Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
APPLAUSE | 0:00:26 | 0:00:30 | |
Hello, I'm Frank Skinner, and welcome to Room 101, | 0:00:32 | 0:00:36 | |
the show where three guests compete to condemn their deepest dislikes | 0:00:36 | 0:00:39 | |
to the dreaded room. Let's meet this week's guests. | 0:00:39 | 0:00:42 | |
Joining me tonight are style guru, Laurence Llewelyn-Bowen, | 0:00:42 | 0:00:46 | |
actor, Charles Dance and comedian Andi Osho. | 0:00:46 | 0:00:49 | |
APPLAUSE | 0:00:49 | 0:00:52 | |
Right, then. Let's have our first category. | 0:00:55 | 0:00:58 | |
People. OK. | 0:01:01 | 0:01:03 | |
So, what kind of people wind up Andi Osho? | 0:01:03 | 0:01:06 | |
People who make up the rules in Monopoly. | 0:01:10 | 0:01:14 | |
LAUGHTER | 0:01:14 | 0:01:16 | |
It's a big problem. It's a growing problem, Frank. | 0:01:16 | 0:01:19 | |
-Is it? -Yes, because, right, here's the thing, right. | 0:01:19 | 0:01:23 | |
Monopoly is like a really big deal in our house. | 0:01:23 | 0:01:26 | |
We play every year, like, er, Boxing Day | 0:01:26 | 0:01:28 | |
and Christmas Day we play. | 0:01:28 | 0:01:30 | |
We've got trophies. We've got trophies. | 0:01:30 | 0:01:33 | |
-We've got ENGRAVED trophies, mind you. -Wow. -Yeah. | 0:01:33 | 0:01:36 | |
So, like, you know, we play by the rules, but some people just... | 0:01:36 | 0:01:40 | |
they think they can just make them up. | 0:01:40 | 0:01:42 | |
Like there's one that people do where, like, your taxes, | 0:01:42 | 0:01:45 | |
like, that you're supposed to pay as you go round the board or whatever, | 0:01:45 | 0:01:48 | |
they say, "Oh, no, don't put them into the bank. | 0:01:48 | 0:01:51 | |
"Put them on free parking, | 0:01:51 | 0:01:52 | |
so the next person that lands on free parking gets the money". | 0:01:52 | 0:01:55 | |
That's the sort of thinking that got Greece up Poo-poo Creek, innit? | 0:01:55 | 0:02:00 | |
But surely making up your own rules, | 0:02:00 | 0:02:02 | |
as we found out in recent years, is what high finance is all about. | 0:02:02 | 0:02:07 | |
Yeah, and that's why we're, like, having so many problems. | 0:02:07 | 0:02:10 | |
Like chess, the rules are just the rules. | 0:02:10 | 0:02:13 | |
Like you can't play chess with someone | 0:02:13 | 0:02:15 | |
and then suddenly they put their pawn on top of the rook | 0:02:15 | 0:02:17 | |
and give him a gun and they can shoot all your pieces. | 0:02:17 | 0:02:19 | |
"Oh, no, these are the new rules of chess." | 0:02:19 | 0:02:21 | |
I always think if everybody in the room agrees, then it's fine. | 0:02:21 | 0:02:25 | |
-Yeah, but that's the problem. It's when... -I've used that line before. | 0:02:25 | 0:02:29 | |
Fair enough if you all agree on the rules, | 0:02:29 | 0:02:31 | |
but the problem is when two households come together | 0:02:31 | 0:02:35 | |
to play Monopoly and they've got different rules. | 0:02:35 | 0:02:37 | |
-We're getting there. -We've got some rules | 0:02:37 | 0:02:40 | |
that I don't think are strictly in the Monopoly rule book. | 0:02:40 | 0:02:42 | |
Do they involve taking off clothes? | 0:02:42 | 0:02:44 | |
-It's with my family, Laurence. -Oh, OK. | 0:02:44 | 0:02:47 | |
We've got some famous people playing Monopoly pictures, | 0:02:47 | 0:02:51 | |
which I find interesting. It's such a cool game. Look at this. | 0:02:51 | 0:02:54 | |
Here's George Harrison... | 0:02:54 | 0:02:56 | |
who's been playing it so long his hip has sunk into the floor. | 0:02:56 | 0:03:02 | |
And here's my favourite, Queen playing Monopoly. | 0:03:02 | 0:03:05 | |
And, look, Brian May has brought his brother! | 0:03:05 | 0:03:08 | |
LAUGHTER | 0:03:08 | 0:03:11 | |
-So, it's a cool game, isn't it? -It's a very cool game. | 0:03:11 | 0:03:14 | |
Do you guys play it? | 0:03:14 | 0:03:16 | |
When I was an art student, we, erm, we used to play Monopoly | 0:03:16 | 0:03:20 | |
on Sunday afternoons in this flat that rather resembled | 0:03:20 | 0:03:24 | |
the set of the Young Ones, actually, it was DISGUSTING, in Leicester. | 0:03:24 | 0:03:28 | |
And our landlord lived in the basement of the house, | 0:03:28 | 0:03:32 | |
and we used to invite him up to play on Sunday afternoons, | 0:03:32 | 0:03:36 | |
and he used to hang onto his Monopoly money when he was... | 0:03:36 | 0:03:40 | |
in lieu of the rent that we owed him! | 0:03:40 | 0:03:43 | |
Why is only one company allowed to make Monopoly? | 0:03:43 | 0:03:47 | |
That's what worries me about Monopoly in general. | 0:03:50 | 0:03:53 | |
Is the capitalist kind of... | 0:03:53 | 0:03:54 | |
Yeah, whereas people who make up their own rules suggest | 0:03:54 | 0:03:57 | |
that in the midst of it all, there's still some individuality. | 0:03:57 | 0:04:00 | |
Yeah. | 0:04:00 | 0:04:01 | |
OK. Let's see what Laurence doesn't like about people. | 0:04:01 | 0:04:05 | |
Gosh, look at that. | 0:04:08 | 0:04:11 | |
LAUGHTER | 0:04:11 | 0:04:14 | |
People that WEAR Hawaiian shirts. | 0:04:14 | 0:04:18 | |
It is the sort of person that feels that wearing a Hawaiian shirt | 0:04:18 | 0:04:21 | |
denotes that they can step outside responsibility, you know? | 0:04:21 | 0:04:25 | |
It's, "I'm on holiday the whole time. I don't need to bother. | 0:04:25 | 0:04:29 | |
"I'm going to wear something that is retina-punishingly colourful." | 0:04:29 | 0:04:34 | |
Let's have a look at an example of a celebrity in a Hawaiian shirt. | 0:04:34 | 0:04:38 | |
-There you go. -Well, there we are. | 0:04:38 | 0:04:42 | |
They're like a holiday with sleeves. | 0:04:42 | 0:04:45 | |
Is it the floral, garish... | 0:04:45 | 0:04:47 | |
No, no, no, because I can see where you're going with that one. Oh, no. | 0:04:47 | 0:04:51 | |
In fact, I'd say they weren't floral enough, Frank. | 0:04:51 | 0:04:54 | |
-I'll show you floral, if you want. -OK, go on, show me floral. | 0:04:54 | 0:04:57 | |
There we are. | 0:04:57 | 0:05:01 | |
APPLAUSE | 0:05:01 | 0:05:04 | |
See, the great thing about the Hawaiian shirt, | 0:05:04 | 0:05:06 | |
when I was in Hawaii, wearing one, | 0:05:06 | 0:05:08 | |
you can use them like those plastic meals in Japanese restaurants. | 0:05:08 | 0:05:11 | |
-If you can't speak Japanese, you point at the meal? -Yeah. | 0:05:11 | 0:05:14 | |
So, you can stop a cab, point at a girl in a grass skirt, | 0:05:14 | 0:05:18 | |
a tree and a ukulele, and he'll just take you to the right place. | 0:05:18 | 0:05:22 | |
It's absolutely perfect. Are you familiar with this? | 0:05:22 | 0:05:27 | |
-No. -This is a greeting in Hawaii. | 0:05:27 | 0:05:31 | |
At the end of Elvis: Aloha in Hawaii, he does that to the crowd, | 0:05:31 | 0:05:37 | |
and it means friendship, compassion, understanding and solidarity. | 0:05:37 | 0:05:43 | |
-Just from that? -Isn't that incredible? | 0:05:43 | 0:05:45 | |
And the British version? | 0:05:45 | 0:05:47 | |
Nice one. | 0:05:47 | 0:05:49 | |
OK. You argue well. | 0:05:51 | 0:05:52 | |
So, what person doesn't Charles Dance like? | 0:05:52 | 0:05:57 | |
AUDIENCE BOOS | 0:06:00 | 0:06:03 | |
APPLAUSE | 0:06:03 | 0:06:06 | |
-This is the Chancellor of the Exchequer. -Yes. | 0:06:11 | 0:06:14 | |
Mr George Osborne. | 0:06:14 | 0:06:15 | |
And, if Room 101 was bigger, I'd like him | 0:06:15 | 0:06:19 | |
and all his friends in the current government | 0:06:19 | 0:06:22 | |
to go into it as well. | 0:06:22 | 0:06:24 | |
APPLAUSE | 0:06:24 | 0:06:27 | |
Are you including the Liberal Democrats in this? | 0:06:27 | 0:06:30 | |
Might as well. | 0:06:30 | 0:06:33 | |
I mean, if we put him in Room 101 there'll still be someone in there | 0:06:33 | 0:06:36 | |
-he knows who'll get him a good table. -Yes, absolutely. Yes. | 0:06:36 | 0:06:40 | |
Do you know, there's a Facebook page, | 0:06:40 | 0:06:42 | |
-which is the George Osborne Appreciation Society? -Oh, really? | 0:06:42 | 0:06:45 | |
Yeah, let's have a look at that. | 0:06:45 | 0:06:48 | |
LAUGHTER | 0:06:48 | 0:06:50 | |
One like. | 0:06:50 | 0:06:52 | |
-He was on the Andrew Marr Show. -Oh, yeah. | 0:06:52 | 0:06:56 | |
And, er, Keane were on. | 0:06:56 | 0:06:58 | |
-Are you familiar with the band, Keane? -Yeah. | 0:06:58 | 0:07:00 | |
Well, I think it's a very interesting example, this, | 0:07:00 | 0:07:03 | |
of politicians on television. | 0:07:03 | 0:07:05 | |
Keane are playing. It's the end of the show. | 0:07:05 | 0:07:07 | |
Keane are playing, and the guests are still in their seats. | 0:07:07 | 0:07:09 | |
So, keep an eye on George. | 0:07:09 | 0:07:13 | |
There's Keane. | 0:07:13 | 0:07:14 | |
Now, this is the politician when he doesn't know he's on camera. | 0:07:14 | 0:07:18 | |
"What on earth...?" | 0:07:21 | 0:07:25 | |
And then, eventually, he realises that he IS on camera. | 0:07:25 | 0:07:30 | |
LAUGHTER AND APPLAUSE | 0:07:30 | 0:07:35 | |
Get on down, eh? Oh. | 0:07:39 | 0:07:43 | |
You sort of feel sorry for him in his hopelessness in that case, | 0:07:43 | 0:07:46 | |
-don't you? -No, I don't feel at ALL sorry for him. | 0:07:46 | 0:07:50 | |
To be fair, I think the thing is, you know, surely, | 0:07:50 | 0:07:52 | |
there's never going to be a Chancellor that you'll like. | 0:07:52 | 0:07:55 | |
I mean, that's...the job is always to be the panto villain. | 0:07:55 | 0:08:00 | |
He's basically King Banker, isn't he? | 0:08:00 | 0:08:02 | |
That's a euphemism. | 0:08:02 | 0:08:04 | |
Cockney rhyming slang, I think, actually, Charles. | 0:08:04 | 0:08:08 | |
But you particularly don't like this one? | 0:08:08 | 0:08:11 | |
I really can't dislike this man more than I do. | 0:08:11 | 0:08:16 | |
In his defence, erm... | 0:08:16 | 0:08:20 | |
LAUGHTER | 0:08:20 | 0:08:23 | |
He doesn't seem to really appeal to the young people, either. | 0:08:23 | 0:08:28 | |
LAUGHTER | 0:08:28 | 0:08:33 | |
OK, so we come to the end of that round. | 0:08:33 | 0:08:35 | |
I have to now... I have to carefully weigh your arguments | 0:08:35 | 0:08:39 | |
and decide who defended their case the best | 0:08:39 | 0:08:42 | |
and think it through and try and be fair. | 0:08:42 | 0:08:44 | |
So, I'm going to put George Osborne into Room 101. | 0:08:44 | 0:08:47 | |
CHEERING | 0:08:47 | 0:08:50 | |
Thank you. | 0:08:50 | 0:08:53 | |
Let's have our next category. | 0:08:59 | 0:09:01 | |
OK, it's the Wildcard round, so now there are no restrictions. | 0:09:05 | 0:09:09 | |
You can just pick anything at all that you don't like. | 0:09:09 | 0:09:12 | |
So, what is Laurence's wildcard? | 0:09:12 | 0:09:16 | |
Wow. | 0:09:19 | 0:09:23 | |
The pasty. The pasty is something | 0:09:23 | 0:09:25 | |
that I really do feel quite strongly about. | 0:09:25 | 0:09:28 | |
Why the pasty? | 0:09:28 | 0:09:29 | |
Because pasties, I think, not only look rather ugly, | 0:09:29 | 0:09:34 | |
they have the capacity to fill a train carriage | 0:09:34 | 0:09:38 | |
with the most unpleasant miasma | 0:09:38 | 0:09:42 | |
of kind of post-teen, cross-country run gym, | 0:09:42 | 0:09:47 | |
which is just so revolting. | 0:09:47 | 0:09:50 | |
Could I just say, I was brought up in the West Country, | 0:09:50 | 0:09:52 | |
and the pasty is very dear to my heart, | 0:09:52 | 0:09:56 | |
and you obviously have never had a really, really good pasty. | 0:09:56 | 0:10:00 | |
You've been among some very strange people. | 0:10:00 | 0:10:04 | |
I'm not... I'm not...you know, I'm not down on, er, you know, | 0:10:04 | 0:10:08 | |
on sort of good, straightforward, salt of the earth food. | 0:10:08 | 0:10:11 | |
I think pork pies are absolutely wonderful. | 0:10:11 | 0:10:14 | |
Actually, I have to say, I rather like a doner kebab. | 0:10:14 | 0:10:17 | |
But the pasty is like eating a middle-aged lady's handbag. | 0:10:17 | 0:10:21 | |
It's just a source of completely abstract, | 0:10:21 | 0:10:26 | |
gristly objects, that defy any kind of proper explanation. | 0:10:26 | 0:10:30 | |
I don't want to say you're being a bit snobby, | 0:10:30 | 0:10:32 | |
but you're being a bit snobby. | 0:10:32 | 0:10:34 | |
What about this? This is one for the romantics. | 0:10:34 | 0:10:38 | |
-It's the double pasty. -Oh, God. | 0:10:38 | 0:10:41 | |
And what you do is that you... | 0:10:41 | 0:10:43 | |
I eat it from this angle, | 0:10:43 | 0:10:46 | |
and then my loved one eats it from that side. | 0:10:46 | 0:10:50 | |
What, over your shoulder? | 0:10:50 | 0:10:54 | |
-No, she...she's... Imagine we're having a slow dance. -OK. | 0:10:54 | 0:10:57 | |
I'm eating the pasty from here, and she's eating it from that side. | 0:10:57 | 0:11:02 | |
Oh, that would be like that scene from Lady and the Tramp! | 0:11:02 | 0:11:05 | |
It would be lovely! | 0:11:05 | 0:11:07 | |
I recycle the crusts in all sorts of ways. | 0:11:07 | 0:11:12 | |
For example... | 0:11:12 | 0:11:14 | |
LAUGHTER | 0:11:14 | 0:11:16 | |
Waste not want not. I think they're lovely, | 0:11:16 | 0:11:19 | |
-and I'm not just saying that to take the other side of the argument. -Mmm. | 0:11:19 | 0:11:22 | |
It's one of my favourite foods, because it's healthy. | 0:11:22 | 0:11:26 | |
It's got vegetables, but then it's in the fun housing of a pie. | 0:11:26 | 0:11:30 | |
Yeah. | 0:11:30 | 0:11:31 | |
To be fair, I think the vegetables are incredibly well disguised. | 0:11:31 | 0:11:34 | |
-But that's how I like my vegetables. -As is everything in them. | 0:11:34 | 0:11:37 | |
-Can I just say, I'm a big fan of your lovely products. -Oh. | 0:11:37 | 0:11:40 | |
I was looking at your pastry forks. | 0:11:40 | 0:11:42 | |
You could eat a pasty with one of these, could you not? | 0:11:42 | 0:11:44 | |
-I suggest you do. -Can you imagine getting one of these out | 0:11:44 | 0:11:47 | |
-on the high street and eating a pasty? -I don't need to imagine it! | 0:11:47 | 0:11:51 | |
Isn't that lovely? | 0:11:51 | 0:11:52 | |
That's Laurence in the middle there. | 0:11:52 | 0:11:55 | |
LAUGHTER | 0:11:55 | 0:11:57 | |
OK, then. What's Andi's wildcard? | 0:11:57 | 0:12:01 | |
Yes. OK. | 0:12:05 | 0:12:09 | |
LAUGHTER | 0:12:09 | 0:12:12 | |
Pebble beaches. | 0:12:12 | 0:12:13 | |
I love pebble beaches. What is it? | 0:12:13 | 0:12:16 | |
You can't do ANY of the stuff that you do at a sand beach. | 0:12:16 | 0:12:19 | |
Have you ever tried burying someone at a pebble beach? | 0:12:19 | 0:12:23 | |
It is NOT the same. You can't build a castle. | 0:12:23 | 0:12:27 | |
You can't lie on a pebble beach. | 0:12:27 | 0:12:30 | |
It's like being punched in the back by the Earth. | 0:12:30 | 0:12:34 | |
A pebble beach is NOT a beach. | 0:12:34 | 0:12:36 | |
I go to Brighton quite a lot. There's a pebble beach. | 0:12:36 | 0:12:40 | |
-That's not a beach! -It is! Of course it is! | 0:12:40 | 0:12:43 | |
People eat ice cream on it. Can you get this? | 0:12:43 | 0:12:46 | |
And this is official. | 0:12:46 | 0:12:48 | |
The Crown Estate, that is basically the Royal Family, | 0:12:48 | 0:12:51 | |
are the majority landholders of the sea bed. | 0:12:51 | 0:12:55 | |
I don't know how far out they own it, but, yet, officially | 0:12:55 | 0:12:59 | |
I should get the permission of the Royal Family | 0:12:59 | 0:13:02 | |
to take a pebble home from Brighton. | 0:13:02 | 0:13:05 | |
So, does that mean, like, if, when people have a wee in the sea | 0:13:05 | 0:13:10 | |
that they're weeing, like, on the Queen's land? | 0:13:10 | 0:13:15 | |
Worse than that, they're relieving themselves on the Queen's bed. | 0:13:15 | 0:13:18 | |
LAUGHTER | 0:13:18 | 0:13:20 | |
Right, what he said. | 0:13:20 | 0:13:24 | |
Yeah. | 0:13:24 | 0:13:26 | |
You can do loads of stuff that you can't do on a sand beach. | 0:13:26 | 0:13:29 | |
You can't take a romantic walk on it. | 0:13:29 | 0:13:31 | |
It HURTS walking across pebbles. | 0:13:31 | 0:13:32 | |
But you're not wearing the right footwear. | 0:13:32 | 0:13:35 | |
What, like boots or something, like steel-cap boots? | 0:13:35 | 0:13:37 | |
I'll show you what I wear when I'm in Brighton, on the pebble beach. | 0:13:37 | 0:13:41 | |
People don't even know I'm wearing shoes. | 0:13:41 | 0:13:45 | |
LAUGHTER | 0:13:45 | 0:13:48 | |
See, it's got a hard bottom. | 0:13:48 | 0:13:51 | |
This is brilliant. | 0:13:51 | 0:13:53 | |
Yeah, it's lovely. I'm sitting out like this on the beach. | 0:13:53 | 0:13:57 | |
So, you have to basically look like a hobbit to survive on pebble beaches? | 0:13:57 | 0:14:02 | |
Well, that's one way. I'm not saying it's the only way. | 0:14:02 | 0:14:04 | |
I tell you what, one example, I'll say, where you win, | 0:14:04 | 0:14:07 | |
is the egg timer. | 0:14:07 | 0:14:11 | |
LAUGHTER | 0:14:11 | 0:14:13 | |
All right, you've got that. | 0:14:15 | 0:14:17 | |
You might win on the egg timer thing. | 0:14:17 | 0:14:20 | |
The only good thing you can do at a pebble beach | 0:14:20 | 0:14:23 | |
is you can skim stones, | 0:14:23 | 0:14:25 | |
which is people just trying to throw the stones back in the water | 0:14:25 | 0:14:28 | |
-and trying to find sand. -Do you skim? | 0:14:28 | 0:14:31 | |
-I taught myself to skim. -Taught yourself? | 0:14:31 | 0:14:34 | |
-Yeah. -Not many people go on a course! | 0:14:34 | 0:14:37 | |
LAUGHTER | 0:14:37 | 0:14:40 | |
Yeah, I had a skimming tutor who used to come with me. | 0:14:40 | 0:14:44 | |
Here's someone who likes sand even more than you do. | 0:14:44 | 0:14:47 | |
Kelly Marie-Pierce got pregnant, | 0:14:47 | 0:14:50 | |
was watching her mother-in-law, changing sand in her parrot's cage, | 0:14:50 | 0:14:54 | |
and she said, "I kept getting this weird taste in my mouth. | 0:14:54 | 0:14:56 | |
"I knew I was craving for something | 0:14:56 | 0:14:58 | |
"but I couldn't put my finger on it, and when I saw her | 0:14:58 | 0:15:00 | |
"change the parrot's cage, I thought, I could just eat that." | 0:15:00 | 0:15:03 | |
Sand. | 0:15:03 | 0:15:04 | |
"I was getting through bowls and bowls of sand a day. | 0:15:04 | 0:15:07 | |
"I wasn't eating anything else but sand and sponges". | 0:15:07 | 0:15:11 | |
Here's a picture of Kelly Marie-Pierce. | 0:15:11 | 0:15:14 | |
When she said sponges, I thought she meant natural sponges from the sea. | 0:15:14 | 0:15:18 | |
No, she meant scouring pads. | 0:15:18 | 0:15:21 | |
That's what happens to people who like sand, | 0:15:21 | 0:15:23 | |
whereas you're not going to tuck into that, are you? | 0:15:23 | 0:15:27 | |
LAUGHTER | 0:15:32 | 0:15:34 | |
Oh, it's actually all right. | 0:15:34 | 0:15:36 | |
Is it all right? Well, maybe I take it all back then. | 0:15:36 | 0:15:38 | |
It's chocolate. | 0:15:38 | 0:15:41 | |
If there are any children watching at home, | 0:15:41 | 0:15:44 | |
not ALL pebbles contain chocolate. | 0:15:44 | 0:15:48 | |
You have to just keep trying them. | 0:15:48 | 0:15:51 | |
No, don't. | 0:15:51 | 0:15:54 | |
APPLAUSE | 0:15:54 | 0:15:58 | |
OK. What's Charles' wildcard? | 0:15:58 | 0:16:01 | |
MUTED LAUGHTER | 0:16:05 | 0:16:08 | |
National Health doctors' receptionists. | 0:16:08 | 0:16:11 | |
APPLAUSE | 0:16:11 | 0:16:13 | |
-Thank you. -Oh! | 0:16:13 | 0:16:16 | |
Maybe not all of them, but most of them. | 0:16:16 | 0:16:19 | |
And they seem to assume that they are the gatekeepers | 0:16:19 | 0:16:23 | |
of the National Health Service. | 0:16:23 | 0:16:26 | |
A lot of them have this infuriating habit, | 0:16:26 | 0:16:28 | |
if you call and you want an appointment with your doctor, | 0:16:28 | 0:16:31 | |
which, of course you can't get when you need it, you know, | 0:16:31 | 0:16:34 | |
there's an appointment on Tuesday and you're ringing on Wednesday, | 0:16:34 | 0:16:37 | |
and you think, "Well, I might not be ill on Tuesday", you know. | 0:16:37 | 0:16:40 | |
And then they say, "What is it about?" | 0:16:40 | 0:16:43 | |
You think, "Well, it's none of your bloody business! | 0:16:43 | 0:16:46 | |
"I'll tell the doctor what it's about." | 0:16:46 | 0:16:48 | |
-I mean, to be fair to them... -Yes. | 0:16:48 | 0:16:50 | |
I think that they probably need to tell the doctor in advance | 0:16:50 | 0:16:55 | |
what he's going to be treating you for so that he can Google it. | 0:16:55 | 0:17:00 | |
LAUGHTER AND APPLAUSE | 0:17:00 | 0:17:03 | |
I mean, I feel a bit sorry for them. | 0:17:07 | 0:17:09 | |
They must deal with some awkward customers. | 0:17:09 | 0:17:12 | |
-Not you, Charles, obviously. -No. | 0:17:12 | 0:17:15 | |
I imagine you turning up and saying, "Fetch me an apothecary." | 0:17:15 | 0:17:19 | |
Also, correct me if I'm wrong, is one of the reasons | 0:17:21 | 0:17:25 | |
you don't want to tell them what's wrong, because you're Charles Dance | 0:17:25 | 0:17:29 | |
and you don't want them gossiping about what it is? | 0:17:29 | 0:17:32 | |
No. | 0:17:32 | 0:17:33 | |
Charles Dance sounds like a fake name anyway, so... | 0:17:33 | 0:17:37 | |
Not that it's not a nice name, but it does sound like | 0:17:37 | 0:17:39 | |
the sort of name you'd give at an STD clinic or something. | 0:17:39 | 0:17:42 | |
"Oh, Charles... Dance!" | 0:17:42 | 0:17:44 | |
It's funny you should say that, | 0:17:44 | 0:17:46 | |
because that is the name I always give at STD clinics. | 0:17:46 | 0:17:50 | |
Charles' reputation is in tatters thanks to me. | 0:17:50 | 0:17:53 | |
You always have to have a medical before you do a TV series | 0:17:53 | 0:17:59 | |
or a film, to make sure you're OK to get through it. | 0:17:59 | 0:18:01 | |
I had one recently and the man said, | 0:18:01 | 0:18:04 | |
"Can you drop your trousers and pants, please?" | 0:18:04 | 0:18:07 | |
And he sort of wedged his hand, | 0:18:07 | 0:18:11 | |
wedged it, like... | 0:18:11 | 0:18:14 | |
you know like when you're trying to get one more book on the bookcase? | 0:18:14 | 0:18:20 | |
Wedged his hand like that. | 0:18:20 | 0:18:23 | |
I don't know what he was testing. | 0:18:23 | 0:18:26 | |
He didn't ask me to cough. | 0:18:26 | 0:18:28 | |
He just stood like that, and he looked at me | 0:18:28 | 0:18:30 | |
and I looked at him, and there was a terrible silence. | 0:18:30 | 0:18:35 | |
I had a sense that the real doctor was in a cupboard, going... | 0:18:35 | 0:18:39 | |
LAUGHTER | 0:18:39 | 0:18:44 | |
So, we come to the end of that round. | 0:18:46 | 0:18:48 | |
You all argued very well. | 0:18:48 | 0:18:51 | |
The thing is, Andi, I've got such a romantic attachment | 0:18:51 | 0:18:54 | |
-to pebble beaches, and I don't like sand very much. -Not beaches. | 0:18:54 | 0:18:58 | |
And pasties I really like as well. | 0:18:58 | 0:19:02 | |
I'm afraid, because I spend so much time on pebble beaches | 0:19:02 | 0:19:06 | |
eating pasties, I'm going to have to put NHS receptionists into Room 101. | 0:19:06 | 0:19:10 | |
GASPS | 0:19:10 | 0:19:12 | |
Controversial! | 0:19:12 | 0:19:15 | |
CHEERING AND APPLAUSE | 0:19:15 | 0:19:18 | |
OK. Next category, please. | 0:19:21 | 0:19:23 | |
Modern life. So, what doesn't Andi like about modern life? | 0:19:28 | 0:19:33 | |
Internet dating. | 0:19:37 | 0:19:39 | |
Well, you'd be glad to get a handsome young fellow like that, | 0:19:39 | 0:19:42 | |
-wouldn't you? -If only that was what you got. | 0:19:42 | 0:19:45 | |
APPLAUSE | 0:19:45 | 0:19:47 | |
-If only. -Oh, God, that's the applause of experience, there! | 0:19:47 | 0:19:51 | |
This is what you get. | 0:19:51 | 0:19:53 | |
LAUGHTER | 0:19:53 | 0:19:56 | |
You want to download that, but that's what ends up in your inbox. | 0:19:56 | 0:20:00 | |
I see. Have you dabbled in online dating? | 0:20:02 | 0:20:05 | |
I have dabbled, Frank, in the past. | 0:20:05 | 0:20:08 | |
The thing with it is, is, like, some of the things | 0:20:08 | 0:20:11 | |
that people write on their profiles, like you have to wade through | 0:20:11 | 0:20:14 | |
a lot of rubbish to get to the actual truth of what people mean. | 0:20:14 | 0:20:17 | |
Like, they write, "I love nights in, but I also love nights out". | 0:20:17 | 0:20:20 | |
Like, that's just what people do. | 0:20:20 | 0:20:22 | |
You know, "I love breathing in, but I also love breathing out". | 0:20:22 | 0:20:25 | |
Whoa, crazy! | 0:20:25 | 0:20:27 | |
A friend, who worked in Birmingham, he worked at a dating place, | 0:20:27 | 0:20:32 | |
and he said the most commonly ticked box was, | 0:20:32 | 0:20:37 | |
"What kind of person do you want?" | 0:20:37 | 0:20:38 | |
"Must not live more than five miles from my house." | 0:20:38 | 0:20:42 | |
-"Will NOT travel." -Yeah. | 0:20:42 | 0:20:44 | |
I mean that is...that's like, "Yes, she is my soul mate, | 0:20:44 | 0:20:47 | |
"but I'm not getting two buses". | 0:20:47 | 0:20:49 | |
LAUGHTER | 0:20:49 | 0:20:51 | |
You can waste a lot of time on, you know, dating the normal way, | 0:20:51 | 0:20:55 | |
-can't you? -Well, I mean I like the idea | 0:20:55 | 0:20:58 | |
-of just randomly meeting somebody. -What you need is jury service. | 0:20:58 | 0:21:03 | |
LAUGHTER | 0:21:03 | 0:21:05 | |
-You don't mean the person on trial? -No. | 0:21:05 | 0:21:10 | |
-Oh, right. You mean, like, the other 11... -I meant my fellow jurors. | 0:21:10 | 0:21:14 | |
Oh, those guys. | 0:21:14 | 0:21:16 | |
Because if you started the relationship | 0:21:16 | 0:21:18 | |
you might be very tempted to say they're not guilty. | 0:21:18 | 0:21:21 | |
But what if they look like this guy? | 0:21:21 | 0:21:23 | |
I didn't realise that's how touchscreens worked. | 0:21:23 | 0:21:26 | |
Maybe what doesn't help is that the dating websites, | 0:21:29 | 0:21:32 | |
the questions that they ask don't really help you to really get... | 0:21:32 | 0:21:35 | |
because they're, like, really generic, like, you know, | 0:21:35 | 0:21:37 | |
"What books do you like? What films do you like?" | 0:21:37 | 0:21:39 | |
If they start to get specific, then you might, you know, | 0:21:39 | 0:21:42 | |
get to know someone how you would want to get to know them | 0:21:42 | 0:21:44 | |
-if you met them, like, in the flesh world. -Mmm. | 0:21:44 | 0:21:46 | |
Like, erm, "What's wrong with you?" | 0:21:46 | 0:21:49 | |
I'm on there too, so I know that, you know, | 0:21:49 | 0:21:53 | |
I'm included in that, but I KNOW what's wrong with me. | 0:21:53 | 0:21:55 | |
They'll find that out when we move in together. | 0:21:55 | 0:21:59 | |
Well, I looked at... This is advice from a man called Craig Wax. | 0:21:59 | 0:22:04 | |
Right. | 0:22:04 | 0:22:06 | |
The senior vice president at Match.com and he says, | 0:22:06 | 0:22:10 | |
"Come up with a name that gives an indication | 0:22:10 | 0:22:13 | |
"of what you're all about," and this is what Craig says. | 0:22:13 | 0:22:15 | |
"So, for instance, if you like to ski and you like to cook, | 0:22:15 | 0:22:19 | |
"your username could be Skiing Chef. | 0:22:19 | 0:22:23 | |
"Right off the bat, you get a sense of what this person is all about." | 0:22:23 | 0:22:27 | |
LAUGHTER | 0:22:27 | 0:22:29 | |
Looking back, I don't know | 0:22:29 | 0:22:32 | |
if I should have gone for Irritable Catholic. | 0:22:32 | 0:22:34 | |
LAUGHTER | 0:22:34 | 0:22:38 | |
Right, what doesn't Charles like about modern life? | 0:22:38 | 0:22:43 | |
Automated reply things, generally, but one in particular. | 0:22:49 | 0:22:54 | |
Camden Council's automated paper service for parking fines. | 0:22:54 | 0:23:01 | |
OK. | 0:23:01 | 0:23:03 | |
You know, somebody has to do it, but this particular voice is, um, | 0:23:03 | 0:23:09 | |
just the least suitable. | 0:23:09 | 0:23:12 | |
Well, I tell you what, let's listen to it. | 0:23:12 | 0:23:14 | |
-You do that. -This is the automated voice at Camden Council | 0:23:14 | 0:23:18 | |
if you phone up to pay your parking fines. | 0:23:18 | 0:23:19 | |
PHONE RINGS | 0:23:19 | 0:23:21 | |
'Welcome to the London Borough of Camden's | 0:23:21 | 0:23:24 | |
'automated telephone payment service. | 0:23:24 | 0:23:27 | |
'Enter 1 for a traffic or parking penalty, | 0:23:27 | 0:23:31 | |
'2 for other fixed penalties, | 0:23:31 | 0:23:34 | |
'3 for council tax, | 0:23:34 | 0:23:36 | |
'4 for housing rents, | 0:23:36 | 0:23:39 | |
'5 for business rates or bib levies.' | 0:23:39 | 0:23:42 | |
-Yeah... -'If you want to speak to an operator, | 0:23:42 | 0:23:45 | |
'then press the star key on your telephone keypad now.' | 0:23:45 | 0:23:48 | |
-OK... -'Please enter your...' DROWNED OUT BY LAUGHTER | 0:23:48 | 0:23:52 | |
Whoa. So, I mean, it goes on a bit. | 0:23:52 | 0:23:57 | |
Yeah. There are no notes, I mean, no intonation at all. It's... | 0:23:57 | 0:24:02 | |
You're a tough audience though, Charles. | 0:24:02 | 0:24:04 | |
"Welcome to Camden Council automated parking service. | 0:24:04 | 0:24:07 | |
"If your account begins with a CU, please..." You think, "What?" | 0:24:07 | 0:24:09 | |
-How would you do it? -You know, if you're going to get somebody | 0:24:09 | 0:24:12 | |
to do a voiceover for something, you know, | 0:24:12 | 0:24:15 | |
I mean find an out-of-work actor or, you know, Laurence is really... | 0:24:15 | 0:24:17 | |
Absolutely. | 0:24:17 | 0:24:20 | |
Do you know the weird thing about that Camden thing, | 0:24:20 | 0:24:22 | |
is the dude is not from Camden. Like, he's quite northern, isn't he? | 0:24:22 | 0:24:25 | |
He sounds quite sort of Coronation Street camp. | 0:24:25 | 0:24:27 | |
He's like, "Oh, hello, thanks for calling Camden Council." | 0:24:27 | 0:24:31 | |
Like, if you're calling Camden, | 0:24:31 | 0:24:32 | |
you want someone to sound like they're from Camden. | 0:24:32 | 0:24:34 | |
You want to ring up and have them go, | 0:24:34 | 0:24:37 | |
"All right, skunk weed, skunk weed, you want to buy some skunk?" | 0:24:37 | 0:24:40 | |
Right, what doesn't Laurence like about the modern world? | 0:24:40 | 0:24:44 | |
Beige. | 0:24:49 | 0:24:52 | |
Beige in all its gory, | 0:24:52 | 0:24:55 | |
in all its understated, delusional blandure, | 0:24:55 | 0:25:00 | |
and beige is very much attached to this idea | 0:25:00 | 0:25:04 | |
that you can't go wrong with beige, which is sort of true, | 0:25:04 | 0:25:07 | |
but then you can't go right with beige, either. | 0:25:07 | 0:25:09 | |
You can't do sexy with beige. You can't do exciting with beige. | 0:25:09 | 0:25:12 | |
But let me tell you all now - you cannot trust beige, | 0:25:12 | 0:25:17 | |
because it is basically just colour, | 0:25:17 | 0:25:19 | |
but just with the volume turned down. | 0:25:19 | 0:25:21 | |
We should now be embracing the full rainbow | 0:25:21 | 0:25:25 | |
that we have at our fingertips. | 0:25:25 | 0:25:27 | |
Inevitably, we did a survey a couple of years ago, | 0:25:27 | 0:25:30 | |
which was based on how the colour that you chose to have | 0:25:30 | 0:25:34 | |
in your bedroom affected your, er, romantic life. | 0:25:34 | 0:25:38 | |
And guess where beige came? | 0:25:38 | 0:25:40 | |
Absolutely at the very, very bottom. | 0:25:40 | 0:25:42 | |
Who's got a beige bedroom? | 0:25:42 | 0:25:45 | |
No-one is going to admit to it. | 0:25:45 | 0:25:48 | |
Oh, dear, Frank. | 0:25:48 | 0:25:50 | |
It doesn't make much difference when you're wearing a gimp mask. | 0:25:50 | 0:25:53 | |
No, exactly. | 0:25:53 | 0:25:55 | |
We found a Laurence beige footstool. | 0:25:55 | 0:25:58 | |
This is Woolworth's online you can get this. | 0:25:58 | 0:26:01 | |
-Did it actually say beige? -That is beige. | 0:26:01 | 0:26:04 | |
Did it say beige? No. | 0:26:04 | 0:26:06 | |
But you can't make it not beige by calling it something else! | 0:26:06 | 0:26:10 | |
Listen, you can. It is not beige. That is sable. | 0:26:10 | 0:26:14 | |
Look it up! | 0:26:14 | 0:26:17 | |
Look at this. This is one of your cushions. | 0:26:17 | 0:26:19 | |
-That's beige. You've got to call that beige. -That's not beige! | 0:26:19 | 0:26:22 | |
That's classic hearing aid beige. | 0:26:22 | 0:26:27 | |
I think you'd like this one. | 0:26:27 | 0:26:30 | |
What about...? This is...this is beige. | 0:26:35 | 0:26:37 | |
This is one of your headboards. | 0:26:37 | 0:26:40 | |
-Again, that is sable. -That is beige! | 0:26:40 | 0:26:45 | |
Laurence, you have a lot of beige stuff. | 0:26:45 | 0:26:47 | |
I have a lot of sable stuff. | 0:26:47 | 0:26:49 | |
I tell you what, if you squint a bit, | 0:26:49 | 0:26:52 | |
that looks like Darth Vader standing in front of the Taj Mahal. | 0:26:52 | 0:26:58 | |
One thing that does get quite a lot of stick is beige food. | 0:26:58 | 0:27:02 | |
You know they say that you should eat a rainbow? | 0:27:02 | 0:27:04 | |
-Well, this is it. -I have quite a lot of Smarties. | 0:27:04 | 0:27:09 | |
That is how you judge an unhealthy diet, | 0:27:09 | 0:27:11 | |
is to say he eats too much beige food. | 0:27:11 | 0:27:13 | |
-Like pasties. -Like pasties. | 0:27:13 | 0:27:16 | |
-They're quite beige. -I'd say they were sable. | 0:27:16 | 0:27:19 | |
I'll give you that one! | 0:27:19 | 0:27:22 | |
APPLAUSE | 0:27:22 | 0:27:25 | |
I have to say, you all argued very well. | 0:27:25 | 0:27:28 | |
I don't feel I can put online dating in, | 0:27:28 | 0:27:31 | |
because I think there's lonely people who are brought together, | 0:27:31 | 0:27:34 | |
-and it's a place...in the modern world... -Fine. | 0:27:34 | 0:27:38 | |
As for Camden Council, I quite like getting an automated voice. | 0:27:38 | 0:27:43 | |
It makes me feel like I'm living in the 21st century, | 0:27:43 | 0:27:45 | |
like I'm talking to a crazy robot. | 0:27:45 | 0:27:48 | |
You know, I was pro-beige until you started, | 0:27:48 | 0:27:52 | |
but you've completely won me over with your crazy style guru ways. | 0:27:52 | 0:27:57 | |
-Hey! -So I am going to put beige into Room 101. | 0:27:57 | 0:28:01 | |
Thank you very much! | 0:28:01 | 0:28:03 | |
Goodbye! Goodbye! | 0:28:03 | 0:28:07 | |
And that brings us to the end of the show. | 0:28:12 | 0:28:14 | |
Well done, Charles, you were tonight's most persuasive guest, | 0:28:14 | 0:28:18 | |
-so you're this week's winner. -Bravo, bravo. | 0:28:18 | 0:28:23 | |
So, thank you very much to Laurence Llewelyn-Bowen, | 0:28:26 | 0:28:29 | |
to Charles Dance, to Andi Osho, and thank you, goodnight. | 0:28:29 | 0:28:33 | |
Subtitles by Red Bee Media Ltd | 0:28:37 | 0:28:41 |