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CHEERING | 0:00:26 | 0:00:29 | |
Hello, I'm Frank Skinner, and welcome to Room 101, | 0:00:31 | 0:00:35 | |
the show where three guests compete to condemn their deepest dislikes | 0:00:35 | 0:00:40 | |
to the dreaded room. | 0:00:40 | 0:00:41 | |
They'll have to argue their case well | 0:00:41 | 0:00:43 | |
because in each round only one item can be chosen - | 0:00:43 | 0:00:45 | |
the final decision is mine. | 0:00:45 | 0:00:47 | |
Let's meet this week's guests. | 0:00:47 | 0:00:48 | |
Joining me tonight are... The Thick Of It, Joanna Scanlan. | 0:00:48 | 0:00:51 | |
The SHTICK OF IT, Noel Fielding. | 0:00:51 | 0:00:52 | |
And, "give us a kick of it," Ian Wright. | 0:00:52 | 0:00:55 | |
CHEERING | 0:00:55 | 0:00:58 | |
Anyway, as they used to say on 'Allo 'Allo!... | 0:01:06 | 0:01:08 | |
good moaning. BELL DINGS | 0:01:08 | 0:01:11 | |
So what's Noel's choice? | 0:01:12 | 0:01:13 | |
Spiders. | 0:01:17 | 0:01:18 | |
SUBDUED CHEERING | 0:01:18 | 0:01:20 | |
Ooh, that's... | 0:01:20 | 0:01:21 | |
CHEERING AND APPLAUSE | 0:01:22 | 0:01:24 | |
-It was like they had a debate first. -I know! | 0:01:24 | 0:01:26 | |
-"Shall we applaud?" -Whole gamut of emotions. | 0:01:26 | 0:01:29 | |
Yeah. So why? Why spiders? | 0:01:29 | 0:01:31 | |
Well, I recently went to Australia, and... | 0:01:31 | 0:01:34 | |
that was a whole other ballgame. | 0:01:34 | 0:01:36 | |
-Mm. -I mean, I'm frightened of spiders here, | 0:01:36 | 0:01:38 | |
but in Australia, they are massive. | 0:01:38 | 0:01:40 | |
I mean, literally, one picked me up at the airport. | 0:01:40 | 0:01:42 | |
-LAUGHTER -In a taxi. | 0:01:42 | 0:01:45 | |
It's still on your head. LAUGHTER | 0:01:46 | 0:01:50 | |
APPLAUSE | 0:01:50 | 0:01:53 | |
Quite good when we got to the hotel, though, | 0:01:55 | 0:01:57 | |
cos he picked up all my bags... | 0:01:57 | 0:01:59 | |
But, I mean, they're properly dangerous in Australia as well, so... | 0:02:00 | 0:02:03 | |
Yeah, well, they can kill you. You know like here, in England, | 0:02:03 | 0:02:06 | |
the thing is, in England, you do the sort of postcard/cup technique. | 0:02:06 | 0:02:09 | |
-You know, you try and trap... -IAN: -Mm-hm. | 0:02:09 | 0:02:11 | |
In Australia, there was one in... This is a true story. | 0:02:11 | 0:02:13 | |
Me and my brother were sharing a hotel, doing a Boosh tour, | 0:02:13 | 0:02:16 | |
and there was... A huntsman, it's called. And... | 0:02:16 | 0:02:19 | |
it literally was this big, right, on the wall, | 0:02:19 | 0:02:21 | |
so we couldn't even get it in a mug. | 0:02:21 | 0:02:24 | |
We had to... I had to go to the kitchen and get a mixing bowl, yeah, | 0:02:24 | 0:02:28 | |
and we had to use an album... | 0:02:28 | 0:02:30 | |
IAN LAUGHS | 0:02:30 | 0:02:31 | |
I used Abbey Road, right? This is a true story. | 0:02:31 | 0:02:34 | |
And cos mixing bowls, they're see-through, | 0:02:34 | 0:02:36 | |
they're sort of magnifying. | 0:02:36 | 0:02:37 | |
So, it was THAT big anyway, and when I put the mixing bowl, | 0:02:37 | 0:02:39 | |
its head was bigger than mine. | 0:02:39 | 0:02:42 | |
-Wow. -I could see its cheekbones, it was awful. | 0:02:42 | 0:02:44 | |
And so I slid the album underneath it and took it outside, | 0:02:44 | 0:02:48 | |
and I put it out, and it didn't even just go in the bushes, | 0:02:48 | 0:02:51 | |
it walked down the sidewalk like a man. | 0:02:51 | 0:02:53 | |
Like a man would, it just went off... | 0:02:53 | 0:02:57 | |
across the zebra crossing... | 0:02:57 | 0:02:59 | |
Must have got the idea from Abbey Road. | 0:02:59 | 0:03:01 | |
LAUGHTER | 0:03:01 | 0:03:04 | |
APPLAUSE | 0:03:04 | 0:03:06 | |
So bad. | 0:03:06 | 0:03:08 | |
-The huntsman spider. -I know. | 0:03:10 | 0:03:12 | |
Does it herald its arrival with a bugle call? | 0:03:12 | 0:03:14 | |
Bwwuh-rooo! | 0:03:14 | 0:03:16 | |
I am not very good with the... the cup and the... | 0:03:16 | 0:03:20 | |
I always think beermat, the glass and the beermat. | 0:03:20 | 0:03:23 | |
Or, you know, the coaster thing. | 0:03:23 | 0:03:25 | |
If it's a really big spider, | 0:03:25 | 0:03:26 | |
I don't really want it in the same postcode as me. | 0:03:26 | 0:03:29 | |
-I've got a spider catcher. -Oh, yeah? | 0:03:30 | 0:03:33 | |
Yeah. | 0:03:33 | 0:03:34 | |
It's really long, plastic, thin, and it's got a bulb on the end... | 0:03:34 | 0:03:37 | |
And you...you go near the spider, you just press the bulb | 0:03:37 | 0:03:41 | |
and a vacuum sucks the spider up | 0:03:41 | 0:03:43 | |
-and then you can go outside and release. -Wow. | 0:03:43 | 0:03:46 | |
-A spider in Australia would snatch that off you. -Yeah. | 0:03:46 | 0:03:48 | |
LAUGHTER | 0:03:48 | 0:03:51 | |
"What else you got?" | 0:03:53 | 0:03:54 | |
Just to prove that, um, Noel's not exaggerating, | 0:03:54 | 0:03:57 | |
we have a man actually catching a spider in Australia. | 0:03:57 | 0:04:01 | |
-It is a bit scary. -Oh... | 0:04:01 | 0:04:03 | |
Can you see Daddy and the spider? | 0:04:03 | 0:04:04 | |
-CHILD: -'Yeah, I can.' -OK. | 0:04:04 | 0:04:06 | |
That's the one! | 0:04:06 | 0:04:07 | |
'Daddy, careful.' | 0:04:07 | 0:04:09 | |
Decided to get a bigger container because of...the size of this one. | 0:04:09 | 0:04:13 | |
I'll have to move really quick. | 0:04:13 | 0:04:14 | |
-NOEL: -Oh... | 0:04:16 | 0:04:17 | |
-Aah! -CHILD SCREAMS | 0:04:18 | 0:04:21 | |
Oh! | 0:04:25 | 0:04:27 | |
-That's what I'm talking about. -I know. | 0:04:29 | 0:04:32 | |
-They do nothing and then right at the last minute... Whoo! -Yes. | 0:04:32 | 0:04:36 | |
Can you find any admiration for 'em? | 0:04:36 | 0:04:39 | |
Cos they are, they're remarkable creatures, aren't they? | 0:04:39 | 0:04:42 | |
No. You know the old Robert the Bruce story? | 0:04:42 | 0:04:46 | |
Robert the Bruce saw the spider and it swung... | 0:04:46 | 0:04:48 | |
-Yeah. -..and it kept climbing and... if at first - | 0:04:48 | 0:04:51 | |
d'you know the Robert the Bruce...? | 0:04:51 | 0:04:52 | |
-SOME AUDIENCE MEMBERS: -Yeah. -Oh, yeah. | 0:04:52 | 0:04:54 | |
No, they... Let me bring it down for the crowd. | 0:04:54 | 0:04:56 | |
You know Incy Wincy Spider? | 0:04:56 | 0:04:58 | |
LAUGHTER | 0:04:58 | 0:05:00 | |
Well, the rain comes down and washes Incy out, | 0:05:00 | 0:05:02 | |
and when the sun comes out he climbs back up. | 0:05:02 | 0:05:04 | |
They don't give up. | 0:05:04 | 0:05:05 | |
It's this idea that they keep fighting. It's like, sort of... | 0:05:05 | 0:05:08 | |
-Like Gary Barlow. -Yeah. | 0:05:08 | 0:05:10 | |
LAUGHTER | 0:05:10 | 0:05:12 | |
-How do you feel about Spider-Man, are you all right with him? -Yeah. | 0:05:12 | 0:05:15 | |
I feel all right around Spider-Man, yeah. | 0:05:15 | 0:05:18 | |
We've got some pictures of people fancy-dressing as Spider-Man, | 0:05:18 | 0:05:21 | |
which I like. | 0:05:21 | 0:05:23 | |
LAUGHTER | 0:05:23 | 0:05:26 | |
-That's not good enough, in my opinion. -No. | 0:05:28 | 0:05:31 | |
-SPIDER-BLOKE, that is. -Yeah. | 0:05:31 | 0:05:33 | |
What about... What about this guy? | 0:05:33 | 0:05:35 | |
-AUDIENCE: -Oh! | 0:05:35 | 0:05:38 | |
Wow. | 0:05:38 | 0:05:39 | |
Now, I think if he walked round the perimeter of a football pitch, | 0:05:39 | 0:05:42 | |
the fans would chant, "Who ate all the FLIES?" | 0:05:42 | 0:05:44 | |
LAUGHTER | 0:05:44 | 0:05:47 | |
APPLAUSE | 0:05:47 | 0:05:49 | |
Now, let's see what Ian's choice is. | 0:05:51 | 0:05:53 | |
The film Grease. | 0:05:56 | 0:05:58 | |
CHEERING AND BOOING | 0:05:58 | 0:06:01 | |
FRANK LAUGHS | 0:06:01 | 0:06:03 | |
-I hate that bloody film. -MAN: -Whoo! | 0:06:05 | 0:06:08 | |
When I was younger, it was... it was all cool | 0:06:08 | 0:06:10 | |
and John Travolta, who done Night Fever and all that, | 0:06:10 | 0:06:12 | |
he was a great dancer and it was fine | 0:06:12 | 0:06:14 | |
cos, you know, when you're growing up, it looked pretty cool. | 0:06:14 | 0:06:16 | |
They had cars and everything. | 0:06:16 | 0:06:18 | |
But as you get older, I've got daughters now, I just... | 0:06:18 | 0:06:20 | |
I was watching it the other day and I thought, | 0:06:20 | 0:06:22 | |
"I don't like Grease now." | 0:06:22 | 0:06:24 | |
Um... You know, you've got the girls - really decent. | 0:06:24 | 0:06:26 | |
Olivia Newton-John - gorgeous, beautiful, nice gear, | 0:06:26 | 0:06:28 | |
nice clothes she's wearing and everything. | 0:06:28 | 0:06:31 | |
She wanted to get the guy, so in the end, | 0:06:31 | 0:06:33 | |
she had to dress up in that tight leather, high-heel wearing, | 0:06:33 | 0:06:36 | |
-red lipstick, smoking, biker chick, to get the bloke. -Mm. | 0:06:36 | 0:06:41 | |
And I thought to myself, "I don't want my girls to see Grease." | 0:06:41 | 0:06:44 | |
-WOMAN: -Whoo! | 0:06:44 | 0:06:46 | |
APPLAUSE Wow. | 0:06:46 | 0:06:48 | |
So... | 0:06:48 | 0:06:49 | |
..TELL ME MORE. | 0:06:50 | 0:06:52 | |
LAUGHTER | 0:06:52 | 0:06:55 | |
APPLAUSE | 0:06:55 | 0:06:58 | |
I think it's cos I'm getting older about stuff, like. | 0:06:59 | 0:07:01 | |
I used to quite like... | 0:07:01 | 0:07:03 | |
I used to quite fancy... There's a girl who was... | 0:07:03 | 0:07:05 | |
She thought she was pregnant all the way through the film! | 0:07:05 | 0:07:07 | |
-Yeah. -Rizzo, weren't it? | 0:07:08 | 0:07:09 | |
-Yeah, Rizzo. -What's that about? | 0:07:09 | 0:07:11 | |
Oh, come on. | 0:07:11 | 0:07:13 | |
I've got to tell you, you're going to have to go some to get this in. | 0:07:13 | 0:07:17 | |
I love it. I love it, love it, love it. | 0:07:17 | 0:07:20 | |
You must like... | 0:07:20 | 0:07:22 | |
Summer... Summer Nights, do you like that? | 0:07:22 | 0:07:24 | |
Well, to be honest, when I was younger, I got into the songs, man. | 0:07:24 | 0:07:27 | |
-Yeah. -Of course you did, you know what I mean? | 0:07:27 | 0:07:29 | |
LAUGHTER Yeah, yeah. Come on! | 0:07:29 | 0:07:31 | |
-"Summer lovin'" and all that. -Oh, that bit where it goes... | 0:07:31 | 0:07:33 | |
# Summer dreams Ripped at the seams... # | 0:07:33 | 0:07:37 | |
And-And John Travolta suddenly goes, "Oh." | 0:07:37 | 0:07:40 | |
I love that! | 0:07:42 | 0:07:43 | |
And then he goes... | 0:07:43 | 0:07:45 | |
# Those summer... # | 0:07:45 | 0:07:46 | |
-And suddenly they become the Bee Gees... -Yeah. | 0:07:46 | 0:07:48 | |
..and go... | 0:07:48 | 0:07:49 | |
-# Ni-i-i-i-ights -Ni-i-i-i-ights. # | 0:07:49 | 0:07:52 | |
Yeah! NOEL LAUGHS | 0:07:52 | 0:07:54 | |
You must... You must like Greased Lightning. | 0:07:54 | 0:07:56 | |
The song was great, but, like... there's too much other stuff | 0:07:56 | 0:07:59 | |
that's going on that I don't like with the film. | 0:07:59 | 0:08:01 | |
There are good influences. | 0:08:01 | 0:08:03 | |
I think the whole Greased Lightning sequence sent loads of young boys | 0:08:03 | 0:08:08 | |
off to join Kwik Fit. | 0:08:08 | 0:08:09 | |
LAUGHTER | 0:08:09 | 0:08:11 | |
-Shall we watch Greased Lightning? -Let's watch it. | 0:08:11 | 0:08:14 | |
-Yeah, yeah. -Let's watch a bit cos it's pretty good. | 0:08:14 | 0:08:16 | |
Why couldn't it be Greased Lightning? Greased Lightning! | 0:08:16 | 0:08:19 | |
# We'll get some overhead lifters and four barrel quads, oh, yeah | 0:08:19 | 0:08:22 | |
# Keep talking, whoa, keep talking | 0:08:22 | 0:08:25 | |
# Fuel injection cut-offs Chrome-plated rods, oh, yeah | 0:08:25 | 0:08:28 | |
# We'll get her ready I'll kill to get her ready | 0:08:28 | 0:08:31 | |
# With a four-speed on the floor They'll be waiting at the door | 0:08:31 | 0:08:33 | |
# You know that ain't no shit We'll be getting lots of tit | 0:08:33 | 0:08:36 | |
-# In Greased Lightning -Go, go, go, go-go-go-go-go-go-go-go | 0:08:36 | 0:08:39 | |
# Go Greased Lightning You're burning up the quarter mile | 0:08:39 | 0:08:43 | |
# Greased Lightning Go, Greased Lightning... # | 0:08:43 | 0:08:46 | |
JOANNA LAUGHS | 0:08:46 | 0:08:48 | |
CHEERING | 0:08:48 | 0:08:50 | |
HE CLEARS THROAT | 0:08:50 | 0:08:51 | |
Wow. | 0:08:51 | 0:08:53 | |
Oh, you know what? I love a bit of GARAGE. | 0:08:54 | 0:08:57 | |
Also, that car at the end takes off and goes into space. | 0:09:00 | 0:09:04 | |
-How's that happening? -Yeah, that's a... That's a strange bit. | 0:09:04 | 0:09:06 | |
-That was the director gone mad, wasn't it? -Yeah. | 0:09:06 | 0:09:08 | |
You know what the theory is about that? | 0:09:08 | 0:09:10 | |
You know when he said they were messing around | 0:09:10 | 0:09:12 | |
and she almost drowned? | 0:09:12 | 0:09:14 | |
-You know that, in the song, at the beginning? -Oh, yeah. -Yeah. | 0:09:14 | 0:09:16 | |
That she DID drown...and during the bit where she was los... | 0:09:16 | 0:09:20 | |
h-had no oxygen, she imagined the whole Grease thing, | 0:09:20 | 0:09:24 | |
and at the end she goes to heaven in a car. | 0:09:24 | 0:09:27 | |
STILTED LAUGHTER | 0:09:27 | 0:09:29 | |
Goodnight. | 0:09:29 | 0:09:30 | |
No, it's a... No, that is a theory. | 0:09:32 | 0:09:35 | |
-You might have ruined Grease for me. -Oh, don't say that. -Good. | 0:09:35 | 0:09:38 | |
I think... LAUGHTER | 0:09:38 | 0:09:41 | |
NOEL LAUGHS | 0:09:43 | 0:09:45 | |
Could you argue, Ian, that a young person watching that | 0:09:45 | 0:09:49 | |
learns a lot about teenage love and stuff like that? | 0:09:49 | 0:09:52 | |
But what I'm saying is it's the way that it transpires | 0:09:52 | 0:09:55 | |
and how it ends up them being together. | 0:09:55 | 0:09:58 | |
I mean, she's not pregnant in the end, Rizzo. | 0:09:58 | 0:10:00 | |
She's not, but they're having sex at school! | 0:10:00 | 0:10:03 | |
They all look about 37, to be fair. | 0:10:04 | 0:10:06 | |
There's a thing now, this... | 0:10:08 | 0:10:10 | |
You might not believe this, but there's a song in Grease | 0:10:10 | 0:10:13 | |
which I have never been able to sing without crying. | 0:10:13 | 0:10:16 | |
-Right, OK. -And that is... | 0:10:16 | 0:10:18 | |
-I know it. -Can you guess which one it is? | 0:10:18 | 0:10:20 | |
-Hopelessly Devoted? -It is. | 0:10:20 | 0:10:22 | |
I was just singing it at home the other day, and I just... | 0:10:22 | 0:10:25 | |
I just lost it. | 0:10:25 | 0:10:27 | |
I was telling the production team about this, and they said, | 0:10:28 | 0:10:31 | |
-"Try singing it on the show". -Mm. | 0:10:31 | 0:10:32 | |
And I don't know if it'll work here, obviously, cos I... | 0:10:32 | 0:10:35 | |
-But shall I give it a go? -Yeah. -AUDIENCE: -Yes! | 0:10:35 | 0:10:38 | |
Sing it from the heart, Frank, that's... Sing it from the heart. | 0:10:38 | 0:10:41 | |
# Guess mine is not the first heart broken | 0:10:41 | 0:10:47 | |
# My eyes are not the first to cry | 0:10:47 | 0:10:50 | |
# I'm not the first to know there's just no getting over you | 0:10:51 | 0:10:57 | |
# But baby can't you see there's nothing else for me to do? | 0:10:59 | 0:11:05 | |
# I'm hopelessly devoted to you | 0:11:05 | 0:11:08 | |
# But now there's nowhere to hide | 0:11:10 | 0:11:13 | |
# Since you pushed my love aside I'm out of my head | 0:11:13 | 0:11:17 | |
# Hopelessly devoted to you... # | 0:11:17 | 0:11:20 | |
You're crying, man. | 0:11:20 | 0:11:22 | |
# Hopelessly devoted to you... # | 0:11:22 | 0:11:24 | |
Your eyes are welling... Oh, my God! | 0:11:24 | 0:11:26 | |
I can't do any more. It's too much. | 0:11:26 | 0:11:28 | |
CHEERING AND APPLAUSE | 0:11:28 | 0:11:30 | |
Oh, well done! | 0:11:32 | 0:11:34 | |
-I'm going to have to do that thing now that women do. -Yeah. | 0:11:36 | 0:11:40 | |
OK, so what's Joanna's choice? | 0:11:41 | 0:11:43 | |
I don't even have to say it, bad toast etiquette. | 0:11:50 | 0:11:53 | |
APPLAUSE | 0:11:53 | 0:11:55 | |
I have a thing which is that if... | 0:11:55 | 0:11:58 | |
If you put your knife into the butter... | 0:11:58 | 0:12:01 | |
and then you put the butter on the toast... | 0:12:01 | 0:12:05 | |
..you spread it with that same knife, | 0:12:06 | 0:12:08 | |
then you go back to the butter... | 0:12:08 | 0:12:10 | |
-possibly even go into the jam... -Oh. | 0:12:10 | 0:12:13 | |
..the peanut butter or the Marmite, | 0:12:13 | 0:12:16 | |
then put that back in the butter, you're going to have crumbs - | 0:12:16 | 0:12:20 | |
jam, Marmite and peanut butter - or whatever else, in the butter. | 0:12:20 | 0:12:23 | |
-Yeah. -You're supposed to have a side plate and you put your toast on it. | 0:12:23 | 0:12:27 | |
Then you have your knife, which is for the butter, | 0:12:27 | 0:12:30 | |
the butter knife, which is only for butter, and then a spoon | 0:12:30 | 0:12:34 | |
or something else to get it onto your plate, the jam and the stuff. | 0:12:34 | 0:12:37 | |
Put the butter on, then take the butter from the plate | 0:12:37 | 0:12:40 | |
onto the toast and back again. | 0:12:40 | 0:12:41 | |
Wow. | 0:12:41 | 0:12:42 | |
APPLAUSE | 0:12:42 | 0:12:44 | |
-I'm with you. -Yeah. | 0:12:44 | 0:12:46 | |
-Yeah, I'm with you. -Yeah, yeah. | 0:12:46 | 0:12:47 | |
-I like that, yeah. -Yeah. | 0:12:47 | 0:12:49 | |
I must admit, I quite like to see a bit of jam in the butter. | 0:12:49 | 0:12:53 | |
No. | 0:12:53 | 0:12:54 | |
Looks like a beautiful sunset. | 0:12:54 | 0:12:56 | |
-No. -No? | 0:12:56 | 0:12:58 | |
I don't believe you. I think you're... | 0:12:58 | 0:13:00 | |
It is a disgusting sight. | 0:13:03 | 0:13:04 | |
-I don't think it is. -Yeah, it is weird. | 0:13:04 | 0:13:06 | |
Crumbs particularly. | 0:13:06 | 0:13:07 | |
I know they're microscopic but there's something really, | 0:13:07 | 0:13:10 | |
for me, very visceral about it, seeing them there. | 0:13:10 | 0:13:13 | |
When I put the... Because I do it, that's why I'm being a bit quiet. | 0:13:13 | 0:13:16 | |
-Oh. -I put the... | 0:13:16 | 0:13:17 | |
-Here we go. -I don't do the Marmite. I do the jam. | 0:13:17 | 0:13:20 | |
But what I do, when I do go back into the butter | 0:13:20 | 0:13:22 | |
after I've been in the jam, I try to go back to where I've left jam | 0:13:22 | 0:13:26 | |
and take that out of the butter. | 0:13:26 | 0:13:28 | |
-Yeah. -Yeah. | 0:13:28 | 0:13:29 | |
So I'm trying to... | 0:13:29 | 0:13:31 | |
I'm trying to clean up. | 0:13:32 | 0:13:34 | |
I'm trying to clean up after myself. | 0:13:34 | 0:13:36 | |
Anywhere where there's bits of jam, I take that bit of butter. | 0:13:36 | 0:13:40 | |
You'd be amazing at a murder scene. | 0:13:40 | 0:13:42 | |
Columbo comes in. | 0:13:44 | 0:13:45 | |
"Hey, who's taken the butter?" | 0:13:45 | 0:13:48 | |
The thing is that when you're doing that, | 0:13:48 | 0:13:51 | |
aren't you leaving new crumbs and new jam from your last trip? | 0:13:51 | 0:13:55 | |
I'm going back. I can't get all of it. | 0:13:55 | 0:13:56 | |
It's a never-ending process, though. | 0:13:56 | 0:13:58 | |
You start to think you're... | 0:13:58 | 0:13:59 | |
You're trying to make it better but make it a little bit worse. | 0:13:59 | 0:14:02 | |
Sometimes you're just burying the crumbs. You're not taking them out. | 0:14:02 | 0:14:06 | |
So they're under the surface. | 0:14:06 | 0:14:07 | |
Oh! | 0:14:07 | 0:14:09 | |
My dad, he used to put butter on his hair. | 0:14:09 | 0:14:12 | |
He'd be in the mirror, ready to go out. | 0:14:14 | 0:14:16 | |
He'd just reach into the butter. | 0:14:16 | 0:14:18 | |
And he'd double... Sometimes he'd go back. | 0:14:20 | 0:14:22 | |
There was hair and dandruff and everything. | 0:14:22 | 0:14:25 | |
Oh! | 0:14:25 | 0:14:26 | |
Oh! Oh! That's the limit. | 0:14:26 | 0:14:29 | |
I mean.. | 0:14:29 | 0:14:30 | |
That's double dipping at its worst. | 0:14:30 | 0:14:32 | |
-I tell you what I sometimes use... -Oh, here we go. | 0:14:32 | 0:14:35 | |
..which definitely helps on this front. | 0:14:35 | 0:14:38 | |
And that is... I have this knife. | 0:14:38 | 0:14:40 | |
-Wow. -So with this knife, I... | 0:14:44 | 0:14:46 | |
You know, I put the butter on and... | 0:14:46 | 0:14:51 | |
Haven't got quite enough. Oh, I can't go back with... | 0:14:53 | 0:14:56 | |
-I'm already in trouble. -Exactly. | 0:14:56 | 0:14:58 | |
So now I'm going to go to the jam. | 0:14:59 | 0:15:01 | |
Yeah. | 0:15:03 | 0:15:04 | |
LAUGHTER | 0:15:05 | 0:15:07 | |
-Wow. -All absolutely fine. | 0:15:09 | 0:15:10 | |
APPLAUSE | 0:15:10 | 0:15:12 | |
-That's a cool knife. -Yeah. | 0:15:12 | 0:15:14 | |
You also get jam in the butter, you get butter in the jam. | 0:15:14 | 0:15:17 | |
It's a two-way street, Joanna. | 0:15:17 | 0:15:20 | |
It's not a matter of whether you mind. | 0:15:20 | 0:15:22 | |
It's about consideration for others, isn't it? | 0:15:22 | 0:15:24 | |
Yes, but I don't get that from my partner. | 0:15:24 | 0:15:28 | |
My partner insists that all the butter in our house | 0:15:28 | 0:15:31 | |
is kept in the fridge. | 0:15:31 | 0:15:33 | |
So it's like... | 0:15:33 | 0:15:35 | |
It's kind of like cheese when it comes out. | 0:15:35 | 0:15:38 | |
-It's so hard. -I know. | 0:15:38 | 0:15:40 | |
-So I'm trying to do the... -Yeah. -Yeah. | 0:15:40 | 0:15:42 | |
-Can't get in. -So I tell you what I... | 0:15:42 | 0:15:44 | |
It breaks the bread. It breaks the toast. That's a nightmare. | 0:15:44 | 0:15:46 | |
-Yeah. -That's awful. -God, that's a nightmare. | 0:15:46 | 0:15:49 | |
-I've thrown bread away because it's broken like that. -Me too. -Yeah. | 0:15:49 | 0:15:53 | |
I've moved house because of that. | 0:15:53 | 0:15:55 | |
This is what I end up eating, is this. | 0:15:56 | 0:15:58 | |
-That's a Battenberg. -It looks like a children's drawing of a house. | 0:16:00 | 0:16:03 | |
It's clear that there's a problem, isn't there? | 0:16:04 | 0:16:07 | |
Because they're trying to invent things that would help sort out | 0:16:07 | 0:16:10 | |
this massive issue. So it's just... | 0:16:10 | 0:16:13 | |
What's the solution? Technology hasn't got us there yet. | 0:16:13 | 0:16:16 | |
I wonder if you could get the jam out of the butter | 0:16:16 | 0:16:18 | |
with your otherwise unused spider catcher. | 0:16:18 | 0:16:21 | |
It is, it's a difficult problem, | 0:16:25 | 0:16:27 | |
and I can tell here people feel your pain. | 0:16:27 | 0:16:29 | |
OK, so we come to the end of that round | 0:16:29 | 0:16:32 | |
and I have to make my decision. | 0:16:32 | 0:16:34 | |
For a start off, I take your point about the lax attitude | 0:16:34 | 0:16:38 | |
to teenage physical activity in Grease, but as you can see, | 0:16:38 | 0:16:43 | |
it's a film that's at the very core of my being. | 0:16:43 | 0:16:45 | |
I didn't realise I was going to get a rendition of the song | 0:16:45 | 0:16:48 | |
-with you crying and all that. -No, exactly. | 0:16:48 | 0:16:51 | |
It just killed me. | 0:16:51 | 0:16:52 | |
No, that was pretty tough. Don't remind me of that again. | 0:16:52 | 0:16:55 | |
So I can't possibly put that in. | 0:16:55 | 0:16:58 | |
With the toast thing, I mean, I feel people's concern about it. | 0:16:58 | 0:17:02 | |
What I do in my house is I have my own butter, | 0:17:02 | 0:17:05 | |
so I have crumbs, jam, marmite... | 0:17:05 | 0:17:09 | |
-Yeah. -..some of my dad's hair. It's fine. | 0:17:09 | 0:17:13 | |
So I think it's as simple as having two sources of butter. | 0:17:13 | 0:17:16 | |
Spiders, in a way I admire spiders and respect spiders, | 0:17:16 | 0:17:21 | |
but I also find myself killing them with sheer terror, | 0:17:21 | 0:17:25 | |
and I don't like the side that they bring out in me. | 0:17:25 | 0:17:28 | |
So although we're going to be overrun with insects of all kinds, | 0:17:28 | 0:17:31 | |
I am going to put spiders into Room 101. | 0:17:31 | 0:17:33 | |
APPLAUSE | 0:17:33 | 0:17:35 | |
And so to Ian's choice. | 0:17:45 | 0:17:47 | |
CHEERING AND APPLAUSE | 0:17:52 | 0:17:54 | |
Honestly, I've had brilliant meals, and afterwards | 0:17:58 | 0:18:02 | |
they bring the cheeseboard and it just makes me gag. | 0:18:02 | 0:18:05 | |
It's like, the first guy who... | 0:18:05 | 0:18:06 | |
He must have been absolutely ravenous, | 0:18:06 | 0:18:09 | |
starving, to eat cheese that smells like | 0:18:09 | 0:18:12 | |
some of the cheese that I've smelt when it's come out on the board. | 0:18:12 | 0:18:15 | |
It's just ridiculous. It's not supposed to be eaten. | 0:18:15 | 0:18:18 | |
I think one day people are going to say, "You know something? | 0:18:18 | 0:18:21 | |
"Eating all that stinky cheese, you shouldn't have been eating that." | 0:18:21 | 0:18:26 | |
It's rotten. | 0:18:26 | 0:18:28 | |
It's supposed to be a sign of, sort of, a cultured a palate, | 0:18:28 | 0:18:31 | |
isn't it, if you like? Sort of a food connoisseur. | 0:18:31 | 0:18:33 | |
Can't understand how anyone can get it past this part here, | 0:18:33 | 0:18:37 | |
the nose here, to go into your mouth. | 0:18:37 | 0:18:39 | |
-You know, I like Manchego. -That smells. | 0:18:39 | 0:18:41 | |
-No, it doesn't smell. -Oh, yeah. Manchego really... | 0:18:41 | 0:18:44 | |
Manchego does not smell. | 0:18:44 | 0:18:45 | |
Oh, I really don't like the smell of Manchego. | 0:18:45 | 0:18:47 | |
Of all cheeses, I think that does smell nasty. | 0:18:47 | 0:18:49 | |
No, no, no, man. Not Manchego. | 0:18:49 | 0:18:51 | |
Manchego is a beautiful-smelling cheese. | 0:18:51 | 0:18:54 | |
Join us for Cheese Wars. | 0:18:54 | 0:18:57 | |
LAUGHTER | 0:18:57 | 0:18:59 | |
I tell you what doesn't smell. | 0:19:02 | 0:19:04 | |
The Babybel. | 0:19:04 | 0:19:06 | |
They smell of life, of pure life, | 0:19:08 | 0:19:10 | |
and then you can make a small shape out of the wax coat. | 0:19:10 | 0:19:14 | |
-Yeah, that's nice. -That's a good point. | 0:19:14 | 0:19:16 | |
I have some... | 0:19:16 | 0:19:18 | |
This is called... I'm going to have an attempt. | 0:19:18 | 0:19:21 | |
-..Epoisses. -Epoisses. | 0:19:21 | 0:19:23 | |
And this is... | 0:19:23 | 0:19:24 | |
Yeah, this is like, um... | 0:19:25 | 0:19:28 | |
like the changing room at school. | 0:19:28 | 0:19:30 | |
But what I find with this is if you're eating something like... | 0:19:31 | 0:19:34 | |
I watch quite a lot of zombie movies, and when the zombies appear, | 0:19:34 | 0:19:37 | |
you just take the lid off | 0:19:37 | 0:19:40 | |
and it's very, very realistic. | 0:19:40 | 0:19:42 | |
I've got a bit of a ... | 0:19:43 | 0:19:45 | |
I'm basically... My dad's French, so my family are French, | 0:19:45 | 0:19:48 | |
so I'm a bit of a French duke, | 0:19:48 | 0:19:50 | |
so I have been faced with eating stinky cheese. | 0:19:50 | 0:19:55 | |
And one cheese that I had to eat, honestly, | 0:19:55 | 0:19:57 | |
it sent me into the future. | 0:19:57 | 0:19:59 | |
I was 12 when I tasted it. | 0:20:00 | 0:20:02 | |
I was 17 when I came to. | 0:20:02 | 0:20:04 | |
But I love it. I don't know if you've ever been | 0:20:06 | 0:20:08 | |
into one of those cheese shops where they just sell cheese. | 0:20:08 | 0:20:10 | |
You do feel like it's quite an exciting... | 0:20:10 | 0:20:13 | |
The first cheese, I suppose, was brie, | 0:20:13 | 0:20:17 | |
which now feels pretty normal, but when I first had brie | 0:20:17 | 0:20:20 | |
I really thought I'd reached... Just the feel of it. | 0:20:20 | 0:20:22 | |
-Yeah. -That sort of... -Velvety. | 0:20:22 | 0:20:25 | |
Oh, I miss Grandma. | 0:20:25 | 0:20:27 | |
And I like the waxed... This is Gouda, I think. | 0:20:29 | 0:20:33 | |
-Oh, yeah. -But look at that. That's a brilliant... | 0:20:33 | 0:20:36 | |
That can't smell. | 0:20:36 | 0:20:37 | |
It's just a massive Babybel, a yellow one. | 0:20:37 | 0:20:40 | |
That's the mother-ship. | 0:20:40 | 0:20:42 | |
It's a little bit on the rolly side. Luckily... | 0:20:42 | 0:20:44 | |
Oh! | 0:20:46 | 0:20:47 | |
CHEERING AND APPLAUSE | 0:20:47 | 0:20:49 | |
See, they're very handy, the Dairylea triangles. | 0:20:51 | 0:20:53 | |
I used to like that. When we were younger, | 0:20:53 | 0:20:55 | |
I liked the way they fit into that little...all the triangles. | 0:20:55 | 0:20:58 | |
-That's clever, isn't it? -Yeah. | 0:20:58 | 0:20:59 | |
I tell you what you'd like. Trivial Pursuit. | 0:20:59 | 0:21:02 | |
LAUGHTER | 0:21:02 | 0:21:04 | |
My favourite cheese experience - this doesn't happen very often - | 0:21:05 | 0:21:09 | |
but you know when you get the Swiss cheese, like this? | 0:21:09 | 0:21:12 | |
This is the sliced Leerdammer cheese. | 0:21:12 | 0:21:14 | |
And occasionally, on a day when the whole world is in sync, | 0:21:14 | 0:21:18 | |
my patchy thing that I've done from the really hard... | 0:21:18 | 0:21:22 | |
..fits absolutely. | 0:21:24 | 0:21:26 | |
APPLAUSE | 0:21:26 | 0:21:28 | |
OK. So what's Jo's next choice? | 0:21:32 | 0:21:36 | |
Ooh. | 0:21:40 | 0:21:41 | |
Numbers. I can't cope with numbers. | 0:21:41 | 0:21:45 | |
When I hear a number, my brain goes... | 0:21:45 | 0:21:48 | |
SHE WHIRS AND FIZZES | 0:21:48 | 0:21:50 | |
..and I just stop listening, and panic. | 0:21:50 | 0:21:54 | |
And it can be anything. | 0:21:55 | 0:21:56 | |
It could be money, or it could be, | 0:21:58 | 0:22:02 | |
you know, speed. | 0:22:02 | 0:22:04 | |
It could be anything. It's a problem. | 0:22:04 | 0:22:06 | |
-I mean, it's clearly a problem. -Yeah. -I got... | 0:22:06 | 0:22:08 | |
For my maths O-level, I got a U. | 0:22:08 | 0:22:11 | |
I got an unclassified for my maths O-level. | 0:22:11 | 0:22:14 | |
I mean, I understand the problem that they're setting, | 0:22:15 | 0:22:18 | |
it's not like I don't understand the problem. | 0:22:18 | 0:22:20 | |
So if they say, "What is half?" | 0:22:20 | 0:22:22 | |
I understand what half is. I understand the concept of half. | 0:22:22 | 0:22:26 | |
It's the number bit that I have a problem with. | 0:22:26 | 0:22:29 | |
Of course, if I let it through there'll be no numbers | 0:22:29 | 0:22:31 | |
in the world, after they've gone into the room. | 0:22:31 | 0:22:33 | |
I can see there would be some issues, but... | 0:22:33 | 0:22:35 | |
Couldn't we go back to abacus? | 0:22:38 | 0:22:40 | |
And, sort of, you know... Like, it's beads. | 0:22:40 | 0:22:43 | |
It's more on that side than that side, but you don't give it | 0:22:43 | 0:22:45 | |
one, two, three, four, five... | 0:22:45 | 0:22:47 | |
I can see a couple of calculators just edging out by the door. | 0:22:47 | 0:22:50 | |
The thing that always amazes me is when someone texts you to say their | 0:22:50 | 0:22:53 | |
baby is born, they all have to say, like, "Nine pounds three ounces." | 0:22:53 | 0:22:57 | |
They always have to tell you the weight. | 0:22:57 | 0:22:59 | |
Why do they do that? | 0:22:59 | 0:23:01 | |
No-one would ever say, "I've got a new girlfriend. | 0:23:01 | 0:23:03 | |
"Nine stone two." | 0:23:03 | 0:23:05 | |
LAUGHTER | 0:23:05 | 0:23:07 | |
You would never do that. What is that weird obsession? | 0:23:11 | 0:23:14 | |
-It's true. -Well, the Americans do a bit, though. | 0:23:14 | 0:23:17 | |
When they describe people they say, "200 pounds." | 0:23:17 | 0:23:19 | |
You know, they do throw numbers alongside names. | 0:23:19 | 0:23:22 | |
-I never know what that means. Do you? -No. | 0:23:22 | 0:23:24 | |
"Got to be 400 pounds, that guy." I just think, "Is that a lot? | 0:23:24 | 0:23:27 | |
"How big is he? Is he a goblin? What's happening?" | 0:23:27 | 0:23:31 | |
Did you like charts and all that at school, | 0:23:31 | 0:23:34 | |
when you used to get graphs and things? | 0:23:34 | 0:23:36 | |
Well, I mean, I preferred a picture to the number. | 0:23:36 | 0:23:40 | |
Yeah. They sort of appeal to me, pie charts. | 0:23:40 | 0:23:43 | |
Are you familiar with the Meatloaf song? | 0:23:43 | 0:23:45 | |
# I would do anything for love | 0:23:45 | 0:23:49 | |
# But I won't do that. # | 0:23:49 | 0:23:52 | |
They actually, um... | 0:23:54 | 0:23:55 | |
They took that song lyric and expressed it as a graph. | 0:23:55 | 0:24:00 | |
LAUGHTER | 0:24:02 | 0:24:05 | |
APPLAUSE | 0:24:05 | 0:24:08 | |
OK, so, what is upsetting Noel Fielding? | 0:24:08 | 0:24:11 | |
What's the point? | 0:24:17 | 0:24:19 | |
CHEERING | 0:24:19 | 0:24:21 | |
I mean, what's the point of hangovers? | 0:24:23 | 0:24:25 | |
Why? | 0:24:25 | 0:24:27 | |
If we just drank five bottles of wine, fell asleep, | 0:24:27 | 0:24:30 | |
woke up the next day, felt fine, what's the problem with that? | 0:24:30 | 0:24:34 | |
What is this rubbish about? | 0:24:34 | 0:24:36 | |
I mean, when I was younger, they were fine. | 0:24:36 | 0:24:39 | |
My liver the next day would give me a little cheeky warning, | 0:24:39 | 0:24:42 | |
you know, like a Mogwai. It would go, "Bar-bar-r-r-r." | 0:24:42 | 0:24:45 | |
Now it comes in like Chewbacca, kicks the door down, | 0:24:45 | 0:24:50 | |
"Br-r-r-r-r-r-r," gets me in a headlock. | 0:24:50 | 0:24:54 | |
I mean, I literally am out of the game for three days. | 0:24:54 | 0:24:58 | |
The only time you think you haven't got a hangover, now, | 0:24:58 | 0:25:01 | |
you're still drunk. | 0:25:01 | 0:25:02 | |
I've gone through the night. That's how drunk I was. | 0:25:05 | 0:25:08 | |
I don't like that fuzzy feeling. | 0:25:09 | 0:25:11 | |
I'm not a massive drinker, so it doesn't take much for me to... | 0:25:11 | 0:25:14 | |
the next day, after having a couple the night before, to really... | 0:25:14 | 0:25:20 | |
And it stays all day, that fuzzy, horrible feeling. | 0:25:20 | 0:25:24 | |
Drink more water. | 0:25:24 | 0:25:25 | |
-Drink so much water, you know what I mean? -Doesn't work. | 0:25:25 | 0:25:28 | |
Your belly is gushing. Your belly is like, "Blumf, blumf." | 0:25:28 | 0:25:31 | |
I'm a recovering alcoholic. I'll be upfront about it. | 0:25:31 | 0:25:34 | |
I used to wet the bed anyway, | 0:25:34 | 0:25:35 | |
without drinking three pints of water before I went to bed. | 0:25:35 | 0:25:40 | |
What am I, just trying to take the colour down a couple of shades? | 0:25:40 | 0:25:44 | |
LAUGHTER | 0:25:44 | 0:25:46 | |
The trouble is, whenever I talk to people about drinking anecdotes, | 0:25:47 | 0:25:51 | |
it all starts off all funny | 0:25:51 | 0:25:53 | |
and then I tell some of my stories, and people just go, "Oh." | 0:25:53 | 0:25:56 | |
Like, you'll particularly like this one. | 0:25:58 | 0:26:01 | |
This sort of sums up the show for you. | 0:26:01 | 0:26:02 | |
I once went on a massive bender for about five days | 0:26:02 | 0:26:07 | |
and I was lying in bed one morning, and I could see spiders crawling | 0:26:07 | 0:26:11 | |
about on the ceiling, which were caused by the alcohol in my brain. | 0:26:11 | 0:26:18 | |
They weren't really there. | 0:26:18 | 0:26:20 | |
See, you don't get banter like this on Would I Lie To You? | 0:26:20 | 0:26:23 | |
As you get older they become bleaker and bleaker, the hangovers. | 0:26:26 | 0:26:29 | |
Longer. Like, three-day hangovers. | 0:26:29 | 0:26:32 | |
That's a holiday, isn't it? | 0:26:32 | 0:26:35 | |
That's a weekend break. | 0:26:35 | 0:26:37 | |
People say to me now, they say, if I tell them I haven't drunk... | 0:26:38 | 0:26:42 | |
I haven't had a drink since September 24th 1986. | 0:26:42 | 0:26:45 | |
Woo! Nice one, man. | 0:26:45 | 0:26:47 | |
APPLAUSE | 0:26:47 | 0:26:49 | |
And people say to me, "Oh, well, you know, | 0:26:49 | 0:26:51 | |
"at least you can remember what you did last night." | 0:26:51 | 0:26:54 | |
And I say, "Yeah, nothing." | 0:26:54 | 0:26:55 | |
LAUGHTER | 0:26:55 | 0:26:57 | |
So have you come up with a cure for a hangover? | 0:27:00 | 0:27:03 | |
Not really. | 0:27:03 | 0:27:05 | |
I think what happens is you fight it and fight it and eventually you | 0:27:05 | 0:27:08 | |
just have to think, "Oh, I'll just lie here and watch Police Academy 5. | 0:27:08 | 0:27:12 | |
"I won't try and move my arms or legs. | 0:27:13 | 0:27:17 | |
"Hopefully someone will put a pizza in my face at some point." | 0:27:17 | 0:27:20 | |
I think the only cure is to just not drink as much. | 0:27:21 | 0:27:24 | |
Yes, I think that's true. | 0:27:24 | 0:27:26 | |
I guess if you didn't have them then you'd just drink all the time, | 0:27:26 | 0:27:28 | |
-and it would be ridiculous. -Yes. | 0:27:28 | 0:27:30 | |
You kind of have to have the high and low, don't you? | 0:27:30 | 0:27:32 | |
The yin and the yang. | 0:27:32 | 0:27:33 | |
I think you've just talked me out of putting them into Room 101. | 0:27:33 | 0:27:36 | |
Oh, no. | 0:27:36 | 0:27:37 | |
Well, the truth is, if hangovers didn't exist, | 0:27:37 | 0:27:41 | |
if I put them into Room 101, I'd probably start drinking again | 0:27:41 | 0:27:44 | |
tomorrow and I'd end up on waste ground with 15 carrier bags | 0:27:44 | 0:27:48 | |
shouting, "I used to be on television." | 0:27:48 | 0:27:50 | |
Stinky cheese. I, um... | 0:27:52 | 0:27:56 | |
I think it's all right. | 0:27:56 | 0:27:58 | |
What you need to do is use your senses individually. | 0:27:58 | 0:28:01 | |
Close down the nose and go for the taste. | 0:28:01 | 0:28:03 | |
If you get it as far as the mouth it actually tastes all right. | 0:28:03 | 0:28:06 | |
And also, I don't have many things that make me feel sophisticated, Ian, | 0:28:06 | 0:28:09 | |
so don't take this away from me, please. | 0:28:09 | 0:28:12 | |
I don't have a gold tooth. | 0:28:12 | 0:28:14 | |
Numbers. I know it's going to be a bit weird | 0:28:16 | 0:28:18 | |
if I take all the numbers out of the world, | 0:28:18 | 0:28:20 | |
but I have struggled with numbers a lot in my life, and we all have. | 0:28:20 | 0:28:24 | |
-Yeah. -And it is a real problem. | 0:28:24 | 0:28:27 | |
I wish there'd be some way that we could make it a language thing. | 0:28:27 | 0:28:30 | |
So I am going to put numbers into Room - what used to be called - 101. | 0:28:30 | 0:28:35 | |
APPLAUSE | 0:28:35 | 0:28:37 | |
And that brings us to the end of the show. | 0:28:45 | 0:28:47 | |
Well done, Noel, you were the most persuasive guest, | 0:28:47 | 0:28:50 | |
so you are this week's winner. | 0:28:50 | 0:28:52 | |
APPLAUSE | 0:28:52 | 0:28:54 | |
Thanks very much, Noel Fielding, Ian Wright and Joanna Scanlan, | 0:28:55 | 0:28:58 | |
and thank you. Good night. | 0:28:58 | 0:29:00 |