jack Whitehall. I like him in..." whatever you've been in. | 0:14:03 | 0:14:08 | |
LAUGHTER AND APPLAUSE | 0:14:08 | 0:14:11 | |
You're not really objecting about sharing a table. | 0:14:13 | 0:14:16 | |
You're objecting about sharing a planet with these people. That's the truth of it. | 0:14:16 | 0:14:21 | |
Anyway, let's find out what Clive doesn't like about going out. | 0:14:21 | 0:14:24 | |
There's a sort of procedure or ceremony that a lot of restaurants still insist upon doing. | 0:14:31 | 0:14:37 | |
If you order some wine, they'll give you a taste of it beforehand. | 0:14:37 | 0:14:41 | |
It's almost like a religious ceremony. | 0:14:41 | 0:14:44 | |
You're supposed to check to see if the wine has been corked or is off. | 0:14:44 | 0:14:49 | |
But they do that nowadays when quite good wine is in a screw-top bottle, which is not going to be corked. | 0:14:49 | 0:14:55 | |
It can be screwed, but not corked. And it's a strange thing. | 0:14:55 | 0:14:59 | |
-They don't bring you little bits of food to try first. -That's true. | 0:14:59 | 0:15:04 | |
It's based on the idea that in every group of people, one person is the host, so he - it could be she - | 0:15:04 | 0:15:10 | |
has to make sure it's all right before his guests get to taste it. | 0:15:10 | 0:15:15 | |
So corked, the idea is the cork reacts chemically with the wine? | 0:15:15 | 0:15:19 | |
It can sometimes go off a bit. That's what you're detecting, | 0:15:19 | 0:15:23 | |
not deciding, "Mm, yes, that is the wine that the label says it is. | 0:15:23 | 0:15:27 | |
"You haven't rebottled it." | 0:15:27 | 0:15:29 | |
Though it would be worth mentioning it if you thought that was the case! | 0:15:29 | 0:15:33 | |
I've had it with a microwave. If someone microwaves fish and you do porridge immediately after, | 0:15:33 | 0:15:39 | |
"This has been fished!" | 0:15:39 | 0:15:42 | |
Where it could work is in a pub when you normally do buy a round. | 0:15:43 | 0:15:47 | |
There's one person buying the round. | 0:15:47 | 0:15:49 | |
That person should be given each of the beers, the Diet Cokes, | 0:15:49 | 0:15:54 | |
the wine to taste. | 0:15:54 | 0:15:55 | |
But we don't do that. Why do we put up with this in restaurants? Why do they still do it? | 0:15:55 | 0:16:01 | |
Well, there is a lot of massive snobbiness about wine. | 0:16:01 | 0:16:06 | |
I guess it is tied in with that. | 0:16:06 | 0:16:08 | |
I used to drink the cheaper types of wine and sherry, | 0:16:08 | 0:16:13 | |
basically on waste ground. | 0:16:13 | 0:16:15 | |
And I... No-one ever asked me if it was corked! | 0:16:15 | 0:16:21 | |
But we have a clip of Jilly Goolden, | 0:16:21 | 0:16:24 | |
-who is something of a wine expert. -Ah, yes. | 0:16:24 | 0:16:26 | |
This doesn't bear any resemblance to any wine drinking I ever did. | 0:16:26 | 0:16:30 | |
It's Tarrawingee Riesling Gewurtztraminer. Let's have a smell. | 0:16:30 | 0:16:33 | |
Very seductive. It's like melon balls, | 0:16:34 | 0:16:37 | |
when they're all scrunched up. That gorgeous aroma. | 0:16:37 | 0:16:40 | |
It's a bit like rosewater and witch hazel. Those lovely scents. | 0:16:40 | 0:16:44 | |
There's a bit of patchouli. It's very heady stuff indeed. | 0:16:44 | 0:16:48 | |
It really does whoosh up your nose. Very come on-ish. | 0:16:48 | 0:16:51 | |
For me, it used to be more... | 0:16:51 | 0:16:53 | |
Oh, I'm scenting an argument about immigration on the night bus. | 0:16:55 | 0:16:59 | |
LAUGHTER | 0:16:59 | 0:17:00 | |
A brick through my ex-girlfriend's window | 0:17:00 | 0:17:03 | |
and I get home later with two domestic pets I've never seen before. It's a different world. | 0:17:03 | 0:17:09 | |
-Yeah. -The whole thing of wine is to make you look stupid. | 0:17:09 | 0:17:13 | |
I went to a restaurant with my girlfriend | 0:17:13 | 0:17:15 | |
and the sommelier brought up the wine list on an iPad. | 0:17:15 | 0:17:20 | |
He was going through it like that, showing off. And then he said, "Does Sir have any questions?" | 0:17:20 | 0:17:26 | |
I was like, "Um, has this got Angry Birds on it?" | 0:17:26 | 0:17:29 | |
-I don't know anything. -OK, let's look at Alex's choice. | 0:17:32 | 0:17:35 | |
Yep. This is British-themed bars abroad. | 0:17:39 | 0:17:45 | |
GROANS | 0:17:45 | 0:17:47 | |
-Oh, the crowd! -Divided you straight away! | 0:17:47 | 0:17:50 | |
You've booked your holiday, you pick your destination, | 0:17:50 | 0:17:54 | |
you turn up, it's lovely, sun's out. Nice. And you're walking down the road and the first thing you see | 0:17:54 | 0:18:01 | |
is like this. The Chav and Devil Dog. | 0:18:01 | 0:18:04 | |
Or Lineker's. | 0:18:04 | 0:18:06 | |
Or The Rose and Crown. | 0:18:06 | 0:18:08 | |
And basically it's like, "We will show every sport event going, | 0:18:08 | 0:18:13 | |
"we will only serve Guinness and Carlsberg, | 0:18:13 | 0:18:16 | |
"but also we do Sunday roasts every Sunday." | 0:18:16 | 0:18:20 | |
-In 85-degree heat, not sure we'll be wanting that. -Yes. | 0:18:20 | 0:18:25 | |
But I tried learning a foreign language. It's impossible. | 0:18:25 | 0:18:29 | |
So it is nice to have that little home from home. | 0:18:29 | 0:18:33 | |
It is quite comforting, but if you wanted to spend your week or two weeks with a family from Newcastle | 0:18:33 | 0:18:40 | |
or Liverpool or from Wales, you'd stay at home, wouldn't you? | 0:18:40 | 0:18:44 | |
We have some pictures of pubs, so people get a sense of what these are. | 0:18:44 | 0:18:48 | |
The first one is in Benidorm. | 0:18:48 | 0:18:50 | |
Ye Olde Pub. Lovely, lovely furniture. | 0:18:50 | 0:18:54 | |
And this one from Majorca. | 0:18:54 | 0:18:57 | |
This is called Trotters On The Beach. | 0:18:59 | 0:19:03 | |
It's a lovely looking place! | 0:19:03 | 0:19:06 | |
This is the oddest themed pub I've ever heard of. | 0:19:06 | 0:19:10 | |
Hitlers' Cross. | 0:19:13 | 0:19:15 | |
Nothing very new about that, of course! He often was. | 0:19:15 | 0:19:20 | |
Look, that's so disgusting. | 0:19:20 | 0:19:22 | |
-The apostrophe is after the S. -Exactly! -It should be before! | 0:19:22 | 0:19:26 | |
APPLAUSE | 0:19:26 | 0:19:28 | |
OK, well, I'm worried that the shared tables thing | 0:19:30 | 0:19:34 | |
suggests a hatred of other people | 0:19:34 | 0:19:38 | |
more than actual furniture arrangements. I like the idea | 0:19:38 | 0:19:43 | |
that people who are homesick | 0:19:43 | 0:19:45 | |
can go and be amongst their fellow countrymen and brothers. | 0:19:45 | 0:19:49 | |
And I'm not sure about the whole wine ritual. I think it's outdated, | 0:19:49 | 0:19:53 | |
-so I'm going to put waiters who put a little bit of wine in your glass into Room 101. -Thank you very much. | 0:19:53 | 0:19:59 | |
OK, next category, please. | 0:20:07 | 0:20:08 | |
People. | 0:20:13 | 0:20:15 | |
What kind of people wind up Clive? | 0:20:15 | 0:20:17 | |
Yes. Now, it's not that they're football fans, | 0:20:22 | 0:20:25 | |
it's this one, really. | 0:20:25 | 0:20:26 | |
He is leaving, and in this scene he's leaving before the end of the match. | 0:20:26 | 0:20:31 | |
And so many football fans do this now. | 0:20:31 | 0:20:33 | |
In the olden days, football was quite a cheap activity, now it's fantastically expensive. | 0:20:33 | 0:20:38 | |
You only get 90 minutes, maybe a little extra time if you're lucky, | 0:20:38 | 0:20:41 | |
an extra six minutes of Alex Ferguson's managing. | 0:20:41 | 0:20:44 | |
But if you went to see a film, like a whodunnit, | 0:20:46 | 0:20:49 | |
and they hadn't quite established who had done the murder yet, | 0:20:49 | 0:20:52 | |
and you think, "Oh, hang on, we've seen the best part of two hours. | 0:20:52 | 0:20:55 | |
"If we leave now, we'll beat the rush and we will find out | 0:20:55 | 0:21:00 | |
"in the paper tomorrow who actually did..." | 0:21:00 | 0:21:02 | |
No-one would do that. Football fans regularly do it, | 0:21:02 | 0:21:05 | |
-in all sorts of circumstances. -It is very strange. | 0:21:05 | 0:21:07 | |
The idea is that they're trying to miss the traffic, that's what they always say. | 0:21:07 | 0:21:11 | |
I go to football, I go to Arsenal. I must... | 0:21:11 | 0:21:13 | |
I'm in a privileged position in that I live very nearby, | 0:21:13 | 0:21:16 | |
so I can walk home, so I'm not held up by the traffic, there's not normally so many people... | 0:21:16 | 0:21:20 | |
You don't want to leave early at the Arsenal or you'll miss the dessert wine. | 0:21:20 | 0:21:25 | |
Giving an Arsenal example, not necessarily in Arsenal's favour, | 0:21:26 | 0:21:30 | |
a couple of seasons ago they were 4-0 up by the end of the first half at Newcastle. | 0:21:30 | 0:21:34 | |
So obviously a fair proportion of the Newcastle fans thought, | 0:21:34 | 0:21:37 | |
"We're not waiting around to see this humiliation." And they went home. | 0:21:37 | 0:21:41 | |
But Newcastle scored four goals in the second half, | 0:21:41 | 0:21:44 | |
so they missed seeing what, for them, was about the most exciting game... | 0:21:44 | 0:21:47 | |
I love to think that the Newcastle fans used your exact wording there. | 0:21:47 | 0:21:51 | |
I've seen the Toon Army, like, men with no shirts on, massive tits, | 0:21:51 | 0:21:54 | |
"Newcastle" tattooed across their chest. | 0:21:54 | 0:21:56 | |
"Well, we're not waiting around to see this humiliation!" | 0:21:56 | 0:22:00 | |
I was paraphrasing. | 0:22:02 | 0:22:03 | |
Yeah. | 0:22:04 | 0:22:06 | |
That's the problem with Arsenal. I'm an Arsenal fan too and Arsenal fans, | 0:22:06 | 0:22:09 | |
I think, are some of the worst for that. | 0:22:09 | 0:22:11 | |
I've seen stuff at an Arsenal game that you would never see anywhere else. | 0:22:11 | 0:22:15 | |
I watched a game once and there was a guy behind me getting very irate | 0:22:15 | 0:22:18 | |
and he stood up and shouted out the most middle-class thing I've ever heard at a football match. | 0:22:18 | 0:22:22 | |
He got really angry and then went, "Oh, for Christ's sake! | 0:22:22 | 0:22:25 | |
"You are so lackadaisical!" | 0:22:25 | 0:22:28 | |
-Doesn't work. -I was leaving West Brom once. | 0:22:31 | 0:22:34 | |
We'd lost 2-0 and they announced, | 0:22:34 | 0:22:37 | |
"Mr So and So, your wife has given birth to a baby boy | 0:22:37 | 0:22:41 | |
"in Sandwell District Hospital." | 0:22:41 | 0:22:43 | |
And this old guy sat next to me said, "Oh, the poor devil, he sat through this lot, | 0:22:43 | 0:22:47 | |
"now he's got to go home and make his own tea." | 0:22:47 | 0:22:50 | |
LAUGHTER AND APPLAUSE | 0:22:50 | 0:22:54 | |
How terrible! | 0:22:54 | 0:22:55 | |
OK, let's have a look at Alex's choice. | 0:22:57 | 0:22:59 | |
Yes. Taxi drivers... | 0:23:02 | 0:23:04 | |
-Oh, no! -..who don't know the way. | 0:23:04 | 0:23:06 | |
-Ah! -You're walking home tonight. | 0:23:06 | 0:23:08 | |
Exactly. Never be rude about taxi drivers! | 0:23:08 | 0:23:11 | |
To be honest, it might be quicker - they can never find my house. | 0:23:11 | 0:23:14 | |
-I'll give you a lift. -Will you? | 0:23:14 | 0:23:18 | |
My mother's coming to pick me up in the Volvo. | 0:23:18 | 0:23:20 | |
Awkward. | 0:23:24 | 0:23:25 | |
So, you know, if you're in a taxi, you know, use the time to, | 0:23:25 | 0:23:31 | |
I don't know, make a phone call or put some make-up on | 0:23:31 | 0:23:33 | |
or whatever you do. | 0:23:33 | 0:23:35 | |
And then, this bloke will open the flap of glass and say... | 0:23:35 | 0:23:39 | |
"Er, where's that, then? | 0:23:39 | 0:23:42 | |
"Whereabouts is that?" And you're thinking, "Seriously now?" | 0:23:42 | 0:23:45 | |
So you have to end your phone call | 0:23:45 | 0:23:47 | |
and direct this man the rest of the way, so you're like, "Right, left... | 0:23:47 | 0:23:51 | |
"No, no, the next left." | 0:23:51 | 0:23:53 | |
And basically, if you're bad at left and right, like I am, | 0:23:53 | 0:23:57 | |
this causes all sorts of problems and you end up having a massive bill | 0:23:57 | 0:24:00 | |
-by the time you actually get there. -I think you've got a point. | 0:24:00 | 0:24:03 | |
Even if you're a minicab driver, you should basically know the way around. | 0:24:03 | 0:24:07 | |
And I like a nice, silent journey. | 0:24:07 | 0:24:09 | |
Well, exactly. You don't want... And you know the button? | 0:24:09 | 0:24:13 | |
The button that's got a little picture of somebody with a speech bubble coming out of its mouth. | 0:24:13 | 0:24:18 | |
You never know whether it's off or on, you never know, | 0:24:18 | 0:24:21 | |
so you're knocking on the glass because the man's gone... | 0:24:21 | 0:24:24 | |
It's stressful! | 0:24:24 | 0:24:25 | |
Why don't you just chat to the drivers, you miserable people? | 0:24:25 | 0:24:28 | |
Make it a pleasant journey. "Hello, how you doing? What's the traffic like?" | 0:24:28 | 0:24:32 | |
-Do you think Clive wants a free taxi ride? -I think he does. | 0:24:32 | 0:24:35 | |
I get scared in cabs because I always go in and try and hide | 0:24:35 | 0:24:39 | |
this voice, when I'm around London. | 0:24:39 | 0:24:41 | |
I'll go in and be like, "You all right, me guv'nor? Take me home," and try and... | 0:24:41 | 0:24:46 | |
-hide the fact that I'm very posh. -That's well hidden(!) | 0:24:46 | 0:24:49 | |
And sometimes it goes... | 0:24:49 | 0:24:51 | |
I had one the other day where it was going really well and I was really... | 0:24:51 | 0:24:54 | |
He had no idea that I was posh. | 0:24:54 | 0:24:55 | |
But I was talking so much that in the end he dropped me off at the staff entrance to my house | 0:24:55 | 0:25:00 | |
and I felt like such a ninny. | 0:25:00 | 0:25:02 | |
OK, then, what kind of people wind up Jack? | 0:25:03 | 0:25:06 | |
-PARTY FLUTE SOUNDS -That's good. That is good. | 0:25:11 | 0:25:13 | |
-It is representative of women on hen nights. -Yes. | 0:25:15 | 0:25:19 | |
ALEX GASPS | 0:25:19 | 0:25:21 | |
-Oh... -I... | 0:25:21 | 0:25:23 | |
OK, have fun on your hen night, | 0:25:23 | 0:25:25 | |
but I've realised, as a young, vulnerable man, | 0:25:25 | 0:25:28 | |
I am the natural prey of the hen and they terrify me. | 0:25:28 | 0:25:33 | |
Like, I was on a train recently from Manchester to London | 0:25:34 | 0:25:37 | |
and they all came on, it was a big group | 0:25:37 | 0:25:40 | |
and they were very bawdy and they were drinking and shouting | 0:25:40 | 0:25:43 | |
and it was the only time I've ever felt sorry for the ticket man. | 0:25:43 | 0:25:47 | |
He was coming down and a woman cocked her leg on the table | 0:25:48 | 0:25:51 | |
and attempted to use her noony as fare. | 0:25:51 | 0:25:54 | |
She was like, "Oi! Will this get me to London?" | 0:25:56 | 0:25:59 | |
I was like, "I doubt that would get you to Stockport." | 0:25:59 | 0:26:02 | |
And there's so many contradictions as well with hen nights. | 0:26:04 | 0:26:08 | |
Like, I've seen an L-plate on a pregnancy bump. | 0:26:08 | 0:26:11 | |
How does that work? And angel wings. | 0:26:12 | 0:26:14 | |
There's always one person in the group with angel wings | 0:26:14 | 0:26:17 | |
and every time you see someone with angel wings, | 0:26:17 | 0:26:19 | |
it's always the person that looks the least likely ever to become airborne. | 0:26:19 | 0:26:23 | |
Do you feel, Jack, | 0:26:27 | 0:26:29 | |
that people are enjoying themselves on a hen? It always looks to me | 0:26:29 | 0:26:33 | |
like they're having a terrible time | 0:26:33 | 0:26:35 | |
but trying to pretend that they're having a great time. | 0:26:35 | 0:26:37 | |
Yeah, there's a lot of aggression as well, isn't there? | 0:26:37 | 0:26:40 | |
I was walking down the street with my dad once | 0:26:40 | 0:26:43 | |
and there was a hen party and they shouted over at us, | 0:26:43 | 0:26:46 | |
"Get your willy out!" | 0:26:46 | 0:26:48 | |
And I was like, "What? I'm with my dad. | 0:26:48 | 0:26:51 | |
"You're perpetuating a bad stereotype, | 0:26:51 | 0:26:53 | |
"behaving appallingly in public, everyone's looking. | 0:26:53 | 0:26:55 | |
"You shouldn't..." I said all of this. | 0:26:55 | 0:26:57 | |
Admittedly, my argument was somewhat nullified by the fact | 0:26:57 | 0:27:00 | |
that my dad had got his willy out by that point. | 0:27:00 | 0:27:03 | |
OK, well, look... | 0:27:05 | 0:27:06 | |
I know what you mean about hen nights. | 0:27:08 | 0:27:11 | |
They are terrifying people, but it is, I suppose, a bit of a tradition | 0:27:11 | 0:27:17 | |
and I like particularly about them | 0:27:17 | 0:27:19 | |
that there's a mixing of the generations, | 0:27:19 | 0:27:21 | |
Mum goes along, Auntie and you see Granny there and stuff | 0:27:21 | 0:27:25 | |
and I like that, that's quite a rare thing. | 0:27:25 | 0:27:28 | |
-And Alex... -Yeah. | 0:27:28 | 0:27:30 | |
I quite like the adventure of being in a cab with someone | 0:27:30 | 0:27:33 | |
-who doesn't know their way. -Expensive adventure. | 0:27:33 | 0:27:36 | |
But they're both... | 0:27:36 | 0:27:37 | |
On any other round, I think both of those could've possibly have got | 0:27:37 | 0:27:41 | |
into Room 101, but I am so, so very anti | 0:27:41 | 0:27:45 | |
people leaving football matches early that I have to say that, | 0:27:45 | 0:27:49 | |
without any doubt... | 0:27:49 | 0:27:51 | |
Oh, they've left early! | 0:27:52 | 0:27:54 | |
OK, next category, please. | 0:28:04 | 0:28:06 | |
Yes, it's the Wildcard round, which means you have no restraints. | 0:28:11 | 0:28:15 | |
OK, so what's Alex's Wildcard? | 0:28:15 | 0:28:17 | |
Yeah, it's people who watch the same film over and over again. | 0:28:22 | 0:28:26 | |
It's a waste of your life. | 0:28:26 | 0:28:29 | |
OK. Is there no film you've seen three or four times? | 0:28:29 | 0:28:34 | |
There are exceptions to the rule... | 0:28:34 | 0:28:36 | |
-Ah! -Ah! | 0:28:36 | 0:28:38 | |
..in the form of Titanic. | 0:28:38 | 0:28:42 | |
-Hang on! -The longest film ever! | 0:28:42 | 0:28:45 | |
That's a big commitment. | 0:28:45 | 0:28:46 | |
I know. Good effort, eh? It was when it came out in the cinema and I did like Leonardo DiCaprio. | 0:28:46 | 0:28:51 | |
-But I've learned from my mistake since then. -Yes. | 0:28:51 | 0:28:54 | |
But this is, more or less... | 0:28:54 | 0:28:55 | |
It's basically saying... This is what I hate about my boyfriend. | 0:28:55 | 0:28:59 | |
His favourite film is Shawshank Redemption. | 0:28:59 | 0:29:02 | |
-Mm, another long film. -Good film. -Stupid film. | 0:29:02 | 0:29:05 | |
If I was your boyfriend, we could watch Marley and Me every night. | 0:29:05 | 0:29:08 | |
LAUGHTER | 0:29:08 | 0:29:11 | |
-Mamma Mia. Love it. -Yes. -Dirty Dancing. | 0:29:11 | 0:29:15 | |
-All the greats. -Beaches. | 0:29:15 | 0:29:18 | |
-Aww! -It makes me cry every time. -Every time! | 0:29:18 | 0:29:23 | |
Oh... | 0:29:23 | 0:29:26 | |
-A bar of chocolate. -Lovely. | 0:29:26 | 0:29:28 | |
-Get into our onesies. -Yeah. | 0:29:28 | 0:29:30 | |
Popcorn in a bowl. Oh, dream. | 0:29:30 | 0:29:33 | |
See? | 0:29:33 | 0:29:34 | |
I don't want to be sexist, Frank, but I do think this is a trait | 0:29:34 | 0:29:38 | |
-that comes out more in men. -They like seeing things again and again. | 0:29:38 | 0:29:41 | |
-And they can quote from films. -Like Star Wars. -Yeah! | 0:29:41 | 0:29:46 | |
I met a bloke in Wolverhampton who'd seen Star Wars 112 times. | 0:29:46 | 0:29:50 | |
-For God's sake! -And he still hadn't got through all the reading at the beginning. | 0:29:50 | 0:29:54 | |
There are films I've seen like 30 or 40 times, but they're not films we could show clips from. | 0:29:57 | 0:30:04 | |
LAUGHTER | 0:30:04 | 0:30:06 | |
Eventually you memorize them and then you leave them in a hedge. | 0:30:06 | 0:30:09 | |
That did used to be where you found things, in hedges, wasn't it? | 0:30:11 | 0:30:15 | |
-It did. What happened to that? -It was a proud tradition. | 0:30:15 | 0:30:18 | |
Yeah, what happened to the whole tradition of privet pornography? | 0:30:18 | 0:30:22 | |
They don't know now, young people, it's all on the internet. | 0:30:22 | 0:30:25 | |
There's probably loads of it in there, left uncollected. | 0:30:25 | 0:30:28 | |
What are you doing after? | 0:30:28 | 0:30:29 | |
Starting a hedge fund! | 0:30:32 | 0:30:33 | |
I think in an age where one in three marriages end in divorce, | 0:30:40 | 0:30:44 | |
there's something very loyal about someone who watches the same film. | 0:30:44 | 0:30:48 | |
-I love that. -Is it not more special to watch something new together? | 0:30:48 | 0:30:51 | |
You can watch new films as well, | 0:30:51 | 0:30:53 | |
but there's something very comforting about the same old movie. | 0:30:53 | 0:30:57 | |
No! You know you're in a rut when that happens. | 0:30:57 | 0:31:00 | |
That's what I was saying to Arthur earlier. | 0:31:00 | 0:31:03 | |
Let's have a look at Clive Anderson's Wildcard. | 0:31:06 | 0:31:08 | |
This is not One Direction. The concept here is | 0:31:14 | 0:31:19 | |
that you can never go and see anything spontaneously any more. Everybody's booked up in advance. | 0:31:19 | 0:31:24 | |
Just going to see a play or concert or even getting a railway ticket. | 0:31:24 | 0:31:29 | |
I think we must all band together because this is all done by people saying, "I'll fit in with this." | 0:31:29 | 0:31:35 | |
If we all say, "No, we're going to buy on the day. We're all going to turn up on the day to see the film, | 0:31:35 | 0:31:41 | |
"to get on the train," the prices would have to be adjusted down for OUR convenience, | 0:31:41 | 0:31:47 | |
not for the convenience of vast mega-corporations | 0:31:47 | 0:31:50 | |
who have got us by the throat. Thank you very much. | 0:31:50 | 0:31:53 | |
APPLAUSE | 0:31:53 | 0:31:55 | |
I kind of respect the enthusiasm of people who keep an eye out | 0:31:58 | 0:32:03 | |
when their favourites are on tour | 0:32:03 | 0:32:06 | |
and they know when the next Batman movie's opening. I've done that, | 0:32:06 | 0:32:10 | |
-keep an eye out for the next Batman movie. -What about aeroplanes? | 0:32:10 | 0:32:14 | |
If you want a cheap airline ticket, you book well in advance. | 0:32:14 | 0:32:18 | |
That depends on you knowing when you want to go and having a regular lifestyle. Mine isn't. | 0:32:18 | 0:32:24 | |
I feel penalised... | 0:32:24 | 0:32:26 | |
What are you? Some kind of reckless rock'n'roll animal?! | 0:32:26 | 0:32:30 | |
-"I'm off to Florida today! Let's do it!" -Disorganised. | 0:32:30 | 0:32:35 | |
OK, what is Jack's Wildcard? | 0:32:35 | 0:32:37 | |
-It is metrosexuals. Overly-preened men... -OK. | 0:32:43 | 0:32:48 | |
..who take massive amounts of time over their personal appearance. | 0:32:48 | 0:32:52 | |
Oh, is that what a metrosexual is? I thought it was somebody who got up to dodgy things on the Underground! | 0:32:52 | 0:32:58 | |
I just don't think... We're tricked into it as well. | 0:33:04 | 0:33:07 | |
They're trying to make it manly. | 0:33:07 | 0:33:09 | |
You buy moisturiser for men and it's called Face Fuel | 0:33:09 | 0:33:14 | |
so that we buy it and use it, but I don't want that. | 0:33:14 | 0:33:17 | |
I want to get to...old age, like yourselves... | 0:33:17 | 0:33:22 | |
No, I mean and have a face that looks like it's been lived in. | 0:33:22 | 0:33:27 | |
Like I've done some stuff. | 0:33:27 | 0:33:30 | |
I don't want to have a baby face when I'm in my 40s. | 0:33:30 | 0:33:33 | |
I want it to look like Alan Sugar's scrotum. | 0:33:33 | 0:33:36 | |
That's most unfair on Alan Sugar. | 0:33:40 | 0:33:42 | |
If you'd seen it before he put the moisturiser on it... | 0:33:42 | 0:33:45 | |
..it was much, much worse! | 0:33:47 | 0:33:49 | |
I should imagine. | 0:33:49 | 0:33:51 | |
But you're almost the definition of a metrosexual. | 0:33:52 | 0:33:55 | |
-You are a metrosexual! -I don't want to be a metrosexual! | 0:33:55 | 0:33:58 | |
-You are one! -I know! | 0:33:58 | 0:34:00 | |
You sound like my dad now! I don't want that. I want to be a man! | 0:34:00 | 0:34:04 | |
I look at my idols, like men...that I look up to. | 0:34:04 | 0:34:07 | |
LAUGHTER | 0:34:07 | 0:34:09 | |
Yeah, but I don't want, like, you know, | 0:34:09 | 0:34:12 | |
I don't want Cristiano Ronaldo or David Beckham. | 0:34:12 | 0:34:16 | |
I want...Ben Fogle. Someone like that. A proper man. | 0:34:16 | 0:34:20 | |
I think what you need is parenthood. That tends to sort it out. | 0:34:20 | 0:34:25 | |
Since becoming a parent, my idea of looking smart is only having sick on one shoulder. | 0:34:25 | 0:34:30 | |
Would you ever wear a mankini? | 0:34:31 | 0:34:34 | |
-Oh, no! -I don't think he's asking you! | 0:34:34 | 0:34:37 | |
LAUGHTER | 0:34:37 | 0:34:40 | |
-There we are. -There you go. -Yeah. See? | 0:34:42 | 0:34:44 | |
There's an element of soap on a rope about that, isn't there? | 0:34:44 | 0:34:49 | |
What I do, I don't want to buy a mankini | 0:34:49 | 0:34:51 | |
so I just put my arms through the legs in my Y-fronts. | 0:34:51 | 0:34:56 | |
And it ends up like that. | 0:34:56 | 0:34:57 | |
Your beard, by the way, I would say, with all due respect, | 0:35:00 | 0:35:04 | |
is a metrosexual beard, isn't it? | 0:35:04 | 0:35:06 | |
That could be more shaped. I keep it quite bushy. | 0:35:06 | 0:35:10 | |
I used to have a beard. I grew a beard because I was too drunk to shave. This was mine. | 0:35:10 | 0:35:16 | |
LAUGHTER | 0:35:16 | 0:35:19 | |
If you had a programme called Beard Swap, | 0:35:19 | 0:35:22 | |
we could find out how I'd look with a lovely, neat beard | 0:35:22 | 0:35:25 | |
and how you'd look with mine. | 0:35:25 | 0:35:27 | |
# Beard Swap, Beard Swap | 0:35:27 | 0:35:30 | |
# Look at them changing beards. # | 0:35:30 | 0:35:34 | |
You're fired! | 0:35:39 | 0:35:40 | |
# I dreamed a dream of time gone by... # | 0:35:44 | 0:35:47 | |
APPLAUSE | 0:35:50 | 0:35:52 | |
Thank you! | 0:35:57 | 0:35:59 | |
It looks great! | 0:36:03 | 0:36:05 | |
Can I keep it and go home in it? | 0:36:07 | 0:36:08 | |
Aaargh! It took the last-remaining real hair with it. | 0:36:11 | 0:36:15 | |
I think, Jack, it's nice that men like Clive | 0:36:15 | 0:36:20 | |
-are looking after themselves a bit more these days. -I'm not! | 0:36:20 | 0:36:23 | |
Better, better! | 0:36:29 | 0:36:32 | |
You all right, honey? | 0:36:32 | 0:36:33 | |
But you must use something. What's your morning routine? | 0:36:33 | 0:36:37 | |
-Don't ask him that! -LAUGHTER | 0:36:37 | 0:36:40 | |
You know I do a show with Freddie Flintoff, the cricketer, | 0:36:42 | 0:36:46 | |
who is training to become a boxer. | 0:36:46 | 0:36:48 | |
And we were filming this show over a course of weeks | 0:36:48 | 0:36:51 | |
and he kept saying, "Jack, you've got to come down for a spar | 0:36:51 | 0:36:53 | |
"at some point," and I kept saying, "Yeah, I would love that." | 0:36:53 | 0:36:57 | |
I subsequently found out he's training to be a boxer, sparring is when you punch someone in the ring. | 0:36:57 | 0:37:02 | |
I genuinely thought he wanted me | 0:37:02 | 0:37:04 | |
and him to go off to a nice hotel somewhere and get face masks. | 0:37:04 | 0:37:07 | |
Yeah! | 0:37:09 | 0:37:10 | |
You've really entered into this. God bless you. | 0:37:10 | 0:37:13 | |
I don't know what I put on my face. It's hair gel and something else. | 0:37:13 | 0:37:17 | |
It's really beginning to sting. | 0:37:17 | 0:37:19 | |
We need to move on. You could well be blind soon. | 0:37:19 | 0:37:24 | |
-LAUGHTER -So, look... | 0:37:24 | 0:37:26 | |
I think metrosexuality isn't such a bad thing | 0:37:26 | 0:37:30 | |
if it stops men from smelling | 0:37:30 | 0:37:32 | |
-and being horrible. -Yep! -And... -Yeah, Frank, in your own time(!) | 0:37:32 | 0:37:36 | |
-Like, honestly... -LAUGHTER | 0:37:36 | 0:37:39 | |
I think that booking things in advance is quite an enthusiastic and keen thing | 0:37:39 | 0:37:44 | |
and although I do watch films over and over, I am going to put | 0:37:44 | 0:37:48 | |
Alex's people who watch films over and over again into Room 101. | 0:37:48 | 0:37:53 | |
Thank you! | 0:37:53 | 0:37:54 | |
OK, that brings us to the end of the show. | 0:38:03 | 0:38:06 | |
Well done, Clive. You were the most persuasive guest tonight | 0:38:06 | 0:38:11 | |
-so you are this week's winner. -Oh, thank you very much. | 0:38:11 | 0:38:14 | |
I didn't know there was a winner, but I'll be it. | 0:38:14 | 0:38:17 | |
Thanks very much, Jack Whitehall, Clive Anderson and Alex Jones. | 0:38:17 | 0:38:21 | |
And thank you. Good night! | 0:38:21 | 0:38:22 | |
Subtitles by Red Bee Media Ltd | 0:38:37 | 0:38:40 |