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Hello, I'm Frank Skinner and welcome to Room 101, | 0:00:34 | 0:00:38 | |
the show where three guests compete to have their biggest bugbears | 0:00:38 | 0:00:42 | |
banished forever to the dreaded vault. | 0:00:42 | 0:00:44 | |
They'll have to argue their case well, | 0:00:44 | 0:00:46 | |
because in each round only one item can be chosen. | 0:00:46 | 0:00:48 | |
The final decision is mine. | 0:00:48 | 0:00:50 | |
Let's meet this week's guests. | 0:00:50 | 0:00:51 | |
Joining me tonight are lovely smile, Lucy Porter, | 0:00:51 | 0:00:54 | |
full of bile, Romesh Ranganathan, and a bit of a trial, Judge Rinder. | 0:00:54 | 0:00:57 | |
Anyway. Let's get ready to grumble. | 0:01:04 | 0:01:07 | |
What is upsetting Romesh? | 0:01:07 | 0:01:09 | |
New Year's Eve. | 0:01:13 | 0:01:16 | |
SCATTERED APPLAUSE | 0:01:16 | 0:01:17 | |
I think it's such an unacceptable day of the year. | 0:01:20 | 0:01:24 | |
-You know, the fact that you're sort of put under pressure... -Mmm. | 0:01:24 | 0:01:27 | |
..to celebrate it. You know, everyone's sort of geeing up, | 0:01:27 | 0:01:30 | |
"What you doing for New Year's Eve? What you doing for New Year's Eve?" | 0:01:30 | 0:01:32 | |
And the thing is, it's the wrong time of the year. | 0:01:32 | 0:01:34 | |
I know it's supposed to be the end of the year, and that's OK, | 0:01:34 | 0:01:37 | |
but it's just after Christmas. | 0:01:37 | 0:01:38 | |
And then people are saying, "When do you want to...? | 0:01:38 | 0:01:40 | |
"What are we doing? Where are we meeting up?" | 0:01:40 | 0:01:42 | |
"Well, I've literally spent Christmas period seeing you. | 0:01:42 | 0:01:45 | |
"Why would I want to see you again so soon?" | 0:01:45 | 0:01:48 | |
It's such... It needs to be in the middle, like June or July, | 0:01:48 | 0:01:51 | |
so you get a six-month break. | 0:01:51 | 0:01:53 | |
Not, we're all hanging out, and a few days later, "Here we are again!" | 0:01:53 | 0:01:56 | |
"Yeah! It's a shame, isn't it?" | 0:01:56 | 0:01:58 | |
And then it's just, sort of, the whole thing about the idea | 0:02:00 | 0:02:03 | |
of New Year's Eve, people getting ready with resolutions and stuff. | 0:02:03 | 0:02:06 | |
I find resolutions... They should be banned. | 0:02:06 | 0:02:09 | |
Because if one person decides | 0:02:09 | 0:02:11 | |
they're changing their life in a positive way, | 0:02:11 | 0:02:14 | |
that's obviously horrible to hear about. | 0:02:14 | 0:02:16 | |
Because they're doing it at New Year's, EVERYBODY is like that, | 0:02:16 | 0:02:20 | |
everyone is like, "I'm improving myself like this, I'm doing this." | 0:02:20 | 0:02:23 | |
I don't care! | 0:02:23 | 0:02:24 | |
Look at the top resolutions for New Year's. | 0:02:24 | 0:02:26 | |
It's stuff like I'm going to lose weight, | 0:02:26 | 0:02:29 | |
I want to travel more, I want to read more books. | 0:02:29 | 0:02:32 | |
These are all things that people want to talk about. | 0:02:32 | 0:02:34 | |
And I don't want to hear about it. | 0:02:34 | 0:02:37 | |
If their New Year's resolution was something like remain silent... | 0:02:38 | 0:02:42 | |
..or, "I'm not going to see you." | 0:02:43 | 0:02:46 | |
That's great, do you know what I mean? | 0:02:46 | 0:02:48 | |
But New Year's things where they say...that conflict with my own... | 0:02:48 | 0:02:52 | |
Like, my mum's New Year's resolution was to see me more. | 0:02:52 | 0:02:55 | |
No, thank you. | 0:02:55 | 0:02:57 | |
It's in complete and direct opposition to what I want to do! | 0:02:57 | 0:03:00 | |
Here's two men who have, I think, changed New Year's Eve for ever. | 0:03:01 | 0:03:06 | |
Their names are Richard Sclafani and Peter Cicero, | 0:03:06 | 0:03:09 | |
and they invented those glasses with the year on. | 0:03:09 | 0:03:13 | |
They started them in 1991, and the last ones they made was 2009. | 0:03:13 | 0:03:18 | |
Can I say, every time I look at this picture, | 0:03:18 | 0:03:21 | |
it winds me up that they're not in chronological order. | 0:03:21 | 0:03:24 | |
That looks like Biggins, on the right-hand side. | 0:03:26 | 0:03:28 | |
Well, everyone in ridiculous glasses looks like Biggins. | 0:03:28 | 0:03:32 | |
They're very unflattering, 1991, as well. | 0:03:32 | 0:03:34 | |
-They sort of make you look like you haven't slept for a week. -Yeah. | 0:03:34 | 0:03:37 | |
This is what I wear on New Year's Eve. | 0:03:38 | 0:03:41 | |
MUTED LAUGHTER | 0:03:43 | 0:03:44 | |
-Sorry! -HE LAUGHS | 0:03:46 | 0:03:49 | |
I don't know why that's funny. | 0:03:51 | 0:03:53 | |
-I'm glad you thought it was funny, it got nothing from the crowd. -No! | 0:03:55 | 0:03:59 | |
THEY CHEER | 0:03:59 | 0:04:02 | |
My two favourite types of New Year's Eve are either end of the spectrum, | 0:04:02 | 0:04:05 | |
either very, very drunk and debauched, | 0:04:05 | 0:04:08 | |
or at home and in bed by ten o'clock. | 0:04:08 | 0:04:12 | |
Those are the only two. | 0:04:12 | 0:04:13 | |
I think Jools Holland has revolutionised New Year, | 0:04:13 | 0:04:16 | |
-cos there's actually some decent telly to watch. -He's certainly got me out of the house! | 0:04:16 | 0:04:19 | |
LAUGHTER AND APPLAUSE | 0:04:19 | 0:04:21 | |
The other issue I've got, it's my mother-in-law's birthday... | 0:04:24 | 0:04:27 | |
-Oh, dear. -..on New Year's Eve. | 0:04:27 | 0:04:29 | |
So, that's sort of a double whammy. | 0:04:29 | 0:04:31 | |
Misery, isn't it? | 0:04:31 | 0:04:33 | |
Old red-wine-teeth is definitely going to be over. | 0:04:33 | 0:04:35 | |
I mean, you seem like a young person, | 0:04:37 | 0:04:39 | |
why would you have your mother-in-law over | 0:04:39 | 0:04:41 | |
for New Year's Eve? | 0:04:41 | 0:04:43 | |
-Cos it's her birthday. -Oh. | 0:04:43 | 0:04:46 | |
Surely, I mean, I've not met her, but she must have the odd friend, | 0:04:46 | 0:04:48 | |
-I would have thought? -She has got many odd friends! But, erm... | 0:04:48 | 0:04:52 | |
But unfortunately we have to do this family thing. | 0:04:53 | 0:04:56 | |
That's the problem, isn't it? | 0:04:56 | 0:04:57 | |
It's because it's on New Year's Eve it's got to be... | 0:04:57 | 0:04:59 | |
Can't you just tell them not to come? | 0:04:59 | 0:05:01 | |
Uh, my marriage is... | 0:05:01 | 0:05:03 | |
Pick up the phone - "I'm awfully sorry, you can't come to our house, | 0:05:03 | 0:05:05 | |
"sadly... I don't know, one of the pets died, or something." | 0:05:05 | 0:05:10 | |
I don't understand. Why do you have to have your mum and your aunts...? | 0:05:10 | 0:05:13 | |
It is a good plan, but we don't have any pets, | 0:05:13 | 0:05:15 | |
so I'd have to buy an animal just to kill it, | 0:05:15 | 0:05:18 | |
to make that excuse work, which I'm not willing to do. | 0:05:18 | 0:05:20 | |
-To be fair, you could buy a dead animal. -Yeah, that's true. | 0:05:20 | 0:05:24 | |
-The butchers. -Get a pet turkey in November and... | 0:05:24 | 0:05:27 | |
"Wow, so the chicken died, and then you de-feathered it, | 0:05:27 | 0:05:29 | |
"and prepared it for cooking?" Oh, interesting. | 0:05:29 | 0:05:32 | |
Why can't they come round on New Year's Day? | 0:05:32 | 0:05:34 | |
I mean, why must you have your family there that evening? | 0:05:34 | 0:05:36 | |
-Because... -He's grilling you in the dock! | 0:05:36 | 0:05:39 | |
He's grilling me as if I'm the only one that's ever done this. | 0:05:39 | 0:05:41 | |
-Do you know what I mean? -Well, I must say, I've never had your auntie over... | 0:05:41 | 0:05:46 | |
but never say never. | 0:05:46 | 0:05:48 | |
This was how the BBC announced the new year in 2014. | 0:05:51 | 0:05:55 | |
They were trying to say, "Year of the horse." | 0:06:01 | 0:06:04 | |
But, er... | 0:06:09 | 0:06:10 | |
I cheered when it came on. | 0:06:10 | 0:06:13 | |
OK, what's upsetting Lucy? | 0:06:14 | 0:06:17 | |
-Lavish... I will expand. -OK. -So, lavish proposals. | 0:06:22 | 0:06:25 | |
I just... I understand that people have to get married. | 0:06:25 | 0:06:28 | |
It's a duty that we all fulfil at some point. | 0:06:28 | 0:06:31 | |
Well, they don't have to. Can we make that clear? | 0:06:31 | 0:06:32 | |
-Do we not? -I don't want anyone watching this, thinking, | 0:06:32 | 0:06:35 | |
"Oh, my God, I've got to get married." | 0:06:35 | 0:06:37 | |
I actually had to, because otherwise they wouldn't have stamped the immigration papers. | 0:06:37 | 0:06:41 | |
LAUGHTER AND APPLAUSE Fair enough. | 0:06:41 | 0:06:43 | |
-The fact that that's still getting applause is a good sign. -Yeah! | 0:06:46 | 0:06:49 | |
Give it 12 months, you'll be booed off for that. | 0:06:50 | 0:06:53 | |
ROMESH LAUGHS | 0:06:53 | 0:06:55 | |
That's true. | 0:06:57 | 0:06:59 | |
I just think there's been a worrying trend recently... And again, | 0:06:59 | 0:07:02 | |
it's a social media thing. | 0:07:02 | 0:07:03 | |
My feeling on social media is that Twitter makes you despair of people | 0:07:03 | 0:07:06 | |
you don't know, and Facebook makes you despise people you do know. | 0:07:06 | 0:07:10 | |
And on Facebook you get all these pictures of people kind of going... | 0:07:10 | 0:07:15 | |
And with the caption, "I said yes!" | 0:07:16 | 0:07:19 | |
And I'm like, "What was the question? | 0:07:19 | 0:07:20 | |
-"Shall we nauseate all our friends on social media?" -Mmm. | 0:07:20 | 0:07:24 | |
It's like, get engaged, do it quietly, | 0:07:24 | 0:07:26 | |
don't try and do these kind of... | 0:07:26 | 0:07:28 | |
People do these videos where they try and go viral by doing some big, | 0:07:28 | 0:07:32 | |
-lavish proposal with all their friends and family. -Mmm. | 0:07:32 | 0:07:35 | |
And I just find it... | 0:07:35 | 0:07:37 | |
I don't know. I mean, I... | 0:07:37 | 0:07:39 | |
When my husband proposed to me... I'm 4ft 11, | 0:07:39 | 0:07:41 | |
my husband is 6ft 5, so... | 0:07:41 | 0:07:44 | |
He fell to one knee, and I thought, "Oh, that's what he looks like!" | 0:07:44 | 0:07:49 | |
It was too late to back out. | 0:07:49 | 0:07:50 | |
I was going to say, he probably needed to tweet you in order to communicate. | 0:07:50 | 0:07:55 | |
It was a straightforward proposal? | 0:07:55 | 0:07:57 | |
I mean, he did make me a Quorn Kiev before he proposed. | 0:07:57 | 0:08:01 | |
And everyone says, "Oh, that's nice, did he put the ring in the Kiev?" | 0:08:01 | 0:08:04 | |
No. No, he's made me a Quorn Kiev, and then he said, | 0:08:04 | 0:08:07 | |
"Look, shall we get married?" | 0:08:07 | 0:08:09 | |
-And I think that's normal. -LAUGHTER | 0:08:09 | 0:08:12 | |
That to me is a normal proposal, not all this... | 0:08:12 | 0:08:14 | |
It's not THAT normal. | 0:08:14 | 0:08:16 | |
-I mean... -It's not normal... | 0:08:18 | 0:08:20 | |
Down on one knee, I know that is a tradition... | 0:08:20 | 0:08:22 | |
Quorn Kiev is a new one. | 0:08:22 | 0:08:24 | |
I don't know if you believe in omens, | 0:08:26 | 0:08:28 | |
but have a look at this proposal. | 0:08:28 | 0:08:30 | |
That doesn't bode well. | 0:08:37 | 0:08:39 | |
What about...? Here's a lovely engagement photograph. | 0:08:40 | 0:08:44 | |
It's weird, isn't it? | 0:08:48 | 0:08:49 | |
It's like, she's sort of... I wonder if she's got into that position first, | 0:08:49 | 0:08:53 | |
and the photographer's saying, "This is not quite working for me." | 0:08:53 | 0:08:56 | |
"Maybe you could look down at her as if she is the worst | 0:08:56 | 0:08:59 | |
"thing that you've ever seen... | 0:08:59 | 0:09:00 | |
"..and I think that'll sell it." | 0:09:01 | 0:09:04 | |
Judging by the look of her shins, | 0:09:04 | 0:09:06 | |
I'd say he's dragged her for nearly half a mile. | 0:09:06 | 0:09:08 | |
Here's a lovely story. | 0:09:11 | 0:09:12 | |
Kaitlin Whipple, | 0:09:12 | 0:09:14 | |
this is in 2009, | 0:09:14 | 0:09:16 | |
her boyfriend hid the engagement ring, at the proposal, | 0:09:16 | 0:09:19 | |
in a milkshake in a diner, thinking, | 0:09:19 | 0:09:22 | |
"She'll drink it, it'll be at the bottom of the glass, what larks." | 0:09:22 | 0:09:26 | |
She was rushed to hospital... | 0:09:26 | 0:09:28 | |
..and this was the X-ray. | 0:09:29 | 0:09:32 | |
And there's a lovely quote from Kaitlin... | 0:09:34 | 0:09:38 | |
I really hope she was in a public toilet, and when it came out, | 0:09:50 | 0:09:55 | |
-she flicked the lock to engaged. -Aww! | 0:09:55 | 0:09:58 | |
That would be so romantic, wouldn't it? | 0:10:00 | 0:10:02 | |
APPLAUSE | 0:10:02 | 0:10:04 | |
I lost my wedding ring on a show that we did. | 0:10:07 | 0:10:09 | |
-You know when we did Taskmaster? -Oh, yeah. | 0:10:09 | 0:10:11 | |
You know you have to put up your stuff? | 0:10:11 | 0:10:13 | |
So, I put up my wedding ring... | 0:10:13 | 0:10:15 | |
-and then lost. -Oh, yeah. Who won it? -And Josh won it. | 0:10:15 | 0:10:17 | |
Josh Widdicombe, so I just thought, "Oh, he'll give me the ring back." | 0:10:17 | 0:10:20 | |
So, I went to him, and went "Mate, can I get the wedding ring back?" And he just went, | 0:10:20 | 0:10:23 | |
-AS JOSH: -"Er, I'm perfectly entitled to keep it." | 0:10:23 | 0:10:26 | |
LAUGHTER AND APPLAUSE | 0:10:26 | 0:10:28 | |
Did he say, "I'm having your wedding ring, but you can have my voice"? | 0:10:33 | 0:10:37 | |
Let's see what's upsetting Robert. | 0:10:39 | 0:10:41 | |
These are couples who communicate with each other over social media. | 0:10:47 | 0:10:50 | |
I mean, what is wrong with them? | 0:10:50 | 0:10:52 | |
For a start, I... | 0:10:52 | 0:10:54 | |
-APPLAUSE -Thank you. | 0:10:54 | 0:10:57 | |
For a start, I couldn't care less about your private relationship | 0:10:57 | 0:11:01 | |
whatsoever, at all. | 0:11:01 | 0:11:03 | |
Secondly, people make the most disgusting announcements | 0:11:03 | 0:11:07 | |
and put them on Facebook, and think that that's perfectly reasonable. | 0:11:07 | 0:11:10 | |
"I'd like to celebrate my husband, Nigel, | 0:11:10 | 0:11:13 | |
"he's having an operation this week, | 0:11:13 | 0:11:15 | |
"and we do hope that... | 0:11:15 | 0:11:17 | |
"the repair to his prolapse is successful." | 0:11:17 | 0:11:20 | |
I don't care! I couldn't care less. And... | 0:11:21 | 0:11:24 | |
why don't you speak to your husband or partner at home? | 0:11:24 | 0:11:27 | |
-You know, in the secrecy... -Now you've gone too far(!) -Yeah. | 0:11:27 | 0:11:31 | |
No-one does that. Not after a couple of years. | 0:11:31 | 0:11:34 | |
It's the death of, you know, relationships, | 0:11:35 | 0:11:37 | |
and normal communication. | 0:11:37 | 0:11:39 | |
Not to mention incredibly boring. | 0:11:39 | 0:11:41 | |
I'm missing out on all this. | 0:11:41 | 0:11:43 | |
I'm presuming you mean this. | 0:11:43 | 0:11:45 | |
This would be a typical example... | 0:11:45 | 0:11:49 | |
LUCY LAUGHS | 0:11:49 | 0:11:50 | |
..and that's from Lucy Porter. | 0:11:51 | 0:11:54 | |
Did you really do that? | 0:11:54 | 0:11:55 | |
Do you know... | 0:11:55 | 0:11:57 | |
That's so terribly embarrassing! | 0:11:57 | 0:11:59 | |
LAUGHTER AND APPLAUSE | 0:11:59 | 0:12:01 | |
I love this, we get them in my cases sometimes. | 0:12:04 | 0:12:07 | |
Did you mean to shout in that sort of... | 0:12:07 | 0:12:09 | |
"I really do have a TREMENDOUS husband!" | 0:12:09 | 0:12:12 | |
You know when you go out of the room | 0:12:12 | 0:12:14 | |
and you leave your phone unlocked for a bit? | 0:12:14 | 0:12:16 | |
No... Don't assume I know anything after 1897. | 0:12:16 | 0:12:19 | |
-I genuinely... It's unlikely. -Are you saying you didn't do that? | 0:12:20 | 0:12:23 | |
I am saying that that has the fat fingers of my husband all over it. | 0:12:23 | 0:12:28 | |
-Really?! -He's done a more... | 0:12:28 | 0:12:30 | |
not-suitable-for-this-time-of-night one | 0:12:30 | 0:12:33 | |
about, "My husband really does have an enormous..." | 0:12:33 | 0:12:36 | |
Fill it in yourself. And I was like, "How could you think that...?" | 0:12:36 | 0:12:39 | |
But then the weird thing is, people then respond to it. | 0:12:39 | 0:12:42 | |
That one, they were going, "Oh, that's lovely. | 0:12:42 | 0:12:45 | |
"That's so nice to hear, babes. Isn't that great?" | 0:12:45 | 0:12:47 | |
And then the one where he said he had an enormous...cock... | 0:12:47 | 0:12:50 | |
-And people... -I'm glad you cleared that up, I was worried. | 0:12:50 | 0:12:54 | |
I thought it was going to be goitre. | 0:12:56 | 0:12:58 | |
"I've been trying to keep this quiet, but it's just... | 0:13:05 | 0:13:09 | |
"It's killing us all." | 0:13:09 | 0:13:11 | |
There's a picture of him. | 0:13:11 | 0:13:14 | |
This is the sort of thing I want to see about being a couple... | 0:13:17 | 0:13:21 | |
Romesh Ranganathan. | 0:13:31 | 0:13:33 | |
Do you know, it's just, she does my head in when we're driving. | 0:13:34 | 0:13:39 | |
She'll do this, right? I'll be driving. | 0:13:39 | 0:13:41 | |
She'll be sitting in the passenger seat, and she'll go, "AH! Oh, my God! Oh, God!" | 0:13:41 | 0:13:45 | |
And I'll go, "Oh, my... What? What's up?" | 0:13:45 | 0:13:47 | |
She'll go, "I think I know that girl." | 0:13:47 | 0:13:49 | |
Why would you tell everybody else? I mean, the world? | 0:13:51 | 0:13:54 | |
Why do they need to know about it? | 0:13:54 | 0:13:56 | |
Because, um... | 0:13:56 | 0:13:57 | |
I lack the spine to confront my wife directly. So... | 0:13:57 | 0:14:01 | |
-..I just thought I'd share it. -I've had car journeys with my partner, | 0:14:04 | 0:14:07 | |
I haven't even communicated that intimately. | 0:14:07 | 0:14:09 | |
We once did a three and a half hour drive, | 0:14:09 | 0:14:12 | |
and just before we got in the car we had a massive row. | 0:14:12 | 0:14:16 | |
We drove in complete silence for three and a half hours. | 0:14:16 | 0:14:19 | |
And I knew there was live football on the radio... | 0:14:19 | 0:14:23 | |
I wasn't prepared to push it that far. | 0:14:23 | 0:14:25 | |
I remember there was a point, I let a bloke in, | 0:14:27 | 0:14:29 | |
and he flashed his headlights at me... | 0:14:29 | 0:14:31 | |
It felt like an embrace. | 0:14:31 | 0:14:33 | |
So, at least they're communicating in some way, Robert. | 0:14:35 | 0:14:39 | |
No, no. I mean, they can communicate themselves. | 0:14:39 | 0:14:41 | |
I mean, do you care that his wife hasn't told him he loves her, | 0:14:41 | 0:14:45 | |
or anything like that? I mean, it's... | 0:14:45 | 0:14:47 | |
It's like being invited to dinner parties, it's just awful. | 0:14:47 | 0:14:50 | |
What's wrong with people? | 0:14:50 | 0:14:51 | |
-That's a great analogy, I'll give you that. -Yeah. | 0:14:51 | 0:14:55 | |
I do think it is fun when people are having problems, though. | 0:14:55 | 0:14:59 | |
Yeah. We want to know. I will only share - | 0:14:59 | 0:15:01 | |
apart from when my husband hacks my account - | 0:15:01 | 0:15:04 | |
I will only share negative stuff | 0:15:04 | 0:15:05 | |
about how he never remembers I like coconut, | 0:15:05 | 0:15:08 | |
he doesn't know I'm left-handed. | 0:15:08 | 0:15:10 | |
You know? Cos I don't want to be one of those couples where, | 0:15:10 | 0:15:13 | |
if we split up, everyone says, "Oh, but they were so perfect together." | 0:15:13 | 0:15:15 | |
-No. -I want to be one of those couples where people say, | 0:15:15 | 0:15:18 | |
-"Oh, they've split up," and they go, "Thank God, I thought you were going to say she'd killed him." -Yeah. | 0:15:18 | 0:15:22 | |
I put up similar things just to make people feel better. | 0:15:22 | 0:15:24 | |
I'll say things like, "When we're making love, | 0:15:24 | 0:15:26 | |
"she looks dead behind the eyes." Do you know what I mean? Stuff like that. | 0:15:26 | 0:15:29 | |
Just to cheer friends up. | 0:15:29 | 0:15:31 | |
LAUGHTER | 0:15:33 | 0:15:35 | |
So... | 0:15:36 | 0:15:38 | |
I think we come to, yes, to the end of this round. | 0:15:38 | 0:15:41 | |
-Have I won? -Um... Not yet. | 0:15:41 | 0:15:44 | |
Lavish proposals... | 0:15:45 | 0:15:46 | |
I do sort of like the ridiculousness of them, | 0:15:46 | 0:15:50 | |
and the fact that one can pour scorn on them. | 0:15:50 | 0:15:53 | |
You feel you can pour scorn because someone's having a special moment | 0:15:53 | 0:15:56 | |
in their life, and so they have love on one side of the seesaw, | 0:15:56 | 0:16:00 | |
you can put derision on the other. | 0:16:00 | 0:16:02 | |
So, I would go for that. | 0:16:02 | 0:16:04 | |
Couples, you know, Robert, I know what you mean, it's a bit embarrassing, | 0:16:04 | 0:16:08 | |
but it is sort of nice that people are still declaring love, | 0:16:08 | 0:16:12 | |
and aren't so cynical and embarrassed about it. | 0:16:12 | 0:16:14 | |
They still want to let the world know. | 0:16:14 | 0:16:17 | |
So, you know what, I'm going to put New Year's Eve into Room 101. | 0:16:17 | 0:16:19 | |
CHEERING AND APPLAUSE | 0:16:19 | 0:16:22 | |
And so... What's winding up Lucy Porter? | 0:16:33 | 0:16:37 | |
In most industries, I'm against child labour | 0:16:44 | 0:16:47 | |
because of the indignity that the children suffer. | 0:16:47 | 0:16:50 | |
In terms of show business, | 0:16:50 | 0:16:52 | |
I'm against it because of the indignity that we suffer. | 0:16:52 | 0:16:55 | |
-There's just something about it that makes my flesh creep... -Mmm. | 0:16:55 | 0:16:58 | |
..about children. Cos children are meant to be bad actors, | 0:16:58 | 0:17:02 | |
and you don't want to see that on screen. | 0:17:02 | 0:17:04 | |
Like, I've never seen a good... | 0:17:04 | 0:17:05 | |
I don't want to single any out, but all of them are terrible. | 0:17:05 | 0:17:09 | |
Right. | 0:17:09 | 0:17:10 | |
-And... -Is this because you're 4ft 11, | 0:17:10 | 0:17:13 | |
you're sitting at home thinking, "I could play that part"? | 0:17:13 | 0:17:16 | |
I think so. You know, cos in the olden days, like, | 0:17:16 | 0:17:19 | |
do you remember the film Grease? | 0:17:19 | 0:17:21 | |
Right? Cos in Grease, all the teenagers were at least 40. | 0:17:21 | 0:17:24 | |
They all had crows feet, beer bellies. | 0:17:24 | 0:17:27 | |
I think in the '50s, though, I think teenagers were about 40. | 0:17:27 | 0:17:31 | |
It's a new phenomenon, youth. | 0:17:32 | 0:17:34 | |
It is, and I don't need to see it on television. | 0:17:34 | 0:17:36 | |
We've done the experiment now, | 0:17:36 | 0:17:38 | |
we know that all child actors end up with horrible lives. | 0:17:38 | 0:17:41 | |
Miley Cyrus was a child actor, she was Mickey Mouse Club. | 0:17:41 | 0:17:47 | |
Who would have thought that she'd end up on a wrecking ball? | 0:17:47 | 0:17:50 | |
Can I say, every time I see this, | 0:17:53 | 0:17:54 | |
I know as a heterosexual male I'm supposed to think, | 0:17:54 | 0:17:58 | |
"Wow, look at that." | 0:17:58 | 0:17:59 | |
I grew up with my mother telling me that if you sit on a cold surface, | 0:17:59 | 0:18:03 | |
you'll get haemorrhoids. | 0:18:03 | 0:18:04 | |
That's all I'm thinking when I look at that picture. | 0:18:06 | 0:18:09 | |
I'm thinking, "She is a fool!" | 0:18:09 | 0:18:11 | |
Well, what about the kid from Jerry Maguire? | 0:18:13 | 0:18:15 | |
-Do you remember him? -Nauseating! -He was called Jonathan Lipnicki. | 0:18:15 | 0:18:18 | |
This was what he looked like in Jerry Maguire. | 0:18:18 | 0:18:21 | |
-Oh, yeah! -This is what he looks like now. | 0:18:21 | 0:18:24 | |
-AUDIENCE: -Oh! | 0:18:24 | 0:18:26 | |
Exactly! | 0:18:26 | 0:18:27 | |
Look at... You could use his stomach as a toast rack! | 0:18:28 | 0:18:30 | |
I really hope he's going to go back | 0:18:33 | 0:18:34 | |
and punch Tom Cruise in the face for shagging his mum. | 0:18:34 | 0:18:36 | |
Would you like to say that again in a slightly more 8.30 on BBC One... | 0:18:38 | 0:18:43 | |
Can you not say "shagging" at 8.30 these days? | 0:18:46 | 0:18:49 | |
Well, I've tried it, but my partner just laughs at me. | 0:18:49 | 0:18:51 | |
APPLAUSE | 0:18:54 | 0:18:57 | |
It's difficult for parents as well, cos my son, he likes acting, | 0:18:59 | 0:19:03 | |
and we have to go and watch performances or whatever, | 0:19:03 | 0:19:06 | |
which is fine, because you're genetically sort of hard-wired | 0:19:06 | 0:19:10 | |
to think that what your son's doing is interesting. But... | 0:19:10 | 0:19:13 | |
..he's only in it for two minutes, and then I'm just sitting there, | 0:19:14 | 0:19:17 | |
watching other people's children be crap. | 0:19:17 | 0:19:19 | |
Kids do a bit of acting at home, though, let's face it. | 0:19:20 | 0:19:24 | |
This is a child who doesn't want to tidy up. | 0:19:24 | 0:19:26 | |
-MAN OFF-SCREEN: -What's the problem? | 0:19:27 | 0:19:28 | |
SHE CRIES | 0:19:28 | 0:19:31 | |
You can't lift that up? | 0:19:33 | 0:19:35 | |
-CHILD: -No! | 0:19:35 | 0:19:36 | |
Come back and try again. | 0:19:36 | 0:19:38 | |
You're almost to the sink. | 0:19:38 | 0:19:40 | |
I can't do it. | 0:19:41 | 0:19:43 | |
SHE GROANS DRAMATICALLY | 0:19:45 | 0:19:46 | |
I can't do it. | 0:19:47 | 0:19:49 | |
That looks like it's very heavy. | 0:19:51 | 0:19:52 | |
I think you can do it, though, Cerys. | 0:19:52 | 0:19:54 | |
And I think you can lift it up to the sink, | 0:19:54 | 0:19:56 | |
and you can help clear the table. | 0:19:56 | 0:19:58 | |
SHE GROANS | 0:19:58 | 0:19:59 | |
I'm not big enough. | 0:20:01 | 0:20:02 | |
Gosh! | 0:20:02 | 0:20:04 | |
She's better than most people in Hollyoaks, isn't she? | 0:20:04 | 0:20:06 | |
That is either a great child actor, | 0:20:08 | 0:20:10 | |
or some parents are terrorising a kid with some sort of muscle-wasting disease. | 0:20:10 | 0:20:13 | |
Or just a really heavy bowl. | 0:20:15 | 0:20:18 | |
OK, and so to Romesh. | 0:20:21 | 0:20:24 | |
Will.i.am, first of all, I think it's obvious he's nicked my look. | 0:20:35 | 0:20:39 | |
I used to like him when he was in, like, the Black Eyed Peas. | 0:20:40 | 0:20:43 | |
But I think my biggest issue is him being a judge on The Voice. | 0:20:43 | 0:20:48 | |
It's very easy to be a judge on those talent shows, | 0:20:48 | 0:20:51 | |
because what you're supposed to do, you go, "I thought that was... | 0:20:51 | 0:20:54 | |
"fantastic." And then the audience go nuts. | 0:20:54 | 0:20:56 | |
Or you go, "I thought that was... | 0:20:56 | 0:20:57 | |
"disappointing." And then they go... But what he does is, | 0:20:57 | 0:21:00 | |
-AMERICAN ACCENT: -"I thought that was like a unicorn dressed in a tiara | 0:21:00 | 0:21:04 | |
"just sort of sashaying across my living room floor." | 0:21:04 | 0:21:07 | |
-He... -Can I say, by the way, before you go any further, | 0:21:10 | 0:21:13 | |
that we on the BBC believe The Voice is a spent force. | 0:21:13 | 0:21:16 | |
The sooner it's put out of its misery, the better. | 0:21:17 | 0:21:20 | |
I also... | 0:21:23 | 0:21:24 | |
I also find the way that he dresses unacceptable. | 0:21:25 | 0:21:28 | |
Because it's not a stage outfit. | 0:21:28 | 0:21:31 | |
That is how he dresses. | 0:21:31 | 0:21:33 | |
So it's not like a costume, that's how he goes to the shops. | 0:21:33 | 0:21:36 | |
And I think what you are doing is, | 0:21:36 | 0:21:38 | |
you're encouraging normal people to dress like that, | 0:21:38 | 0:21:41 | |
and people are going to get beaten up, you know. | 0:21:41 | 0:21:44 | |
Because they think it's OK to wear jodhpurs and, like, | 0:21:44 | 0:21:47 | |
a bowtie above your right eyebrow. | 0:21:47 | 0:21:49 | |
And you do that, you get beaten up. | 0:21:49 | 0:21:52 | |
And then will.i.am's like, "Well, nobody bothers me about it." | 0:21:52 | 0:21:55 | |
What are you talking about? | 0:21:59 | 0:22:00 | |
-Who...? -Do you know will.i.am? | 0:22:03 | 0:22:05 | |
Um... | 0:22:06 | 0:22:07 | |
He's a rapper, who was in a group called The Black Eyed Peas. | 0:22:08 | 0:22:11 | |
-He's an entrepreneur. -Right. | 0:22:11 | 0:22:15 | |
And he's a judge on The Voice. | 0:22:15 | 0:22:16 | |
You're not on your own, Robert. | 0:22:16 | 0:22:18 | |
This is a clip from American news. | 0:22:18 | 0:22:19 | |
I'm just kind of giving you a little bit of what you see here. | 0:22:19 | 0:22:23 | |
That's Wyclef Jean giving an interview. | 0:22:25 | 0:22:28 | |
He is one of the many surrogates... | 0:22:28 | 0:22:30 | |
Sorry? | 0:22:31 | 0:22:33 | |
Who is...? | 0:22:34 | 0:22:36 | |
Waal-A, excuse me, | 0:22:36 | 0:22:38 | |
Waal-A. I got my artists mixed up. | 0:22:38 | 0:22:40 | |
Is it the right thing to correct him while he's still on? | 0:22:42 | 0:22:44 | |
-Do you know what I mean? -I think so. -Is it? | 0:22:44 | 0:22:46 | |
I think the longer that mistake is allowed to live, | 0:22:46 | 0:22:51 | |
-the more damage it does. -Cos I wonder... | 0:22:51 | 0:22:53 | |
I wonder, if you just sort of go, "That's Wyclef Jean," | 0:22:53 | 0:22:55 | |
and then pan back... | 0:22:55 | 0:22:57 | |
just, people will go, "Maybe that was Wyclef Jean," | 0:22:57 | 0:22:59 | |
do you know what I mean? | 0:22:59 | 0:23:01 | |
My favourite fact about him, | 0:23:02 | 0:23:04 | |
is he's got a cousin that lives in West Yorkshire. | 0:23:04 | 0:23:08 | |
I love that. | 0:23:08 | 0:23:10 | |
He's called will.i.heck.as.like. | 0:23:10 | 0:23:12 | |
Do you know, you almost licked your lips before you delivered that. | 0:23:16 | 0:23:19 | |
I couldn't wait! I couldn't wait to get to the punch line. | 0:23:20 | 0:23:23 | |
It's as simple as that. | 0:23:23 | 0:23:25 | |
But he is, I mean, he's regarded as an extremely talented | 0:23:26 | 0:23:30 | |
and successful artist. | 0:23:30 | 0:23:32 | |
-By will.i.am? -Particularly. | 0:23:32 | 0:23:35 | |
Here's a picture of him at the O2. | 0:23:35 | 0:23:36 | |
Get this for a... | 0:23:36 | 0:23:38 | |
Can I say, one of my horrors as a child | 0:23:39 | 0:23:43 | |
was that an armchair might stand up. | 0:23:43 | 0:23:46 | |
And that looks as if what has happened there. | 0:23:48 | 0:23:50 | |
You could have been sitting in that when it straightened. | 0:23:50 | 0:23:53 | |
He did a really patronising anti-Trump song, as well. | 0:23:55 | 0:23:59 | |
He was dressed up as Trump, and he was sort of | 0:23:59 | 0:24:02 | |
trying to have a go at the fact that Trump's quite sexist, etc. | 0:24:02 | 0:24:05 | |
The lyrics were so ridiculous. | 0:24:05 | 0:24:07 | |
It was like he got a four-year-old to put together a feminist agenda. | 0:24:07 | 0:24:12 | |
It was insane. | 0:24:12 | 0:24:15 | |
We have a clip of the Trump thing you're talking about. | 0:24:15 | 0:24:17 | |
-OK. -Here he is. | 0:24:17 | 0:24:19 | |
# When I'm president I won't be like Obama | 0:24:20 | 0:24:22 | |
# If anyone talks... about me I'll bomb em | 0:24:22 | 0:24:24 | |
# I'm grabbin' that... like there's no tomorrow | 0:24:24 | 0:24:26 | |
# And if we have problems with Russia I'll bomb em | 0:24:26 | 0:24:29 | |
# Whatcha going to do about Al-Qaeda and Isis? | 0:24:29 | 0:24:31 | |
# Whatcha going to do about the Syrian crisis? | 0:24:31 | 0:24:33 | |
# Whatcha going to do when you step in the door? | 0:24:33 | 0:24:35 | |
# Will the rich stay richer and the poor stay poor? | 0:24:35 | 0:24:37 | |
-# No... -# Ah, shut up, girl | 0:24:37 | 0:24:39 | |
# It ain't about you, girl It's all about me, girl | 0:24:39 | 0:24:41 | |
# Don't you see my name on the, on the building, girl? | 0:24:41 | 0:24:44 | |
# And when I'm president, I'ma, I'ma own the world | 0:24:44 | 0:24:46 | |
# I'm a star. # | 0:24:46 | 0:24:47 | |
Wow! I'd have voted for Trump(!) | 0:24:47 | 0:24:49 | |
I mean, I reckon that's why he won. | 0:24:51 | 0:24:52 | |
Before we finish this... | 0:24:54 | 0:24:56 | |
That's the worst thing that I've... I mean, I've seen... | 0:24:56 | 0:24:58 | |
That... | 0:24:58 | 0:24:59 | |
Put it in Room 101. | 0:24:59 | 0:25:00 | |
I might do, in a minute. | 0:25:03 | 0:25:04 | |
LAUGHTER AND APPLAUSE | 0:25:04 | 0:25:06 | |
Before we move on, | 0:25:09 | 0:25:10 | |
can I just show you my favourite ever will.i.am lookalike? | 0:25:10 | 0:25:13 | |
LAUGHTER | 0:25:15 | 0:25:17 | |
APPLAUSE | 0:25:18 | 0:25:20 | |
Oh, it's the little things in life. | 0:25:20 | 0:25:23 | |
And so, | 0:25:25 | 0:25:27 | |
to Robert Rinder. | 0:25:27 | 0:25:28 | |
School reunions, | 0:25:34 | 0:25:36 | |
what's the point? | 0:25:36 | 0:25:37 | |
I mean, first of all, | 0:25:37 | 0:25:39 | |
if it's been that long and you've not seen them, | 0:25:39 | 0:25:41 | |
then there's almost certainly a jolly good reason in the first place. | 0:25:41 | 0:25:44 | |
That's the first reason. Secondly, | 0:25:46 | 0:25:48 | |
you go back, as far as I can gather, | 0:25:48 | 0:25:51 | |
somebody I know borrowed a more pleasant wife and a car to show up | 0:25:51 | 0:25:55 | |
and lord it over the other people who were still there. | 0:25:55 | 0:25:59 | |
You know, "Isn't my life much better than yours?" | 0:25:59 | 0:26:02 | |
That's really why you go, to see where you're doing | 0:26:02 | 0:26:05 | |
vis-a-vis some other poor person, who you almost certainly realise | 0:26:05 | 0:26:08 | |
wasn't going to do well in any event. | 0:26:08 | 0:26:09 | |
Plus it's school. | 0:26:11 | 0:26:12 | |
Which was, you know, unpleasant for most people anyway. | 0:26:12 | 0:26:16 | |
What sort of conversations...? | 0:26:16 | 0:26:18 | |
What...? You know, "Oh, you were always so quiet." | 0:26:18 | 0:26:20 | |
Yes, that's cos I hated you. | 0:26:20 | 0:26:21 | |
Anyway, that's why I want to get rid of it. | 0:26:24 | 0:26:26 | |
APPLAUSE | 0:26:26 | 0:26:28 | |
Also, why would you...? | 0:26:29 | 0:26:31 | |
It's like a cricket clap. | 0:26:32 | 0:26:33 | |
That was a single to third man. | 0:26:35 | 0:26:37 | |
Disaster. I mean... | 0:26:38 | 0:26:40 | |
I take it you haven't been to one? | 0:26:40 | 0:26:42 | |
Well, they haven't... They haven't invited me. | 0:26:42 | 0:26:44 | |
I didn't really suit the condition of childhood terribly well, | 0:26:46 | 0:26:49 | |
is the problem. I mean... | 0:26:49 | 0:26:51 | |
I once had a teacher sit me down who said, "I just want you to know, | 0:26:51 | 0:26:54 | |
"I really, really hate you." | 0:26:54 | 0:26:56 | |
Isn't that sweet? | 0:26:57 | 0:26:59 | |
How old were you at that stage? | 0:26:59 | 0:27:01 | |
12, probably. | 0:27:01 | 0:27:03 | |
No, but I was incredibly annoying, is the problem. | 0:27:03 | 0:27:06 | |
I find that hard to believe. | 0:27:06 | 0:27:08 | |
Yeah. No, but I mean... | 0:27:08 | 0:27:09 | |
What was the point...? I mean... | 0:27:09 | 0:27:11 | |
Yeah. I mean, it was all a disaster. | 0:27:11 | 0:27:14 | |
This is completely true. | 0:27:14 | 0:27:15 | |
I was never on, you know that Friends Reunited thing? | 0:27:15 | 0:27:18 | |
I was never on that. | 0:27:18 | 0:27:20 | |
But recently, it was as a result of knowing you'd chosen this, | 0:27:20 | 0:27:25 | |
I thought, I will look up somebody who I fancied at school. | 0:27:25 | 0:27:28 | |
And, obviously, I won't mention her name, | 0:27:28 | 0:27:31 | |
but I looked up her name and, you know, | 0:27:31 | 0:27:33 | |
where she lived and stuff like that. | 0:27:33 | 0:27:35 | |
And she was on there... | 0:27:35 | 0:27:37 | |
But the only place I could find her, it was, | 0:27:38 | 0:27:41 | |
the heading was WikiLeaks BNP members list. | 0:27:41 | 0:27:45 | |
THEY ALL GASP | 0:27:45 | 0:27:47 | |
Now, I was expecting some physical decay, | 0:27:47 | 0:27:50 | |
I thought morally, she'd still be all right! | 0:27:50 | 0:27:52 | |
-But, yeah, that's... -That's dreadful. | 0:27:54 | 0:27:56 | |
That's how I find my ex-loves. | 0:27:56 | 0:27:59 | |
Why do you care about these people? | 0:28:01 | 0:28:02 | |
They're all dreadful. Everybody you were at school with was dreadful. | 0:28:02 | 0:28:06 | |
Idiots. All of them. | 0:28:06 | 0:28:08 | |
But there's cosmic justice, that you go and the ones who were horrible, | 0:28:08 | 0:28:11 | |
are now unhappy. And the ones who were nice are now... | 0:28:11 | 0:28:14 | |
It is... It is wonderful when you meet someone at a school reunion, | 0:28:14 | 0:28:19 | |
and you think, "Wow, your life peaked in year ten." | 0:28:19 | 0:28:22 | |
I've never been a stunner, you know, so I've not faded. | 0:28:25 | 0:28:29 | |
I looked dreadful even in my prime. | 0:28:29 | 0:28:32 | |
So, for me, there's no fear in that. | 0:28:32 | 0:28:35 | |
Because all the people that were really, you know, the hot ones or whatever, | 0:28:35 | 0:28:38 | |
they look dreadful. | 0:28:38 | 0:28:39 | |
They've had to see the decline. | 0:28:39 | 0:28:41 | |
And you sort of look and you go, "I couldn't even tell it was you, | 0:28:41 | 0:28:45 | |
"you looked so horrendous." | 0:28:45 | 0:28:47 | |
I was like, I had a beard and glasses from eight. | 0:28:48 | 0:28:50 | |
Didn't you go to school with Rachel Stevens from S Club 7? | 0:28:52 | 0:28:55 | |
Primary school. That's right, yeah, primary school. | 0:28:55 | 0:28:57 | |
Well, she seems lovely. | 0:28:57 | 0:28:59 | |
There she is. | 0:28:59 | 0:29:01 | |
Every time I see a picture of S Club 7, I don't know why, | 0:29:01 | 0:29:04 | |
I have to count them. | 0:29:04 | 0:29:06 | |
It's not like after all these years, | 0:29:07 | 0:29:09 | |
I'm going to find out there was eight of them. I always do it. | 0:29:09 | 0:29:12 | |
There she is in the purple top, looking lovely. | 0:29:12 | 0:29:14 | |
So that suggests there was nice people in your school past. | 0:29:14 | 0:29:18 | |
She's very beautiful. | 0:29:18 | 0:29:19 | |
-Probably lost on me even then, I would have thought. -Yeah. | 0:29:19 | 0:29:22 | |
Think yourself lucky, | 0:29:24 | 0:29:25 | |
my ex-love was from SS Club 7! | 0:29:25 | 0:29:29 | |
I used to occasionally go back and have a look at my school | 0:29:32 | 0:29:35 | |
from the outside, just for that, you know... | 0:29:35 | 0:29:38 | |
This is me at my old school. | 0:29:38 | 0:29:41 | |
My mum was very late picking me up! | 0:29:42 | 0:29:45 | |
How old are you there? | 0:29:48 | 0:29:49 | |
-If I was you, I'd get that photo destroyed. -Why? | 0:29:49 | 0:29:52 | |
Do I look like a suspicious character? | 0:29:54 | 0:29:56 | |
I really think it's not good for you that that photo exists, mate. | 0:29:58 | 0:30:01 | |
I hadn't thought of that, actually. | 0:30:03 | 0:30:05 | |
You should pan down! | 0:30:07 | 0:30:08 | |
I ended up teaching at the school that I went to, | 0:30:11 | 0:30:14 | |
-it was a bit...a bit weird. -Ooh! -Yeah. | 0:30:14 | 0:30:16 | |
-That's a big reunion! -Yeah. -Yuck! | 0:30:16 | 0:30:19 | |
I tell you what, man, the first time walking into the staff room, | 0:30:19 | 0:30:22 | |
felt like I was going into Narnia! | 0:30:22 | 0:30:24 | |
Absolutely incredible! But, actually, it was just people crying. | 0:30:24 | 0:30:29 | |
Were the other teachers pleased, thinking you'd done well, | 0:30:29 | 0:30:32 | |
or did they just feel a bit sort of upset? | 0:30:32 | 0:30:34 | |
I think it is pretty sad, isn't it, | 0:30:34 | 0:30:35 | |
to go back and teach at the school you went to? | 0:30:35 | 0:30:38 | |
Teachers who you thought hated you at school | 0:30:38 | 0:30:40 | |
end up being your colleagues. | 0:30:40 | 0:30:42 | |
And also, the ones that you thought were rubbish, were actually rubbish. | 0:30:42 | 0:30:45 | |
Nine times out of ten, you sort of go, | 0:30:45 | 0:30:47 | |
"Oh, yeah, I was right when I thought you were incompetent." | 0:30:47 | 0:30:50 | |
So, we come to the end of this round, | 0:30:52 | 0:30:54 | |
I don't think we can put child actors in, | 0:30:54 | 0:30:58 | |
because I think, probably, | 0:30:58 | 0:31:00 | |
children should play children in things, | 0:31:00 | 0:31:03 | |
otherwise you're going to get people childrening up. | 0:31:03 | 0:31:06 | |
You'll do me out of work. | 0:31:06 | 0:31:07 | |
I'm sorry about that. | 0:31:07 | 0:31:08 | |
The school reunion, I don't really like looking back, | 0:31:09 | 0:31:13 | |
which is hazardous on the motorway. | 0:31:13 | 0:31:15 | |
But will.i.am, | 0:31:15 | 0:31:17 | |
there's something warm and cuddly, | 0:31:17 | 0:31:20 | |
and less butch about him than other rappers. | 0:31:20 | 0:31:24 | |
You know what, I might... | 0:31:24 | 0:31:26 | |
Oh, no, to hell with it, | 0:31:27 | 0:31:28 | |
I'm going to put will.i.am into Room 101. | 0:31:28 | 0:31:31 | |
CHEERING AND APPLAUSE | 0:31:31 | 0:31:33 | |
OK, we've just got time for a bonus choice, | 0:31:41 | 0:31:43 | |
so I'm going to see what Romesh has gone for. | 0:31:43 | 0:31:46 | |
-It is soft play centres. -SCATTERED APPLAUSE | 0:31:50 | 0:31:53 | |
-Now... -Even soft applause! | 0:31:54 | 0:31:57 | |
It's basically... Soft play centres are basically hell with padding. | 0:31:59 | 0:32:03 | |
Like, there's so much wrong with them. First of all, | 0:32:03 | 0:32:06 | |
it's normally just a warehouse, like an industrial sort of warehouse space, | 0:32:06 | 0:32:09 | |
and in the far side of it, they've crammed as much... | 0:32:09 | 0:32:13 | |
of Satan's creations as they can. | 0:32:13 | 0:32:15 | |
You know, there'll be scaffolding, ball pit, | 0:32:15 | 0:32:18 | |
there's all of this stuff and then you go in | 0:32:18 | 0:32:21 | |
and they give you a wrist band | 0:32:21 | 0:32:22 | |
that dictates to you how long you can spend in there. | 0:32:22 | 0:32:25 | |
You can't, in those places, | 0:32:25 | 0:32:27 | |
book for just ten minutes. And I don't understand. | 0:32:27 | 0:32:30 | |
It has to be an hour. "I don't want to be here for an hour! | 0:32:30 | 0:32:33 | |
"What I want to be here for is ten minutes and find an excuse to leave." | 0:32:33 | 0:32:37 | |
The biggest nightmare I have when I go into a soft play centre | 0:32:39 | 0:32:42 | |
is if there's loads of mums and one other dad | 0:32:42 | 0:32:46 | |
because I know that he is going to come over and have a chat. | 0:32:46 | 0:32:51 | |
It's the worst... I can feel him gradually making his way over | 0:32:51 | 0:32:57 | |
so that we can pretend that we've got something in common. | 0:32:57 | 0:33:00 | |
I can't imagine he hates himself as much as I hate him. | 0:33:00 | 0:33:04 | |
And then you've got to deal with other people's kids. | 0:33:06 | 0:33:09 | |
We've got three children. The first one is angelic, | 0:33:09 | 0:33:11 | |
the second one should never be...created, | 0:33:11 | 0:33:14 | |
the third one is too young to make a decision about. | 0:33:14 | 0:33:18 | |
So the first one, you put him in there, into the ball pit, the climbing thing, | 0:33:18 | 0:33:23 | |
and you look around to make... | 0:33:23 | 0:33:24 | |
And you just think, "I hope he doesn't get bullied." | 0:33:24 | 0:33:27 | |
The second one, you're thinking, "I hope he doesn't burn the building down." | 0:33:27 | 0:33:30 | |
So you're watching that and then I'm watching the kid, | 0:33:30 | 0:33:34 | |
there's so many dangers at a soft play centre. | 0:33:34 | 0:33:37 | |
First of all, there's always one random kid that's soiled himself, | 0:33:37 | 0:33:40 | |
who runs around the thing. Every 20 minutes, you go, "What...?" | 0:33:40 | 0:33:44 | |
And my kids will be like having a fight or getting into a disagreement | 0:33:47 | 0:33:52 | |
with another kid. You've got to think to yourself, | 0:33:52 | 0:33:54 | |
not only have I got to figure out how to deal with that situation, | 0:33:54 | 0:33:58 | |
I've got to figure out who's... who are the parents of that kid, | 0:33:58 | 0:34:02 | |
because if the dad is massive, "You're on your own, mate." | 0:34:02 | 0:34:05 | |
There's absolutely no way I'm stepping in to help out. | 0:34:05 | 0:34:08 | |
It's unhygienic. | 0:34:08 | 0:34:10 | |
I don't... The ball pit... | 0:34:10 | 0:34:13 | |
Come on, mate! That, to me, I just think, "Ebola." | 0:34:13 | 0:34:15 | |
And then the other thing is, | 0:34:17 | 0:34:18 | |
one of my biggest issues with soft play centres, | 0:34:18 | 0:34:21 | |
they don't have specialised staff. What I mean by that | 0:34:21 | 0:34:24 | |
is the same staff that are going round cleaning up the stuff | 0:34:24 | 0:34:27 | |
are also the staff that are running the cafe bit, | 0:34:27 | 0:34:29 | |
that serves food. | 0:34:29 | 0:34:30 | |
I don't want to buy a sandwich from somebody | 0:34:30 | 0:34:34 | |
who, seven minutes earlier, I saw fishing out a turd from a slide! | 0:34:34 | 0:34:39 | |
There's absolutely no way, mate! | 0:34:39 | 0:34:41 | |
I'm not going to get a Slush Puppy from you! | 0:34:41 | 0:34:43 | |
There's absolutely no way! | 0:34:43 | 0:34:46 | |
But I have to defend them, though, | 0:34:46 | 0:34:48 | |
because it is the only thing to do on a really wet day, | 0:34:48 | 0:34:51 | |
the kids are bouncing off the... You know at the weekends, | 0:34:51 | 0:34:54 | |
when your kids are full of energy, it's raining outside, there's nothing to do. | 0:34:54 | 0:34:58 | |
I mean, I remember, before we had kids, | 0:34:58 | 0:35:01 | |
my husband and I, we knew we were expecting and we made a vow, | 0:35:01 | 0:35:04 | |
we said, "We will never start drinking until we have put our children to bed." | 0:35:04 | 0:35:07 | |
Our kids go to bed at noon now sometimes! | 0:35:07 | 0:35:09 | |
But at the weekends, there is literally nothing else to do | 0:35:09 | 0:35:12 | |
to expend the energy, so you have to go to the soft play. | 0:35:12 | 0:35:15 | |
No, I don't disagree, but I love my children | 0:35:15 | 0:35:17 | |
because there's something in my brain that tells me to. | 0:35:17 | 0:35:20 | |
Other people's children can burn. | 0:35:20 | 0:35:22 | |
-LAUGHTER -I literally... | 0:35:22 | 0:35:25 | |
do not want to spend any time | 0:35:25 | 0:35:28 | |
around loads of them | 0:35:28 | 0:35:30 | |
who are pumped up on sugar, just going, "Ha-ha-ha-ha!" | 0:35:30 | 0:35:33 | |
And then, like, my kid comes up and goes, | 0:35:33 | 0:35:35 | |
"He did that," and you just think, "I don't care, mate. | 0:35:35 | 0:35:38 | |
"I just... I'll be honest with you, | 0:35:38 | 0:35:40 | |
"until my phone runs out of battery, I'm not talking to you, | 0:35:40 | 0:35:43 | |
"so why don't you just deal with that | 0:35:43 | 0:35:45 | |
"any way you see fit and we'll have a chat about it later, | 0:35:45 | 0:35:48 | |
"but I've just seen a plug point so it's not going to be soon." | 0:35:48 | 0:35:51 | |
I mean, my kid is quite a gentle, sweet boy | 0:35:53 | 0:35:56 | |
and I find, at soft play centres, | 0:35:56 | 0:35:59 | |
-everything is soft except the other kids. -Mm. | 0:35:59 | 0:36:02 | |
And they have often got skinhead haircuts and head scars, | 0:36:02 | 0:36:07 | |
aged four, and they just pursue him around this... | 0:36:07 | 0:36:11 | |
It's like watching Pac-Man! | 0:36:11 | 0:36:13 | |
-It's... -And then it is when the other parents say, | 0:36:15 | 0:36:17 | |
"He's just very spirited," and you're like, | 0:36:17 | 0:36:19 | |
"No, he's a psychopath who just hasn't had the right tools yet!" | 0:36:19 | 0:36:22 | |
We've got one near us that describes itself as pirate themed | 0:36:22 | 0:36:25 | |
and we went along and were like, "Yeah, it's pirate themed | 0:36:25 | 0:36:27 | |
"cos someone lost a leg and everyone's suffering vitamin C deficiency." | 0:36:27 | 0:36:31 | |
The one near us, | 0:36:31 | 0:36:33 | |
they... Obviously they've got a maximum capacity, right, | 0:36:33 | 0:36:36 | |
that they can't accept any more people. | 0:36:36 | 0:36:38 | |
They don't tell you that. What happens is, | 0:36:38 | 0:36:41 | |
we pull up, the kids are going, "Soft play! Soft play!" | 0:36:41 | 0:36:43 | |
Then we pull up and the girl goes, "You can't come in," | 0:36:43 | 0:36:45 | |
and then I've got to deal with the apocalypse | 0:36:45 | 0:36:48 | |
in the back of the car for the next 45 minutes. | 0:36:48 | 0:36:50 | |
I don't know, also, do you get the thing where...? | 0:36:50 | 0:36:52 | |
My kids go in and you have to take your shoes off | 0:36:52 | 0:36:54 | |
and so then they throw their shoes and I get more exercise than they do | 0:36:54 | 0:36:57 | |
by crawling around under every table | 0:36:57 | 0:36:58 | |
trying to find where they've chucked their shoes by the end of it. | 0:36:58 | 0:37:01 | |
I say to them, "If the shoes are gone, mate, | 0:37:01 | 0:37:03 | |
"you've not got shoes any more. | 0:37:03 | 0:37:04 | |
"I'm not going around looking for them. | 0:37:04 | 0:37:07 | |
"If you want to mess around, then you're barefoot. Deal with it. | 0:37:07 | 0:37:10 | |
"I'll call you Mowgli for the rest of the day." | 0:37:10 | 0:37:12 | |
Here's a lovely inflatable, which is a part of the whole soft play thing, | 0:37:14 | 0:37:20 | |
based on... | 0:37:20 | 0:37:22 | |
Based on the Titanic, that one, | 0:37:22 | 0:37:24 | |
which I believe just over 1,500 people died in that disaster. | 0:37:24 | 0:37:30 | |
"On you go, kids." | 0:37:30 | 0:37:32 | |
Here's a kid who wished he had gone to a soft play centre, I would guess. | 0:37:33 | 0:37:37 | |
HIS HEAD THUMPS REPEATEDLY | 0:37:39 | 0:37:41 | |
Aw! He took that very well, though! | 0:37:45 | 0:37:48 | |
That's actually... That was Boris Johnson as a child. | 0:37:48 | 0:37:51 | |
APPLAUSE | 0:37:54 | 0:37:57 | |
It doesn't matter what I think, it's your bonus choice, Romesh, | 0:37:57 | 0:38:00 | |
it's going into Room 101. | 0:38:00 | 0:38:02 | |
CHEERING AND APPLAUSE | 0:38:02 | 0:38:04 | |
And that brings us to the end of the show. | 0:38:09 | 0:38:11 | |
Well done, Romesh, you were the most persuasive guest, | 0:38:11 | 0:38:14 | |
so you are this week's winner. | 0:38:14 | 0:38:15 | |
CHEERING AND APPLAUSE | 0:38:15 | 0:38:18 | |
Thanks very much, Romesh Ranganathan, | 0:38:21 | 0:38:23 | |
Judge Rinder, and Lucy Porter, | 0:38:23 | 0:38:26 | |
and thank you. Goodnight. | 0:38:26 | 0:38:27 | |
CHEERING AND APPLAUSE | 0:38:27 | 0:38:30 |