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CHEERING AND APPLAUSE | 0:00:25 | 0:00:27 | |
Hello, I'm Frank Skinner, and welcome to Room 101, | 0:00:33 | 0:00:36 | |
the show where three guests compete to have their biggest | 0:00:36 | 0:00:39 | |
bugbears banished forever to the dreaded vault. | 0:00:39 | 0:00:42 | |
They'll have to argue their case well, because in each round | 0:00:42 | 0:00:44 | |
only one item can be chosen - the final decision is mine. | 0:00:44 | 0:00:48 | |
Let's meet this week's guests. | 0:00:48 | 0:00:50 | |
Joining me tonight are Bafta-winning Katherine Parkinson, | 0:00:50 | 0:00:53 | |
laughter-spinning Russell Howard, | 0:00:53 | 0:00:55 | |
and all the trimmings John Torode. | 0:00:55 | 0:00:57 | |
BELL DINGS | 0:01:07 | 0:01:08 | |
Let's get ready to grumble. | 0:01:08 | 0:01:10 | |
OK. So what is John's choice? | 0:01:10 | 0:01:13 | |
It's those massive pepper grinders. | 0:01:17 | 0:01:19 | |
I mean, even the action is disturbing, isn't it? | 0:01:28 | 0:01:30 | |
Do you know what I mean? Somebody comes up to your table. | 0:01:30 | 0:01:33 | |
You've got some food in front of you. You're about to enjoy it. | 0:01:33 | 0:01:36 | |
They suddenly reach across, | 0:01:36 | 0:01:37 | |
-CROAKY: -"Would you like pepper, sir?" | 0:01:37 | 0:01:39 | |
Were they from Mordor? | 0:01:39 | 0:01:41 | |
Most of them, yes, they are. | 0:01:41 | 0:01:43 | |
The fact is, as well, | 0:01:43 | 0:01:45 | |
they've cut down a whole tree to make a pepper grinder. | 0:01:45 | 0:01:49 | |
The size of the lathe - | 0:01:49 | 0:01:50 | |
I mean, they have special lathes to make pepper grinders that size. | 0:01:50 | 0:01:54 | |
What an industrial waste. I mean, look at it. | 0:01:54 | 0:01:56 | |
It's just ridiculous. | 0:01:56 | 0:01:58 | |
Just in case you're not familiar with what... | 0:01:58 | 0:02:00 | |
Actually, I've just pulled the leg off the table. | 0:02:02 | 0:02:04 | |
Hold it. | 0:02:05 | 0:02:06 | |
This is it. | 0:02:06 | 0:02:08 | |
Yeah, these babies. | 0:02:14 | 0:02:16 | |
That's small. That's like a normal size one. | 0:02:16 | 0:02:19 | |
Well, it's quite cold out. | 0:02:19 | 0:02:20 | |
LAUGHTER | 0:02:20 | 0:02:21 | |
There's something very, um... how can I put this? | 0:02:22 | 0:02:25 | |
Very male about the big... | 0:02:25 | 0:02:27 | |
-Sexist, you see. -It is. -Isn't it? | 0:02:27 | 0:02:30 | |
And yet quite sexy. | 0:02:30 | 0:02:32 | |
You think it's sexy? | 0:02:32 | 0:02:33 | |
When it's done right it must be. | 0:02:33 | 0:02:35 | |
Potentially, when done right, by the right man. | 0:02:35 | 0:02:37 | |
Frank could probably do it in quite a sexy way now. | 0:02:37 | 0:02:39 | |
Go on. See, there you go. | 0:02:39 | 0:02:41 | |
-That's spooky. That's just weird! -Does it need to be that big? | 0:02:43 | 0:02:46 | |
-There's absolutely no reason for it to be that big. -No. | 0:02:46 | 0:02:49 | |
-Everybody has got one to size... -I know the story behind it. | 0:02:49 | 0:02:53 | |
A man in Honolulu opened a string of about 50 restaurants, | 0:02:53 | 0:02:57 | |
and he put normal-sized pepper mills in, when they were just becoming | 0:02:57 | 0:03:01 | |
popular on the market, and within three days, every one was stolen. | 0:03:01 | 0:03:06 | |
So, he got massive ones, to stop that from happening. | 0:03:06 | 0:03:10 | |
Why don't they do it with other stuff? | 0:03:10 | 0:03:13 | |
For example, wouldn't it be great if you were in, say, | 0:03:13 | 0:03:16 | |
a burger bar, and a guy came over... | 0:03:16 | 0:03:20 | |
..if a guy came over like this... | 0:03:21 | 0:03:23 | |
Anyone...ketchup? | 0:03:25 | 0:03:30 | |
No, thank you. | 0:03:30 | 0:03:31 | |
Ketchup? I like that you're backing off. Great. | 0:03:32 | 0:03:38 | |
Faith in the authenticity of this prop. Guess what? | 0:03:38 | 0:03:42 | |
It's not actually full of ketchup. | 0:03:42 | 0:03:44 | |
LAUGHTER | 0:03:44 | 0:03:45 | |
This is another method. Are you familiar with this? | 0:03:51 | 0:03:54 | |
-Oh, yeah. -You get a tiny one of these, with pepper. | 0:03:54 | 0:03:57 | |
-I don't mind that. -So you don't take, you know, loads of pepper. | 0:03:57 | 0:04:00 | |
You just do a sprinkle. Have you seen this? | 0:04:00 | 0:04:02 | |
No, it's in quite nice restaurants. | 0:04:02 | 0:04:05 | |
I've stolen a few of these, I must be honest with you, | 0:04:06 | 0:04:09 | |
because, like a lot of people watching, I've got | 0:04:09 | 0:04:11 | |
an Action Man antique commode... | 0:04:11 | 0:04:12 | |
and it's absolutely... absolutely perfect on that. | 0:04:15 | 0:04:20 | |
I have him on there for hours. | 0:04:20 | 0:04:22 | |
Is that how they make pepper? | 0:04:32 | 0:04:33 | |
LAUGHTER AND APPLAUSE | 0:04:33 | 0:04:35 | |
OK. So, Russell, what's your choice? | 0:04:39 | 0:04:41 | |
Dreams. | 0:04:45 | 0:04:46 | |
-Ooh. -Yes. Pointless. | 0:04:46 | 0:04:50 | |
They're meant to be relaxing and calm and blissful, | 0:04:50 | 0:04:53 | |
and then, suddenly, you're getting chased, | 0:04:53 | 0:04:56 | |
your old teacher is there, you've got parrots for feet. | 0:04:56 | 0:04:59 | |
Lorraine Kelly has got an axe. | 0:04:59 | 0:05:01 | |
She's swinging it, going, "Get in the shed. | 0:05:01 | 0:05:04 | |
"Make me marmalade." | 0:05:04 | 0:05:05 | |
It's meant to be relaxing. | 0:05:05 | 0:05:07 | |
They're always awful, you know. | 0:05:07 | 0:05:09 | |
They're always mad, or they're exhausting. | 0:05:09 | 0:05:12 | |
I find the amount of times I'll have a dream where I feel like - | 0:05:12 | 0:05:14 | |
like the other day I had a gap year, like, in my dream. | 0:05:14 | 0:05:17 | |
You wake up - "Are you all right? Did you sleep well?" | 0:05:17 | 0:05:20 | |
"No, I didn't sleep well. I lost my passport in Peru. | 0:05:20 | 0:05:23 | |
"I was braiding my own hair for four hours." | 0:05:23 | 0:05:26 | |
It's horrific. | 0:05:26 | 0:05:28 | |
Losing your passport is a horrible dream, though. | 0:05:28 | 0:05:30 | |
I suggest you get yourself a dream catcher. | 0:05:30 | 0:05:34 | |
That's exceptional. That's nuts. | 0:05:38 | 0:05:40 | |
And this IS your passport. | 0:05:40 | 0:05:42 | |
And then he woke up. | 0:05:45 | 0:05:47 | |
Yeah, exactly. | 0:05:49 | 0:05:50 | |
Like, you know those dreams when it just goes on? | 0:05:50 | 0:05:53 | |
Like, this genuinely happened, | 0:05:53 | 0:05:54 | |
and it felt like the entire nine hours I was there. | 0:05:54 | 0:05:56 | |
I was a cat working in a travel agency, | 0:05:56 | 0:06:00 | |
and I had no skills, because I was a cat, and people were moaning. | 0:06:00 | 0:06:03 | |
I can really remember this Northern bloke going, | 0:06:03 | 0:06:06 | |
"You don't know nothing". | 0:06:06 | 0:06:08 | |
And I'm like, "Meow." | 0:06:08 | 0:06:10 | |
You know, and then you wake up and you're just exhausted, | 0:06:10 | 0:06:13 | |
and then you've got to go to work. | 0:06:13 | 0:06:15 | |
What an amazing imagination you have. | 0:06:15 | 0:06:17 | |
That's the problem. | 0:06:17 | 0:06:18 | |
My recurring dream is me sitting on a bus. | 0:06:18 | 0:06:22 | |
See, that's awful. | 0:06:23 | 0:06:24 | |
That is it. | 0:06:24 | 0:06:26 | |
I had one of those, a dull one, as well. | 0:06:26 | 0:06:27 | |
I'm not saying you're dull. I'm just saying... | 0:06:27 | 0:06:30 | |
I think you are. | 0:06:30 | 0:06:32 | |
But you know that thing? | 0:06:32 | 0:06:33 | |
I had one where I was looking at Duracell batteries | 0:06:33 | 0:06:36 | |
and comparing them to Tesco-own for eight hours. | 0:06:36 | 0:06:40 | |
You see, I have quite ordinary dreams, | 0:06:41 | 0:06:44 | |
in which invariably I'm only wearing a pyjama top. | 0:06:44 | 0:06:48 | |
So, I'm just walking round in the supermarket in just that, | 0:06:49 | 0:06:52 | |
and then I realise. | 0:06:52 | 0:06:54 | |
Well, maybe that's looking into your future, you know. | 0:06:54 | 0:06:58 | |
And then, I found this in my dream catcher. | 0:06:59 | 0:07:01 | |
When I used to drink... do you get it? | 0:07:08 | 0:07:11 | |
They're strange, when you... Do you drink? You do drink, don't you? | 0:07:11 | 0:07:14 | |
-Yeah. -Don't you find the dreams get a bit weirder, then? | 0:07:14 | 0:07:17 | |
Not really, no. | 0:07:17 | 0:07:19 | |
I always used to dream I was urinating. And guess what? | 0:07:19 | 0:07:22 | |
I quite like dreaming. | 0:07:25 | 0:07:26 | |
I like the middle of the day, you know, old man, | 0:07:26 | 0:07:29 | |
half asleep on the sofa, waking up when you sort of snore a bit dream. | 0:07:29 | 0:07:32 | |
That's a good thing. | 0:07:32 | 0:07:33 | |
No, it's not, because you're of a certain age. | 0:07:33 | 0:07:37 | |
I bet you whistle when you snore, as well. | 0:07:37 | 0:07:39 | |
There's nothing... That noise. | 0:07:39 | 0:07:41 | |
-That's what my dad... -IMITATES WHISTLING SNORE | 0:07:41 | 0:07:44 | |
It sounds like someone is interfering with a Teletubbie. | 0:07:44 | 0:07:47 | |
HE REPEATS NOISE | 0:07:47 | 0:07:48 | |
My dad used to do that falling asleep in the chair, going... | 0:07:50 | 0:07:53 | |
Yeah! | 0:07:55 | 0:07:56 | |
Absolutely terrifying. | 0:07:57 | 0:07:59 | |
Well, I tell you something. | 0:07:59 | 0:08:01 | |
Are you familiar with the Dream ON app? | 0:08:01 | 0:08:06 | |
This app is... | 0:08:06 | 0:08:07 | |
you sleep with your mobile phone, and it picks up your sleep patterns. | 0:08:07 | 0:08:13 | |
It can tell when you're in deep sleep and when you're moving more. | 0:08:13 | 0:08:16 | |
-Right. -And it gives you sound effects | 0:08:16 | 0:08:18 | |
at the point you're most likely | 0:08:18 | 0:08:20 | |
to dream, and it's supposed to help you into more pleasant... | 0:08:20 | 0:08:23 | |
This is... I'm not making this up. | 0:08:23 | 0:08:25 | |
So here's some of the sounds, for example. | 0:08:25 | 0:08:27 | |
BIRDS TWITTER | 0:08:27 | 0:08:29 | |
So, it will influence your dream. I programmed it for this. | 0:08:32 | 0:08:35 | |
-WOMAN: -Mmm, well, I wasn't expecting the plumber, | 0:08:35 | 0:08:38 | |
but you'd better come in. | 0:08:38 | 0:08:40 | |
LAUGHTER | 0:08:40 | 0:08:41 | |
Works a treat. | 0:08:44 | 0:08:45 | |
Have you ever had this? | 0:08:45 | 0:08:46 | |
Have you ever been attacked by someone for the way | 0:08:46 | 0:08:49 | |
you've behaved in their dream? | 0:08:49 | 0:08:50 | |
OK, well, I have. There you go. | 0:08:52 | 0:08:54 | |
My auntie said, "I want to have a word with you". | 0:08:54 | 0:08:56 | |
"What?" "Yeah, I had a dream about you the other day." | 0:08:56 | 0:08:58 | |
We were at a wedding. "Yeah?" | 0:08:58 | 0:09:00 | |
"You made love to a pasty." "Well, I didn't do it, did I? | 0:09:00 | 0:09:03 | |
"I made love? What are you talking about?" | 0:09:03 | 0:09:05 | |
She told everyone at the wedding, like it was a thing I did. | 0:09:05 | 0:09:08 | |
Chinese whispers. By the end everyone was like, | 0:09:08 | 0:09:10 | |
"Oh, it's Ginsters". What are you talking about? | 0:09:10 | 0:09:13 | |
Was that in your dream, or was that in reality? | 0:09:13 | 0:09:15 | |
It was in HER dream. No, I haven't touched a pasty. | 0:09:15 | 0:09:17 | |
She is attacking me for the behaviour that | 0:09:17 | 0:09:20 | |
I've shown in her dream. | 0:09:20 | 0:09:22 | |
Right. In public? | 0:09:22 | 0:09:23 | |
I don't know where I did it. | 0:09:23 | 0:09:24 | |
I'd like to imagine that if I was making love to a pasty, | 0:09:24 | 0:09:28 | |
I'd treat it right, you know, but I've never imagined that. | 0:09:28 | 0:09:32 | |
I'd probably take her out for a meal... | 0:09:32 | 0:09:33 | |
A meal would be weird because you'd see all her mates getting eaten. | 0:09:33 | 0:09:36 | |
I have a clip of a child speaking about dreaming and, whatever | 0:09:36 | 0:09:44 | |
we say about dreams tonight, nothing can be as good as this. | 0:09:44 | 0:09:48 | |
This is perfect. | 0:09:48 | 0:09:50 | |
Have you ever had a dream that... that you...you had... | 0:09:50 | 0:09:55 | |
you...you... you could... you'd do... you...you want... | 0:09:55 | 0:10:00 | |
you...you could give some... you...you could...you... | 0:10:00 | 0:10:03 | |
you want...you want them to do you so much you could do anything? | 0:10:03 | 0:10:07 | |
Do you know what? | 0:10:10 | 0:10:11 | |
That's like the cutest version of an Eminem song I've ever heard. | 0:10:11 | 0:10:13 | |
That might make me get pregnant again tonight. | 0:10:15 | 0:10:17 | |
That was so sweet. | 0:10:17 | 0:10:18 | |
GROANS | 0:10:18 | 0:10:19 | |
FRANK SNIGGERS | 0:10:19 | 0:10:20 | |
Right. What is Katherine's choice? | 0:10:24 | 0:10:26 | |
Behave. Yes. | 0:10:33 | 0:10:36 | |
Oh, yeah. | 0:10:36 | 0:10:37 | |
APPLAUSE | 0:10:37 | 0:10:38 | |
This is DJs that join in at the end of the song. | 0:10:40 | 0:10:43 | |
I mean, I love the radio. | 0:10:43 | 0:10:45 | |
I've not listened to your show on the radio, | 0:10:45 | 0:10:47 | |
cos it's too early, but I love the radio in the morning. | 0:10:47 | 0:10:50 | |
It's a podcast. | 0:10:50 | 0:10:51 | |
LAUGHTER | 0:10:51 | 0:10:52 | |
But carry on. | 0:10:54 | 0:10:55 | |
So, I love the radio in the morning, | 0:10:57 | 0:11:00 | |
and, you know, you're listening to a song. | 0:11:00 | 0:11:02 | |
They've played maybe, you know, Elvis, In The Ghetto, | 0:11:02 | 0:11:06 | |
or something really moving, a story-telling song. | 0:11:06 | 0:11:09 | |
You're in that special place, | 0:11:09 | 0:11:10 | |
looking out the window at the morning happening. | 0:11:10 | 0:11:12 | |
And then they just have to crash in and butcher it over the last | 0:11:12 | 0:11:15 | |
two bars, because they can't not hear the sound of their own | 0:11:15 | 0:11:18 | |
voice for more than 20 seconds. | 0:11:18 | 0:11:20 | |
I have actually almost lifted up the radio and thrown it through the | 0:11:20 | 0:11:25 | |
kitchen window because it just, it completely destroys... What's the | 0:11:25 | 0:11:29 | |
point in playing a song if you're not going to let people get to | 0:11:29 | 0:11:32 | |
the nice moment at the end, when the song has finished and done its work? | 0:11:32 | 0:11:36 | |
Yes. | 0:11:38 | 0:11:39 | |
LAUGHTER | 0:11:39 | 0:11:40 | |
Do you do this? Am I putting you into Room 101? | 0:11:41 | 0:11:44 | |
I don't do it... I don't do it that much. | 0:11:44 | 0:11:46 | |
-I did it... -Oh, I'm so... I didn't realise YOU did it! | 0:11:46 | 0:11:48 | |
I don't do it often. | 0:11:48 | 0:11:50 | |
I interrupted - I played Vertigo by U2 a while back, | 0:11:50 | 0:11:53 | |
and in the middle of it, I came in and started talking. | 0:11:53 | 0:11:56 | |
In the middle? That's even worse. | 0:11:56 | 0:11:58 | |
Yes, because they'd interrupted my iTunes music with their album. | 0:11:58 | 0:12:02 | |
They started it. | 0:12:09 | 0:12:11 | |
I tell you what I do more and more, I found, as I get older. | 0:12:11 | 0:12:15 | |
There are lots of songs I just don't know the words to at all. | 0:12:15 | 0:12:18 | |
That does not stop me singing along. | 0:12:18 | 0:12:21 | |
So, Elton John is one of my favourites for this, | 0:12:21 | 0:12:24 | |
because you can get away with knowing almost no words at all. | 0:12:24 | 0:12:28 | |
So, if you get something like Candle In The Wind, I'll know | 0:12:28 | 0:12:31 | |
the first bit and I'll go, | 0:12:31 | 0:12:33 | |
# Goodbye, Norma Jean... | 0:12:33 | 0:12:34 | |
HE SCATS NONSENSE | 0:12:34 | 0:12:36 | |
And it works perfectly well. | 0:12:41 | 0:12:44 | |
Kings Of Leon are exactly the same. | 0:12:45 | 0:12:47 | |
HE SCATS NONSENSE | 0:12:47 | 0:12:49 | |
You see? | 0:12:51 | 0:12:53 | |
Do you not sing along to songs yourself? | 0:12:54 | 0:12:56 | |
Yes, I do. | 0:12:58 | 0:12:59 | |
-Surely that's... -Yes, I do, but, um... Yes, that's a good point. | 0:12:59 | 0:13:04 | |
I do sing along to the song myself, but... Yeah, OK. | 0:13:04 | 0:13:08 | |
Well... | 0:13:08 | 0:13:09 | |
Thanks, Russell. You've saved me a lot of time. | 0:13:11 | 0:13:13 | |
I tell you what I do like, and that is a fabulous radio voice. | 0:13:15 | 0:13:19 | |
There was a guy in America who had fallen on hard times, | 0:13:19 | 0:13:24 | |
but although he'd fallen on hard times, | 0:13:24 | 0:13:27 | |
he's managed to retain his fabulous radio voice. | 0:13:27 | 0:13:31 | |
-MAN: -Hey. I'm going to make you work for your dollar. | 0:13:32 | 0:13:34 | |
Say something with that great radio voice. | 0:13:34 | 0:13:36 | |
When you're listening to nothing but the best of oldies, | 0:13:36 | 0:13:39 | |
you're listening to Magic 98.9. | 0:13:39 | 0:13:42 | |
Thank you so much. God bless you. Thank you. | 0:13:42 | 0:13:45 | |
And we'll be back with more right after these words. | 0:13:45 | 0:13:48 | |
And don't forget, tomorrow morning is your chance to win | 0:13:50 | 0:13:52 | |
a pair of tickets to see this man live in concert. | 0:13:52 | 0:13:55 | |
APPLAUSE | 0:13:55 | 0:13:56 | |
Oh, they have the best homeless people in America. | 0:13:58 | 0:14:00 | |
So, anyway, at the end of that, um, I feel your pain with DJs who sing | 0:14:02 | 0:14:08 | |
over songs, and dreaming, I don't think you know what you've got. | 0:14:08 | 0:14:12 | |
Your dreams sound great. | 0:14:12 | 0:14:14 | |
You should learn to enjoy them more. | 0:14:14 | 0:14:17 | |
Oh, here we go again. | 0:14:17 | 0:14:19 | |
I would like to have your dreams... | 0:14:19 | 0:14:21 | |
-Yes. -..instead of putting them in Room 101. | 0:14:21 | 0:14:23 | |
You should write a book. Your special dream book. | 0:14:23 | 0:14:26 | |
I'm going to do one. | 0:14:28 | 0:14:29 | |
The author's picture on the back is just me in a pyjama top. | 0:14:29 | 0:14:33 | |
Anyway, the upshot is... | 0:14:35 | 0:14:36 | |
I hadn't really thought about this, John, but now you come to | 0:14:36 | 0:14:39 | |
mention it, the whole pepper thing is just ostentatious. | 0:14:39 | 0:14:43 | |
I've had enough of it. | 0:14:43 | 0:14:44 | |
I'm going to put enormous pepper grinders into Room 101. | 0:14:44 | 0:14:47 | |
Yeah. Good. | 0:14:47 | 0:14:51 | |
And so the next round. | 0:14:59 | 0:15:02 | |
OK. What's John got up his sleeve? | 0:15:04 | 0:15:06 | |
Predictive text. I hate it. | 0:15:09 | 0:15:13 | |
My spelling is atrocious, right? So, that's fine. | 0:15:17 | 0:15:19 | |
If I want to write something down, I want to take | 0:15:19 | 0:15:21 | |
notes on my notes on my phone, if it's phonetic, that's fine. | 0:15:21 | 0:15:25 | |
Or I'm travelling... | 0:15:25 | 0:15:27 | |
but they come out with the most bizarre words in the world. | 0:15:27 | 0:15:29 | |
When you write menus and stuff, it just makes words up. | 0:15:29 | 0:15:32 | |
So, for instance, | 0:15:32 | 0:15:33 | |
there's a restaurant I go to all the time, and one day it | 0:15:33 | 0:15:35 | |
had on it a plate of roasted peppers and aboriginals with pesto, because | 0:15:35 | 0:15:40 | |
it was supposed to be aubergines, and aubergines became aboriginals. | 0:15:40 | 0:15:43 | |
And as an Australian, you can understand that actually | 0:15:43 | 0:15:46 | |
cutting up an aboriginal and putting it with pesto is not a good idea. | 0:15:46 | 0:15:49 | |
APPLAUSE | 0:15:49 | 0:15:50 | |
I have a friend who was on a date, and she texted him... | 0:15:54 | 0:15:58 | |
He was at the bar, saying, "I'm upstairs with wine", | 0:15:58 | 0:16:02 | |
but it said, "I'm upstairs with wind." | 0:16:02 | 0:16:05 | |
LAUGHTER | 0:16:05 | 0:16:06 | |
The other one that's really, really annoying is, | 0:16:10 | 0:16:12 | |
when you use your notes, or something, | 0:16:12 | 0:16:14 | |
and you actually just want to write, I don't know, a word or something, | 0:16:14 | 0:16:17 | |
and it just comes up with the most ridiculous thing in the world. | 0:16:17 | 0:16:19 | |
What if people did it? If you said, "I'm feeling g..." | 0:16:19 | 0:16:22 | |
and they went, "Good? "Glandular? Gambian?" | 0:16:22 | 0:16:24 | |
On the misprint front, | 0:16:28 | 0:16:30 | |
this is an edition of the Bible which came out in 1631. | 0:16:30 | 0:16:35 | |
Maybe one of the most famous text failures of all time. | 0:16:35 | 0:16:39 | |
You see there... maybe you don't spot it at first, | 0:16:40 | 0:16:43 | |
but the second one came out as, "Thou SHALT commit adultery." | 0:16:43 | 0:16:46 | |
I've used it as a loophole with my priest a couple of times. | 0:16:48 | 0:16:51 | |
So, do you use it much, John? | 0:16:53 | 0:16:54 | |
No, I hate it. I don't use it, at all. | 0:16:54 | 0:16:56 | |
-You can switch it off, can't you? -Well, you can. | 0:16:56 | 0:16:58 | |
It's the, sort of, the spell-check changed my words whilst I'm... | 0:16:58 | 0:17:02 | |
And typing recipes, you use, sort of, weird words | 0:17:02 | 0:17:05 | |
and weird phrases, like "mise en place" and, you know, bits of | 0:17:05 | 0:17:08 | |
French and bits of Italian, and it just changes on you halfway through. | 0:17:08 | 0:17:11 | |
You go, "Argh!" | 0:17:11 | 0:17:13 | |
That's what really upsets me more than anything. | 0:17:13 | 0:17:15 | |
Put a red line under it and say, yes, it's spelt wrong, | 0:17:15 | 0:17:17 | |
and I can make a choice, but don't change my spelling of my words. | 0:17:17 | 0:17:21 | |
Have you ever typed in "Torode"? | 0:17:21 | 0:17:23 | |
Yeah. Well, it used to come up as "torrid". | 0:17:23 | 0:17:27 | |
-Oh. -Which was always quite nice. | 0:17:27 | 0:17:29 | |
I tried it, as a homage to you, and I got "toroidal", which is | 0:17:29 | 0:17:33 | |
a word I'd never heard of. Do you know it? | 0:17:33 | 0:17:35 | |
-What does it mean, Frank? -It means donut-shaped. | 0:17:35 | 0:17:37 | |
LAUGHTER AND APPLAUSE | 0:17:37 | 0:17:39 | |
Anyway, what's Katherine angry about? | 0:17:44 | 0:17:48 | |
OK. It's women who, er, | 0:17:53 | 0:17:55 | |
cross their legs when they're having their photo taken. | 0:17:55 | 0:17:57 | |
So, somewhere along the line there became this sort of position | 0:17:57 | 0:18:01 | |
that every woman who's having her photo taken, | 0:18:01 | 0:18:04 | |
sort of, head-to-toe photo, has to sort of assume this position. | 0:18:04 | 0:18:08 | |
Obviously, it's supposed to elongate and slim. | 0:18:08 | 0:18:11 | |
Can I say? I'd never heard of this before. | 0:18:11 | 0:18:14 | |
So, can you just tell us, what is the theory behind it? | 0:18:14 | 0:18:17 | |
I don't know what the theory is behind it, but basically | 0:18:17 | 0:18:20 | |
you're supposed to stand... | 0:18:20 | 0:18:21 | |
You can see I look better now. | 0:18:24 | 0:18:25 | |
Yeah. | 0:18:25 | 0:18:27 | |
Everyone is supposed to stand like that | 0:18:27 | 0:18:29 | |
when they have their photo taken. | 0:18:29 | 0:18:31 | |
I felt, when I was, sort of, assuming this position, | 0:18:31 | 0:18:34 | |
like an idiot for doing it, cos of course you're just going, | 0:18:34 | 0:18:36 | |
"I'm doing this cos it's the thing to be done". | 0:18:36 | 0:18:38 | |
Also, it's very difficult to do when you've got heels on, | 0:18:38 | 0:18:41 | |
because you lose your balance, and you have to sort of throw | 0:18:41 | 0:18:44 | |
your body a bit forward to stay | 0:18:44 | 0:18:46 | |
balanced in that position, and then you look really, really stupid. | 0:18:46 | 0:18:50 | |
Um, and so after that I just sort of... | 0:18:50 | 0:18:53 | |
I stand with my legs ajar, and then you look like you're | 0:18:53 | 0:18:55 | |
in a birthing position, and that's not good, either. | 0:18:55 | 0:18:58 | |
Well, when I knew you'd chosen this, I thought, "I've never even | 0:18:59 | 0:19:02 | |
"been aware of that phenomenon," but since, I notice it's everywhere. | 0:19:02 | 0:19:06 | |
Just an example, this is Miley Cyrus arriving somewhere lovely. | 0:19:06 | 0:19:10 | |
There she is, doing exactly that. | 0:19:12 | 0:19:15 | |
It's quite strange, don't you think? | 0:19:15 | 0:19:16 | |
The outfit is quite strange. | 0:19:16 | 0:19:18 | |
What's she wearing? She looks like a cheese grater. | 0:19:18 | 0:19:21 | |
Well, for the sake of symmetry she should have crossed | 0:19:23 | 0:19:26 | |
her cleavage, as well. | 0:19:26 | 0:19:27 | |
I took my mum to a premiere. | 0:19:28 | 0:19:29 | |
It was one of the coolest things I've ever done. | 0:19:29 | 0:19:32 | |
I'm going to have to stand up to show what she did. Right? | 0:19:32 | 0:19:34 | |
So basically, what the ladies do, they do | 0:19:34 | 0:19:36 | |
this thing where they walk to the camera and do that. | 0:19:36 | 0:19:38 | |
-Does that annoy you? They do the sideways thing. -Oh, yeah. | 0:19:38 | 0:19:41 | |
I've got a very short neck | 0:19:41 | 0:19:42 | |
and I just look like a budgie when I do that. | 0:19:42 | 0:19:44 | |
So, my mum is five foot, and nobody had taught her, | 0:19:44 | 0:19:47 | |
so all the paparazzi were there, and Mum just kind of ran at them | 0:19:47 | 0:19:49 | |
and just, kind of, went like that. | 0:19:49 | 0:19:51 | |
It was genuinely... | 0:19:54 | 0:19:56 | |
It was like watching a Yorkshire pudding move carrots out of the way. | 0:19:56 | 0:20:00 | |
That thing that you're on about, we've got Anne Hathaway, | 0:20:01 | 0:20:05 | |
actually... It seems the least natural pose you could ever... | 0:20:05 | 0:20:10 | |
I mean we're over here, Anne. | 0:20:11 | 0:20:13 | |
I've done that pose, but only when I've been at a urinal. | 0:20:14 | 0:20:17 | |
LAUGHTER | 0:20:17 | 0:20:18 | |
Did you see the Oscars? | 0:20:23 | 0:20:25 | |
At the Oscars, just everybody, everybody was doing it. | 0:20:25 | 0:20:28 | |
I don't know if you saw this. | 0:20:28 | 0:20:30 | |
Outrageous. | 0:20:35 | 0:20:36 | |
But you're right, though. | 0:20:36 | 0:20:37 | |
Now I know about it, I see it everywhere. | 0:20:37 | 0:20:40 | |
I bought this the other day. | 0:20:40 | 0:20:41 | |
LAUGHTER | 0:20:43 | 0:20:44 | |
APPLAUSE | 0:20:47 | 0:20:49 | |
Anyway, what's Russell's choice? | 0:20:52 | 0:20:54 | |
Grumpy kids. | 0:20:57 | 0:20:59 | |
CHEERING | 0:20:59 | 0:21:00 | |
Exactly. Right? | 0:21:00 | 0:21:02 | |
I was in a restaurant the other day, and I heard a child say, | 0:21:06 | 0:21:09 | |
"Oh, Wagamama again." | 0:21:09 | 0:21:10 | |
I used to lose my mind when I went to a Harvester. | 0:21:12 | 0:21:15 | |
Lose my mind. | 0:21:15 | 0:21:17 | |
Go into school the next day. | 0:21:17 | 0:21:18 | |
"Salad bar. Amazing. | 0:21:18 | 0:21:20 | |
"I had an Italian dish called a la-sag-nea." | 0:21:21 | 0:21:24 | |
They've got everything. They're whining. | 0:21:24 | 0:21:26 | |
They've got wheels in their shoes, iPads, Sky Plus. | 0:21:26 | 0:21:30 | |
If you'd shown me Sky Plus when I was ten, I'd have thought | 0:21:30 | 0:21:33 | |
you're a wizard, like that, pausing the telly. | 0:21:33 | 0:21:35 | |
And, like, could have been so much worse...just... | 0:21:35 | 0:21:38 | |
every kid I see today, like, I'm talking about ten-year-olds... | 0:21:38 | 0:21:40 | |
IMITATES WHINING | 0:21:40 | 0:21:42 | |
..just whining, tubby messes, and... | 0:21:42 | 0:21:46 | |
It just does my head in. | 0:21:47 | 0:21:49 | |
But it could have been worse. | 0:21:49 | 0:21:50 | |
You could have grown up in the '80s, where, you know, | 0:21:50 | 0:21:53 | |
the telly was awash with offenders and, you know... | 0:21:53 | 0:21:57 | |
It was, you know. | 0:21:57 | 0:21:58 | |
And, like, think of the hours we played the recorder. | 0:21:59 | 0:22:02 | |
The HOURS we did that. Have we ever needed it? | 0:22:02 | 0:22:05 | |
I've never been at a party, "I know what this needs." | 0:22:05 | 0:22:08 | |
IMITATES RECORDER | 0:22:08 | 0:22:09 | |
Girls in the corner, "Do you know Little Donkey? | 0:22:09 | 0:22:12 | |
"You know I do." | 0:22:12 | 0:22:13 | |
We have a picture of you when you were a, I think, 12-year-old, | 0:22:14 | 0:22:17 | |
-Russell. -Oh, really? OK. Oh, there you go. | 0:22:17 | 0:22:20 | |
Ah! | 0:22:20 | 0:22:22 | |
-Ah! -What a happy child. | 0:22:22 | 0:22:24 | |
APPLAUSE | 0:22:24 | 0:22:25 | |
Well, I haven't seen that for a long... | 0:22:27 | 0:22:28 | |
I look a bit like Harry Potter's German pen-pal. | 0:22:28 | 0:22:32 | |
Who would have thought that, when I sat for that picture it would | 0:22:34 | 0:22:37 | |
end up on telly and people would just be, like..? | 0:22:37 | 0:22:39 | |
-I know. Yeah, just... -"Just smile. What's the worst that can happen?" | 0:22:39 | 0:22:42 | |
"All right." | 0:22:42 | 0:22:43 | |
When I was at school, the big game for us was a thing called | 0:22:45 | 0:22:48 | |
pile-ups, where one kid lay on the floor and 50 kids lay on top. | 0:22:48 | 0:22:53 | |
You'd be on the bottom, thinking, | 0:22:53 | 0:22:55 | |
"Shouldn't my ribcage be inside my blazer?" | 0:22:55 | 0:22:57 | |
I feel a bit sorry for kids now, though. | 0:22:57 | 0:23:00 | |
I live in quite a, sort of, posh bit of London, | 0:23:00 | 0:23:04 | |
and I think the kids there just don't get enough sugar. | 0:23:04 | 0:23:06 | |
They ask for a Cornetto, they get a little box of raisins. | 0:23:09 | 0:23:13 | |
That's not parenting. | 0:23:14 | 0:23:15 | |
Exactly. | 0:23:15 | 0:23:18 | |
I remember... Do you remember Angel Delight? Now, there's a pudding. | 0:23:18 | 0:23:21 | |
Yes. | 0:23:21 | 0:23:22 | |
You have one bit of that and you go, "I'm going on the roof". | 0:23:22 | 0:23:25 | |
And my sister - | 0:23:25 | 0:23:27 | |
it's one of the greatest moments in the Howard family. | 0:23:27 | 0:23:30 | |
My sister was eating Angel Delight, and she goes, | 0:23:30 | 0:23:32 | |
"Dad, what's Angel Delight made of?" | 0:23:32 | 0:23:34 | |
And my dad just went, "Dead angels." | 0:23:34 | 0:23:36 | |
That's parenting. | 0:23:38 | 0:23:39 | |
Me and my brother were like, "This is the best day ever." | 0:23:39 | 0:23:41 | |
And Nesquik. | 0:23:43 | 0:23:44 | |
Oh, yeah. Damn right. | 0:23:44 | 0:23:46 | |
I used to have that in water. | 0:23:46 | 0:23:47 | |
-Yes. -GROANS | 0:23:47 | 0:23:49 | |
We were poor. | 0:23:49 | 0:23:50 | |
Are you booing me for being poor?! | 0:23:52 | 0:23:54 | |
Very good for making cakes. | 0:23:55 | 0:23:57 | |
Instead of using sugar - flavoured Nesquik - | 0:23:57 | 0:23:59 | |
you use chocolate flavour or strawberry flavour instead | 0:23:59 | 0:24:02 | |
of using sugar, and then you've got strawberry or chocolate cake. | 0:24:02 | 0:24:05 | |
-Oh, right. -And that cake, I tell you, your kids are running round | 0:24:05 | 0:24:08 | |
the back yard - "Whey!" | 0:24:08 | 0:24:09 | |
People are writing your stuff down, John. Fantastic. | 0:24:11 | 0:24:14 | |
But on predictive text it says something else completely. | 0:24:14 | 0:24:17 | |
The technology thing, I mean, as you said, they've got everything now. | 0:24:18 | 0:24:22 | |
I remember occasionally, towards the end of school, | 0:24:22 | 0:24:25 | |
-VHSs were just coming in, when I was at school. -Yeah. | 0:24:25 | 0:24:29 | |
And sometimes, a teacher, instead of doing a lesson, would show us | 0:24:29 | 0:24:32 | |
a VHS, and there was a man called Mr Barton, | 0:24:32 | 0:24:36 | |
and he would bring in the telly with the VHS recorder on wheels, | 0:24:36 | 0:24:41 | |
and he used to wear a lab coat. | 0:24:41 | 0:24:42 | |
A lab coat! | 0:24:44 | 0:24:46 | |
I'm glad we're a bit more technology-literate than that. | 0:24:47 | 0:24:50 | |
That's what does my head in. | 0:24:50 | 0:24:52 | |
It's just like... it's just everything. | 0:24:52 | 0:24:53 | |
Be a bit more joy-... Like iPods. | 0:24:53 | 0:24:56 | |
How extraordinary are they? | 0:24:56 | 0:24:57 | |
You've got every song you love in your hand. | 0:24:57 | 0:24:59 | |
It's amazing. Then we had Discman. | 0:24:59 | 0:25:02 | |
Do you remember the Discman, with the CD? It was great. | 0:25:02 | 0:25:05 | |
You'd be, like, listening to it like you were a butler, | 0:25:05 | 0:25:07 | |
just having to, kind of, carry it around like that. | 0:25:07 | 0:25:10 | |
Awful. | 0:25:13 | 0:25:14 | |
I'm mostly moaning, but I guess the whole point is that you | 0:25:14 | 0:25:17 | |
should just be happy when you're a nipper and it just feels like maybe | 0:25:17 | 0:25:20 | |
they've got too many things and should have those taken away. | 0:25:20 | 0:25:23 | |
It's difficult, isn't it? | 0:25:23 | 0:25:24 | |
Because I didn't have sushi until I was 25 and I love it now, | 0:25:24 | 0:25:27 | |
but my kids will probably have it when they're five, | 0:25:27 | 0:25:29 | |
and it's that weird thing of... You should have stuff to look | 0:25:29 | 0:25:32 | |
forward to, rather than just, "Right, there's everything". | 0:25:32 | 0:25:35 | |
It feels like they've got everything, so it's kind of harder | 0:25:35 | 0:25:38 | |
to get towards fun, because you kind of go... | 0:25:38 | 0:25:41 | |
if you start off on fun... | 0:25:41 | 0:25:44 | |
..it ends up on cocaine. | 0:25:45 | 0:25:47 | |
LAUGHTER | 0:25:47 | 0:25:48 | |
I'm going to show you a clip, to prove that it's a dangerous life | 0:25:56 | 0:25:58 | |
being a child now, | 0:25:58 | 0:26:00 | |
even in what you would think was the safest of environments. | 0:26:00 | 0:26:03 | |
OK. Young girl meets the Queen. | 0:26:03 | 0:26:04 | |
Watch that young girl. | 0:26:09 | 0:26:11 | |
AUDIENCE GROANS | 0:26:17 | 0:26:18 | |
She was fine. | 0:26:24 | 0:26:26 | |
LAUGHTER | 0:26:26 | 0:26:28 | |
Good job he wasn't with a bayonet. | 0:26:28 | 0:26:30 | |
Kids should be jolly, I think. | 0:26:32 | 0:26:35 | |
Yeah. Well, thank you for your advice. | 0:26:35 | 0:26:37 | |
Because, I think it's the sort of thing, we had | 0:26:37 | 0:26:39 | |
nothing and we were always happy. | 0:26:39 | 0:26:40 | |
Like, mainly because I grew up with my brother and he was amazing. | 0:26:40 | 0:26:43 | |
My brother, genuinely, when he used to get really giddy | 0:26:43 | 0:26:46 | |
he used to get naked, up until the age of about five. | 0:26:46 | 0:26:48 | |
It was amazing. And over nothing. It used to drive Mum mad. | 0:26:48 | 0:26:51 | |
"Do you want some toast? Just nod. For Christ's sake, just nod." | 0:26:51 | 0:26:57 | |
I wish he still he did it. He got a mortgage the other day. | 0:26:57 | 0:27:00 | |
That would have been amazing. | 0:27:00 | 0:27:01 | |
Oh, it's difficult, this one. | 0:27:06 | 0:27:08 | |
I know what you mean about the old predictive text, | 0:27:08 | 0:27:11 | |
because I like the joy of spelling things wrong | 0:27:11 | 0:27:13 | |
and making up words and saying odd stuff, and it does keep | 0:27:13 | 0:27:17 | |
correcting you all the time, which is a really bad thing. | 0:27:17 | 0:27:19 | |
Grumpy kids, you're right, but I'm sure kids, | 0:27:19 | 0:27:22 | |
when you were a kid, used to be grumpy, as well. | 0:27:22 | 0:27:25 | |
-That's part of... -Probably. It's just... | 0:27:25 | 0:27:27 | |
Part of the thing. | 0:27:27 | 0:27:28 | |
The crossed legs thing, what I like about yours, I think | 0:27:28 | 0:27:31 | |
for women who've got one very ugly knee... | 0:27:31 | 0:27:34 | |
..that's really helpful. | 0:27:35 | 0:27:36 | |
That's very personal. | 0:27:36 | 0:27:38 | |
I wasn't referring to that one. | 0:27:38 | 0:27:41 | |
Anyway, look, the bottom line is I think that the language is sacred, | 0:27:45 | 0:27:49 | |
and our right to get it wrong and to mess about with it is important. | 0:27:49 | 0:27:52 | |
So I am going to put predictive text into Room 101. | 0:27:52 | 0:27:55 | |
APPLAUSE | 0:27:55 | 0:27:56 | |
Very good. | 0:27:59 | 0:28:00 | |
Good job. Hate the bloody thing. | 0:28:00 | 0:28:03 | |
And that brings us to the end of the show. | 0:28:09 | 0:28:11 | |
Well done, John, you were the most persuasive guest, | 0:28:11 | 0:28:13 | |
so you are this week's winner. | 0:28:13 | 0:28:15 | |
CHEERING AND APPLAUSE | 0:28:15 | 0:28:16 | |
Thank you to Russell Howard, John Torode and Katherine Parkinson, | 0:28:20 | 0:28:23 | |
and thank you. Goodnight. | 0:28:23 | 0:28:25 |