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APPLAUSE AND WHISTLING | 0:00:22 | 0:00:24 | |
CHEERING | 0:00:27 | 0:00:28 | |
Hello, I'm Frank Skinner and welcome to Room 101, | 0:00:33 | 0:00:36 | |
the show where three guests explain what really winds them up | 0:00:36 | 0:00:40 | |
in the hope that I'll condemn said things to the grim environs of Room 101. | 0:00:40 | 0:00:44 | |
Joining me tonight are Strictly's Craig Revel Horwood, | 0:00:44 | 0:00:47 | |
actress Sheila Hancock | 0:00:47 | 0:00:48 | |
and comedian Jon Richardson. | 0:00:48 | 0:00:50 | |
APPLAUSE AND CHEERING | 0:00:50 | 0:00:51 | |
Right, then, let's have our first category. | 0:00:58 | 0:01:00 | |
Special occasions. OK, let's see what Sheila doesn't like about special occasions. | 0:01:05 | 0:01:10 | |
APPLAUSE | 0:01:15 | 0:01:16 | |
Oh! | 0:01:17 | 0:01:19 | |
BOOM! | 0:01:21 | 0:01:23 | |
It's obvious - fireworks. Fireworks. | 0:01:24 | 0:01:27 | |
But I have to say, if fireworks were still like that, I'd like them. | 0:01:27 | 0:01:32 | |
I remember the days when it was just a few sparklers, you know, | 0:01:32 | 0:01:35 | |
and a Catherine wheel against the shed | 0:01:35 | 0:01:37 | |
and a rocket in a jam jar. | 0:01:37 | 0:01:39 | |
But it's those endless ceremonies that go on | 0:01:39 | 0:01:43 | |
and everybody goes, "Oooh! Aaaahhh!" | 0:01:43 | 0:01:47 | |
-Do people actually go ooh and ah? -Yes! | 0:01:47 | 0:01:50 | |
You're made to, aren't you? You're actually made to. | 0:01:50 | 0:01:53 | |
Do you go to firework displays in Bristol? | 0:01:53 | 0:01:55 | |
-Maybe it has something to do with your age, darling. -Maybe it has. AUDIENCE OOHS | 0:01:57 | 0:02:01 | |
-No... -The fact that you've seen it all before and you're tired of it. | 0:02:01 | 0:02:05 | |
He's absolutely right. I was a child during the Blitz and I see no fun... | 0:02:05 | 0:02:10 | |
APPLAUSE It's absolutely true. | 0:02:12 | 0:02:14 | |
And this is the reason why I should win this round | 0:02:17 | 0:02:20 | |
because I had this sad childhood with lots of banging going on... | 0:02:20 | 0:02:25 | |
Well, no... | 0:02:25 | 0:02:29 | |
I'll show you what I think is my favourite firework display ever. | 0:02:31 | 0:02:35 | |
This is from Mexico. | 0:02:35 | 0:02:37 | |
BANGING | 0:02:37 | 0:02:39 | |
-Now, you'd pay to see that, wouldn't you? -You're going to love fireworks. You've got to love them. | 0:02:55 | 0:03:00 | |
OK, what doesn't Craig like about special occasions? | 0:03:00 | 0:03:04 | |
-Wedding speeches. -Mm! -I detest them, darling. | 0:03:11 | 0:03:15 | |
I cannot sit through them. | 0:03:15 | 0:03:18 | |
I think they should be outlawed. | 0:03:18 | 0:03:20 | |
People get up, they think they're public speakers | 0:03:20 | 0:03:23 | |
and, of course, they're clearly not. | 0:03:23 | 0:03:26 | |
Everyone wants to have a go at it | 0:03:26 | 0:03:27 | |
and I think they're absolutely dreadful. | 0:03:27 | 0:03:29 | |
I think if you're going to make a speech you should be an actor | 0:03:29 | 0:03:32 | |
or at least have it rehearsed in some shape or form. | 0:03:32 | 0:03:36 | |
I think it's absolutely heinous. | 0:03:36 | 0:03:39 | |
I think you're missing the point. | 0:03:39 | 0:03:41 | |
I like the fact the fact that they're so bad. | 0:03:41 | 0:03:44 | |
I love to walk past the best man afterwards | 0:03:44 | 0:03:46 | |
who's sitting like this, heartbroken, | 0:03:46 | 0:03:48 | |
and just say very gently, "Not as easy as it looks, is it?" | 0:03:48 | 0:03:51 | |
The other thing is they're almost always about the bride and groom. | 0:03:53 | 0:03:56 | |
Let's have a bit of variety. Let's have a wedding speech about the Industrial Revolution or... | 0:03:58 | 0:04:04 | |
-Well, it would be far more interesting, generally. -Yeah. | 0:04:04 | 0:04:07 | |
But, Craig, I would have thought you'd do a brilliant best man's speech. | 0:04:07 | 0:04:10 | |
Anyone who can say to Gavin Henson, "My floorboards at home have more movement than that." | 0:04:12 | 0:04:17 | |
That's what you want in wedding speeches, those little... | 0:04:19 | 0:04:22 | |
Robbie Savage - "Your hands were, on occasion, like soup ladles... | 0:04:22 | 0:04:27 | |
"darling." | 0:04:27 | 0:04:29 | |
You'd be perfect for it. | 0:04:30 | 0:04:34 | |
OK, what doesn't Jon Richardson like about special occasions? | 0:04:34 | 0:04:37 | |
DISCO MUSIC | 0:04:38 | 0:04:41 | |
MUSIC STOPS | 0:04:46 | 0:04:48 | |
-It's dancing. -You don't like dancing? | 0:04:48 | 0:04:50 | |
I'm sure this is one we'll all agree with. | 0:04:50 | 0:04:53 | |
I hate it. I don't mind other people doing it, that's fine. | 0:04:54 | 0:04:58 | |
If you say you don't drink, people say, "You don't have to drink." | 0:04:58 | 0:05:02 | |
But if you say you don't like dancing, people pack around you | 0:05:02 | 0:05:05 | |
and ply you with alcohol until you're so drunk | 0:05:05 | 0:05:09 | |
that you do it against your will. | 0:05:09 | 0:05:10 | |
It's assault, is what it is. | 0:05:10 | 0:05:13 | |
But I hate it. I hate the movement of it. | 0:05:14 | 0:05:16 | |
It's just arrogant walking. | 0:05:16 | 0:05:18 | |
I don't mind if people... I like football. | 0:05:22 | 0:05:24 | |
I don't have parties and make everyone play five-a-side. | 0:05:24 | 0:05:28 | |
Lob a ball. "Go on, Grandma, slide tackle. Do you want it or not?" | 0:05:30 | 0:05:34 | |
You must like some dancing, don't you? | 0:05:34 | 0:05:37 | |
-Macarena. -You could easily do the Macarena. | 0:05:37 | 0:05:40 | |
-All right. -That's for anybody, darling. | 0:05:40 | 0:05:43 | |
You see, this already has become, "Let's start you off... | 0:05:43 | 0:05:46 | |
-Let's starts you off gently, darling. -APPLAUSE | 0:05:47 | 0:05:49 | |
I'm with Craig. I'm with Craig. I love the Macarena. | 0:05:51 | 0:05:56 | |
I'll show you what the Macarena is, if you don't mind. | 0:05:56 | 0:05:59 | |
MUSIC: "The Macarena" | 0:05:59 | 0:06:02 | |
AUDIENCE CLAP ALONG | 0:06:03 | 0:06:05 | |
Shall I carry on? I won't carry on. That's it. | 0:06:14 | 0:06:17 | |
-Brilliant. -CHEERING | 0:06:17 | 0:06:19 | |
You must have enjoyed that. Listen to that - they love it. | 0:06:20 | 0:06:23 | |
Do you have to do like the Kenneth Williams mouth thing when you do it? | 0:06:23 | 0:06:27 | |
Well, I do. | 0:06:27 | 0:06:29 | |
Ooh! | 0:06:29 | 0:06:31 | |
What I love is that when you said, "I want to put dancing in," | 0:06:34 | 0:06:36 | |
Craig looked across at you exactly like Len Goodman looks at Craig | 0:06:36 | 0:06:40 | |
when you give someone like three and he goes... | 0:06:40 | 0:06:43 | |
I think you need to learn. Have you ever had any dance lessons? | 0:06:46 | 0:06:49 | |
-No! -See that... That helps, I think. | 0:06:49 | 0:06:52 | |
I had a Lambada lesson | 0:06:52 | 0:06:54 | |
and the man said the way to remember to do the Lambada, | 0:06:54 | 0:06:57 | |
with the hip thing, | 0:06:57 | 0:06:58 | |
imagine you've got a pencil up your bottom pointing out | 0:06:58 | 0:07:03 | |
and you're drawing a number eight on a wall. | 0:07:03 | 0:07:06 | |
Try it. I sign all my autographs like that now. | 0:07:09 | 0:07:13 | |
-No but that's... -I avoid any hobby | 0:07:15 | 0:07:17 | |
that starts with lesson one being, "Imagine you've got a pencil..." | 0:07:17 | 0:07:21 | |
I would sign up for all of that. | 0:07:22 | 0:07:24 | |
-Craig, you've raised your legs for money... -I have, darling. | 0:07:28 | 0:07:32 | |
-You must think that dancing is the centre of the universe, in many ways. -It's my life, | 0:07:32 | 0:07:38 | |
so I can't imagine my life without it, to be honest. | 0:07:38 | 0:07:41 | |
I think you're missing out on an enormous part of life, quite frankly, | 0:07:41 | 0:07:45 | |
and I think you're one of the dullest people | 0:07:45 | 0:07:48 | |
I've ever had the pleasure of sitting next to. | 0:07:48 | 0:07:50 | |
-BOOING -Oh! Oh! | 0:07:50 | 0:07:52 | |
How can you say, "Dancing is my whole life" and then tell me I'm missing out on life? | 0:07:52 | 0:07:56 | |
You haven't done anything! You've never had a Cream Egg... | 0:07:56 | 0:07:59 | |
LAUGHTER You've never... | 0:07:59 | 0:08:01 | |
-You don't know that. -You've never rolled down a hill. | 0:08:01 | 0:08:03 | |
You don't know what I've done with Cream Eggs, darling. | 0:08:03 | 0:08:06 | |
AUDIENCE: Oooh! Thats how you learned to do the Cha-cha-cha, isn't it? | 0:08:06 | 0:08:09 | |
-Hold it... -Seven of them, right up there. | 0:08:09 | 0:08:12 | |
LAUGHTER | 0:08:12 | 0:08:15 | |
There is something, I believe it's been scientifically proven, | 0:08:15 | 0:08:20 | |
that there is an instinct to dance in the human being - | 0:08:20 | 0:08:23 | |
right back to prehistoric times, they danced. | 0:08:23 | 0:08:26 | |
-So why haven't you? -It's called evolution. | 0:08:26 | 0:08:30 | |
APPLAUSE | 0:08:32 | 0:08:33 | |
OK, so we now come to our decision time for this round. | 0:08:38 | 0:08:43 | |
Well, erm, Jon, I'm a terrible dancer | 0:08:43 | 0:08:47 | |
-and I... -I know, I've seen it. -Yeah. And it is, it's very... | 0:08:47 | 0:08:50 | |
Oh, my God! | 0:08:50 | 0:08:52 | |
APPLAUSE | 0:08:57 | 0:09:00 | |
That could've hit me. | 0:09:00 | 0:09:01 | |
So I'm going to put fireworks into Room 101. | 0:09:05 | 0:09:10 | |
APPLAUSE | 0:09:10 | 0:09:12 | |
Anyway, let's have our next category. | 0:09:20 | 0:09:23 | |
Friends and family. Lovely. | 0:09:29 | 0:09:31 | |
So what doesn't Sheila like about friends and family? | 0:09:31 | 0:09:34 | |
That's people who give me scented candles. | 0:09:38 | 0:09:42 | |
-APPLAUSE -Of course! | 0:09:43 | 0:09:45 | |
I just wish they wouldn't. | 0:09:48 | 0:09:50 | |
I have got cupboards full of scented... | 0:09:50 | 0:09:55 | |
They smell of rosemary, spice, the most extraordinary mixtures. | 0:09:55 | 0:10:00 | |
They cost a fortune. | 0:10:00 | 0:10:02 | |
I actually saw a scented candle the other day that cost £300. | 0:10:02 | 0:10:06 | |
-Blimey. -And I would rather have the money, in fact. | 0:10:06 | 0:10:10 | |
I read a magazine article and it said, "If you have a bath in candlelight with scented candles, | 0:10:10 | 0:10:16 | |
"it's very relaxing." | 0:10:16 | 0:10:18 | |
So I thought, OK, I'll try and get some of these hundreds of candles I've got | 0:10:18 | 0:10:22 | |
and I put them round the bath and I lit them and I had a glass of wine | 0:10:22 | 0:10:26 | |
and I thought, "This is all right," | 0:10:26 | 0:10:28 | |
and I reached for the soap and I burnt myself. | 0:10:28 | 0:10:30 | |
Look - there is a scar caused by a scented candle. | 0:10:30 | 0:10:35 | |
-Oh! -So I hate them. -But I bet it smells lovely. | 0:10:35 | 0:10:38 | |
What worries me is that if you get rid of scented candles, | 0:10:40 | 0:10:44 | |
you're basically stopping the blind from enjoying candles. | 0:10:44 | 0:10:49 | |
Oh! | 0:10:49 | 0:10:50 | |
-But the blind... -Is that the kind of person you want to be, Sheila? | 0:10:51 | 0:10:54 | |
I am helping the blind because... | 0:10:54 | 0:10:57 | |
I mean, let's put Labradors in Room 101. | 0:10:57 | 0:10:59 | |
They'll set fire to their hair and things. | 0:10:59 | 0:11:03 | |
I know people who've gone up in flames | 0:11:03 | 0:11:05 | |
because they've bent over a... | 0:11:05 | 0:11:07 | |
So the blind will be injured by them. | 0:11:07 | 0:11:10 | |
But they can smell them. That's the whole point. | 0:11:12 | 0:11:14 | |
Yes but you can't locate exactly where a smell's coming from, can you? | 0:11:14 | 0:11:18 | |
-You feel the heat. -Listen, I can't worry about all the blind people. | 0:11:18 | 0:11:23 | |
APPLAUSE | 0:11:24 | 0:11:26 | |
-I'm sorry! -I tell you why men are running around on Christmas Eve buying scented candles. | 0:11:26 | 0:11:31 | |
It's because I for one really like them | 0:11:31 | 0:11:34 | |
and Christmas Eve is the only time you can buy them for yourself and pretend they're a gift. | 0:11:34 | 0:11:38 | |
You are weird! You don't dance and you buy scented candles. | 0:11:38 | 0:11:43 | |
It's very odd. I must speak to you afterwards about your childhood. | 0:11:43 | 0:11:47 | |
Very worrying. | 0:11:48 | 0:11:50 | |
Well, look, I've got some scented candles. | 0:11:50 | 0:11:53 | |
This one is bacon. | 0:11:53 | 0:11:56 | |
Oh, come on! | 0:11:56 | 0:11:58 | |
I've think we've all wondered what it would smell like | 0:11:58 | 0:12:00 | |
if Miss Piggy perished in a house fire. | 0:12:00 | 0:12:03 | |
Oh, don't! | 0:12:03 | 0:12:05 | |
This one is a bit unusual. | 0:12:05 | 0:12:08 | |
-This is urinal cake candle. -Oh, come on! | 0:12:08 | 0:12:12 | |
You know, urinal cake, it isn't a cake. | 0:12:12 | 0:12:14 | |
It's not like another name for lemon drizzle. | 0:12:14 | 0:12:17 | |
It's... It's those things that you get in the urinals that stop germs. | 0:12:17 | 0:12:22 | |
-You those smelly...? -No. -It's that. | 0:12:22 | 0:12:24 | |
I mean, it's perfect for a romantic evening at George Michael's house. | 0:12:24 | 0:12:28 | |
I really don't know anything about George Michael, | 0:12:32 | 0:12:34 | |
-so I don't understand that joke. -OK. | 0:12:34 | 0:12:37 | |
-I'll explain it later. -Yeah? | 0:12:37 | 0:12:39 | |
You should talk to him about his childhood. | 0:12:39 | 0:12:42 | |
And then, of course, there's always this as a possibility. | 0:12:43 | 0:12:47 | |
-Look at that. -Is it hot? -Yeah. | 0:12:50 | 0:12:53 | |
And it smells of apple. | 0:12:58 | 0:13:00 | |
APPLAUSE | 0:13:02 | 0:13:04 | |
OK, well, I... It's an interesting angle, I must say. | 0:13:07 | 0:13:11 | |
So, friends and family - what winds up Jon Richardson about friends and family? | 0:13:11 | 0:13:16 | |
It's all my friends who are settling down. | 0:13:22 | 0:13:24 | |
AUDIENCE COOS | 0:13:26 | 0:13:29 | |
You're right to feel sorry for me. I'm alone now. | 0:13:29 | 0:13:31 | |
We made a bond when we were young based on what we enjoyed doing. | 0:13:31 | 0:13:37 | |
There was no physicality to it. We just found people who we liked spending time with. | 0:13:37 | 0:13:41 | |
Now they're all having sex and getting married | 0:13:41 | 0:13:43 | |
and I'm never going to see them again | 0:13:43 | 0:13:45 | |
unless their marriage breaks up, | 0:13:45 | 0:13:47 | |
in which case they'll come round in tears | 0:13:47 | 0:13:49 | |
and I'll be expected to piece them together | 0:13:49 | 0:13:51 | |
after years of holidays on my own. Er... | 0:13:51 | 0:13:54 | |
And I hope they're all miserable. | 0:13:54 | 0:13:57 | |
I hope they never share a moment's happiness with their partner | 0:13:58 | 0:14:01 | |
and I hope they realise that I've still got computer games at home | 0:14:01 | 0:14:05 | |
and lots of beer | 0:14:05 | 0:14:07 | |
and it will still be as much fun as it was before they all got pubes. | 0:14:07 | 0:14:11 | |
Have you considered Rentafriend? | 0:14:13 | 0:14:15 | |
There is actually an organisation called Rentafriend. | 0:14:15 | 0:14:18 | |
And it's not a dating agency. It's... | 0:14:18 | 0:14:21 | |
It's designed, if, say, I went to Chicago on my own on business, | 0:14:21 | 0:14:26 | |
I could phone them up and rent a friend to hang out with in Chicago. | 0:14:26 | 0:14:30 | |
That's how it works. | 0:14:30 | 0:14:32 | |
And also, I like the idea of working for Rentafriend as a friend | 0:14:32 | 0:14:36 | |
because I think I'd be quite a good friend to strangers for a night... | 0:14:36 | 0:14:40 | |
You might be but I don't think he would be. | 0:14:40 | 0:14:42 | |
"Where are we going? Disco?" "No." | 0:14:45 | 0:14:47 | |
"Fireworks display?" "It's been banned." | 0:14:49 | 0:14:52 | |
I'm here, darling, and I'm single. | 0:14:52 | 0:14:54 | |
I'll help you out. | 0:14:54 | 0:14:56 | |
-Ah! -I would be too worried that a house was going to fall on you if we went out in those shoes. | 0:14:58 | 0:15:02 | |
I find that the periods when I've been single | 0:15:10 | 0:15:13 | |
I'm amazed at how much time I have. | 0:15:13 | 0:15:15 | |
You waste a lot of time in a relationship. | 0:15:15 | 0:15:18 | |
You do, though. | 0:15:19 | 0:15:20 | |
You spend, what, 25 minutes a week saying, "You all right?" | 0:15:20 | 0:15:24 | |
APPLAUSE | 0:15:27 | 0:15:29 | |
Have you heard of Idollators? | 0:15:32 | 0:15:36 | |
It's men who go out with dolls. | 0:15:36 | 0:15:39 | |
But not in a seedy way. | 0:15:39 | 0:15:42 | |
Dolls that are for proper platonic relationships. | 0:15:42 | 0:15:46 | |
-You're nodding, Craig. -Yes, I've seen that. | 0:15:46 | 0:15:48 | |
-You've seen it? -Yes, I have. -What do you mean? -Well, you can get... | 0:15:48 | 0:15:53 | |
-They're very human-like. They're almost... -We have a picture. | 0:15:53 | 0:15:56 | |
-Yeah, they do. They absolutely love them. -Yeah. | 0:15:57 | 0:16:00 | |
Until they get bored or their skin starts peeling | 0:16:00 | 0:16:03 | |
or their hair starts knotting and fading. | 0:16:03 | 0:16:06 | |
No, that's real women you're thinking of. | 0:16:06 | 0:16:08 | |
But people do it for companionship. | 0:16:10 | 0:16:12 | |
And as I say, it's not a physical thing. | 0:16:12 | 0:16:13 | |
It's just, you know, out for a drive and... Lovely. Jon? | 0:16:13 | 0:16:17 | |
Yeah, I'd give it a go. | 0:16:18 | 0:16:20 | |
I don't think you're ready for a relationship yet. | 0:16:20 | 0:16:23 | |
Even with a doll. | 0:16:23 | 0:16:25 | |
-No. -I wasn't ready for this. | 0:16:27 | 0:16:30 | |
I know what I'm putting in in the next round. | 0:16:31 | 0:16:34 | |
APPLAUSE | 0:16:35 | 0:16:37 | |
-Oh, dear. -So, friends and family - | 0:16:41 | 0:16:44 | |
what does Craig Revel Horwood not like about friends and family? | 0:16:44 | 0:16:48 | |
-Ugh! Yuck! -House guests. | 0:16:52 | 0:16:55 | |
And actually, this is a perfect example. | 0:16:55 | 0:17:00 | |
They come round your house, you invite them into your home | 0:17:00 | 0:17:03 | |
and unfortunately, they leave toothpaste tubes like that, | 0:17:03 | 0:17:07 | |
they leave long hairs down the plughole, which I absolutely detest. | 0:17:07 | 0:17:13 | |
They use your towels. | 0:17:13 | 0:17:16 | |
They also do a vast array of things in the kitchen, | 0:17:16 | 0:17:20 | |
like leaving the dishes in the sink | 0:17:20 | 0:17:24 | |
when there's a perfectly good dishwasher right next door to it - | 0:17:24 | 0:17:28 | |
those sort of things. | 0:17:28 | 0:17:29 | |
They occupy too much of your space. | 0:17:29 | 0:17:32 | |
They spread themselves out around the house | 0:17:32 | 0:17:35 | |
like they own it. | 0:17:35 | 0:17:37 | |
-It drives me nuts. -Who are these people? -Family. -Family. | 0:17:37 | 0:17:41 | |
My mother's in the audience. Hello, Mum. | 0:17:43 | 0:17:45 | |
Actually, she does contain herself quite neatly. | 0:17:45 | 0:17:48 | |
-You had to say that! -Yes, but she does require three towels in the bathroom | 0:17:48 | 0:17:52 | |
and I only like seeing two there, you see. | 0:17:52 | 0:17:54 | |
-This is the thing. -LAUGHTER | 0:17:54 | 0:17:56 | |
I never told you that, Mother, and they're not matching towels, either. | 0:17:56 | 0:18:00 | |
Do you normally live on your own? | 0:18:00 | 0:18:01 | |
-Yes. -LAUGHTER | 0:18:03 | 0:18:05 | |
So, erm, how often do you have people staying? | 0:18:06 | 0:18:09 | |
-Is that a normal thing for you? -Yes, I have them staying quite a lot, actually. -Really? | 0:18:09 | 0:18:12 | |
Well, I don't think you'll have any more coming now | 0:18:12 | 0:18:15 | |
if they watch this programme. | 0:18:15 | 0:18:17 | |
OK, so, Sheila, people who buy you scented candles, | 0:18:18 | 0:18:22 | |
I know scented candles are a bit of a... They're not a nice thing | 0:18:22 | 0:18:25 | |
but the fact that it's come from such a nice place | 0:18:25 | 0:18:27 | |
and they're trying to be nice, | 0:18:27 | 0:18:28 | |
I don't think I can put them in, to be honest. | 0:18:28 | 0:18:31 | |
And it is just the way of things | 0:18:31 | 0:18:33 | |
that people have to go off with people who are not their mates eventually, Jon. | 0:18:33 | 0:18:39 | |
So I'm sorry about that but, Craig, I think you're right. | 0:18:39 | 0:18:42 | |
House guests can be an utter and complete nightmare | 0:18:42 | 0:18:45 | |
and I'd be very happy to put house guests into Room 101. | 0:18:45 | 0:18:50 | |
-APPLAUSE AND CHEERING -Yes! | 0:18:50 | 0:18:52 | |
Bye. | 0:18:54 | 0:18:55 | |
OK, next category, please. | 0:19:04 | 0:19:07 | |
Right, People is the category. | 0:19:12 | 0:19:15 | |
Let's see what people wind up Sheila Hancock. | 0:19:15 | 0:19:17 | |
People who call me "dear." | 0:19:23 | 0:19:25 | |
LAUGHTER | 0:19:25 | 0:19:26 | |
It is something that happens to you when you get old, it is, | 0:19:29 | 0:19:32 | |
"Are you all right, dear?" | 0:19:32 | 0:19:35 | |
Or "lovey." I hate overfamiliarity of any sort and that is not | 0:19:35 | 0:19:39 | |
because I am unfriendly but, you know those cold callers who call you up and say, | 0:19:39 | 0:19:43 | |
"Is that Ms Hancock?" And then go, "Hello, Sheila." | 0:19:43 | 0:19:46 | |
I say, "Excuse me? Who are you? | 0:19:46 | 0:19:48 | |
"I have never met you, why are you calling me Sheila?" | 0:19:48 | 0:19:51 | |
It is a kind of thing that has happened over the years, but it is | 0:19:51 | 0:19:55 | |
mainly the patronising thing towards old people, of, "All right, love?" | 0:19:55 | 0:19:59 | |
"Come on, ducky." "How are you, dear?" | 0:19:59 | 0:20:02 | |
I am not dear, I am not your dear, I have never met you before in my life. | 0:20:02 | 0:20:06 | |
OK, dear. | 0:20:08 | 0:20:10 | |
LAUGHTER | 0:20:10 | 0:20:11 | |
-My dad used to call my mum, "wife". -So did mine! | 0:20:11 | 0:20:15 | |
-Wife or "the old woman." -Or sometimes he would use "wifey." | 0:20:15 | 0:20:19 | |
Yeah, yeah. | 0:20:19 | 0:20:20 | |
You never used Wi-Fi because he never lived that long. | 0:20:20 | 0:20:23 | |
LAUGHTER | 0:20:23 | 0:20:25 | |
-A bit of darkness there amidst the light. -It is people | 0:20:25 | 0:20:30 | |
calling you by your Christian name when they barely know you. | 0:20:30 | 0:20:33 | |
I find that strange. | 0:20:33 | 0:20:34 | |
I suppose that is what people do nowadays but I find it strange. | 0:20:34 | 0:20:39 | |
Are you annoyed by... | 0:20:39 | 0:20:40 | |
# For bonzer car insurance deals | 0:20:40 | 0:20:43 | |
# Girls get on to Sheila's Wheels! # | 0:20:43 | 0:20:47 | |
-I don't know what that is. -OK. | 0:20:47 | 0:20:49 | |
LAUGHTER AND APPLAUSE | 0:20:49 | 0:20:51 | |
Completely lost on me. | 0:20:51 | 0:20:53 | |
I tell you what I do, and we must all do this, | 0:20:53 | 0:20:56 | |
you end up doing a lot of photographs with people. | 0:20:56 | 0:20:59 | |
We have a few photographs of people with their fans and they don't | 0:20:59 | 0:21:03 | |
all look like they are absolutely loving it. | 0:21:03 | 0:21:05 | |
This is Hugh Grant having his photo taken. | 0:21:05 | 0:21:08 | |
But at least he is being honest. | 0:21:12 | 0:21:13 | |
This is Hayden Panettiere, the actress. | 0:21:13 | 0:21:16 | |
Look at that, lovely, friendly, warm. Then caught off guard later. | 0:21:16 | 0:21:21 | |
And that is antiseptic hand wash. | 0:21:21 | 0:21:24 | |
-Can I try you on a few of these, Sheila? Love? -I don't mind love. | 0:21:26 | 0:21:32 | |
It isn't patronising. | 0:21:32 | 0:21:35 | |
-Sweetheart? -I do like it when taxi men call me sweetheart. -Oh, come on! | 0:21:35 | 0:21:40 | |
I am not going to throw it in at all. | 0:21:41 | 0:21:43 | |
I actually quite like being called dear, really. | 0:21:45 | 0:21:48 | |
Forget it, you can have it. | 0:21:50 | 0:21:52 | |
Remind me never to call you as a character witness in court. | 0:21:53 | 0:21:57 | |
"Actually, I don't like him at all!" OK. | 0:21:58 | 0:22:03 | |
So, what sort of people does Jon Richardson not like? | 0:22:05 | 0:22:10 | |
-It is not that. It is critics. -AUDIENCE MEMBER: Way! | 0:22:17 | 0:22:21 | |
Thanks, mate. Me and this guy. | 0:22:21 | 0:22:24 | |
I am just tired of people who make a living by judging people | 0:22:26 | 0:22:32 | |
on how well they have done something that they cannot do whatsoever. | 0:22:32 | 0:22:35 | |
And then they turn what is a private live | 0:22:35 | 0:22:38 | |
moment in the room into this permanent record. | 0:22:38 | 0:22:41 | |
I think it's since the Internet, and those now go online, | 0:22:41 | 0:22:44 | |
and you just think more people are going to read your one opinion | 0:22:44 | 0:22:47 | |
because you happen to have a pen, then will never be in that room | 0:22:47 | 0:22:50 | |
and you ruin the moment for everyone. | 0:22:50 | 0:22:52 | |
They were all there and maybe it was a good show and you went, | 0:22:52 | 0:22:55 | |
"Oh, I didn't like the lights and, I queued for half an hour for the gin and tonic." | 0:22:55 | 0:22:59 | |
People who read that for eternity will think, | 0:22:59 | 0:23:01 | |
"That sounds like it was rubbish." | 0:23:01 | 0:23:03 | |
And it was great fun. | 0:23:03 | 0:23:05 | |
Can I say, I think critics are absolutely brilliant. | 0:23:05 | 0:23:09 | |
APPLAUSE | 0:23:09 | 0:23:12 | |
-I am aware this is potentially career suicide. -Slightly. | 0:23:12 | 0:23:15 | |
I think the development that has happened as with all the blogging | 0:23:16 | 0:23:21 | |
and things, you have got sad people who are in sort of, I don't know, | 0:23:21 | 0:23:25 | |
sad situations who just feel venomous and the vent their spleen hideously. | 0:23:25 | 0:23:30 | |
What is that all about? Sad people venting their spleen. | 0:23:30 | 0:23:33 | |
I remember every bad thing anyone has ever said to me. | 0:23:35 | 0:23:38 | |
-What about all the good stuff? -It was all lies. | 0:23:38 | 0:23:42 | |
-I am the same. -I know what you mean. | 0:23:43 | 0:23:45 | |
A friend once started reading from review and I said, | 0:23:45 | 0:23:48 | |
"Don't read it, I don't read reviews." | 0:23:48 | 0:23:50 | |
He said, "Honestly, you will love this." | 0:23:50 | 0:23:52 | |
"It says that "Frank Skinner is to all intents and purposes a comedy god." | 0:23:52 | 0:23:56 | |
And I said, "What does he mean, to all intents and purposes?" | 0:23:58 | 0:24:01 | |
That is what it is like, it is best not to read them. | 0:24:01 | 0:24:05 | |
You should avoid them. | 0:24:05 | 0:24:07 | |
If I see someone who knows me and the walking down a corridor | 0:24:07 | 0:24:10 | |
ahead of me I will say, "I am behind you, don't slag me off." I will. | 0:24:10 | 0:24:15 | |
I don't want to hear it. | 0:24:15 | 0:24:17 | |
LAUGHTER | 0:24:17 | 0:24:20 | |
That is absolutely true. | 0:24:20 | 0:24:22 | |
In a toilet cubicle, "Frank Skinner in here," if anyone comes in. | 0:24:22 | 0:24:25 | |
The irony is that I have got some of your reviews and I would | 0:24:27 | 0:24:30 | |
say that generally speaking your reviews are brilliant, aren't they? | 0:24:30 | 0:24:33 | |
What dealing generally speaking? | 0:24:33 | 0:24:36 | |
APPLAUSE | 0:24:36 | 0:24:38 | |
Don't, don't. | 0:24:38 | 0:24:42 | |
Don't read them out. | 0:24:42 | 0:24:46 | |
Honestly, they are great, here we go. | 0:24:46 | 0:24:47 | |
I used to be on the verge of greatness. | 0:24:52 | 0:24:55 | |
Now I am on the rocks below. | 0:24:55 | 0:24:57 | |
But that is a great review, isn't it? | 0:24:58 | 0:25:01 | |
I didn't want this to turn into backslap John for five minutes. | 0:25:01 | 0:25:05 | |
Never made what you wanted, let's see another one. | 0:25:05 | 0:25:07 | |
And now here I am. | 0:25:10 | 0:25:12 | |
LAUGHTER | 0:25:12 | 0:25:14 | |
-I don't remember any of these. -Oh, yeah, right. | 0:25:14 | 0:25:17 | |
"Richardson deals and anecdotes rather than punchlines," I remember. | 0:25:17 | 0:25:22 | |
"Richardson's claustrophobic neuroticism becomes too much to bear." | 0:25:22 | 0:25:27 | |
-There is some truth in that, darling. -Yes. | 0:25:27 | 0:25:30 | |
I'm going to go on Strictly Come Dancing and I'm going to win. | 0:25:32 | 0:25:35 | |
APPLAUSE AND CHEERING | 0:25:35 | 0:25:38 | |
There was a review of the reviews, actually, | 0:25:42 | 0:25:46 | |
saying which newspapers and magazines gave the best reviews. | 0:25:46 | 0:25:50 | |
The nicest reviews, in Edinburgh, last year. | 0:25:50 | 0:25:53 | |
Who do you think gave the kindest reviews? | 0:25:53 | 0:25:56 | |
-Father Christmas. -No. The Big Issue. -Oh, really? | 0:25:56 | 0:26:01 | |
Glad just to be indoors. | 0:26:01 | 0:26:03 | |
APPLAUSE | 0:26:03 | 0:26:05 | |
OK, let's see what Craig doesn't like about people. | 0:26:09 | 0:26:14 | |
Fat darts players. | 0:26:21 | 0:26:23 | |
I just don't get it. You see them and they are all humongous. | 0:26:25 | 0:26:32 | |
I don't have anything, | 0:26:32 | 0:26:34 | |
I don't see anything wrong with being extra large or whatever, | 0:26:34 | 0:26:38 | |
but why, as a sportsman, would you not look after your body | 0:26:38 | 0:26:42 | |
and tone at least one arm, the one that you use? | 0:26:42 | 0:26:45 | |
When you consider how light these things are, it is | 0:26:49 | 0:26:53 | |
not like tossing a caber, is it, darling? | 0:26:53 | 0:26:56 | |
And it is not like dragging some truck along the road | 0:26:56 | 0:27:01 | |
as the fastest heavyweight man. | 0:27:01 | 0:27:04 | |
I don't understand why they need to be so large. | 0:27:04 | 0:27:08 | |
I think because the steadiness, technically, the steadiness, | 0:27:08 | 0:27:12 | |
they need to be anchored. | 0:27:12 | 0:27:14 | |
And the arm emerges from a citadel of flesh. | 0:27:16 | 0:27:19 | |
There is something fabulously real about it. | 0:27:21 | 0:27:24 | |
Wrestling, wrestlers now, they look like the Rock. | 0:27:24 | 0:27:27 | |
You know what the Rock looks like? Got a picture of the Rock. | 0:27:27 | 0:27:30 | |
-You looks like the sort of model, look at that. -Oh, wow. -Yeah, good. | 0:27:30 | 0:27:37 | |
But wrestlers used to look like real blokes you would see in the pub. | 0:27:37 | 0:27:42 | |
We have got the cut of Giant Haystacks and Big Daddy. | 0:27:42 | 0:27:45 | |
This is what wrestlers used to look like. Real people. Look at that. | 0:27:45 | 0:27:50 | |
If this was 10 years time that could be Russell Brand versus Denise Welsh. | 0:27:54 | 0:27:58 | |
OK, I can go with fat darts players, | 0:28:02 | 0:28:06 | |
because I just think, I love it. I love the reality. | 0:28:06 | 0:28:10 | |
And I think you've completely given up, really, | 0:28:10 | 0:28:13 | |
because you actually quite like being called dear. | 0:28:13 | 0:28:16 | |
I've ended up... | 0:28:16 | 0:28:18 | |
And you're too warmhearted to get upset about that. | 0:28:18 | 0:28:21 | |
So, John, and this could ruin both our careers, | 0:28:21 | 0:28:24 | |
but I'm going with you. | 0:28:24 | 0:28:25 | |
I'm going to put critics in Room 101. | 0:28:25 | 0:28:28 | |
APPLAUSE AND CHEERING | 0:28:28 | 0:28:30 | |
OK, next category, please. | 0:28:42 | 0:28:43 | |
Ah, now, this is the wildcard category | 0:28:49 | 0:28:51 | |
because sometimes we feel we can constrain you in your hatred. | 0:28:51 | 0:28:55 | |
Now you can just choose anything you like - | 0:28:55 | 0:28:57 | |
the thing that you hate most of all. | 0:28:57 | 0:28:59 | |
So what really winds up Jon Richardson? | 0:28:59 | 0:29:03 | |
It's my brain. | 0:29:09 | 0:29:11 | |
I've just had enough of it. Just... | 0:29:11 | 0:29:14 | |
It's there every day when I wake up. | 0:29:14 | 0:29:16 | |
You talk about unwanted house guests - that's been in there 30 years | 0:29:16 | 0:29:20 | |
-and it's like a house guest... -How old are you? | 0:29:20 | 0:29:23 | |
-30. -OK. | 0:29:23 | 0:29:24 | |
It's like a house guest who's arrived and made it clear, | 0:29:26 | 0:29:28 | |
"I'm going to stay with you all the time, forever. | 0:29:28 | 0:29:30 | |
"And even when you go out, I'm going to follow you." | 0:29:30 | 0:29:32 | |
Because when I did this show I suddenly realised I hate everything. | 0:29:32 | 0:29:38 | |
It wasn't a matter of narrowing it down | 0:29:38 | 0:29:40 | |
or trying to find stuff I hate, | 0:29:40 | 0:29:41 | |
I would literally put anything in, at any point, and everything. | 0:29:41 | 0:29:44 | |
And there's nothing wrong with me. My body's fine, I've got nice friends and nice family. | 0:29:44 | 0:29:49 | |
I've got a nice job. So it must be my brain. | 0:29:49 | 0:29:51 | |
I'd rather have a dog's brain. | 0:29:51 | 0:29:54 | |
I'm sick of thinking about everything all the time. | 0:29:54 | 0:29:57 | |
Or Jedward. I'd rather have Jedward's brain. | 0:29:57 | 0:29:59 | |
-APPLAUSE -Really. | 0:30:00 | 0:30:02 | |
Bearing in mind, if it goes into Room 101, it's... it's gone. | 0:30:02 | 0:30:06 | |
Fine. It'll be happy in there, there'll be fireworks on. | 0:30:06 | 0:30:09 | |
Is it true that you've got OCD or is that...? Or you've nearly got it? | 0:30:12 | 0:30:16 | |
-No, I've got traits of it. -So how do they manifest themselves? | 0:30:16 | 0:30:20 | |
I just stress a lot about everything. | 0:30:20 | 0:30:22 | |
Like that's not parallel, really. | 0:30:22 | 0:30:24 | |
I'm sure it's good for the camera | 0:30:24 | 0:30:26 | |
-but it's not in line with the front of that. -Yeah. | 0:30:26 | 0:30:29 | |
And that's wrong. | 0:30:29 | 0:30:30 | |
It's not a matter for debate. It's wrong. | 0:30:30 | 0:30:33 | |
I'm having to tolerate it because we're having such a nice time. | 0:30:33 | 0:30:37 | |
I get that toilet roll thing. | 0:30:38 | 0:30:40 | |
My girlfriend hangs the toilet roll so that the end is facing the wall. | 0:30:40 | 0:30:44 | |
-Leave her. -And I want it... | 0:30:44 | 0:30:46 | |
I want the toilet paper to appear like it's being offered... | 0:30:47 | 0:30:51 | |
not been forcibly taken. | 0:30:51 | 0:30:54 | |
-You're definitely right because then you can just paw at it as well. -Yeah! | 0:30:55 | 0:30:59 | |
The thing is, Jon, if I allow you to do this then, you know, | 0:31:00 | 0:31:03 | |
then the nation will lose one of their favourites. | 0:31:03 | 0:31:07 | |
The nation doesn't need me. | 0:31:08 | 0:31:10 | |
And one day, I won't be a comic and I'll just be this person. | 0:31:10 | 0:31:13 | |
Now, people laugh and they pay to hear me, | 0:31:13 | 0:31:15 | |
"Isn't it funny when you're walking and you can't stand on the thing?" | 0:31:15 | 0:31:18 | |
One day, I won't be a comedian, I'll just be in a pub. | 0:31:18 | 0:31:20 | |
"It took me hours to get here because they put a new grid in | 0:31:20 | 0:31:23 | |
"and I couldn't step over it because it's about one and a half paces | 0:31:23 | 0:31:26 | |
"and I've got an extra..." Ee-uh, ee-uh, ee-uh, ee-uh. | 0:31:26 | 0:31:29 | |
You can save people from that now, Frank. | 0:31:29 | 0:31:31 | |
Yeah but if you put your brain in | 0:31:31 | 0:31:33 | |
you could end up as a judge on a reality show. | 0:31:33 | 0:31:35 | |
True. | 0:31:39 | 0:31:41 | |
OK, now, let's see what is Sheila's wildcard. | 0:31:41 | 0:31:44 | |
Yes, it's ladies' toilets. | 0:31:48 | 0:31:51 | |
What puzzles me - I'm sorry, my fellow women - | 0:31:51 | 0:31:54 | |
but what do they do in the toilet? | 0:31:54 | 0:31:56 | |
Because they take hours and you stand there and you think, | 0:31:56 | 0:32:01 | |
"That woman is never going to come out. What are they doing?" | 0:32:01 | 0:32:04 | |
And talking of toilet rolls, I wonder if it's something to do with... | 0:32:04 | 0:32:08 | |
You know those big machines with toilet rolls? | 0:32:08 | 0:32:10 | |
And you can never get the bit of paper out... | 0:32:10 | 0:32:13 | |
-There are sort of teeth, sharp teeth. -You just absolutely... | 0:32:13 | 0:32:17 | |
Maybe they're to get the paper out or whatever. | 0:32:17 | 0:32:19 | |
It's like, you know when you try to grab a dog's tongue to pull it out? | 0:32:19 | 0:32:22 | |
-I always imagine that they're beautiful places. -No, they're not. | 0:32:23 | 0:32:26 | |
They're usually not at all. | 0:32:26 | 0:32:29 | |
I remember when I first went to France as a young girl, | 0:32:29 | 0:32:33 | |
I was an au pair and it was all those holes, remember? | 0:32:33 | 0:32:37 | |
You had to squat down over a terrible hole. | 0:32:37 | 0:32:39 | |
And the only place where there was a proper toilet | 0:32:39 | 0:32:42 | |
was the Mona Lisa gallery in the Louvre. | 0:32:42 | 0:32:44 | |
I know the Mona Lisa, every brushstroke - | 0:32:44 | 0:32:49 | |
I used to go every day. | 0:32:49 | 0:32:51 | |
-You can actually see it from the toilet? -No, no! | 0:32:51 | 0:32:54 | |
It must be why she's pulling that face. | 0:32:54 | 0:32:57 | |
Also with the ladies, I don't know, I'd miss the urinal. | 0:32:58 | 0:33:02 | |
Well, I usually do. But I'd miss the... | 0:33:02 | 0:33:04 | |
This idea about having to go into an individual cubicle to go to the toilet - | 0:33:04 | 0:33:08 | |
-that's why it takes so long, isn't it? -Yeah. | 0:33:08 | 0:33:10 | |
They have to sit down, don't they, as well. | 0:33:10 | 0:33:13 | |
I have no idea. | 0:33:13 | 0:33:15 | |
Are you aware of the Shewee, Sheila? | 0:33:15 | 0:33:18 | |
-The what? -The Shewee. -No. | 0:33:18 | 0:33:21 | |
I believe it was named after you. | 0:33:21 | 0:33:23 | |
This is a Shewee and it means that a lady can... | 0:33:25 | 0:33:30 | |
can go to the toilet very secretly, | 0:33:30 | 0:33:33 | |
so if you can't get into a toilet or you're on a long car journey, | 0:33:33 | 0:33:36 | |
you can put this into a bottle and... | 0:33:36 | 0:33:39 | |
You can use it for pick and mix, as well. | 0:33:39 | 0:33:41 | |
So erm... We come to Craig's wildcard. | 0:33:43 | 0:33:47 | |
-What's that? -I'm a bit bemused by that one. | 0:33:53 | 0:33:56 | |
-I believe it's an Englishman, an Irishman and a Scotsman. -Yeah. | 0:33:56 | 0:33:58 | |
People who tell jokes all the time is my pet hate. | 0:33:58 | 0:34:04 | |
I can't stand it. At dinner parties, people that tell hideous jokes. | 0:34:07 | 0:34:12 | |
"Have you heard the one about...?" It's just boring. | 0:34:12 | 0:34:15 | |
I just have an out-of-body experience every time they do it. | 0:34:15 | 0:34:18 | |
Why don't you just say Bruce Forsyth and get it over with? | 0:34:18 | 0:34:21 | |
My problem is someone that consistently spouts off | 0:34:23 | 0:34:28 | |
heinously. | 0:34:28 | 0:34:30 | |
Are you thinking of any particular person? | 0:34:30 | 0:34:32 | |
No, he doesn't tell jokes. | 0:34:36 | 0:34:39 | |
-He's proved that tonight, darling. -Ah, Craig! | 0:34:39 | 0:34:42 | |
-Take off your critic's boots! -He's just funny. | 0:34:42 | 0:34:45 | |
-Are they critic boots? -They are, yeah. | 0:34:45 | 0:34:47 | |
Do you know that you are actually...? That there is a joke about you? | 0:34:47 | 0:34:53 | |
I'm sure there's several. | 0:34:55 | 0:34:56 | |
It's not... I don't think it's unkind. | 0:34:58 | 0:35:00 | |
It's quite sweet. I think you'll like it. | 0:35:00 | 0:35:02 | |
I do a radio show and someone texted in, | 0:35:02 | 0:35:06 | |
"Why doesn't Craig Revel Horwood use as much spray tan as he used to?" | 0:35:06 | 0:35:11 | |
And they said, "It's cos no-one likes orange Revels." | 0:35:11 | 0:35:15 | |
LAUGHTER | 0:35:15 | 0:35:17 | |
-No, because it didn't... -APPLAUSE | 0:35:18 | 0:35:20 | |
CHEERING | 0:35:22 | 0:35:24 | |
It's a cute, sweet joke | 0:35:26 | 0:35:27 | |
and, you know, it's affectionate towards you, don't you think? | 0:35:27 | 0:35:31 | |
It's offensive. | 0:35:31 | 0:35:33 | |
Have you ever laughed? | 0:35:34 | 0:35:36 | |
Not when you've been talking. | 0:35:36 | 0:35:38 | |
-AUDIENCE OOHING -Ooh! Oh, my God, it's gone so wrong. | 0:35:38 | 0:35:42 | |
You must tell jokes, Craig, do you? | 0:35:44 | 0:35:46 | |
No. | 0:35:46 | 0:35:48 | |
-I'm not funny, that's why. -Oh, come on. -No, I'm not. | 0:35:49 | 0:35:52 | |
-You've got lots of laughs tonight. -I don't remember one, darling. | 0:35:52 | 0:35:57 | |
Well, I don't remember one but I'm sure... | 0:35:57 | 0:35:59 | |
-Go on, tell us a gag. -I don't know any. | 0:36:01 | 0:36:03 | |
And I'm seriously unfunny, I promise you. | 0:36:03 | 0:36:06 | |
If I tell you a gag now, will you tell it? | 0:36:06 | 0:36:09 | |
If I whisper a gag in your ear? | 0:36:09 | 0:36:11 | |
I'll give you a really short one, right? | 0:36:11 | 0:36:14 | |
This is... | 0:36:14 | 0:36:16 | |
-I've heard that before. -I know you have. | 0:36:17 | 0:36:20 | |
Not at 8:30 on BBC1, you haven't. | 0:36:20 | 0:36:23 | |
LAUGHTER | 0:36:30 | 0:36:32 | |
So, Craig, have you got any gags for us? | 0:36:35 | 0:36:37 | |
What did zero say to the eight? | 0:36:37 | 0:36:41 | |
No idea. | 0:36:41 | 0:36:42 | |
Nice belt. | 0:36:43 | 0:36:45 | |
APPLAUSE AND CHEERING | 0:36:47 | 0:36:49 | |
-I don't understand it. -Oh... | 0:36:54 | 0:36:57 | |
-I don't get it either. -I'm trying to build his confidence here, Sheila. | 0:36:57 | 0:37:01 | |
-He doesn't understand it either. -I was so busy trying to think of the words... | 0:37:01 | 0:37:05 | |
What does the zero say to the eight? | 0:37:05 | 0:37:08 | |
Nice belt. | 0:37:08 | 0:37:09 | |
It's funny because numbers can't talk. | 0:37:09 | 0:37:12 | |
Yeah? | 0:37:14 | 0:37:16 | |
-Is that right? -Because a zero is like that | 0:37:16 | 0:37:18 | |
-and an eight is pulled... -Oh, I see it's a visual... | 0:37:18 | 0:37:22 | |
It's a visual joke. | 0:37:23 | 0:37:25 | |
-Yes! -That's a zero and that's an eight. | 0:37:25 | 0:37:27 | |
I'm so glad I was here the night comedy died. | 0:37:27 | 0:37:31 | |
Anyway, I can't possibly put people who tell jokes all the time into Room 101 | 0:37:34 | 0:37:39 | |
because otherwise I'll have to go in and that's impossible. | 0:37:39 | 0:37:43 | |
And I don't want to put Jon Richardson's brain in | 0:37:43 | 0:37:46 | |
because I quite like it. | 0:37:46 | 0:37:48 | |
Ladies' toilets I'd love to put in | 0:37:48 | 0:37:51 | |
because it's going to make just being out at night much more exciting. | 0:37:51 | 0:37:55 | |
So I am going to put ladies' toilets into Room 101. | 0:37:55 | 0:38:00 | |
APPLAUSE AND CHEERING | 0:38:00 | 0:38:02 | |
And that brings us to the end of the show. | 0:38:13 | 0:38:14 | |
Well done, Sheila. You're the most persuasive guest tonight, | 0:38:14 | 0:38:17 | |
so you are this week's winner. | 0:38:17 | 0:38:19 | |
APPLAUSE AND CHEERING | 0:38:19 | 0:38:21 | |
So thank you very much, Jon Richardson, Craig Revel Horwood | 0:38:25 | 0:38:28 | |
and Sheila Hancock | 0:38:28 | 0:38:29 | |
and thank you - goodnight! | 0:38:29 | 0:38:31 | |
CHEERING AND WHISTLING | 0:38:31 | 0:38:33 | |
Subtitles by Red Bee Media Ltd | 0:38:33 | 0:38:35 |