Episode 1 Room 101


Episode 1

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Transcript


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APPLAUSE

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Hello, I'm Frank Skinner, and welcome to Room 101 -

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the show where three guests battle

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to consign their pet peeves to the infamous vault.

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They'll have to argue their case well,

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because for each round, only one item can be chosen.

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The final decision is mine.

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Let's meet this week's guests -

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joining me tonight are headlines, Sir Trevor McDonald,

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punchlines, Aisling Bea,

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and, learning his lines, David Tennant.

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APPLAUSE AND CHEERING

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So, let's see what's on the "whine" list.

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So, what's David's choice?

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It's sushi.

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APPLAUSE

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I don't like fish much at the best of times,

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so the idea that you would serve it to me

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without having the decency to cook the filthy stuff

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just makes my stomach turn.

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But it's not solely the snot-like texture -

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although that should be enough -

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it's the attitude that goes along with the people that like it

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that I find...

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disgusting.

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There's a sort of snobbish, smug...

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..kind of middle-class proselytising about it that goes on.

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This idea that, "Because I like sushi,

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"I'm sophisticated, I'm international, I'm exotic" -

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for a plate of filthy raw fish.

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Doesn't even come with chips.

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APPLAUSE

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There's, er...one of those viral videos -

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I don't know if anyone's seen this -

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of a plate of sashimi that someone filmed in a restaurant,

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that starts to twitch...

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AUDIENCE GROANS

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..and then flips itself off the plate.

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That's not dinner, that's a pet.

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I LOVE sashimi, because have an international sort of...

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-Cos you're all exotic.

-..mysterious, exotic presence.

-Smug.

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-I must confess, I'm with David on this.

-Really?!

-I understand...

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APPLAUSE

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I mean, I've never investigated it as closely as you have...

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..but it's the fact that people who do like it

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-think that they are better than all of us.

-Yes!

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-But we ARE better than you.

-That's the bit...

-That's...

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To be fair, David,

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you come from a place where they won't even eat raw Mars Bars.

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APPLAUSE

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That... That is exotic cuisine, right there.

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So, here's some... Yeah, here's some sushi.

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One of my favourite things about sushi is, er...

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the sushi grass.

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-What... What is that about?

-What IS that about?

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-I...

-It's trying to dress it up, cos it's such filthy, vile stuff.

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In the part of the world I come from,

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when they talk about grass, they talk about something else.

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No, but it doesn't come from a field, this stuff - it comes from the sea.

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It gives it a sort of surf and turf kind of a feel.

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What I think - this was my own idea,

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and if there's anyone who runs a sushi restaurant,

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I'm prepared to discuss this with them -

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wouldn't this be more suitable?

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You see that? You've got waves, and it just makes it more...

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real.

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Can I say, also, by the way, the sushi grass -

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it's great at Christmas.

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I think part of the pretension, too,

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is the fact that it appears to be so enticingly laid out.

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-You know? That's part of the thing.

-Mm.

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Have you ever heard of nyot...ai...mori?

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Nyotaimori.

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-Sure.

-LAUGHTER

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It's a very specialist sushi tradition in Japan.

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Here is what it is.

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ALL GASP

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Yes - and the sushi is eaten off a naked body.

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Usually female, I'll be honest with you.

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But you can imagine the complications of eating it off a male.

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David just changed his mind about sushi.

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LAUGHTER

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I went to one of these places in Osaka , and I said, "Look..."

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I finished the meal, and I said, "I don't have any money,

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"but I am prepared to do the washing up."

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This particular one, which is the salmon one -

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I always feel a bit sorry,

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because salmon doesn't seem quite exotic enough to be in sushi.

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It's like when you see a British actor in an American TV show,

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you think, "Aw, bless."

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But that - when you look at that piece of sushi,

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I think it looks like...

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Ed Sheeran.

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And if you can imagine...

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Now, this one...

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This one, I always think,

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it's ginger, but it's got a bit of white showing,

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it's more of a Chris Evans type.

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And you can imagine them meeting at a bar, and having a bit of a...

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Actually, it'd be more like this, wouldn't it?

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So, um, you have eaten sushi, I take it?

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Begrudgingly, yeah. Well, people keep going on about it, you know?

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-Yes, they do.

-There must be something.....

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And then... But no, it just tastes like a pile of raw fish.

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-It's a fair summary.

-Yeah.

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OK, so, what's Sir Trevor's choice?

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My choice is queuing.

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APPLAUSE AND CHEERING

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Thank you.

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Thank you - although I should explain,

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if you turn up at some airport in Naples or something,

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and you're standing in line

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and waiting to go to the ticket counter

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and somebody barges in from the right or left side, you think,

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"Oh, my goodness,

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"how wonderful it is that this doesn't happen back in London."

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You know? Where people get in an orderly queue,

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and they don't move...

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But I get very worried when people become obsessed

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-with just the idea of standing in line - we love lines.

-Mm.

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And you go to an underground station,

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and there are three lanes which are empty,

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and there's one where there are about 100 people,

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and everyone gets behind the line!

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-Yeah!

-And I just get out

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and I go for the one where there's nobody standing next to it,

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and I get my ticket and walk away, but -

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it shouldn't, really, but it infuriates me.

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I think my particular hate on this one is,

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if you're queuing in a cafe - especially if you're on your own -

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queuing in a cafe, and a family come in,

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and they all go and sit at the last table in the cafe,

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and then join the end of the queue -

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so, you're way ahead of them, but they got the table.

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Now, that cannot be right.

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And I know it's just a table, but you just know these are the people -

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they'd do the same with a lifeboat.

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And they do it, now, for sales in big stores -

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you know, somebody forms a line...

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Well, in fact, for sales, they don't -

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-they kill each other, don't they? Sort of...

-Yes.

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I think you can get a community spirit from that kind of...

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Oh, I'm sure there's a community spirit when you do,

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but I mean, there's nothing else to do but have a community spirit

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if you're standing out there, or sitting out there all night.

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Do you still have to queue, Sir Trevor?

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Do you ever just go, "I am Sir Trevor of the News!

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"Let me through!"?

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No, no... Nobody ever does that.

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They probably do it for you, but not for me.

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-Oh...

-I don't believe that -

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I think the world parts like Moses and the Red Sea.

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A queue that you see a lot in London

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is young men queuing for training shoes.

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A new edition of trainers comes out,

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and they literally queue overnight to get in there first -

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and I find this a pretty remarkable phenomenon.

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And I was in this car, and I was being driven -

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I'd been talking to the driver, it was a woman driver, she was Latvian -

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and she said, "What is this queue?"

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And I said, "It's... They're queuing for training shoes."

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I said, "Can you believe it?"

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There was a short pause, and she said,

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"I've queued for cheese."

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But that's... I mean, you know, that's the thing, you know?

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So, a new phone comes out, and everybody queues.

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Look, I'll tell you something - the guys who make those phones,

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they're going to make enough to sell it to everybody.

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You do not need to queue.

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I'm telling you, honestly.

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APPLAUSE

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The one, I think, that needs quite a bit of intuition,

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is when you're queuing at a urinal,

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guessing who's going to finish first.

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You're looking for any sort of sense of...

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relaxation.

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It's a sort of urinal Russian roulette.

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Just trying to...

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I once stood at a urinal behind the Red Arrows...

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in full formation.

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Amazing. How they did the red, white and blue thing, I'll never know.

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There's a kind of sport to it, at the supermarket, isn't there?

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You know, which line are you going to choose?

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-Yeah.

-Which is moving fastest?

-Yeah.

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You can actually turn it into a competitive event,

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with someone else - "You take that basket, I'll take that basket,"

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you can be edging it... That's quite fun.

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I find in the supermarket, my real problem,

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when you're queuing behind someone,

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when you get to the actual conveyor belt

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and they don't put the grocery divider...

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MURMURS OF ASSENT

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Now, that's their job! It's the leader's responsibility.

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I can't put it on, they have to put it on.

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So, what I start doing -

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I start putting my stuff on quite close to theirs -

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the most expensive stuff,

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like a little bit of truffle oil rolling over -

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they start to panic, and down it goes.

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Um, what about Aisling's choice?

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Pigeons.

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APPLAUSE AND CHEERING

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Frankly, Frank,

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I've had enough of these disease-riddled rats of the sky.

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-AUDIENCE CHEERS

-Yes, thank you.

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Bit of solidarity, there.

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We just let them roam around, owning the streets of our cities

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for far too long, and I don't know why.

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What do they do? They're obsolete now - everyone sends text messages,

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unlike the old days,

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when you used to attach, you know, a bit of paper to their legs,

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and I think that's why British people let them stay around

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so long, is because of all the hard work they did during the war.

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But, you know, you don't see other veterans going round

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Trafalgar Square pooing on the monuments,

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so I don't see why we should allow pigeons.

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You know, there's an arrogance about them -

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they're like the aggressive sort of man in the pub,

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being like, "No, you move," you know?

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They're like... Yeah, I just don't like them any more.

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First of all, they are, I think,

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an important source of exercise for toddlers.

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I have a three-year-old,

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he will chase a pigeon a mile and a half.

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He'll run so far, he'll vomit,

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and then, of course, the pigeon will sort that out.

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I thought we were supposed to love the wildlife.

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No, they have more diseases -

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they have, like, seven times more diseases than rats,

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even in the wind from their wings.

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This might change your mind - we have a woman in Liverpool,

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an artist called Kerry Morrison,

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laid out a sheet of musical manuscript with empty staves on it.

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There it is, look.

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Ready for musical notes...

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Ah!

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..and then pigeons naturally put notes on the...

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LAUGHTER

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I'm not making this up - this was an artistic experiment.

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And we've got a - look.

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-AUDIENCE:

-Eurgh!

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That's E.

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She waited till it was covered,

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and then Jon Hering, a composer,

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he turned it into a full musical score,

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and they performed it at the Tate Liverpool art gallery.

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Come off it.

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I'm not making - this is absolutely serious.

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We have the actual music here.

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# I believe I can fly... #

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APPLAUSE

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# I believe I can touch the sky... #

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I made that last bit up.

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It's completely true - this is the real pigeon music.

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This is taking the notes that were dropped onto the thing

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and turning them into music.

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SLOW ATONAL MUSIC

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LAUGHTER

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It's interesting that the medium that they use to write the music

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-is reflected in the music.

-Mm!

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And they actually performed that at the Tate?

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Yeah, The art gallery.

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That is one of those things with art where sometimes you're like,

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"No, I don't believe there should be any cuts to art funding,"

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and then every now and again you're like,

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"Ach, they could probably shave a pound or two off."

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Erm, I don't think I can put pigeons in, Aisling.

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What, why not?

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Because they have this strange homing thing - we don't know,

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we haven't finally found out how bright and intelligent...

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what we can do with them.

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They could save the world -

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and they're a bit scruffy and smelly, but - hey.

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I...

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I must say, I like sushi.

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-Ohh!

-AUDIENCE MURMURS

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I do like it, and I like the fact that we, as a nation,

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who aren't the most experimental,

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have actually embraced the whole raw fish thing.

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David, don't look at me like that.

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OK, I...

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This is a real tough one, but I'm going to put queuing into Room 101.

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-Oh...

-Oh, thanks!

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APPLAUSE

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And so...

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What's upsetting Sir Trevor?

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Lateness.

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APPLAUSE AND CHEERING

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I thought we'd be done by now.

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LAUGHTER

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This is a problem which I realise is partly of my own creation.

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If I arrange to meet somebody at six o'clock,

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outside McDonald's - my, you know...

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LAUGHTER

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Do you mean your house?

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APPLAUSE

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-I was referring to the family firm.

-Oh, OK!

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..at six o'clock, if I say six o'clock,

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at about five to six...

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I'm there, of course,

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and I think I've got the wrong place,

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because the person hasn't turned up.

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Now, I'm not into all this sort of quasi-philosophical nonsense

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about punctuality being the prerogative of princes or kings,

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or whatever - I don't believe any of that -

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I just think that if you say you're going to be there at a certain time,

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then you are there.

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I make extreme efforts to make sure that I am on time.

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I always take account of the fact that there might be traffic.

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I mean, have you ever heard of the worst excuse in your life?

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"There's traffic" - there's traffic everywhere.

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There always is traffic.

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Do you think it's cos it was a big deal in your job -

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like, if at ten o'clock Britain turned on their television,

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and there was just a chair there...

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-To be completely honest...

-"I'm on my way, I'm on my way."

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You did have a job that started with Big Ben.

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So you kind of always knew what time it was.

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Exactly.

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The worst thing I ever...

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I had a meeting with someone, and they turned up - I mean,

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they were probably 15 minutes late, and they had a Starbucks cup...

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And they said, "Oh, sorry I'm late,"

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and I said, "But hold on a minute - you had time to buy Starbucks..."

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-I know!

-..and they said, "Oh, well, I knew I was already late,

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"so I couldn't make it any worse."

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I said, "This is the serial killer argument, isn't it?"

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"Well, I've already killed one person..."

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I have a kind of sneaking admiration for them,

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because they'll never get heart attacks -

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they'll never be too discombobulated about not being there on time,

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they'll never worry excessively about, really, anything at all.

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I like the way you're losing confidence in this...

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LAUGHTER

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-No, but I see the downsides of it...

-Mm.

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..but what I'm saying is, it's still a source of great irritability.

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It does feel like disrespect, that's the problem -

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and when you're at an airport, and they start...

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You know, everything's late, all the flights are late...

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This, I think, is probably the best excuse I've ever seen

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for a flight being late.

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Yeah, very good!

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I'll tell you, one of the oddities, too,

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is when people tell you you are late -

0:17:510:17:54

and in the journalistic world, it happens like this...

0:17:540:17:57

There is a war, and you can't get to it in time,

0:17:570:18:00

and you turn up, and the guy says, "Where are you heading to?"

0:18:000:18:03

You say, "I'm going to Bucharest,

0:18:030:18:05

"because the Romanian dictator has just been..."

0:18:050:18:09

And he said, "But that happened two days ago."

0:18:090:18:12

I said, "Yes, it's taken me two days to get here!"

0:18:120:18:14

So, people tell you you are late.

0:18:140:18:16

I don't know anyone else who's ever told me an anecdote

0:18:160:18:20

about being late for a war!

0:18:200:18:21

Well, let's see what David has chosen.

0:18:240:18:27

My South African accent.

0:18:300:18:31

LAUGHTER

0:18:310:18:34

APPLAUSE

0:18:340:18:36

As part of my day job, which is pretending to be other people,

0:18:360:18:40

I do occasionally have to assume another accent...

0:18:400:18:45

and, usually, with a bit of practice and a bit of time,

0:18:450:18:48

I can make a decent fist of most of them...

0:18:480:18:52

but my Becher's Brook, my Waterloo...

0:18:520:18:56

LAUGHTER

0:18:560:18:57

..is the South African accent.

0:18:570:18:59

I don't know why it should be, I don't know what it is about it

0:18:590:19:03

that is elusive to my ear, but I've tried, and I've struggled, and...

0:19:030:19:08

-SOUTH AFRICAN ACCENT:

-I can start off all right, and it's not too bad...

0:19:080:19:11

but it doesn't take very long, and...

0:19:110:19:13

-BLACK COUNTRY ACCENT:

-..suddenly I'm from Dudley.

0:19:130:19:15

LAUGHTER

0:19:150:19:17

APPLAUSE

0:19:170:19:19

-SOUTH AFRICAN ACCENT:

-So, I have to concentrate

0:19:220:19:24

and try and wrestle back, but...

0:19:240:19:26

-BLACK COUNTRY ACCENT:

-..I can't hold on to it for very long,

0:19:260:19:28

I just can't do it.

0:19:280:19:30

-NATURAL ACCENT:

-I can't - I just don't know what it is.

0:19:300:19:32

It defeats me every single time.

0:19:320:19:34

Well, we have...

0:19:340:19:35

LAUGHTER

0:19:350:19:36

We have a recording, a radio recording, of you...

0:19:360:19:40

-I don't think it's a South African accent...

-Oh, I hope not.

0:19:400:19:43

This is from an audio play called The Rotters' Club.

0:19:430:19:47

Oh...no.

0:19:470:19:50

This is set in Birmingham.

0:19:500:19:52

Yeah.

0:19:520:19:54

I didn't know you remembered this.

0:19:550:19:57

No, exactly. Let's hear this.

0:19:570:19:59

'Look, Bill,

0:19:590:20:01

'a vote for Wilson is just going to let the socialists back in.'

0:20:010:20:03

'Oh, I've bad news for you, Sam. I AM a socialist.'

0:20:030:20:06

'You might as well just give the miners the keys to the ruddy country,

0:20:060:20:09

-'and let 'em get on with it.'

-'Mm, not a bad idea.

0:20:090:20:12

'I might propose it at the next TUC conference.'

0:20:120:20:14

LAUGHTER AND APPLAUSE

0:20:140:20:16

I don't think that was too bad!

0:20:170:20:19

-That was David and I, in case you hadn't worked that out.

-Yeah.

0:20:190:20:22

Must be... Oh, must be, like, 15 years ago, now.

0:20:220:20:25

I tell you what - I'll tell you something about that show.

0:20:250:20:27

We did this show together - but, as you say, a long time ago -

0:20:270:20:31

-and there was a guy called David Troughton in it...

-Yeah.

0:20:310:20:34

..who was the son of a former Doctor Who...

0:20:340:20:36

AISLING GASPS

0:20:360:20:37

..and I was so excited that it was the son of a former Doctor Who -

0:20:370:20:40

and David was there,

0:20:400:20:42

and I thought, "Why does this Scottish bloke keep bothering me?

0:20:420:20:45

"I want to talk to the son of the former..."

0:20:450:20:47

Little did I know!

0:20:470:20:49

And the moral of this is,

0:20:490:20:50

don't meet your heroes before they're your heroes.

0:20:500:20:54

APPLAUSE

0:20:550:20:57

I went up for a part - it was an American thing, and I thought,

0:21:000:21:04

"Well, if they've asked me, there must be, like, an English guy in it."

0:21:040:21:07

So, I turned up, and they said,

0:21:070:21:09

"No, no, we need you to do it in an American accent."

0:21:090:21:12

Now, I only have one American accent, and it's quite distinctive.

0:21:120:21:17

I remember one of the lines - it was, "You're a pretty girl, Susan..."

0:21:170:21:21

this woman is coming on to me, I say, "You're a pretty girl, Susan,

0:21:210:21:25

but I thought you knew, I'm gay."

0:21:250:21:27

That was the line.

0:21:270:21:29

And they said, "We need to do it American."

0:21:290:21:31

And the only American accent I have is Wild West old-timer.

0:21:310:21:35

So, I said, "You're a pretty girl, Susan..."

0:21:370:21:41

LAUGHTER

0:21:410:21:42

"..but, here, I thought you knew - I'm gay."

0:21:420:21:47

I, er...

0:21:470:21:49

I didn't get the part.

0:21:490:21:51

But you are doing the tour of Brokeback Mountain,

0:21:520:21:55

so that's nice.

0:21:550:21:56

Anyway, we thought we might want to help you with this,

0:21:570:22:01

-David...

-Right.

-..so, we contacted a man called Paul Meier.

0:22:010:22:05

He runs a thing

0:22:050:22:06

called the International Dialects of English Archive,

0:22:060:22:09

and he thinks that he can teach - well, you and I to do South African.

0:22:090:22:15

-Would you like to give it a try?

-I'd love to, yeah!

0:22:150:22:17

It's written phonetically,

0:22:170:22:19

and what he's done is, he's taken that scene from The Rotters' Club

0:22:190:22:22

that we did in regional Midlands accents...

0:22:220:22:25

-Very good!

-..and he's made it South African.

0:22:250:22:27

So, if you'd like to join me on your... You can see your mark.

0:22:270:22:31

I can.

0:22:310:22:32

Good on ya.

0:22:320:22:33

OK, so, you've got to imagine, now, instead of being

0:22:330:22:36

-set in the West Midlands, that suddenly we're in Jo'burg.

-OK.

0:22:360:22:41

-And it's written...

-I don't know why I'm doing it as Nelson, but...

0:22:410:22:44

I...

0:22:440:22:46

So, yeah, so, it's phonetic.

0:22:460:22:48

OK, let's go for it.

0:22:480:22:50

HE READS PHONETIC TRANSCRIPTION

0:22:500:22:52

LAUGHTER

0:22:580:23:00

LAUGHTER AND APPLAUSE

0:23:160:23:17

-I think you've got...

-Yeah.

0:23:200:23:22

HE READS PHONETIC TRANSCRIPTION

0:23:220:23:24

I have a feeling that if you played this backwards,

0:23:380:23:42

it would sound absolutely fine.

0:23:420:23:43

David Tennant, the South African accent.

0:23:430:23:46

APPLAUSE

0:23:460:23:48

And...finally...

0:23:530:23:56

to Aisling's choice.

0:23:560:23:59

Scooters.

0:24:030:24:04

-Yep.

-APPLAUSE

0:24:040:24:05

Yep, thank you.

0:24:050:24:07

Yep.

0:24:070:24:08

I think we've one here, so I can show you what I mean.

0:24:080:24:10

Where's the one...? Do we have a scooter?

0:24:100:24:12

-We do - there's one here. Are you going to...?

-Yeah.

0:24:120:24:14

-Yeah - this is my problem with it.

-Please be careful.

0:24:140:24:16

-Yeah. Oh, I will.

-There it is, under there.

0:24:160:24:18

So, I just feel like we don't know the risks of them yet, for children,

0:24:180:24:22

and - you know, like with mobile phones,

0:24:220:24:23

there's been no science done yet -

0:24:230:24:25

and children who are just using one leg all the time to get around,

0:24:250:24:29

and what's going to happen is, all the muscles will go

0:24:290:24:32

in their other leg, and then they'll only have one good leg to use.

0:24:320:24:36

And I think, like, in 20 years' time,

0:24:360:24:38

they're going to have to, like, develop new trousers,

0:24:380:24:41

having, like, one good leg, and then one... You know.

0:24:410:24:44

And there'll be adults who can just walk around in one circle...

0:24:440:24:48

and then you see - my least favourite thing is the children,

0:24:480:24:51

like, lazy children, who have annoyed their parents

0:24:510:24:54

so much that they've given up,

0:24:540:24:56

and they just stand there... David, come here for a second.

0:24:560:24:58

-So, I'm the child...

-Yeah.

-..and you just...

0:24:580:25:00

I've given up, so you just you'll me along at this stage.

0:25:000:25:03

-Oh, I do this, regularly.

-Yeah.

0:25:030:25:04

Come on!

0:25:040:25:06

LAUGHTER AND APPLAUSE

0:25:070:25:08

-That drives me nuts.

-Yeah.

-You know?

0:25:080:25:11

And you see these...just sad dads walking with two scooters...

0:25:130:25:18

They're awful. And, yeah, the worst is adults - adults on those things.

0:25:180:25:23

Just get a bike!

0:25:230:25:26

Well, I had a scooter for much of my childhood...

0:25:260:25:30

-One of those?

-Well, it was a thing called a Tri-ang scooter -

0:25:300:25:33

big white wheels on it, and changed my life,

0:25:330:25:37

because I still, to this day, can't ride a bike.

0:25:370:25:40

I find them a bit too high.

0:25:400:25:42

And I hadn't quite got the self-belief -

0:25:430:25:46

but this thing was sufficiently low to the ground

0:25:460:25:49

that I felt confident on a scooter.

0:25:490:25:51

This was the '70s - I had shoes that were higher than the scooter.

0:25:510:25:55

There's something about an adult on one of those scooters that -

0:25:550:25:59

and I'm not trying to be dramatic -

0:25:590:26:00

but it feels the same to me as still getting breast-fed at 40.

0:26:000:26:05

Does it not bother you that lots and lots of children

0:26:050:26:08

really, really love these scooters?

0:26:080:26:10

Yes - because I feel like

0:26:100:26:12

we're creating, like, a generation of crazy children

0:26:120:26:16

who don't know to just walk places, or cycle bikes -

0:26:160:26:19

they could end up becoming stand-up comedians and not get a real job.

0:26:190:26:24

-So, look, I have one last try at winning you over to the scooter.

-Mm.

0:26:240:26:29

This man is the current world scooter champion,

0:26:290:26:33

and the first ever British world scooter champion -

0:26:330:26:37

so, please welcome Jordan Clark.

0:26:370:26:40

APPLAUSE

0:26:400:26:42

-AUDIENCE:

-Ooh!

0:26:490:26:51

Whoo!

0:26:540:26:55

Whoo!

0:26:590:27:00

Whoo!

0:27:040:27:05

APPLAUSE

0:27:050:27:06

-Amazing.

-I'm glad he scootered off,

0:27:120:27:13

-because I thought that was rubbish.

-LAUGHTER

0:27:130:27:16

I thought that was...

0:27:160:27:17

He'd just go up and down, and bounced a bit,

0:27:170:27:19

like on a skateboard -

0:27:190:27:20

he could have at least had the dignity to jump up onto the stage,

0:27:200:27:24

scoot on along that, do along the edge, and -

0:27:240:27:26

you know, something like that.

0:27:260:27:27

-That was just...

-You know he's absolutely in bits, now, back there.

0:27:270:27:31

Oh, I'm sorry, Jordan!

0:27:310:27:32

Well, it's... You know.

0:27:320:27:34

His severed head, now, will roll on on a scooter.

0:27:340:27:37

So...

0:27:380:27:40

I'm not going to put scooters in.

0:27:400:27:42

How am I going to get my son to school?

0:27:420:27:44

Walking! On his legs!

0:27:440:27:46

He HATES that.

0:27:460:27:47

And lateness - you know what?

0:27:480:27:50

You really won me over with lateness -

0:27:500:27:51

-but then, I think you started change your mind.

-I know - well,

0:27:510:27:54

I started to think it was probably more my problem than others, really.

0:27:540:27:57

Yeah - yeah, but I have it as well, and you're right,

0:27:570:28:00

it might do us good to just loosen up and not worry about these things.

0:28:000:28:03

Yeah. And all those guys, those late guys,

0:28:030:28:06

they're going to live for a very long time.

0:28:060:28:08

-They're even going to be late dying.

-Yeah.

0:28:080:28:10

Exactly.

0:28:100:28:12

But, I so feel your pain, that you're trying to capture the voice

0:28:120:28:17

of this wondrous, wild and beautiful country,

0:28:170:28:20

and you keep ending up in the West Midlands.

0:28:200:28:22

Yeah.

0:28:220:28:24

I am going to put David's South African accent into Room 101.

0:28:240:28:27

-Thank you.

-APPLAUSE

0:28:270:28:29

And that brings us to the end of the show - well done, David,

0:28:360:28:39

you were the most persuasive guest, so you are this week's winner.

0:28:390:28:43

Thank you.

0:28:430:28:44

APPLAUSE

0:28:440:28:46

In no way helped by the fact the you were Doctor Who -

0:28:480:28:52

can I point that out?

0:28:520:28:54

Thanks very much, David Tennant, Sir Trevor McDonald and Aisling Bea -

0:28:540:28:57

and thank you, goodnight!

0:28:570:28:59

APPLAUSE

0:28:590:29:01

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