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CHEERING AND APPLAUSE | 0:00:24 | 0:00:26 | |
Hello, I'm Frank Skinner, and welcome to Room 101, | 0:00:36 | 0:00:39 | |
the show where three guests compete to have their biggest bugbears | 0:00:39 | 0:00:43 | |
banished forever to the dreaded vault. | 0:00:43 | 0:00:45 | |
Our guests' choices have been sorted into categories | 0:00:45 | 0:00:47 | |
and, in each round, only one item can be chosen. | 0:00:47 | 0:00:50 | |
The final decision is mine. Let's meet this week's guests. | 0:00:50 | 0:00:53 | |
Joining me tonight are comedian Miles Jupp, | 0:00:53 | 0:00:56 | |
presenter Vernon Kay, | 0:00:56 | 0:00:57 | |
and TV Dragon Kelly Hoppen. | 0:00:57 | 0:00:59 | |
Right, then, let's have our first category. | 0:01:07 | 0:01:10 | |
It's People. | 0:01:14 | 0:01:16 | |
So what kind of people wind up Miles Jupp? | 0:01:16 | 0:01:20 | |
LAUGHTER | 0:01:25 | 0:01:28 | |
Well, the people that deserve to go in Room 101 | 0:01:28 | 0:01:31 | |
are parents who allow their children to climb up slides. | 0:01:31 | 0:01:37 | |
This child is climbing up the slide. | 0:01:37 | 0:01:42 | |
This is not the way that things are supposed to happen. | 0:01:42 | 0:01:45 | |
This child, who may or may not be enjoying themselves, | 0:01:45 | 0:01:49 | |
is ruining this child's life. | 0:01:49 | 0:01:52 | |
I don't know if it's the sort of thing | 0:01:53 | 0:01:55 | |
George Orwell was concerned about when he came up with the idea, | 0:01:55 | 0:01:58 | |
but this child belongs in some sort of eternal damnation. | 0:01:58 | 0:02:02 | |
LAUGHTER | 0:02:02 | 0:02:05 | |
Are you against wheelchair ramps on the same basis? | 0:02:05 | 0:02:09 | |
LAUGHTER | 0:02:09 | 0:02:11 | |
No. No, they're clearly a very sensible idea, Frank. | 0:02:12 | 0:02:17 | |
I know you were saying before the programme started, in make-up, | 0:02:17 | 0:02:20 | |
you were going on about how you thought | 0:02:20 | 0:02:21 | |
those people had it too easy. But I... | 0:02:21 | 0:02:23 | |
You'll remember I tried to talk you down from that position. | 0:02:26 | 0:02:30 | |
Yes. You were indeed the voice of reason. | 0:02:30 | 0:02:34 | |
If you don't sort of follow | 0:02:34 | 0:02:36 | |
the sort of conventions and systems that we have in society, | 0:02:36 | 0:02:39 | |
you don't really deserve to be part of society. | 0:02:39 | 0:02:43 | |
We should show what happens, actually, | 0:02:43 | 0:02:45 | |
when you try to go back up the slide, | 0:02:45 | 0:02:47 | |
but we're not allowed to show this kind of clash with children, | 0:02:47 | 0:02:50 | |
so we've had to get some other creatures to stand in for them. | 0:02:50 | 0:02:54 | |
And there you go. | 0:02:55 | 0:02:56 | |
AUDIENCE: Aw! | 0:02:56 | 0:02:58 | |
But they do try and go back up. | 0:02:58 | 0:03:00 | |
LAUGHTER | 0:03:00 | 0:03:02 | |
That's what happens. | 0:03:03 | 0:03:05 | |
That is why pandas are dying out. | 0:03:06 | 0:03:08 | |
I used to love climbing up slides. | 0:03:11 | 0:03:14 | |
-Right, well, you're a danger and a menace. -Yeah. | 0:03:14 | 0:03:17 | |
That's all about what kids do, isn't it? | 0:03:18 | 0:03:21 | |
It's about the kids then having a fight - | 0:03:21 | 0:03:23 | |
-who's going to get up or who's going to get down. -Oh, yeah, yeah. | 0:03:23 | 0:03:26 | |
That's part of life. | 0:03:26 | 0:03:27 | |
If what you sort of get high on | 0:03:27 | 0:03:29 | |
is forcing children to fight and wrestle, | 0:03:29 | 0:03:31 | |
I could appreciate this is the sort of thing | 0:03:31 | 0:03:33 | |
-that you ought to encourage. -No! | 0:03:33 | 0:03:36 | |
Do you think it's related to the decline in snakes and ladders? | 0:03:36 | 0:03:40 | |
Because children used to know, up the ladders, | 0:03:42 | 0:03:45 | |
I mean, that was part of life, but now that's gone... | 0:03:45 | 0:03:48 | |
Would you dare to tell another person's child not to do it? | 0:03:48 | 0:03:53 | |
I'm wary, obviously. | 0:03:53 | 0:03:54 | |
There's this sort of difficult... sort of boundaries, aren't there? | 0:03:54 | 0:03:58 | |
So if other people sort of tell your children off, | 0:03:58 | 0:04:00 | |
then you take that as a direct attack on your parenting skills. | 0:04:00 | 0:04:03 | |
-Neighbours used to take your football off you... -Yeah. | 0:04:03 | 0:04:06 | |
..and keep it, you know. | 0:04:06 | 0:04:07 | |
I remember we used to play cricket in the street, | 0:04:07 | 0:04:09 | |
and if you got a six, it would definitely hit someone's house. | 0:04:09 | 0:04:12 | |
And then they'd say, "Right, I'm having that. | 0:04:12 | 0:04:15 | |
"Give me your bat and your ball, and I'll tell your mum as well!" | 0:04:15 | 0:04:18 | |
-"And if it comes over here again, I'll put a knife through it." -Yeah! | 0:04:18 | 0:04:22 | |
That's what they said about our dog. | 0:04:22 | 0:04:24 | |
LAUGHTER | 0:04:24 | 0:04:26 | |
I want to show you a few slides. | 0:04:28 | 0:04:30 | |
This is a fabulous elephant-themed slide, which... | 0:04:30 | 0:04:35 | |
LAUGHTER | 0:04:35 | 0:04:37 | |
It's a sort of a... | 0:04:39 | 0:04:40 | |
Sort of back to the womb instinct in that child, I think. | 0:04:42 | 0:04:46 | |
Amazing. | 0:04:46 | 0:04:47 | |
What if they had a plunger and just fired kids into the elephant? | 0:04:47 | 0:04:51 | |
What about... | 0:04:51 | 0:04:52 | |
This is one, I think, ideal for the kid who wants to climb up the slide. | 0:04:52 | 0:04:56 | |
It's a terrible design fault. | 0:05:01 | 0:05:03 | |
Not quite as bad as this one. | 0:05:03 | 0:05:05 | |
OK, then. What kind of people wind up Kelly? | 0:05:11 | 0:05:14 | |
Ooh, people with weak handshakes. | 0:05:19 | 0:05:23 | |
Oh, that's horrid! | 0:05:25 | 0:05:29 | |
I just think there is nothing worse... | 0:05:29 | 0:05:31 | |
If somebody is going to come and shake your hand, | 0:05:31 | 0:05:34 | |
they're coming to shake your hand. | 0:05:34 | 0:05:36 | |
They come towards you, and literally, it's just weak. | 0:05:36 | 0:05:40 | |
And what's worse is it's always slightly... | 0:05:40 | 0:05:43 | |
-Moist. -Moist, yeah. | 0:05:43 | 0:05:45 | |
I don't understand the moist thing. | 0:05:45 | 0:05:47 | |
I go to Catholic church on Sundays, | 0:05:47 | 0:05:50 | |
and we have a bit where we have to shake hands with each other, | 0:05:50 | 0:05:53 | |
and sometimes you shake hands and it's just sodden with sweat. | 0:05:53 | 0:05:57 | |
And I look at them, and I'm thinking, | 0:05:57 | 0:05:59 | |
"Look, you're wearing absorbent clothing. | 0:05:59 | 0:06:01 | |
"You could have prepped for this." | 0:06:01 | 0:06:03 | |
If they've got a PVC cat-suit on, OK, but they rarely have. | 0:06:03 | 0:06:08 | |
You've got to know when to start and when to stop and what strength. | 0:06:08 | 0:06:13 | |
Just got to know. | 0:06:13 | 0:06:14 | |
Albert Pierrepoint, who was the hangman in this country - | 0:06:14 | 0:06:18 | |
there he is, Albert - | 0:06:18 | 0:06:19 | |
bought that house on his wages. | 0:06:19 | 0:06:21 | |
Money for old rope, if you ask me! | 0:06:21 | 0:06:23 | |
LAUGHTER AND GROANS | 0:06:23 | 0:06:24 | |
He could... What he used to do, | 0:06:24 | 0:06:27 | |
he would shake hands with the condemned person | 0:06:27 | 0:06:30 | |
-and he had developed a method where he could judge their weight... -Oh! | 0:06:30 | 0:06:34 | |
..from the handshake and then he'd know how long to make the rope, | 0:06:34 | 0:06:37 | |
-so, you know, it was a quick, clean kill. -Is that for true? | 0:06:37 | 0:06:40 | |
That's absolutely true. | 0:06:40 | 0:06:41 | |
Very unpopular with women. | 0:06:41 | 0:06:43 | |
-Oh, really? -"Lovely to meet you. | 0:06:43 | 0:06:45 | |
"Oh, you had a good Christmas." | 0:06:45 | 0:06:47 | |
LAUGHTER | 0:06:47 | 0:06:49 | |
There's...there's sort of two extremes. | 0:06:49 | 0:06:51 | |
You can also get a handshake which is so strong, | 0:06:51 | 0:06:53 | |
and people that have strong handshakes, | 0:06:53 | 0:06:55 | |
they don't let go, and your hand starts to lose, | 0:06:55 | 0:06:58 | |
you know, feeling in it, which I would rather that than this. | 0:06:58 | 0:07:01 | |
-This, to me... -Really? | 0:07:01 | 0:07:03 | |
Oh, yeah. This is just... You kind of don't know what to say, do you? | 0:07:03 | 0:07:06 | |
You're just left hanging, and you sort of hang, and you just... | 0:07:06 | 0:07:10 | |
-You know? -Yeah. | 0:07:10 | 0:07:11 | |
There's just something really distasteful about it | 0:07:11 | 0:07:14 | |
and it annoys me. | 0:07:14 | 0:07:16 | |
But if you're given one, what do you give back? | 0:07:16 | 0:07:18 | |
Oh, I squeeze it to death! | 0:07:18 | 0:07:21 | |
Wring it. | 0:07:21 | 0:07:23 | |
Do you do the kiss on both cheeks type thing? | 0:07:23 | 0:07:25 | |
Yeah, and sometimes three. | 0:07:25 | 0:07:27 | |
Three cheeks? | 0:07:27 | 0:07:29 | |
-No, no... -LAUGHTER | 0:07:29 | 0:07:32 | |
No, because certain countries, like Holland and Belgium, | 0:07:32 | 0:07:36 | |
-people give three kisses. -Mmm. | 0:07:36 | 0:07:37 | |
Sometimes it gets a bit confusing. | 0:07:37 | 0:07:39 | |
You don't know whether to go in for the third or not. | 0:07:39 | 0:07:41 | |
I kissed Ulrika Jonsson once at a showbiz do, | 0:07:41 | 0:07:45 | |
in my early days, when I wasn't as sophisticated - | 0:07:45 | 0:07:47 | |
I'd just come down from Birmingham. | 0:07:47 | 0:07:49 | |
As I kissed her, she obviously sensed I was, er, an innocent. | 0:07:49 | 0:07:52 | |
She went, "Both cheeks." | 0:07:52 | 0:07:54 | |
And so I knew exactly what to do. | 0:07:54 | 0:07:57 | |
And, um, I'd never kissed anyone who didn't smell of chips. | 0:07:57 | 0:08:00 | |
This is Prince Charles and Camilla with the Dalai Lama. | 0:08:03 | 0:08:10 | |
Now, the Dalai Lama is an enthusiastic hand-shaker, | 0:08:10 | 0:08:13 | |
but just watch this. | 0:08:13 | 0:08:15 | |
Charles is not that keen at the beginning. | 0:08:15 | 0:08:17 | |
Goes in early. | 0:08:17 | 0:08:19 | |
Charles, "No, I don't think I will." But he won't give up. | 0:08:19 | 0:08:22 | |
He won't give up, the Dalai, he's always got something up his sleeve. | 0:08:22 | 0:08:26 | |
"Come on. Yes, got you." | 0:08:28 | 0:08:31 | |
And I'll grab this as well. | 0:08:31 | 0:08:33 | |
This is two hours later. He hasn't let go. | 0:08:33 | 0:08:36 | |
LAUGHTER | 0:08:36 | 0:08:39 | |
As they say, there are three people in this marriage. | 0:08:39 | 0:08:42 | |
But handshakes aren't fun any more, are they, | 0:08:44 | 0:08:46 | |
with the various diseases knocking around. | 0:08:46 | 0:08:50 | |
You can't enjoy a handshake any more. | 0:08:50 | 0:08:52 | |
Maybe you just go up and just do that. | 0:08:52 | 0:08:55 | |
I'm shaking with one hand, | 0:08:55 | 0:08:56 | |
my other hand's already on the antiseptic wash. | 0:08:56 | 0:08:59 | |
On the hand sanitiser. | 0:09:00 | 0:09:01 | |
I shook hands with the Queen, for example. | 0:09:01 | 0:09:03 | |
-I bet you... Have you met the Queen? -Yeah. | 0:09:03 | 0:09:06 | |
Yeah. She wears gloves at all times for handshaking. | 0:09:06 | 0:09:08 | |
-Well, do you blame her? -No. She burns them after. | 0:09:08 | 0:09:11 | |
I know this for a fact. | 0:09:11 | 0:09:12 | |
She's got a nice handshake. | 0:09:12 | 0:09:14 | |
She's got... Yeah, well, I couldn't tell, | 0:09:14 | 0:09:16 | |
because I wondered if it might be some sort of robot hand. | 0:09:16 | 0:09:21 | |
Apparently, during the swine flu epidemic, | 0:09:21 | 0:09:23 | |
she wore a falconry gauntlet. | 0:09:23 | 0:09:24 | |
LAUGHTER | 0:09:24 | 0:09:28 | |
Not taking any risks at all! | 0:09:28 | 0:09:31 | |
Sometimes a handshake can go wrong, and then it can be embarrassing. | 0:09:31 | 0:09:36 | |
This is Gordon Brown with Barack Obama. | 0:09:36 | 0:09:38 | |
Now, his handshake, I imagine... He's very confident. | 0:09:38 | 0:09:42 | |
Gordon Brown, a more difficult character. | 0:09:42 | 0:09:45 | |
Look at him shaking hands with a policeman. | 0:09:45 | 0:09:47 | |
"Nice to see you." And Gordon? | 0:09:47 | 0:09:48 | |
"I don't think so." | 0:09:48 | 0:09:49 | |
LAUGHTER | 0:09:49 | 0:09:51 | |
That's harsh, isn't it? | 0:09:55 | 0:09:57 | |
OK, then, what kind of people wind up Vernon? | 0:09:58 | 0:10:02 | |
People that drop litter. There you go. | 0:10:07 | 0:10:10 | |
-People who drop litter. -Oh, do my head in. | 0:10:10 | 0:10:12 | |
I don't understand why people feel the need to drop litter | 0:10:12 | 0:10:19 | |
and not take it home and find a bin. | 0:10:19 | 0:10:21 | |
-If I was to just turn up in your living room, Frank... -Yeah. | 0:10:21 | 0:10:26 | |
..and empty the contents of my kitchen bin in your front room | 0:10:26 | 0:10:29 | |
-and then leave, you'd be well annoyed. -Mm. | 0:10:29 | 0:10:32 | |
So why do people do it on the street? | 0:10:32 | 0:10:34 | |
I know what you mean. People shouldn't throw litter. | 0:10:34 | 0:10:36 | |
But people like yourself, they do get a bit wound up about it. | 0:10:36 | 0:10:40 | |
Is it such a terrible thing? | 0:10:40 | 0:10:42 | |
Don't you find that litter can sometimes brighten | 0:10:42 | 0:10:45 | |
an otherwise grey pavement? | 0:10:45 | 0:10:46 | |
There was an incident near my house, and someone had fly-tipped. | 0:10:49 | 0:10:53 | |
I thought, "I'm going to have a look through that, | 0:10:53 | 0:10:55 | |
"see what they've dumped." So I had a rummage through | 0:10:55 | 0:10:57 | |
and, lo and behold, there were some gas bills and electric bills. | 0:10:57 | 0:11:00 | |
-Ooh! -I thought, "Right. Here we go." | 0:11:00 | 0:11:02 | |
So I got the car, | 0:11:02 | 0:11:03 | |
loaded up all of his rubbish in the back of my car, | 0:11:03 | 0:11:07 | |
put his postcode in the sat nav, | 0:11:07 | 0:11:09 | |
got down to the end of his driveway, opened his gates | 0:11:09 | 0:11:12 | |
and just started launching it down this guy's drive. | 0:11:12 | 0:11:15 | |
Now, when he came to the front door, he's like, "What are you doing?" | 0:11:15 | 0:11:18 | |
I was like, "What do you think I'm doing? | 0:11:18 | 0:11:20 | |
So I carried on chucking stuff down his driveway, thinking, | 0:11:20 | 0:11:22 | |
-"I hope to goodness it's the right address!" -Oh, no! | 0:11:22 | 0:11:26 | |
LAUGHTER | 0:11:26 | 0:11:29 | |
And he said, "It's not my rubbish." I said, "Yes, it is." | 0:11:29 | 0:11:32 | |
He said, "Well, how do you know?" | 0:11:32 | 0:11:33 | |
I said, "Because you left your gas bills | 0:11:33 | 0:11:36 | |
"and your electric bills in this bin bag." | 0:11:36 | 0:11:38 | |
And he just went... | 0:11:38 | 0:11:40 | |
"Oh, yeah. Sorry about that." | 0:11:40 | 0:11:41 | |
LAUGHTER | 0:11:41 | 0:11:43 | |
I bought myself a... And this is actually my own litter picker. | 0:11:43 | 0:11:46 | |
I bought it off eBay for £4.99. | 0:11:46 | 0:11:49 | |
Can I say that that is not a prop. | 0:11:50 | 0:11:53 | |
Vernon brought that in. | 0:11:53 | 0:11:54 | |
I did, I bought it. | 0:11:56 | 0:11:57 | |
When we go walking our dog up and down the lane... I live near | 0:11:57 | 0:12:01 | |
a farm and there's, like, rubbish strewn along the side of the road. | 0:12:01 | 0:12:05 | |
So I thought, "You know what? | 0:12:05 | 0:12:06 | |
"While I'm walking my dog I'll clean that up." | 0:12:06 | 0:12:08 | |
-What about this one? -That's a beauty. | 0:12:08 | 0:12:10 | |
I'm thinking I could do a vent act with this. | 0:12:10 | 0:12:13 | |
"Where have you been, Charlie?" | 0:12:13 | 0:12:15 | |
"Oh, I've been down... | 0:12:15 | 0:12:17 | |
"I've been for a country walk with Vernon Kay." | 0:12:17 | 0:12:22 | |
-Lovely. -Does that really pick up rubbish? | 0:12:22 | 0:12:24 | |
Yeah, it's really to pick up rubbish. | 0:12:24 | 0:12:26 | |
-What did you think it was for? -I don't know. I wasn't sure. | 0:12:26 | 0:12:29 | |
Yeah, it's because my handshake isn't as good as I'd like it to be. | 0:12:29 | 0:12:32 | |
APPLAUSE AND LAUGHTER | 0:12:32 | 0:12:34 | |
You've all argued your case very well. | 0:12:39 | 0:12:42 | |
I don't want to put children who climb slides. | 0:12:42 | 0:12:44 | |
It's specifically the parents, Frank. I'm not blaming the children. | 0:12:44 | 0:12:47 | |
I realise that, but I'm a parent myself, and to be honest, | 0:12:47 | 0:12:50 | |
when I'm in a playground, I'm just so keen to say, | 0:12:50 | 0:12:53 | |
"I am with this child and I'm not here on my own", | 0:12:53 | 0:12:56 | |
that I let him run riot, to be honest. | 0:12:56 | 0:13:00 | |
And, Kelly, I appreciate your point, | 0:13:00 | 0:13:03 | |
but I also think that sometimes people overdo the... | 0:13:03 | 0:13:07 | |
They try to prove a point. | 0:13:07 | 0:13:09 | |
Maybe you're putting a bit too much into it. | 0:13:09 | 0:13:11 | |
However, I'm struggling to argue against litter. | 0:13:11 | 0:13:13 | |
So I am going to put people who drop litter into Room 101. | 0:13:13 | 0:13:17 | |
-Anthony Costa, ladies and gentlemen. -LAUGHTER | 0:13:38 | 0:13:42 | |
Next category, please. | 0:13:42 | 0:13:44 | |
OK, it's the Audience Choice now. | 0:13:50 | 0:13:53 | |
I believe we have Ian Manley in the audience. Where are you, Ian? | 0:13:53 | 0:13:57 | |
-There you are. -Yeah. -I see a raised hand. | 0:13:57 | 0:13:58 | |
Ian, what would you like to put into Room 101? | 0:13:58 | 0:14:01 | |
My choice for Room 101 is people on boats, | 0:14:01 | 0:14:05 | |
er, who happen to think it's necessary | 0:14:05 | 0:14:07 | |
to actually wave at other people on other boats. | 0:14:07 | 0:14:10 | |
LAUGHTER | 0:14:10 | 0:14:12 | |
Do you think you can tell, somebody that's waving, | 0:14:12 | 0:14:15 | |
whether they have a limp wave... | 0:14:15 | 0:14:17 | |
LAUGHTER | 0:14:17 | 0:14:18 | |
I tell you what, I used to drive the old Volkswagen Beetle | 0:14:18 | 0:14:23 | |
and, if I passed someone else in a Volkswagen Beetle, we would... | 0:14:23 | 0:14:27 | |
We would both do the little wave, you know? | 0:14:27 | 0:14:30 | |
And I think it's the same thing, you know. | 0:14:30 | 0:14:32 | |
It's sort of acknowledging that coincidence. | 0:14:32 | 0:14:34 | |
"You're on a boat, I'm on a boat. | 0:14:34 | 0:14:36 | |
"Small world." | 0:14:36 | 0:14:37 | |
LAUGHTER | 0:14:37 | 0:14:39 | |
Yes, I can see that point of view | 0:14:39 | 0:14:41 | |
but I've been on the night bus going through Kilburn at two in the morning | 0:14:41 | 0:14:44 | |
with other kindred spirits... | 0:14:44 | 0:14:46 | |
LAUGHTER | 0:14:46 | 0:14:47 | |
..and I wouldn't actually feel the need to actually wave to any of them, | 0:14:47 | 0:14:51 | |
as it could be the last wave I ever do. | 0:14:51 | 0:14:53 | |
LAUGHTER | 0:14:53 | 0:14:55 | |
I don't feel I can go with this one. | 0:14:55 | 0:14:57 | |
I just think you are being a bit grumpy. | 0:14:57 | 0:14:59 | |
-HE LAUGHS -I think, in this world, | 0:14:59 | 0:15:01 | |
where everyone's so frightened of each other | 0:15:01 | 0:15:04 | |
and people don't speak to their neighbours, | 0:15:04 | 0:15:05 | |
it's lovely that people feel, when they've got a bit of distance, | 0:15:05 | 0:15:09 | |
that they can wave at people. | 0:15:09 | 0:15:11 | |
So I am not going to put people who wave from boats into Room 101. | 0:15:11 | 0:15:15 | |
But it's still... | 0:15:15 | 0:15:16 | |
It was a very fine choice, though, so what about a big hand for Ian? | 0:15:16 | 0:15:19 | |
OK, let's have our next category. | 0:15:25 | 0:15:28 | |
Ah, modern life. | 0:15:32 | 0:15:35 | |
So what about modern life winds up Kelly Hoppen? | 0:15:35 | 0:15:40 | |
Loo roll covers. I hate them. | 0:15:45 | 0:15:47 | |
First of all, it's like almost sort of creating a shrine to a loo roll. | 0:15:47 | 0:15:52 | |
I don't know why anybody would want to sort of draw attention to it. | 0:15:52 | 0:15:55 | |
And she just... I mean, I just think it's the height of kitsch, this. | 0:15:55 | 0:15:59 | |
-I absolutely loathe it. It really annoys me. -Oh, wow. | 0:15:59 | 0:16:02 | |
-Yeah. -I remember my grandma had one. It was a flamenco doll. | 0:16:02 | 0:16:06 | |
I was just going to say, flamenco was a big thing. | 0:16:06 | 0:16:08 | |
I think she could stand in two upright toilet rolls. | 0:16:08 | 0:16:11 | |
It was a big flamenco dress. | 0:16:11 | 0:16:13 | |
I mean, I think the idea is that the toilet roll, | 0:16:13 | 0:16:16 | |
it has unsavoury associations, | 0:16:16 | 0:16:18 | |
and so... | 0:16:18 | 0:16:20 | |
LAUGHTER | 0:16:20 | 0:16:23 | |
No, but it's true. | 0:16:23 | 0:16:24 | |
You know, you want the extra toilet roll in there, | 0:16:24 | 0:16:27 | |
because, you know, it's important to know that there is backup. | 0:16:27 | 0:16:30 | |
This is what I have in my own... | 0:16:30 | 0:16:33 | |
There you go! I would much rather that. Much better. | 0:16:33 | 0:16:36 | |
This is what I call my worst-case scenario stand. | 0:16:36 | 0:16:39 | |
LAUGHTER | 0:16:39 | 0:16:41 | |
I've never got through more than two in one... | 0:16:45 | 0:16:48 | |
I think that's perfectly acceptable. | 0:16:48 | 0:16:50 | |
I just... I think that's just awful. | 0:16:50 | 0:16:54 | |
If you accept that toilet roll covers are to, sort of, | 0:16:54 | 0:16:58 | |
hide the toilet roll, what a stupid idea is this one? | 0:16:58 | 0:17:03 | |
LAUGHTER | 0:17:03 | 0:17:05 | |
If I went to someone's house, I would use THAT. | 0:17:07 | 0:17:11 | |
I've got a celebrity toilet roll cover. | 0:17:11 | 0:17:14 | |
LAUGHTER | 0:17:15 | 0:17:19 | |
That's evil. | 0:17:19 | 0:17:21 | |
I don't think she's OFFICIALLY been declared evil. | 0:17:21 | 0:17:23 | |
Can I ask, what do you do in your toilet? | 0:17:25 | 0:17:28 | |
LAUGHTER | 0:17:28 | 0:17:32 | |
Tell you what. I hope somebody's just switched on at that moment. | 0:17:32 | 0:17:35 | |
I just have, like, a big, glass dish, | 0:17:35 | 0:17:38 | |
which is from the floor up, like that, | 0:17:38 | 0:17:40 | |
and it's just full of loo rolls. | 0:17:40 | 0:17:41 | |
How many have you got in there, would you say? | 0:17:41 | 0:17:43 | |
Probably about eight. | 0:17:43 | 0:17:45 | |
What are you getting through a week? | 0:17:45 | 0:17:47 | |
LAUGHTER | 0:17:47 | 0:17:49 | |
Average week. Two meals in a day. | 0:17:49 | 0:17:51 | |
I used to live alone. | 0:17:54 | 0:17:55 | |
I would be hard pushed to get through a toilet roll | 0:17:55 | 0:17:58 | |
-every two weeks. -Oh, here we go! | 0:17:58 | 0:18:00 | |
In fact, if I was hard pushed, I probably wouldn't get through one! | 0:18:00 | 0:18:04 | |
LAUGHTER | 0:18:04 | 0:18:08 | |
But my girlfriend moves in and now we get through about five a week. | 0:18:08 | 0:18:12 | |
She'll say to me - honestly, I've seen her do this - | 0:18:12 | 0:18:15 | |
she'll stand like this and she'll say, | 0:18:15 | 0:18:17 | |
"Yeah, I'm just going to have a quick pee." | 0:18:17 | 0:18:20 | |
A quick pee?! | 0:18:20 | 0:18:22 | |
So she'll have about this much on her hand, | 0:18:22 | 0:18:27 | |
and then she'll say, "Right, I'll just go and have a quick pee." | 0:18:27 | 0:18:30 | |
I think, "There's no need to use the toilet! | 0:18:30 | 0:18:33 | |
"You could just pee into your hand!" | 0:18:33 | 0:18:35 | |
LAUGHTER | 0:18:35 | 0:18:38 | |
It would be sufficiently absorbent! | 0:18:38 | 0:18:41 | |
OK, then. | 0:18:43 | 0:18:45 | |
What doesn't Miles like about the modern world? | 0:18:45 | 0:18:47 | |
I have a control button here. | 0:18:51 | 0:18:53 | |
LAUGHTER | 0:18:54 | 0:18:57 | |
Very good! | 0:18:58 | 0:18:59 | |
I really have a problem with automated doors, | 0:18:59 | 0:19:03 | |
particularly this... This is a fine example. Sliding doors. | 0:19:03 | 0:19:06 | |
I have a... Perhaps it's because I grew up around normal doors, | 0:19:06 | 0:19:10 | |
I'm naturally more attuned to them. But sliding doors... | 0:19:10 | 0:19:13 | |
Not the film. I've got no problem with the film. | 0:19:13 | 0:19:16 | |
But I... | 0:19:16 | 0:19:18 | |
LAUGHTER | 0:19:18 | 0:19:19 | |
For instance, on trains, you're surrounded by sliding doors. | 0:19:19 | 0:19:24 | |
They don't even have an industry standard, | 0:19:24 | 0:19:26 | |
so you get to the end of the carriage and think, | 0:19:26 | 0:19:28 | |
"Is this one of the ones with a button? No, it's the one with..." | 0:19:28 | 0:19:30 | |
and you jump around for ages, or there's a concealed thing, | 0:19:30 | 0:19:33 | |
a button that maybe opens, or it's touch-sensitive, | 0:19:33 | 0:19:36 | |
or it's a proper button. And then, having got through the door, | 0:19:36 | 0:19:38 | |
you get to the lavatory. You're bursting to go to the lavatory. | 0:19:38 | 0:19:41 | |
It takes absolutely ages for the door to open. | 0:19:41 | 0:19:44 | |
You get in, you think, "Thank goodness me, I'm in the loo." | 0:19:44 | 0:19:46 | |
You're about to... You think, "I've got to wait for the door to close." | 0:19:46 | 0:19:49 | |
And that's another six or seven seconds. I think that is the moment | 0:19:49 | 0:19:52 | |
when most people wet themselves on public transport. | 0:19:52 | 0:19:55 | |
There is nothing wrong with normal doors. | 0:19:55 | 0:19:57 | |
These are an abomination. | 0:19:57 | 0:19:59 | |
They should be consigned to the furnaces of history. | 0:19:59 | 0:20:02 | |
Also, I think, when you make an entrance, | 0:20:02 | 0:20:04 | |
it's great with electric doors, don't you think? | 0:20:04 | 0:20:07 | |
When you come up and they go, "Swoosh!" And you walk in. | 0:20:07 | 0:20:09 | |
-Especially with smoke behind. -Yeah, fantastic. | 0:20:09 | 0:20:11 | |
Whereas a door, you've got to do this, | 0:20:11 | 0:20:13 | |
and it's cumbersome and everything. That's good for an entrance. | 0:20:13 | 0:20:17 | |
That's brilliant. I never look at anything and think, | 0:20:17 | 0:20:19 | |
"Would that be any good for an entrance?" | 0:20:19 | 0:20:22 | |
I'm all for sort of gadgetry | 0:20:22 | 0:20:25 | |
that doesn't really achieve anything, or isn't necessary. | 0:20:25 | 0:20:28 | |
Er, why? | 0:20:28 | 0:20:29 | |
Can I persuade you into automatic things that we don't need? | 0:20:29 | 0:20:33 | |
What about this? | 0:20:33 | 0:20:35 | |
This is for people... | 0:20:35 | 0:20:37 | |
who like bursting bubble wrap but there's no bubble wrap around. | 0:20:37 | 0:20:40 | |
-Oh, I love them! -It's an electric bubble wrap thing, so... | 0:20:40 | 0:20:45 | |
DEVICE CLICKS | 0:20:45 | 0:20:47 | |
Does it feel like proper? | 0:20:47 | 0:20:49 | |
-It's not quite the same. -No. | 0:20:49 | 0:20:50 | |
Never is, is it, the machine? | 0:20:50 | 0:20:52 | |
LAUGHTER | 0:20:52 | 0:20:54 | |
What do you imagine that is? | 0:20:57 | 0:20:59 | |
Oh, is it...? It's one of those things for measuring flutes. | 0:20:59 | 0:21:02 | |
LAUGHTER | 0:21:02 | 0:21:04 | |
This is an actual commercially available gadget. | 0:21:04 | 0:21:08 | |
You know when you have to press control-alt-delete? | 0:21:08 | 0:21:11 | |
LAUGHTER | 0:21:11 | 0:21:14 | |
It's for doing that. | 0:21:14 | 0:21:16 | |
How brilliant! | 0:21:19 | 0:21:21 | |
They are examples... They are technologies that are working. | 0:21:21 | 0:21:23 | |
I mean, they're successful at what they do. | 0:21:23 | 0:21:25 | |
Sliding doors only create havoc. | 0:21:25 | 0:21:28 | |
The thing is, if you didn't have automatic doors, | 0:21:28 | 0:21:30 | |
you wouldn't have had this very, very lovely moment. | 0:21:30 | 0:21:33 | |
CHUCKLING | 0:21:35 | 0:21:37 | |
LAUGHTER | 0:21:42 | 0:21:45 | |
That's so cruel! | 0:21:47 | 0:21:49 | |
OK. What doesn't Vernon like about modern life? | 0:21:54 | 0:21:58 | |
The decline of kids' games, | 0:22:03 | 0:22:06 | |
because now our kids are turning into finger-sweepers. | 0:22:06 | 0:22:09 | |
You know, they just sit on iPads and phones. | 0:22:09 | 0:22:12 | |
It's the fact that kids are sitting on their backsides | 0:22:12 | 0:22:15 | |
and using their fingers to play games, | 0:22:15 | 0:22:17 | |
instead of getting out on the street and playing hide-and-seek, | 0:22:17 | 0:22:20 | |
tig, British bulldog. | 0:22:20 | 0:22:22 | |
And, you know, it's games like that on the decline, Frank, | 0:22:22 | 0:22:25 | |
that have turned this country upside-down. | 0:22:25 | 0:22:29 | |
We played a game at school, this is absolutely true, | 0:22:29 | 0:22:31 | |
called British Bull Snog. | 0:22:31 | 0:22:34 | |
And it would be boys versus girls. | 0:22:34 | 0:22:36 | |
The girls would line up and we'd be ready | 0:22:36 | 0:22:38 | |
and they had to run to the other side, and if we caught them, | 0:22:38 | 0:22:41 | |
-we got to...snog them. -There you go. | 0:22:41 | 0:22:43 | |
-Yeah. -There you go. | 0:22:43 | 0:22:45 | |
Unfortunately, I was the caretaker. | 0:22:45 | 0:22:46 | |
I shouldn't really have been... | 0:22:46 | 0:22:48 | |
LAUGHTER | 0:22:48 | 0:22:51 | |
No, we did. That was a game we played. | 0:22:51 | 0:22:54 | |
Yeah, there's all kinds. | 0:22:54 | 0:22:55 | |
We used to play a game called Chainy, where, once again, | 0:22:55 | 0:22:58 | |
one kid would be "it", and then you'd tig someone else | 0:22:58 | 0:23:00 | |
and then you'd hold hands, and then you'd run around together | 0:23:00 | 0:23:03 | |
and try and tig someone else, and then they'd join the chain, | 0:23:03 | 0:23:06 | |
and then the chain would end when everyone kind of trapped | 0:23:06 | 0:23:09 | |
the last kid in the corner of the playground, and then, you know... | 0:23:09 | 0:23:12 | |
I played that for four and a half hours with the Dalai Lama. | 0:23:12 | 0:23:15 | |
LAUGHTER | 0:23:15 | 0:23:17 | |
So you generally think it's better to do the real thing | 0:23:20 | 0:23:23 | |
than to do some sort of Internet version of it? | 0:23:23 | 0:23:25 | |
Yeah, cos, you know... | 0:23:25 | 0:23:26 | |
Then how do you explain this? | 0:23:26 | 0:23:28 | |
Oh! | 0:23:28 | 0:23:30 | |
Before we go any further, can I just say... | 0:23:30 | 0:23:33 | |
..that that is still available. | 0:23:35 | 0:23:37 | |
LAUGHTER | 0:23:37 | 0:23:38 | |
-And it really is quality family entertainment. -No, but... | 0:23:38 | 0:23:41 | |
It will bring the family together, Frank, | 0:23:41 | 0:23:43 | |
in a social situation where you can sit and chat | 0:23:43 | 0:23:46 | |
and find the top answer in the surveys we've carried out. | 0:23:46 | 0:23:49 | |
LAUGHTER | 0:23:49 | 0:23:51 | |
I think this was the beginning of the end, wasn't it, for that, | 0:23:51 | 0:23:54 | |
was the Pop-O-Matic dice shaker. | 0:23:54 | 0:23:56 | |
-Do you remember that? -Yeah. | 0:23:56 | 0:23:58 | |
When people, kids were too lazy to shake a dice... | 0:23:58 | 0:24:02 | |
LAUGHTER | 0:24:02 | 0:24:03 | |
But I think that's also a practical innovation, | 0:24:03 | 0:24:06 | |
-so that you don't lose your die. -I never thought of that. -Yeah. | 0:24:06 | 0:24:10 | |
For instance, if you run a remote youth hostel, | 0:24:10 | 0:24:12 | |
and someone steals the dice... | 0:24:12 | 0:24:14 | |
LAUGHTER | 0:24:16 | 0:24:18 | |
-Skipping. -Skipping! -Oh, I love skipping. -Skipping, yeah. | 0:24:19 | 0:24:22 | |
Did you skip at school? The boys didn't really skip, did they? | 0:24:22 | 0:24:25 | |
-I still skip. -What about this for skipping for the 21st century? | 0:24:25 | 0:24:29 | |
It's the ultimate cardio workout. | 0:24:29 | 0:24:31 | |
It's what boxes and athletes do to get in shape for competition. | 0:24:31 | 0:24:36 | |
But it's just not that easy for the rest of us. | 0:24:36 | 0:24:40 | |
UNTIL NOW! | 0:24:40 | 0:24:41 | |
Introducing Cardio Jump, | 0:24:41 | 0:24:43 | |
the fat-blasting, heart-pumping, body-shaping workout | 0:24:43 | 0:24:46 | |
that everyone can do. | 0:24:46 | 0:24:48 | |
Cardio jump's ropeless design makes it easy | 0:24:48 | 0:24:50 | |
and delivers all the same benefits as jumping rope - without the rope! | 0:24:50 | 0:24:54 | |
Brilliant! | 0:24:54 | 0:24:55 | |
In case you were wondering, this is it. | 0:24:55 | 0:24:58 | |
Oh, come on, Kelly - show us! | 0:24:58 | 0:25:00 | |
This is the actual machine. | 0:25:00 | 0:25:02 | |
-Do you want to show us, Kelly? -I do. | 0:25:02 | 0:25:03 | |
-I've never done this before. -Well, it's not that difficult! | 0:25:03 | 0:25:07 | |
LAUGHTER | 0:25:07 | 0:25:08 | |
CHEERING AND APPLAUSE | 0:25:14 | 0:25:16 | |
I have to say, it's not quite as satisfactory, actually, | 0:25:19 | 0:25:23 | |
than having the rope go round. | 0:25:23 | 0:25:25 | |
Yeah, but, as it says, skipping is quite hard. You do get the same... | 0:25:25 | 0:25:28 | |
You know, you can do that thing - | 0:25:28 | 0:25:30 | |
you know when you see people doing that one? | 0:25:30 | 0:25:32 | |
-And then you could cross. -And then you'd cross. | 0:25:32 | 0:25:34 | |
LAUGHTER | 0:25:34 | 0:25:37 | |
Can I say now, I'm slightly out of control. | 0:25:37 | 0:25:40 | |
One of these could hit me round the face at any time. | 0:25:40 | 0:25:43 | |
So the old-fashioned skipping rope... | 0:25:43 | 0:25:46 | |
It's just so people... | 0:25:46 | 0:25:47 | |
Why play the real thing when you can play it on the Internet? | 0:25:47 | 0:25:50 | |
Well, then you've got all them arguments | 0:25:50 | 0:25:52 | |
about our kids getting fat and, "Oh, obesity is rife." | 0:25:52 | 0:25:54 | |
Yeah, it's cos they're sat on the sofa just doing this. | 0:25:54 | 0:25:57 | |
You don't burn many calories whilst you're sweeping, | 0:25:57 | 0:25:59 | |
playing Fruit Ninja. You know what I mean? | 0:25:59 | 0:26:01 | |
Go and get your dad's axe out of the garage. | 0:26:01 | 0:26:04 | |
Throw some apples up and try and slice them in half. | 0:26:04 | 0:26:06 | |
You know, that's REAL Fruit Ninja! | 0:26:06 | 0:26:09 | |
And remember, children, please don't try that at home. | 0:26:09 | 0:26:13 | |
I wonder if it is health and safety | 0:26:13 | 0:26:15 | |
that's put a stop to some of these kids' games. | 0:26:15 | 0:26:17 | |
-It must be! -Do you remember the compass game? | 0:26:17 | 0:26:19 | |
You used to get a compass and hold your hand like that. | 0:26:19 | 0:26:22 | |
It was like self-harming, but with an element of chance! | 0:26:24 | 0:26:29 | |
-Yeah. My brother used to play that. -You couldn't do that now! | 0:26:29 | 0:26:32 | |
I agree. Board games. Fantastic. | 0:26:32 | 0:26:34 | |
Board games. But you can get them on your tablet now. | 0:26:34 | 0:26:36 | |
Board games don't keep you very fit, do they? | 0:26:36 | 0:26:39 | |
No, but they bring children together, you know. | 0:26:39 | 0:26:42 | |
We used to play Monopoly. We used to play forever. | 0:26:42 | 0:26:44 | |
In Monopoly, it's a game where you learn to cheat the bank, you know. | 0:26:44 | 0:26:49 | |
Surely that's a skill everyone should be learning these days! | 0:26:49 | 0:26:52 | |
Yes. Well, even bullying now is all done on the Internet. | 0:26:52 | 0:26:56 | |
Yeah, exactly! | 0:26:56 | 0:26:57 | |
At least when you were being bullied, | 0:26:57 | 0:26:59 | |
you used to get a bit of fresh air! | 0:26:59 | 0:27:01 | |
Do kids still pretend to be people? | 0:27:03 | 0:27:05 | |
Like when we were at school, you know, | 0:27:05 | 0:27:07 | |
-we'd be Doctor Who one week and then the Saint. -Yeah, yeah. | 0:27:07 | 0:27:11 | |
We had an incident at our house | 0:27:11 | 0:27:13 | |
that involved, er, the police coming round, | 0:27:13 | 0:27:16 | |
and me...me cleaning another man's blood off my patio. | 0:27:16 | 0:27:20 | |
Um... | 0:27:20 | 0:27:21 | |
What were you playing? Brookside? | 0:27:21 | 0:27:23 | |
LAUGHTER | 0:27:23 | 0:27:27 | |
No. What happened was there was a dramatic incident | 0:27:27 | 0:27:30 | |
at our house, in our garden. | 0:27:30 | 0:27:31 | |
Two police ladies came and they were sort of taking statements, | 0:27:31 | 0:27:34 | |
and then my oldest son suddenly appeared at the door | 0:27:34 | 0:27:37 | |
and sort of coughed, and we all turned round, | 0:27:37 | 0:27:39 | |
and he'd gone and dressed as a policeman. | 0:27:39 | 0:27:41 | |
He'd got this great helmet, and he goes, | 0:27:44 | 0:27:46 | |
"If you hit the top of my helmet, there's a siren." | 0:27:46 | 0:27:48 | |
You have to have some things that kids do on the Internet | 0:27:50 | 0:27:53 | |
that they don't do in the real world. I think that's acceptable. | 0:27:53 | 0:27:57 | |
I could imagine you at your house saying, | 0:27:57 | 0:27:59 | |
"Never mind playing Grand Theft Auto! | 0:27:59 | 0:28:01 | |
"Go joyriding! Go on! | 0:28:01 | 0:28:04 | |
"Go on, have that." | 0:28:04 | 0:28:07 | |
So, anyway, I don't feel I can accept automatic doors, | 0:28:07 | 0:28:11 | |
because I love any bit of... | 0:28:11 | 0:28:13 | |
anything that makes me feel like I'm living in the 21st Century. | 0:28:13 | 0:28:17 | |
I think toilet roll covers are quite a nice thing, | 0:28:17 | 0:28:21 | |
because toilet rolls are fine, but you can't get round the fact | 0:28:21 | 0:28:25 | |
that they get involved in some pretty unpleasant activities, | 0:28:25 | 0:28:29 | |
and I'd rather that was just, you know, kept under cover. | 0:28:29 | 0:28:33 | |
So I am going to put... | 0:28:33 | 0:28:35 | |
LAUGHTER | 0:28:35 | 0:28:36 | |
..modern children's games into Room 101. | 0:28:36 | 0:28:39 | |
Yeah! | 0:28:39 | 0:28:40 | |
APPLAUSE | 0:28:40 | 0:28:44 | |
Next category, please. | 0:28:51 | 0:28:53 | |
OK, it's the Wildcard round, so there are no restraints. | 0:28:58 | 0:29:01 | |
You can pick ANYTHING that you don't like. | 0:29:01 | 0:29:03 | |
So what is Kelly's wildcard? | 0:29:03 | 0:29:06 | |
My pet hate is tradesmen. | 0:29:11 | 0:29:13 | |
So you're ringing up to have Sky come round, BT, a plumber, | 0:29:13 | 0:29:17 | |
an electrician, and they give you a date, | 0:29:17 | 0:29:19 | |
and they say they'll come between 9am and 6pm. | 0:29:19 | 0:29:22 | |
They turn up at 5.50pm | 0:29:22 | 0:29:23 | |
and then they don't have the parts to fix your...whatever it is. | 0:29:23 | 0:29:26 | |
Yeah. That's a good one. | 0:29:26 | 0:29:29 | |
Do you know, the AA are better. | 0:29:31 | 0:29:33 | |
-They're brilliant. -Yeah. | 0:29:33 | 0:29:34 | |
The AA, if you break down, they ALWAYS turn up. | 0:29:34 | 0:29:36 | |
But you can't break down and they say, | 0:29:36 | 0:29:38 | |
"We'll be there between nine and six." | 0:29:38 | 0:29:40 | |
We all work. We're all busy. Why can they not say to you, | 0:29:42 | 0:29:45 | |
"I'll either call you an hour before I'm going to get to your home", | 0:29:45 | 0:29:48 | |
so it gives you time to leave and get back? | 0:29:48 | 0:29:51 | |
And most of the time you tell them kind of what's wrong. | 0:29:51 | 0:29:53 | |
You'd think they would have a van full of what they need, | 0:29:53 | 0:29:56 | |
not that they have to go and order it, | 0:29:56 | 0:29:57 | |
then you have to wait another three weeks for somebody to turn up. | 0:29:57 | 0:30:00 | |
It's just ... That is not the 20th century. | 0:30:00 | 0:30:03 | |
-No... -LAUGHTER | 0:30:03 | 0:30:05 | |
-It's the 21st century. -Sorry, the 21st! | 0:30:05 | 0:30:08 | |
APPLAUSE | 0:30:08 | 0:30:11 | |
I am dyslexic. | 0:30:11 | 0:30:12 | |
That's the trouble. That's why they don't deliver on time. | 0:30:12 | 0:30:15 | |
You live in a time vortex. | 0:30:17 | 0:30:20 | |
I love it. | 0:30:20 | 0:30:21 | |
I've got some pictures of tradesmen, sort of, building, um... | 0:30:21 | 0:30:27 | |
I don't want to call them mistakes, but let's say unsatisfactory jobs. | 0:30:27 | 0:30:31 | |
The first one I like to call "The Trapped Fridge". | 0:30:31 | 0:30:35 | |
LAUGHTER | 0:30:36 | 0:30:38 | |
That was actually fitted in someone's kitchen. | 0:30:38 | 0:30:41 | |
That is awesome. | 0:30:43 | 0:30:44 | |
The next one, I think, in a strange way, is very inventive. | 0:30:44 | 0:30:48 | |
LAUGHTER | 0:30:50 | 0:30:52 | |
And when the door's shut, you can hand the toilet roll through. | 0:30:56 | 0:30:59 | |
-There you go. -Perfect! | 0:30:59 | 0:31:02 | |
OK, what is Vernon's wildcard? | 0:31:02 | 0:31:05 | |
Three-quarter length shorts. | 0:31:11 | 0:31:13 | |
What is the point? | 0:31:14 | 0:31:17 | |
You go on holiday | 0:31:17 | 0:31:19 | |
and you wear a short | 0:31:19 | 0:31:21 | |
that tans your lower calf. | 0:31:21 | 0:31:23 | |
And the majority of three-quarter length shorts | 0:31:25 | 0:31:29 | |
have elasticated bottoms to stop the water from going up your leg, | 0:31:29 | 0:31:33 | |
should you choose to go for a walk in the sea. | 0:31:33 | 0:31:36 | |
I just do not understand. | 0:31:36 | 0:31:39 | |
It's often sort of British lads abroad, isn't it? | 0:31:39 | 0:31:43 | |
Often more used to stop the water coming down your leg. | 0:31:43 | 0:31:46 | |
Yes. | 0:31:49 | 0:31:50 | |
I mean, I've been to a lot of overseas games with England, | 0:31:50 | 0:31:54 | |
and you see a lot of England fans with those slip-on white trainers | 0:31:54 | 0:32:00 | |
and the three-quarter length shorts. I think these are people | 0:32:00 | 0:32:03 | |
that only wear long trousers for court appearances. | 0:32:03 | 0:32:06 | |
We've got a picture of some of these shorts. | 0:32:08 | 0:32:11 | |
There you go. Look at that. | 0:32:11 | 0:32:13 | |
That was, er, that was my stag do. | 0:32:13 | 0:32:15 | |
I wonder if they are full length | 0:32:18 | 0:32:20 | |
but they rise up every time they do that... | 0:32:20 | 0:32:23 | |
LAUGHTER | 0:32:24 | 0:32:27 | |
I'm sure we'll see plenty of that at the Brazil World Cup in Rio. | 0:32:29 | 0:32:32 | |
LAUGHTER | 0:32:33 | 0:32:36 | |
Now, you famously wore shorts, didn't you, on Splash? | 0:32:39 | 0:32:42 | |
Look at that. Now, that's a man's short! | 0:32:42 | 0:32:45 | |
I got a lot of grief for wearing shorts. | 0:32:45 | 0:32:47 | |
Well, it's very unusual to see a presenter wearing shorts. | 0:32:47 | 0:32:49 | |
That's why I got a lot of grief. | 0:32:49 | 0:32:51 | |
At least I didn't wear THEM bad boys! I'd look like a right buffoon. | 0:32:51 | 0:32:54 | |
In fairness, you don't see the espadrille enough, do you, on, er... | 0:32:54 | 0:32:58 | |
-LAUGHTER -No, you're right. | 0:32:58 | 0:33:00 | |
..early evening entertainment formats. | 0:33:00 | 0:33:04 | |
OK. So what is Miles's wildcard? | 0:33:04 | 0:33:08 | |
I really don't like loud noises. | 0:33:12 | 0:33:15 | |
I'm quite a jumpy person. | 0:33:17 | 0:33:19 | |
I'm not...you know, I'm not as brave as I initially appear. | 0:33:19 | 0:33:24 | |
Er, I... So I... | 0:33:24 | 0:33:26 | |
You must be THAT brave, at least! | 0:33:26 | 0:33:28 | |
I think the vast majority of noises | 0:33:31 | 0:33:33 | |
are either far too quiet or far too noisy. Right? | 0:33:33 | 0:33:36 | |
I went to see the doctor. | 0:33:36 | 0:33:38 | |
I said, "There is something wrong with my ears", | 0:33:38 | 0:33:41 | |
and what happened was I had the whole hearing test | 0:33:41 | 0:33:44 | |
and the lady sat me down afterwards | 0:33:44 | 0:33:45 | |
and goes, "Right, I've got the results. | 0:33:45 | 0:33:48 | |
"You have completely normal hearing. | 0:33:48 | 0:33:52 | |
"What I think you have... | 0:33:52 | 0:33:54 | |
"is above average irritability." | 0:33:54 | 0:33:56 | |
LAUGHTER | 0:33:56 | 0:34:00 | |
There should basically be a decibel limit on any sort of new invention. | 0:34:00 | 0:34:04 | |
I mean, those Dyson Airblades, is that what they're...? | 0:34:04 | 0:34:06 | |
They are absolutely deafening! | 0:34:06 | 0:34:09 | |
The hand dryer? | 0:34:09 | 0:34:10 | |
I would happily stand in, not for, like, a whole day, | 0:34:10 | 0:34:12 | |
but I would happily just let people | 0:34:12 | 0:34:14 | |
silently dry their hands on my trousers, rather than... | 0:34:14 | 0:34:17 | |
LAUGHTER | 0:34:17 | 0:34:19 | |
..rather than inflict that on anyone. It's an appalling noise. | 0:34:19 | 0:34:22 | |
I think you're somewhat grumpy. | 0:34:22 | 0:34:24 | |
LAUGHTER AND APPLAUSE | 0:34:24 | 0:34:27 | |
How are you with car alarms? | 0:34:31 | 0:34:33 | |
Well, I've found a way now of disabling them, | 0:34:33 | 0:34:35 | |
so it's not really a... You know, I can... | 0:34:35 | 0:34:37 | |
steal most things. Um... | 0:34:37 | 0:34:40 | |
Do you know there's a sort of a... | 0:34:40 | 0:34:41 | |
a little cult now, where people dance to car alarms? | 0:34:41 | 0:34:44 | |
-Oh, really? -Yeah. Get a load of this. | 0:34:44 | 0:34:47 | |
WHOOPING ALARM | 0:34:50 | 0:34:56 | |
PERCUSSIVE ALARM | 0:34:56 | 0:35:00 | |
LOOPING ALARM | 0:35:00 | 0:35:05 | |
RISING ALARM | 0:35:05 | 0:35:10 | |
HONKING ALARM | 0:35:10 | 0:35:15 | |
Oh, brilliant! | 0:35:15 | 0:35:17 | |
APPLAUSE | 0:35:17 | 0:35:20 | |
Sometimes loud noises can be very comedic, you know, | 0:35:20 | 0:35:25 | |
like when you surprise somebody. | 0:35:25 | 0:35:27 | |
For example, this is a bit from the Internet, | 0:35:27 | 0:35:29 | |
and this girl's dad is doing the washing-up for a change, | 0:35:29 | 0:35:33 | |
so she thought she'd surprise him with a bit of a loud noise. | 0:35:33 | 0:35:36 | |
GIRL SCREAMS | 0:35:36 | 0:35:40 | |
SHOCKED LAUGHTER | 0:35:40 | 0:35:43 | |
You have to, er... You have to be... | 0:35:47 | 0:35:49 | |
You have to be a BIT careful when you're going to do that. | 0:35:49 | 0:35:53 | |
We have to see that again, don't we? | 0:35:53 | 0:35:55 | |
AUDIENCE: Yeah! | 0:35:55 | 0:35:56 | |
GIRL SCREAMS | 0:35:56 | 0:35:58 | |
LAUGHTER | 0:35:58 | 0:36:01 | |
Oh, that's so awful! | 0:36:06 | 0:36:08 | |
OK. Well, look, | 0:36:10 | 0:36:11 | |
although I'm very frightened of the people | 0:36:11 | 0:36:14 | |
who wear those three-quarter length shorts, | 0:36:14 | 0:36:16 | |
I don't feel I can put them in, | 0:36:16 | 0:36:18 | |
otherwise there'd be nine people at the next England away game. | 0:36:18 | 0:36:22 | |
True. All right. | 0:36:22 | 0:36:23 | |
And I agree that loud noises can be a real pain, | 0:36:23 | 0:36:26 | |
but some of them are also quite exciting, | 0:36:26 | 0:36:29 | |
and they can get people hit with trays, so that's... | 0:36:29 | 0:36:34 | |
I wouldn't like to have missed out on that. | 0:36:34 | 0:36:37 | |
But I have to say, Kelly, you're quite right, | 0:36:37 | 0:36:39 | |
things are getting worse and worse | 0:36:39 | 0:36:41 | |
on the tradesmen-coming-to-your-house front. | 0:36:41 | 0:36:44 | |
I don't speak to the builders much, | 0:36:44 | 0:36:45 | |
cos my Polish is a bit hit-and-miss. | 0:36:45 | 0:36:48 | |
LAUGHTER | 0:36:48 | 0:36:49 | |
But, um... | 0:36:49 | 0:36:50 | |
..I always think that they are... | 0:36:51 | 0:36:54 | |
they're going to be more male than me | 0:36:54 | 0:36:56 | |
and I'm going to, you know, feel a bit... | 0:36:56 | 0:36:59 | |
Like, when I come in and say, "Anyone want elderflower presse?"... | 0:36:59 | 0:37:02 | |
LAUGHTER | 0:37:02 | 0:37:04 | |
..there's a sort of hostility, so I-I get a bit... | 0:37:04 | 0:37:07 | |
I get anxious when I've got people working at mine. | 0:37:07 | 0:37:11 | |
So I am going to put tradesmen in the home into Room 101. | 0:37:11 | 0:37:15 | |
APPLAUSE | 0:37:15 | 0:37:18 | |
And that brings us to the end of the show. | 0:37:28 | 0:37:30 | |
Well done, Vernon, you were the most persuasive guest tonight, | 0:37:30 | 0:37:33 | |
so you are this week's winner. | 0:37:33 | 0:37:35 | |
APPLAUSE AND CHEERING | 0:37:35 | 0:37:38 | |
Thanks very much to Miles Jupp, Vernon Kay and Kelly Hoppen, | 0:37:42 | 0:37:45 | |
and thank you, goodnight! | 0:37:45 | 0:37:47 |