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Hello, I'm Frank Skinner and welcome to Room 101. | 0:00:35 | 0:00:39 | |
The show where three guests compete to cast their biggest gripes | 0:00:39 | 0:00:43 | |
deep into the gloomy vault. | 0:00:43 | 0:00:45 | |
Joining me tonight are, from BBC Breakfast, Bill Turnbull, | 0:00:45 | 0:00:48 | |
actor and comedian Ben Miller and comedian and actor, Jo Brand. | 0:00:48 | 0:00:52 | |
APPLAUSE AND CHEERING | 0:00:52 | 0:00:54 | |
Let's have our first category. | 0:01:02 | 0:01:04 | |
It's fashion. | 0:01:09 | 0:01:11 | |
So who should we turn to first? Obviously Bill. | 0:01:11 | 0:01:13 | |
What is Bill's fashion hate? | 0:01:13 | 0:01:15 | |
LAUGHTER AND APPLAUSE | 0:01:20 | 0:01:23 | |
-Low-slung jeans. -Hm! -Apparently it's also known as sagging. | 0:01:31 | 0:01:36 | |
Is that right? | 0:01:36 | 0:01:38 | |
Yeah, stems allegedly from the American prison system, where | 0:01:38 | 0:01:41 | |
they weren't allowed to wear belts, so their trousers drooped a bit, | 0:01:41 | 0:01:44 | |
and then it was taken over by the rappers | 0:01:44 | 0:01:46 | |
and hip hop movement about 20 years ago and has since spread to | 0:01:46 | 0:01:50 | |
everybody else. | 0:01:50 | 0:01:51 | |
I'm all for people expressing themselves in a fashion way | 0:01:51 | 0:01:55 | |
if they want to, but this is a step too far. | 0:01:55 | 0:01:59 | |
Or rather, a step too low, as far as I'm concerned, | 0:01:59 | 0:02:02 | |
cos for me it's just sloppy. And, er, | 0:02:02 | 0:02:05 | |
one of my sons has started doing it as well. | 0:02:05 | 0:02:07 | |
I just can't stand the idea of him | 0:02:07 | 0:02:09 | |
slopping around the house with his trousers halfway down. | 0:02:09 | 0:02:11 | |
It just doesn't work for me. | 0:02:11 | 0:02:13 | |
We have an example of youth in a pair of these low-slung... | 0:02:13 | 0:02:18 | |
AUDIENCE: Eurgh! | 0:02:18 | 0:02:20 | |
You see, you can't walk properly wearing those, | 0:02:20 | 0:02:23 | |
and then you could do yourself a serious injury as well. | 0:02:23 | 0:02:27 | |
-JO: -But they're gravity-defying, because the guy on the right, | 0:02:27 | 0:02:30 | |
surely they are just about to fall down. | 0:02:30 | 0:02:33 | |
No, cos when you're a teenager you've got a natural hook. | 0:02:33 | 0:02:36 | |
-LAUGHTER -Is that right? | 0:02:36 | 0:02:38 | |
However, they can have some surprising good purposes. | 0:02:47 | 0:02:52 | |
This is an American gentleman who's decided to rob an off licence. | 0:02:52 | 0:02:58 | |
And this is CCTV footage. | 0:02:58 | 0:03:01 | |
He parks the car and he's in his groovy low-slung jeans, | 0:03:01 | 0:03:04 | |
and goes in - a man on a mission. | 0:03:04 | 0:03:06 | |
LAUGHTER | 0:03:07 | 0:03:08 | |
OK, what is Jo's fashion hate? | 0:03:16 | 0:03:19 | |
Um, my fashion hate is extraordinarily expensive | 0:03:27 | 0:03:31 | |
high-heeled designer shoes. | 0:03:31 | 0:03:34 | |
For so many reasons. | 0:03:35 | 0:03:37 | |
Let's hear a few. | 0:03:37 | 0:03:38 | |
Well, first of all, the ridiculous price they are. | 0:03:38 | 0:03:41 | |
And expecting anyone that isn't posh to buy a pair, | 0:03:41 | 0:03:46 | |
I think is outrageous. | 0:03:46 | 0:03:48 | |
If you're talking Manolo Blahniks or Louboutin, | 0:03:48 | 0:03:53 | |
they come in, you know, up to... | 0:03:53 | 0:03:54 | |
I think the most expensive pair was 20 grand. | 0:03:54 | 0:03:58 | |
But, you know, roughly a grand, you know, | 0:03:58 | 0:04:02 | |
500 to a grand for a pair of shoes. | 0:04:02 | 0:04:05 | |
I just think it's outrageous. I just want to demonstrate | 0:04:05 | 0:04:09 | |
as well... I think they're dangerous. | 0:04:09 | 0:04:13 | |
Like, this is me with my sad old working men's boots. | 0:04:13 | 0:04:17 | |
Walking home from the pub, OK? | 0:04:18 | 0:04:20 | |
Behind me is a rather scary looking man. | 0:04:20 | 0:04:23 | |
I do this. | 0:04:23 | 0:04:25 | |
OK? | 0:04:25 | 0:04:26 | |
Now, this is a woman in Louboutins walking home from the pub. | 0:04:28 | 0:04:32 | |
Scary man. | 0:04:32 | 0:04:33 | |
LAUGHTER | 0:04:34 | 0:04:37 | |
It's true, you cannot run in them. | 0:04:37 | 0:04:38 | |
Yeah, but you don't need to run, | 0:04:38 | 0:04:40 | |
cos the men have their trousers round their knees! | 0:04:40 | 0:04:42 | |
LAUGHTER | 0:04:42 | 0:04:43 | |
Also, I don't know if you're aware, every year in Moscow, | 0:04:45 | 0:04:48 | |
they have a high-heels race. | 0:04:48 | 0:04:51 | |
Let's have a look at it. | 0:04:51 | 0:04:52 | |
LAUGHTER | 0:05:03 | 0:05:04 | |
-Oh, my God! -Maybe you were right, Jo. | 0:05:07 | 0:05:09 | |
I just...I couldn't stand to lose... | 0:05:10 | 0:05:12 | |
HIGH HEELS TAPPING | 0:05:12 | 0:05:14 | |
It's one of the most feminine sounds, I think. | 0:05:16 | 0:05:19 | |
That recording you just played, I've heard that before. | 0:05:19 | 0:05:22 | |
That's Ann Widdecombe walking down the street. | 0:05:22 | 0:05:24 | |
LAUGHTER | 0:05:24 | 0:05:26 | |
But everything that women wear is pretty grim in terms of comfort, | 0:05:32 | 0:05:36 | |
isn't it? I mean, it's not like... are the shoes the worst bit? | 0:05:36 | 0:05:39 | |
Because... | 0:05:39 | 0:05:41 | |
I mean... | 0:05:41 | 0:05:42 | |
LAUGHTER | 0:05:42 | 0:05:44 | |
It all looks pretty uncomfortable to me! | 0:05:44 | 0:05:47 | |
I mean, it's great, don't get me wrong. It's brilliant. | 0:05:47 | 0:05:49 | |
You know those spiky dog leads with the... | 0:05:49 | 0:05:53 | |
they look so uncomfortable. | 0:05:53 | 0:05:55 | |
And those gags, they don't look nice at all. | 0:05:55 | 0:05:58 | |
Those balls that fix into the... | 0:05:58 | 0:06:01 | |
And you know those the things that come round the back of the... | 0:06:01 | 0:06:05 | |
They look really uncomfortable. | 0:06:05 | 0:06:07 | |
Yeah, I mean, my gimp suit that I have to wear | 0:06:07 | 0:06:09 | |
-on my wedding anniversaries... -Exactly. -Very uncomfortable and hot. | 0:06:09 | 0:06:14 | |
OK, what is Ben's fashion pet hate? | 0:06:14 | 0:06:18 | |
Frank, I want to put in shoelaces. | 0:06:26 | 0:06:28 | |
I've never been able to tie shoelaces. I don't... | 0:06:28 | 0:06:32 | |
I don't understand how you do a bow. I've tried it. | 0:06:32 | 0:06:35 | |
They tried to teach me at school. I think it's an insane system. | 0:06:35 | 0:06:40 | |
What I love is, Ben is actually telling the truth here, aren't you? | 0:06:40 | 0:06:45 | |
-Yeah. -I love it. -No, I am. I can't tie shoelaces and, um... | 0:06:45 | 0:06:50 | |
I mean, I know you hold one thing in a little... | 0:06:50 | 0:06:53 | |
What do you do with that other bit of string? | 0:06:53 | 0:06:55 | |
You loop that round, you pull that through something... It seems ridiculous. | 0:06:55 | 0:06:58 | |
And I can't get with it. I could never understand it. | 0:06:58 | 0:07:01 | |
It seems far too complicated. | 0:07:01 | 0:07:03 | |
And as a result, I've got my own system. | 0:07:05 | 0:07:07 | |
Oh. | 0:07:09 | 0:07:10 | |
It's quite a boring system. | 0:07:12 | 0:07:13 | |
Yes, it's quite... LAUGHTER | 0:07:13 | 0:07:16 | |
It's not foolproof as a system. | 0:07:19 | 0:07:21 | |
So you take the one lace like that, loop... | 0:07:21 | 0:07:25 | |
Second lace, loop... | 0:07:25 | 0:07:28 | |
bend like that...bow. | 0:07:28 | 0:07:30 | |
APPLAUSE | 0:07:30 | 0:07:33 | |
That's much easier. | 0:07:33 | 0:07:34 | |
It does come undone immediately, | 0:07:34 | 0:07:36 | |
so you have to tie it a couple more times like that. | 0:07:36 | 0:07:39 | |
I'll tell you actually one great thing you can do. | 0:07:40 | 0:07:42 | |
When I was a nurse I used to live with two doctors | 0:07:42 | 0:07:45 | |
and they were tired a lot of the time | 0:07:45 | 0:07:47 | |
and they would fall asleep in front of the telly when they got in. | 0:07:47 | 0:07:50 | |
And so once, I couldn't resist it, I tied their shoelaces together, | 0:07:50 | 0:07:54 | |
and it's so brilliant when they get up, | 0:07:54 | 0:07:57 | |
because you kind of go like that really loudly and they go... | 0:07:57 | 0:08:01 | |
LAUGHTER | 0:08:01 | 0:08:04 | |
OK, then. This is a tricky one. | 0:08:12 | 0:08:14 | |
I'm loath to put in designer shoes, Jo, and I'll tell you why. | 0:08:14 | 0:08:19 | |
Although they are bad for you, they make a lot of women | 0:08:19 | 0:08:23 | |
very, very happy. | 0:08:23 | 0:08:24 | |
And I do find them absolutely hilarious, those low-slung jeans, | 0:08:24 | 0:08:29 | |
but people laughed at us when we dressed in our silly flares | 0:08:29 | 0:08:33 | |
and all that sort of stuff. | 0:08:33 | 0:08:35 | |
So I think shoelaces, if you don't really get it, it's a tough thing, | 0:08:35 | 0:08:42 | |
so I think, yes, it's tricky, | 0:08:42 | 0:08:45 | |
but I am going to put shoelaces into Room 101. | 0:08:45 | 0:08:48 | |
APPLAUSE | 0:08:48 | 0:08:51 | |
Anyway, let's have our next category. | 0:09:00 | 0:09:03 | |
Blimey, it's transport! | 0:09:08 | 0:09:10 | |
So what is Jo's transport gripe? | 0:09:10 | 0:09:14 | |
My transport gripe is rude drivers. | 0:09:21 | 0:09:24 | |
I do all the driving in my family | 0:09:24 | 0:09:26 | |
because my husband never learned to drive. | 0:09:26 | 0:09:29 | |
In my opinion. | 0:09:29 | 0:09:31 | |
LAUGHTER | 0:09:31 | 0:09:34 | |
The thing that really gets to me, when I get most angry | 0:09:34 | 0:09:37 | |
and when I do fight back is that thing where you... | 0:09:37 | 0:09:41 | |
there's only enough room for one car | 0:09:41 | 0:09:43 | |
and there's a car coming towards you, so you pull in | 0:09:43 | 0:09:46 | |
and let them through. | 0:09:46 | 0:09:47 | |
And if they don't sort of go, "Thanks," it drives me mental. | 0:09:47 | 0:09:53 | |
If you thank someone, what do you do? | 0:09:53 | 0:09:55 | |
Do you flash the lights or do you do the little...? | 0:09:55 | 0:09:58 | |
I do the little...like that. | 0:09:58 | 0:10:00 | |
But I flash the lights at night, | 0:10:00 | 0:10:01 | |
cos obviously they can't see you going... | 0:10:01 | 0:10:04 | |
LAUGHTER | 0:10:04 | 0:10:05 | |
I find that when people are crossing the zebra crossing as well, | 0:10:05 | 0:10:09 | |
some people will do the nod and some people will do the thumbs-up, | 0:10:09 | 0:10:13 | |
and some people will just ignore you, so there's a lot of it about. | 0:10:13 | 0:10:16 | |
Do you know what the people are called that ignore you? | 0:10:16 | 0:10:19 | |
They're called men. | 0:10:19 | 0:10:20 | |
LAUGHTER | 0:10:20 | 0:10:22 | |
Jo! | 0:10:23 | 0:10:25 | |
SOME BOOING | 0:10:25 | 0:10:27 | |
I stopped for a... what looked like a hen party. | 0:10:27 | 0:10:30 | |
It was about one o'clock in the morning, | 0:10:30 | 0:10:31 | |
and they all crossed quite slowly across the zebra crossing, | 0:10:31 | 0:10:36 | |
and then one girl turned and just held her top up. | 0:10:36 | 0:10:39 | |
She had a bra on and stuff, but... | 0:10:39 | 0:10:41 | |
It's all right. And, er... | 0:10:41 | 0:10:43 | |
LAUGHTER | 0:10:43 | 0:10:44 | |
I think for about three weeks after, | 0:10:44 | 0:10:46 | |
if anyone on a zebra crossing went... | 0:10:46 | 0:10:48 | |
I thought, "Is that it?" | 0:10:48 | 0:10:50 | |
LAUGHTER | 0:10:50 | 0:10:52 | |
But you wouldn't say, would you, | 0:10:52 | 0:10:54 | |
that it's just men who are rude drivers? | 0:10:54 | 0:10:58 | |
Oh, no, not at all. | 0:10:58 | 0:10:59 | |
You know, I've had a fair number of road rage incidents. | 0:10:59 | 0:11:03 | |
-When you've been the one who's enraged? -Yeah. | 0:11:03 | 0:11:06 | |
But also I've caused it as well a couple of times. | 0:11:06 | 0:11:09 | |
Oh, yes, indeedy. | 0:11:09 | 0:11:11 | |
LAUGHTER | 0:11:11 | 0:11:12 | |
The thing is, I have been chased in the past by other cars. I once... | 0:11:12 | 0:11:16 | |
LAUGHTER | 0:11:16 | 0:11:18 | |
I was coming home from a Labour Party do once | 0:11:19 | 0:11:23 | |
and I was being followed by this car, so I went | 0:11:23 | 0:11:26 | |
in and out of these little roads, and it was still following me. | 0:11:26 | 0:11:29 | |
And I thought, "I'm going to do what spies do." | 0:11:29 | 0:11:33 | |
So I got up to the lights, I indicated left and so did he behind, | 0:11:33 | 0:11:37 | |
and just as I got to the turn, I swerved right across four lanes | 0:11:37 | 0:11:42 | |
and went off in that direction. | 0:11:42 | 0:11:44 | |
And he couldn't chase me because he'd started to go left. | 0:11:44 | 0:11:48 | |
It was really good fun, but don't do it at home. | 0:11:48 | 0:11:51 | |
You crossed four lanes of traffic without indicating, | 0:11:51 | 0:11:54 | |
and you wonder why people are rude to you on the road? | 0:11:54 | 0:11:56 | |
LAUGHTER | 0:11:56 | 0:11:58 | |
Well, I'm glad you're not just laying it on men cos I've had | 0:11:58 | 0:12:01 | |
women scream at me when I've been driving... | 0:12:01 | 0:12:03 | |
-Of course. -I've had to ask them to get out of the car. | 0:12:03 | 0:12:06 | |
LAUGHTER | 0:12:06 | 0:12:07 | |
OK, then. So what does Bill not like about the world of transport? | 0:12:08 | 0:12:13 | |
SHOUTS OF AGREEMENT | 0:12:19 | 0:12:20 | |
Oh! | 0:12:20 | 0:12:21 | |
APPLAUSE | 0:12:21 | 0:12:23 | |
A popular choice. | 0:12:23 | 0:12:25 | |
It's middle-lane drivers on the motorway. | 0:12:26 | 0:12:29 | |
What is that about, do you think? | 0:12:29 | 0:12:32 | |
Well, it's about just sitting in that middle lane, | 0:12:32 | 0:12:35 | |
comfortably going at 60, 55, 70mph, | 0:12:35 | 0:12:38 | |
with space to either side of you, saying, "I'm safe here. | 0:12:38 | 0:12:43 | |
"I'm doing up to the speed limit. | 0:12:43 | 0:12:44 | |
"And if you overtake me, you're breaking the law. | 0:12:44 | 0:12:47 | |
"So you can just jolly well sit there." | 0:12:47 | 0:12:49 | |
It's a nice, comfy place to be, it just rather gets in the way. | 0:12:49 | 0:12:53 | |
I really don't understand what it's about. I was, er... | 0:12:53 | 0:12:56 | |
when I first learned to drive, a woman - | 0:12:56 | 0:13:00 | |
it just happened to be a woman - said to me... | 0:13:00 | 0:13:02 | |
-LAUGHTER -"Have you been on the motorway yet?" | 0:13:02 | 0:13:04 | |
And I said, "I haven't been on the motorway. | 0:13:04 | 0:13:06 | |
"I'm a bit nervous about it." She said, "I'll give you a tip. | 0:13:06 | 0:13:09 | |
"Once you're on, get into the middle lane, | 0:13:09 | 0:13:12 | |
"and then just stay there until you have to get off. | 0:13:12 | 0:13:15 | |
"It takes all the decision making out of it. | 0:13:15 | 0:13:17 | |
"You can just relax and enjoy it." | 0:13:17 | 0:13:20 | |
-People think it's safer. -Yeah. -But actually... | 0:13:20 | 0:13:22 | |
I haven't got to worry about changing lanes. | 0:13:22 | 0:13:25 | |
But if you change lanes, it gives you something to think about on the motorway. | 0:13:25 | 0:13:28 | |
Otherwise you get a bit bored. | 0:13:28 | 0:13:30 | |
I find that really annoying. | 0:13:30 | 0:13:32 | |
When the cars go constantly from one lane to another. | 0:13:32 | 0:13:36 | |
Are you one of those people who's constantly changing...always | 0:13:36 | 0:13:39 | |
moving to the inside lane? | 0:13:39 | 0:13:41 | |
If there's a reasonable space, I get over. | 0:13:41 | 0:13:42 | |
Because that frees up space for other people, like yourself, | 0:13:42 | 0:13:46 | |
or probably Frank. | 0:13:46 | 0:13:47 | |
Oooh, lads! | 0:13:47 | 0:13:49 | |
LAUGHTER | 0:13:49 | 0:13:51 | |
I'll tell you what I do do. | 0:13:51 | 0:13:52 | |
If there's someone sitting in the middle lane, | 0:13:52 | 0:13:55 | |
I'll do that thing of overtaking on the outside | 0:13:55 | 0:13:57 | |
and then veering right across them back in the middle lane. | 0:13:57 | 0:14:00 | |
-Yeah, I do that. -As an instructional moment. | 0:14:00 | 0:14:03 | |
-This is where you should be. -Making your point. | 0:14:03 | 0:14:05 | |
And what I've started doing over the last couple of years is, | 0:14:05 | 0:14:08 | |
as I go across, I hit the windscreen washer, so they get sprayed. | 0:14:08 | 0:14:13 | |
LAUGHTER AND APPLAUSE | 0:14:13 | 0:14:14 | |
I'll do the same thing | 0:14:18 | 0:14:19 | |
if a man's standing alone in the middle of three urinals. | 0:14:19 | 0:14:22 | |
LAUGHTER | 0:14:22 | 0:14:24 | |
Or I'll get really close behind him and start flashing. | 0:14:27 | 0:14:30 | |
LAUGHTER | 0:14:30 | 0:14:32 | |
They're often not aware you're behind them | 0:14:32 | 0:14:34 | |
trying to get past either, I don't think. | 0:14:34 | 0:14:36 | |
To be honest, I reckon most of us | 0:14:36 | 0:14:37 | |
have done it at some point or another, haven't we? | 0:14:37 | 0:14:40 | |
Sat in... come on, you know you have! | 0:14:40 | 0:14:42 | |
Definitely not. | 0:14:42 | 0:14:43 | |
-Really? -No, I don't think... | 0:14:43 | 0:14:45 | |
I was with someone who did it once, and, erm... | 0:14:45 | 0:14:50 | |
and she, er... | 0:14:50 | 0:14:53 | |
LAUGHTER | 0:14:53 | 0:14:55 | |
Yay! | 0:14:55 | 0:14:56 | |
..she didn't seem to notice that there was all these horns blasting. | 0:14:56 | 0:14:59 | |
It was like being in a presidential motorcade. | 0:14:59 | 0:15:02 | |
Cars both sides of us, lights flashing, horns - I was terrified! | 0:15:02 | 0:15:05 | |
LAUGHTER | 0:15:05 | 0:15:07 | |
So, what is Ben's transport hate? | 0:15:07 | 0:15:09 | |
WHIRRING | 0:15:10 | 0:15:15 | |
Other pedestrians. | 0:15:16 | 0:15:18 | |
LAUGHTER | 0:15:18 | 0:15:21 | |
You see, we've been talking about the roads, haven't we? | 0:15:21 | 0:15:24 | |
And transport on the roads. | 0:15:24 | 0:15:26 | |
But there is a much bigger problem, Frank, which is... | 0:15:26 | 0:15:30 | |
our pavements are...chaos! | 0:15:30 | 0:15:33 | |
LAUGHTER | 0:15:33 | 0:15:34 | |
You cannot walk safely on a pavement. | 0:15:34 | 0:15:37 | |
People don't know what they're doing. They don't know how to use it. | 0:15:37 | 0:15:40 | |
You'll be walking along a pavement and somebody will stop immediately in front of you | 0:15:40 | 0:15:45 | |
for no reason whatsoever and there will be a mass pile-up. | 0:15:45 | 0:15:49 | |
LAUGHTER | 0:15:49 | 0:15:50 | |
OR...they will suddenly swerve and look into a shop immediately in front of you, | 0:15:50 | 0:15:55 | |
that they showed NO interest in whatsoever, | 0:15:55 | 0:15:58 | |
even, perhaps, five milliseconds before. | 0:15:58 | 0:16:01 | |
Or, suddenly veer from looking at the shops | 0:16:01 | 0:16:03 | |
straight across the pavement and cross the road. | 0:16:03 | 0:16:05 | |
AUDIENCE MEMBER: "Yay!" | 0:16:05 | 0:16:07 | |
GENERAL APPLAUSE | 0:16:07 | 0:16:09 | |
What we need... | 0:16:12 | 0:16:14 | |
What we need is some sort of system, | 0:16:14 | 0:16:17 | |
because what we've got is unworkable. | 0:16:17 | 0:16:20 | |
LAUGHTER | 0:16:20 | 0:16:21 | |
What I'm suggesting is a lane system. | 0:16:21 | 0:16:26 | |
LAUGHTER | 0:16:26 | 0:16:28 | |
This way we can...start enjoying our lives again, Frank. | 0:16:28 | 0:16:34 | |
APPLAUSE | 0:16:34 | 0:16:38 | |
I love the idea of people seeing dog excrement | 0:16:42 | 0:16:44 | |
and having to indicate. | 0:16:44 | 0:16:46 | |
LAUGHTER | 0:16:46 | 0:16:47 | |
Pulling into another lane. | 0:16:47 | 0:16:50 | |
I tell you what, I wear these headphones when I'm out walking. | 0:16:50 | 0:16:56 | |
And, er... with these... | 0:16:56 | 0:16:58 | |
LAUGHTER | 0:16:58 | 0:17:02 | |
If I decide I'm going to turn right... | 0:17:02 | 0:17:05 | |
LAUGHTER AND APPLAUSE | 0:17:05 | 0:17:08 | |
Or if I have a nervous breakdown. | 0:17:09 | 0:17:12 | |
LAUGHTER AND APPLAUSE | 0:17:12 | 0:17:16 | |
I have to say, I walk a lot. I am a very keen pedestrian. | 0:17:18 | 0:17:25 | |
And I know exactly what... That thing of suddenly stopping. | 0:17:25 | 0:17:30 | |
What are they doing?! What are they doing? | 0:17:30 | 0:17:32 | |
Or people will stand talking to a friend in the middle of the busiest... | 0:17:32 | 0:17:35 | |
In the middle of the pavement. | 0:17:35 | 0:17:37 | |
Which is clearly for fast-moving traffic. | 0:17:37 | 0:17:39 | |
I tell you my idea. Could you stand here, Ben. With your back to me. | 0:17:39 | 0:17:42 | |
And I'll tell you what... I came up with a theory. | 0:17:42 | 0:17:45 | |
Let's imagine you're standing... Don't look at me! | 0:17:45 | 0:17:49 | |
Let's imagine that you're standing talking to a friend, right. | 0:17:49 | 0:17:53 | |
Once you've been there, I think, more than five minutes, | 0:17:55 | 0:17:58 | |
I come in with this. | 0:17:58 | 0:17:59 | |
APPLAUSE AND LAUGHTER | 0:17:59 | 0:18:03 | |
I won't leave you there. You could be towed away! | 0:18:09 | 0:18:11 | |
-That'd be perfect. -And I would say thank you, Frank! | 0:18:11 | 0:18:14 | |
Because you've taught me something. | 0:18:14 | 0:18:16 | |
You've taught me something about how to behave on a pavement. | 0:18:16 | 0:18:19 | |
Actually, what I think is, we could nominate marshalls. | 0:18:19 | 0:18:25 | |
The clamping things a great idea, but tasers would also be good. | 0:18:25 | 0:18:29 | |
LAUGHTER | 0:18:29 | 0:18:30 | |
-I'd go with tasers. -You simply take them down! Sudden stop? You go down! | 0:18:30 | 0:18:36 | |
Well, I must say you've all argued your cases incredibly well. | 0:18:39 | 0:18:45 | |
I don't think anybody likes rude drivers, | 0:18:45 | 0:18:47 | |
but I feel that I am one, to some extent. | 0:18:47 | 0:18:51 | |
-And I think you are as well, Jo. -All right. -So, we're all guilty. | 0:18:51 | 0:18:57 | |
And if I put us all in, then that's going to be the show over already. | 0:18:57 | 0:19:00 | |
People who drive in the mid-lane, I do hate. | 0:19:00 | 0:19:04 | |
But I also get quite a lot of pleasure from baiting them. | 0:19:04 | 0:19:08 | |
LAUGHTER | 0:19:08 | 0:19:10 | |
But, this is such a close round, but I have so, so, strong a feeling | 0:19:10 | 0:19:15 | |
about pedestrians who don't know how to be pedestrians... | 0:19:15 | 0:19:18 | |
I am going to put other pedestrians into Room 101. | 0:19:18 | 0:19:22 | |
APPLAUSE | 0:19:22 | 0:19:26 | |
Anyway, let's have our next category. | 0:19:34 | 0:19:37 | |
Righto, it's People. What sort of people wind Jo up? | 0:19:43 | 0:19:47 | |
SOME GROANS AND APPLAUSE | 0:19:52 | 0:19:56 | |
People who have personalised number plates, | 0:20:00 | 0:20:04 | |
because first of all, they could just have a one size fits all | 0:20:04 | 0:20:08 | |
that says, "Donkey". And... | 0:20:08 | 0:20:12 | |
I bet you've cleaned that one up a bit, haven't you? | 0:20:12 | 0:20:14 | |
Yeah, I wasn't allowed to say "tosser" or "wanker". So... | 0:20:14 | 0:20:18 | |
LAUGHTER AND APPLAUSE | 0:20:18 | 0:20:21 | |
I just think these are all about flaunting your wealth, | 0:20:24 | 0:20:28 | |
again, which is not my favourite thing to see. | 0:20:28 | 0:20:32 | |
It's drawing attention to yourself. | 0:20:32 | 0:20:36 | |
I must, actually... years ago, I was driving through central London. | 0:20:36 | 0:20:40 | |
and this huge flash American car pulled up next to me at the lights, | 0:20:40 | 0:20:45 | |
it was brown and it had gold lettering on it. | 0:20:45 | 0:20:48 | |
And I looked across and it said, "PD" in big, gold letters, | 0:20:48 | 0:20:52 | |
which, as a psychiatric nurse, means "personality disorder". | 0:20:52 | 0:20:57 | |
LAUGHTER | 0:20:57 | 0:20:58 | |
But I looked at the driver, | 0:20:58 | 0:21:01 | |
and there was Paul Daniels waving back at me. | 0:21:01 | 0:21:04 | |
Like that. It's not magic. Piss off. | 0:21:04 | 0:21:08 | |
I'm a little edgy about this, because I... | 0:21:09 | 0:21:12 | |
-Have you got one? -I have one. | 0:21:12 | 0:21:14 | |
LAUGHTER AND APPLAUSE | 0:21:14 | 0:21:16 | |
And... | 0:21:16 | 0:21:17 | |
..my car's been on telly quite a lot of times, | 0:21:19 | 0:21:21 | |
so you might actually recognise my number plate. | 0:21:21 | 0:21:24 | |
LAUGHTER | 0:21:25 | 0:21:28 | |
No, no, it's not that one. | 0:21:30 | 0:21:32 | |
No, this is my one. | 0:21:32 | 0:21:34 | |
It's not that inventive, but, | 0:21:38 | 0:21:40 | |
you know, I've got a lot on my plate. | 0:21:40 | 0:21:42 | |
LAUGHTER AND GROANS | 0:21:42 | 0:21:44 | |
Yes, I don't really have one. | 0:21:44 | 0:21:46 | |
But I have to say that sometimes I like to spot them | 0:21:46 | 0:21:49 | |
and they sort of cheer me up, | 0:21:49 | 0:21:50 | |
because some of them are quite funny and inventive. | 0:21:50 | 0:21:53 | |
This is a genuine example. I live on the River Thames, | 0:21:53 | 0:21:57 | |
and I pass a double garage along the Thames on a regular basis, | 0:21:57 | 0:22:03 | |
and there are two cars parked in this garage, | 0:22:03 | 0:22:06 | |
and this is a photo that I took with my phone, and this is genuine. | 0:22:06 | 0:22:10 | |
Those are the two cars. | 0:22:10 | 0:22:12 | |
-Now, I like that. That is funny. I like that. -It is brilliant. | 0:22:15 | 0:22:18 | |
But it must be quite hard driving along together all the time. | 0:22:18 | 0:22:21 | |
Should I stop running my keys along the side of them, then? | 0:22:22 | 0:22:26 | |
LAUGHTER | 0:22:26 | 0:22:28 | |
Oh, no, don't stop that! | 0:22:28 | 0:22:30 | |
If that was an available number plate, that one, | 0:22:30 | 0:22:33 | |
and say tonight I said, "You can have this for free, Jo," | 0:22:33 | 0:22:36 | |
what would you do? Would you have it? | 0:22:36 | 0:22:38 | |
I'd give it to someone I didn't like. | 0:22:38 | 0:22:40 | |
And then someone might think it was me, and if they hated me, | 0:22:40 | 0:22:44 | |
they might vandalise the car. | 0:22:44 | 0:22:46 | |
LAUGHTER | 0:22:46 | 0:22:47 | |
OK. So what kind of people doesn't Ben like? | 0:22:49 | 0:22:53 | |
WHIRRING | 0:22:53 | 0:22:54 | |
I don't like friends' friends. | 0:22:59 | 0:23:02 | |
I mean, I find it hard enough to get on with my friends anyway. | 0:23:06 | 0:23:11 | |
LAUGHTER | 0:23:13 | 0:23:14 | |
It's such hard work. You have to put such an immense amount of effort in. | 0:23:14 | 0:23:18 | |
You have to be the best person you can be, you have to be kind, | 0:23:18 | 0:23:20 | |
you have to be considerate, you have to listen. You have to be... | 0:23:20 | 0:23:24 | |
you have to be a very selfless person, | 0:23:24 | 0:23:26 | |
and I simply can't extend that to their friends. | 0:23:26 | 0:23:31 | |
Who I... | 0:23:31 | 0:23:32 | |
..really don't like at all. | 0:23:34 | 0:23:36 | |
LAUGHTER | 0:23:36 | 0:23:38 | |
It can be irritating when a friend of a friend... | 0:23:39 | 0:23:42 | |
they share an in-joke. So they say, | 0:23:42 | 0:23:44 | |
"Do you remember that guy who couldn't tie his shoelaces?" | 0:23:44 | 0:23:47 | |
That sort of thing, and they laugh hilariously. | 0:23:47 | 0:23:49 | |
LAUGHTER AND APPLAUSE | 0:23:49 | 0:23:52 | |
It's true! | 0:23:52 | 0:23:53 | |
It's the effort involved. | 0:23:56 | 0:23:58 | |
I feel like I'm using up a bit of my soul, | 0:23:58 | 0:24:02 | |
something very precious that's inside of me | 0:24:02 | 0:24:04 | |
that I've only got so much of, | 0:24:04 | 0:24:07 | |
and I'm spending it, I'm spending it, | 0:24:07 | 0:24:09 | |
I'm spending it with people I really can't stand, | 0:24:09 | 0:24:13 | |
and worse of all, I've got to be nice to them. | 0:24:13 | 0:24:15 | |
That's what I find really... | 0:24:15 | 0:24:17 | |
Being nice is absolutely exhausting. | 0:24:17 | 0:24:20 | |
How do you ever make new friends, then? | 0:24:20 | 0:24:23 | |
I haven't got any friends. | 0:24:23 | 0:24:24 | |
I've only got Dave, and I really don't like him much. | 0:24:25 | 0:24:28 | |
Have you ever thought of going into social work? | 0:24:28 | 0:24:31 | |
OK. What people wind up Bill? | 0:24:34 | 0:24:37 | |
WHIRRING | 0:24:37 | 0:24:39 | |
Oh. | 0:24:43 | 0:24:45 | |
This is a slightly pernickety one, but I don't like | 0:24:45 | 0:24:48 | |
people who can't tell the difference between bees and wasps. | 0:24:48 | 0:24:53 | |
LAUGHTER AND APPLAUSE | 0:24:53 | 0:24:55 | |
You see here? This is a bee. | 0:25:02 | 0:25:06 | |
And this is a wasp. | 0:25:07 | 0:25:09 | |
Yes. | 0:25:09 | 0:25:10 | |
It's a wasp. | 0:25:10 | 0:25:11 | |
-The two... -I knew that, Bill! | 0:25:11 | 0:25:14 | |
No, but for the benefit of people at home, | 0:25:14 | 0:25:16 | |
they are very, very different. | 0:25:16 | 0:25:18 | |
They are, in fact, mortal enemies. | 0:25:18 | 0:25:21 | |
When a bee meets a wasp, they fight to the death. | 0:25:21 | 0:25:24 | |
-Is that true? -Yes. | 0:25:24 | 0:25:25 | |
I know this because I happen to keep bees in my spare time. | 0:25:25 | 0:25:30 | |
And beekeepers hate wasps, because wasps are always trying | 0:25:30 | 0:25:34 | |
to get into the hive to steal the honey, | 0:25:34 | 0:25:36 | |
especially at the end of the summer. | 0:25:36 | 0:25:39 | |
-The wasps steal the bees' honey? -They do. | 0:25:39 | 0:25:41 | |
-Are you sure you haven't got them mixed up with bears? -No... | 0:25:41 | 0:25:44 | |
LAUGHTER | 0:25:44 | 0:25:46 | |
Can I just say, to be fair, | 0:25:46 | 0:25:48 | |
that is the whole game the wasp is into. | 0:25:48 | 0:25:52 | |
The wasp is imitating the bee. | 0:25:52 | 0:25:55 | |
I can't blame people for not being able to tell the difference. | 0:25:57 | 0:26:00 | |
That is the wasp's plan. | 0:26:00 | 0:26:03 | |
LAUGHTER | 0:26:03 | 0:26:06 | |
He's right, though. He's right, Bill. | 0:26:07 | 0:26:09 | |
They do the voice and everything. | 0:26:09 | 0:26:12 | |
I've got... have you seen these? | 0:26:15 | 0:26:18 | |
This is a thing for kids, really, but believe me, | 0:26:18 | 0:26:22 | |
adults can use it too. It's called a Watch-A-Bug, | 0:26:22 | 0:26:26 | |
and the idea is that - commercially available - | 0:26:26 | 0:26:30 | |
you catch something, a bee or a wasp, | 0:26:30 | 0:26:34 | |
and you keep it. | 0:26:34 | 0:26:37 | |
You put it on this platform and you keep it under that little grid. | 0:26:37 | 0:26:41 | |
Why? | 0:26:43 | 0:26:44 | |
Well... | 0:26:44 | 0:26:45 | |
Let's imagine you were out and you got mugged. | 0:26:45 | 0:26:48 | |
Person heading towards you, and you say, | 0:26:51 | 0:26:53 | |
"OK, OK. If that's what you want... go on! Go on!" | 0:26:53 | 0:26:56 | |
Off they go. It's a little bit like | 0:26:58 | 0:27:01 | |
the sort of working class version of falconry. | 0:27:01 | 0:27:04 | |
No, it's a real thing, and you put it in there, | 0:27:08 | 0:27:10 | |
and you can study the insects. | 0:27:10 | 0:27:13 | |
I'll tell you something, this is one woman, Bill, | 0:27:13 | 0:27:15 | |
that I really don't think you should go out with. | 0:27:15 | 0:27:18 | |
There's no mistake. | 0:27:18 | 0:27:19 | |
We've got to call the police now. | 0:27:19 | 0:27:21 | |
Now, Mary, you're just getting a little excited. | 0:27:21 | 0:27:24 | |
Who could possibly want to hurt Mr Cooper? | 0:27:24 | 0:27:27 | |
I don't know. | 0:27:29 | 0:27:30 | |
What abou...? | 0:27:30 | 0:27:32 | |
SHE SCREAMS | 0:27:34 | 0:27:35 | |
LAUGHTER | 0:27:46 | 0:27:48 | |
She obviously had high heels on, | 0:27:48 | 0:27:50 | |
cos she was completely useless at running away. | 0:27:50 | 0:27:52 | |
LAUGHTER AND APPLAUSE | 0:27:52 | 0:27:55 | |
OK, so we come to the end of the People round. | 0:27:59 | 0:28:02 | |
Well, it's a tricky one. I mean, the friends' friend thing, | 0:28:02 | 0:28:06 | |
I know it can be a horrible, awkward social situation. | 0:28:06 | 0:28:10 | |
Personalised number plates often are owned by complete prats, | 0:28:10 | 0:28:15 | |
but they can make me laugh, and I do like to spot them. | 0:28:15 | 0:28:18 | |
I love a celebrity spot. | 0:28:18 | 0:28:20 | |
I'll tell you what - I am... | 0:28:20 | 0:28:21 | |
I think Bill's won me over. | 0:28:21 | 0:28:23 | |
I am going to put people who can't tell the difference | 0:28:23 | 0:28:25 | |
between bees and wasps into Room 101. | 0:28:25 | 0:28:28 | |
APPLAUSE AND CHEERING | 0:28:28 | 0:28:30 | |
OK, let's have the next category. | 0:28:40 | 0:28:42 | |
Ah, now, this is the Wildcard round. | 0:28:47 | 0:28:49 | |
So the gloves are off now. There are no limitations. | 0:28:49 | 0:28:52 | |
You can have anything that you don't like in this round. | 0:28:52 | 0:28:54 | |
So, what's Jo's wildcard? | 0:28:54 | 0:28:57 | |
WHIRRING | 0:28:57 | 0:29:00 | |
It's vampire films. | 0:29:04 | 0:29:05 | |
Oh, no...! | 0:29:05 | 0:29:07 | |
CLAPPING | 0:29:07 | 0:29:09 | |
The problem with vampire films is they're SO boring. | 0:29:11 | 0:29:15 | |
Because they've got a lot of people being bitten in the neck, | 0:29:15 | 0:29:20 | |
and you get slightly bored with that after a while, | 0:29:20 | 0:29:23 | |
and they've kind of skimped on character, plot, atmosphere... | 0:29:23 | 0:29:29 | |
Pretty much anything you can think of. | 0:29:29 | 0:29:32 | |
This is a difficult one for me, cos you know I love you, Jo, | 0:29:32 | 0:29:35 | |
but I do love a vampire film. | 0:29:35 | 0:29:37 | |
Well, give me five reasons why you love a vampire film | 0:29:37 | 0:29:41 | |
and I will accept, that I am not even going to get a point today. | 0:29:41 | 0:29:45 | |
I think it encourages people to read books - | 0:29:45 | 0:29:47 | |
they often go and read the original book. | 0:29:47 | 0:29:49 | |
It encourages them to write. OK, on their forearm with a compass, but... | 0:29:49 | 0:29:54 | |
LAUGHTER | 0:29:54 | 0:29:58 | |
And there are a lot of people that it is absolutely at the centre of their universe. | 0:29:58 | 0:30:02 | |
The vampire movie genre. | 0:30:02 | 0:30:04 | |
We have a woman here - this woman filmed herself watching | 0:30:04 | 0:30:08 | |
the trailer for Breaking Dawn Part 2 which is one of the Twilight series. | 0:30:08 | 0:30:14 | |
She filmed herself because she wanted to capture that moment | 0:30:14 | 0:30:18 | |
when she first saw it. | 0:30:18 | 0:30:19 | |
And I think this shows to me what love and passion is all about. | 0:30:19 | 0:30:23 | |
Here we go. | 0:30:24 | 0:30:26 | |
Oh, no, pause, nuh-uh! | 0:30:27 | 0:30:29 | |
I can't... Mm-mm. Mm-mm. I can't. | 0:30:29 | 0:30:32 | |
Once I've watched it, that's it! | 0:30:33 | 0:30:36 | |
Once I've watched it, | 0:30:38 | 0:30:39 | |
I'm never going to be able to watch the trailer again for the first time! | 0:30:39 | 0:30:43 | |
(Pain...!) | 0:30:49 | 0:30:51 | |
-Oh, my god, she's just jumped over a -BLEEP -waterfall! | 0:30:51 | 0:30:56 | |
Oh, now look, now the cat's dead! | 0:30:58 | 0:31:00 | |
Oh. No. | 0:31:00 | 0:31:01 | |
-Oh, my -BLEEP -God! Pecs! | 0:31:01 | 0:31:04 | |
I wouldn't want to be with her when she watches the box set | 0:31:07 | 0:31:10 | |
if the trailer does that to her. | 0:31:10 | 0:31:13 | |
What about... This is another woman who has a tattoo of the Twilight people. | 0:31:13 | 0:31:17 | |
AUDIENCE GROANS | 0:31:17 | 0:31:20 | |
That's beautiful, isn't it? | 0:31:20 | 0:31:22 | |
And if you think there's quite a lot of foliage, there's a reason. | 0:31:22 | 0:31:28 | |
Because originally, it was the presenters from Groundforce. | 0:31:28 | 0:31:32 | |
LAUGHTER | 0:31:32 | 0:31:36 | |
So, what is Ben's wildcard? | 0:31:38 | 0:31:41 | |
WHIRRING | 0:31:41 | 0:31:45 | |
APPLAUSE | 0:31:45 | 0:31:50 | |
Can I say, Ben. We usually do, like, a fancy prop, | 0:31:53 | 0:31:56 | |
but no-one on the team knew what it meant. | 0:31:56 | 0:32:00 | |
Homeopathy is a type of medicine you can buy over the counter | 0:32:00 | 0:32:06 | |
in lots of alternative health shops, | 0:32:06 | 0:32:08 | |
but some mainstream chemists, as well. | 0:32:08 | 0:32:11 | |
And, basically, the idea stems from a German scie... | 0:32:11 | 0:32:17 | |
Well, not scientist, exactly, because he had no qualifications whatsoever. | 0:32:17 | 0:32:22 | |
A German man, to give him his full title. | 0:32:22 | 0:32:26 | |
LAUGHTER | 0:32:26 | 0:32:29 | |
His theory was, if you had an illness, | 0:32:29 | 0:32:31 | |
whatever the symptoms were of that illness, | 0:32:31 | 0:32:34 | |
if you took some substance which gave you the same symptoms, | 0:32:34 | 0:32:39 | |
it would cure you. | 0:32:39 | 0:32:40 | |
So if you've got a high temperature - say, you've got malaria, | 0:32:40 | 0:32:43 | |
then take a substance, usually a poison, | 0:32:43 | 0:32:46 | |
that would give you a high temperature, | 0:32:46 | 0:32:48 | |
and this would cure you. | 0:32:48 | 0:32:50 | |
This is something that has no biological connection | 0:32:50 | 0:32:53 | |
to the illness that you have. So... | 0:32:53 | 0:32:55 | |
because a lot of the compounds that he wanted to use were poisons | 0:32:55 | 0:32:59 | |
he decided that diluting something made it stronger - | 0:32:59 | 0:33:04 | |
stick with it, cos it's brilliant - | 0:33:04 | 0:33:06 | |
LAUGHTER | 0:33:06 | 0:33:07 | |
..provided you knocked it 10 times on a saddlebag... | 0:33:07 | 0:33:12 | |
a leather saddlebag, filled with horse hair. | 0:33:12 | 0:33:15 | |
LAUGHTER | 0:33:15 | 0:33:17 | |
And yet we all take it - I'm sure there are people here who will swear... | 0:33:17 | 0:33:20 | |
Is there any one here who has taken homeopathy and swears it works? | 0:33:20 | 0:33:23 | |
-Not any more! -LAUGHTER | 0:33:23 | 0:33:26 | |
What about cystitis? | 0:33:26 | 0:33:28 | |
LAUGHTER | 0:33:28 | 0:33:29 | |
Might as well check while I'm here. | 0:33:29 | 0:33:31 | |
LAUGHTER | 0:33:31 | 0:33:33 | |
Take it for cystitis, yeah. There's nothing in it. | 0:33:33 | 0:33:37 | |
Nothing in the tablets. The pills are just sugar pills, | 0:33:37 | 0:33:40 | |
the liquid homeopathic medicine is just water. | 0:33:40 | 0:33:45 | |
You're just rubbishing the whole of homeopathy? | 0:33:45 | 0:33:48 | |
Yes. | 0:33:48 | 0:33:50 | |
No. I'm not rubbishing it. It IS rubbish. | 0:33:50 | 0:33:54 | |
APPLAUSE | 0:33:54 | 0:33:56 | |
But you are a scientist, Ben, so you're a bit biased. | 0:34:00 | 0:34:04 | |
What, biased because I like some evidence? | 0:34:04 | 0:34:07 | |
Yeah. That's what I hate about scientists. | 0:34:07 | 0:34:10 | |
At the claims that a doctor makes. | 0:34:10 | 0:34:12 | |
Yeah, sorry, I am a bit biased, cos I do like it to actually work. | 0:34:12 | 0:34:16 | |
But it's not just about standard medicine. | 0:34:17 | 0:34:20 | |
I don't believe there's just proper medicine and then other stuff is... | 0:34:20 | 0:34:25 | |
Bee stings cure arthritis, don't they? | 0:34:25 | 0:34:29 | |
They can be used as a treatment, yes. | 0:34:29 | 0:34:31 | |
I think what happens is you release the bees and everyone goes... | 0:34:31 | 0:34:34 | |
LAUGHTER | 0:34:34 | 0:34:36 | |
"Oh, that actually feels much better!" | 0:34:36 | 0:34:39 | |
OK. What's Bill's wildcard? | 0:34:40 | 0:34:44 | |
WHIRRING | 0:34:44 | 0:34:47 | |
It's dirty, it's noisy, it's dangerous - it's sneezing. | 0:34:49 | 0:34:55 | |
Sneezing. | 0:34:55 | 0:34:56 | |
Yeah. I hate sneezing! | 0:34:56 | 0:34:58 | |
-Oh, I see that's "a-tissue". -Yes. -Ah, of course. | 0:34:58 | 0:35:01 | |
I hate sneezing when I sneeze, | 0:35:01 | 0:35:05 | |
I hate sneezing when other people sneeze. | 0:35:05 | 0:35:07 | |
Everything has to stop when you sneeze. | 0:35:07 | 0:35:10 | |
And I can't sneeze once, I have to sneeze at least three times. | 0:35:10 | 0:35:14 | |
And one sneeze... OK. | 0:35:14 | 0:35:17 | |
Two sneezes, I get irritated. | 0:35:17 | 0:35:19 | |
Three sneezes, I am furious. | 0:35:19 | 0:35:21 | |
LAUGHTER | 0:35:21 | 0:35:23 | |
Just for heaven's sake, let's stop the sneezing. | 0:35:23 | 0:35:26 | |
Just get on with our lives. | 0:35:26 | 0:35:27 | |
Well, my dad was a big sneezer. But you did get a warning. | 0:35:27 | 0:35:31 | |
-You used to do several... -HE GASPS | 0:35:31 | 0:35:34 | |
My mum would be going, "Cover the food! Cover the food!" | 0:35:34 | 0:35:37 | |
LAUGHTER | 0:35:37 | 0:35:39 | |
I remember I got a job and the bloke who was my boss at the job was, | 0:35:39 | 0:35:44 | |
I think, one of the first middle class people I ever met. | 0:35:44 | 0:35:47 | |
And it was the first time I ever heard that middle-class sneeze. | 0:35:47 | 0:35:51 | |
I was talking to him and he said, "Yes, I... Tsh." | 0:35:51 | 0:35:54 | |
LAUGHTER | 0:35:54 | 0:35:57 | |
I didn't know what had happened! | 0:35:59 | 0:36:01 | |
I thought he'd swallowed a chaffinch. | 0:36:01 | 0:36:04 | |
LAUGHTER | 0:36:04 | 0:36:06 | |
We've got a... | 0:36:07 | 0:36:09 | |
a...an information film from the 1950s | 0:36:09 | 0:36:13 | |
to tell people all this sort of stuff. | 0:36:13 | 0:36:15 | |
'You may have met a few people who like doing this sorry of thing. | 0:36:19 | 0:36:23 | |
'They're a nuisance I agree, but pretty harmless. | 0:36:23 | 0:36:26 | |
'You have certainly seen clowns like this. | 0:36:26 | 0:36:29 | |
'They're not a nuisance, they're a real danger. | 0:36:29 | 0:36:32 | |
'Stop it, you! Stop it! Stop it! | 0:36:34 | 0:36:37 | |
'Come here, what do you think you're up to? | 0:36:37 | 0:36:39 | |
'You've probably infected thousands of people already. | 0:36:39 | 0:36:42 | |
'What do you think this is for?' | 0:36:42 | 0:36:44 | |
STUDIO LAUGHTER | 0:36:44 | 0:36:46 | |
SNEEZES LOUDLY | 0:36:46 | 0:36:48 | |
'Sneeze - handkerchief. Got it? Fine.' | 0:36:48 | 0:36:52 | |
OK. There goes the Wildcard round. | 0:36:58 | 0:37:02 | |
And, er... | 0:37:02 | 0:37:04 | |
I...I don't think...I can put sneezing in. | 0:37:04 | 0:37:09 | |
Because for me, it's something that I find quite exciting. | 0:37:09 | 0:37:13 | |
I love the anticipation. | 0:37:13 | 0:37:15 | |
That sort of excitement and suspense I used to get from sex. | 0:37:15 | 0:37:18 | |
LAUGHTER | 0:37:18 | 0:37:20 | |
Erm... Oh, this is so difficult. Erm... | 0:37:20 | 0:37:24 | |
You know, I love vampire films, but the fact is, I have seen them all. | 0:37:26 | 0:37:31 | |
So, I could just put them in and to hell with everyone else. Erm... | 0:37:31 | 0:37:36 | |
But I can't put the vampires in. | 0:37:38 | 0:37:40 | |
It's no good - I'm going to have to put homeopathy into Room 101. | 0:37:40 | 0:37:44 | |
APPLAUSE | 0:37:44 | 0:37:47 | |
And that brings us to the end of the show. Well done, Ben. | 0:37:58 | 0:38:01 | |
You were the most persuasive tonight. | 0:38:01 | 0:38:03 | |
So you are this week's winner. | 0:38:03 | 0:38:05 | |
CHEERING AND APPLAUSE | 0:38:05 | 0:38:08 | |
So thank you very much. | 0:38:14 | 0:38:15 | |
Bill Turnbull, Ben Miller and Jo Brand. | 0:38:15 | 0:38:18 | |
And thank you. Goodnight! | 0:38:18 | 0:38:20 | |
Subtitles by Red Bee Media Ltd | 0:38:24 | 0:38:28 |