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Hello, I'm Frank Skinner, and welcome to Room 101, | 0:00:32 | 0:00:36 | |
the show where three guests compete | 0:00:36 | 0:00:39 | |
to get their pet hates exiled for ever to the dark vault. | 0:00:39 | 0:00:43 | |
Joining me tonight are comedian Miranda Hart, | 0:00:43 | 0:00:45 | |
broadcaster John Craven and presenter Reggie Yates. | 0:00:45 | 0:00:48 | |
So, let's have our first category. | 0:00:55 | 0:00:58 | |
It's food and drink. OK. | 0:01:03 | 0:01:06 | |
So, what doesn't Miranda like about food and drink? | 0:01:06 | 0:01:09 | |
I don't like fruit or veg out of context. | 0:01:14 | 0:01:18 | |
So you might look at this and you think, "A banana in a hot dog? | 0:01:22 | 0:01:26 | |
"That's ridiculous". Well, that is no more ridiculous... | 0:01:26 | 0:01:30 | |
In fact, that's slightly less ridiculous to me | 0:01:30 | 0:01:33 | |
than a pineapple, an exotic fruit, on a pizza. | 0:01:33 | 0:01:36 | |
A pineapple has no place mucking about with ham... | 0:01:36 | 0:01:40 | |
APPLAUSE Thank you! ..tomato and dough. It's an exotic fruit. | 0:01:40 | 0:01:44 | |
So I'd like to focus on vegetables out of context, if I may, Sir Frank. | 0:01:44 | 0:01:49 | |
-OK. -And I'll start you off... You've just been knighted. | 0:01:49 | 0:01:53 | |
A little bit premature. | 0:01:53 | 0:01:55 | |
This goes out after the New Year Honours list. | 0:01:55 | 0:01:58 | |
I will firstly give you the carrot cake. | 0:02:00 | 0:02:04 | |
Unacceptable. A carrot in a cake. | 0:02:04 | 0:02:08 | |
Either eat vegetables, or eat a cake. | 0:02:08 | 0:02:11 | |
I think vegetables are getting very cocky and they're infiltrating, | 0:02:11 | 0:02:14 | |
-they're infiltrating fun foods. -Yes. | 0:02:14 | 0:02:18 | |
I think you should only eat vegetables | 0:02:18 | 0:02:20 | |
if they're in a scenario where you could pour gravy on them. | 0:02:20 | 0:02:22 | |
Would you pour gravy on a cake? | 0:02:22 | 0:02:24 | |
No, you'd look, at best, a loon. Stop it. | 0:02:24 | 0:02:27 | |
-And then now we're getting beetroot cake. -Mmm. | 0:02:27 | 0:02:31 | |
Beetroot in a cake? | 0:02:31 | 0:02:32 | |
And then people say, "Oh, but it's a sugar replacement." | 0:02:33 | 0:02:36 | |
Well, don't have cake, then! | 0:02:36 | 0:02:38 | |
What about if they're tasty? | 0:02:39 | 0:02:41 | |
Like, a carrot cake is quite tasty. | 0:02:41 | 0:02:42 | |
It's a nice pudding. | 0:02:42 | 0:02:44 | |
But it's got carrot in it. | 0:02:44 | 0:02:47 | |
LAUGHTER | 0:02:47 | 0:02:48 | |
I admit it's the shock of seeing something where it ought not to be. | 0:02:48 | 0:02:51 | |
I mean, people talk about broken Britain. | 0:02:51 | 0:02:53 | |
I personally think the day Britain broke | 0:02:53 | 0:02:56 | |
was when someone put a piece of lime in the top of a beer bottle. | 0:02:56 | 0:02:59 | |
Yes. Well, there you go. | 0:02:59 | 0:03:01 | |
-That is a fruit out of context. -Yeah. Why is it there? | 0:03:01 | 0:03:03 | |
No. I don't even like a raisin in a Garibaldi. There, I said it. | 0:03:03 | 0:03:07 | |
Wow. I'm sorry. I think you've gone too far. | 0:03:08 | 0:03:11 | |
No. | 0:03:11 | 0:03:13 | |
-I like a pineapple in a pizza. -Ooh. -Do you? -Yeah. | 0:03:13 | 0:03:15 | |
I can't look at you, John. | 0:03:15 | 0:03:17 | |
LAUGHTER | 0:03:17 | 0:03:19 | |
I never thought I'd say that to John Craven. | 0:03:19 | 0:03:21 | |
I make myself, um, cheese and Brussels sprout sandwiches. | 0:03:24 | 0:03:28 | |
AUDIENCE: Ugh! | 0:03:28 | 0:03:30 | |
Have you tried them? | 0:03:30 | 0:03:31 | |
They're lovely because the heat of the sprout melts the cheese and er... | 0:03:32 | 0:03:37 | |
-Are you serious? -I'm absolutely serious. | 0:03:37 | 0:03:39 | |
In bread, like in a roll? | 0:03:39 | 0:03:40 | |
Yeah, a sandwich. You've heard of the concept of the sandwich. | 0:03:40 | 0:03:44 | |
Not with Brussels sprouts in it, Frank. | 0:03:44 | 0:03:47 | |
I don't think I've gone exotic here. | 0:03:47 | 0:03:51 | |
OK. Well, you argue your case well. | 0:03:51 | 0:03:53 | |
I'm going to see what John Craven doesn't like about food and drink. | 0:03:53 | 0:03:57 | |
Nothing good can be said about a marrow. | 0:04:06 | 0:04:10 | |
-Well, we'll see. -It is tasteless, | 0:04:10 | 0:04:12 | |
it's got an awful, soggy texture that makes me want to choke. | 0:04:12 | 0:04:16 | |
Marrow serves no useful purpose whatsoever, | 0:04:16 | 0:04:20 | |
apart from maybe being the biggest vegetable anybody can grow, often. | 0:04:20 | 0:04:25 | |
-You know, I think the biggest marrow ever was about eight stone. -Yeah? | 0:04:25 | 0:04:29 | |
So that's fine. You know, grow it for a bit of fun, | 0:04:29 | 0:04:31 | |
and then throw it away. Don't eat it. | 0:04:31 | 0:04:33 | |
-I'm guessing, John, that you have judged a giant marrow contest in your time. -I have. | 0:04:34 | 0:04:39 | |
I knew you had. | 0:04:39 | 0:04:40 | |
What I do like about a marrow is the fact that, as you say, it's so dull, | 0:04:40 | 0:04:45 | |
so that when it's stuffed, it really is just an edible bowl. | 0:04:45 | 0:04:49 | |
-That's right. -It's like celery. Celery is an edible spoon. | 0:04:49 | 0:04:54 | |
You use it as a big spoon, | 0:04:56 | 0:04:57 | |
-don't you, to eat cottage cheese, say. -Yeah. | 0:04:57 | 0:04:59 | |
If you eat it on its own, it's got that horrible string... | 0:04:59 | 0:05:04 | |
Marrow, you mean? | 0:05:04 | 0:05:06 | |
It's like eating a violin. | 0:05:06 | 0:05:07 | |
Nothing anybody can say will convince me | 0:05:10 | 0:05:12 | |
that marrow should not be in Room 101. | 0:05:12 | 0:05:15 | |
-OK. Well, blimey, you've argued that very strongly. -Gosh. | 0:05:15 | 0:05:18 | |
You see, one thing I would say about it is | 0:05:18 | 0:05:21 | |
vegetables of a certain shape | 0:05:21 | 0:05:23 | |
are absolutely essential to British comedy. | 0:05:23 | 0:05:26 | |
You know, the marrow, the cucumber, for some of us, the courgette. | 0:05:30 | 0:05:34 | |
LAUGHTER | 0:05:34 | 0:05:36 | |
It features in some of the... | 0:05:37 | 0:05:39 | |
There's an artistic use of, er, a vegetable. | 0:05:39 | 0:05:42 | |
This, for example. This is the John Craven marrow. | 0:05:42 | 0:05:46 | |
That's amazing. | 0:05:50 | 0:05:51 | |
APPLAUSE | 0:05:51 | 0:05:54 | |
Well, how about that? | 0:05:58 | 0:06:00 | |
You can have that, John. | 0:06:00 | 0:06:02 | |
Well, thank you, Frank. | 0:06:02 | 0:06:04 | |
-We have, um... Do you know who Snoop Dogg is? -No. -OK. | 0:06:04 | 0:06:08 | |
I would have been more upset had he said yes. | 0:06:09 | 0:06:11 | |
-Yeah. Snoop Dogg is one of them rappers. -Ah. -Yeah. | 0:06:11 | 0:06:16 | |
No, I wouldn't know. | 0:06:16 | 0:06:17 | |
And, um, this is an amazing story. | 0:06:17 | 0:06:20 | |
A man grew the heaviest swede in the world, | 0:06:20 | 0:06:24 | |
and he got a message via YouTube from Snoop Dogg, asking for, | 0:06:24 | 0:06:28 | |
and I quote, "Advice on how to grow vegetation." | 0:06:28 | 0:06:31 | |
When he was over here, Snoop Dogg, he invited this guy to a gig | 0:06:35 | 0:06:40 | |
and this is what he had to say. | 0:06:40 | 0:06:42 | |
-So, Snoop heard about your talent, didn't he? -Yes, yes. | 0:06:42 | 0:06:46 | |
And, um, he kind of got in touch over YouTube. | 0:06:46 | 0:06:49 | |
What did you think when you heard that message? | 0:06:49 | 0:06:51 | |
Bit strange, but, er, it's not my type of scene, | 0:06:51 | 0:06:54 | |
so I did turn the ticket down, | 0:06:54 | 0:06:56 | |
but in the end we went to the booking office | 0:06:56 | 0:06:58 | |
and managed to get them back. | 0:06:58 | 0:07:00 | |
I got my VIP pass with me to show my friends. | 0:07:00 | 0:07:03 | |
And you met him last night. | 0:07:03 | 0:07:04 | |
Met him last night, and I had a smoke with him. | 0:07:04 | 0:07:07 | |
I don't smoke, but he offered me one, so I took one. | 0:07:07 | 0:07:10 | |
-I'm hoping that's just tobacco. -No, it wasn't! | 0:07:10 | 0:07:12 | |
LAUGHTER | 0:07:12 | 0:07:14 | |
I love that. OK, what's Reggie's food and drink pet hate? | 0:07:22 | 0:07:26 | |
-Yoghurt drinks. I can't stand 'em. -Ah. | 0:07:31 | 0:07:33 | |
There's drinks, there's soft drinks, there's milkshake, | 0:07:33 | 0:07:37 | |
and then there's yoghurt drinks. | 0:07:37 | 0:07:39 | |
Why would you want a yoghurt drink? | 0:07:39 | 0:07:41 | |
-It just doesn't make sense. -Mmm. | 0:07:41 | 0:07:44 | |
On a warm day, you wouldn't drink milk, | 0:07:44 | 0:07:46 | |
so why would you drink yoghurt? I don't understand. | 0:07:46 | 0:07:49 | |
Why is a milkshake acceptable and not a yoghurt shake? | 0:07:50 | 0:07:53 | |
Because it tastes good. It doesn't taste like yoghurt. | 0:07:53 | 0:07:57 | |
Yoghurt really annoys me because it's disgusting | 0:07:57 | 0:08:00 | |
and it's just gone-off stuff. | 0:08:00 | 0:08:02 | |
I don't want a cup of gone-off stuff. | 0:08:02 | 0:08:04 | |
I want a nice, fruity beverage that's refreshing. | 0:08:05 | 0:08:08 | |
This is ridiculous. | 0:08:08 | 0:08:10 | |
OK. | 0:08:11 | 0:08:13 | |
But a yoghurt has things called probiotics in it, which is, like, | 0:08:13 | 0:08:16 | |
-well good for you and stuff, isn't it? -Very good for you. | 0:08:16 | 0:08:19 | |
So, in your face with that. | 0:08:19 | 0:08:21 | |
If I'm going to have a dairy-based drink, I like it to taste nice. | 0:08:24 | 0:08:27 | |
I also like it to go toe-to-toe with irritable bowel syndrome. | 0:08:27 | 0:08:30 | |
-Yeah. -I tell you what I have a problem with. | 0:08:30 | 0:08:33 | |
-The Fruit Corner. Are you familiar with the Fruit Corner? -Yeah, yeah. | 0:08:33 | 0:08:36 | |
Because that's not a yoghurt, that's a yoghurt kit. | 0:08:36 | 0:08:39 | |
I don't want to make my yoghurt, I want it to come... | 0:08:41 | 0:08:43 | |
The problem with that, is it can go wrong | 0:08:43 | 0:08:45 | |
because you have to do that weird thing where you flip the fruit into the yoghurt, | 0:08:45 | 0:08:49 | |
and if it goes wrong you've ruined the entire thing. Then you're just left with yoghurt, | 0:08:49 | 0:08:53 | |
which is just as bad as this nonsense. | 0:08:53 | 0:08:55 | |
-I don't flip the fruit in. -Do you not? -No. | 0:08:55 | 0:08:57 | |
-I have a bit of yoghurt, then a bit of fruit, a bit of yoghurt and a bit of fruit. -You maverick. | 0:08:57 | 0:09:02 | |
LAUGHTER | 0:09:02 | 0:09:04 | |
You been hanging out with Snoop Dogg? | 0:09:04 | 0:09:07 | |
What would you say was the most masculine drink that exists? | 0:09:09 | 0:09:13 | |
See, I don't drink. I don't drink alcohol, | 0:09:13 | 0:09:15 | |
but I've always liked the idea of getting a short, stubby glass of brandy | 0:09:15 | 0:09:19 | |
and sitting at a piano and smoking a cigar. | 0:09:19 | 0:09:22 | |
That's a really nice, cool, man thing to do, | 0:09:22 | 0:09:24 | |
but I don't smoke and I don't drink so I'll never do that, | 0:09:24 | 0:09:27 | |
but I really like the idea of that. | 0:09:27 | 0:09:29 | |
-Can I ask, do you play the piano? -No! | 0:09:29 | 0:09:31 | |
LAUGHTER | 0:09:31 | 0:09:32 | |
I ask about the macho thing because someone sent me this, | 0:09:36 | 0:09:40 | |
which is called... You see that? Oyster Stout. | 0:09:40 | 0:09:42 | |
I don't know if you can read the bottom of that. | 0:09:42 | 0:09:44 | |
"Stout made with bull testicles." | 0:09:44 | 0:09:46 | |
Oh. Shall I taste it? | 0:09:46 | 0:09:49 | |
-Do you want to taste it? -Can I taste it? -Yeah, certainly. | 0:09:49 | 0:09:53 | |
I just sort of feel like one of us should. | 0:09:55 | 0:09:57 | |
John, do you want to do it? | 0:09:57 | 0:09:58 | |
No, I'm really happy for you to try it. | 0:09:58 | 0:10:00 | |
Let's hope you don't develop a taste for it. | 0:10:00 | 0:10:02 | |
Don't aim it at John Craven, for God's sake. | 0:10:05 | 0:10:08 | |
It's a funny description. | 0:10:08 | 0:10:10 | |
It calls itself, "A luscious, uniquely ballsy stout..." | 0:10:10 | 0:10:13 | |
Oh, I see. | 0:10:13 | 0:10:14 | |
" ..with flavours of roasted barley, coffee and nuts." | 0:10:14 | 0:10:18 | |
Here we go. | 0:10:21 | 0:10:22 | |
It's like being on I'm A Celebrity. | 0:10:22 | 0:10:24 | |
-Oh, that is rank. -Is it horrible? | 0:10:30 | 0:10:33 | |
Try some, John. Oh, that's really disgusting. | 0:10:33 | 0:10:36 | |
-It's an awful colour as well. -Are you going to try it, John? | 0:10:36 | 0:10:40 | |
That's like drinking metal. Oh, no, that's not nice. | 0:10:40 | 0:10:44 | |
-Yuck. -It tastes of... -There's a really strong taste of liquorice. | 0:10:44 | 0:10:48 | |
It tastes of... Hmm, what is it? Testicles. | 0:10:48 | 0:10:52 | |
But John presents Countryfile, | 0:10:54 | 0:10:55 | |
so it won't be the first time he's gone home | 0:10:55 | 0:10:57 | |
smelling of bull's testicles. | 0:10:57 | 0:10:59 | |
OK, so we've come to the end of that round. | 0:11:00 | 0:11:03 | |
I think, the yoghurt drink thing, | 0:11:03 | 0:11:05 | |
I wouldn't want to get rid of probiotics | 0:11:05 | 0:11:07 | |
because I think they are sort of good for people, | 0:11:07 | 0:11:10 | |
so I think you're going to throw out the baby with the bath water. | 0:11:10 | 0:11:14 | |
The marrow, I can't let that go | 0:11:14 | 0:11:16 | |
because there's been so many fabulous visual jokes about it. | 0:11:16 | 0:11:20 | |
But Miranda, I think you make a good point | 0:11:20 | 0:11:24 | |
that things like carrot cake - they're cake. | 0:11:24 | 0:11:26 | |
Why don't they just 'fess up and be honest about it? | 0:11:26 | 0:11:30 | |
So I am going to put fruit and veg out of context into Room 101. | 0:11:30 | 0:11:34 | |
Yes! | 0:11:34 | 0:11:35 | |
Anyway, let's have our next category. | 0:11:43 | 0:11:45 | |
It's technology. All right. | 0:11:50 | 0:11:52 | |
So, what is John's technology hate? | 0:11:52 | 0:11:55 | |
It is electronic books. I hate electronic books. | 0:12:01 | 0:12:05 | |
CHEERING | 0:12:06 | 0:12:08 | |
With a real book, you know, you can actually feel it. | 0:12:10 | 0:12:14 | |
It's a very physical thing, a real book. | 0:12:14 | 0:12:16 | |
You turn the pages, | 0:12:16 | 0:12:18 | |
you can put it back on the shelf and feel good about it, | 0:12:18 | 0:12:21 | |
you can have your little bookmark to mark your spot in it. | 0:12:21 | 0:12:24 | |
Electronic books have none of that sort of thing. | 0:12:24 | 0:12:27 | |
Electronic books are just another gadget. | 0:12:27 | 0:12:30 | |
My real worry is that eventually | 0:12:30 | 0:12:35 | |
so many people will go for this easy, electronic read | 0:12:35 | 0:12:38 | |
that we'll start losing our bookshops, | 0:12:38 | 0:12:40 | |
and I don't want books to disappear. | 0:12:40 | 0:12:43 | |
So please... | 0:12:43 | 0:12:45 | |
CHEERING | 0:12:45 | 0:12:48 | |
The eBook is going to end up saving the, er, Amazon rainforest. | 0:12:50 | 0:12:54 | |
-Certainly end up saving Amazon. -No, no. | 0:12:54 | 0:12:56 | |
LAUGHTER | 0:12:56 | 0:12:57 | |
I just think that... | 0:12:57 | 0:12:59 | |
I mean, I have a Kindle, and, er, I've also got, um, | 0:12:59 | 0:13:05 | |
an iPad and an iPod, and I'm just thinking, in the '80s, | 0:13:05 | 0:13:11 | |
I really got into inflatable furniture. I had a whole house... | 0:13:11 | 0:13:15 | |
If I'd kept that and those things, I'd be able to move house in a briefcase. | 0:13:15 | 0:13:20 | |
Do you have any ordinary books, then, Frank? | 0:13:21 | 0:13:24 | |
I still have the ordinary books. | 0:13:24 | 0:13:25 | |
I don't go around burning books. But that's a point. | 0:13:25 | 0:13:29 | |
If the Nazis had had Kindles, | 0:13:29 | 0:13:31 | |
they wouldn't have been so frightening if they were in the street, deleting books. | 0:13:31 | 0:13:35 | |
OK, well, it's a strong case. | 0:13:41 | 0:13:44 | |
What doesn't Reggie like about technology? | 0:13:44 | 0:13:46 | |
I can't bear Bluetooth headsets. | 0:13:51 | 0:13:54 | |
Wow. | 0:13:54 | 0:13:55 | |
They are incredibly annoying. | 0:13:55 | 0:13:58 | |
That's genius. I've only just seen it. | 0:13:58 | 0:14:00 | |
They're incredibly annoying and unfortunately | 0:14:02 | 0:14:04 | |
the majority of the people that actually use them are incredibly annoying people. | 0:14:04 | 0:14:08 | |
No offence. Thank you. Thank you. | 0:14:08 | 0:14:11 | |
They have been a source of great relief to me, though. | 0:14:14 | 0:14:17 | |
If you're walking down the street | 0:14:17 | 0:14:18 | |
and there's someone coming towards you | 0:14:18 | 0:14:20 | |
who you think might be talking to themselves, | 0:14:20 | 0:14:22 | |
and you get close, "Oh, thank God, they've got a..." | 0:14:22 | 0:14:25 | |
Any piece of technology that makes you look like you might be mad | 0:14:25 | 0:14:30 | |
surely should go in Room 101. | 0:14:30 | 0:14:32 | |
That's a very good way of classifying it, I must say. | 0:14:32 | 0:14:35 | |
They are quite expensive. | 0:14:36 | 0:14:38 | |
-Yeah, they're not cheap. -And I had a great... | 0:14:38 | 0:14:40 | |
Tell me, someone else might have come up with this idea. | 0:14:40 | 0:14:42 | |
I think this is brilliant. This is, er, my method of a cheap hands-free. | 0:14:42 | 0:14:49 | |
That's brilliant. | 0:14:49 | 0:14:51 | |
Yeah. Excellent. I've also found a way of saving money. | 0:14:54 | 0:14:59 | |
You know an iPod... | 0:14:59 | 0:15:01 | |
LAUGHTER AND APPLAUSE | 0:15:01 | 0:15:04 | |
Have you seen these gloves? These are proper phones, | 0:15:12 | 0:15:16 | |
-and they have a speaker in the finger, the little finger. -No way. | 0:15:16 | 0:15:20 | |
Honestly. A speaker - you can feel it there - | 0:15:20 | 0:15:23 | |
-and the earpiece is in there, so you actually do that. -No way. | 0:15:23 | 0:15:28 | |
Is it wrong that I really want a pair of those gloves? | 0:15:32 | 0:15:34 | |
-Amazing. -They are excellent. | 0:15:34 | 0:15:36 | |
See, that's actually kind of annoying. | 0:15:36 | 0:15:38 | |
Like, I can imagine my girlfriend or my little sister | 0:15:38 | 0:15:40 | |
getting really annoyed at me using that, | 0:15:40 | 0:15:42 | |
but I'd take so much pleasure in using that and annoying people, | 0:15:42 | 0:15:45 | |
as opposed to this. The people that use these think they look cool. | 0:15:45 | 0:15:48 | |
-Yeah. -They think they're space age, | 0:15:48 | 0:15:50 | |
and they have their phone clipped on their belt, | 0:15:50 | 0:15:52 | |
just in case you didn't know this was connected to that. | 0:15:52 | 0:15:55 | |
Whereas with that, you know you look like a plonker. | 0:15:55 | 0:15:58 | |
-You're enjoying it. -My problem is - | 0:15:58 | 0:16:00 | |
and you won't know this because you're a young man, Reggie - | 0:16:00 | 0:16:02 | |
but the ears get very hairy, and I'm worried that it might get overgrown. | 0:16:02 | 0:16:09 | |
It'll be like a blinking blue light showing through the undergrowth, | 0:16:09 | 0:16:13 | |
like a police car parked on a forest clearing. | 0:16:13 | 0:16:18 | |
LAUGHTER | 0:16:18 | 0:16:20 | |
OK. What's Miranda's technology hate? | 0:16:23 | 0:16:26 | |
-I hate the smartphone. -"Smart phone". See? | 0:16:32 | 0:16:35 | |
I see what they've done there. That's clever. | 0:16:35 | 0:16:37 | |
Got a degree, you see. | 0:16:37 | 0:16:38 | |
Well, I should admit I have a smartphone. | 0:16:38 | 0:16:41 | |
I have one of the kind that's named by a fruit, | 0:16:41 | 0:16:43 | |
which is another fruit out of context. | 0:16:43 | 0:16:46 | |
And I have a mild addiction to it, | 0:16:47 | 0:16:49 | |
and that is my worry, that we are all addicted to our phones. | 0:16:49 | 0:16:53 | |
So I have a two-pronged attack. | 0:16:53 | 0:16:56 | |
One is the more serious, er, campaign, | 0:16:56 | 0:16:58 | |
which is that I genuinely worry where the younger generation, | 0:16:58 | 0:17:03 | |
where our artists, screenwriters, authors, er, are going to come from, | 0:17:03 | 0:17:08 | |
because the "yoot" of today are just constantly on screens. | 0:17:08 | 0:17:14 | |
There's no... A journey now is, "Let's check my emails". | 0:17:14 | 0:17:18 | |
There's no dreaming, looking out the window. | 0:17:18 | 0:17:20 | |
We're not going for walks any more. | 0:17:20 | 0:17:22 | |
We're not going on journeys any more. We're not communicating. | 0:17:22 | 0:17:25 | |
We're in this sort of world of just looking at a screen, | 0:17:25 | 0:17:27 | |
so I worry what's happening to people's imaginations. | 0:17:27 | 0:17:30 | |
That's the serious point about it. | 0:17:30 | 0:17:32 | |
My other point is that it's created text speak, which I... | 0:17:32 | 0:17:36 | |
if I hear someone say "OMG", I will kill them in the face. | 0:17:36 | 0:17:39 | |
LOL, it's created, which is a disaster for the 40s and over. | 0:17:41 | 0:17:45 | |
People still think that means "lots of love", | 0:17:45 | 0:17:47 | |
so therefore you get hilarious but awful incidences | 0:17:47 | 0:17:50 | |
where you might have someone text someone and go, | 0:17:50 | 0:17:53 | |
"I'm so sorry to hear about your divorce. LOL. Mary." | 0:17:53 | 0:17:57 | |
That sort of thing. | 0:17:59 | 0:18:01 | |
Just everything about it is irritating and wrong, | 0:18:01 | 0:18:04 | |
and we need to go back to a simpler life. Thank you. Applause. | 0:18:04 | 0:18:07 | |
I like the way it's become people's conscience though, the mobile phone. | 0:18:14 | 0:18:18 | |
So you sit with someone and they've got their phone there, | 0:18:18 | 0:18:21 | |
and they'll say, "Oh, I saw Susan last night. | 0:18:21 | 0:18:23 | |
"God, she's got fat. She looked absolutely... Hold on." | 0:18:23 | 0:18:26 | |
"She looked absolutely..." I love that. | 0:18:27 | 0:18:30 | |
Yeah. | 0:18:30 | 0:18:32 | |
What about photo bombing? Are you aware of that? | 0:18:32 | 0:18:34 | |
-No. -Everyone now carries a camera with them at all times, | 0:18:34 | 0:18:38 | |
which never used to be the case. | 0:18:38 | 0:18:40 | |
No-one asks for autographs any more, they always want a photo. | 0:18:40 | 0:18:43 | |
What you do is, when you see someone having their photo took, | 0:18:43 | 0:18:46 | |
-you sneak in and... -Oh, yes. Brilliant. | 0:18:46 | 0:18:50 | |
..and become a presence. We have some examples of this. | 0:18:50 | 0:18:54 | |
LAUGHTER | 0:18:56 | 0:18:57 | |
Nice. | 0:19:01 | 0:19:02 | |
And then, um, you'll like this one, John. | 0:19:02 | 0:19:04 | |
Oh! That's amazing! | 0:19:05 | 0:19:09 | |
And a slightly terrifying one. | 0:19:09 | 0:19:12 | |
-That is a stingray. -No! | 0:19:13 | 0:19:16 | |
But just look behind the ray. Can you see somebody's head? | 0:19:16 | 0:19:21 | |
-Oh, yeah. -Oh, yeah. | 0:19:21 | 0:19:23 | |
Oh, so that man has grabbed the ray and put it on those ladies. | 0:19:23 | 0:19:26 | |
Well spotted. So someone has actually photo bombed the ray. | 0:19:26 | 0:19:31 | |
LAUGHTER | 0:19:31 | 0:19:32 | |
Well, I don't agree with the creativity thing. | 0:19:34 | 0:19:36 | |
See, if I have an idea, I make a note of it on my smartphone, | 0:19:36 | 0:19:39 | |
and I read books on my smartphone. | 0:19:39 | 0:19:41 | |
I've got the complete works of Shakespeare | 0:19:41 | 0:19:43 | |
and the King James Bible on my smartphone. | 0:19:43 | 0:19:45 | |
Absolutely, but what about the youth of the day? | 0:19:45 | 0:19:47 | |
I don't care about them. | 0:19:47 | 0:19:50 | |
Also, I love books as well, John, | 0:19:51 | 0:19:54 | |
but because I love books, | 0:19:54 | 0:19:56 | |
I love the idea of being able | 0:19:56 | 0:19:58 | |
to carry a hundred books with me all the time. It's the words that count. | 0:19:58 | 0:20:02 | |
It's receiving wisdom from these great writers. | 0:20:02 | 0:20:05 | |
That's what I think it's all about. | 0:20:05 | 0:20:07 | |
But I do think people that wear Bluetooth headsets | 0:20:07 | 0:20:09 | |
do look like they need a smack in the face. | 0:20:09 | 0:20:12 | |
APPLAUSE | 0:20:12 | 0:20:15 | |
I'm going to put Bluetooth headsets into Room 101. | 0:20:15 | 0:20:18 | |
Next category, please. | 0:20:26 | 0:20:27 | |
Now, this is the wildcard round, | 0:20:32 | 0:20:34 | |
when you're not constrained by any particular theme. | 0:20:34 | 0:20:37 | |
You can pick anything at all that you don't like. | 0:20:37 | 0:20:40 | |
So, what is Reggie's wildcard? | 0:20:40 | 0:20:42 | |
-The hip-hop handshake. -Oh, right. | 0:20:47 | 0:20:49 | |
-Stand up, Frank. -Yeah. I'm going to need... | 0:20:49 | 0:20:51 | |
I'll show you what it is. | 0:20:51 | 0:20:52 | |
-Yeah. -Right? So put your hands out, | 0:20:52 | 0:20:54 | |
and I'll show you the hip-hop handshake. | 0:20:54 | 0:20:57 | |
-I've seen this before. -It sort of starts there. | 0:20:57 | 0:20:59 | |
Oh, it starts conventionally. Yeah. | 0:20:59 | 0:21:00 | |
And then it becomes all macho and masculine. | 0:21:00 | 0:21:03 | |
Pat me on the back. | 0:21:03 | 0:21:04 | |
OK. Right, right. Yeah, OK. | 0:21:04 | 0:21:06 | |
You've got to pop your waistline out because you see where... No, no, no. | 0:21:06 | 0:21:09 | |
The other way. | 0:21:09 | 0:21:10 | |
-You can do it that way if you want. -No, no. OK. | 0:21:12 | 0:21:15 | |
-So you're doing it really, really, really gentle. -Yeah. | 0:21:15 | 0:21:17 | |
-You've got to go for it. -Real sort of overt macho guy with it. | 0:21:17 | 0:21:20 | |
-Yeah. I'm a white, middle-aged man. -Do it anyway. | 0:21:20 | 0:21:23 | |
That's my problem. | 0:21:23 | 0:21:24 | |
This is where it gets really awkward. | 0:21:24 | 0:21:26 | |
-Shall we try it? -Hey, Frank! Yo! -Hey! Hey! Hey! | 0:21:26 | 0:21:30 | |
I spent a week at a meditation centre, right, | 0:21:37 | 0:21:42 | |
and hugging was a very big part of it, | 0:21:42 | 0:21:44 | |
and there was a very specific style of hugging. | 0:21:44 | 0:21:47 | |
-John, do you want a hug with me? -Yeah, why not? -Yeah, OK. | 0:21:47 | 0:21:50 | |
-A hug? -So, you have to bend your knees slightly, | 0:21:50 | 0:21:53 | |
but we have to interlock our knees like this. | 0:21:53 | 0:21:56 | |
This way? | 0:21:57 | 0:21:58 | |
Yeah, that's it. No, no, you have to get... | 0:21:58 | 0:22:02 | |
I'm loving it so far. And then we hug each other. Hold tight. | 0:22:02 | 0:22:06 | |
And then as I breathe out, you breathe in. | 0:22:06 | 0:22:08 | |
This is three times. Out you breathe. | 0:22:08 | 0:22:10 | |
Keep going. | 0:22:10 | 0:22:12 | |
One more for luck. | 0:22:12 | 0:22:14 | |
We'd get locked up for this. | 0:22:16 | 0:22:18 | |
That was lovely, wasn't it? | 0:22:18 | 0:22:20 | |
The idea is that we sort of breathe as one. | 0:22:26 | 0:22:29 | |
We become one person. | 0:22:29 | 0:22:30 | |
Did you feel that? Did it work for you? | 0:22:30 | 0:22:32 | |
I've never done it with clothes on before but... | 0:22:32 | 0:22:36 | |
But that one, you see, at least there is something to learn. | 0:22:38 | 0:22:43 | |
I feel like if I don't know the hip-hop handshake, | 0:22:43 | 0:22:45 | |
-I'm being a bit disrespectful or something. -Well, here's the thing. | 0:22:45 | 0:22:48 | |
It's becoming more and more popular | 0:22:48 | 0:22:50 | |
and more and more people are doing it. | 0:22:50 | 0:22:52 | |
The point when I realised it was becoming an epidemic | 0:22:52 | 0:22:54 | |
was when I saw it at the Olympics, | 0:22:54 | 0:22:56 | |
where you had gold medallists from different countries | 0:22:56 | 0:22:59 | |
doing this weird handshake with each other, | 0:22:59 | 0:23:01 | |
like they were saying hello to Jay-Z and P. Diddy. | 0:23:01 | 0:23:04 | |
That shouldn't happen at the Olympics. | 0:23:04 | 0:23:06 | |
A normal handshake will do, and should do, I believe. | 0:23:06 | 0:23:09 | |
-Did it always flow? -No. | 0:23:09 | 0:23:12 | |
That's the worst thing about it. | 0:23:12 | 0:23:14 | |
It's happened a couple of times to me, when I've met the JLS. | 0:23:14 | 0:23:17 | |
-Oh, yes. -Ah. | 0:23:17 | 0:23:19 | |
And they went in for the handshake | 0:23:19 | 0:23:21 | |
and I went, "No, you're making me look like a fool because I don't know what to do." | 0:23:21 | 0:23:25 | |
Shall I be one of JLS and you be you, | 0:23:25 | 0:23:26 | |
and we show everyone what happened? | 0:23:26 | 0:23:28 | |
All right, because I won't be able to do it. | 0:23:28 | 0:23:30 | |
-All right. I'll be Marvin from JLS. -Hi, Marvin. You all right? | 0:23:30 | 0:23:33 | |
-Hey, what's up? -Hey. -Hey, Miranda. Yo, what's up, baby? Uh, uh. | 0:23:33 | 0:23:36 | |
-It felt nice. -Something awkward happens like that. | 0:23:45 | 0:23:47 | |
Do you know what? I had a dog that used to do that. | 0:23:47 | 0:23:50 | |
So, what is John's wildcard? | 0:23:52 | 0:23:53 | |
Spitting. | 0:23:59 | 0:24:00 | |
It is the most antisocial thing that people can do, I think, | 0:24:01 | 0:24:05 | |
in public, to, er, to spit. | 0:24:05 | 0:24:07 | |
I know in some parts of the world, it's accepted. | 0:24:07 | 0:24:10 | |
I mean, in China, everybody's spitting all the time. | 0:24:10 | 0:24:13 | |
That's a genuine Chinese sign. | 0:24:13 | 0:24:15 | |
-So it is. -They're trying to actually discourage it. | 0:24:15 | 0:24:17 | |
It's such an unpleasant thing, | 0:24:17 | 0:24:18 | |
especially when it's a sportsman doing it, you know, footballers. | 0:24:18 | 0:24:22 | |
In the Olympic Games there was quite a bit of spitting | 0:24:22 | 0:24:25 | |
going on with the athletes in the marathon and things like that. | 0:24:25 | 0:24:28 | |
Did you see that one when Mo Farah won gold | 0:24:28 | 0:24:31 | |
and there was an American guy who I think got silver, and Mo Farah just... | 0:24:31 | 0:24:35 | |
You know they collapse on the track? The American guy spat on the track, | 0:24:35 | 0:24:41 | |
and Mo Farah was rolling, and he was getting closer and closer. | 0:24:41 | 0:24:45 | |
The whole nation was like this, "No, Mo, don't!" | 0:24:45 | 0:24:48 | |
Wayne Rooney has been caught spitting, hasn't he? | 0:24:49 | 0:24:52 | |
We've got a great... What about this? Look at this for a spit. | 0:24:52 | 0:24:55 | |
AUDIENCE: Ohh! | 0:24:55 | 0:24:57 | |
That was where they got the idea for these from. | 0:24:57 | 0:25:01 | |
OK. What's Miranda's wildcard? | 0:25:04 | 0:25:08 | |
LAUGHTER | 0:25:13 | 0:25:15 | |
Why did I suggest this? Um... | 0:25:25 | 0:25:29 | |
My breasts. | 0:25:29 | 0:25:31 | |
-Your breasts. -Yeah. | 0:25:31 | 0:25:35 | |
You want to put them into Room 101? | 0:25:36 | 0:25:38 | |
Yeah. Please, please put them into Room 101. | 0:25:38 | 0:25:40 | |
The difficult thing about this, I feel, straight away, | 0:25:40 | 0:25:43 | |
is usually, I argue on behalf of the thing the person... | 0:25:43 | 0:25:47 | |
Have I got to sit here and say, "No, I think they're great"? | 0:25:47 | 0:25:51 | |
I'm going to feel like some kind of animal. | 0:25:52 | 0:25:55 | |
They're too big, basically, is the problem. | 0:25:55 | 0:25:57 | |
And quite often... I don't know if it's because I'm tall, | 0:25:57 | 0:26:00 | |
but I'm not joking, I regularly... | 0:26:00 | 0:26:03 | |
I just gently nudge people on their shoulder with my breast. | 0:26:03 | 0:26:07 | |
Yeah? | 0:26:07 | 0:26:08 | |
And it's always really awkward and I don't want to go, "Sorry", | 0:26:08 | 0:26:11 | |
in case they hadn't noticed. | 0:26:11 | 0:26:13 | |
That suggests a certain amount of swinging from side to side. | 0:26:13 | 0:26:16 | |
Well, that's the other problem with a large breast, | 0:26:16 | 0:26:19 | |
is that you've got to have a very, very good bra. | 0:26:19 | 0:26:22 | |
So then you've got to have the bra-measuring thing, which is a nightmare. | 0:26:22 | 0:26:26 | |
Then out of the bra... I mean we're talking, you know, two jellies sliding down a plate. | 0:26:26 | 0:26:31 | |
-I mean, it's not the best look. -I'm so embarrassed. -I know. | 0:26:31 | 0:26:35 | |
The other thing about them, and this... | 0:26:35 | 0:26:37 | |
There's not many real things in my sitcom, but this is real. | 0:26:37 | 0:26:40 | |
This happened to me, | 0:26:40 | 0:26:41 | |
that once when I was naked in bed and I rolled over, they clapped. | 0:26:41 | 0:26:45 | |
That's embarrassing. | 0:26:55 | 0:26:56 | |
I don't know if it's embarrassing. That's awesome. | 0:26:56 | 0:26:59 | |
This is unlikely, but what about if you hit on hard times? | 0:27:02 | 0:27:05 | |
You still have that lad mags photo shoot option. | 0:27:05 | 0:27:08 | |
-Really? -Yeah. | 0:27:08 | 0:27:09 | |
I think it's nice to have something to fall forward on. | 0:27:11 | 0:27:14 | |
I've got, um, one last thing that I think will win you over, | 0:27:15 | 0:27:18 | |
and make you realise how beautiful your breasts are, | 0:27:18 | 0:27:21 | |
and that is a marrow carved in the shape of Miranda's breasts. | 0:27:21 | 0:27:25 | |
-There they are. -That's hilarious. | 0:27:25 | 0:27:28 | |
Have I won you over to marrows now, John? | 0:27:33 | 0:27:35 | |
Just about. | 0:27:35 | 0:27:37 | |
You can stuff that one later. So... | 0:27:37 | 0:27:39 | |
OK, then, that is the wildcard round. | 0:27:42 | 0:27:46 | |
I don't think I can put your breasts in, Miranda, | 0:27:46 | 0:27:50 | |
because I just think that... How can I put this? | 0:27:50 | 0:27:53 | |
I think they seem to be quite nice. | 0:27:53 | 0:27:55 | |
LAUGHTER | 0:27:57 | 0:27:58 | |
And, um, I think the handshake, at least it is a friendly gesture. | 0:28:01 | 0:28:07 | |
I know it can be awkward, | 0:28:07 | 0:28:08 | |
but I like the fact that men are getting a bit more intimate. | 0:28:08 | 0:28:11 | |
-I enjoyed ours. -Yeah, and it does express a bit of love. | 0:28:11 | 0:28:14 | |
It's hard to find a defence for spitting, though, I must say. | 0:28:14 | 0:28:17 | |
It does spread diseases and I don't think there is any need for it. | 0:28:17 | 0:28:21 | |
I am going to put spitting into Room 101. | 0:28:21 | 0:28:23 | |
APPLAUSE | 0:28:23 | 0:28:25 | |
And that brings us to the end of the show. | 0:28:35 | 0:28:38 | |
Well done, John. You were the most persuasive guest tonight so you are this week's winner. | 0:28:38 | 0:28:42 | |
Thank you. | 0:28:42 | 0:28:43 | |
OK. Thanks very much, Reggie Yates, Miranda Hart and John Craven, | 0:28:47 | 0:28:51 | |
and thank you. Good night! | 0:28:51 | 0:28:52 | |
Subtitles by Red Bee Media Ltd | 0:29:15 | 0:29:17 |