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CHEERING AND APPLAUSE | 0:00:20 | 0:00:23 | |
Hello, I'm Frank Skinner and welcome to Room 101, | 0:00:31 | 0:00:36 | |
the show where three guests compete | 0:00:36 | 0:00:38 | |
to condemn their deepest dislikes to the dreadful Room 101. | 0:00:38 | 0:00:41 | |
They'll have to argue their case well because, in each round, | 0:00:41 | 0:00:44 | |
only one item can be chosen. The final decision is mine. | 0:00:44 | 0:00:47 | |
Let's meet this week's guests. | 0:00:47 | 0:00:48 | |
Joining me tonight are King of the North, Alun Cochrane, | 0:00:48 | 0:00:50 | |
Queen of the South, Gabby Logan, | 0:00:50 | 0:00:52 | |
and Richard the Nerd, Richard Ayoade. | 0:00:52 | 0:00:54 | |
LAUGHTER AND APPLAUSE | 0:00:54 | 0:00:57 | |
OK, let's get ready to grumble. LAUGHTER | 0:00:59 | 0:01:03 | |
And let's see what's upsetting Gabby Logan. | 0:01:03 | 0:01:05 | |
Half and half football scarves, Frank. | 0:01:09 | 0:01:11 | |
-AUDIENCE MEMBER: -Whoo! -Yeah, they are a recent phenomena. | 0:01:11 | 0:01:15 | |
I would say it's only in the last six or seven seasons | 0:01:15 | 0:01:18 | |
-that they have become a thing. -Mm. -To the point now, | 0:01:18 | 0:01:21 | |
where there is almost not a Premier League fixture that goes by | 0:01:21 | 0:01:24 | |
where people don't feel the need to be peddling and, therefore, | 0:01:24 | 0:01:28 | |
other people buying these half and half scarves. | 0:01:28 | 0:01:30 | |
I've tried hard to work out if there is a justification, | 0:01:30 | 0:01:33 | |
if there is a reason why they should exist | 0:01:33 | 0:01:35 | |
and I shouldn't be quite so angry about them. | 0:01:35 | 0:01:37 | |
I can't think of anything. | 0:01:37 | 0:01:38 | |
The whole point of football is to be parochial, to be tribal, | 0:01:38 | 0:01:42 | |
to be committed to a team in your area, and it's just wishy-washy, | 0:01:42 | 0:01:47 | |
it's indecisive, it shows a lack of commitment and they've got to go. | 0:01:47 | 0:01:52 | |
CHEERING AND APPLAUSE | 0:01:52 | 0:01:55 | |
I mean, some people could argue, I suppose, | 0:01:57 | 0:01:59 | |
that it suggests a lack of aggression and that partisan thing, | 0:01:59 | 0:02:05 | |
and there's love in the room - | 0:02:05 | 0:02:07 | |
I love both these teams, I want them both to play well. | 0:02:07 | 0:02:10 | |
But I hate that idea. | 0:02:10 | 0:02:11 | |
-Can I just check...? Sorry. -LAUGHTER | 0:02:11 | 0:02:14 | |
-Are these things mocked up on a match-by-match basis? -Yes. | 0:02:14 | 0:02:17 | |
-So, what's your knitwear bill? -LAUGHTER | 0:02:17 | 0:02:20 | |
I just can't think of anybody who'd grow up in Liverpool | 0:02:20 | 0:02:23 | |
and be a massive Red - that's a Liverpool fan... | 0:02:23 | 0:02:26 | |
-OK, not a commie. -No. -LAUGHTER | 0:02:26 | 0:02:29 | |
-But they could be both. -OK. -They could be both. | 0:02:29 | 0:02:32 | |
Do you get any commie-fascist scarves? | 0:02:32 | 0:02:34 | |
LAUGHTER | 0:02:34 | 0:02:36 | |
They go, "I don't know, they both seem extreme ideologies." | 0:02:36 | 0:02:38 | |
Liverpool, actually, have got | 0:02:38 | 0:02:41 | |
the best half and half scarf I've ever seen, which is this one. | 0:02:41 | 0:02:45 | |
LAUGHTER | 0:02:45 | 0:02:49 | |
-That, I find acceptable. -Because what that means, Richard... | 0:02:49 | 0:02:51 | |
-Thank you. -It says there are only two teams | 0:02:51 | 0:02:53 | |
-and actually, there IS another team. It's called Everton. -Shut up! -Yep. | 0:02:53 | 0:02:56 | |
LAUGHTER | 0:02:56 | 0:02:58 | |
-For the same town? -Yeah. -Yeah. | 0:02:58 | 0:03:00 | |
So, they're making the joke that they don't exist. | 0:03:00 | 0:03:03 | |
-Right. They're good, aren't they? -LAUGHTER | 0:03:03 | 0:03:06 | |
It seems wrong, I agree. | 0:03:06 | 0:03:08 | |
I mean, the half and half military uniform, England/Germany thing, | 0:03:08 | 0:03:13 | |
never caught on in the '40s. | 0:03:13 | 0:03:15 | |
For obvious reasons. | 0:03:16 | 0:03:18 | |
And I feel in a similar way about it - | 0:03:18 | 0:03:20 | |
you've got to pick your team and stick with that team. | 0:03:20 | 0:03:22 | |
I worry that it just is indicative of a deeper kind of, | 0:03:22 | 0:03:26 | |
deeper rooted problem in the nation, | 0:03:26 | 0:03:28 | |
that people just can't make their minds up, | 0:03:28 | 0:03:30 | |
including government, and so, I mean, we've seen, | 0:03:30 | 0:03:32 | |
obviously, the trend to throw referendums around willy-nilly, | 0:03:32 | 0:03:35 | |
and, you know, they can't make their mind up and let the people decide, | 0:03:35 | 0:03:38 | |
and I'm slightly worried that we are just becoming indecisive, | 0:03:38 | 0:03:41 | |
maybe, as a nation, and the football scarf is just the beginning. | 0:03:41 | 0:03:44 | |
We need a strong man to come in and take over. | 0:03:44 | 0:03:46 | |
LAUGHTER | 0:03:46 | 0:03:48 | |
I don't know, maybe, like, | 0:03:48 | 0:03:49 | |
an international businessman of some kind. | 0:03:49 | 0:03:51 | |
LAUGHTER AND APPLAUSE | 0:03:51 | 0:03:54 | |
I worry about the nature of that applause! | 0:03:56 | 0:03:59 | |
As if people are thinking, "This is actually a great idea!" | 0:03:59 | 0:04:03 | |
It's strange, to me, that they've gone for the scarf | 0:04:04 | 0:04:07 | |
as the half and half souvenir of knitwear. | 0:04:07 | 0:04:10 | |
You'd think gloves would lend themselves.... | 0:04:10 | 0:04:13 | |
LAUGHTER | 0:04:13 | 0:04:15 | |
Because then any surplus that are not sold could be rematched | 0:04:15 | 0:04:18 | |
-to an opposite for a future Liverpool or United game. -Yes. | 0:04:18 | 0:04:22 | |
-And thus, they cut down on waste. -That is better. | 0:04:22 | 0:04:27 | |
I've got a towel, which has got two halves - white and... | 0:04:27 | 0:04:32 | |
..and not white. | 0:04:33 | 0:04:35 | |
-And it's got "FACE" on one side. -Oh... -And I can't re... | 0:04:35 | 0:04:40 | |
I think ELBOW on the other, I always get those mixed up. | 0:04:40 | 0:04:44 | |
But anyway, you use it accordingly. | 0:04:44 | 0:04:47 | |
Which, at least, has got a practical message behind it. | 0:04:47 | 0:04:51 | |
The thing is, these great rivalries that we have in football | 0:04:51 | 0:04:54 | |
in this country, obviously, the local derby rivalries, | 0:04:54 | 0:04:58 | |
Newcastle against Sunderland, you've got, in Scotland, | 0:04:58 | 0:05:01 | |
-Glasgow Rangers against Glasgow Celtic. -Ooh. | 0:05:01 | 0:05:04 | |
Liverpool, Everton. And the idea that you would have... | 0:05:04 | 0:05:07 | |
OK, say Aston Villa go back to the Premier League, OK. | 0:05:07 | 0:05:10 | |
LAUGHTER | 0:05:10 | 0:05:13 | |
The idea that you'd have a scarf that has Aston Villa on one side | 0:05:13 | 0:05:15 | |
and West Bromwich Albion on the other must fill you with delight, | 0:05:15 | 0:05:19 | |
-the idea of wearing that. -Well, it's not dissimilar to this. | 0:05:19 | 0:05:21 | |
LAUGHTER | 0:05:21 | 0:05:23 | |
APPLAUSE | 0:05:23 | 0:05:26 | |
What do you think about this version of the half and half? | 0:05:26 | 0:05:31 | |
This is a sort of romantic version. | 0:05:31 | 0:05:33 | |
-Ah. -OK. -"Together since 2014." | 0:05:35 | 0:05:38 | |
To me, that looks like, "Together since she was 14." | 0:05:38 | 0:05:42 | |
LAUGHTER | 0:05:42 | 0:05:45 | |
APPLAUSE | 0:05:45 | 0:05:48 | |
And if it started when he was 20, you should not be applauding that. | 0:05:50 | 0:05:53 | |
No. LAUGHTER | 0:05:53 | 0:05:55 | |
The problem with that, though, | 0:05:55 | 0:05:56 | |
is if he wears it to five-a-side and she's busy, it just looks weird. | 0:05:56 | 0:06:01 | |
-No, I didn't mention his name is Paul Together. -Oh, OK. | 0:06:01 | 0:06:05 | |
There's a song, Paul Together Now. | 0:06:05 | 0:06:07 | |
LAUGHTER | 0:06:07 | 0:06:08 | |
See, I've got twins and one's an Arsenal fan and one's a Spurs fan. | 0:06:08 | 0:06:11 | |
-They couldn't have, you know... -So, you've got half and half children! | 0:06:11 | 0:06:15 | |
-Yeah. -And you mind a scarf. | 0:06:15 | 0:06:18 | |
But the idea that they would get together and have a scarf made... | 0:06:18 | 0:06:22 | |
-Right. -No way, no way. | 0:06:22 | 0:06:23 | |
Well, I went to West Brom-Manchester City | 0:06:23 | 0:06:27 | |
and they lost 4-0 at home to Manchester City | 0:06:27 | 0:06:30 | |
and there was a period when we actually had the ball for a bit | 0:06:30 | 0:06:34 | |
and the fans started going... | 0:06:34 | 0:06:36 | |
# We've got the ball We've got the ball | 0:06:36 | 0:06:40 | |
# We've got the... We've lost the ball. # | 0:06:40 | 0:06:43 | |
They kept that going for about 20 minutes. | 0:06:43 | 0:06:46 | |
It puts tremendous pressure on the players, I think. | 0:06:46 | 0:06:49 | |
I feel that should be the theme song of football. | 0:06:49 | 0:06:53 | |
LAUGHTER | 0:06:53 | 0:06:55 | |
-It's basically football commentary... -Yeah. | 0:06:55 | 0:06:58 | |
..melted down to a quintessence. | 0:06:58 | 0:07:00 | |
That's the haiku version of football. | 0:07:00 | 0:07:03 | |
LAUGHTER | 0:07:03 | 0:07:05 | |
So, what's upsetting Richard? | 0:07:05 | 0:07:07 | |
Audiences cheering... | 0:07:10 | 0:07:12 | |
LAUGHTER | 0:07:12 | 0:07:14 | |
I mean, that could be enough, | 0:07:14 | 0:07:16 | |
but audiences cheering at the name of the town in which they reside. | 0:07:16 | 0:07:19 | |
LAUGHTER | 0:07:19 | 0:07:21 | |
I don't quite... I just don't see why you need to emit that sound. | 0:07:21 | 0:07:26 | |
I'm from Ipswich, so, obviously, I can't emit joy. | 0:07:26 | 0:07:31 | |
LAUGHTER | 0:07:31 | 0:07:33 | |
So, it seems very strange to me. I've never understood it. | 0:07:33 | 0:07:36 | |
-You say, "Hull." -AUDIENCE MEMBER: -Yay! | 0:07:36 | 0:07:38 | |
LAUGHTER | 0:07:38 | 0:07:40 | |
It seems odd. I don't know what I'm meant to do with that information. | 0:07:40 | 0:07:45 | |
Are you happy about Hull? | 0:07:45 | 0:07:47 | |
You're happy. OK. | 0:07:47 | 0:07:49 | |
LAUGHTER | 0:07:49 | 0:07:52 | |
-I think it's a form of missionary work. -OK. | 0:07:52 | 0:07:54 | |
It's that man saying, | 0:07:54 | 0:07:56 | |
"You probably think it's terrible coming from Hull." | 0:07:56 | 0:07:58 | |
-No, it's all right. -"When, in fact, it's, hey!" -OK. | 0:07:58 | 0:08:01 | |
-I think he's selling Hull as a concept. -Right. | 0:08:01 | 0:08:04 | |
Yeah, I mean, it's not a LONG pitch for Hull. | 0:08:04 | 0:08:08 | |
LAUGHTER | 0:08:08 | 0:08:09 | |
It makes me feel like everyone's been hypnotised and someone's said, | 0:08:09 | 0:08:13 | |
"When your town's name is mentioned, | 0:08:13 | 0:08:16 | |
"obviously you'll have to go, 'Yay.'" And someone's gone... | 0:08:16 | 0:08:19 | |
And they've never been snapped back out of it. | 0:08:19 | 0:08:22 | |
It would make life difficult. | 0:08:22 | 0:08:24 | |
I mean, you obviously stand up and, you know, | 0:08:24 | 0:08:26 | |
perform in front of an audience. | 0:08:26 | 0:08:28 | |
You all do that and, actually, it's the easiest way | 0:08:28 | 0:08:30 | |
to get a few people on side, to just mention a town. | 0:08:30 | 0:08:35 | |
Look, let's specify here, | 0:08:35 | 0:08:36 | |
because I feel we're maybe getting off on the wrong foot. | 0:08:36 | 0:08:39 | |
I'm not talking about the response to a specific enquiry | 0:08:39 | 0:08:42 | |
addressed to an audience as to where they live. | 0:08:42 | 0:08:45 | |
"Hooray!" is a fine response. | 0:08:45 | 0:08:48 | |
We can't all say, "Nine of us are from Preston." | 0:08:48 | 0:08:52 | |
-A FEW AUDIENCE MEMBERS: -Yay! -Thank you. | 0:08:52 | 0:08:54 | |
What I find odd is the mere mention of the name, | 0:08:54 | 0:08:58 | |
in a Pavlovian sense, eliciting a "Hooray". | 0:08:58 | 0:09:02 | |
That seems odd, because why should that only exist in crowds? | 0:09:02 | 0:09:05 | |
You should follow it through any time, when you're on your own, | 0:09:05 | 0:09:08 | |
if you see it on a map. Any time, then say it. | 0:09:08 | 0:09:14 | |
It would be odd if you were on your own, though, | 0:09:14 | 0:09:16 | |
and you were watching the news and, "This evening, | 0:09:16 | 0:09:18 | |
"we're bringing you news of a fatal accident in Hull." Yay! | 0:09:18 | 0:09:22 | |
LAUGHTER | 0:09:22 | 0:09:24 | |
If you're going to do it, follow it through. | 0:09:24 | 0:09:26 | |
Don't just do it cos you're in a public place. | 0:09:26 | 0:09:28 | |
Yeah, I think you could have a clause, | 0:09:28 | 0:09:30 | |
"Not after the announcement of a fatal accident." | 0:09:30 | 0:09:32 | |
That would be reasonable. | 0:09:32 | 0:09:34 | |
I just find it very strange that anyone would be proud | 0:09:34 | 0:09:37 | |
of where they're from. | 0:09:37 | 0:09:38 | |
I don't think you should be... | 0:09:40 | 0:09:42 | |
I don't think you should be proud of anything. | 0:09:42 | 0:09:45 | |
When I first started in comedy, | 0:09:46 | 0:09:48 | |
which was...before the old king died... | 0:09:48 | 0:09:51 | |
LAUGHTER | 0:09:51 | 0:09:53 | |
..I'd say, "What do you do?" And people would say, | 0:09:53 | 0:09:55 | |
"I'm a plumber" or something of that nature, and now they say to me, | 0:09:55 | 0:09:59 | |
"I'm a consultative HR area managerial cooperative officer." | 0:09:59 | 0:10:05 | |
-Yeah. -And then I say, "Where are you from?" And they say, "Ipswich." | 0:10:05 | 0:10:08 | |
And I say, "Did you come on a tractor?" It gets a big laugh. | 0:10:08 | 0:10:11 | |
-Yeah. -LAUGHTER | 0:10:11 | 0:10:13 | |
-It's a tough business, Richard. -Yeah. | 0:10:13 | 0:10:16 | |
It's more the spontaneous whoop when a town is mentioned, | 0:10:16 | 0:10:22 | |
and also, it's existing in a group dynamic | 0:10:22 | 0:10:25 | |
because, conversationally, | 0:10:25 | 0:10:27 | |
if I were to say, "I went to Ipswich," and you went, "Yay!" | 0:10:27 | 0:10:31 | |
-in a group of less than four... -Yeah. | 0:10:31 | 0:10:34 | |
..I don't know when it becomes all right to say, "Yay!" | 0:10:34 | 0:10:37 | |
-Is there a critical mass? -What if it was just me and you talking? -Yeah. | 0:10:37 | 0:10:42 | |
-Yeah, just mention Ipswich. -OK. | 0:10:42 | 0:10:45 | |
-I did this gig in Ipswich... -Yay! | 0:10:46 | 0:10:48 | |
LAUGHTER | 0:10:48 | 0:10:51 | |
OK, so what's upsetting Alun? | 0:10:51 | 0:10:53 | |
LAUGHTER AND APPLAUSE | 0:10:57 | 0:11:00 | |
Advice, Frank, is what I'd like to put in Room 101, cos I think... | 0:11:05 | 0:11:09 | |
Maybe I'm arrogant, but when people say, | 0:11:09 | 0:11:12 | |
"I've got some advice for you," I often just think, "No." | 0:11:12 | 0:11:15 | |
LAUGHTER | 0:11:15 | 0:11:17 | |
No, don't bother. But a lot of advice is terrible. | 0:11:17 | 0:11:20 | |
Like, when you tot it up, a whole life, | 0:11:20 | 0:11:22 | |
there's probably about three bits that are any use | 0:11:22 | 0:11:25 | |
and one of them's yellow snow. | 0:11:25 | 0:11:26 | |
LAUGHTER | 0:11:26 | 0:11:28 | |
And the rest of it, I just think is waffle, just bad, bad advice. | 0:11:28 | 0:11:33 | |
A friend told me that he was told, when he was younger, | 0:11:33 | 0:11:37 | |
dress for the job you want, not for the job you've got. | 0:11:37 | 0:11:40 | |
Have you heard that? That's apparently business advice. | 0:11:40 | 0:11:43 | |
And people think it's good. It's not. | 0:11:43 | 0:11:45 | |
He is serving a custodial sentence | 0:11:45 | 0:11:47 | |
for repeatedly impersonating a police officer. | 0:11:47 | 0:11:50 | |
LAUGHTER | 0:11:50 | 0:11:52 | |
I think it's bad advice. | 0:11:52 | 0:11:53 | |
I'm trying to remember if I've ever given Alun any advice. | 0:11:53 | 0:11:58 | |
-Have I? -I don't think so. | 0:11:58 | 0:11:59 | |
Cos comedians do, especially, you know, elder statesmen comics, | 0:11:59 | 0:12:04 | |
like myself, sometimes. | 0:12:04 | 0:12:06 | |
I remember an American comic, | 0:12:06 | 0:12:07 | |
he said, "I'll tell you something about stand-up comedy," | 0:12:07 | 0:12:10 | |
and I thought, "This could be handy." | 0:12:10 | 0:12:12 | |
He said, "Always take your wallet on stage." | 0:12:12 | 0:12:16 | |
LAUGHTER | 0:12:16 | 0:12:19 | |
-Sensible. -Yeah. | 0:12:19 | 0:12:20 | |
And another guy, an English magician, actually, | 0:12:20 | 0:12:23 | |
and he said to me, "I'll tell you something." I was very new. | 0:12:23 | 0:12:27 | |
He said, "I'll tell you something, Frank. | 0:12:27 | 0:12:29 | |
"When you get a BMW - and you will..." | 0:12:29 | 0:12:31 | |
LAUGHTER | 0:12:31 | 0:12:34 | |
"..get power-assisted steering." | 0:12:34 | 0:12:36 | |
LAUGHTER | 0:12:36 | 0:12:38 | |
That is the comedy advice that I've had. In my whole career, that's it. | 0:12:38 | 0:12:43 | |
You must get a lot of people... | 0:12:43 | 0:12:44 | |
I get a lot of people who write to me for advice about, you know, | 0:12:44 | 0:12:48 | |
"I want to get into sports broadcasting, I want to do this..." | 0:12:48 | 0:12:51 | |
and I feel a real burden of responsibility. | 0:12:51 | 0:12:54 | |
-I always reply and I... -Do you? -Yeah, I feel... | 0:12:54 | 0:12:57 | |
I don't like being asked for advice, because I feel like | 0:12:57 | 0:13:00 | |
if I get this wrong and I screw up their career or their life... | 0:13:00 | 0:13:03 | |
It's someone less to worry about... | 0:13:03 | 0:13:05 | |
LAUGHTER | 0:13:05 | 0:13:07 | |
..in your line of work. | 0:13:07 | 0:13:08 | |
My dad... I grew up in a Roman Catholic household, | 0:13:08 | 0:13:13 | |
he was big on advice, my dad, | 0:13:13 | 0:13:15 | |
he gave me "going into a darkened room" advice, | 0:13:15 | 0:13:19 | |
which you don't hear very often. | 0:13:19 | 0:13:20 | |
And his argument was, when you go into... I'm going to stand. | 0:13:20 | 0:13:23 | |
When you go into a darkened room, you walk like this... | 0:13:23 | 0:13:26 | |
..so you can, you know, in case you walk into anything. | 0:13:28 | 0:13:32 | |
Why did you preface this with, | 0:13:32 | 0:13:35 | |
"I grew up in a Roman Catholic household"? | 0:13:35 | 0:13:37 | |
LAUGHTER | 0:13:37 | 0:13:38 | |
Because... | 0:13:38 | 0:13:41 | |
APPLAUSE | 0:13:41 | 0:13:44 | |
Because in all my many conversations with my father, | 0:13:44 | 0:13:47 | |
it's the only time he acknowledged the existence of genitals. | 0:13:47 | 0:13:51 | |
OK. | 0:13:51 | 0:13:52 | |
My dad also told me to keep salt in my pocket, | 0:13:53 | 0:13:56 | |
so that if anyone approached me after dark in the street, | 0:13:56 | 0:14:00 | |
I should throw it in their faces. | 0:14:00 | 0:14:02 | |
LAUGHTER | 0:14:02 | 0:14:04 | |
See, I think that's good advice. | 0:14:04 | 0:14:06 | |
I'm going to make that four... | 0:14:06 | 0:14:07 | |
LAUGHTER | 0:14:07 | 0:14:09 | |
-Yeah. -..that you get in a whole lifetime. | 0:14:09 | 0:14:12 | |
And also, if you need to grit snow at short notice. | 0:14:12 | 0:14:15 | |
LAUGHTER | 0:14:15 | 0:14:16 | |
He even told me the method. | 0:14:16 | 0:14:18 | |
He said what you would do if someone came over | 0:14:18 | 0:14:20 | |
and said, "Give me your wristwatch," | 0:14:20 | 0:14:23 | |
you'd go, "Oh, look, I don't want any trouble, I'll just... Ha-ha!" | 0:14:23 | 0:14:27 | |
And then you'd get the salt. LAUGHTER | 0:14:27 | 0:14:29 | |
He said, "Cos you want their eyes to be... | 0:14:29 | 0:14:31 | |
"Make sure they're open. Don't give them any kind of hint." | 0:14:31 | 0:14:34 | |
-And then you... -Will you pass that advice on to your son? | 0:14:34 | 0:14:38 | |
No, because we've got, you know, mace and stuff now. | 0:14:38 | 0:14:41 | |
LAUGHTER | 0:14:41 | 0:14:42 | |
You've got to move with the times, I think. | 0:14:42 | 0:14:44 | |
Now everyone uses sea salt, | 0:14:44 | 0:14:45 | |
you'd have to just crumble it in their eyes. | 0:14:45 | 0:14:47 | |
LAUGHTER | 0:14:47 | 0:14:49 | |
-Exhausting. -LAUGHTER | 0:14:49 | 0:14:52 | |
It's Jamie Oliver's fault. | 0:14:52 | 0:14:54 | |
When I was a young man, I was in a pub, and a man told me, | 0:14:54 | 0:14:58 | |
"If ever a dog bites you and locks its jaws... | 0:14:58 | 0:15:02 | |
"..put your finger up its bottom and it will open its mouth." | 0:15:03 | 0:15:06 | |
LAUGHTER | 0:15:06 | 0:15:08 | |
-Right. -That's what he said. | 0:15:08 | 0:15:10 | |
I based a cutting-edge ventriloquist act on it in the '80s. | 0:15:10 | 0:15:13 | |
LAUGHTER | 0:15:13 | 0:15:15 | |
Frank Skinner and Bongo. Do you remember it? | 0:15:15 | 0:15:18 | |
Does that work just for that particular bite? | 0:15:18 | 0:15:23 | |
If it bites again, you can do it again. | 0:15:23 | 0:15:26 | |
It's not like a bee, where it bites you and then it dies. | 0:15:26 | 0:15:29 | |
No, but at some stage, you've got to get that finger back out. | 0:15:29 | 0:15:32 | |
LAUGHTER Yeah. | 0:15:32 | 0:15:34 | |
And then where are you? You need a net. | 0:15:34 | 0:15:37 | |
-No, they open their mouth... -Yeah. -So, you've got it open. | 0:15:37 | 0:15:40 | |
-Yeah, but now it's annoyed. -LAUGHTER | 0:15:40 | 0:15:42 | |
Not necessarily. | 0:15:42 | 0:15:45 | |
Well, it's got something to say on the matter. | 0:15:45 | 0:15:48 | |
It's either annoyed or quite attached. It's certainly attached. | 0:15:48 | 0:15:53 | |
-You've started a dialogue. -Yes. | 0:15:53 | 0:15:56 | |
-It does... I've seen it work. -Oh, have you? | 0:15:56 | 0:16:00 | |
LAUGHTER | 0:16:01 | 0:16:03 | |
OK, so... I'm glad of any kind of cheering or applause I can get | 0:16:03 | 0:16:09 | |
-at any gig, so I don't want to close down any areas. -Sure. | 0:16:09 | 0:16:13 | |
-So, you know... -That's OK. | 0:16:13 | 0:16:15 | |
Advice, I mean, one does get good advice | 0:16:15 | 0:16:19 | |
and I know it's thin on the ground, | 0:16:19 | 0:16:21 | |
but when you get it, it can be really brilliant and uplifting. | 0:16:21 | 0:16:25 | |
I just can't put in all advice. | 0:16:25 | 0:16:27 | |
However, the half and half scarf, I think, | 0:16:27 | 0:16:30 | |
is probably what's gone wrong with Great Britain and Europe. | 0:16:30 | 0:16:33 | |
LAUGHTER | 0:16:33 | 0:16:34 | |
And so, I'm going to put half and half scarves into Room 101. | 0:16:34 | 0:16:38 | |
-Thank you. -APPLAUSE | 0:16:38 | 0:16:42 | |
Righty-ho. On we go with Gabby Logan. | 0:16:49 | 0:16:52 | |
People who are afraid of flying. | 0:16:56 | 0:16:58 | |
Which sounds like I have no empathy | 0:16:58 | 0:17:01 | |
and I'm very intolerant | 0:17:01 | 0:17:04 | |
and it sounds like I don't care. | 0:17:04 | 0:17:07 | |
-Um, I don't, actually. -LAUGHTER AND APPLAUSE | 0:17:07 | 0:17:11 | |
If you sit next to me on a flight... I've had a few of them lately. | 0:17:11 | 0:17:14 | |
-Right. -You've bought the ticket, you know how it works. | 0:17:14 | 0:17:18 | |
We're getting on a plane, we're going somewhere. | 0:17:18 | 0:17:21 | |
It cannot be a surprise to you that we are going to take off. | 0:17:21 | 0:17:24 | |
You've not watched The A-Team. | 0:17:24 | 0:17:26 | |
LAUGHTER AND APPLAUSE | 0:17:26 | 0:17:30 | |
I've had a few bad experiences in the last 12 months | 0:17:30 | 0:17:33 | |
and this has brought this to a head. | 0:17:33 | 0:17:35 | |
I was on my way to Newcastle - just a quick hop, | 0:17:35 | 0:17:37 | |
from London up to Newcastle - | 0:17:37 | 0:17:39 | |
and the lady sat next to me in the middle, | 0:17:39 | 0:17:41 | |
she sat down and pulled her coat off | 0:17:41 | 0:17:42 | |
and she started kind of rubbing herself in an almost sexual manner, | 0:17:42 | 0:17:45 | |
and I thought, "What's going on here?" | 0:17:45 | 0:17:47 | |
And then she started sweating a bit and she started rocking | 0:17:47 | 0:17:50 | |
and I thought, "We have somebody who's scared of flying, | 0:17:50 | 0:17:53 | |
"so I'm going to be there for her." I start off with a lot of compassion. | 0:17:53 | 0:17:57 | |
I said, "Would you like some water?" She went, "No, no, no, I'm fine. | 0:17:57 | 0:18:00 | |
"I'm on a bus, I'm on a bus, I'm on a bus, I'm on bus." | 0:18:00 | 0:18:03 | |
I said, "No, we're on a plane. But, listen..." | 0:18:03 | 0:18:06 | |
LAUGHTER | 0:18:06 | 0:18:07 | |
"That's better, because this is a lot safer than being on a bus. | 0:18:07 | 0:18:10 | |
"You are far more likely to die being on a bus than a plane. | 0:18:10 | 0:18:13 | |
"You're in a good place right now." | 0:18:13 | 0:18:15 | |
So, she carries on with this whole thing and I said, | 0:18:15 | 0:18:17 | |
"Look, I give this advice to anybody I sit next to | 0:18:17 | 0:18:19 | |
"who's scared of flying, and it's this. | 0:18:19 | 0:18:21 | |
"Have you ever met anybody who's had a little shunt at 35,000 feet?" | 0:18:21 | 0:18:25 | |
And she said, "No." And I said, "No, that's cos they die." So... | 0:18:25 | 0:18:27 | |
LAUGHTER | 0:18:27 | 0:18:30 | |
It's logic. | 0:18:30 | 0:18:32 | |
And it didn't occur to you | 0:18:32 | 0:18:33 | |
that dying might be the thing she was afraid of? | 0:18:33 | 0:18:36 | |
LAUGHTER | 0:18:36 | 0:18:38 | |
I mean, because that is a legitimate fear. | 0:18:40 | 0:18:42 | |
I think the only time I've been... concerned about crashing, | 0:18:42 | 0:18:48 | |
I was on a flight with Ant and Dec... | 0:18:48 | 0:18:51 | |
..and it did occur to me that if the plane went down, | 0:18:52 | 0:18:55 | |
they would get top billing in the... | 0:18:55 | 0:18:58 | |
LAUGHTER | 0:18:58 | 0:19:00 | |
-Right. -The headline would be, "Ant and Dec die." | 0:19:00 | 0:19:03 | |
And then, "Brummie comedian also perishes." | 0:19:03 | 0:19:07 | |
LAUGHTER | 0:19:07 | 0:19:09 | |
And that, I must say, I was glad when we got off that plane. I was... | 0:19:09 | 0:19:13 | |
I understand that people might, you know, | 0:19:13 | 0:19:15 | |
might have an apprehension about it but I don't see why it's any more, | 0:19:15 | 0:19:19 | |
that they would have an apprehension about getting on a bus or... | 0:19:19 | 0:19:22 | |
-People don't go... -SHE GASPS: -I'm getting in the car! | 0:19:22 | 0:19:25 | |
The car is much more dangerous than the plane. | 0:19:25 | 0:19:27 | |
-It's not, though. -It IS, it's fact. | 0:19:27 | 0:19:29 | |
-It IS. -It's not. -It IS. -Also, I DO do that before I go into cars. | 0:19:29 | 0:19:32 | |
LAUGHTER | 0:19:32 | 0:19:34 | |
It's a lot more likely that you're going to die in a car accident | 0:19:34 | 0:19:38 | |
-than a plane accident. -No. -Yes. -LAUGHTER | 0:19:38 | 0:19:42 | |
No, what you mean is, | 0:19:42 | 0:19:44 | |
it's a lot more likely that you're going to have a car accident, | 0:19:44 | 0:19:47 | |
but it's a lot more likely | 0:19:47 | 0:19:49 | |
that you're going die in a plane accident. | 0:19:49 | 0:19:52 | |
-No. -Yeah. -No. | 0:19:52 | 0:19:53 | |
LAUGHTER | 0:19:53 | 0:19:55 | |
Can I give you some statistics? | 0:19:55 | 0:19:57 | |
The US National Transport Safety Board did a survey | 0:19:57 | 0:20:01 | |
of commercial airlines and these are the odds of dying in a plane crash. | 0:20:01 | 0:20:06 | |
They are 1 in every 1.2 million flights. | 0:20:06 | 0:20:11 | |
And this is what amazes me. | 0:20:12 | 0:20:14 | |
Out of the planes that do crash, 96.7% of passengers survive. | 0:20:14 | 0:20:20 | |
-What? -Yes. | 0:20:20 | 0:20:22 | |
See, your death thing isn't even any comfort. | 0:20:22 | 0:20:25 | |
-LAUGHTER -We may crash, | 0:20:25 | 0:20:27 | |
and there's a good chance we're going to survive this bloody thing. | 0:20:27 | 0:20:30 | |
LAUGHTER | 0:20:30 | 0:20:31 | |
Thus, the odds of dying in a plane crash are 1 in 11 million. | 0:20:31 | 0:20:35 | |
-Those odds are too high for me. -LAUGHTER | 0:20:35 | 0:20:38 | |
Apparently, stewardesses often survive because they are protected | 0:20:38 | 0:20:44 | |
by the hardened shell of their make-up. | 0:20:44 | 0:20:46 | |
LAUGHTER | 0:20:46 | 0:20:49 | |
Here's a man now - | 0:20:49 | 0:20:51 | |
this man was on an aeroplane and it was said that he drank | 0:20:51 | 0:20:56 | |
all of his duty-free liquor on the flight from Iceland to JFK, | 0:20:56 | 0:21:01 | |
and in the end, he attacked a woman, spat on other passengers | 0:21:01 | 0:21:06 | |
and screamed the plane was going to crash. | 0:21:06 | 0:21:09 | |
And so they duct taped him to his seat. | 0:21:09 | 0:21:13 | |
Here he is. | 0:21:13 | 0:21:15 | |
LAUGHTER | 0:21:15 | 0:21:18 | |
Now, I wonder, if that plane crashed, | 0:21:18 | 0:21:20 | |
maybe he might be the only person who'd survive, | 0:21:20 | 0:21:23 | |
and we'd all discover that is actually the safest way to travel. | 0:21:23 | 0:21:28 | |
I was due to fly to Loch Ness with David Baddiel on a private jet, | 0:21:28 | 0:21:33 | |
with some other people, | 0:21:33 | 0:21:35 | |
and he had had a dream that it crashed and he was very anxious | 0:21:35 | 0:21:39 | |
and making me anxious. | 0:21:39 | 0:21:40 | |
We were waiting for the car to take us to the airport, | 0:21:40 | 0:21:43 | |
and the drivers always got his name wrong, | 0:21:43 | 0:21:45 | |
they just couldn't cope with "Baddiel". | 0:21:45 | 0:21:47 | |
It seems straightforward, but it's an unusual name. | 0:21:47 | 0:21:50 | |
And the phone went from the door, | 0:21:50 | 0:21:52 | |
you know, and he picked it up | 0:21:52 | 0:21:54 | |
and a voice said, "Mr Buddy 'Olly?" | 0:21:54 | 0:21:57 | |
Absolutely terrifying. | 0:22:01 | 0:22:03 | |
OK, so, what's winding up Alun Cochrane? | 0:22:05 | 0:22:08 | |
LAUGHTER | 0:22:13 | 0:22:16 | |
It's people laughing out loud when reading a book. | 0:22:18 | 0:22:23 | |
And it's especially people near ME | 0:22:23 | 0:22:25 | |
laughing out loud when reading a book. | 0:22:25 | 0:22:28 | |
I don't know why it grinds my gears quite as much, | 0:22:28 | 0:22:32 | |
but that thing of, like... "Ha-ha-ha!" | 0:22:32 | 0:22:35 | |
Yeah, all right, we get it. We can all read. | 0:22:35 | 0:22:38 | |
I think there's a bit of show-offiness, like, | 0:22:38 | 0:22:41 | |
"Yeah, I'm reading a book!" | 0:22:41 | 0:22:43 | |
And I think, | 0:22:43 | 0:22:44 | |
"I've read loads of books, but I'm not showing off about it." | 0:22:44 | 0:22:47 | |
There's just a self-aggrandi-i... | 0:22:47 | 0:22:50 | |
-There's a show-offiness about it. -LAUGHTER | 0:22:50 | 0:22:52 | |
You need to read more books! LAUGHTER | 0:22:52 | 0:22:55 | |
You say something funny, we go, "Ha-ha." | 0:22:55 | 0:22:57 | |
But if somebody's written something funny, | 0:22:57 | 0:22:59 | |
I feel like you should type, "LOL", or just write down, "Laughed." | 0:22:59 | 0:23:04 | |
-In a notebook to the side of the book, just go, "Laughs." -Yeah. | 0:23:04 | 0:23:09 | |
You could have marginalia. You could write, "Ha-ha" next to things. | 0:23:09 | 0:23:12 | |
I think that's a perfectly appropriate response | 0:23:12 | 0:23:15 | |
and I think there's a bit of people reading in public, | 0:23:15 | 0:23:18 | |
going, "Oh, I'm reading." | 0:23:18 | 0:23:19 | |
So, if I'm on a train and somebody near me's like, | 0:23:19 | 0:23:22 | |
"Ha-ha-ha-ha," I just think, "Get a room." | 0:23:22 | 0:23:25 | |
-Just read this in the comfort of your own... -Is this OK? | 0:23:25 | 0:23:29 | |
Yeah, that's fine. | 0:23:29 | 0:23:31 | |
Because it's not an assault on me living my life, | 0:23:31 | 0:23:34 | |
-which is what extraneous noise is to me. -Actual, really audible laughter. | 0:23:34 | 0:23:39 | |
Just, yeah... | 0:23:39 | 0:23:41 | |
Maybe it's other people's tangible existence that you don't like. | 0:23:41 | 0:23:45 | |
LAUGHTER | 0:23:45 | 0:23:46 | |
Yeah, I just find it very irritating. | 0:23:46 | 0:23:48 | |
I'm surprised it's getting so much resistance, | 0:23:48 | 0:23:50 | |
cos I thought this was a thing. | 0:23:50 | 0:23:52 | |
I read an autobiography recently | 0:23:52 | 0:23:54 | |
and I really laughed out loud on several occasions, | 0:23:54 | 0:23:56 | |
which you would condemn me for. | 0:23:56 | 0:23:58 | |
-Who's autobiography were you reading? -Mine. | 0:23:58 | 0:24:01 | |
LAUGHTER | 0:24:01 | 0:24:03 | |
-It WAS actually mine. -Yeah. | 0:24:03 | 0:24:05 | |
This is one of the pluses of age-related memory loss. | 0:24:05 | 0:24:08 | |
-And you were laughing out loud? -I laughed out loud. | 0:24:08 | 0:24:11 | |
It's properly funny, my autobiography. | 0:24:11 | 0:24:13 | |
-"Laugh-out-loud funny..." -Yeah. -"..Frank Skinner." -Exactly. | 0:24:13 | 0:24:17 | |
I know that's not going to have the same impact as a recommendation. | 0:24:17 | 0:24:21 | |
"I laughed out loud while re-reading it, | 0:24:21 | 0:24:24 | |
-"having forgotten it." -"Said narcissist Frank Skinner." | 0:24:24 | 0:24:27 | |
LAUGHTER | 0:24:27 | 0:24:28 | |
-Have you ever seen the thumb thing, by the way? -No. | 0:24:28 | 0:24:31 | |
The thumb thing is a special gadget for reading books, | 0:24:31 | 0:24:36 | |
and this is what the blurb says. | 0:24:36 | 0:24:39 | |
"Ever relaxed on the beach with a book?" | 0:24:39 | 0:24:41 | |
-LAUGHTER -Yeah. | 0:24:41 | 0:24:44 | |
"Likely you held the book in front of your face with your thumb | 0:24:44 | 0:24:47 | |
-"to block the sun from your eyes." -Mm. -Yeah, done that. | 0:24:47 | 0:24:50 | |
"A few minutes later, your thumb gets tired | 0:24:50 | 0:24:52 | |
"and the book smacks you in the face." | 0:24:52 | 0:24:54 | |
LAUGHTER | 0:24:54 | 0:24:56 | |
That's never happened to me, ever. | 0:24:56 | 0:24:58 | |
But the thumb thing is invented for that. So, you get your book... | 0:24:58 | 0:25:02 | |
LAUGHTER | 0:25:02 | 0:25:05 | |
And you can hold it like that and it does give you, | 0:25:05 | 0:25:08 | |
if you can see there, it gives you a lot of extra support. | 0:25:08 | 0:25:11 | |
That's good. | 0:25:11 | 0:25:12 | |
-It's a simple thing, but so many of the best inventions are. -Mm. | 0:25:12 | 0:25:15 | |
-How's it doing? -Great. -No, the invention. Is it selling well? | 0:25:15 | 0:25:20 | |
Oh, sorry. LAUGHTER | 0:25:20 | 0:25:22 | |
-THIS is selling extremely well, apparently. -Is THAT funny? | 0:25:22 | 0:25:26 | |
Um, I've never actually, um... | 0:25:26 | 0:25:29 | |
I HAVE read it. LAUGHTER | 0:25:29 | 0:25:32 | |
And if you were offended at someone laughing on a train, | 0:25:32 | 0:25:35 | |
you should have been there when I read THAT! | 0:25:35 | 0:25:37 | |
LAUGHTER | 0:25:37 | 0:25:40 | |
There some books which I would be edgy about reading on a train. | 0:25:40 | 0:25:45 | |
Would you read Fifty Shades Of Grey on a train? | 0:25:45 | 0:25:47 | |
-No. -No. -No. -What about this one? | 0:25:47 | 0:25:51 | |
LAUGHTER | 0:25:53 | 0:25:56 | |
I'd like to read this on a train and every now and again, | 0:25:56 | 0:25:59 | |
stare at female passengers and go... | 0:25:59 | 0:26:01 | |
LAUGHTER | 0:26:02 | 0:26:06 | |
"Any luck, missus?" LAUGHTER | 0:26:06 | 0:26:08 | |
How did you find that book? Was it Amazon Recommends? | 0:26:08 | 0:26:14 | |
Yeah, "People who bought this also like..." I got one of those. | 0:26:14 | 0:26:18 | |
-"Hi, Frank, we thought you might like..." -Exactly. | 0:26:18 | 0:26:21 | |
I once got a news story on a news feed I have and it said, | 0:26:21 | 0:26:25 | |
"Here's a story you might like." | 0:26:25 | 0:26:28 | |
And it was a couple who'd been eaten by cannibals while on holiday. | 0:26:28 | 0:26:32 | |
Spot on. LAUGHTER | 0:26:32 | 0:26:36 | |
I'd love to read... I WOULD read this on a train. | 0:26:36 | 0:26:39 | |
LAUGHTER | 0:26:41 | 0:26:44 | |
There's something brilliant about that. | 0:26:46 | 0:26:49 | |
I would have thought that was the least of their problems, | 0:26:49 | 0:26:52 | |
-their carbon footprint. -Yeah. | 0:26:52 | 0:26:55 | |
They did a lot of bad, but they did offset a lot of it with trees. | 0:26:55 | 0:26:59 | |
LAUGHTER | 0:26:59 | 0:27:01 | |
Yeah. Respect to them. | 0:27:01 | 0:27:03 | |
I think... Just on THAT point, I mean. | 0:27:03 | 0:27:07 | |
Not generally. Righto, and so to Richard. | 0:27:07 | 0:27:11 | |
LAUGHTER | 0:27:14 | 0:27:17 | |
Yes...fun. | 0:27:17 | 0:27:21 | |
-I don't understand it. -LAUGHTER | 0:27:21 | 0:27:25 | |
I don't know... whether it's possible. | 0:27:25 | 0:27:28 | |
LAUGHTER | 0:27:28 | 0:27:30 | |
And I think, if you describe something as fun, | 0:27:30 | 0:27:33 | |
that's a bad thing. | 0:27:33 | 0:27:36 | |
It trivialises it. | 0:27:36 | 0:27:38 | |
If you think of anything you actually like, | 0:27:38 | 0:27:40 | |
and if you were to describe it to someone else, | 0:27:40 | 0:27:43 | |
I don't know that you'd use the word "fun". | 0:27:43 | 0:27:45 | |
It seems to be quite a word that's only really appropriate | 0:27:45 | 0:27:49 | |
for describing a Wham! video. | 0:27:49 | 0:27:51 | |
LAUGHTER | 0:27:51 | 0:27:53 | |
And only some of them. | 0:27:53 | 0:27:55 | |
And what's the flipside of fun? | 0:27:55 | 0:27:57 | |
My life... | 0:27:57 | 0:27:59 | |
-LAUGHTER -..is the flipside. | 0:27:59 | 0:28:00 | |
And also, every time someone has said, | 0:28:00 | 0:28:03 | |
"This is going to be fun," you know they're lying. It's not. | 0:28:03 | 0:28:07 | |
I mean, if someone says, "This will be tolerable"... | 0:28:07 | 0:28:10 | |
LAUGHTER | 0:28:10 | 0:28:13 | |
-..I'd go, "I'm there." -LAUGHTER | 0:28:13 | 0:28:15 | |
-That's one of my chat-up lines. -Yeah. | 0:28:15 | 0:28:18 | |
I mean, that, to me, is a boast. | 0:28:18 | 0:28:20 | |
LAUGHTER | 0:28:20 | 0:28:22 | |
Well, I suppose the most concrete example of fun | 0:28:22 | 0:28:26 | |
that one can get is this. | 0:28:26 | 0:28:29 | |
This is a fun-sized Mars Bar, | 0:28:29 | 0:28:33 | |
which suggests that your standard Mars Bar is a bit of a slog. | 0:28:33 | 0:28:38 | |
Yep. | 0:28:38 | 0:28:39 | |
What they're saying is, if we take that... | 0:28:39 | 0:28:41 | |
If, when you're eating a Mars Bar, this section of it is actually fun. | 0:28:41 | 0:28:47 | |
-Yeah. -After that, it's about knuckling down | 0:28:47 | 0:28:50 | |
and just getting the job done. | 0:28:50 | 0:28:52 | |
-LAUGHTER -That applies for a lot of stuff. | 0:28:52 | 0:28:55 | |
LAUGHTER Exactly. | 0:28:55 | 0:28:57 | |
What about fun snaps? Do you like those? | 0:28:57 | 0:28:59 | |
-Do you know fun snaps? -What even are they? | 0:28:59 | 0:29:01 | |
-Oh, come on! Do you know fun snaps? -It's the worst word... | 0:29:01 | 0:29:04 | |
You put "fun" in front of anything and it's a bad time. | 0:29:04 | 0:29:06 | |
Look, these are fun snaps. | 0:29:06 | 0:29:08 | |
-SNAP! -Oh, yeah! -Oh! That's fun. | 0:29:08 | 0:29:10 | |
Come on, that's fun. | 0:29:10 | 0:29:12 | |
-SNAP! -Well... | 0:29:12 | 0:29:15 | |
SNAP! | 0:29:15 | 0:29:17 | |
Sometimes when you think something's going to be fun, | 0:29:17 | 0:29:21 | |
it absolutely isn't. | 0:29:21 | 0:29:23 | |
Take this, for example. | 0:29:23 | 0:29:25 | |
-VIDEO FOOTAGE: -Ready? Are you ready? Ready, steady, go! | 0:29:25 | 0:29:28 | |
LAUGHTER | 0:29:29 | 0:29:33 | |
Lift your legs up. | 0:29:35 | 0:29:37 | |
LAUGHTER | 0:29:39 | 0:29:42 | |
LAUGHTER | 0:29:47 | 0:29:50 | |
DAD LAUGHS ON VIDEO | 0:29:50 | 0:29:53 | |
That sounds like you. | 0:29:53 | 0:29:55 | |
You see, I think that's a very potent symbol | 0:29:55 | 0:29:58 | |
-of how fun often turns out. -Yeah. | 0:29:58 | 0:30:00 | |
I think the dad filming it is having GREAT fun. | 0:30:00 | 0:30:04 | |
LAUGHTER | 0:30:04 | 0:30:05 | |
Do you think you've ever had fun? | 0:30:05 | 0:30:07 | |
I hope not. | 0:30:07 | 0:30:08 | |
OK. | 0:30:10 | 0:30:11 | |
Some people don't even want to be seen to be having fun. | 0:30:11 | 0:30:15 | |
I'm not saying you're in this category, Richard, | 0:30:15 | 0:30:17 | |
but look at this guy. | 0:30:17 | 0:30:18 | |
HE SINGS IN OWN LANGUAGE | 0:30:18 | 0:30:22 | |
LAUGHTER | 0:30:30 | 0:30:32 | |
That's right. Don't document his fun. Don't spoil that moment. | 0:30:32 | 0:30:37 | |
He was connecting to the performer. | 0:30:37 | 0:30:39 | |
LAUGHTER | 0:30:39 | 0:30:41 | |
OK, we come to the end of that round. | 0:30:41 | 0:30:43 | |
I don't think you can put people who are afraid of flying in, | 0:30:43 | 0:30:46 | |
because they've got enough problems. | 0:30:46 | 0:30:48 | |
They're probably also claustrophobic, | 0:30:48 | 0:30:50 | |
so if we put them in the vault, they'll have a screaming fit. | 0:30:50 | 0:30:54 | |
People laughing out loud when they read a book - | 0:30:54 | 0:30:56 | |
I sort of respect the fact there's anyone left who reads a book. | 0:30:56 | 0:31:01 | |
Any reaction they get, I don't mind. And if it's my... | 0:31:01 | 0:31:06 | |
I have seen people reading my book and laughing, | 0:31:06 | 0:31:09 | |
but it was in the mirror. | 0:31:09 | 0:31:11 | |
LAUGHTER | 0:31:11 | 0:31:13 | |
-Fun. I tell you what. Fun, the way we're talking about it. -Yes. | 0:31:13 | 0:31:16 | |
-That fun was, "Wahey, let's have fun!" -Yes, Radio 1 Roadshow fun. | 0:31:16 | 0:31:20 | |
-Yeah, that kind of "fun". -Yes. -No, you're right. | 0:31:20 | 0:31:24 | |
-I don't like it and I'm going to put fun into Room 101. -Yeah. | 0:31:24 | 0:31:27 | |
CHEERING AND APPLAUSE | 0:31:27 | 0:31:31 | |
OK, we've got time for a bonus choice, | 0:31:38 | 0:31:40 | |
so let's see what Richard went for. | 0:31:40 | 0:31:44 | |
LAUGHTER | 0:31:48 | 0:31:50 | |
Anecdotes. | 0:31:50 | 0:31:52 | |
-Mm. -Now, I don't have any anecdotes, um, but I've heard them, | 0:31:52 | 0:31:58 | |
and I've often heard people retell an anecdote, | 0:31:58 | 0:32:04 | |
knowing that I've already heard that anecdote, | 0:32:04 | 0:32:06 | |
if a new person enters. | 0:32:06 | 0:32:09 | |
So, I'd say that specific category of someone going, | 0:32:09 | 0:32:12 | |
"I'm sorry, you've heard this before," | 0:32:12 | 0:32:15 | |
then doing the same thing while you're there, | 0:32:15 | 0:32:17 | |
because I feel I ought to be able to flip channel at that stage. | 0:32:17 | 0:32:20 | |
So, it's more of a subset of anecdotes, | 0:32:20 | 0:32:24 | |
which is repeating it in the company of someone | 0:32:24 | 0:32:27 | |
you've already told that anecdote to. | 0:32:27 | 0:32:30 | |
Yeah, I mean, if I do that, | 0:32:30 | 0:32:31 | |
I often try and throw in something extra, just for them. | 0:32:31 | 0:32:34 | |
-Yeah, and that's humane, that's nice. -Yeah. | 0:32:34 | 0:32:37 | |
But sometimes, it's got to be done, | 0:32:37 | 0:32:39 | |
because when you've got a beauty, you've got to share. | 0:32:39 | 0:32:42 | |
I've just never heard anything worth repeating. | 0:32:42 | 0:32:45 | |
LAUGHTER | 0:32:45 | 0:32:47 | |
Have you ever sat in a room with comedians, | 0:32:47 | 0:32:50 | |
swapping anecdotes, as it were? | 0:32:50 | 0:32:53 | |
No, I don't think I have. | 0:32:53 | 0:32:56 | |
I've been asked to leave rooms of comedians... | 0:32:56 | 0:32:58 | |
..but no, not really, not like a full kind of... | 0:32:59 | 0:33:03 | |
Especially when people stand up for them | 0:33:03 | 0:33:06 | |
and, you know, clear a space, then I'm worried. | 0:33:06 | 0:33:10 | |
When I get anxious is when people say, "You'll love this," | 0:33:10 | 0:33:15 | |
and I always think, never, ever start an anecdote like that. | 0:33:15 | 0:33:18 | |
Or they'll say, "A funny thing happened to me..." | 0:33:18 | 0:33:21 | |
and I always say, "Well, I'll be the judge of that." | 0:33:21 | 0:33:24 | |
Just to put them on the back foot. | 0:33:25 | 0:33:27 | |
I think once you start an anecdote, you have a duty, | 0:33:27 | 0:33:30 | |
if you've got an audience, | 0:33:30 | 0:33:31 | |
ie a few people listening to you, you have a duty to make it | 0:33:31 | 0:33:34 | |
as interesting as possible, and make it snappy as possible. | 0:33:34 | 0:33:37 | |
And it's very annoying when your other half is near you | 0:33:37 | 0:33:40 | |
and they decide to start interrupting | 0:33:40 | 0:33:43 | |
and correcting what might be slight mistruths that you're just | 0:33:43 | 0:33:47 | |
using to pepper the story, give it a little bit more oomph, you know? | 0:33:47 | 0:33:51 | |
Because nobody's getting hurt in the telling of this anecdote, you know? | 0:33:51 | 0:33:54 | |
We don't need to be so factual... | 0:33:54 | 0:33:56 | |
This is a very roundabout way of telling him this. | 0:33:56 | 0:33:58 | |
Well, you've been told! | 0:33:58 | 0:34:00 | |
Have you ever been with those couples when one of them | 0:34:00 | 0:34:03 | |
-wrestles the anecdote off the other... -Yes! -..halfway through? -Yup. | 0:34:03 | 0:34:06 | |
Often their wife - | 0:34:06 | 0:34:08 | |
they'll let their wife do all the hard yakka at the beginning, | 0:34:08 | 0:34:10 | |
the set-up, the characters, then they'll come in towards the end | 0:34:10 | 0:34:13 | |
and get all the glory. | 0:34:13 | 0:34:15 | |
Morecambe and Wise, that's... Whenever they were on a chat... | 0:34:15 | 0:34:18 | |
I remember Eric Morecambe being on a chat show | 0:34:18 | 0:34:20 | |
and there was some story and he said, | 0:34:20 | 0:34:22 | |
"You tell it, Ernie, I'll interrupt and get a couple of laughs." | 0:34:22 | 0:34:25 | |
Which, in a way, is quite a good description of their relationship. | 0:34:25 | 0:34:29 | |
I think with anecdotes, you've got to be precise. | 0:34:29 | 0:34:32 | |
But I just feel there's something... | 0:34:32 | 0:34:35 | |
about suddenly telling someone a thing with | 0:34:35 | 0:34:39 | |
the confidence that they are going to enjoy it, where I just go... | 0:34:39 | 0:34:42 | |
because I'm counter-suggestible, I'll go, "I'm out. I'm out of this. | 0:34:42 | 0:34:47 | |
"I don't need to be here." | 0:34:47 | 0:34:49 | |
That's what I think. I think, "This exists independently of me. | 0:34:49 | 0:34:53 | |
"Type it up and I'll read it when I'm on the Tube. | 0:34:53 | 0:34:57 | |
"I don't need this to exist in real time." | 0:34:57 | 0:35:00 | |
But if you laugh at it on the Tube, he'll be absolutely furious. | 0:35:00 | 0:35:03 | |
Exactly. Furious. | 0:35:03 | 0:35:04 | |
I've got a friend who tells an anecdote, | 0:35:04 | 0:35:07 | |
-and I have the kind of go against your subsection, because... -OK. | 0:35:07 | 0:35:10 | |
..I could listen to this story almost every day, | 0:35:10 | 0:35:13 | |
and it's the story of how this guy's dad lost both his thumbs. | 0:35:13 | 0:35:18 | |
LAUGHTER I like it so far! | 0:35:18 | 0:35:21 | |
How does he... How does he read on the beach? | 0:35:21 | 0:35:25 | |
Does he laugh as soon as he announces it, as that story? | 0:35:26 | 0:35:29 | |
-"You'll love this..." -Yeah! | 0:35:29 | 0:35:32 | |
He tells it with wide-eyed enthusiasm and wonder every time. | 0:35:32 | 0:35:36 | |
Basically, this guy worked in a sawmill in New Zealand, | 0:35:36 | 0:35:39 | |
and one day, he was cutting a piece of wood and chopped his finger off. | 0:35:39 | 0:35:44 | |
About six months later, somebody else started at this sawmill | 0:35:44 | 0:35:47 | |
and they said, "Hey, Ched, how did you lose your thumb?" | 0:35:47 | 0:35:49 | |
and he said, "Oh, I did this..." and he actually cut his other thumb off, | 0:35:49 | 0:35:53 | |
while he was demonstrating what he'd done. | 0:35:53 | 0:35:56 | |
See, that's what I call an anecdote! | 0:35:56 | 0:35:59 | |
No, not the telling of that story, but the guy who, | 0:36:00 | 0:36:03 | |
in order to give his anecdote real verve, | 0:36:03 | 0:36:07 | |
actually reproduced the accident! | 0:36:07 | 0:36:09 | |
And at least that has a one-off-ness. | 0:36:09 | 0:36:12 | |
-Well, two-off. -Yeah. | 0:36:12 | 0:36:15 | |
-But he hadn't done that before. -No. | 0:36:15 | 0:36:16 | |
He's not telling that anecdote a third time. | 0:36:16 | 0:36:19 | |
But when people have said to me that something's happened with us | 0:36:20 | 0:36:24 | |
and it's been funny, and they've said, | 0:36:24 | 0:36:26 | |
"Oh, man, I've dined out on that story," | 0:36:26 | 0:36:29 | |
and I always think, where?! | 0:36:29 | 0:36:33 | |
Have you ever gone into a restaurant and said, | 0:36:33 | 0:36:36 | |
at the end of the meal, "Do you take anecdotes?" | 0:36:36 | 0:36:39 | |
And they say, "Oh, I'll just get you the microphone, sir." | 0:36:40 | 0:36:43 | |
I'm thinking never! | 0:36:43 | 0:36:45 | |
Also, isn't there a feeling that if you said something to someone, | 0:36:45 | 0:36:49 | |
within a conversation, that in some ways, | 0:36:49 | 0:36:51 | |
it's a betrayal of that moment | 0:36:51 | 0:36:54 | |
to pimp out that narrative around the globe? | 0:36:54 | 0:37:00 | |
For me, I feel it's a betrayal of the magical moments | 0:37:00 | 0:37:03 | |
that I have in every interaction. | 0:37:03 | 0:37:06 | |
I was on Burnham Sands with my family and friends, | 0:37:06 | 0:37:10 | |
and I got very thirsty, so I walked into someone's house, | 0:37:10 | 0:37:14 | |
their door was ajar, I walked into the house, they went, | 0:37:14 | 0:37:18 | |
"Oh, er, are you Frank Skinner?" | 0:37:18 | 0:37:22 | |
I said, "Yeah, I'm really thirsty, please," | 0:37:22 | 0:37:25 | |
and they said, "Oh, what do you want?" | 0:37:25 | 0:37:27 | |
and I said, "Just water's fine." | 0:37:27 | 0:37:30 | |
So, they gave me water, and they were having breakfast and I said, | 0:37:30 | 0:37:33 | |
"I'm actually... I'm a little bit peckish." | 0:37:33 | 0:37:37 | |
They made me a bacon sandwich, and then as I was leaving, | 0:37:37 | 0:37:41 | |
I thanked them, Andy and Shona, they were called, and they said, | 0:37:41 | 0:37:45 | |
"Do you want a can of Coke to take with you?" | 0:37:45 | 0:37:47 | |
And I said, "Oh, thanks very much. | 0:37:47 | 0:37:49 | |
I said, "This is really very kind of you," | 0:37:49 | 0:37:51 | |
and Andy said, "Well, it's an anecdote, isn't it?" | 0:37:51 | 0:37:54 | |
OK, so, Richard, | 0:37:56 | 0:37:58 | |
it's a bonus choice, it's going into Room 101. | 0:37:58 | 0:38:01 | |
CHEERING AND APPLAUSE | 0:38:01 | 0:38:04 | |
And that brings us to the end of the show. | 0:38:09 | 0:38:11 | |
Well done, Gabby, you were the most persuasive guest, | 0:38:11 | 0:38:13 | |
-so you are this week's winner. -Thank you very much. | 0:38:13 | 0:38:15 | |
CHEERING AND APPLAUSE | 0:38:15 | 0:38:18 | |
Thanks very much, Alun Cochrane, Gabby Logan and Richard Ayoade. | 0:38:18 | 0:38:22 | |
And thank you. Goodnight. | 0:38:22 | 0:38:25 | |
CHEERING AND APPLAUSE | 0:38:25 | 0:38:28 |