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APPLAUSE | 0:00:26 | 0:00:29 | |
Hello, I'm Frank Skinner, and welcome to Room 101, | 0:00:32 | 0:00:36 | |
the show where three guests battle to dispatch their pet hates | 0:00:36 | 0:00:39 | |
to the infamous vault. | 0:00:39 | 0:00:40 | |
Our guest choices have been sorted into categories. | 0:00:40 | 0:00:43 | |
In each round only one item can be chosen. The final decision is mine. | 0:00:43 | 0:00:47 | |
Let's meet this week's guests. | 0:00:47 | 0:00:48 | |
Joining me tonight are comedian Lee Mack, Hairy Biker Dave Myers, | 0:00:48 | 0:00:52 | |
and TV legend Ruby Wax. | 0:00:52 | 0:00:54 | |
CHEERING AND APPLAUSE | 0:00:54 | 0:00:56 | |
Legend? | 0:00:56 | 0:00:57 | |
How come you get "legend"?! | 0:00:57 | 0:00:59 | |
Let's have our first category. | 0:01:01 | 0:01:02 | |
Television. Watch out. OK. | 0:01:07 | 0:01:10 | |
What doesn't Lee like about television? | 0:01:10 | 0:01:13 | |
LAUGHTER | 0:01:16 | 0:01:18 | |
APPLAUSE | 0:01:18 | 0:01:20 | |
FAINT BOOING | 0:01:20 | 0:01:23 | |
Top Gear. | 0:01:23 | 0:01:24 | |
Let's put this to bed straightaway. | 0:01:24 | 0:01:26 | |
I'm speaking on behalf of everyone in the world | 0:01:26 | 0:01:29 | |
when I say cars are boring. | 0:01:29 | 0:01:30 | |
Full stop. | 0:01:30 | 0:01:32 | |
They're not interesting. | 0:01:32 | 0:01:33 | |
And even the producers, I think, of the show, | 0:01:33 | 0:01:36 | |
know that that's true, because what they talk about is never | 0:01:36 | 0:01:39 | |
the reality of cars, our world of cars. | 0:01:39 | 0:01:42 | |
It's that fake reality of things like, | 0:01:42 | 0:01:44 | |
"Today, we're going to talk about off-road vehicles." | 0:01:44 | 0:01:47 | |
Am I the only person in the world that's never driven off a road? | 0:01:47 | 0:01:51 | |
I have. I've gone off, but in a normal car. | 0:01:51 | 0:01:54 | |
-Yeah. -I see those women... those women, and I just swerve. | 0:01:54 | 0:01:58 | |
I'm not talking about your heavy-drinking days, Ruby. | 0:01:58 | 0:02:01 | |
I'm talking about... Yeah. It's the language. | 0:02:01 | 0:02:03 | |
The language doesn't have anything to do | 0:02:03 | 0:02:05 | |
with my experience of driving, you know. | 0:02:05 | 0:02:07 | |
You know, you'll hear them say things like, you know, | 0:02:07 | 0:02:10 | |
"If I talked about the new suspension on the Audi 6149, | 0:02:10 | 0:02:13 | |
"you'd say, 'But what about the torque?'" | 0:02:13 | 0:02:16 | |
No, I wouldn't. | 0:02:16 | 0:02:18 | |
I'd say, "Where's the cup-holder?" | 0:02:18 | 0:02:20 | |
because that's the only thing... | 0:02:20 | 0:02:22 | |
LAUGHTER | 0:02:22 | 0:02:23 | |
If it's on the right, good design. | 0:02:23 | 0:02:25 | |
If it's on the left, it's a bad design | 0:02:25 | 0:02:26 | |
cos I'm right-handed. That's it. Anything else... | 0:02:26 | 0:02:29 | |
I know nothing about cars at all. I drive a...a grey one. | 0:02:29 | 0:02:33 | |
LAUGHTER | 0:02:33 | 0:02:35 | |
I've never seen Top Gear | 0:02:35 | 0:02:37 | |
cos I have no interest in cars, obviously I haven't watched it. | 0:02:37 | 0:02:40 | |
And so I watched a few episodes... | 0:02:40 | 0:02:43 | |
I've got to say, I really liked it. | 0:02:43 | 0:02:46 | |
Mm. I did... It reminded me... I played cricket once | 0:02:46 | 0:02:49 | |
with Jeffrey Archer and he was a really nice bloke. | 0:02:49 | 0:02:52 | |
I was gutted! | 0:02:52 | 0:02:53 | |
LAUGHTER | 0:02:53 | 0:02:55 | |
What do you drive, then? | 0:02:55 | 0:02:57 | |
Well, as it happens, I drive a 1966 Triumph TR4A IRS, | 0:02:57 | 0:03:01 | |
but that's not the point. | 0:03:01 | 0:03:02 | |
LAUGHTER | 0:03:02 | 0:03:04 | |
The point is... But it's not the point, is it? | 0:03:04 | 0:03:06 | |
-Hold it. That's not true, is it? -It is, yeah. | 0:03:06 | 0:03:09 | |
But I'd like to point out, because I know nothing about cars, | 0:03:09 | 0:03:12 | |
but it's an old 1960s classic car, and I love the look of it. | 0:03:12 | 0:03:15 | |
-I can definitely appreciate... -Oh, God, he's going on now. | 0:03:15 | 0:03:18 | |
I appreciate the beauty of a car without seeing a programme about it. | 0:03:18 | 0:03:22 | |
Here's a thing. This is a picture of Jeremy Clarkson in a small car. | 0:03:22 | 0:03:26 | |
Now that...that's funny, isn't it? | 0:03:26 | 0:03:30 | |
I won't have a word said against this man. | 0:03:30 | 0:03:32 | |
Once I had him on a talk show, and my husband said, | 0:03:32 | 0:03:35 | |
"Whatever you do, don't ask him for a free car." | 0:03:35 | 0:03:37 | |
Before he actually hit the leather I said, | 0:03:37 | 0:03:40 | |
"Jeremy, can you fix me up with a free car?" | 0:03:40 | 0:03:42 | |
Anyway, he did, about ten years ago, and I've still been using his name. | 0:03:42 | 0:03:46 | |
He got you a free car? | 0:03:46 | 0:03:47 | |
He got me a deal. I can't say with who. | 0:03:47 | 0:03:49 | |
-No. -But I... So I have to say "Jaguar!" as much as I can. | 0:03:49 | 0:03:53 | |
LAUGHTER | 0:03:53 | 0:03:56 | |
But would you love it more if he did more classics? | 0:03:56 | 0:03:58 | |
I would, because classics look nice. | 0:03:58 | 0:04:00 | |
All modern cars look roughly the same, don't they, roughly? | 0:04:00 | 0:04:03 | |
Oh, no, not a Jaguar. | 0:04:03 | 0:04:05 | |
LAUGHTER | 0:04:05 | 0:04:07 | |
If you're going to promote them, at least learn to say it properly! | 0:04:07 | 0:04:10 | |
-How am I saying it wrong? -Jag-u-ar - it's three syllables over here. | 0:04:10 | 0:04:13 | |
-Blah. You say yours. -You're saying "Jag-uar". -OK. | 0:04:13 | 0:04:16 | |
I don't have time to say that, OK. LAUGHTER | 0:04:16 | 0:04:19 | |
This is starting to look like a really bad episode of Top Gear. | 0:04:19 | 0:04:23 | |
I'll tell you what, if he gave her the glasses with that T-shirt, | 0:04:25 | 0:04:28 | |
it'd be a really bad episode of "Where's Wally?" | 0:04:28 | 0:04:30 | |
LAUGHTER | 0:04:30 | 0:04:34 | |
APPLAUSE | 0:04:34 | 0:04:37 | |
So, what doesn't Dave like about TV? | 0:04:37 | 0:04:40 | |
Deal Or No Deal. | 0:04:46 | 0:04:49 | |
LAUGHTER AND APPLAUSE | 0:04:50 | 0:04:54 | |
Oh, Frank. Deal Or No Deal. | 0:04:55 | 0:04:58 | |
It's wrong on so many levels. | 0:04:58 | 0:05:01 | |
Starting with its core value, you know, | 0:05:02 | 0:05:05 | |
it's the product of cosmic ordering, apparently, by Noel Edmonds. | 0:05:05 | 0:05:09 | |
Apparently, he gets followed by two orbs. | 0:05:09 | 0:05:12 | |
One's the size of a cantaloupe melon that's his mother. | 0:05:12 | 0:05:15 | |
-Two orbs? -Yeah, yeah. Spiritual orbs. | 0:05:15 | 0:05:17 | |
The other one's like a watermelon and it's his father, | 0:05:17 | 0:05:20 | |
-and they give him positivity and... -Is this true? -Yes. | 0:05:20 | 0:05:23 | |
-Well, hold on. Not "true". -No. I'll rephrase it. | 0:05:23 | 0:05:27 | |
Is it true that Noel said this? | 0:05:27 | 0:05:28 | |
Oh, yes. He's written a book on it. | 0:05:28 | 0:05:30 | |
And what it has resulted in is, like, a game show | 0:05:30 | 0:05:33 | |
that's completely and utterly pointless and devoid of skill. | 0:05:33 | 0:05:37 | |
You know, I mean, | 0:05:37 | 0:05:38 | |
like, you watch Countdown and that's clever, but Deal Or No Deal, | 0:05:38 | 0:05:42 | |
you get somebody sweating buckets going...you know, | 0:05:42 | 0:05:45 | |
there's some poor soul there who needs a new wheelchair, | 0:05:45 | 0:05:48 | |
and they're praying for what's in that box | 0:05:48 | 0:05:50 | |
to make their dreams come true. | 0:05:50 | 0:05:51 | |
And he's going, "I'll do my best for you." | 0:05:51 | 0:05:54 | |
All you've got to do is open a box, haven't you? It's irrelevant. | 0:05:55 | 0:05:59 | |
APPLAUSE | 0:05:59 | 0:06:01 | |
You know, then they have specials, don't they? | 0:06:02 | 0:06:04 | |
They've never got the production values. | 0:06:04 | 0:06:06 | |
They did, like, a music festival one with a Portaloo, | 0:06:06 | 0:06:09 | |
and they made somebody sit in the Portaloo. | 0:06:09 | 0:06:12 | |
I just don't like it, Frank. | 0:06:12 | 0:06:13 | |
LAUGHTER AND APPLAUSE | 0:06:13 | 0:06:17 | |
PHONE RINGS | 0:06:21 | 0:06:23 | |
LAUGHTER | 0:06:23 | 0:06:25 | |
Yeah, he is, isn't he? Yes. OK. | 0:06:25 | 0:06:29 | |
He'll give you £10,000 to get off the show. | 0:06:29 | 0:06:32 | |
I'm off. | 0:06:33 | 0:06:35 | |
How many times have you seen this show? | 0:06:36 | 0:06:38 | |
I've seen it quite a bit because I got into it! | 0:06:38 | 0:06:41 | |
That's why I hate myself, Ruby! | 0:06:41 | 0:06:43 | |
Yeah. You're addicted. | 0:06:43 | 0:06:44 | |
Well, I think I've broken it now cos I'm so disillusioned with myself | 0:06:44 | 0:06:47 | |
but, as I said, I'm more a Countdown kind of person. | 0:06:47 | 0:06:50 | |
Dictionary Corner, the sums, Rachel Riley, it's fascinating. | 0:06:50 | 0:06:55 | |
I don't watch Countdown cos I'm a Catholic. | 0:06:55 | 0:06:58 | |
We can't use a conundrum. | 0:06:59 | 0:07:01 | |
LAUGHTER | 0:07:01 | 0:07:04 | |
Have you seen any of the overseas versions of Deal Or No Deal? | 0:07:05 | 0:07:08 | |
No, I haven't. | 0:07:08 | 0:07:09 | |
They're quite different in lots of ways. Look at this. | 0:07:09 | 0:07:13 | |
Featuring the sexy... | 0:07:15 | 0:07:16 | |
All they have to do is pick the right case. | 0:07:22 | 0:07:25 | |
Contestants will come face to face with... | 0:07:25 | 0:07:29 | |
And this beauty will do everything in her power | 0:07:34 | 0:07:37 | |
to make players take a prize | 0:07:37 | 0:07:39 | |
instead of playing the game. | 0:07:39 | 0:07:41 | |
Vas or no vas? | 0:07:41 | 0:07:44 | |
CONTESTANTS SHOUT | 0:07:44 | 0:07:45 | |
That looked like Deal Or No Deal, the movie. | 0:07:51 | 0:07:54 | |
-It's a sexier show. -It is. | 0:07:54 | 0:07:56 | |
I'm even more convinced now that this is worthy of Room 101. | 0:07:56 | 0:08:00 | |
They could spice it up a bit. | 0:08:00 | 0:08:02 | |
If they had one box every... | 0:08:02 | 0:08:04 | |
every show had a box that was completely crammed with wasps. | 0:08:04 | 0:08:09 | |
LAUGHTER | 0:08:09 | 0:08:11 | |
"Argh, it's the wasp box!" That would make it more exciting. | 0:08:11 | 0:08:15 | |
Dave, you've done what I suppose is | 0:08:16 | 0:08:18 | |
a sort of a reality/game show, | 0:08:18 | 0:08:22 | |
but one that definitely requires a great deal of skill, like this. | 0:08:22 | 0:08:27 | |
Bring on the wall! | 0:08:27 | 0:08:29 | |
Knees up more, knees up more...! | 0:08:33 | 0:08:36 | |
Oh! | 0:08:36 | 0:08:37 | |
APPLAUSE | 0:08:37 | 0:08:40 | |
I've never done anything like that ever again. Never. | 0:08:40 | 0:08:43 | |
For how much money wouldn't you? | 0:08:43 | 0:08:44 | |
OK. | 0:08:46 | 0:08:47 | |
PHONE RINGS | 0:08:47 | 0:08:49 | |
LAUGHTER | 0:08:49 | 0:08:51 | |
12 grand? | 0:08:53 | 0:08:54 | |
Yeah, I'm in. | 0:08:54 | 0:08:56 | |
OK. What television show winds up Ruby? | 0:08:58 | 0:09:02 | |
This is good. | 0:09:05 | 0:09:07 | |
Oh, very good. | 0:09:09 | 0:09:11 | |
What is it, Ruby? | 0:09:11 | 0:09:13 | |
I did a show called Celebrity Shark Bait. | 0:09:13 | 0:09:15 | |
LAUGHTER | 0:09:15 | 0:09:17 | |
Many of you have seen it, I'm sure. | 0:09:19 | 0:09:20 | |
But Richard E Grant and I did a double suicide, career-wise. | 0:09:20 | 0:09:25 | |
So we said, "Yeah, who's going to see it, right?" | 0:09:25 | 0:09:28 | |
And it's a free trip to Cape Town. | 0:09:28 | 0:09:30 | |
So we go, and there's a girl, I can't remember her name, | 0:09:30 | 0:09:33 | |
-but fabulous cleavage. -She's called Amy Nuttall. | 0:09:33 | 0:09:37 | |
-OK. Well, now I can't say anything. -We have a picture of Amy. | 0:09:37 | 0:09:39 | |
This will illustrate your, er, your point. | 0:09:39 | 0:09:42 | |
Oh, yeah, there she is. Not bitter at all. | 0:09:42 | 0:09:44 | |
-So Amy clearly had attributes that I don't have, OK. -Mmm. | 0:09:44 | 0:09:48 | |
So when we got to Cape Town, they never shot with Richard and I. | 0:09:48 | 0:09:51 | |
Every day they'd say, "Go away, old people." | 0:09:51 | 0:09:53 | |
Sorry to interrupt, but I must be getting really old, | 0:09:53 | 0:09:55 | |
cos I'm looking at her, and I really want some shortbread. | 0:09:55 | 0:09:58 | |
LAUGHTER | 0:09:58 | 0:10:01 | |
-That's a sign of age, that, isn't it? -Yeah. | 0:10:04 | 0:10:07 | |
OK. Enough now. Enough. | 0:10:07 | 0:10:09 | |
Can we get her off now? OK. | 0:10:09 | 0:10:11 | |
So the day came to swim with the sharks, | 0:10:11 | 0:10:14 | |
and the cleavage woman said she wouldn't go in, right? | 0:10:14 | 0:10:17 | |
After all her training, she wouldn't go in the water, | 0:10:17 | 0:10:20 | |
so they took the old people, and they put us in a wetsuit. | 0:10:20 | 0:10:23 | |
We hadn't been prepared, so "shark lady", it said, said, | 0:10:23 | 0:10:26 | |
"It's perfectly all right. | 0:10:26 | 0:10:28 | |
"We've never had an incident. | 0:10:28 | 0:10:29 | |
"It's completely safe," and she had three fingers. | 0:10:29 | 0:10:32 | |
LAUGHTER | 0:10:32 | 0:10:34 | |
Anyway, it was a horrifying thing to watch. | 0:10:34 | 0:10:37 | |
Well, we have a clip. | 0:10:37 | 0:10:39 | |
Oh, my God! Oh, my God, no! | 0:10:39 | 0:10:41 | |
This is Ruby in the cage. | 0:10:41 | 0:10:43 | |
Oh, my God. | 0:10:43 | 0:10:45 | |
'Can he stick his head in there?' | 0:10:45 | 0:10:47 | |
Ruby. Ruby, Ruby, can you hear me? | 0:10:47 | 0:10:51 | |
Ruby? | 0:10:53 | 0:10:55 | |
Oh, my God! | 0:10:56 | 0:10:58 | |
Oh, my God... | 0:10:58 | 0:11:00 | |
Oh, my God! | 0:11:00 | 0:11:02 | |
Oh, for God's sake! | 0:11:02 | 0:11:04 | |
It's huge! | 0:11:04 | 0:11:06 | |
Did you see how big that was? | 0:11:08 | 0:11:10 | |
How big was it? | 0:11:10 | 0:11:12 | |
-It's exhilarating. -That's the biggest high I've ever had... | 0:11:12 | 0:11:15 | |
-in my life. -Fantastic! | 0:11:15 | 0:11:17 | |
APPLAUSE | 0:11:18 | 0:11:20 | |
I don't... I think that might be the first time I've ever said, | 0:11:23 | 0:11:26 | |
"Oh, my God, it was so huge," and have a bad expression on... | 0:11:26 | 0:11:29 | |
But, Ruby, you say there | 0:11:29 | 0:11:31 | |
that it's the biggest high you've ever had in your life. | 0:11:31 | 0:11:34 | |
It sounds brilliant. | 0:11:34 | 0:11:35 | |
Well, after you get out, but while I was in there, I remember, | 0:11:35 | 0:11:39 | |
I went to the loo, and it came out of my collar. | 0:11:39 | 0:11:42 | |
SHOCKED LAUGHTER | 0:11:42 | 0:11:44 | |
I had a halo of gold around me. | 0:11:48 | 0:11:50 | |
Seriously. The shark was just disgusted. | 0:11:50 | 0:11:52 | |
LAUGHTER | 0:11:52 | 0:11:54 | |
That reminds me of my drinking days. | 0:11:54 | 0:11:56 | |
Ruby also did Cirque de Celebrite. | 0:11:58 | 0:12:00 | |
-Do you have any... -Of course we have a clip! You were the ringmaster. | 0:12:00 | 0:12:04 | |
-Here is... It already looks to me like you're hating it. -Yeah. | 0:12:04 | 0:12:08 | |
And there's that other matter I promised you at the end of the show, | 0:12:08 | 0:12:11 | |
the Cirque de Celebrite human pyramid. | 0:12:11 | 0:12:15 | |
It's unwatchable. | 0:12:15 | 0:12:17 | |
Oh, I mean, unmissable. | 0:12:17 | 0:12:18 | |
LAUGHTER | 0:12:18 | 0:12:21 | |
OK. Well, look, you've all argued very well. | 0:12:27 | 0:12:29 | |
I just can't put Top Gear in because I've accidentally, | 0:12:29 | 0:12:32 | |
during the research for you hating it, have fallen in love with it. | 0:12:32 | 0:12:35 | |
Well, whatever. I'm easy-going. | 0:12:35 | 0:12:37 | |
Oh, no. Sorry. | 0:12:38 | 0:12:40 | |
LAUGHTER | 0:12:40 | 0:12:42 | |
And I think you're right. | 0:12:45 | 0:12:48 | |
There is just a total randomness about Deal Or No Deal, | 0:12:48 | 0:12:52 | |
but I've always been a great fan of gullibility | 0:12:52 | 0:12:55 | |
in all its manifestations, so I kind of like it for that. | 0:12:55 | 0:12:58 | |
But I think you argue with such fervour and personal pain... | 0:12:58 | 0:13:02 | |
-Yeah. -..that I am going to put Celebrity Shark Bait... | 0:13:02 | 0:13:06 | |
-Thank you. -..into Room 101. -Thank you. | 0:13:06 | 0:13:08 | |
APPLAUSE | 0:13:08 | 0:13:10 | |
OK. Next category, please. | 0:13:19 | 0:13:21 | |
Oh, it's the audience choice. | 0:13:26 | 0:13:28 | |
I think Neil Barton is in the audience somewhere. | 0:13:28 | 0:13:31 | |
There you are, Neil. | 0:13:31 | 0:13:33 | |
What would you like to put into Room 101? | 0:13:33 | 0:13:35 | |
Er, newscasters who think they're comedians. | 0:13:35 | 0:13:38 | |
Oh, OK. | 0:13:38 | 0:13:41 | |
It seems to be coming a bit of a common theme | 0:13:41 | 0:13:43 | |
that the newsreaders are sort of slipping into comedy, | 0:13:43 | 0:13:46 | |
but without the advantage of having any timing. | 0:13:46 | 0:13:49 | |
We have a very good exhibit A for your argument. | 0:13:49 | 0:13:53 | |
This is from Channel 4 news and I've seen some things on telly | 0:13:53 | 0:13:57 | |
that have made me wince, but this is really something. | 0:13:57 | 0:14:01 | |
Ban Ki-moon thinks it's all a force for world peace. | 0:14:01 | 0:14:04 | |
But I just think it's a lot of fun. | 0:14:04 | 0:14:06 | |
So here goes. | 0:14:06 | 0:14:07 | |
# Oppa C4 style | 0:14:07 | 0:14:10 | |
# C4 style | 0:14:13 | 0:14:15 | |
# Wop, wop, wop, wop | 0:14:15 | 0:14:17 | |
# C4 style | 0:14:20 | 0:14:21 | |
# Woh, woh, he-e-ey | 0:14:23 | 0:14:25 | |
# Sexy newsroom... # | 0:14:25 | 0:14:27 | |
You know what - it's hard in high heels, don't try. | 0:14:29 | 0:14:32 | |
LAUGHTER | 0:14:32 | 0:14:34 | |
-Need I say more? -Children In Need is supposed to get this out of newsreaders' systems. | 0:14:34 | 0:14:39 | |
But that was...pretty awful. | 0:14:41 | 0:14:44 | |
Do you have any feelings on this topic? | 0:14:44 | 0:14:46 | |
They always used to do like a soft story at the end of the news | 0:14:46 | 0:14:49 | |
about somebody's West Highland terrier that got caught in a pipe. | 0:14:49 | 0:14:53 | |
-And it always ended nicely. -Did you make that up? | 0:14:53 | 0:14:56 | |
-No, I've got a West Highland terrier. -Did he get caught in a pipe? | 0:14:56 | 0:14:59 | |
Yeah, got on the news as well. | 0:14:59 | 0:15:02 | |
I bet 70% of this audience could read the news tonight. | 0:15:07 | 0:15:13 | |
If I took you to a studio, have half an hour looking at the script, | 0:15:13 | 0:15:17 | |
you'd be able to do it. It's the easiest job on television. | 0:15:17 | 0:15:20 | |
Reading out loud and looking concerned. | 0:15:20 | 0:15:24 | |
We have an example from Russian news. | 0:15:24 | 0:15:28 | |
This is about the, um... It's the Israeli-Syria war. | 0:15:28 | 0:15:32 | |
I believe, is it? | 0:15:32 | 0:15:34 | |
-The Israeli-Syria war? -WOMAN: Yes, it is. | 0:15:34 | 0:15:36 | |
-Thank you. -It makes me laugh. Just a minute ago you said, | 0:15:36 | 0:15:39 | |
"Anyone can read the news." "Is it, er...is it Israel-Syria?" | 0:15:39 | 0:15:43 | |
No. I said 70% of the audience. I didn't say me. | 0:15:47 | 0:15:51 | |
This is an example from Russian news and it's a man talking about | 0:15:52 | 0:15:56 | |
the Israel-Syria war and I have to say, I think this is brilliant. | 0:15:56 | 0:15:59 | |
HE SPEAKS IN OWN LANGUAGE | 0:15:59 | 0:16:03 | |
LAUGHTER AND APPLAUSE | 0:16:16 | 0:16:18 | |
HE COUGHS | 0:16:25 | 0:16:28 | |
So, Neil, I like your passion on this. | 0:16:31 | 0:16:34 | |
Dave, what do you think? Neil or no Neil? | 0:16:34 | 0:16:37 | |
LAUGHTER | 0:16:37 | 0:16:38 | |
Oh, no. | 0:16:39 | 0:16:41 | |
OK. So I am not going to put funny newsreaders into 101. | 0:16:41 | 0:16:44 | |
AUDIENCE: Ah! | 0:16:44 | 0:16:46 | |
But what about a big hand for Neil? | 0:16:46 | 0:16:48 | |
APPLAUSE | 0:16:48 | 0:16:50 | |
OK. Next category, please. | 0:16:55 | 0:16:57 | |
It's modern life. So, what doesn't Dave like about modern life? | 0:17:03 | 0:17:06 | |
Chunky chips. | 0:17:12 | 0:17:13 | |
LAUGHTER | 0:17:13 | 0:17:16 | |
Chunky chips are so wrong. | 0:17:16 | 0:17:18 | |
You know, I cook for a living, but chunky chips, | 0:17:18 | 0:17:21 | |
I wouldn't cook them, I wouldn't eat them. | 0:17:21 | 0:17:23 | |
It just doesn't work. They're always raw in the middle. | 0:17:23 | 0:17:26 | |
They're kind of cooked wrong on the outside. | 0:17:26 | 0:17:29 | |
You see, when you deep-fry, what happens, Frankie... | 0:17:29 | 0:17:31 | |
RUBY PRETENDS TO SNORE | 0:17:31 | 0:17:33 | |
-If you get your temperatures right... -Yeah. | 0:17:35 | 0:17:38 | |
..like, the potato inside, the steam comes out, repels the fat, | 0:17:38 | 0:17:41 | |
hence crispness on the outside, softness on the inside. | 0:17:41 | 0:17:44 | |
But the thing is, with a chunky chip, it always remains | 0:17:44 | 0:17:47 | |
raw on the inside, it sucks the grease in, soggy on the outside. | 0:17:47 | 0:17:51 | |
I'm getting very turned on. | 0:17:51 | 0:17:53 | |
Academically, sexually, sensually, chunky chips don't work. | 0:17:55 | 0:17:58 | |
The thing is, if you want thick potatoes like that, you want | 0:17:58 | 0:18:01 | |
to have, kind of, roast potatoes, you know, with the goose fat. | 0:18:01 | 0:18:05 | |
You could always sprinkle polenta, or a little bit of... | 0:18:05 | 0:18:08 | |
Yes, all right, it's not a cookery show, Dave. | 0:18:08 | 0:18:10 | |
I just think they're horrible. | 0:18:10 | 0:18:11 | |
When it says on a menu, "Comes with chunky chips", | 0:18:11 | 0:18:14 | |
just forget it. They're just dreadful. | 0:18:14 | 0:18:16 | |
Then they come in this, like Yenga-like pile, | 0:18:16 | 0:18:18 | |
so when you get them, | 0:18:18 | 0:18:20 | |
they're flaccid, they're soft and they're cold. | 0:18:20 | 0:18:22 | |
I mean, they're like a yeti's member in a stack. | 0:18:22 | 0:18:24 | |
LAUGHTER | 0:18:24 | 0:18:26 | |
Blimey. I can see why you didn't make it as a maitre d'. | 0:18:31 | 0:18:34 | |
LAUGHTER | 0:18:34 | 0:18:35 | |
No, but...there's something offensive about the way | 0:18:37 | 0:18:40 | |
that they stack them like that, | 0:18:40 | 0:18:42 | |
like a game of Yenga, that's somehow so pretentious. | 0:18:42 | 0:18:45 | |
Well, not as pretentious as saying "Yenga". | 0:18:45 | 0:18:47 | |
Jenga! Jenga! | 0:18:50 | 0:18:52 | |
-Jenga? -Jenga. We're not Germans! | 0:18:52 | 0:18:54 | |
LAUGHTER | 0:18:54 | 0:18:57 | |
I like chunky chips, | 0:18:57 | 0:18:59 | |
and I've never noticed them being raw on the inside. | 0:18:59 | 0:19:01 | |
Is it that they're built on each other like the Eiffel Tower? | 0:19:01 | 0:19:04 | |
No, that makes them worse because it makes them go cold | 0:19:04 | 0:19:07 | |
and it makes them go soggy. So you're on a hiding to nothing. | 0:19:07 | 0:19:10 | |
At least with a good French fry... I'm not talking skinny chips, | 0:19:10 | 0:19:13 | |
just a nice, regular cut chip, that's cut to that right | 0:19:13 | 0:19:16 | |
kind of diameter so the outside is crispy, preferably twice cooked... | 0:19:16 | 0:19:20 | |
Do you have a girlfriend? | 0:19:20 | 0:19:21 | |
LAUGHTER | 0:19:21 | 0:19:23 | |
Yeah, married and everything. | 0:19:23 | 0:19:24 | |
Have you not met her? She's called Yanet. | 0:19:24 | 0:19:26 | |
LAUGHTER | 0:19:26 | 0:19:28 | |
I'm with Frank on this. I love a chunky chip. | 0:19:31 | 0:19:33 | |
Yeah, but some people like Morris dancing, and that's wrong as well. | 0:19:33 | 0:19:37 | |
Do you know what? That is a fair argument. | 0:19:37 | 0:19:40 | |
To be fair, you could say that at the end of any argument | 0:19:40 | 0:19:42 | |
-and I'd go, "Yeah, fair enough." -No, not with me, you can't. | 0:19:42 | 0:19:45 | |
-I like Morris dancing. -Do you? -Yes. -And chunky chips? | 0:19:45 | 0:19:48 | |
-And chunky chips. -You're weird. | 0:19:48 | 0:19:49 | |
LAUGHTER | 0:19:49 | 0:19:51 | |
Do you like wedges? What about potato wedges? | 0:19:51 | 0:19:54 | |
-Well... -Isn't that when you pull your underwear up? | 0:19:54 | 0:19:57 | |
-With a potato? -I don't know where the potato comes in. | 0:19:57 | 0:19:59 | |
-No, it's not right. -I don't know anything about cooking, | 0:19:59 | 0:20:02 | |
but even I know, get a bit of duck fat on your finger, | 0:20:02 | 0:20:04 | |
rub it on your chunky chip, | 0:20:04 | 0:20:06 | |
and then you've got your chunky chip with a crispy outer. | 0:20:06 | 0:20:09 | |
Little tip for you. Use it if you like. | 0:20:09 | 0:20:11 | |
No. You've got a piece of potato covered in grease. | 0:20:11 | 0:20:14 | |
Well, that's what a roast potato is. | 0:20:14 | 0:20:16 | |
-No. No, it's not. -I think... | 0:20:16 | 0:20:18 | |
LAUGHTER | 0:20:18 | 0:20:20 | |
You actually swivelled then. "Right, that's it! | 0:20:20 | 0:20:23 | |
"That's fighting talk!" | 0:20:23 | 0:20:25 | |
Well, I went to a restaurant. | 0:20:27 | 0:20:29 | |
It was a very, very old-fashioned restaurant indeed. | 0:20:29 | 0:20:32 | |
I ordered chunky chips and they served them like this. | 0:20:32 | 0:20:37 | |
LAUGHTER | 0:20:37 | 0:20:38 | |
I do love it that somebody working on this show had dreams of working | 0:20:40 | 0:20:44 | |
on the new Star Wars film. | 0:20:44 | 0:20:45 | |
"What are you doing today, love?" "Chunky chip Stonehenge." | 0:20:45 | 0:20:48 | |
OK, so what does Lee Mack not like about modern life? | 0:20:51 | 0:20:56 | |
It's David Blaine. | 0:21:04 | 0:21:06 | |
CHEERS OF APPROVAL | 0:21:06 | 0:21:08 | |
Now, in my day, magicians, like Paul Daniels, would go on telly, | 0:21:13 | 0:21:17 | |
and it was simple. The rules were simple. | 0:21:17 | 0:21:19 | |
You knew how you were watching it, as a viewer. | 0:21:19 | 0:21:22 | |
He'd stick Debbie in a cage, chuck a silk hanky over her. | 0:21:22 | 0:21:25 | |
Whoop, she's a leopard, end of story. | 0:21:25 | 0:21:27 | |
And then about 15 years ago, something changed with magic, | 0:21:27 | 0:21:31 | |
where they decided it was un-cool, | 0:21:31 | 0:21:33 | |
so they were going to make it grungy. And more frighteningly - | 0:21:33 | 0:21:35 | |
and this is the thing I don't like - and it's not just him, | 0:21:35 | 0:21:38 | |
he just represents this modern way of doing magic, | 0:21:38 | 0:21:41 | |
now they pretend it's real. | 0:21:41 | 0:21:43 | |
So, whereas Paul Daniels used to go, "Ta-da!" | 0:21:43 | 0:21:46 | |
Them lot, now, like him, he'll end the trick with... | 0:21:47 | 0:21:50 | |
Like it was actually draining to do the real magic. | 0:21:53 | 0:21:56 | |
Yeah, but you can't do 44 days in a glass box over Tower Bridge | 0:21:56 | 0:22:00 | |
and then go, "Ta-da!" | 0:22:00 | 0:22:02 | |
I think magic is partly about the audience. | 0:22:03 | 0:22:06 | |
And here's David Blaine, and the audience just makes this for me. | 0:22:06 | 0:22:10 | |
You might feel this. Hold your hand here. Watch. Here's my idea. | 0:22:10 | 0:22:15 | |
Just wave, see? | 0:22:15 | 0:22:18 | |
Did you feel anything? Now, watch, ready? | 0:22:18 | 0:22:21 | |
Cool. | 0:22:33 | 0:22:35 | |
LAUGHTER | 0:22:35 | 0:22:37 | |
But that is good, isn't it? | 0:22:42 | 0:22:44 | |
Well, it's all right. | 0:22:44 | 0:22:45 | |
I'd still rather see Debbie McGee turn into a leopard, | 0:22:45 | 0:22:48 | |
but I'm old school. | 0:22:48 | 0:22:50 | |
I don't know if you ever saw when he was on GMTV and he was interviewed | 0:22:50 | 0:22:53 | |
by Eamonn Holmes and I didn't think he came over with tremendous | 0:22:53 | 0:22:57 | |
personal warmth. | 0:22:57 | 0:22:59 | |
-How would you describe yourself? -I'm just a showman. -Yeah? | 0:22:59 | 0:23:03 | |
Yeah. | 0:23:03 | 0:23:05 | |
Is this part of the show, this sort of mean and moody persona | 0:23:05 | 0:23:09 | |
and the stare and the eyes and all that sort of thing? | 0:23:09 | 0:23:12 | |
That's just you? That's just you? | 0:23:12 | 0:23:13 | |
The eye in the hand. And what does that mean? | 0:23:14 | 0:23:17 | |
What is the eye in the hand? Let's see that again. | 0:23:17 | 0:23:20 | |
-Protection. -Protection. | 0:23:20 | 0:23:22 | |
What does that mean? | 0:23:22 | 0:23:24 | |
-Protection from death. -Oh. Mm! | 0:23:24 | 0:23:26 | |
LAUGHTER | 0:23:28 | 0:23:31 | |
So, what doesn't Ruby like about modern life? | 0:23:31 | 0:23:35 | |
New Age books. | 0:23:39 | 0:23:41 | |
In the '60s, I guess, cos they didn't trust doctors any more, | 0:23:41 | 0:23:44 | |
for some reason, or they just wanted to not pay so much, | 0:23:44 | 0:23:48 | |
is that they invented this, er, kind of love of the self, you know. | 0:23:48 | 0:23:52 | |
So, it would be like looking for the you in you, | 0:23:52 | 0:23:54 | |
or the awakening of the goddess within, | 0:23:54 | 0:23:58 | |
but spewing and becoming a woman and dropping your seed. | 0:23:58 | 0:24:01 | |
These were the types, and it had to do... | 0:24:01 | 0:24:03 | |
You'd always see these women who were goddesses | 0:24:03 | 0:24:06 | |
with the grey hair, no bra, | 0:24:06 | 0:24:08 | |
with, like, the Himalayas on the floor. | 0:24:08 | 0:24:11 | |
And then dancing, dancing to, like, the "ding-ding" music, | 0:24:11 | 0:24:14 | |
you know, dancing with the wolves, usually with that music from whales. | 0:24:14 | 0:24:18 | |
Whales, not the country. | 0:24:18 | 0:24:20 | |
They recorded whales, and that was the whole music for the new age. | 0:24:20 | 0:24:23 | |
I did a programme once. I researched the New Age and there was a woman | 0:24:23 | 0:24:28 | |
called Dr Barbara. And she married me to myself on the beach. | 0:24:28 | 0:24:33 | |
And there were some other Puerto Rican women standing around. | 0:24:33 | 0:24:36 | |
-Sorry, whoa... What do you mean, she married you to yourself? -Wait! | 0:24:36 | 0:24:39 | |
We had to come in wedding dress and we were there | 0:24:39 | 0:24:42 | |
and Dr Barbara is going, "Do you take you, Ruby..." | 0:24:42 | 0:24:46 | |
And I'm going, "Me, Ruby." "To be your lawful, wedding wife?" | 0:24:46 | 0:24:49 | |
And I said, "To me or to you?" Because I've got this... | 0:24:49 | 0:24:53 | |
It's like the Chuckle Brothers. | 0:24:53 | 0:24:56 | |
LAUGHTER | 0:24:56 | 0:24:57 | |
-Let's look at some New Age books, shall we? -Oh, I love them. | 0:24:57 | 0:25:00 | |
There you go. I like this one. | 0:25:00 | 0:25:02 | |
Wherever You Go, There You Are. | 0:25:02 | 0:25:05 | |
It's a sort of very basic... | 0:25:05 | 0:25:06 | |
LAUGHTER | 0:25:06 | 0:25:07 | |
..very basic A to Z. | 0:25:07 | 0:25:09 | |
-That is great. -I actually like that guy. He was my professor. | 0:25:11 | 0:25:14 | |
LAUGHTER | 0:25:14 | 0:25:15 | |
Really? | 0:25:17 | 0:25:18 | |
Yeah. It's an unfortunate title, but he's the real thing. | 0:25:18 | 0:25:21 | |
OK. Or, um... | 0:25:21 | 0:25:22 | |
Anybody Can Be Cool... But Awesome Takes Practice. | 0:25:24 | 0:25:28 | |
LAUGHTER | 0:25:28 | 0:25:30 | |
What about this one? | 0:25:31 | 0:25:32 | |
How To Communicate With Animals. | 0:25:34 | 0:25:36 | |
What I like about this, the deer in the background is clearly | 0:25:36 | 0:25:39 | |
looking across and saying, "Hold on, isn't that Malcolm's antler?" | 0:25:39 | 0:25:42 | |
So, it's big business, Ruby. | 0:25:44 | 0:25:46 | |
It's huge business, yeah. Well, you've done it. | 0:25:46 | 0:25:49 | |
-No, but... -He's not done it, surely. | 0:25:49 | 0:25:50 | |
Yes, he's done it. You don't look like that for nothing. | 0:25:50 | 0:25:53 | |
LAUGHTER | 0:25:53 | 0:25:55 | |
No, but you do look like a warlock. | 0:25:56 | 0:25:57 | |
There used to be a woman in Barrow-in-Furness | 0:25:57 | 0:26:00 | |
that did rebirthing, and she did... | 0:26:00 | 0:26:02 | |
And she had, like, ventilator ducts and castor oil, | 0:26:02 | 0:26:06 | |
and the idea was you popped in one end, you had to work your way out, | 0:26:06 | 0:26:10 | |
and then you got out, | 0:26:10 | 0:26:11 | |
-and she slapped you and you were born again. -See? | 0:26:11 | 0:26:14 | |
How's your mum, Frank? Is she all right? | 0:26:14 | 0:26:17 | |
Anyway, I'd like to talk to someone who died and returned, | 0:26:20 | 0:26:23 | |
so if Gary Barlow is watching... | 0:26:23 | 0:26:25 | |
LAUGHTER | 0:26:25 | 0:26:27 | |
Anyway, I'm not going to put in the New Age stuff, | 0:26:27 | 0:26:30 | |
cos I think there might be something in it. I like chunky chips. | 0:26:30 | 0:26:33 | |
But you know what? I've got no time for David Blaine. | 0:26:33 | 0:26:36 | |
I am going to put him into Room 101. | 0:26:36 | 0:26:38 | |
CHEERING AND APPLAUSE | 0:26:38 | 0:26:40 | |
Right, let's have our next category. | 0:26:49 | 0:26:52 | |
It's the Wildcard round. In this round there are no restrictions. | 0:26:56 | 0:26:59 | |
You can just have anything at all you don't like. | 0:26:59 | 0:27:02 | |
So, what is Dave's Wildcard? | 0:27:02 | 0:27:04 | |
-Wigs. Thank God. -I thought it was Judy Finnigan. | 0:27:10 | 0:27:15 | |
I wouldn't have let you put her in. Wigs. Why? | 0:27:15 | 0:27:17 | |
All my life has been beset with wigs since I was a little boy. | 0:27:17 | 0:27:20 | |
When I was eight, I got stricken with alopecia totalis, you know, | 0:27:20 | 0:27:23 | |
so I had no hair, no eyebrows, no eyelashes, | 0:27:23 | 0:27:27 | |
and I got sent to the hospital, | 0:27:27 | 0:27:29 | |
and I was offered a National Health Service wig, | 0:27:29 | 0:27:32 | |
and this thing, honestly, was like a crash helmet, | 0:27:32 | 0:27:35 | |
and I couldn't wear it cos I had National Health glasses as well. | 0:27:35 | 0:27:38 | |
It was a sorry sight. I had alopecia till I was about 40. | 0:27:38 | 0:27:41 | |
Now, my first job, when I left art school, | 0:27:41 | 0:27:43 | |
I worked as a make-up artist... | 0:27:43 | 0:27:45 | |
-He was my make-up artist. -I was. | 0:27:45 | 0:27:47 | |
I did, I made you up on the Secret Policeman's Third Ball. | 0:27:47 | 0:27:50 | |
-Yeah. Yeah. -Wow. | 0:27:50 | 0:27:51 | |
We have a picture of you, um, from this period, | 0:27:51 | 0:27:54 | |
when you had the alopecia. | 0:27:54 | 0:27:55 | |
So was the beard a wig? | 0:27:55 | 0:27:57 | |
No, no. My beard, my pits, my... that was always fine. | 0:27:57 | 0:28:02 | |
-It was just my head. -It must have been awful, though, Dave, wasn't it? | 0:28:02 | 0:28:05 | |
Well, I was just used to it. I was just bald, you know. | 0:28:05 | 0:28:07 | |
I was the bald kid at school. | 0:28:07 | 0:28:09 | |
You know, they used to call me Uncle Fester | 0:28:09 | 0:28:11 | |
and make me put light bulbs in my mouth, but, you know, I coped. | 0:28:11 | 0:28:15 | |
I joined the BBC, and the personnel person at the time, | 0:28:15 | 0:28:18 | |
this was in 1980, wanted me to have a wig made | 0:28:18 | 0:28:22 | |
in case I offended the artists, | 0:28:22 | 0:28:23 | |
cos, obviously, I looked more like a mugger than a make-up man. | 0:28:23 | 0:28:26 | |
But they wanted me to have the wigs made and they were going to dock | 0:28:26 | 0:28:30 | |
the cost of the wigs out of my wages on a monthly basis. | 0:28:30 | 0:28:33 | |
So, anyway, I just shaved my head and said I'm bald | 0:28:33 | 0:28:36 | |
and you can't fire me for being bald. | 0:28:36 | 0:28:38 | |
I mean, one of the most sinister people I ever met was | 0:28:38 | 0:28:41 | |
a Russian hair merchant, and he came over with bags full of human hair, | 0:28:41 | 0:28:46 | |
like a really posh wig that's got the wispy bits at the front. | 0:28:46 | 0:28:49 | |
That's point hair, and that's made from children's hair, | 0:28:49 | 0:28:52 | |
from their first cut. | 0:28:52 | 0:28:53 | |
-Oh. -Oh. -Wigs are a sinister world. | 0:28:53 | 0:28:56 | |
That's the name of your autobiography, isn't it? | 0:28:56 | 0:28:59 | |
You know, the whole thing of artificial hair, it's all wrong. | 0:29:00 | 0:29:04 | |
If you're bald, just be bald. | 0:29:04 | 0:29:06 | |
It is a bit ironic that you've ended up as the Hairy Biker. | 0:29:06 | 0:29:08 | |
-You couldn't have seen that coming. -Yeah, do you know, it was funny, | 0:29:08 | 0:29:12 | |
one of the first newspaper articles said, | 0:29:12 | 0:29:14 | |
"What about that ridiculous, awful head of hair? Covered full of split ends." | 0:29:14 | 0:29:18 | |
I thought, "20 years ago, I would have given my eyeteeth for split ends, I tell you." | 0:29:18 | 0:29:22 | |
You got an "aw" then from the audience. | 0:29:22 | 0:29:24 | |
I have to say, I have watched the Hairy Bikers on several occasions | 0:29:24 | 0:29:28 | |
and thought to myself, "Should those men be working with food?" | 0:29:28 | 0:29:33 | |
Oh, I get that all the time. | 0:29:33 | 0:29:34 | |
Because shouldn't you be wearing a hairnet and all that sort of stuff? | 0:29:34 | 0:29:37 | |
Oh, don't be ridiculous. It's the most wonderful... | 0:29:37 | 0:29:39 | |
That would be daft, wouldn't it? I'm not an... | 0:29:39 | 0:29:42 | |
You know, I don't moult over the dinner. | 0:29:42 | 0:29:44 | |
I'm not like a spaniel in the summer. | 0:29:44 | 0:29:48 | |
It's really quite intact now and on. | 0:29:48 | 0:29:49 | |
-Don't play with it, I wouldn't want to see you going backwards. -No, it's fine. | 0:29:49 | 0:29:52 | |
If you worked in a restaurant, | 0:29:52 | 0:29:55 | |
-wouldn't you have to wear a hairnet with that? -No. | 0:29:55 | 0:29:58 | |
-Yes, you would. -You'd have to wear a hat or something. -Or... | 0:29:58 | 0:30:01 | |
Dave, this is day one, restaurant school. You should know this. | 0:30:01 | 0:30:04 | |
You know you have to wash your hands after you've been to the toilet? | 0:30:04 | 0:30:08 | |
But it is wigs are what I'm talking about, you see. I have no... | 0:30:08 | 0:30:11 | |
Hair and baldness, that's absolutely fine | 0:30:11 | 0:30:14 | |
but wigs, it's such an odd thing to do. | 0:30:14 | 0:30:17 | |
It's like if you had false teeth and you were using someone else's | 0:30:17 | 0:30:20 | |
cast-off or pulled out teeth to put in your own mouth. | 0:30:20 | 0:30:23 | |
-That's a good point. -That would be unacceptable, you see. | 0:30:23 | 0:30:25 | |
-Well, my grandmother had that. -Did she? -What? | 0:30:25 | 0:30:28 | |
-Someone else's teeth? -Yeah, in those days, you know, they had... Where did you think they came...? | 0:30:28 | 0:30:33 | |
-They weren't plastic, they were teeth. -They were real teeth?! | 0:30:33 | 0:30:36 | |
And me and my girlfriends used to sneak in | 0:30:36 | 0:30:38 | |
and put the uppers on the lowers. | 0:30:38 | 0:30:39 | |
We'd switch them around so it would look like | 0:30:39 | 0:30:41 | |
she was trying to eat her own head. | 0:30:41 | 0:30:43 | |
LAUGHTER They were real teeth. | 0:30:43 | 0:30:46 | |
OK, what's Ruby's Wildcard? | 0:30:46 | 0:30:48 | |
My mother. | 0:30:53 | 0:30:54 | |
-AUDIENCE: -Aw... | 0:30:54 | 0:30:55 | |
As far as eccentrics, this was the A-lister of A-listers. | 0:30:55 | 0:30:59 | |
So, I'm grateful to her for some of my comedy. | 0:30:59 | 0:31:02 | |
We have a dog that she loved, Lumby, and this is not tasteful. | 0:31:02 | 0:31:07 | |
You know, when people came over, he would sort of grab their leg, | 0:31:07 | 0:31:10 | |
you know, and you'd smear him off, but my mother would go, | 0:31:10 | 0:31:13 | |
"Look, the lover boy. He's dancing, he's dancing!" | 0:31:13 | 0:31:17 | |
And then she'd go, in Polish, | 0:31:17 | 0:31:19 | |
she'd go, "Lumby, say 'Heil Hitler,'" | 0:31:19 | 0:31:21 | |
and he'd go like this. | 0:31:21 | 0:31:22 | |
NERVOUS LAUGHTER | 0:31:22 | 0:31:24 | |
Oh, no, this was... She was way out there. | 0:31:24 | 0:31:27 | |
To be fair, he was only following orders. | 0:31:27 | 0:31:29 | |
LAUGHTER | 0:31:29 | 0:31:31 | |
She'd get fixed on things, like I do now. | 0:31:35 | 0:31:38 | |
You know, it's like a Russian missile just homing in. | 0:31:38 | 0:31:41 | |
-Yeah. -So she, um, she came to England and she said, "Buy a broom." | 0:31:41 | 0:31:45 | |
But then she doesn't stop it, right? | 0:31:45 | 0:31:47 | |
So we'd to a restaurant, and she'd go, "A broom, | 0:31:47 | 0:31:50 | |
"and with the bristles, not this... with the bristles," and every night | 0:31:50 | 0:31:54 | |
she'd draw it in the tablecloth with a knife, "With the bristles." | 0:31:54 | 0:31:58 | |
It never stopped, so finally I took her to the airport. | 0:31:58 | 0:32:01 | |
She's still going, "Buy a broom." | 0:32:01 | 0:32:03 | |
You could see her through the window, and then sits down. | 0:32:03 | 0:32:05 | |
As soon as she gets home, a few days later, she goes, | 0:32:05 | 0:32:08 | |
"Did you get the broom?" | 0:32:08 | 0:32:09 | |
And then she says, "Oh, your Aunt Hamburger died." | 0:32:09 | 0:32:12 | |
And then she said, "Now, what about the broom?" | 0:32:12 | 0:32:14 | |
And I went, "Wait, what did you just say?" And she said, "Your aunt Hamburger died. The broom! | 0:32:14 | 0:32:18 | |
"Buy the broom!" And I said, "What did you say?" | 0:32:18 | 0:32:21 | |
She went, "OK, back the clock up 24 hours. She's not dead. | 0:32:21 | 0:32:24 | |
"Now, buy the broom." | 0:32:24 | 0:32:26 | |
LAUGHTER | 0:32:26 | 0:32:28 | |
That's genius. | 0:32:28 | 0:32:29 | |
-She was fantastic. -She sounds marvellous. -Yeah. | 0:32:33 | 0:32:36 | |
My mum used to say, | 0:32:36 | 0:32:37 | |
"Don't put hot tea bags in the bin or you'll set the bin on fire." | 0:32:37 | 0:32:40 | |
LAUGHTER | 0:32:40 | 0:32:42 | |
You must've had a lovely house, lovely tidy, clean. | 0:32:42 | 0:32:45 | |
Oh, everything was in plastic bags. You know, the walls, the lamps. | 0:32:45 | 0:32:49 | |
-She never unwrapped, you know, when we got gifts cos of the way... -It stayed in the plastic? | 0:32:49 | 0:32:53 | |
-It was a dust-free zone. -I bet she would have loved these. | 0:32:53 | 0:32:56 | |
-They are for cleaning the floor. -Oh, that's good, that's good. | 0:32:56 | 0:33:00 | |
So you have to walk around the house like this and you actually... | 0:33:00 | 0:33:04 | |
It's like, you know on Camberwick Green? | 0:33:04 | 0:33:06 | |
CAMBERWICK GREEN THEME PLAYS | 0:33:08 | 0:33:12 | |
APPLAUSE | 0:33:12 | 0:33:15 | |
I like... I tell you what I really like - I'd never done this before - | 0:33:21 | 0:33:25 | |
changing nappies. I find it really satisfying. | 0:33:25 | 0:33:29 | |
-Do you have a baby? -Yes! I don't just... | 0:33:29 | 0:33:32 | |
LAUGHTER | 0:33:32 | 0:33:35 | |
No, I have an elderly grandparent. | 0:33:35 | 0:33:38 | |
OK. So what's Lee's Wildcard? | 0:33:40 | 0:33:42 | |
It's children's parties. | 0:33:47 | 0:33:49 | |
-Hmm. -Controversial, you might think. | 0:33:50 | 0:33:52 | |
-Well, we'll soon find out. Why? -Hate children. Hate parties. Next. | 0:33:52 | 0:33:56 | |
LAUGHTER | 0:33:56 | 0:33:58 | |
When I was a kid, and tell me if it's just me, | 0:34:01 | 0:34:04 | |
but birthday parties were not every year, to start with. | 0:34:04 | 0:34:07 | |
We wouldn't have them every year. We'd have them every two or three years, and it was like you, | 0:34:07 | 0:34:11 | |
your brother, maybe a cousin, a couple of mates from school. | 0:34:11 | 0:34:14 | |
That was it, wasn't it? | 0:34:14 | 0:34:16 | |
-AUDIENCE MEMBER: -No. -No? Oh. | 0:34:16 | 0:34:18 | |
-No. I had big parties. -Yeah, me too. | 0:34:18 | 0:34:21 | |
But not the way they are now. | 0:34:21 | 0:34:22 | |
This is not just my kids. | 0:34:22 | 0:34:24 | |
Every kid in the class is having them. These are a weekly event. | 0:34:24 | 0:34:27 | |
Sometimes it's two! Two parties in a day. | 0:34:27 | 0:34:29 | |
He went to a party of 30. | 0:34:29 | 0:34:31 | |
Two hours later, he went to another party. That is 60 people. | 0:34:31 | 0:34:34 | |
Why has a seven-year-old child got a better social life than me? I'm 45. | 0:34:34 | 0:34:38 | |
Cakes. What happened to Victoria sponges and a couple of candles? | 0:34:38 | 0:34:42 | |
-Now it's like... -Fireworks. -Aladdin on a skateboard | 0:34:42 | 0:34:45 | |
with doves coming out. What happened to just normal little cakes | 0:34:45 | 0:34:49 | |
and a bit of pass the parcel. Now it's themes and it's... | 0:34:49 | 0:34:52 | |
I've got some pictures of cakes I think you'll enjoy. | 0:34:52 | 0:34:56 | |
This is a Mickey Mouse cake. | 0:34:56 | 0:34:58 | |
LAUGHTER | 0:34:59 | 0:35:02 | |
Or Liza Minnelli. | 0:35:02 | 0:35:04 | |
LAUGHTER | 0:35:06 | 0:35:07 | |
Here's one themed on roadkill. | 0:35:09 | 0:35:11 | |
LAUGHTER | 0:35:13 | 0:35:15 | |
I think they got those teeth from your grandmother, Ruby. | 0:35:17 | 0:35:19 | |
It looks like it's been skinned, though. A flayed hedgehog. | 0:35:19 | 0:35:23 | |
Here's a fabulous children's party. | 0:35:23 | 0:35:26 | |
This is... I'm not making this up. | 0:35:26 | 0:35:28 | |
This is a bouncy castle based on the Titanic. | 0:35:28 | 0:35:33 | |
LAUGHTER | 0:35:34 | 0:35:36 | |
-That's good. That's good. -That is genuine. -Yeah. That's fantastic. | 0:35:36 | 0:35:39 | |
-That is unbelievable. -But if you arrived at a party and it had that, | 0:35:39 | 0:35:42 | |
you'd know it was going to be a really good party. | 0:35:42 | 0:35:44 | |
Well, it depends if it's 1912. | 0:35:44 | 0:35:46 | |
LAUGHTER | 0:35:46 | 0:35:49 | |
Of course, the irony being if they'd actually had an inflatable Titanic | 0:35:49 | 0:35:52 | |
-on the Titanic, that would have solved everything. -That's true. | 0:35:52 | 0:35:56 | |
Would it be morally wrong to not tell your children | 0:35:56 | 0:36:00 | |
about birthdays at all? | 0:36:00 | 0:36:02 | |
Well, that could work. We haven't told them about Easter or Christmas, | 0:36:02 | 0:36:06 | |
so I suppose we could extend it to birthdays. | 0:36:06 | 0:36:08 | |
I feel sorry for your kids. | 0:36:08 | 0:36:10 | |
-Why? -Because, you know, the spirit of birthday parties | 0:36:11 | 0:36:15 | |
-and throwing them a good bash... -Let me tell you what my kids get | 0:36:15 | 0:36:18 | |
that your kids will never get - big, fat chips. | 0:36:18 | 0:36:21 | |
LAUGHTER AND APPLAUSE | 0:36:21 | 0:36:23 | |
They're happy with that. That's all they want. | 0:36:25 | 0:36:27 | |
It's all they're getting. | 0:36:27 | 0:36:29 | |
They wouldn't eat them cos mine have got taste. | 0:36:29 | 0:36:31 | |
-AUDIENCE: -Oooh! | 0:36:31 | 0:36:34 | |
You can't choose your parents. | 0:36:34 | 0:36:36 | |
I tell you what, | 0:36:36 | 0:36:38 | |
the catering's good in my house when you have a party. | 0:36:38 | 0:36:40 | |
Yeah, but there's lots of hair in it. | 0:36:40 | 0:36:44 | |
I bet you have to unblock your shower more than me. | 0:36:45 | 0:36:48 | |
At least I've got one. | 0:36:48 | 0:36:49 | |
This is a proper northern battle of wits. | 0:36:50 | 0:36:53 | |
"Chunky chips? At least I've got a shower." | 0:36:53 | 0:36:55 | |
LAUGHTER | 0:36:55 | 0:36:57 | |
So, I can't put your mother in, Ruby. | 0:36:59 | 0:37:02 | |
-She sounds lovely... -No, she is lovely. | 0:37:02 | 0:37:04 | |
..in a slightly mad kind of way. | 0:37:04 | 0:37:06 | |
But she would clean it if you did put her in. | 0:37:06 | 0:37:08 | |
And, um, children's parties, they're an expensive business, | 0:37:08 | 0:37:11 | |
but I don't think there's any getting round it, really. | 0:37:11 | 0:37:13 | |
They must celebrate. | 0:37:13 | 0:37:14 | |
But I find my little one is fascinating. | 0:37:14 | 0:37:17 | |
Other people's kids, not so fascinating. | 0:37:17 | 0:37:20 | |
It's like haemorrhoids. | 0:37:20 | 0:37:21 | |
LAUGHTER | 0:37:21 | 0:37:23 | |
But, wigs, I don't understand it. | 0:37:23 | 0:37:26 | |
They're all right for fun, but people who suddenly turn up in a wig | 0:37:26 | 0:37:29 | |
when you know they're bald underneath, it doesn't make any sense. | 0:37:29 | 0:37:31 | |
So I am going to put wigs into Room 101. | 0:37:31 | 0:37:34 | |
CHEERING AND APPLAUSE | 0:37:34 | 0:37:36 | |
OK, that brings us to the end of the show and, Dave, | 0:37:47 | 0:37:51 | |
you were the most persuasive guest, so you are this week's winner. | 0:37:51 | 0:37:54 | |
APPLAUSE | 0:37:57 | 0:37:59 | |
Thanks very much, Lee Mack, Dave Myers and Ruby Wax, | 0:38:02 | 0:38:05 | |
and thank you, good night. | 0:38:05 | 0:38:07 |