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CHEERING AND APPLAUSE | 0:00:26 | 0:00:29 | |
Hello, I'm Frank Skinner, and welcome to Room 101, | 0:00:32 | 0:00:36 | |
the show where three guests battle to send the things | 0:00:36 | 0:00:39 | |
they hate into the dreaded vault. | 0:00:39 | 0:00:40 | |
Our guests' choices have been sorted into categories, | 0:00:40 | 0:00:43 | |
and in each round only one item can be chosen. | 0:00:43 | 0:00:46 | |
The final decision is mine. Let's meet this week's guests. | 0:00:46 | 0:00:49 | |
Joining me tonight are actor, comedian | 0:00:49 | 0:00:51 | |
and Pointless host Alexander Armstrong, | 0:00:51 | 0:00:53 | |
superstar athlete Dame Kelly Holmes, | 0:00:53 | 0:00:55 | |
and the golden voice of cricket, Henry Blofeld. | 0:00:55 | 0:00:58 | |
APPLAUSE | 0:00:58 | 0:01:01 | |
OK, well, let's have the first category, please. | 0:01:06 | 0:01:09 | |
It's modern life. So what doesn't Alexander like about modern life? | 0:01:13 | 0:01:18 | |
PHONE BEEPS | 0:01:24 | 0:01:25 | |
'Hello, Alexander, it's Frank here. | 0:01:25 | 0:01:27 | |
'I was just calling to see what you want to put into Room 101... | 0:01:27 | 0:01:31 | |
-DOG BARKING -'Oh, hold on. | 0:01:31 | 0:01:33 | |
'Get...get under.' | 0:01:33 | 0:01:34 | |
-It's answer machine messages. -OK. | 0:01:37 | 0:01:39 | |
You know what happens. | 0:01:39 | 0:01:41 | |
You ring someone up and, you know, ring-ring, ring-ring, | 0:01:41 | 0:01:43 | |
-six times, and you think, well... -That's a very good impression, | 0:01:43 | 0:01:46 | |
-if you don't mind me saying. -It's not bad. | 0:01:46 | 0:01:48 | |
-I went for my phone then. -Yeah. | 0:01:48 | 0:01:50 | |
When you get that telltale...that little click, and then sometimes | 0:01:52 | 0:01:55 | |
you get a very careful voice that says, "Hello, Graham and Barbara | 0:01:55 | 0:01:59 | |
"can't get to the phone at the moment." | 0:01:59 | 0:02:01 | |
They've been told to say that. | 0:02:01 | 0:02:03 | |
They're not allowed to say, "We're not here at the moment," | 0:02:03 | 0:02:05 | |
in case there's a burglar from 1976 at the other end. | 0:02:05 | 0:02:08 | |
"We can't get to the phone at the moment. | 0:02:08 | 0:02:10 | |
"Please leave your name and number | 0:02:10 | 0:02:12 | |
"and we'll get back to you as soon as we can. Beep." | 0:02:12 | 0:02:16 | |
All of which could summed up as "Beep." It's fine. | 0:02:16 | 0:02:20 | |
Just the beep is fine. | 0:02:20 | 0:02:21 | |
But actually, even leaving a message, I think, | 0:02:21 | 0:02:24 | |
-is a waste of time. These days we have missed calls. -Yeah. -It's fine. | 0:02:24 | 0:02:27 | |
I've had this thing with my girlfriend when she'll phone, | 0:02:27 | 0:02:29 | |
"What is it?" And I say, "Well, I left a message," | 0:02:29 | 0:02:31 | |
and she'll say, "Yeah, I haven't listened to it." | 0:02:31 | 0:02:34 | |
And I say, "Well, phone me back when you've listened to it." | 0:02:34 | 0:02:37 | |
What about the occasion, you get a chap who rings up, and you | 0:02:37 | 0:02:40 | |
miss the call, and my immediate reaction is to ring them back. | 0:02:40 | 0:02:43 | |
And then, of course, they're engaged forever | 0:02:43 | 0:02:45 | |
-while they're leaving a message. -Yes. | 0:02:45 | 0:02:47 | |
Oh, that drives me absolutely mad. | 0:02:47 | 0:02:49 | |
But it's the... I get messages from my mum, who I love dearly, | 0:02:49 | 0:02:53 | |
but she will leave messages between two and four minutes long. | 0:02:53 | 0:02:56 | |
I mean, it will be, you know, "Hello, darling. | 0:02:56 | 0:02:59 | |
"I'm going to tell you now in some detail what I will then tell | 0:02:59 | 0:03:03 | |
"you in minute detail when you ring me." | 0:03:03 | 0:03:05 | |
Are you aware of the Gotta Go machine? | 0:03:05 | 0:03:08 | |
No. | 0:03:08 | 0:03:10 | |
You know when you phone someone and you don't really want them | 0:03:10 | 0:03:13 | |
to call you back? You just want to leave a message. | 0:03:13 | 0:03:16 | |
So when you do your... | 0:03:16 | 0:03:18 | |
say you'll say, "Hello, this is Frank Skinner here. | 0:03:18 | 0:03:21 | |
"If you want to call me back, you can get me on..." | 0:03:21 | 0:03:24 | |
SOUND OF BABY CRYING | 0:03:24 | 0:03:26 | |
HE MUMBLES INCOHERENTLY | 0:03:26 | 0:03:30 | |
And your conscience is clear. | 0:03:32 | 0:03:34 | |
LAUGHTER AND APPLAUSE | 0:03:36 | 0:03:39 | |
OK, then, what doesn't Kelly like about modern life? | 0:03:41 | 0:03:44 | |
The M25. | 0:03:50 | 0:03:53 | |
WILD CHEERING | 0:03:53 | 0:03:56 | |
Oh, my God. Drives me insane. I mean, it's ridiculous. | 0:04:00 | 0:04:04 | |
They widen the roads. Same problem. | 0:04:04 | 0:04:06 | |
You have roadworks for two years. Traffic, traffic, traffic. | 0:04:06 | 0:04:10 | |
Take the roadworks out. Traffic. Don't make any difference. | 0:04:10 | 0:04:13 | |
-That's a good point. -Pointless. Waste all that money. | 0:04:13 | 0:04:16 | |
Just sit there. The only time it's good is | 0:04:16 | 0:04:18 | |
when you're bombing it down the little bit that's OK, | 0:04:18 | 0:04:21 | |
like, three junctions, and everyone else is stuck in traffic. | 0:04:21 | 0:04:24 | |
You're like, "Ha-ha!" | 0:04:24 | 0:04:25 | |
Seriously, though, motorways were built to make travelling easier. | 0:04:28 | 0:04:31 | |
And I spend of my life trying to avoid the M25. I agree entirely. | 0:04:31 | 0:04:35 | |
-It is horrendous. -Well, I can tell you now that the question | 0:04:35 | 0:04:38 | |
most frequently asked by motorists on the AA online route planner is | 0:04:38 | 0:04:42 | |
"How can I avoid the M25?" | 0:04:42 | 0:04:45 | |
I imagine you'd go round the M25, like, 70mph, and then really, | 0:04:45 | 0:04:48 | |
really do about 120mph just for the last three or four miles, | 0:04:48 | 0:04:51 | |
just towards the tape, | 0:04:51 | 0:04:53 | |
and then go round again with a Union Jack draped around the car. | 0:04:53 | 0:04:57 | |
If only, right? | 0:04:57 | 0:04:59 | |
I was once in a traffic jam in France | 0:04:59 | 0:05:01 | |
and a guy blasted his horn like that. | 0:05:01 | 0:05:03 | |
And I thought, "Why is he blasting his horn? We can't move." | 0:05:03 | 0:05:06 | |
And then I thought, "You know what, it's something lovely." | 0:05:06 | 0:05:09 | |
And we all blasted our horns. | 0:05:09 | 0:05:10 | |
It was like we were blasting it at the universe. | 0:05:10 | 0:05:12 | |
And, at that moment, we became as one. | 0:05:12 | 0:05:17 | |
The only time I've done it where it's really good is when I was in the military for nearly ten years. | 0:05:17 | 0:05:21 | |
First three years I was a heavy goods vehicle driver cos no-one messes with that. | 0:05:21 | 0:05:25 | |
No. Did you ever drive a tank, Kelly? | 0:05:25 | 0:05:28 | |
-Yes. -That would be good, wouldn't it? | 0:05:28 | 0:05:30 | |
Yeah. Can you imagine, on the M25, just ramming over them all? | 0:05:30 | 0:05:33 | |
LAUGHTER | 0:05:33 | 0:05:35 | |
Get out my way! | 0:05:35 | 0:05:36 | |
Kelly, here's a clip I think you'll enjoy. | 0:05:36 | 0:05:39 | |
In this instance, we found out that the driver of the lorry has | 0:05:39 | 0:05:42 | |
no awareness at all of what he's actually involved in. | 0:05:42 | 0:05:45 | |
-Get a load of this. -Gosh. | 0:05:45 | 0:05:47 | |
MUFFLED SHOUT | 0:05:54 | 0:05:57 | |
SHE GASPS Terrible. | 0:05:57 | 0:05:59 | |
Incredible that no-one was hurt. | 0:05:59 | 0:06:00 | |
-Yeah. -What I like is that the driver of the car had the brake | 0:06:00 | 0:06:03 | |
lights on, thinking, "I'll stop this." | 0:06:03 | 0:06:07 | |
The trouble is, when you're side on, looking in, they were | 0:06:09 | 0:06:12 | |
looking in the rear view mirror, | 0:06:12 | 0:06:14 | |
and all they could see were people going... | 0:06:14 | 0:06:17 | |
LAUGHTER | 0:06:17 | 0:06:19 | |
Of course, you've actually got a road named after you. | 0:06:21 | 0:06:24 | |
-Yeah. -That's the ultimate... | 0:06:24 | 0:06:27 | |
that's better than a postbox, isn't it, like they get nowadays. | 0:06:27 | 0:06:30 | |
I've also got an old people's home named after me. | 0:06:30 | 0:06:32 | |
Oh, congratulations. | 0:06:32 | 0:06:34 | |
Kelly Homes. | 0:06:34 | 0:06:35 | |
LAUGHTER AND APPLAUSE | 0:06:35 | 0:06:37 | |
This is Dame Kelly Holmes Way. There it is, look. | 0:06:43 | 0:06:46 | |
Actually, yesterday I drove past this road, and there was a | 0:06:46 | 0:06:49 | |
couple that had literally just come out of the house, and their face was | 0:06:49 | 0:06:52 | |
a picture, looking at me, going like that, standing right by that sign. | 0:06:52 | 0:06:55 | |
-That was quite funny. -That's perfect, isn't it? | 0:06:55 | 0:06:59 | |
It was sweet. It was lovely. | 0:06:59 | 0:07:00 | |
Didn't you shout, "Get out of Dame Kelly Holmes Way"? | 0:07:00 | 0:07:03 | |
LAUGHTER | 0:07:03 | 0:07:04 | |
I'll remember that. | 0:07:04 | 0:07:06 | |
OK, then, what doesn't Henry like about modern life? | 0:07:08 | 0:07:12 | |
What I loathe more about modern life than anything are people who | 0:07:18 | 0:07:21 | |
want to talk to me at breakfast. | 0:07:21 | 0:07:24 | |
LAUGHTER | 0:07:24 | 0:07:26 | |
APPLAUSE | 0:07:29 | 0:07:33 | |
I spend a huge amount of time staying in hotels or guest houses, | 0:07:33 | 0:07:37 | |
and I come down to breakfast and join a big, communal table, | 0:07:37 | 0:07:40 | |
which puts the fear of God into me, | 0:07:40 | 0:07:42 | |
and before I've sat down and spilt my first Corn Flake over | 0:07:42 | 0:07:46 | |
my shirt, three people have said to me, "What do you make of KP, then?" | 0:07:46 | 0:07:50 | |
Mmm. | 0:07:50 | 0:07:52 | |
I loathe it. | 0:07:52 | 0:07:53 | |
I say, first of all, when I sign in the night before, | 0:07:53 | 0:07:58 | |
"Is there any way I could have breakfast at a table on my own?" | 0:07:58 | 0:08:01 | |
And if they say no, I say, | 0:08:01 | 0:08:03 | |
"Is there anyway you could send me a cup of coffee up to my bedroom?" | 0:08:03 | 0:08:06 | |
And if they say no, I go without having breakfast. | 0:08:06 | 0:08:09 | |
Well, I must say, | 0:08:09 | 0:08:10 | |
I've spoken to a lot of strangers at breakfast over the years. | 0:08:10 | 0:08:14 | |
LAUGHTER | 0:08:14 | 0:08:16 | |
You have to be a little bit polite, you know. | 0:08:19 | 0:08:21 | |
Sometimes I'll grab the thing off the door | 0:08:23 | 0:08:25 | |
if I'm going down in a hotel and have breakfast like this. | 0:08:25 | 0:08:29 | |
Actually, I thought that would increase conversations. | 0:08:30 | 0:08:34 | |
It makes you look rather more attractive. | 0:08:34 | 0:08:36 | |
LAUGHTER | 0:08:36 | 0:08:38 | |
As a little tip, I once travelled on a very early morning train | 0:08:40 | 0:08:44 | |
from Birmingham to Crewe, during which time I drank a whole bottle | 0:08:44 | 0:08:49 | |
of Pernod, and I wasn't bothered by anyone for the whole journey. | 0:08:49 | 0:08:53 | |
LAUGHTER | 0:08:53 | 0:08:54 | |
No-one even sat in the three adjoining seats. | 0:08:54 | 0:08:56 | |
What time did the train start? | 0:08:56 | 0:08:58 | |
I think it was the 8.20. | 0:08:58 | 0:09:00 | |
Another thing I've done, which if you don't want people to | 0:09:02 | 0:09:04 | |
speak to you in hotels at breakfast, is to wear one of these. | 0:09:04 | 0:09:08 | |
LAUGHTER | 0:09:08 | 0:09:11 | |
Very good. | 0:09:14 | 0:09:17 | |
They might ask you for the odd blessing, though. | 0:09:17 | 0:09:19 | |
Well, I don't mind that, certainly. | 0:09:19 | 0:09:21 | |
The other alternative is sometimes I'll sit with a pile of | 0:09:21 | 0:09:24 | |
30 or 40 Big Issues. That also keeps people away. | 0:09:24 | 0:09:28 | |
But what people tend to do is tell people that they've got | 0:09:28 | 0:09:32 | |
Blowers staying. | 0:09:32 | 0:09:33 | |
"Ah," they think, "We'll have five bob's worth of him." | 0:09:33 | 0:09:37 | |
So they all hang around, and they've eaten their breakfast, | 0:09:37 | 0:09:40 | |
and they've all been chatting themselves up, and when you | 0:09:40 | 0:09:43 | |
get there, they're in mid-season form and they all talk at once. | 0:09:43 | 0:09:46 | |
LAUGHTER | 0:09:46 | 0:09:47 | |
Blowers, all you need is a pair of earphones, | 0:09:50 | 0:09:52 | |
just little ones like that, | 0:09:52 | 0:09:54 | |
don't even need a thing to plug them into. | 0:09:54 | 0:09:56 | |
Just put the end in your pocket like that and just go down | 0:09:56 | 0:09:58 | |
and nod your head while you're eating breakfast. | 0:09:58 | 0:10:00 | |
Or I suppose I should I can't hear anyway but I should | 0:10:00 | 0:10:03 | |
buy a pair of deaf-aids. That'd be a help, wouldn't it? | 0:10:03 | 0:10:05 | |
I mean, I'm not good at hearing. | 0:10:05 | 0:10:07 | |
Just go down with a couple of massive ear-trumpets like that. | 0:10:07 | 0:10:12 | |
One man who's managed to keep people at bay when he's having breakfast | 0:10:12 | 0:10:16 | |
is this man. | 0:10:16 | 0:10:18 | |
LAUGHTER | 0:10:18 | 0:10:20 | |
You could try that, the sort of Quasimodo approach. | 0:10:23 | 0:10:28 | |
LAUGHTER | 0:10:28 | 0:10:30 | |
Well, you've all put this incredibly well. | 0:10:30 | 0:10:32 | |
Answer phone messages, I sort of like the nostalgia of it. | 0:10:32 | 0:10:36 | |
I like the fact that they still exist. | 0:10:36 | 0:10:38 | |
Also I can see the lure of wanting to speak to you at breakfast, Henry. | 0:10:40 | 0:10:44 | |
I know it must be annoying, but you are such a raconteur, | 0:10:44 | 0:10:48 | |
and just the sound of your voice first thing in the morning | 0:10:48 | 0:10:52 | |
is like a beautiful birdsong. | 0:10:52 | 0:10:54 | |
Now you say that I might make you the great exception to the rule. | 0:10:54 | 0:10:58 | |
Oh, Henry. Maybe tomorrow. | 0:10:58 | 0:11:00 | |
LAUGHTER | 0:11:00 | 0:11:02 | |
Let's see how it goes. | 0:11:02 | 0:11:04 | |
If somebody said to me, "You'll be flirting tonight," | 0:11:08 | 0:11:11 | |
I would have assumed it would be Kelly, but no. | 0:11:11 | 0:11:13 | |
LAUGHTER | 0:11:13 | 0:11:15 | |
But, Kelly, you argue with such passion about the M25, | 0:11:18 | 0:11:22 | |
and you're also slightly frightening when you get like that, | 0:11:22 | 0:11:26 | |
-so I am going to put the M25 into Room 101. -Yay! | 0:11:26 | 0:11:30 | |
Next category, please. | 0:11:41 | 0:11:42 | |
It's the wildcard, so no restrictions. | 0:11:48 | 0:11:51 | |
Anything you don't like you can choose. | 0:11:51 | 0:11:54 | |
So what is Kelly's wildcard? | 0:11:54 | 0:11:56 | |
SNORING NOISE | 0:12:01 | 0:12:03 | |
People... SNORING CONTINUES | 0:12:06 | 0:12:08 | |
Oh, sorry. Oh, that's enough. | 0:12:08 | 0:12:10 | |
People snoring in public places. Trains, planes, lounges, | 0:12:10 | 0:12:17 | |
especially if they lean over on you on the train. | 0:12:17 | 0:12:20 | |
Oh my gosh. I went on a plane once with my mother. | 0:12:20 | 0:12:23 | |
It was in the late '90s. | 0:12:23 | 0:12:24 | |
I was going to Mauritius, and this guy, we hadn't taken off. | 0:12:24 | 0:12:27 | |
We must have been sat down for five minutes, and he'd literally | 0:12:27 | 0:12:30 | |
fallen asleep within that first two minutes, and he started snoring. | 0:12:30 | 0:12:34 | |
But he started snoring so loud. I mean, really loud. | 0:12:34 | 0:12:37 | |
It was like a thunderstorm happening, right? | 0:12:37 | 0:12:39 | |
He had his mouth open. | 0:12:39 | 0:12:41 | |
So I got this magazine, and I rolled up a piece of paper. | 0:12:41 | 0:12:44 | |
Mum was going, "No, no." And I rolled up this piece of paper, | 0:12:44 | 0:12:47 | |
and I went like this over the seat, and it went in his mouth. | 0:12:47 | 0:12:51 | |
He went... GARGLING | 0:12:51 | 0:12:54 | |
LAUGHTER | 0:12:54 | 0:12:56 | |
Oh, my gosh... | 0:12:56 | 0:12:59 | |
-Coincidentally, I was on the M25 once... -And you fell asleep?! | 0:12:59 | 0:13:05 | |
..and this guy was not only snoring, but leaning right across me. | 0:13:05 | 0:13:11 | |
But that's what happens if you get a lift home from George Michael. | 0:13:11 | 0:13:14 | |
LAUGHTER | 0:13:14 | 0:13:16 | |
I looked at...they had a list of most annoying train habits, | 0:13:17 | 0:13:22 | |
-and this was only 19th... -Really? -..on the list. -Oh, my gosh. | 0:13:22 | 0:13:26 | |
-It's above... -It's not just trains. -It's above derailment. | 0:13:26 | 0:13:30 | |
LAUGHTER | 0:13:30 | 0:13:32 | |
My dad used to come back from work, and he would sit... | 0:13:32 | 0:13:35 | |
he'd watch the telly like this. | 0:13:35 | 0:13:37 | |
And I thought, this is the funniest thing that'll ever happen. | 0:13:40 | 0:13:44 | |
And then I saw the same thing being done by a meerkat. | 0:13:44 | 0:13:48 | |
LAUGHTER | 0:14:02 | 0:14:05 | |
It's a horrible, intimate noise, though, | 0:14:17 | 0:14:19 | |
-somebody else snoring, isn't it? -It is. -It's just... | 0:14:19 | 0:14:22 | |
It's very intrusive, isn't it? | 0:14:22 | 0:14:24 | |
-It's all...it's really too... -Phlegmy and... -Yeah. | 0:14:24 | 0:14:27 | |
All right. | 0:14:27 | 0:14:29 | |
Kelly, you've firmly ended any outside chance we ever | 0:14:29 | 0:14:32 | |
had of having a close relationship, because I snore for the world. | 0:14:32 | 0:14:36 | |
Your poor wife. | 0:14:36 | 0:14:38 | |
She buys baseball bats. | 0:14:38 | 0:14:40 | |
I'm with her. | 0:14:41 | 0:14:43 | |
I was once filming in Dorset | 0:14:43 | 0:14:47 | |
and one of the guys I was with, | 0:14:47 | 0:14:50 | |
lovely bloke, very camp guy. | 0:14:50 | 0:14:53 | |
And he actually had a camp snore. | 0:14:53 | 0:14:56 | |
He was in the next bed to me | 0:14:56 | 0:14:58 | |
- and I've told him about this so I can share this, | 0:14:58 | 0:15:01 | |
we laughed about it the next day, he didn't believe me, | 0:15:01 | 0:15:03 | |
but honestly it's true. He had a camp snore. | 0:15:03 | 0:15:06 | |
I lay in the dark and I could hear... | 0:15:06 | 0:15:09 | |
HE SNORTS | 0:15:09 | 0:15:11 | |
"Mmmmmh..." | 0:15:11 | 0:15:14 | |
I swear. | 0:15:14 | 0:15:17 | |
HE SNORTS | 0:15:17 | 0:15:19 | |
"Mmmmmh..." | 0:15:19 | 0:15:22 | |
The internet features lots of people who have been | 0:15:23 | 0:15:27 | |
photographed on public transport sleeping. | 0:15:27 | 0:15:30 | |
So here's a man asleep on the Tube. | 0:15:30 | 0:15:32 | |
Oh, he's definitely snoring. Look at that. | 0:15:35 | 0:15:38 | |
Looks painful. | 0:15:38 | 0:15:39 | |
This is actually a photograph on a train. | 0:15:41 | 0:15:44 | |
You do get people on planes who, | 0:15:44 | 0:15:46 | |
if they're going to sleep, they don't just go to sleep. | 0:15:46 | 0:15:49 | |
They have to go and get their sleep suit on, and their sleep socks. | 0:15:49 | 0:15:52 | |
Here is a man who has taken that just a stage further. | 0:15:52 | 0:15:56 | |
LAUGHTER | 0:15:57 | 0:15:59 | |
Oh, my gosh. That would be my worst nightmare. | 0:16:05 | 0:16:08 | |
The joy of that is the facial expression | 0:16:08 | 0:16:11 | |
of the guy sitting next to him. | 0:16:11 | 0:16:13 | |
The thing is, | 0:16:17 | 0:16:19 | |
if you're taking photographs of people asleep on public transport, | 0:16:19 | 0:16:22 | |
when you get really lucky they've got a dog with them as well. | 0:16:22 | 0:16:25 | |
LAUGHTER AND APPLAUSE | 0:16:27 | 0:16:31 | |
OK. What's Henry's wildcard? | 0:16:36 | 0:16:39 | |
People, Frank, who endlessly say to you, whether you leave | 0:16:43 | 0:16:47 | |
a restaurant, a shop, a snack bar, whatever, | 0:16:47 | 0:16:50 | |
-"Have a good day. Have a nice day." -Mmm. | 0:16:50 | 0:16:55 | |
LAUGHTER | 0:16:55 | 0:16:58 | |
Why can't they say something like, "We'll see you next time," | 0:16:58 | 0:17:01 | |
or, "What-ho," or, "Don't panic," if you like? | 0:17:01 | 0:17:05 | |
When they say, "Have a good day," do you think they're going to rush back | 0:17:05 | 0:17:09 | |
into the room and say, "My goodness, I hope that Blowers has a good day. | 0:17:09 | 0:17:12 | |
"It would be awful if he had a stinker, wouldn't it?" | 0:17:12 | 0:17:15 | |
My pet thing is when people thank you in advance for things. | 0:17:17 | 0:17:22 | |
So sometimes you'll be driving down the road. | 0:17:22 | 0:17:24 | |
You go into a little, small village, and it says, | 0:17:24 | 0:17:27 | |
-"Thank you for driving carefully." -Yes, indeed. | 0:17:27 | 0:17:29 | |
And I think, "Well, if they regard this as driving carefully, | 0:17:29 | 0:17:33 | |
"they are liberal indeed." | 0:17:33 | 0:17:35 | |
And also that one, "Thank you for..." you get this in nightclubs. | 0:17:35 | 0:17:40 | |
"Thank you for leaving quietly." | 0:17:40 | 0:17:43 | |
I've used that to end a few relationships. | 0:17:43 | 0:17:46 | |
LAUGHTER | 0:17:46 | 0:17:48 | |
You're probably the only person I know | 0:17:50 | 0:17:52 | |
who could get away with, "Toodle-oo." | 0:17:52 | 0:17:55 | |
-Toodle-oo. Yes, toodle-pip I do a bit. -OK. | 0:17:55 | 0:17:59 | |
You know where that comes from, toodle-oo? | 0:17:59 | 0:18:02 | |
It's because French people say "A tout a l'heure," and apparently | 0:18:02 | 0:18:05 | |
it was an old soldier's version of "tout a l'heure." | 0:18:05 | 0:18:09 | |
They say, "Toodle-oo." | 0:18:09 | 0:18:10 | |
Yes, I thought it was French for, "Where's the toilet?" | 0:18:10 | 0:18:12 | |
Where does tinkety-tonk come from? | 0:18:14 | 0:18:16 | |
Oh, God. | 0:18:16 | 0:18:18 | |
-Tinkety... -Tinkety-tonk. | 0:18:18 | 0:18:20 | |
I think I prefer "tinkety-tonk" to "have a nice day." | 0:18:20 | 0:18:23 | |
LAUGHTER | 0:18:23 | 0:18:26 | |
We'll see if we can introduce it from the strength of this programme. | 0:18:26 | 0:18:30 | |
OK, then, what is Alexander's wildcard? | 0:18:30 | 0:18:34 | |
Yes. This is the 27th, the 28th, the 29th and 30th of December. | 0:18:39 | 0:18:45 | |
I mean, what a waste of time. | 0:18:47 | 0:18:50 | |
Can anybody remember, I wonder, anything that they have done | 0:18:52 | 0:18:55 | |
meaningfully on any of those four days? | 0:18:55 | 0:18:57 | |
Actually, to be honest, I would take the whole week. | 0:18:57 | 0:18:59 | |
I'd take Boxing Day out as well, but I'm going to give you | 0:18:59 | 0:19:02 | |
Boxing Day, because let's face it, it keeps Christmas Day special. | 0:19:02 | 0:19:05 | |
You've got Boxing Day afterwards to be bored in. | 0:19:05 | 0:19:07 | |
Then you're just treading water. | 0:19:07 | 0:19:10 | |
You do endless things that you'll always regret | 0:19:10 | 0:19:13 | |
while you say the five words, "Oh, go on, it's Christmas." | 0:19:13 | 0:19:17 | |
Basically, that's... | 0:19:17 | 0:19:20 | |
Those five words have started so many terrible, terrible things. | 0:19:20 | 0:19:24 | |
"Go on, it's Christmas. | 0:19:24 | 0:19:25 | |
"We'll have five bottles of wine for lunch." | 0:19:25 | 0:19:28 | |
But it just twists on interminably. | 0:19:28 | 0:19:31 | |
And then suddenly you come to... I mean, New Year's Eve, it's fine. | 0:19:31 | 0:19:34 | |
New Year's Eve I would say probably kicks in at about 5 in the evening. | 0:19:34 | 0:19:38 | |
You could lose the first bit of New Year's Eve, actually. | 0:19:38 | 0:19:41 | |
As an edit point, some time after Downton Abbey on Christmas Day | 0:19:41 | 0:19:47 | |
to, um, about 5pm on New Year's Eve. | 0:19:47 | 0:19:50 | |
-Just... -HE SLURPS | 0:19:50 | 0:19:51 | |
No-one would even notice. | 0:19:51 | 0:19:53 | |
How could you realistically do something about this? | 0:19:54 | 0:19:57 | |
LAUGHTER | 0:19:57 | 0:20:00 | |
I tell you what. | 0:20:01 | 0:20:02 | |
I'm glad you asked that, Henry, | 0:20:04 | 0:20:06 | |
because I think maybe we could speak to someone in charge and then we | 0:20:06 | 0:20:10 | |
could maybe shift New Year's Eve to the 27th and then have it all then. | 0:20:10 | 0:20:15 | |
Have all the celebrations, and then we've got, what, four days in hand | 0:20:15 | 0:20:18 | |
that we can maybe use as sort of wildcards throughout the year. | 0:20:18 | 0:20:23 | |
My problem with this is | 0:20:23 | 0:20:24 | |
I think people really look forward to those lazy days. | 0:20:24 | 0:20:28 | |
What you need is a harder job. | 0:20:28 | 0:20:30 | |
APPLAUSE | 0:20:30 | 0:20:33 | |
I bet you're sitting there thinking, "Oh, sitting here wasting our time. | 0:20:36 | 0:20:40 | |
"We could be recording another 20 episodes of Pointless." | 0:20:40 | 0:20:43 | |
Does Richard Osman come round and put your trimmings up, by the way? | 0:20:43 | 0:20:48 | |
He has been known to, yeah. | 0:20:48 | 0:20:50 | |
-Was this Donny Osmond, did you say? -No, it was... | 0:20:50 | 0:20:52 | |
LAUGHTER | 0:20:52 | 0:20:55 | |
Yeah, they're very close friends, Alexander and Donny Osmond. | 0:20:55 | 0:20:58 | |
I tell you what I recommend, this covers that period perfectly. | 0:21:00 | 0:21:05 | |
This is 96-hour deodorant, which you can put on on Boxing Day, | 0:21:05 | 0:21:11 | |
you don't even have to think about it again till you're getting | 0:21:11 | 0:21:14 | |
ready for the party on New Year's Eve. So that's it. | 0:21:14 | 0:21:17 | |
I can't do that, Alexander, because I really like it. | 0:21:17 | 0:21:20 | |
How lovely to have no pressure at all, to do nothing. | 0:21:20 | 0:21:23 | |
It's great. And also, the snoring, I know what you mean, | 0:21:23 | 0:21:28 | |
but they can't help it, these poor people. | 0:21:28 | 0:21:30 | |
People are working so hard. They're fatigued. | 0:21:30 | 0:21:33 | |
But, "Have a nice day..." | 0:21:33 | 0:21:35 | |
I like politeness in all its forms, but I think it's become hollow. | 0:21:35 | 0:21:39 | |
I think it's become something that people really don't mean. | 0:21:39 | 0:21:42 | |
So I am going to put people who say, "Have a nice day," into Room 101. | 0:21:42 | 0:21:48 | |
APPLAUSE | 0:21:48 | 0:21:51 | |
I nearly went down there as well. | 0:21:51 | 0:21:54 | |
Next category, please. | 0:21:59 | 0:22:00 | |
It's time for the audience choice | 0:22:05 | 0:22:07 | |
and I believe Judith Cheyne is with us tonight. | 0:22:07 | 0:22:10 | |
-Where are you, Judith? -I'm here. | 0:22:10 | 0:22:12 | |
Hello. Thank you so much for coming. | 0:22:12 | 0:22:13 | |
What would you like to put into Room 101? | 0:22:13 | 0:22:15 | |
I would like to put portaloos, portable toilets, into Room 101. | 0:22:15 | 0:22:20 | |
Portable toilets? | 0:22:20 | 0:22:22 | |
APPLAUSE | 0:22:22 | 0:22:24 | |
Yeah, you people applauding, | 0:22:25 | 0:22:27 | |
the next time you're absolutely desperate... | 0:22:27 | 0:22:30 | |
Why is that, Judith? | 0:22:30 | 0:22:32 | |
I just find it a very traumatic experience using a portable toilet. | 0:22:32 | 0:22:36 | |
Yes, I believe it's supposed to be. | 0:22:36 | 0:22:38 | |
LAUGHTER | 0:22:38 | 0:22:40 | |
You hover around quite a while, | 0:22:40 | 0:22:41 | |
trying to decide whether you can go in or not. | 0:22:41 | 0:22:44 | |
Eventually somebody comes out, you then go in, | 0:22:44 | 0:22:47 | |
you then fight with the lock yourself | 0:22:47 | 0:22:49 | |
to make sure it is engaged, hoping nobody will try and come in. | 0:22:49 | 0:22:52 | |
There's nowhere to put your handbag, hang your handbag, in a portaloo. | 0:22:52 | 0:22:56 | |
That is annoying. | 0:22:56 | 0:22:58 | |
The floor's quite often very slippy... | 0:22:58 | 0:23:00 | |
I wonder why! | 0:23:00 | 0:23:04 | |
Quite often, there's the previous occupants have left a few deposits, | 0:23:04 | 0:23:08 | |
so you have to pump away to get rid of the previous occupant's deposits. | 0:23:08 | 0:23:13 | |
Do you use them a lot? | 0:23:13 | 0:23:16 | |
LAUGHTER DROWNS SPEECH | 0:23:16 | 0:23:19 | |
You sound like you might be sleeping rough on a regular basis? | 0:23:19 | 0:23:24 | |
Are you a big festivalgoer? | 0:23:24 | 0:23:26 | |
No, I work for the International Sheep Dog Society | 0:23:26 | 0:23:29 | |
and I use them at sheepdog trials, | 0:23:29 | 0:23:31 | |
which are obviously held in fields where you don't have facilities, | 0:23:31 | 0:23:34 | |
so we have the use of portaloos. | 0:23:34 | 0:23:37 | |
I don't understand why, in this day and age of technology, | 0:23:37 | 0:23:41 | |
-they're still the same. -I don't really want them to get technical. | 0:23:41 | 0:23:44 | |
I like that it's a lovely insight | 0:23:44 | 0:23:47 | |
into toilet-going in the Middle Ages. | 0:23:47 | 0:23:50 | |
How are you guys with portaloos? | 0:23:50 | 0:23:52 | |
I think they're what I would call an evil necessity. | 0:23:52 | 0:23:55 | |
I can quite see what the lady is saying about them, but I just | 0:23:55 | 0:23:59 | |
think if they weren't there, the alternative might be almost worse. | 0:23:59 | 0:24:03 | |
You know, otherwise you burst. | 0:24:03 | 0:24:05 | |
LAUGHTER | 0:24:05 | 0:24:07 | |
Thank you. Our medical correspondent. | 0:24:07 | 0:24:12 | |
I think by association you have to be so desperate to use one, | 0:24:12 | 0:24:16 | |
you have to overcome such desperation to use one | 0:24:16 | 0:24:19 | |
that I almost by association think of them as, | 0:24:19 | 0:24:21 | |
"Ah..." | 0:24:21 | 0:24:23 | |
-There's a weird association with relief. -Yes. | 0:24:23 | 0:24:26 | |
I mean, obviously that's then very quickly twinned with, | 0:24:26 | 0:24:29 | |
"Argh, my trousers are filthy." | 0:24:29 | 0:24:31 | |
-Because of the floor. -Yes, of course. | 0:24:31 | 0:24:34 | |
Have you ever tried to use them at night, though, when it's dark? | 0:24:34 | 0:24:38 | |
Because there's no lighting in them at all. | 0:24:38 | 0:24:41 | |
-Do you do... -They're seriously dark. | 0:24:41 | 0:24:43 | |
Are the sheepdog wearing headlights at this stage? | 0:24:43 | 0:24:47 | |
No, it's when we're having a few beers after. | 0:24:47 | 0:24:49 | |
Oh, well, now it's all coming out. | 0:24:49 | 0:24:51 | |
I don't wish to be disrespectful, | 0:24:51 | 0:24:52 | |
-but I sort of think that the countryside -is -a toilet. | 0:24:52 | 0:24:57 | |
LAUGHTER | 0:24:57 | 0:24:58 | |
No, but I mean I just think you can go behind a tree in the countryside. | 0:24:58 | 0:25:02 | |
Isn't that...? I've done walks through the countryside | 0:25:02 | 0:25:05 | |
and one of the joys of being in the countryside is you think, | 0:25:05 | 0:25:07 | |
"Ooh, I'd quite like to have a wee, I've had one." | 0:25:07 | 0:25:10 | |
LAUGHTER | 0:25:10 | 0:25:12 | |
Anyway, I like your passion for this topic, | 0:25:12 | 0:25:17 | |
so I am going to put portable toilets into Room 101. | 0:25:17 | 0:25:20 | |
APPLAUSE | 0:25:20 | 0:25:24 | |
Right, let's have our next category. | 0:25:29 | 0:25:31 | |
It's food and drink. | 0:25:36 | 0:25:38 | |
So what doesn't Henry like about food and drink? | 0:25:38 | 0:25:41 | |
Restaurants that don't have powder-based English mustard. | 0:25:46 | 0:25:50 | |
APPLAUSE | 0:25:50 | 0:25:52 | |
I can think of a number of five-star restaurants who say, | 0:25:55 | 0:25:58 | |
"Yes, sir," and they go off and they bring a pot of ready-mixed | 0:25:58 | 0:26:02 | |
yellowness, which is rather nasty French mustard. | 0:26:02 | 0:26:05 | |
-I don't mean all French mustard is bad. It's not. -No. | 0:26:05 | 0:26:08 | |
But I think French mustard really is best taken when you want to | 0:26:08 | 0:26:11 | |
disguise the original taste of the food you're eating. | 0:26:11 | 0:26:15 | |
Mmm. | 0:26:15 | 0:26:16 | |
Really good English mustard is made with powder. | 0:26:16 | 0:26:19 | |
You put a teaspoonful out of a tin into an eggcup and then you | 0:26:19 | 0:26:23 | |
trickle a little bit of water in and you stir it round, and then, | 0:26:23 | 0:26:27 | |
if you can, you leave it for 24 hours to mature, and it's brilliant. | 0:26:27 | 0:26:31 | |
You know you can get mustard for pets now? This is genuine. | 0:26:31 | 0:26:35 | |
We haven't made this up. This is mustard for dogs. | 0:26:35 | 0:26:39 | |
Seriously? | 0:26:39 | 0:26:42 | |
Honestly. It's real. | 0:26:42 | 0:26:43 | |
It's commercially available and you put this on your dog's food | 0:26:43 | 0:26:48 | |
-as a relish. -Petchup! | 0:26:48 | 0:26:50 | |
How does your dog let you know that he wants mustard on his food? | 0:26:50 | 0:26:55 | |
Well, the advantage of dogs is they'll eat anything. | 0:26:55 | 0:26:57 | |
So it doesn't matter. This is the cat version. | 0:26:57 | 0:27:00 | |
I'm not making this up. | 0:27:00 | 0:27:02 | |
Meowstard. | 0:27:02 | 0:27:05 | |
Now, I am fascinated by this choice | 0:27:05 | 0:27:07 | |
because, as a child, we always had the powdered English mustard. | 0:27:07 | 0:27:11 | |
And I thought that's cos we were poor. | 0:27:11 | 0:27:14 | |
I thought it was because we couldn't afford the ready-mixed stuff. | 0:27:14 | 0:27:18 | |
But it turns out that we were actually eating the proper stuff. | 0:27:18 | 0:27:21 | |
Absolutely. | 0:27:21 | 0:27:22 | |
Now, I've got to the point with this - you'll think this is absurd - | 0:27:22 | 0:27:25 | |
that there are restaurants I go to I know, | 0:27:25 | 0:27:28 | |
and hotels, that don't have it, | 0:27:28 | 0:27:30 | |
so I keep a tin of powdered mustard in the glove pocket of my car. | 0:27:30 | 0:27:35 | |
You'll enjoy this, Henry. The first time I went in a posh restaurant, | 0:27:35 | 0:27:38 | |
I came down to London from Birmingham, I was doing well, | 0:27:38 | 0:27:41 | |
I was taken to a posh restaurant, quite, you know, excited, | 0:27:41 | 0:27:45 | |
I ordered steak tartare well done. | 0:27:45 | 0:27:47 | |
LAUGHTER | 0:27:47 | 0:27:51 | |
And I sympathise with the people in the audience who didn't get that joke. | 0:27:51 | 0:27:55 | |
It's a true story. People on adjoining tables were laughing. | 0:27:55 | 0:27:59 | |
LAUGHTER | 0:27:59 | 0:28:02 | |
OK. In case any of our younger viewers have never seen what Henry | 0:28:02 | 0:28:07 | |
speaks of, there it is. It's a powdered variety. | 0:28:07 | 0:28:11 | |
I tell you, I think I might be the only person who's ever done this, | 0:28:11 | 0:28:15 | |
but what I love to do - and I'm not doing this for a joke - this | 0:28:15 | 0:28:18 | |
is something I do in my personal life - is I like to dip a banana... | 0:28:18 | 0:28:22 | |
-Serious? -I'm not certain where this is going. | 0:28:22 | 0:28:24 | |
-Yeah. -I'm serious. I like to dip a banana, thus, in the... | 0:28:24 | 0:28:29 | |
-Ugh. -It's beautiful. | 0:28:30 | 0:28:32 | |
That's gross. | 0:28:32 | 0:28:34 | |
I tell you a thing you remind me of. | 0:28:34 | 0:28:35 | |
Please don't tell me what I remind you of at this moment. | 0:28:35 | 0:28:38 | |
LAUGHTER | 0:28:38 | 0:28:40 | |
-I love sausages. -So do I. | 0:28:43 | 0:28:45 | |
But one of the problems with sausages is their tubularity, | 0:28:45 | 0:28:50 | |
so that...they're tubes. | 0:28:50 | 0:28:52 | |
And so if you put something like ketchup or squeezy mustard on, | 0:28:52 | 0:28:56 | |
often it won't stay on a hot sausage. It'll slide off. | 0:28:56 | 0:29:00 | |
It's a sort of sausage rodeo made by the thing, | 0:29:00 | 0:29:04 | |
and I find that really annoying. | 0:29:04 | 0:29:05 | |
-Do you put the mustard on the whole sausage? -Oh... | 0:29:05 | 0:29:08 | |
-Why not cut the sausage into a little... -Yes. | 0:29:08 | 0:29:10 | |
-A little coin of sausage... -And then dab. | 0:29:10 | 0:29:12 | |
Knife in the mustard, and smear it, up your nose. | 0:29:12 | 0:29:16 | |
Ooh, but I like it. | 0:29:16 | 0:29:18 | |
Or dunk it like your banana. | 0:29:18 | 0:29:20 | |
Yeah. It's been a real education here tonight. | 0:29:20 | 0:29:25 | |
And what about that when they say, "Oh, don't touch that plate, | 0:29:25 | 0:29:27 | |
"it's really, really hot." Well, don't bring it to me then! | 0:29:27 | 0:29:33 | |
Don't... Health and safety. | 0:29:33 | 0:29:35 | |
I would like to have | 0:29:35 | 0:29:36 | |
a small Calor gas stove that I kept under the table | 0:29:36 | 0:29:39 | |
and really got that plate really hot again. | 0:29:39 | 0:29:42 | |
And when they came to get the dirty plates went, | 0:29:42 | 0:29:45 | |
"Argh!" | 0:29:45 | 0:29:48 | |
I'd tell you it's hot. "Be careful with that." | 0:29:48 | 0:29:51 | |
I just love it. | 0:29:51 | 0:29:52 | |
OK, what does Kelly not like about food and drink? | 0:29:52 | 0:29:57 | |
OK. Yes. | 0:30:02 | 0:30:03 | |
Stickers on the bottom of new plates, glasses, bowls, | 0:30:04 | 0:30:12 | |
you name it. Oh my gosh. | 0:30:12 | 0:30:14 | |
How many times have I bought a new set, you know, really exciting, | 0:30:14 | 0:30:17 | |
or I've got some friends round, bought some new glasses, and you | 0:30:17 | 0:30:20 | |
spend, like, half an hour trying to scrape these things off the bottom? | 0:30:20 | 0:30:23 | |
I suppose the only way of guaranteeing taking them | 0:30:23 | 0:30:26 | |
off is to let them soak for about 24 hours, then when they come... | 0:30:26 | 0:30:28 | |
No, I've tried that. | 0:30:28 | 0:30:30 | |
Do that around about the time you're making the mustard... | 0:30:30 | 0:30:32 | |
LAUGHTER | 0:30:32 | 0:30:34 | |
There's a real...this is a real thing. | 0:30:36 | 0:30:39 | |
This is something you get. What about this for an idea? | 0:30:39 | 0:30:43 | |
Give your partner a nice cup of tea, and then it says, "Marry me?" | 0:30:43 | 0:30:49 | |
in the bottom. | 0:30:49 | 0:30:50 | |
Has anything ever been more set up for someone to go... | 0:30:50 | 0:30:53 | |
HE MIMICS SPITTING | 0:30:53 | 0:30:56 | |
Also, what about when you give it... | 0:30:56 | 0:30:57 | |
when the woman from next door comes round and you give her the cup, | 0:30:57 | 0:31:00 | |
and you think, oh, God, that's the 'marry me' cup. | 0:31:00 | 0:31:03 | |
What about this, Kelly? | 0:31:05 | 0:31:06 | |
-Go on. -Would you serve stuff on...this is a plate that actually | 0:31:06 | 0:31:11 | |
-comes with an English breakfast printed on it. -No. | 0:31:11 | 0:31:14 | |
-What do you think? -No, I wouldn't. | 0:31:14 | 0:31:17 | |
I have to say, I've taken plates out of my dishwasher that have | 0:31:17 | 0:31:20 | |
got this much food still on them. | 0:31:20 | 0:31:22 | |
-No, honestly, it's so irritating... -Yeah. | 0:31:24 | 0:31:26 | |
They just put these stickers on and you can't get them off. | 0:31:26 | 0:31:29 | |
You're, like, scraping them off. | 0:31:29 | 0:31:30 | |
You put them in the dishwasher. It goes all gluey. | 0:31:30 | 0:31:33 | |
The sticker thing, I have a tweet, and this is from Richard Osman, | 0:31:33 | 0:31:38 | |
who is, I know, a colleague and close associate of yours, Alexander. | 0:31:38 | 0:31:42 | |
And here is Richard Osman's tweet. And it says... | 0:31:42 | 0:31:45 | |
And he's referring to Tesco stocking the Pointless book. | 0:31:52 | 0:31:56 | |
-Yeah. -And this is what it looks like. | 0:31:56 | 0:31:59 | |
LAUGHTER | 0:31:59 | 0:32:03 | |
Oh, he's worth more than that. | 0:32:03 | 0:32:05 | |
OK. So what doesn't Alexander like about food and drink? | 0:32:07 | 0:32:12 | |
-Yes. These are unnecessary cocktail ingredients. -Mmm. | 0:32:19 | 0:32:23 | |
I...now...just be perfectly plain at this point, | 0:32:23 | 0:32:26 | |
I have nothing against cocktails per se. | 0:32:26 | 0:32:29 | |
I think cocktails are marvellous. | 0:32:29 | 0:32:30 | |
They're racy, they're fun, they're brightly coloured, | 0:32:30 | 0:32:33 | |
they're exotic, they're delicious. | 0:32:33 | 0:32:35 | |
They are, let's face it, the perfect way to introduce children to | 0:32:35 | 0:32:38 | |
alcohol, which is... | 0:32:38 | 0:32:40 | |
LAUGHTER | 0:32:40 | 0:32:42 | |
I think, actually, one thing is wrong with cocktails, | 0:32:42 | 0:32:44 | |
and that's when you're standing at a pub behind somebody | 0:32:44 | 0:32:47 | |
who asks for four Mojitos, and you know that you're going to be waiting | 0:32:47 | 0:32:50 | |
-there for half an hour while some... -While they make it. | 0:32:50 | 0:32:54 | |
..sweaty man in an apron picks up some bar truncheon | 0:32:54 | 0:32:57 | |
and starts mashing bits of herb with it. | 0:32:57 | 0:33:01 | |
Have you ever...? | 0:33:02 | 0:33:03 | |
When I next hear someone ask for a Brandy Alexander I shall | 0:33:07 | 0:33:10 | |
watch with interest what they're going to get, won't you? | 0:33:10 | 0:33:14 | |
Truly, Henry, you are the voice of the people. | 0:33:14 | 0:33:16 | |
LAUGHTER | 0:33:16 | 0:33:18 | |
No, I think the cocktail I'm particularly talking about is | 0:33:18 | 0:33:21 | |
the one...they're cocktails you make at home. Bloody Mary. | 0:33:21 | 0:33:24 | |
The list of Bloody Mary ingredients just gets longer and longer for | 0:33:24 | 0:33:27 | |
every year it exists, because it's a drink made by hung-over people, and | 0:33:27 | 0:33:32 | |
hung-over people just can never make up their minds what it is they want. | 0:33:32 | 0:33:35 | |
They know that something is going to make them better. | 0:33:35 | 0:33:38 | |
What they don't realise is that thing is time. | 0:33:38 | 0:33:40 | |
A Bloody Mary, it's tomato juice and it's vodka, | 0:33:42 | 0:33:45 | |
and that's all it is, and the rest you can do yourself. | 0:33:45 | 0:33:47 | |
A little Lea & Perrins and maybe some Tabasco. But no, no, no. | 0:33:47 | 0:33:50 | |
Now somebody says, "Maybe you want a bit of lemon juice in that." | 0:33:50 | 0:33:52 | |
You think, oh, lemon juice. And maybe a bit of celery salt. | 0:33:52 | 0:33:55 | |
You have to have celery salt, and black pepper. | 0:33:55 | 0:33:57 | |
They say, "I tell you what you want in there, | 0:33:57 | 0:34:00 | |
"a little bit of beef consomme." You think, there you go. | 0:34:00 | 0:34:02 | |
"Oh, no, no, I tell you what's missing from that. | 0:34:02 | 0:34:05 | |
"Horseradish." | 0:34:05 | 0:34:06 | |
Now this is an ingredient added by someone who's still | 0:34:06 | 0:34:09 | |
drunk from the night before. | 0:34:09 | 0:34:10 | |
It doesn't dissolve. You can't mix horseradish in. | 0:34:10 | 0:34:14 | |
It just floats around like something horrific in a hot tub. | 0:34:14 | 0:34:16 | |
It's just... | 0:34:16 | 0:34:18 | |
I'm slightly outside looking in on this, | 0:34:22 | 0:34:25 | |
because I have to drink virgin cocktails. | 0:34:25 | 0:34:28 | |
So I drink Virgin Mary instead of a Bloody Mary. | 0:34:28 | 0:34:30 | |
-Well, you probably want all the stuff in that, don't you? -Yes. | 0:34:30 | 0:34:33 | |
There's a popular cocktail called Sex on the Beach. | 0:34:33 | 0:34:36 | |
Do you know what the virgin version of that is called? | 0:34:36 | 0:34:41 | |
Without alcohol. | 0:34:41 | 0:34:42 | |
-I dread to think. -Any offers? | 0:34:42 | 0:34:45 | |
I've no clue. | 0:34:45 | 0:34:46 | |
It's called Safe Sex on the Beach. | 0:34:46 | 0:34:49 | |
Honestly, it is. | 0:34:49 | 0:34:51 | |
And as I'm a Roman Catholic reformed alcoholic, I can't touch either. | 0:34:51 | 0:34:55 | |
LAUGHTER | 0:34:55 | 0:34:59 | |
That was a slow-burner, wasn't it? | 0:34:59 | 0:35:03 | |
I mean, when I did drink, | 0:35:03 | 0:35:06 | |
I really didn't want things sticking in the top. | 0:35:06 | 0:35:09 | |
-Anything that slowed me down... -Yeah. | 0:35:09 | 0:35:11 | |
I regarded ice cubes as, like, speed bumps. | 0:35:11 | 0:35:15 | |
LAUGHTER | 0:35:15 | 0:35:17 | |
So I never, even when I did drink, | 0:35:18 | 0:35:21 | |
I never really saw the attraction of the cocktail. | 0:35:21 | 0:35:24 | |
Would you drink cocktails, Kelly? | 0:35:24 | 0:35:27 | |
-I didn't drink when I was an athlete, at all. -No, of course. | 0:35:27 | 0:35:29 | |
I kind of like champagne these days, it's kind of nice, | 0:35:29 | 0:35:31 | |
if somebody else is buying it. | 0:35:31 | 0:35:33 | |
I don't think athletes generally drink much, do they? | 0:35:33 | 0:35:36 | |
Do they? | 0:35:36 | 0:35:37 | |
Oh, go on. Who? | 0:35:37 | 0:35:39 | |
They shouldn't mix it with all those drugs. | 0:35:39 | 0:35:41 | |
LAUGHTER | 0:35:41 | 0:35:43 | |
APPLAUSE | 0:35:43 | 0:35:45 | |
I think it's the ritual of it that people like, though, isn't it? | 0:35:48 | 0:35:52 | |
Isn't that the whole thing of watching it being done and stuff? | 0:35:52 | 0:35:55 | |
-Yes. -It's like, you know when people have tequila | 0:35:55 | 0:35:59 | |
and they'll have - is it lemon juice first or is that first? | 0:35:59 | 0:36:02 | |
-Oh, yes, the lime. -Salt? -I think you have lemon juice... | 0:36:02 | 0:36:05 | |
Lime and salt. This is a tequila shot | 0:36:05 | 0:36:08 | |
where you have the salt, then the shot... | 0:36:08 | 0:36:10 | |
I think you lick salt off your hand, then you drink it | 0:36:10 | 0:36:13 | |
-and then you suck a lemon. -Yeah. -Yeah. | 0:36:13 | 0:36:14 | |
I actually... | 0:36:14 | 0:36:16 | |
Basically everything my girlfriend cooks, | 0:36:16 | 0:36:18 | |
I eat exactly like that. | 0:36:18 | 0:36:20 | |
LAUGHTER | 0:36:20 | 0:36:22 | |
So, Kelly, I just don't know that I see this as a major | 0:36:28 | 0:36:32 | |
-problem in life, the stickers thing. -Oh, my gosh. | 0:36:32 | 0:36:35 | |
All my cups and plates have still got stickers on, and they come off. | 0:36:35 | 0:36:40 | |
First two years are the worst. | 0:36:40 | 0:36:42 | |
The cocktails, I think the whole joy of a cocktail is all | 0:36:43 | 0:36:47 | |
the extraneous stuff, otherwise you might as well just drink turps. | 0:36:47 | 0:36:53 | |
But, Henry, I think, of all the choices we've ever had on this | 0:36:54 | 0:36:58 | |
show, the lack of powdered mustard in restaurants, I cannot let | 0:36:58 | 0:37:04 | |
that go by without it being recognised as particularly fine. | 0:37:04 | 0:37:09 | |
So I am going to put restaurants not having | 0:37:09 | 0:37:12 | |
powdered English mustard into Room 101. | 0:37:12 | 0:37:16 | |
CHEERING AND APPLAUSE | 0:37:16 | 0:37:19 | |
And that brings us to the end of the show. | 0:37:27 | 0:37:29 | |
Well done, Henry, you were the most persuasive guest, | 0:37:29 | 0:37:32 | |
so you are this week's winner. | 0:37:32 | 0:37:33 | |
APPLAUSE | 0:37:33 | 0:37:36 | |
And thanks very much, Alexander Armstrong, Dame Kelly Holmes | 0:37:38 | 0:37:41 | |
and Henry Blofeld, and thank you. Tinkety-tonk. | 0:37:41 | 0:37:44 |