Browse content similar to Bonus Bellyaches. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
CHEERING AND APPLAUSE | 0:00:26 | 0:00:28 | |
Hello, I'm Frank Skinner, | 0:00:30 | 0:00:32 | |
and welcome to a special edition of Room 101 | 0:00:32 | 0:00:35 | |
featuring some of the best moments from the series | 0:00:35 | 0:00:37 | |
and loads of brilliant stuff which you haven't seen before. | 0:00:37 | 0:00:40 | |
Enjoy. | 0:00:40 | 0:00:41 | |
I don't have to watch this stuff, do I? | 0:00:45 | 0:00:47 | |
LAUGHTER | 0:00:47 | 0:00:50 | |
OK, Greg's choice. | 0:00:50 | 0:00:52 | |
Hotel check-in, check-out. | 0:00:56 | 0:00:58 | |
APPLAUSE | 0:00:59 | 0:01:01 | |
Shall I say it again? Because I missed the "and" out. It's weird. | 0:01:03 | 0:01:06 | |
OK. | 0:01:06 | 0:01:07 | |
Hotel, checking in and checking out. I've said it weird again. | 0:01:07 | 0:01:10 | |
LAUGHTER | 0:01:10 | 0:01:12 | |
Hotel check-in and check-out. | 0:01:14 | 0:01:16 | |
CHEERING AND APPLAUSE | 0:01:16 | 0:01:19 | |
LAUGHTER | 0:01:23 | 0:01:25 | |
You're going to have to give me more. | 0:01:25 | 0:01:28 | |
It seems a harmless activity. | 0:01:28 | 0:01:30 | |
I want to make it absolutely clear - I'm not having a pop at the people | 0:01:30 | 0:01:34 | |
who check you in or check you out at hotels. | 0:01:34 | 0:01:36 | |
People who've welcomed me to hotels | 0:01:36 | 0:01:38 | |
and out of them have always been very lovely. | 0:01:38 | 0:01:40 | |
-Mm. -It's the process, and it's how long it takes. | 0:01:40 | 0:01:45 | |
I don't understand why I have to stand for hours | 0:01:45 | 0:01:51 | |
watching someone type. | 0:01:51 | 0:01:54 | |
I've booked a hotel. | 0:01:54 | 0:01:56 | |
I've given all of my details when I booked the hotel, | 0:01:56 | 0:01:59 | |
so when I arrive, this is what should happen. | 0:01:59 | 0:02:02 | |
"Hello." "Hello." | 0:02:02 | 0:02:04 | |
"What is your name?" "It's Greg Davies." | 0:02:04 | 0:02:06 | |
-HE IMITATES KEYBOARD TAPPING -"Ah, here's your key. | 0:02:06 | 0:02:09 | |
-"It's up there." -LAUGHTER AND APPLAUSE | 0:02:09 | 0:02:12 | |
-I don't know what... -HE IMITATES KEYBOARD TAPPING | 0:02:15 | 0:02:18 | |
"Can you fill this form in?" "No, I've given you the details." | 0:02:18 | 0:02:20 | |
"Oh, all right, then." | 0:02:20 | 0:02:23 | |
It took me years of standing there watching | 0:02:23 | 0:02:26 | |
until I finally looked behind. | 0:02:26 | 0:02:27 | |
-She didn't have a keyboard. -LAUGHTER | 0:02:27 | 0:02:31 | |
-She had little castanets. -LAUGHTER | 0:02:31 | 0:02:33 | |
And checking out, I've stopped checking out, | 0:02:36 | 0:02:40 | |
and I encourage... | 0:02:40 | 0:02:41 | |
I want the nation to join me. You don't have to check out. | 0:02:41 | 0:02:45 | |
-No. -What? -I agree. -I agree. | 0:02:45 | 0:02:47 | |
I walk past the desk with my card, I put it on the side, | 0:02:47 | 0:02:50 | |
and you can see them go... | 0:02:50 | 0:02:53 | |
Ready with the castanets, and I go, "Goodbye." | 0:02:53 | 0:02:56 | |
-LAUGHTER -"Are you checking out?" | 0:02:56 | 0:02:58 | |
And I go, "I just have!" | 0:02:58 | 0:02:59 | |
LAUGHTER AND APPLAUSE | 0:02:59 | 0:03:02 | |
Well, let's see what David has chosen. | 0:03:05 | 0:03:08 | |
-My South African accent. -LAUGHTER | 0:03:11 | 0:03:13 | |
APPLAUSE | 0:03:14 | 0:03:17 | |
As part of my day job, which is pretending to be other people, | 0:03:17 | 0:03:21 | |
I do occasionally have to assume another accent, | 0:03:21 | 0:03:25 | |
and usually, with a bit of practice and a bit of time, | 0:03:25 | 0:03:29 | |
I can make a decent fist of most of them, | 0:03:29 | 0:03:33 | |
but my Becher's Brook, my Waterloo... | 0:03:33 | 0:03:36 | |
-LAUGHTER -..is the South African accent. | 0:03:36 | 0:03:40 | |
I don't know why it should be. | 0:03:40 | 0:03:42 | |
I don't know what it is about it that is elusive to my ear, | 0:03:42 | 0:03:46 | |
but I've tried and I've struggled and... | 0:03:46 | 0:03:49 | |
-SOUTH AFRICAN ACCENT: -I can start off all right | 0:03:49 | 0:03:51 | |
and it's not too bad, but it doesn't take long and... | 0:03:51 | 0:03:54 | |
-MIDLANDS ACCENT: -..suddenly I'm from Dudley. | 0:03:54 | 0:03:56 | |
LAUGHTER | 0:03:56 | 0:03:58 | |
We thought we might want to help you with this, David... | 0:04:03 | 0:04:06 | |
-Right. -..so we contacted a man called Paul Myer. | 0:04:06 | 0:04:10 | |
He runs a thing called | 0:04:10 | 0:04:12 | |
the International Dialects Of English Archive, | 0:04:12 | 0:04:15 | |
and he thinks that he can teach, well, you and I, | 0:04:15 | 0:04:19 | |
to do South African. | 0:04:19 | 0:04:20 | |
-Would you like to try? -I'd love to, yeah. | 0:04:20 | 0:04:22 | |
If you'd like to join me on your... You can see your mark. | 0:04:22 | 0:04:26 | |
-I can. -Good on you. OK. | 0:04:26 | 0:04:28 | |
OK. So, you've got to imagine now, | 0:04:28 | 0:04:30 | |
instead of being set in the West Midlands, | 0:04:30 | 0:04:32 | |
that suddenly we're in, um, Joburg. | 0:04:32 | 0:04:35 | |
-OK. -And it's written as a... | 0:04:35 | 0:04:36 | |
I don't know why I'm doing it as Nelson, but... | 0:04:36 | 0:04:38 | |
LAUGHTER | 0:04:38 | 0:04:40 | |
So, yeah. So it's phonetic. OK, let's go for it. | 0:04:40 | 0:04:44 | |
"Well, ahff bet nyees fuh yew, Sem. | 0:04:45 | 0:04:48 | |
"Ah em uh sigh-shuh-luhst." | 0:04:48 | 0:04:53 | |
LAUGHTER | 0:04:53 | 0:04:55 | |
"Well, yew maht uhss well chust guhff dah mahnuhss | 0:04:57 | 0:05:04 | |
"duh geese duh duh Ruddy guntRee uhn lituhm git on wuhf uht." | 0:05:04 | 0:05:10 | |
-LAUGHTER -That was good. | 0:05:10 | 0:05:12 | |
-I think you've got... -Yeah. | 0:05:15 | 0:05:16 | |
"Mmm, not uh bed ahdeeuh. | 0:05:16 | 0:05:22 | |
"Ah math pRuh-piess uht et duh nix dee-yew-see gonfRuhnts." | 0:05:22 | 0:05:30 | |
LAUGHTER AND CHEERING | 0:05:30 | 0:05:32 | |
I have a feeling that if you played this backwards, | 0:05:34 | 0:05:36 | |
it would sound absolutely fine. | 0:05:36 | 0:05:39 | |
David Tennant, the South African actor. | 0:05:39 | 0:05:41 | |
CHEERING AND APPLAUSE | 0:05:41 | 0:05:44 | |
And so, Katie's choice. | 0:05:45 | 0:05:47 | |
-Parking. -Parking. | 0:05:50 | 0:05:51 | |
APPLAUSE | 0:05:51 | 0:05:53 | |
For one, it's always hard to find a space, and now, | 0:05:56 | 0:06:00 | |
when you do find a space, say if you want to pop in somewhere | 0:06:00 | 0:06:02 | |
for literally two minutes, you know, you can't even pay money now. | 0:06:02 | 0:06:06 | |
You have to phone a number and then put in the code for where you are, | 0:06:06 | 0:06:09 | |
and you spend ten minutes or whatever doing that, | 0:06:09 | 0:06:12 | |
then giving your credit card, | 0:06:12 | 0:06:13 | |
and then sometimes it's, "Oh, it didn't work." | 0:06:13 | 0:06:15 | |
So, it's easier just to go in and get a parking ticket. | 0:06:15 | 0:06:18 | |
-It's just like... -LAUGHTER | 0:06:18 | 0:06:20 | |
..why can't they just keep it old-fashioned, | 0:06:20 | 0:06:22 | |
where you put your money in or make it a credit card machine? | 0:06:22 | 0:06:25 | |
APPLAUSE | 0:06:25 | 0:06:28 | |
And then some machines now, | 0:06:28 | 0:06:29 | |
you have to put your registration in. | 0:06:29 | 0:06:32 | |
I don't know my registration off the top of my head. | 0:06:32 | 0:06:35 | |
So then, what do you do then? | 0:06:35 | 0:06:37 | |
Look at the car. It's normally got it on the front and the back. | 0:06:37 | 0:06:40 | |
LAUGHTER AND APPLAUSE | 0:06:40 | 0:06:42 | |
And Dartford Tunnel. | 0:06:45 | 0:06:46 | |
-LAUGHTER -You can't just pay. | 0:06:46 | 0:06:49 | |
You now have to phone up before you go through that, | 0:06:49 | 0:06:52 | |
and if you don't, then you get a £75 fine. | 0:06:52 | 0:06:54 | |
Are you saying that you occasionally park in the Dartford Tunnel? | 0:06:54 | 0:06:58 | |
LAUGHTER | 0:06:58 | 0:07:01 | |
If somebody lets you in... | 0:07:01 | 0:07:02 | |
You know if there's a queue of traffic | 0:07:02 | 0:07:04 | |
and somebody lets you in, how do you thank them, | 0:07:04 | 0:07:06 | |
or do you not bother? | 0:07:06 | 0:07:07 | |
Like that, or hazards. Or if they're behind me, hand up. | 0:07:07 | 0:07:11 | |
Bit of a smile? | 0:07:11 | 0:07:12 | |
Well, my face don't really move, so I can't really get out a smile. | 0:07:12 | 0:07:15 | |
LAUGHTER | 0:07:15 | 0:07:17 | |
CHEERING AND APPLAUSE | 0:07:19 | 0:07:21 | |
That's why I love you, Katie. | 0:07:23 | 0:07:24 | |
So, what's Noel's choice? | 0:07:27 | 0:07:29 | |
-Spiders. -AUDIENCE MURMURS | 0:07:34 | 0:07:37 | |
Ooh, that's... CHEERING AND APPLAUSE | 0:07:37 | 0:07:39 | |
-It was like they had a debate first. -I know. | 0:07:40 | 0:07:43 | |
-"Shall we applaud?" -Whole gamut of emotions. | 0:07:43 | 0:07:45 | |
Yeah. So, why? Why spiders? | 0:07:45 | 0:07:47 | |
Well, I recently went to Australia, and that was a whole other ballgame. | 0:07:47 | 0:07:52 | |
I mean, I'm frightened of spiders here, | 0:07:52 | 0:07:54 | |
but in Australia they are massive. | 0:07:54 | 0:07:56 | |
I mean, literally, one picked me up at the airport... | 0:07:56 | 0:07:58 | |
-LAUGHTER -..in a taxi. | 0:07:58 | 0:08:01 | |
It's still on your head. LAUGHTER | 0:08:03 | 0:08:05 | |
APPLAUSE | 0:08:05 | 0:08:07 | |
Quite good when we got to the hotel, though, | 0:08:11 | 0:08:14 | |
-cos he picked up all my bags. -LAUGHTER | 0:08:14 | 0:08:16 | |
But I mean, they're properly dangerous in Australia as well. | 0:08:16 | 0:08:19 | |
Yeah. They can kill you. | 0:08:19 | 0:08:21 | |
You know, like, here in England, the thing is in England | 0:08:21 | 0:08:24 | |
you do the sort of postcard/cup technique. | 0:08:24 | 0:08:26 | |
You know, you try and trap... | 0:08:26 | 0:08:27 | |
In Australia there was one, and this is a true story. | 0:08:27 | 0:08:29 | |
Me and my brother were sharing a hotel doing a Boosh tour | 0:08:29 | 0:08:32 | |
and there was a huntsman, it's called. | 0:08:32 | 0:08:35 | |
It literally was this big, right, on the wall, | 0:08:35 | 0:08:38 | |
so we couldn't even get it in a mug. | 0:08:38 | 0:08:41 | |
I had to go to the kitchen and get a mixing bowl, yeah, | 0:08:41 | 0:08:44 | |
-and we had to use an album. -LAUGHTER | 0:08:44 | 0:08:47 | |
I used Abbey Road, right? This is a true story. | 0:08:47 | 0:08:50 | |
And cos mixing bowls, they're see-through, | 0:08:50 | 0:08:52 | |
they're sort of magnifying. | 0:08:52 | 0:08:54 | |
So, it was that big anyway, and when I put the mixing bowl - | 0:08:54 | 0:08:56 | |
its head was bigger than mine. | 0:08:56 | 0:08:58 | |
I could see its cheekbones. It was awful. | 0:08:58 | 0:09:01 | |
And so I slid the album underneath it and took it outside, | 0:09:01 | 0:09:04 | |
and I put it out, and it didn't even just go in the bushes. | 0:09:04 | 0:09:07 | |
It walked down the sidewalk like a man. | 0:09:07 | 0:09:10 | |
Like a man would. | 0:09:10 | 0:09:11 | |
It just went off across the zebra crossing. | 0:09:11 | 0:09:16 | |
Must have got the idea from Abbey Road. | 0:09:16 | 0:09:18 | |
LAUGHTER AND APPLAUSE | 0:09:18 | 0:09:22 | |
So bad. | 0:09:23 | 0:09:24 | |
I used to like... | 0:09:27 | 0:09:28 | |
Do you remember the Daddy Saddles you used to get, way back? | 0:09:28 | 0:09:33 | |
We've got a picture. | 0:09:33 | 0:09:34 | |
This was the box from one. LAUGHTER | 0:09:34 | 0:09:39 | |
"Now every child's favourite game - 'Horsie' - comes to life!" | 0:09:39 | 0:09:44 | |
So, I've got a Daddy Saddle. | 0:09:46 | 0:09:49 | |
These are commercially available | 0:09:49 | 0:09:51 | |
if there's any dads at home who want to wear one. | 0:09:51 | 0:09:53 | |
And let me just work out... | 0:09:53 | 0:09:55 | |
Yeah, so this goes through the arms. | 0:09:55 | 0:09:59 | |
Is there any kids here? | 0:09:59 | 0:10:00 | |
LAUGHTER | 0:10:00 | 0:10:02 | |
And you bring this around... | 0:10:02 | 0:10:04 | |
..and the stirrups are on the side... | 0:10:06 | 0:10:11 | |
and so you can go round like this. | 0:10:11 | 0:10:13 | |
What you get up to in the privacy of your own home is your business. | 0:10:13 | 0:10:16 | |
LAUGHTER Do you want to try it? | 0:10:16 | 0:10:18 | |
-Do you want to try on my back? -No, I think Heston is your man. | 0:10:18 | 0:10:21 | |
-OK. Come on, Heston. -Heston's going to do it. -He likes adventure. | 0:10:21 | 0:10:24 | |
Oh! Oh! LAUGHTER AND APPLAUSE | 0:10:24 | 0:10:27 | |
Come on. | 0:10:27 | 0:10:29 | |
APPLAUSE CONTINUES | 0:10:30 | 0:10:32 | |
Oh! | 0:10:34 | 0:10:35 | |
Whoa! | 0:10:35 | 0:10:37 | |
So butch. | 0:10:37 | 0:10:38 | |
Wow. | 0:10:40 | 0:10:41 | |
And then there was the time I was ridden by Heston Blumenthal. | 0:10:43 | 0:10:46 | |
LAUGHTER | 0:10:46 | 0:10:48 | |
# I pull the levers that make the whole world sing... # | 0:10:50 | 0:10:55 | |
Come on! | 0:10:55 | 0:10:56 | |
# I pull the levers... # | 0:10:56 | 0:10:58 | |
PENCIL SHARPENER BUZZES | 0:10:58 | 0:11:00 | |
LAUGHTER Not bad. | 0:11:00 | 0:11:01 | |
PANPIPES TUNE PLAYS | 0:11:03 | 0:11:07 | |
-LAUGHTER -Were they in Room 101 already? | 0:11:07 | 0:11:10 | |
-What, the panpipes? -Yeah. -No. | 0:11:10 | 0:11:12 | |
I call these my pun pipes, | 0:11:12 | 0:11:14 | |
and if I do a very bad pun, I give these a bit of a... | 0:11:14 | 0:11:17 | |
PANPIPES TUNE PLAYS | 0:11:17 | 0:11:20 | |
TUNE CONTINUES | 0:11:20 | 0:11:22 | |
AUDIENCE LAUGHS AND APPLAUDS | 0:11:22 | 0:11:24 | |
OK. What's winding up James? | 0:11:29 | 0:11:32 | |
-Geese. -LAUGHTER | 0:11:36 | 0:11:38 | |
Don't need to explain that, do I? | 0:11:40 | 0:11:42 | |
Probably the worst of all the animals, I'd say. | 0:11:42 | 0:11:46 | |
Lairy, but unjustifiably lairy. | 0:11:46 | 0:11:50 | |
I don't really believe a goose could handle itself, | 0:11:50 | 0:11:53 | |
-but it fronts it all the time. -LAUGHTER | 0:11:53 | 0:11:55 | |
Like, a swan, we know can break your arm, | 0:11:55 | 0:11:58 | |
and geese are just like the people who hang out with the bigger kids. | 0:11:58 | 0:12:01 | |
Just go up to you, going, "Naah," | 0:12:01 | 0:12:03 | |
and you know you could punch it, but it's a goose. | 0:12:03 | 0:12:05 | |
-We have a clip, actually... -Oh, God. | 0:12:07 | 0:12:09 | |
..of a man in a canoe enjoying a beautiful day's canoeing. | 0:12:09 | 0:12:13 | |
-Argh! -LAUGHTER | 0:12:18 | 0:12:20 | |
-I rest my case. -LAUGHTER | 0:12:33 | 0:12:35 | |
You know, they have teeth as well. | 0:12:35 | 0:12:37 | |
Where? | 0:12:37 | 0:12:39 | |
They have teeth not only in their beak but also on their tongue. | 0:12:39 | 0:12:42 | |
Oh, I hate them so much. | 0:12:44 | 0:12:45 | |
Ugh! | 0:12:45 | 0:12:47 | |
Oh, my God. Right. I've won the round. | 0:12:47 | 0:12:50 | |
-LAUGHTER -There's no way I've not won. | 0:12:50 | 0:12:53 | |
-Look at that. -APPLAUSE | 0:12:53 | 0:12:55 | |
They are nasty little things, | 0:13:00 | 0:13:02 | |
but the fact that they have all these magical things | 0:13:02 | 0:13:04 | |
which allows them to fly in a V formation, | 0:13:04 | 0:13:07 | |
I'll forgive them almost anything for that. | 0:13:07 | 0:13:09 | |
-The Nazis were organised. -LAUGHTER | 0:13:09 | 0:13:12 | |
APPLAUSE | 0:13:14 | 0:13:17 | |
Look, it's too late to change your choice now. | 0:13:20 | 0:13:23 | |
LAUGHTER | 0:13:23 | 0:13:25 | |
Anyway, what's Claudia's choice? | 0:13:28 | 0:13:30 | |
-Skiing. -Wow. AUDIENCE MURMURS | 0:13:35 | 0:13:37 | |
-Yeah. Oh, come on. We had a deal. -LAUGHTER | 0:13:37 | 0:13:40 | |
You were going to be on my side. | 0:13:40 | 0:13:42 | |
I only went once, but here's the thing. | 0:13:42 | 0:13:45 | |
You have to wake up early. | 0:13:45 | 0:13:47 | |
You put on genuinely | 0:13:47 | 0:13:49 | |
the most disgusting clothes you've ever seen in your life. | 0:13:49 | 0:13:51 | |
Padded, multicoloured. | 0:13:51 | 0:13:53 | |
This one's got a picture of a rat on it. | 0:13:53 | 0:13:55 | |
This has got stripes AND circles. Anyway, salopettes. | 0:13:55 | 0:13:59 | |
Then you have to put on these massive things, | 0:13:59 | 0:14:02 | |
which we shouldn't be wearing. | 0:14:02 | 0:14:03 | |
Huge metal things that you can't walk in. | 0:14:03 | 0:14:05 | |
Then you go on the ski lift. | 0:14:05 | 0:14:07 | |
That alone is terrifying. The most terrifying... | 0:14:07 | 0:14:10 | |
I was just like this, holding on. | 0:14:10 | 0:14:12 | |
Went round it for seven days. No, come on. | 0:14:12 | 0:14:15 | |
Then you physically exert yourself. | 0:14:15 | 0:14:17 | |
Why would anybody ever do that? You go down. | 0:14:17 | 0:14:20 | |
It's incredibly dangerous. Slushy. Then you have to take it off. | 0:14:20 | 0:14:23 | |
At the end, there's some sort of revolting alcohol that makes people, | 0:14:23 | 0:14:26 | |
you know, throw up on their boots. | 0:14:26 | 0:14:28 | |
I don't understand skiing. | 0:14:28 | 0:14:30 | |
Why does anybody go skiing? | 0:14:30 | 0:14:31 | |
It's a gazillion pounds. You smell of cheese. | 0:14:31 | 0:14:35 | |
I mean, I admit, I do associate it with the super-cool | 0:14:36 | 0:14:40 | |
and the super-beautiful, and that's why I sort of like it, | 0:14:40 | 0:14:43 | |
because I like the idea of them putting themselves in grave danger. | 0:14:43 | 0:14:46 | |
LAUGHTER | 0:14:46 | 0:14:49 | |
But I've never been. | 0:14:49 | 0:14:50 | |
It's always seemed like something that other people do, I must admit. | 0:14:50 | 0:14:54 | |
-It's ridiculous. -Yeah. | 0:14:54 | 0:14:55 | |
And it's all lip-gloss. They've all got lip-gloss on. | 0:14:55 | 0:14:57 | |
SHE MUMBLES POSHLY | 0:14:57 | 0:15:00 | |
Nobody spends any time with their kids. | 0:15:00 | 0:15:02 | |
-"In you go. In you go, Lucifer. -LAUGHTER | 0:15:02 | 0:15:05 | |
"In you go. In you go. | 0:15:05 | 0:15:08 | |
"Good luck. Don't break anything. | 0:15:08 | 0:15:10 | |
-"Mummy's going up... -LAUGHTER | 0:15:10 | 0:15:12 | |
"I'll bring him up. Feed him. Feed him. I'll bring him up later." | 0:15:14 | 0:15:18 | |
SHE MUMBLES POSHLY | 0:15:18 | 0:15:20 | |
It's for tools. | 0:15:20 | 0:15:23 | |
LAUGHTER AND APPLAUSE | 0:15:23 | 0:15:25 | |
What's Russell's choice? | 0:15:31 | 0:15:33 | |
Grumpy kids. | 0:15:37 | 0:15:38 | |
-APPLAUSE -Exactly, right? | 0:15:38 | 0:15:41 | |
I was... | 0:15:41 | 0:15:42 | |
I was in a restaurant the other day | 0:15:45 | 0:15:47 | |
and I heard a child say, "Oh, Wagamama again?" | 0:15:47 | 0:15:49 | |
LAUGHTER | 0:15:49 | 0:15:51 | |
I used to lose my mind when I went to a Harvester. | 0:15:51 | 0:15:54 | |
Lose my mind. Go into school the next day. | 0:15:54 | 0:15:57 | |
"Salad bar. Amazing. | 0:15:57 | 0:16:00 | |
"I had an Italian dish called a la-sag-nea." | 0:16:00 | 0:16:04 | |
They've got everything. They're whining. | 0:16:04 | 0:16:06 | |
They've got wheels in their shoes, iPads, Sky Plus. | 0:16:06 | 0:16:09 | |
If you'd have shown me Sky Plus when I was ten, | 0:16:09 | 0:16:12 | |
I'd have thought you were a wizard, pausing the telly. | 0:16:12 | 0:16:14 | |
And it could have been worse. | 0:16:14 | 0:16:16 | |
You could've grown up in the '80s. | 0:16:16 | 0:16:17 | |
The telly was awash with offenders and, you know... | 0:16:17 | 0:16:20 | |
-LAUGHTER -It was, you know? | 0:16:20 | 0:16:24 | |
And, like, think of the hours we played the recorder. | 0:16:24 | 0:16:27 | |
The hours we did that. Have we ever needed it? | 0:16:27 | 0:16:30 | |
I've never been at a party, "I know what this needs." | 0:16:30 | 0:16:32 | |
IMITATES RECORDER PLAYING TUNE | 0:16:32 | 0:16:34 | |
Girls in the corner, "Do you know Little Donkey?" | 0:16:34 | 0:16:37 | |
-"You know I do." -LAUGHTER | 0:16:37 | 0:16:39 | |
We have a picture of you | 0:16:39 | 0:16:40 | |
when you were a, I think, 12-year-old, Russell. | 0:16:40 | 0:16:42 | |
-Oh, really? OK. Oh, there you go. -LAUGHTER | 0:16:42 | 0:16:45 | |
-Aw! -Aw! | 0:16:45 | 0:16:47 | |
What a happy child. | 0:16:47 | 0:16:49 | |
APPLAUSE | 0:16:49 | 0:16:51 | |
Well, I haven't seen that for a long... | 0:16:51 | 0:16:53 | |
I look a bit like Harry Potter's German pen pal. | 0:16:53 | 0:16:57 | |
I feel a bit sorry for kids now, though. | 0:16:59 | 0:17:01 | |
I live in quite a sort of a posh bit of London, | 0:17:01 | 0:17:05 | |
and I think the kids there just don't get enough sugar. | 0:17:05 | 0:17:08 | |
LAUGHTER | 0:17:08 | 0:17:10 | |
They ask for a Cornetto, they get a little box of raisins. | 0:17:10 | 0:17:14 | |
-That's not parenting. -Exactly. -LAUGHTER | 0:17:14 | 0:17:17 | |
I remember... Like, remember Angel Delight? | 0:17:18 | 0:17:20 | |
-Now there's a pudding. -Yes. | 0:17:20 | 0:17:22 | |
You have one bite of that and you go, "I'm going on the roof." | 0:17:22 | 0:17:25 | |
-LAUGHTER -And my sister - | 0:17:25 | 0:17:27 | |
my sister has one of the greatest moments in the Howard family. | 0:17:27 | 0:17:30 | |
My sister was eating Angel Delight, and she goes, | 0:17:30 | 0:17:33 | |
"Dad, what's Angel Delight made of?" And my dad just went, "Dead angels." | 0:17:33 | 0:17:36 | |
-LAUGHTER -That's parenting. | 0:17:36 | 0:17:39 | |
Me and my brother were like, "This is the best day ever!" | 0:17:39 | 0:17:42 | |
So, what's winding up Aisling? | 0:17:45 | 0:17:48 | |
Twins. | 0:17:52 | 0:17:53 | |
Yeah, twins, but not just any. Identical twins. | 0:17:54 | 0:17:59 | |
-OK. -They freak me out. -LAUGHTER | 0:17:59 | 0:18:04 | |
You never know. | 0:18:04 | 0:18:05 | |
They're the natural sort of tricksters of the world | 0:18:05 | 0:18:08 | |
because they've grown up knowing they can con people, | 0:18:08 | 0:18:10 | |
and when you're on a date with one, you're never sure | 0:18:10 | 0:18:13 | |
if it's that one or his brother's crept in through the window | 0:18:13 | 0:18:15 | |
during one of the starters or main courses. | 0:18:15 | 0:18:18 | |
Very trickstery. Just don't trust them. | 0:18:18 | 0:18:22 | |
It's not that I want to put identical twins into Room 101. | 0:18:22 | 0:18:26 | |
I just want to put one of them... | 0:18:26 | 0:18:28 | |
LAUGHTER | 0:18:28 | 0:18:31 | |
-APPLAUSE -You know? | 0:18:32 | 0:18:34 | |
What shocks me about this is with you being Irish, | 0:18:39 | 0:18:43 | |
you come from the home of the most lovable identical twins | 0:18:43 | 0:18:46 | |
-in the world. -Well, yes. | 0:18:46 | 0:18:48 | |
And you know, I knew you'd bring that up. | 0:18:48 | 0:18:51 | |
Twins have been very important to the Irish music industry. | 0:18:51 | 0:18:54 | |
You know, Jedward, the two in B*Witched, and, you know, | 0:18:54 | 0:18:57 | |
Bono and Enya, who are, uh... They're actually twins as well. | 0:18:57 | 0:19:01 | |
-Didn't know that. -Yeah, yeah. Enya is the boy. | 0:19:01 | 0:19:04 | |
LAUGHTER | 0:19:04 | 0:19:06 | |
So, they have been very important, but I still... | 0:19:06 | 0:19:10 | |
I would give up all of that back catalogue of Jedward's music | 0:19:10 | 0:19:14 | |
to get rid of twins. | 0:19:14 | 0:19:16 | |
Wow. | 0:19:16 | 0:19:17 | |
In case you don't know who Jedward is, | 0:19:17 | 0:19:20 | |
-I think is the right grammatical term... -Yeah. | 0:19:20 | 0:19:24 | |
..here they are. LAUGHTER | 0:19:24 | 0:19:26 | |
What they need to do is, before they do a publicity shot, | 0:19:26 | 0:19:29 | |
decide whether they're going to be happy or sad. | 0:19:29 | 0:19:32 | |
LAUGHTER | 0:19:32 | 0:19:34 | |
OK, what's Sam's choice? | 0:19:36 | 0:19:38 | |
Yeah, people who are too much into Batman. | 0:19:41 | 0:19:44 | |
-LAUGHTER -Just Batman stuff in general. | 0:19:44 | 0:19:47 | |
I mean, if you're over the age of 14... | 0:19:47 | 0:19:49 | |
There's nothing sadder than a 45-year-old man | 0:19:49 | 0:19:51 | |
wearing a Batman shirt. | 0:19:51 | 0:19:53 | |
Like, really. | 0:19:53 | 0:19:54 | |
I have to tell you now, | 0:19:54 | 0:19:56 | |
I am one of those blokes who grew up completely reading comic books | 0:19:56 | 0:20:01 | |
and then carried on and loved Batman and Superman and... | 0:20:01 | 0:20:04 | |
I'll be off. | 0:20:04 | 0:20:05 | |
LAUGHTER No, don't go. Don't go, Sam. | 0:20:05 | 0:20:08 | |
-I did have the Batman outfit in the '60s. -Yeah. | 0:20:08 | 0:20:10 | |
The plastic head and the plastic cape, that one. | 0:20:10 | 0:20:12 | |
Well, my mum made me one. | 0:20:12 | 0:20:14 | |
I used to wear jeans with my swimming trunks over the top. | 0:20:14 | 0:20:17 | |
LAUGHTER But it was good. | 0:20:17 | 0:20:19 | |
She made me a proper mask. | 0:20:19 | 0:20:21 | |
And my cousin, he was Robin the Boy Wonder, | 0:20:21 | 0:20:25 | |
but the thing is, we were just of an age | 0:20:25 | 0:20:27 | |
where we were getting a bit too old to play-act, | 0:20:27 | 0:20:30 | |
so we just used to sit around in the park dressed as... | 0:20:30 | 0:20:32 | |
LAUGHTER | 0:20:32 | 0:20:35 | |
It was like Batman and Robin, but, you know, off duty. | 0:20:35 | 0:20:38 | |
Can I maybe try and tempt you with some other superheroes | 0:20:39 | 0:20:42 | |
that you may not have heard of? | 0:20:42 | 0:20:44 | |
Perhaps one of the greatest one was this guy, | 0:20:44 | 0:20:47 | |
who had a unique method for fighting the bad guys. | 0:20:47 | 0:20:50 | |
LAUGHTER | 0:20:51 | 0:20:53 | |
This guy could detach his limbs | 0:20:53 | 0:20:57 | |
and use them | 0:20:57 | 0:20:58 | |
as dull objects to hit people with. | 0:20:58 | 0:21:02 | |
But look at the armpit. | 0:21:02 | 0:21:04 | |
He seems to have had his arm socket upholstered. | 0:21:04 | 0:21:07 | |
LAUGHTER | 0:21:07 | 0:21:09 | |
It's like he's part-Chesterfield. LAUGHTER | 0:21:09 | 0:21:13 | |
And this is a genuine hero, and do you know what his name was? | 0:21:13 | 0:21:17 | |
Any guesses? | 0:21:17 | 0:21:18 | |
Limb Man. | 0:21:18 | 0:21:19 | |
That's better than the real one. | 0:21:19 | 0:21:21 | |
He was called Arm-Fall-Off-Boy. | 0:21:21 | 0:21:23 | |
-LAUGHTER -Oh, come off it! -He was! | 0:21:23 | 0:21:25 | |
I'll show you something that might just win you over. | 0:21:28 | 0:21:32 | |
This is a pug dog whose owner claims that it can say "Batman". | 0:21:32 | 0:21:38 | |
-DOG YELPS: -Batman! Batman! | 0:21:42 | 0:21:45 | |
LAUGHTER AND APPLAUSE | 0:21:45 | 0:21:47 | |
Yeah, that's all right. | 0:21:47 | 0:21:48 | |
Am I winning you over, Sam? | 0:21:50 | 0:21:51 | |
Yeah. I like Bat Pug. That's all right. | 0:21:51 | 0:21:54 | |
I tell you what, I've got a soft spot for clingfilm, | 0:21:56 | 0:21:59 | |
because when I was a drinking man, | 0:21:59 | 0:22:00 | |
I used to have this trick that I did. | 0:22:00 | 0:22:02 | |
You know when you get, like, a bread roll in the pub | 0:22:02 | 0:22:05 | |
and it's got clingfilm on it? | 0:22:05 | 0:22:07 | |
So, what I used to do is I'd take the clingfilm and string it out. | 0:22:07 | 0:22:12 | |
No-one would know this was happening, | 0:22:12 | 0:22:14 | |
so I'd be doing it secretly under the table | 0:22:14 | 0:22:16 | |
in a pub full of strangers, and I used to dip it in my beer | 0:22:16 | 0:22:20 | |
to make it all gungy and cheeky, | 0:22:20 | 0:22:22 | |
and then when I got it all stringy and horrible, I used to... | 0:22:22 | 0:22:27 | |
Bear in mind, no-one has seen this. It's all secret. | 0:22:27 | 0:22:30 | |
I used to stand up in the pub, | 0:22:30 | 0:22:31 | |
and I'd turn my back like this, and go... Ah! Ah! Achoo! | 0:22:31 | 0:22:36 | |
Oh! | 0:22:36 | 0:22:37 | |
LAUGHTER | 0:22:39 | 0:22:42 | |
APPLAUSE | 0:22:43 | 0:22:45 | |
But it doesn't do what it's supposed to do. | 0:22:52 | 0:22:54 | |
It is very good to put over a toilet at a party. | 0:22:54 | 0:22:56 | |
LAUGHTER I've never done that. | 0:22:56 | 0:22:59 | |
-I've never done that. -That's a lot of fun, yeah. | 0:22:59 | 0:23:01 | |
I understand it's bad for the environment. | 0:23:01 | 0:23:06 | |
I've heard that said. Is that true? | 0:23:06 | 0:23:08 | |
Surely if you covered the entire planet in clingfilm | 0:23:08 | 0:23:11 | |
it would last longer. LAUGHTER | 0:23:11 | 0:23:14 | |
Yeah, and be microwaveable. | 0:23:14 | 0:23:16 | |
Yeah. | 0:23:16 | 0:23:17 | |
If you're watching, you can't put clingfilm in a microwave. | 0:23:17 | 0:23:20 | |
-Can't you? -No, it melts. | 0:23:20 | 0:23:22 | |
-It's foil you can't put in. -No, it doesn't. | 0:23:22 | 0:23:24 | |
You're thinking a cat. | 0:23:24 | 0:23:26 | |
-Yeah. -LAUGHTER | 0:23:26 | 0:23:28 | |
I've made such a fool of myself. | 0:23:32 | 0:23:34 | |
I am thinking of cats. | 0:23:36 | 0:23:37 | |
Well, look, | 0:23:37 | 0:23:38 | |
now you're a man who's at the very centre of the food world. | 0:23:38 | 0:23:41 | |
I had an idea. | 0:23:41 | 0:23:43 | |
I thought what we needed was clingfilm | 0:23:43 | 0:23:46 | |
that's got a bit more character. | 0:23:46 | 0:23:48 | |
-Now, that... -That's lovely. | 0:23:48 | 0:23:49 | |
That's beautiful. I'm calling it bling film. | 0:23:49 | 0:23:52 | |
LAUGHTER | 0:23:52 | 0:23:55 | |
I find cooked vegetables, | 0:23:55 | 0:23:57 | |
you put them in this and they sparkle. | 0:23:57 | 0:24:00 | |
I call it vegazzling. | 0:24:00 | 0:24:02 | |
LAUGHTER | 0:24:02 | 0:24:05 | |
OK. So, what is John's choice? | 0:24:06 | 0:24:11 | |
AUDIENCE WHOOPS | 0:24:17 | 0:24:19 | |
RUSSELL WHOOPS | 0:24:19 | 0:24:21 | |
-Go, Johnny! Go, Johnny! -I've lost already, haven't I? -No! | 0:24:23 | 0:24:26 | |
It's all over. Whooping in audiences. | 0:24:26 | 0:24:30 | |
-Shall I leave now? -No. | 0:24:30 | 0:24:32 | |
-That was ironic. -Come on. | 0:24:32 | 0:24:33 | |
-That was pretty good by the audience. -It was. -Fair play. | 0:24:33 | 0:24:36 | |
I'll say. Look, it's awful. Do you know what? | 0:24:36 | 0:24:39 | |
You're not going to believe this. | 0:24:39 | 0:24:40 | |
It'll shock you to the very core of your being, Frank, my dear fellow. | 0:24:40 | 0:24:44 | |
Gardeners' Question Time on Radio 4. | 0:24:44 | 0:24:47 | |
-Hallowed institution. Any of you listen to it? -Yes. | 0:24:47 | 0:24:50 | |
Of course you do. | 0:24:50 | 0:24:51 | |
-AUDIENCE MEMBER: -Whoo! | 0:24:51 | 0:24:52 | |
LAUGHTER | 0:24:52 | 0:24:55 | |
APPLAUSE | 0:24:55 | 0:24:58 | |
-I'm so regretting this. -LAUGHTER | 0:25:00 | 0:25:03 | |
-I know Shaun's been looking forward to this one. -Oh, yeah. | 0:25:05 | 0:25:08 | |
Well, I'm definitely not going to win this, am I? | 0:25:08 | 0:25:10 | |
CHEERING AND APPLAUSE | 0:25:12 | 0:25:14 | |
Football talk and all the fools that write songs about it. | 0:25:19 | 0:25:23 | |
What don't you like about football talk? | 0:25:28 | 0:25:30 | |
Oh, come on. It's broken biscuits. It's gaga. | 0:25:30 | 0:25:33 | |
It's just... It's just... It doesn't even make sense. | 0:25:33 | 0:25:37 | |
"Down the middle! Down the middle, Rooney. What? Oh!" | 0:25:37 | 0:25:40 | |
"Van Gaal, Van Gaal, bluh, bluh!" | 0:25:41 | 0:25:45 | |
"Did you watch the game?" | 0:25:45 | 0:25:46 | |
"Oh, listened to it. Listened to it. They went down. | 0:25:46 | 0:25:48 | |
"They scored, they scored, they scored. I turned it off." | 0:25:48 | 0:25:51 | |
It's just... | 0:25:51 | 0:25:53 | |
-No, don't. -..bluh! -LAUGHTER | 0:25:53 | 0:25:55 | |
Do you know what? I walk away from them. | 0:25:55 | 0:25:57 | |
I walk away from anything that... I got in the taxi, right, in Camden. | 0:25:57 | 0:26:01 | |
I jumped in. The geezer goes, "So, where are we?" | 0:26:01 | 0:26:05 | |
I went, "Where are we? You're a taxi driver in Camden." | 0:26:05 | 0:26:07 | |
He went, "No, in the league! In the league! Come on, you Reds!" | 0:26:07 | 0:26:11 | |
How the bleeding hell should I know? Do I look like a football fan? | 0:26:11 | 0:26:14 | |
Well, hold on a minute. LAUGHTER | 0:26:15 | 0:26:17 | |
Why don't we talk about science fiction movies or something, | 0:26:20 | 0:26:23 | |
or Clint Eastwood films, you know? | 0:26:23 | 0:26:26 | |
-Mm. -Something right-on. | 0:26:26 | 0:26:28 | |
Yeah. | 0:26:28 | 0:26:30 | |
I must admit, I talk about both of those as well. | 0:26:30 | 0:26:32 | |
-And you write songs... -Yes. -..about it. | 0:26:32 | 0:26:34 | |
-Yeah. I know. -You never shut up about it, Frank. | 0:26:34 | 0:26:37 | |
LAUGHTER All right! | 0:26:37 | 0:26:39 | |
You're going on a bit yourself! LAUGHTER | 0:26:39 | 0:26:43 | |
Let's find out what's winding up Russell Kane. | 0:26:43 | 0:26:46 | |
LAUGHTER | 0:26:50 | 0:26:52 | |
WHOOPING AND APPLAUSE | 0:26:52 | 0:26:55 | |
This genuinely wasn't planned. | 0:27:03 | 0:27:04 | |
This is one thing I would like to put in Room 101, | 0:27:04 | 0:27:07 | |
is men who get grumpier with age. | 0:27:07 | 0:27:10 | |
Now, we know that on the whole, | 0:27:10 | 0:27:11 | |
women tend to be more emotionally connected than men. | 0:27:11 | 0:27:14 | |
If they've got a problem they get friends over. | 0:27:14 | 0:27:16 | |
"Hey, I got Claud over, got Tess over. We talked. | 0:27:16 | 0:27:18 | |
"No solution, but we lit a candle. | 0:27:18 | 0:27:20 | |
"I feel better just for talking about it." Right? | 0:27:20 | 0:27:22 | |
LAUGHTER | 0:27:22 | 0:27:24 | |
-Whereas men... -Because that's how it works. | 0:27:24 | 0:27:27 | |
Whereas men will be like, "I have a problem. | 0:27:27 | 0:27:29 | |
"I'm going to hold it inside till it's a diamond, | 0:27:29 | 0:27:31 | |
"then poo it out and die"... | 0:27:31 | 0:27:32 | |
LAUGHTER | 0:27:32 | 0:27:34 | |
..leaving behind a generation of women, relatively young these days, | 0:27:34 | 0:27:37 | |
who then have to pretend to grieve. | 0:27:37 | 0:27:39 | |
"How will I survive without the miserable sod? What a disaster." | 0:27:39 | 0:27:41 | |
-LAUGHTER -"How will I go on | 0:27:41 | 0:27:44 | |
"without Barry mocking my parking? How will I survive? | 0:27:44 | 0:27:46 | |
"You can park forever in the crematorium. Goodbye, Barry." | 0:27:46 | 0:27:49 | |
LAUGHTER | 0:27:49 | 0:27:51 | |
-End of point. -LAUGHTER | 0:27:51 | 0:27:54 | |
APPLAUSE | 0:27:54 | 0:27:57 | |
LOUD CHEERING | 0:27:57 | 0:27:59 | |
So, thank you to all our guests over the series, | 0:27:59 | 0:28:03 | |
and thank you. | 0:28:03 | 0:28:04 | |
CHEERING CONTINUES It's imposs... It's impossible! | 0:28:04 | 0:28:07 | |
Come here! Come here! | 0:28:07 | 0:28:09 |