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CHEERING AND APPLAUSE | 0:00:28 | 0:00:32 | |
Hello, I'm Frank Skinner, and welcome to Room 101, the show where | 0:00:32 | 0:00:36 | |
three guests battle to consign their pet peeves to the infamous vault. | 0:00:36 | 0:00:41 | |
Let's meet this week's guests. | 0:00:41 | 0:00:42 | |
Joining me tonight are comedian Sue Perkins, Strictly judge | 0:00:42 | 0:00:46 | |
-Bruno Tonioli and presenter Steve Jones. -CHEERING AND APPLAUSE | 0:00:46 | 0:00:50 | |
OK, then, let's have our first category. | 0:00:56 | 0:00:59 | |
It's shopping. OK. | 0:01:04 | 0:01:06 | |
What does Bruno hate about shopping? | 0:01:06 | 0:01:09 | |
Argh! | 0:01:13 | 0:01:14 | |
Flat-pack furniture. Hell! Hell! Dangerous. | 0:01:14 | 0:01:19 | |
Very, very dangerous. | 0:01:19 | 0:01:22 | |
I think, it's actually easier to assemble a space shuttle. | 0:01:22 | 0:01:26 | |
Have you ever tried to put together, from a flat-pack furniture box, | 0:01:26 | 0:01:30 | |
a chest of drawers? | 0:01:30 | 0:01:31 | |
-ALL: Yes. -Yeah. | 0:01:31 | 0:01:33 | |
Well, you're a genius, because I nearly killed myself, I really did. | 0:01:33 | 0:01:37 | |
Cos, you know, the first thing... it comes... | 0:01:37 | 0:01:40 | |
there's all these kind of bits and pieces. I have no idea... | 0:01:40 | 0:01:43 | |
I'm very artistic, you see, you have to understand, so... | 0:01:43 | 0:01:45 | |
and you have to put them down in a very, very precise pattern, right? | 0:01:45 | 0:01:49 | |
Then you've got this piece of paper, says, "Take A", | 0:01:49 | 0:01:52 | |
which usually I put there, "and stick it to B", which is there. | 0:01:52 | 0:01:56 | |
-Are you playing Twister? -And then the key... | 0:01:56 | 0:02:01 | |
You've accidentally bought Twister. Can I ask you a question? | 0:02:01 | 0:02:04 | |
-How many times have you done this process? -Once. Never again. | 0:02:04 | 0:02:11 | |
-Terrible. -I don't think anybody would disagree. | 0:02:11 | 0:02:14 | |
There's a hellish ordeal to try and assemble one of these things, | 0:02:14 | 0:02:17 | |
but, what I would say, the sense of achievement you get | 0:02:17 | 0:02:20 | |
when you do actually assemble it and it's there in front of you, | 0:02:20 | 0:02:23 | |
you feel like a real man, you know. Normally I'm like... | 0:02:23 | 0:02:28 | |
I'm not going for that one. | 0:02:28 | 0:02:29 | |
Bruno, you must often feel like a real man. | 0:02:31 | 0:02:33 | |
-Every day. -If we can get one, we will. | 0:02:33 | 0:02:36 | |
We have a couple of examples of flat-packs that didn't work out. | 0:02:36 | 0:02:40 | |
These are genuine, not done for comedy, but genuine. | 0:02:40 | 0:02:42 | |
This is a chair. | 0:02:42 | 0:02:44 | |
-I can see where they went wrong. -Yeah, exactly. | 0:02:47 | 0:02:50 | |
And for those of you who still collect vinyl, | 0:02:50 | 0:02:53 | |
this is record shelving. | 0:02:53 | 0:02:55 | |
-Yeah, but they're not... -That's a classic. | 0:02:55 | 0:02:57 | |
I know, if that was my house, me | 0:02:57 | 0:02:59 | |
-and my girlfriend would live with that for about three years. -Yeah. | 0:02:59 | 0:03:03 | |
Here's one of my favourite bits of interior decoration. | 0:03:03 | 0:03:06 | |
This is a coat hanger that looks like a drunken octopus who | 0:03:06 | 0:03:09 | |
-wants a fight. -Yeah, that's good. | 0:03:09 | 0:03:15 | |
OK. What doesn't Steve like about shopping? | 0:03:15 | 0:03:19 | |
Enforced present-buying. | 0:03:24 | 0:03:26 | |
A few times a year, we, the British people, | 0:03:27 | 0:03:30 | |
are pretty much held to ransom by these huge corporate mega, | 0:03:30 | 0:03:35 | |
mega businesses, that will prey on our insecurities | 0:03:35 | 0:03:38 | |
and fears in order to get us to buy their products. | 0:03:38 | 0:03:42 | |
You know, it's a case of, "Come buy this tat that you don't need, | 0:03:42 | 0:03:45 | |
"or your loved ones don't need, in order to show them you love them. | 0:03:45 | 0:03:49 | |
"If you don't, you're a terrible person. | 0:03:49 | 0:03:51 | |
"You will burn in the lake of fire for all eternity, Ebenezer". | 0:03:51 | 0:03:54 | |
I haven't actually seen that specific advert. | 0:03:54 | 0:03:57 | |
You're not just thinking of Christmas. You're thinking of any... | 0:03:57 | 0:04:01 | |
Oh, I'm talking Valentine's Day, birthday presents, | 0:04:01 | 0:04:03 | |
Christmas, any other occasion you care to mention. | 0:04:03 | 0:04:06 | |
Oh. Curmudgeon. Curmudgeon. | 0:04:06 | 0:04:08 | |
Boo. | 0:04:08 | 0:04:11 | |
Let's talk about this. Let's take Valentine's Day. | 0:04:11 | 0:04:13 | |
-OK. All right. -OK? | 0:04:13 | 0:04:14 | |
Now, which one would you prefer, sir, madam, which do you prefer? | 0:04:14 | 0:04:18 | |
I'd like to take you out | 0:04:18 | 0:04:19 | |
for a romantic candlelit meal this evening, | 0:04:19 | 0:04:21 | |
because it's Valentine's Day and everybody else is doing it. | 0:04:21 | 0:04:24 | |
Or, would you prefer this? | 0:04:24 | 0:04:26 | |
I'd like to take you out for a candlelit meal | 0:04:26 | 0:04:29 | |
because it's July and I love you. | 0:04:29 | 0:04:32 | |
One has sentiment. The other doesn't. | 0:04:32 | 0:04:34 | |
-Yes, I agree. -That's my point. | 0:04:34 | 0:04:37 | |
I get a dozen red roses every Valentine... | 0:04:37 | 0:04:39 | |
I buy a dozen red roses, and they're quite expensive. | 0:04:39 | 0:04:43 | |
In fact I had a conversation, I actually had a genuine conversation | 0:04:43 | 0:04:48 | |
with two guys and one of them said, he said, "I've often wondered | 0:04:48 | 0:04:52 | |
"if you could get away with ten, because no-one ever counts them". | 0:04:52 | 0:04:56 | |
There's a pressure of all sorts, though. | 0:04:58 | 0:05:00 | |
Have you ever seen these houses that put up loads and loads | 0:05:00 | 0:05:03 | |
-and loads of Christmas lights... -Yeah. -Yeah. -..in their street? | 0:05:03 | 0:05:07 | |
And then the neighbours think, "Oh, our house looks a bit drab". | 0:05:07 | 0:05:11 | |
I saw a fabulous example of this. | 0:05:11 | 0:05:13 | |
This is a genuine house where someone did their Christmas | 0:05:13 | 0:05:17 | |
lights this elaborately. Look at that. | 0:05:17 | 0:05:20 | |
And the neighbours, instead of trying to compete directly, | 0:05:20 | 0:05:24 | |
they did this. | 0:05:24 | 0:05:25 | |
LAUGHTER AND APPLAUSE | 0:05:27 | 0:05:30 | |
I'm disappointed in you, Steve. | 0:05:34 | 0:05:36 | |
My notes on you say you're a very well-known present-er. | 0:05:36 | 0:05:39 | |
HE LAUGHS | 0:05:39 | 0:05:41 | |
What does Sue hate about shopping? | 0:05:44 | 0:05:48 | |
-I hate catalogues. -Oh. | 0:05:54 | 0:05:57 | |
Because basically they are | 0:05:57 | 0:06:00 | |
environmentally very unfriendly... so they're like a dossier wrapped | 0:06:00 | 0:06:03 | |
in a condom that gets delivered to you, and there's basically 40 pages | 0:06:03 | 0:06:07 | |
of one nymphet in clogs, and you get to one and you think, oh, she looks | 0:06:07 | 0:06:11 | |
nice, and she's in a field, and she's wearing like a hessian smock, | 0:06:11 | 0:06:15 | |
and there's a sort of autumnal light catching her shoulders, | 0:06:15 | 0:06:18 | |
and she's clutching a lamb, and you think, "That looks great". | 0:06:18 | 0:06:21 | |
So you buy it, by filling out the convenient 407-digit code | 0:06:21 | 0:06:24 | |
and sending it off. | 0:06:24 | 0:06:26 | |
And then when you put it on in a semi in Croydon, it really doesn't | 0:06:26 | 0:06:30 | |
look the same. In A&E, someone cutting a sort of poncho off you. | 0:06:30 | 0:06:35 | |
I've actually done a bit of modelling for catalogues. | 0:06:35 | 0:06:37 | |
-Have you? -On my life. | 0:06:37 | 0:06:39 | |
I once, yeah, was in a field somewhere in Oxford... | 0:06:39 | 0:06:42 | |
-Always in a field. -..in a wax jacket, with my arm | 0:06:42 | 0:06:44 | |
-around a spaniel, going... -That's it. That's it. | 0:06:44 | 0:06:49 | |
You're exactly responsible for that, because the things only fit | 0:06:49 | 0:06:52 | |
when you're crouching and you've got your arm round a stinking dog. | 0:06:52 | 0:06:56 | |
I find that women don't spend... | 0:06:56 | 0:06:58 | |
when they're in shops, they might as well shop in catalogues, | 0:06:58 | 0:07:02 | |
because they don't spend very long really studying the clothes. | 0:07:02 | 0:07:08 | |
Let me demonstrate. This is how the average woman, I find, | 0:07:08 | 0:07:11 | |
when I've been clothes shopping, this is how they judge the clothes. | 0:07:11 | 0:07:14 | |
-Oh, God! -How many times have you seen women do this? | 0:07:14 | 0:07:17 | |
OK. | 0:07:27 | 0:07:28 | |
Well, look, you've all argued your cases extremely well, I must say. | 0:07:28 | 0:07:32 | |
I think, with the flat-pack, Bruno, I don't know | 0:07:32 | 0:07:35 | |
if the flat-pack is at fault. | 0:07:35 | 0:07:37 | |
I think it's us. We don't try hard enough. | 0:07:37 | 0:07:40 | |
I also think catalogues are based on that idea that the dream is | 0:07:40 | 0:07:44 | |
better than the reality, and I kind of like that. | 0:07:44 | 0:07:47 | |
I think you can fantasise about, | 0:07:47 | 0:07:49 | |
"Yes, I'd look great in a field with a spaniel". | 0:07:49 | 0:07:51 | |
But, I do think there is too much pressure on us to buy things, | 0:07:51 | 0:07:54 | |
for Mother's Day, Father's Day, and all that stuff, | 0:07:54 | 0:07:57 | |
and really it should come from the heart, not the wallet. | 0:07:57 | 0:08:00 | |
So I am going to put enforced present-buying into Room 101. | 0:08:00 | 0:08:03 | |
Yes! | 0:08:03 | 0:08:04 | |
CHEERING AND APPLAUSE | 0:08:04 | 0:08:06 | |
Next category, please. | 0:08:14 | 0:08:16 | |
Ah, it's the audience choice. | 0:08:20 | 0:08:22 | |
So we go into our crowd to find... I think we have Clive Green. | 0:08:22 | 0:08:26 | |
Where are you, Clive? There you are. | 0:08:26 | 0:08:29 | |
What would you like to put into Room 101, Clive? | 0:08:29 | 0:08:31 | |
I'd like to put in parent and toddler parking spaces. | 0:08:31 | 0:08:34 | |
GROANING AND A RIPPLE OF APPLAUSE | 0:08:34 | 0:08:39 | |
-Why? -I don't see any reason why they should park any closer | 0:08:42 | 0:08:46 | |
because they've got a pushchair, | 0:08:46 | 0:08:47 | |
and the idea of a pushchair is that they can be pushed. | 0:08:47 | 0:08:50 | |
I think the toddler | 0:08:52 | 0:08:53 | |
and parent spaces could be used for elderly people. | 0:08:53 | 0:08:56 | |
I think sitting in an audience full of parents who probably have | 0:08:56 | 0:08:59 | |
toddlers, saying that, you must have balls the size of China. | 0:08:59 | 0:09:02 | |
So, I'm not disagreeing with him. | 0:09:03 | 0:09:05 | |
Elderly people fought in the war and defended this country, | 0:09:05 | 0:09:09 | |
and they gave the right for the toddlers | 0:09:09 | 0:09:10 | |
and parents to park there in the first place. | 0:09:10 | 0:09:12 | |
Hold on a minute. Hold on. | 0:09:12 | 0:09:15 | |
The toddlers haven't had a chance to fight in the war. | 0:09:15 | 0:09:18 | |
Can I ask you, if you're | 0:09:18 | 0:09:20 | |
so dismissive about the parent-child spaces, would you park in one? | 0:09:20 | 0:09:26 | |
I have parked in one, yeah. | 0:09:26 | 0:09:27 | |
BOOING | 0:09:27 | 0:09:29 | |
Now, you see, I'm going to put YOU in Room 101. | 0:09:30 | 0:09:33 | |
CHEERING AND APPLAUSE | 0:09:33 | 0:09:36 | |
I love this guy. He's really growing on me. | 0:09:40 | 0:09:42 | |
You're really growing on me. | 0:09:42 | 0:09:44 | |
You're exactly what light entertainment has been waiting for. | 0:09:44 | 0:09:47 | |
One of my great joys, it was a sunny day, | 0:09:47 | 0:09:50 | |
and I had hung what I believe they call a posset cloth | 0:09:50 | 0:09:53 | |
on the back window, so the baby wasn't in the sunshine. | 0:09:53 | 0:09:56 | |
So when I parked, this guy came up and said, "yeah, you can't park | 0:09:56 | 0:10:00 | |
here if you don't have a child", | 0:10:00 | 0:10:01 | |
and the joy of that reveal, when I went... | 0:10:01 | 0:10:04 | |
Another thing is "baby on board" signs on the back of cars. | 0:10:07 | 0:10:12 | |
How am I supposed to alter my driving while seeing that? | 0:10:12 | 0:10:14 | |
-What difference do they make? -Well, drive more carefully. | 0:10:14 | 0:10:17 | |
Yeah, but I drive carefully anyway, so... | 0:10:17 | 0:10:19 | |
No, but drive MORE carefully, because the driver has had | 0:10:19 | 0:10:21 | |
two hours' sleep and he's woozy from the smell of excrement in the car. | 0:10:21 | 0:10:25 | |
-Clive, I mean you're passionate, and... -I am, yeah. | 0:10:28 | 0:10:31 | |
I love you for that, but I hate you for so many other things, | 0:10:31 | 0:10:35 | |
and I just think it's wrong. I think it's a difficult... | 0:10:35 | 0:10:40 | |
you get parents on their own, and they've got a couple of kids, | 0:10:40 | 0:10:44 | |
and they've got shopping, and... it's nightmarish. | 0:10:44 | 0:10:47 | |
Yeah, but they've got all day to do it as well, haven't they? | 0:10:47 | 0:10:51 | |
This is now the Jeremy Kyle Show. | 0:10:54 | 0:10:57 | |
He's getting worse and worse. | 0:10:59 | 0:11:01 | |
-Anyway, look, Clive, I admire your passion... -Thank you. | 0:11:01 | 0:11:03 | |
But I am not, under any circumstances, | 0:11:03 | 0:11:06 | |
going to put parent-child parking spaces | 0:11:06 | 0:11:09 | |
into Room 101, but what about a big hand for Clive anyway? | 0:11:09 | 0:11:13 | |
APPLAUSE | 0:11:13 | 0:11:16 | |
OK, next category, please. | 0:11:21 | 0:11:23 | |
It's the wild card round. Now there are no limitations of category. | 0:11:28 | 0:11:31 | |
You can pick anything that you don't like. | 0:11:31 | 0:11:34 | |
What is Steve's wildcard? | 0:11:34 | 0:11:36 | |
Gym etiquette. | 0:11:41 | 0:11:43 | |
-Gym etiquette. -Or lack thereof. | 0:11:44 | 0:11:47 | |
I'm guessing you go to the gym quite... | 0:11:47 | 0:11:49 | |
You know, you've got to look after yourself. | 0:11:49 | 0:11:51 | |
-Well, you don't have to. -Well... | 0:11:51 | 0:11:54 | |
Can I just say, before you do this, I have a picture of you, | 0:11:54 | 0:11:58 | |
which I think suggests that you do go to the gym, and it works. | 0:11:58 | 0:12:02 | |
-I really don't want to see this, do I? -No, you look great. | 0:12:02 | 0:12:05 | |
Ooh! | 0:12:06 | 0:12:08 | |
Look at that. A little bit of advice. Comb your stomach. | 0:12:08 | 0:12:12 | |
But you do... you do look great. So you're getting results. | 0:12:13 | 0:12:17 | |
That's one plus. | 0:12:17 | 0:12:18 | |
Well, as I said, you've got to look after yourself, | 0:12:18 | 0:12:20 | |
but it's all the other things that go with the gym which | 0:12:20 | 0:12:22 | |
I struggle with, like personal trainers, for instance. | 0:12:22 | 0:12:25 | |
The thing about the personal trainer which I find outrageous... | 0:12:25 | 0:12:28 | |
I don't know if you'll agree with this... is when they slip | 0:12:28 | 0:12:30 | |
on their physiotherapist hat, and then you see them on the mat, | 0:12:30 | 0:12:35 | |
with a young lady... they found a loophole... giving it all this | 0:12:35 | 0:12:39 | |
I'm just doing your glutes here, if you could flip your legs | 0:12:39 | 0:12:43 | |
over my shoulder. | 0:12:43 | 0:12:44 | |
I swear to God! If you saw that on Clapham Common, | 0:12:46 | 0:12:48 | |
-you'd call the police. -Well... -It's outrageous! -Eventually. | 0:12:48 | 0:12:53 | |
-What was that? -He's doing the glutes. | 0:12:53 | 0:12:58 | |
Steve blanketing her in his stomach hair. | 0:12:58 | 0:13:01 | |
I don't like the guy who's on the weights giving it this noise. | 0:13:03 | 0:13:07 | |
HE MOANS LOUDLY | 0:13:07 | 0:13:10 | |
I do that all the time! That was me, Steve! | 0:13:10 | 0:13:12 | |
No. I'm at the gym, not a Parisian sex club. | 0:13:12 | 0:13:16 | |
I don't care. I've got to do the work. | 0:13:16 | 0:13:18 | |
You've got to push those weights. | 0:13:18 | 0:13:20 | |
THEY GROAN | 0:13:20 | 0:13:22 | |
Shut up! | 0:13:22 | 0:13:24 | |
This is basically masculinity in crisis, right there. | 0:13:24 | 0:13:28 | |
I'm quite noisy at the gym because I take my own cox | 0:13:28 | 0:13:31 | |
for the rowing machine. | 0:13:31 | 0:13:33 | |
And, yeah, he's a small man, but a big voice. | 0:13:36 | 0:13:39 | |
That's annoying, | 0:13:40 | 0:13:41 | |
-but it's nowhere near as annoying as the nudity. -Yes. | 0:13:41 | 0:13:45 | |
I want to ban the nudity at the gym. | 0:13:45 | 0:13:48 | |
You look great, Steve. If I was like you, I would do my exercises naked. | 0:13:48 | 0:13:53 | |
But I'm really, I don't like people, you know, it's awful. | 0:13:54 | 0:13:58 | |
-Have you had the glance? -The glance? | 0:13:58 | 0:14:00 | |
The, "Ooh, look at him, that's nice". | 0:14:00 | 0:14:03 | |
Oh, I've posed with a 50 pence coin for scale. | 0:14:03 | 0:14:05 | |
-That was you?! -That was me. | 0:14:09 | 0:14:12 | |
It's nice to put a face to the coin. | 0:14:12 | 0:14:14 | |
-OK. What is Bruno's wildcard? -Oh, God, what is it? | 0:14:17 | 0:14:21 | |
No idea. | 0:14:23 | 0:14:24 | |
Oh, God! Tacky shop fronts. | 0:14:25 | 0:14:29 | |
Oh, it makes you puke every time you walk around it. | 0:14:29 | 0:14:32 | |
I mean the thing is, you know, even if you don't shop, | 0:14:32 | 0:14:36 | |
you walk around the high street, and... make an effort, make it | 0:14:36 | 0:14:39 | |
look pretty, because everybody will kind of feed off it, you know. | 0:14:39 | 0:14:43 | |
It will make the whole ambience so much better. | 0:14:43 | 0:14:47 | |
If you see something nice and nicely displayed, | 0:14:47 | 0:14:50 | |
I would just go in and browse. | 0:14:50 | 0:14:51 | |
If I see a mess, I just... I'm just going to run. | 0:14:51 | 0:14:54 | |
I'm just going to get out of it. | 0:14:54 | 0:14:56 | |
Give it a nice look, some lovely flowers, some nice design, | 0:14:56 | 0:15:01 | |
something that makes it pleasant for everybody. | 0:15:01 | 0:15:04 | |
I think, generally speaking, Bruno, | 0:15:04 | 0:15:06 | |
that tacky shop fronts are on tacky shops, and that seems fair, to me. | 0:15:06 | 0:15:11 | |
-Yeah, but... -I don't want to be misled. | 0:15:11 | 0:15:14 | |
I don't want a shop to look all stylish | 0:15:14 | 0:15:16 | |
and go inside and it's Pound Saver. | 0:15:16 | 0:15:18 | |
But no, just make it look pretty. Well, why not? | 0:15:18 | 0:15:22 | |
Because that's like breast implants. It's just not true. | 0:15:22 | 0:15:26 | |
-No, but you can just make... -It's a false front. | 0:15:26 | 0:15:29 | |
No, it's not. It's not. | 0:15:29 | 0:15:31 | |
No, you don't have to buy silicone implants. | 0:15:31 | 0:15:35 | |
Anyway, let's look at a few examples of shop-based things. | 0:15:35 | 0:15:38 | |
This, erm, I love this. | 0:15:38 | 0:15:39 | |
This was... They actually had a sale at Poundland. | 0:15:39 | 0:15:43 | |
What about this? | 0:15:46 | 0:15:49 | |
If you want to buy white goods, this is the shop that you want to go to. | 0:15:49 | 0:15:53 | |
Hey! | 0:15:57 | 0:15:59 | |
Right, what is Sue's wildcard? | 0:16:02 | 0:16:05 | |
I mean, what sport on this planet doesn't allow you to | 0:16:14 | 0:16:19 | |
wear your own shoes? | 0:16:19 | 0:16:21 | |
Bowling alleys... It's like a sort of Guantanamo style atmosphere. | 0:16:25 | 0:16:30 | |
There is blaring music. | 0:16:30 | 0:16:32 | |
There's lots of screaming children, people violently breaking up | 0:16:32 | 0:16:36 | |
after a day at IKEA, and you approach this sort of slightly | 0:16:36 | 0:16:40 | |
disinterested woman in a ponytail, and you see the rack of... | 0:16:40 | 0:16:44 | |
in fact you smell the rack of shoes before you see the rack of shoes. | 0:16:44 | 0:16:48 | |
-Clown's shoes. -They do that spraying thing, though. | 0:16:48 | 0:16:51 | |
Oh, but it's very half-cocked. | 0:16:51 | 0:16:53 | |
They'll do it when they're talking to you. | 0:16:53 | 0:16:56 | |
There's a sort of mist around the clown's shoe. | 0:16:56 | 0:16:58 | |
The one I want is the tongue up and a full... in. | 0:16:58 | 0:17:02 | |
And then you get the clown's shoe. | 0:17:02 | 0:17:04 | |
It's not even a trainer. I've never seen a shoe like that. | 0:17:06 | 0:17:09 | |
No-one has ever seen a shoe... | 0:17:09 | 0:17:11 | |
No, I quite like them. I like the centre parting. | 0:17:11 | 0:17:14 | |
But it's also... Exactly. | 0:17:14 | 0:17:17 | |
As that shows, it's the fact that I'm really bad at all sports, | 0:17:17 | 0:17:21 | |
you know, I'm absolutely... | 0:17:21 | 0:17:23 | |
I'm weak, I've got terrible vision and I'm distracted by food. | 0:17:23 | 0:17:28 | |
That's the holy trinity of a bad bowler. | 0:17:28 | 0:17:31 | |
Just chuck it in the gulley, and there's that long, slow... | 0:17:31 | 0:17:35 | |
Have you ever tried cat laser bowling? | 0:17:35 | 0:17:38 | |
-What is it? -You know those laser key-ring things? | 0:17:38 | 0:17:41 | |
-Yeah, yeah. -You need one of those and a cat. I'll show you. | 0:17:41 | 0:17:44 | |
APPLAUSE | 0:17:54 | 0:17:56 | |
Poor cat. That's horrible. | 0:17:58 | 0:18:00 | |
Oh, come on. Bruno is going, "That's horrible". | 0:18:02 | 0:18:06 | |
The poor kitten. | 0:18:06 | 0:18:08 | |
Don't do that with your cat at home. | 0:18:08 | 0:18:11 | |
OK, well, look, I really feel although you argue with passion, | 0:18:11 | 0:18:16 | |
I love bowling so much, I'd really feel it would be wrong to put | 0:18:16 | 0:18:20 | |
it in, because I know lots of other people like it as well. | 0:18:20 | 0:18:23 | |
So I'm not going to put bowling into Room 101. | 0:18:23 | 0:18:26 | |
-ALL: Awww. -ONE PERSON CLAPS | 0:18:26 | 0:18:29 | |
That was a bowler. | 0:18:29 | 0:18:30 | |
And the gym, I just think the gym generally is a hostile | 0:18:30 | 0:18:37 | |
and difficult place, and I probably am very rude in there | 0:18:37 | 0:18:41 | |
and do all the wrong things, because it's hard to relax there | 0:18:41 | 0:18:44 | |
and be the nice person you want to be. | 0:18:44 | 0:18:47 | |
But I take your point, Bruno, that although it is a bit deceptive, | 0:18:47 | 0:18:52 | |
you know, we all make an effort to look better on the outside than we | 0:18:52 | 0:18:55 | |
do on the inside, so I am going to put tacky shop fronts into Room 101. | 0:18:55 | 0:19:00 | |
-Oh. -APPLAUSE | 0:19:00 | 0:19:03 | |
Make your high street look beautiful. | 0:19:04 | 0:19:07 | |
Right, then, let's have our next category. | 0:19:11 | 0:19:14 | |
Ah, it's entertainment. | 0:19:19 | 0:19:21 | |
So, what doesn't Bruno like about entertainment? | 0:19:21 | 0:19:24 | |
Cinema etiquette. | 0:19:29 | 0:19:32 | |
It is, you know... guys, you go to the cinema, right? | 0:19:32 | 0:19:35 | |
You're really looking forward to seeing that movie. | 0:19:35 | 0:19:37 | |
You've waited weeks to go and see this particular film you | 0:19:37 | 0:19:40 | |
always wanted to see, and there's one guy next to you with a 12-course | 0:19:40 | 0:19:45 | |
meal on his lap, I mean literally a 12-course meal, popcorn this | 0:19:45 | 0:19:51 | |
size, spilling on you, crunching and munching all the way through, the | 0:19:51 | 0:19:55 | |
stench of the hot dogs and all the rubbish that he's got on his tray. | 0:19:55 | 0:19:58 | |
How can you have all that stuff in front of you when you go | 0:19:58 | 0:20:01 | |
-and see a movie? -I find cinemas nice. Nice and quiet. | 0:20:01 | 0:20:04 | |
-You can make a phone call, get on with some work. -Yeah, but... | 0:20:04 | 0:20:07 | |
I mean it's so irritating. | 0:20:07 | 0:20:09 | |
And another thing, you know, they have these huge, huge drinks. | 0:20:09 | 0:20:12 | |
I mean... I don't know how you can drink that much | 0:20:12 | 0:20:15 | |
anyway, and they try to... the last possible drop. | 0:20:15 | 0:20:17 | |
-They're like... -HE SUCKS LOUDLY | 0:20:17 | 0:20:21 | |
I mean, come on! What is this? Animal Farm?! | 0:20:22 | 0:20:25 | |
I just want to watch Kate Winslet | 0:20:26 | 0:20:28 | |
sinking down the bottom of the ocean... | 0:20:28 | 0:20:31 | |
But that's the perfect sound effect. | 0:20:31 | 0:20:34 | |
-Yeah. Water going through ice. -Yeah. | 0:20:34 | 0:20:38 | |
I went to a well-known West End cinema, and I said to the guy, | 0:20:38 | 0:20:41 | |
"Can I have a large cola?" | 0:20:41 | 0:20:43 | |
And he said, "Yes, there you go, sir". | 0:20:43 | 0:20:45 | |
And I said, "Actually, can I have it without ice?" | 0:20:45 | 0:20:48 | |
and he said, "Yes, certainly, sir". | 0:20:48 | 0:20:50 | |
Have you seen the large... | 0:20:53 | 0:20:54 | |
The large packets are literally like this. | 0:20:54 | 0:20:56 | |
They're enormous. I mean whatever is in it, | 0:20:56 | 0:20:59 | |
how are you going to be able to drink the whole thing? | 0:20:59 | 0:21:01 | |
You don't drink it all in one go. | 0:21:01 | 0:21:03 | |
You need to make four or five very noisy trips to the toilet. | 0:21:03 | 0:21:07 | |
Exactly. "Excuse me, excuse me, sorry", | 0:21:07 | 0:21:09 | |
and then banging everybody on the head with a packet of crisps. | 0:21:09 | 0:21:12 | |
-Oh, no, no, no. -But you must be a nightmare at the cinema | 0:21:12 | 0:21:15 | |
because you can't talk without standing up. | 0:21:15 | 0:21:18 | |
OK. What does Sue hate about entertainment? | 0:21:25 | 0:21:28 | |
-Mime. Mime artists. -Oh, really? | 0:21:32 | 0:21:35 | |
It frightens me, yes. | 0:21:35 | 0:21:37 | |
Because a mime, basically, is a clown that you can't hear coming. | 0:21:37 | 0:21:41 | |
I don't think I'm particularly snobby about art forms. | 0:21:43 | 0:21:46 | |
I like everything. Big blockbuster films, | 0:21:46 | 0:21:48 | |
sometimes the opera, all sorts of things. | 0:21:48 | 0:21:50 | |
But it seems to me that all other art forms say something about | 0:21:50 | 0:21:53 | |
love and loss and guilt and hell and pain and the human condition, and | 0:21:53 | 0:21:56 | |
mime says, "Look, there's a wall", and, "there's some rope" and... | 0:21:56 | 0:22:00 | |
-Yeah, but... -"Ooh, this is a really heavy balloon". | 0:22:00 | 0:22:03 | |
Have you been scared by somebody as a child? | 0:22:03 | 0:22:05 | |
-Something has happened... -Both of my parents | 0:22:05 | 0:22:07 | |
are professional mime artists. | 0:22:07 | 0:22:09 | |
I grew up in an expressive world of silence. | 0:22:09 | 0:22:12 | |
-It was a very quiet household. -Yeah. | 0:22:12 | 0:22:15 | |
"Speak to me!" | 0:22:18 | 0:22:19 | |
What about those everyday mimes that we all use? | 0:22:22 | 0:22:24 | |
-Oh, what, like -Yeah, exactly. | 0:22:24 | 0:22:26 | |
-Like you know when you want the bill and you go -Yeah. | 0:22:26 | 0:22:30 | |
And you know when people go...? | 0:22:30 | 0:22:33 | |
Is that the hospital? I just lost three fingers in an accident. | 0:22:33 | 0:22:36 | |
Yeah. But that, I love that. | 0:22:38 | 0:22:39 | |
I'm a bit of a traditionalist. I go... | 0:22:41 | 0:22:44 | |
HE MOUTHS | 0:22:44 | 0:22:46 | |
Here's a test for you, Sue. | 0:22:47 | 0:22:49 | |
-Watch this and tell me whose side you're on in this clip. -OK. | 0:22:49 | 0:22:52 | |
Hey! Leave him alone, man! | 0:22:59 | 0:23:00 | |
LAUGHTER AND APPLAUSE | 0:23:18 | 0:23:20 | |
-Fair enough. -I think mime is quite special, | 0:23:26 | 0:23:30 | |
and can be really something fine to watch. | 0:23:30 | 0:23:33 | |
My final move in this argument, my trump card, | 0:23:33 | 0:23:37 | |
is I'm going to bring on someone who really can do it. | 0:23:37 | 0:23:40 | |
So, please welcome Les Bubb. | 0:23:40 | 0:23:43 | |
APPLAUSE | 0:23:43 | 0:23:46 | |
-Come on. That's good! -That is great! | 0:24:10 | 0:24:12 | |
Come on. Seriously. | 0:24:18 | 0:24:22 | |
You're melting me. You're melting me. | 0:24:22 | 0:24:25 | |
How the hell is he doing it? | 0:24:25 | 0:24:26 | |
You can do it. You can do it. You can do it. You can do it. | 0:24:26 | 0:24:29 | |
Just come here. Just... | 0:24:29 | 0:24:31 | |
AUDIENCE GROANS | 0:24:31 | 0:24:33 | |
APPLAUSE | 0:24:33 | 0:24:34 | |
-Les Bubb, ladies and gentlemen. -CHEERING AND APPLAUSE | 0:24:40 | 0:24:45 | |
Excellent. | 0:24:45 | 0:24:46 | |
All right. Listen, I've... I've changed, OK? | 0:24:51 | 0:24:54 | |
I've learnt stuff, you know. | 0:24:54 | 0:24:57 | |
OK. What in entertainment really winds up Steve Jones? | 0:24:57 | 0:25:01 | |
CHEERING AND APPLAUSE | 0:25:06 | 0:25:09 | |
This is a slam-dunk, Frank. | 0:25:11 | 0:25:12 | |
Can I just say, before you launch into this... | 0:25:12 | 0:25:15 | |
-Hey. -That's bad. | 0:25:16 | 0:25:19 | |
-Ah! -The sleepy eye. | 0:25:19 | 0:25:21 | |
Hello. | 0:25:21 | 0:25:23 | |
I always promised myself, if I was ever to come on Room 101, | 0:25:23 | 0:25:27 | |
I would put the flaming haired she-devil that is | 0:25:27 | 0:25:30 | |
Anne Robinson into the box, but one of your lovely producers, | 0:25:30 | 0:25:33 | |
Clare, told me it had already been done. | 0:25:33 | 0:25:36 | |
Well, Jessica Hynes did it, but I think the tradition is that now | 0:25:36 | 0:25:40 | |
and again Welsh people will come on just to check the locks. | 0:25:40 | 0:25:44 | |
We should have a look at why Steve is not a fan of Anne Robinson. | 0:25:44 | 0:25:48 | |
This was 2001. This was Anne on Room 101. | 0:25:48 | 0:25:53 | |
-What do you want to put in? -I want to put the Welsh in. | 0:25:53 | 0:25:57 | |
LAUGHTER AND CHEERING | 0:25:57 | 0:26:00 | |
I've never taken to the much. What are they for? | 0:26:02 | 0:26:05 | |
LAUGHTER | 0:26:05 | 0:26:07 | |
Well, they're always so pleased with themselves, aren't they? | 0:26:07 | 0:26:10 | |
Were you genuinely upset by it? | 0:26:10 | 0:26:13 | |
Yeah, actually. It's outrageous. | 0:26:13 | 0:26:15 | |
You can't put three million people in Room 101. | 0:26:15 | 0:26:19 | |
How many Welsh people has she ever met? | 0:26:19 | 0:26:21 | |
I mean, put an individual Welsh person in. | 0:26:21 | 0:26:23 | |
Do you think she had a bad holiday? | 0:26:23 | 0:26:24 | |
Did she go to Gower on a rainy weekend? | 0:26:24 | 0:26:27 | |
I think her argument was she lived in... | 0:26:27 | 0:26:28 | |
she grew up in Liverpool, and there used to be, er... | 0:26:28 | 0:26:31 | |
Welsh people used to come to Liverpool now and again. | 0:26:31 | 0:26:34 | |
Oh, I take it all back. Fair enough. Put us in there. | 0:26:34 | 0:26:36 | |
Well, let's have another look at Anne, | 0:26:36 | 0:26:38 | |
because I think at one stage on Room 101 she actually sort of is | 0:26:38 | 0:26:43 | |
slightly humble and actually quite praising of the Welsh. | 0:26:43 | 0:26:47 | |
OK, let's take a look. | 0:26:47 | 0:26:48 | |
Over the years, being of Irish descent, | 0:26:48 | 0:26:51 | |
where we're terribly ashamed of ourselves, | 0:26:51 | 0:26:53 | |
so we can't sing like they do | 0:26:53 | 0:26:54 | |
and we can't play rugby like they do, and we can't be clever | 0:26:54 | 0:26:58 | |
like they are, so, I've just grown to dislike them more and more. | 0:26:58 | 0:27:02 | |
Too little, too late. | 0:27:03 | 0:27:05 | |
The damage had been done. She's not human. | 0:27:05 | 0:27:09 | |
Well, erm, I feel you really mean this, Steve. | 0:27:10 | 0:27:14 | |
-HE LAUGHS -To a degree, yes. | 0:27:14 | 0:27:17 | |
I can't put mime in. | 0:27:17 | 0:27:19 | |
-Neither can I now, because I've seen the light. -Yes. | 0:27:19 | 0:27:22 | |
And I'm off now. I will never speak again. | 0:27:22 | 0:27:24 | |
And Bruno, as I think I have found tonight, | 0:27:24 | 0:27:26 | |
-has managed to combine mime with speaking. -Yeah. | 0:27:26 | 0:27:29 | |
That's very unusual. | 0:27:31 | 0:27:32 | |
And I'm one of the people who talks in the cinema and stuff, | 0:27:32 | 0:27:37 | |
so I can't put that in. But you know what? | 0:27:37 | 0:27:39 | |
I'm going to put another padlock, | 0:27:39 | 0:27:42 | |
and I am going to have Anne Robinson once again led into Room 101. | 0:27:42 | 0:27:47 | |
-CHEERING AND APPLAUSE -Goodbye. | 0:27:47 | 0:27:51 | |
And there she goes, returning to the vault. | 0:27:53 | 0:27:57 | |
And that brings us to the end of the show. | 0:28:06 | 0:28:08 | |
Well done, Steve, you were the most persuasive guest tonight, | 0:28:08 | 0:28:11 | |
-so you're tonight's winner. -Thank you. | 0:28:11 | 0:28:13 | |
CHEERING AND APPLAUSE | 0:28:13 | 0:28:16 | |
And thanks very much, Sue Perkins, Bruno Tonioli and Steve Jones, | 0:28:24 | 0:28:27 | |
-and thank you, good night. -CHEERING AND APPLAUSE | 0:28:27 | 0:28:31 |