Browse content similar to Bonus Bellyaches. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Yeah. I'll tell you what I'd put in Room 101... | 0:00:26 | 0:00:29 | |
..those special editions of programmes they have when they | 0:00:30 | 0:00:34 | |
sort of look back at the highlights of the series | 0:00:34 | 0:00:36 | |
and then show you some unseen bits that they think you'll enjoy. | 0:00:36 | 0:00:39 | |
Fu... | 0:00:39 | 0:00:40 | |
Hello, and welcome to a special edition of Room 101 | 0:00:44 | 0:00:47 | |
in which we look back at the highlights of the series | 0:00:47 | 0:00:49 | |
plus some unseen moments that we think you might enjoy. | 0:00:49 | 0:00:52 | |
Thank you so much for coming. | 0:00:58 | 0:01:00 | |
Now, I always start by asking the guests the same question. | 0:01:00 | 0:01:02 | |
Just by way of a warm-up, really. | 0:01:02 | 0:01:04 | |
So I'll begin with Lucy. | 0:01:04 | 0:01:05 | |
Lucy, when's the last time you fell over? | 0:01:05 | 0:01:07 | |
Oh, God. Embarrassingly recently. | 0:01:09 | 0:01:12 | |
Mum on a night out. | 0:01:13 | 0:01:14 | |
Don't drink too much these days. | 0:01:14 | 0:01:17 | |
Misjudged a bus step | 0:01:17 | 0:01:20 | |
-and... -On the shin? | 0:01:20 | 0:01:23 | |
Proper there. And then cried. | 0:01:23 | 0:01:25 | |
-No! -A 43-year-old woman crying at a bus stop. | 0:01:25 | 0:01:28 | |
What were you doing on a bus? | 0:01:30 | 0:01:32 | |
LAUGHTER | 0:01:32 | 0:01:34 | |
You watch the show and you never think it's going to happen to you, | 0:01:34 | 0:01:37 | |
do you? But then he turns his gaze on you and... | 0:01:37 | 0:01:40 | |
But why were you on a bus? What you mean my show? | 0:01:40 | 0:01:42 | |
Why are you watching my show at two o'clock in the afternoon? | 0:01:42 | 0:01:45 | |
She's a comedian. | 0:01:45 | 0:01:46 | |
And what do you mean by turns his GAYS on you, | 0:01:46 | 0:01:48 | |
he's not got an army of them! | 0:01:48 | 0:01:49 | |
LAUGHTER | 0:01:49 | 0:01:52 | |
APPLAUSE | 0:01:52 | 0:01:55 | |
We don't know that! | 0:01:58 | 0:01:59 | |
What's upsetting Richard? | 0:02:01 | 0:02:02 | |
Audiences cheering... | 0:02:06 | 0:02:07 | |
I mean, that could be enough, but audiences cheering | 0:02:10 | 0:02:12 | |
at the name of the town in which they reside. | 0:02:12 | 0:02:14 | |
I don't quite... I just don't see why you need to emit that sound. | 0:02:18 | 0:02:22 | |
I mean, I'm from Ipswich, so obviously I can't emit joy. | 0:02:22 | 0:02:26 | |
So it seems very strange to me. | 0:02:28 | 0:02:30 | |
I've never understood it. | 0:02:30 | 0:02:32 | |
-You say Hull... -AUDIENCE MEMBER: -Wahey! | 0:02:32 | 0:02:34 | |
LAUGHTER | 0:02:34 | 0:02:36 | |
It seems odd. | 0:02:36 | 0:02:37 | |
I don't know what I'm meant to do with that information. | 0:02:37 | 0:02:41 | |
Are you happy about Hull? | 0:02:41 | 0:02:43 | |
You're happy? | 0:02:43 | 0:02:44 | |
OK. | 0:02:44 | 0:02:46 | |
What I find odd is the mere mention of the name, in Pavlovian sense, | 0:02:48 | 0:02:53 | |
eliciting that "hooray!" | 0:02:53 | 0:02:55 | |
That seems odd. Because why should that only exist in crowds? | 0:02:55 | 0:02:57 | |
You should follow it through any time - when you're on your own, | 0:02:57 | 0:03:02 | |
if you see it on a map - any time, then say it. | 0:03:02 | 0:03:06 | |
It would be odd if you were on your own, though, | 0:03:06 | 0:03:09 | |
and you're watching the news and, | 0:03:09 | 0:03:10 | |
"This evening we're bringing you news of a fatal accident in Hull." | 0:03:10 | 0:03:13 | |
ALL: Wahey! | 0:03:13 | 0:03:15 | |
-That's not good. -I think if you're going to do it, follow it through. | 0:03:15 | 0:03:18 | |
Don't just do it because you're in a public place. | 0:03:18 | 0:03:20 | |
I think you could have a clause, | 0:03:20 | 0:03:22 | |
not after the announcement of a fatal accident. | 0:03:22 | 0:03:24 | |
OK, and so to Sophie. | 0:03:27 | 0:03:29 | |
So, I don't mean things that bring you pleasure you feel guilty about, | 0:03:34 | 0:03:38 | |
I mean the term guilty pleasures, | 0:03:38 | 0:03:39 | |
because, I think basically if something is making you happy, | 0:03:39 | 0:03:42 | |
it's not hurting anyone, you don't need to feel guilty about it. | 0:03:42 | 0:03:46 | |
And sometimes, guilty pleasures become a term | 0:03:46 | 0:03:48 | |
that's a way of talking about things | 0:03:48 | 0:03:50 | |
-to sort of ascertain if they're cool or not. -Mm. | 0:03:50 | 0:03:52 | |
And I think being cool is quite overrated anyway, | 0:03:52 | 0:03:55 | |
so I think if you like it, tell people, it's OK. | 0:03:55 | 0:03:58 | |
No, I absolutely... | 0:03:58 | 0:04:00 | |
I mean, I'm a Roman Catholic, so all my pleasures are guilty pleasures. | 0:04:00 | 0:04:04 | |
LAUGHTER | 0:04:04 | 0:04:06 | |
But I don't do this, only if my partner is away - | 0:04:06 | 0:04:10 | |
I love to watch the telly... | 0:04:10 | 0:04:12 | |
..with hard-boiled eggs and... | 0:04:13 | 0:04:17 | |
-..and put salt in my navel. -No! | 0:04:18 | 0:04:21 | |
GROANING AND LAUGHTER | 0:04:21 | 0:04:24 | |
And... | 0:04:24 | 0:04:25 | |
Hold on... | 0:04:27 | 0:04:29 | |
That's such a vivid image. | 0:04:29 | 0:04:31 | |
You just said if it doesn't hurt anybody it's all right. | 0:04:31 | 0:04:33 | |
I find that oh, so relaxing. | 0:04:35 | 0:04:39 | |
Do you have anything that you think would be described by others | 0:04:41 | 0:04:44 | |
as a guilty pleasure? | 0:04:44 | 0:04:46 | |
I like things, like, if I have smoked salmon on toast | 0:04:46 | 0:04:48 | |
I also have ketchup. I know that that's weird for some people. | 0:04:48 | 0:04:51 | |
You've shot up in my estimation. | 0:04:51 | 0:04:53 | |
I've got a six CD set of comedy songs. | 0:04:54 | 0:05:00 | |
And I thought my son would like them because they're comedy songs. | 0:05:00 | 0:05:03 | |
You know, he's four, he likes a laugh. | 0:05:03 | 0:05:06 | |
So there's one song on there he loves more than any other. | 0:05:06 | 0:05:10 | |
He just wants to play it all the time. | 0:05:10 | 0:05:12 | |
It's Tie Me Kangaroo Down. | 0:05:14 | 0:05:16 | |
LAUGHTER | 0:05:16 | 0:05:18 | |
Should I...? How do you handle that? | 0:05:21 | 0:05:23 | |
Because there's guilty pleasures and there's five years in prison. | 0:05:23 | 0:05:27 | |
But, you know, he's loving it because he loves it. | 0:05:28 | 0:05:31 | |
What should I...? What should I do? | 0:05:31 | 0:05:34 | |
I think just preserve the innocence, let him have... | 0:05:34 | 0:05:36 | |
-Enjoy the song for now. -Yeah, it's a great song. | 0:05:36 | 0:05:39 | |
-Yeah, it's OK. -The song didn't do anything wrong. | 0:05:39 | 0:05:41 | |
Exactly. The song did not do anything wrong. | 0:05:41 | 0:05:44 | |
-Quite right. -You might eat a pie, you don't know who's made it. | 0:05:44 | 0:05:47 | |
-Yeah. -The person that made the pie could have been awful... | 0:05:49 | 0:05:52 | |
-It's true. -..but you're not going to take it out on the pie. | 0:05:52 | 0:05:55 | |
It's a good point. | 0:05:55 | 0:05:56 | |
Or a sandwich. I mean, different foods. | 0:05:57 | 0:06:00 | |
There's one other I would like to share with you. | 0:06:02 | 0:06:05 | |
This is Emma Thompson from Wallsend, North Tyneside. | 0:06:05 | 0:06:08 | |
She eats up to 20 sponges a day. | 0:06:08 | 0:06:11 | |
-Here's Emma. -Whoa! | 0:06:11 | 0:06:14 | |
She rips the scourer off. | 0:06:14 | 0:06:15 | |
So just eats the sponge bit? | 0:06:17 | 0:06:18 | |
Yeah, she soaks the sponges overnight | 0:06:18 | 0:06:21 | |
in apple-flavoured Fairy liquid... | 0:06:21 | 0:06:23 | |
AUDIENCE EXCLAIM | 0:06:23 | 0:06:24 | |
..before enjoying one first thing in the morning. | 0:06:24 | 0:06:27 | |
I bet her toilet's clean! | 0:06:27 | 0:06:29 | |
LAUGHTER | 0:06:29 | 0:06:31 | |
Yeah! | 0:06:31 | 0:06:33 | |
CHEERING AND APPLAUSE | 0:06:33 | 0:06:35 | |
It's not often you hear a male guest | 0:06:38 | 0:06:40 | |
say that about a woman and it gets applause. | 0:06:40 | 0:06:42 | |
Let's find out what is winding up Rylan. | 0:06:46 | 0:06:48 | |
LAUGHTER AND APPLAUSE | 0:06:53 | 0:06:56 | |
It's low ceilings, Frank. | 0:06:59 | 0:07:01 | |
As a man... | 0:07:02 | 0:07:03 | |
I am six foot three, six foot four, | 0:07:06 | 0:07:08 | |
-depending on what boots I've got on... -OK. | 0:07:08 | 0:07:11 | |
..and every day is a struggle for me. | 0:07:11 | 0:07:14 | |
Whether I'd be, you know, walking along the road, | 0:07:14 | 0:07:17 | |
there could be a branch. | 0:07:17 | 0:07:18 | |
Whether I'm on a plane, | 0:07:20 | 0:07:22 | |
that is a self-portrait of myself on the screen now. | 0:07:22 | 0:07:25 | |
But, more importantly, I feel that I have a constant groove | 0:07:26 | 0:07:30 | |
in the top of my head from door frames. | 0:07:30 | 0:07:33 | |
I've had to have the door frames in my house raised. | 0:07:34 | 0:07:37 | |
-Really? -Yeah. Because it just don't work, | 0:07:37 | 0:07:39 | |
especially when the hair's up. | 0:07:39 | 0:07:41 | |
Have you considered ducking? | 0:07:43 | 0:07:46 | |
-Frank, I don't consider it. I am a professional ducker. -OK. | 0:07:48 | 0:07:51 | |
LAUGHTER AND APPLAUSE | 0:07:51 | 0:07:54 | |
I duck morning, noon and night. | 0:07:57 | 0:08:00 | |
-Respect. -But I don't enjoy it. | 0:08:01 | 0:08:03 | |
I just, I don't. | 0:08:03 | 0:08:05 | |
Let's talk about the top deck of a bus. | 0:08:05 | 0:08:08 | |
It all goes on on the top deck of a bus. | 0:08:08 | 0:08:10 | |
That's where you want to be on a bus, you know? | 0:08:10 | 0:08:14 | |
-You do. -You're right, though, you're right. | 0:08:14 | 0:08:17 | |
Do you know what I mean? And, I mean, I'm not going to lie, | 0:08:17 | 0:08:19 | |
I've not been on a bus for years, but... | 0:08:19 | 0:08:21 | |
LAUGHTER | 0:08:21 | 0:08:23 | |
I'm being serious. | 0:08:24 | 0:08:26 | |
If I wanted to get on a bus, I'd want to get on the top deck. | 0:08:26 | 0:08:29 | |
But I'll get at them stairs | 0:08:30 | 0:08:32 | |
and I'll probably be three away from the top and that's it. | 0:08:32 | 0:08:36 | |
The next step is that... | 0:08:36 | 0:08:37 | |
..the step before the actual floor is that... | 0:08:39 | 0:08:43 | |
and then when I'm actually on the top deck I'm like that. | 0:08:43 | 0:08:46 | |
LAUGHTER AND APPLAUSE | 0:08:50 | 0:08:53 | |
It's hard, it's hard! | 0:08:56 | 0:08:58 | |
So, what is winding up Frankie? | 0:09:02 | 0:09:04 | |
CHEERING AND APPLAUSE | 0:09:09 | 0:09:12 | |
Richard Branson, who... | 0:09:16 | 0:09:19 | |
I can't believe I live in a society where I'm asked to admire this guy. | 0:09:19 | 0:09:23 | |
A sort of sun-dried Bee Gee... | 0:09:25 | 0:09:27 | |
..who probably only wants to travel into space so that he can find | 0:09:29 | 0:09:32 | |
the rest of his own species. | 0:09:32 | 0:09:33 | |
He's sort of held up as something for me to admire | 0:09:34 | 0:09:37 | |
because he self-identifies as a good person. | 0:09:37 | 0:09:41 | |
He says he's an environmentalist, and runs an airline! | 0:09:41 | 0:09:45 | |
Saying that he's an environmentalist is like saying that | 0:09:45 | 0:09:47 | |
Joseph Stalin ran skiing holidays. | 0:09:47 | 0:09:50 | |
LAUGHTER | 0:09:50 | 0:09:51 | |
People say, "Oh, you're jealous of Richard Branson. | 0:09:53 | 0:09:55 | |
"You're jealous of his money." If I had all his money, | 0:09:55 | 0:09:58 | |
what I'd do with it is I'd use it | 0:09:58 | 0:10:00 | |
to pull that island he lives on towards Syria. | 0:10:00 | 0:10:03 | |
LAUGHTER | 0:10:03 | 0:10:06 | |
OK. What's miffing Rob Delaney? | 0:10:10 | 0:10:13 | |
APPLAUSE | 0:10:22 | 0:10:25 | |
Is that it? | 0:10:27 | 0:10:28 | |
In the morning I don't want decaf, | 0:10:30 | 0:10:31 | |
so why is my room cluttered with the decaf? | 0:10:31 | 0:10:36 | |
What if I touch decaf on my way to get real coffee? | 0:10:36 | 0:10:40 | |
This shouldn't happen. | 0:10:40 | 0:10:42 | |
And if you like decaf coffee, | 0:10:42 | 0:10:44 | |
if you just like the taste of coffee but not the effects of coffee, | 0:10:44 | 0:10:48 | |
you're a sicko. | 0:10:48 | 0:10:50 | |
You should be in a prison community. | 0:10:50 | 0:10:53 | |
So, when good taxpaying civilians are in public, | 0:10:54 | 0:10:58 | |
they shouldn't have to wade through decaf coffee packets | 0:10:58 | 0:11:02 | |
to get to the good stuff. | 0:11:02 | 0:11:04 | |
I mean, what if you're hungover and you're jittery | 0:11:04 | 0:11:06 | |
and you've got to...? No. | 0:11:06 | 0:11:07 | |
I don't like coffee very much, | 0:11:09 | 0:11:11 | |
but when I drink coffee I have decaf. | 0:11:11 | 0:11:14 | |
Decaffeinated cappuccino is what I always go for. | 0:11:14 | 0:11:18 | |
And I always get the same experience. | 0:11:18 | 0:11:20 | |
The waiter comes over and says, "Here's your cappuccino, sir," | 0:11:20 | 0:11:24 | |
and I say, | 0:11:24 | 0:11:26 | |
"Decaffeinated cappuccino?" | 0:11:26 | 0:11:27 | |
and he goes... | 0:11:27 | 0:11:28 | |
"Yes." | 0:11:29 | 0:11:30 | |
LAUGHTER | 0:11:30 | 0:11:32 | |
Here's something I particularly like - | 0:11:34 | 0:11:36 | |
you know when you go into a coffee shop, | 0:11:36 | 0:11:40 | |
be it a famous American chain or wherever? | 0:11:40 | 0:11:43 | |
And you order your coffee and they ask you your name | 0:11:43 | 0:11:45 | |
-and they write it on the cups. -Oh, yeah. I always lie. | 0:11:45 | 0:11:48 | |
Do you, just for fun? | 0:11:48 | 0:11:50 | |
-Do you lie? For fun?! -Scarlett! -What sort of fun is that? | 0:11:50 | 0:11:52 | |
It's hilarious, because you're like, "Who's that? Oh, it's me." | 0:11:52 | 0:11:56 | |
Here is a guy, and what he did, they said, "OK, what's your name?" | 0:11:56 | 0:12:01 | |
and he said "It's Marc with a C." | 0:12:01 | 0:12:04 | |
And this was the coffee he got. | 0:12:04 | 0:12:07 | |
LAUGHTER | 0:12:07 | 0:12:11 | |
OK. So, what's upsetting David Mitchell? | 0:12:14 | 0:12:16 | |
Sugar lumps. | 0:12:23 | 0:12:24 | |
You take a commodity that people want to decide how much they want | 0:12:27 | 0:12:31 | |
and you congeal it in such a way as to prescribe a minimum dose. | 0:12:31 | 0:12:36 | |
You don't get that with ketchup. | 0:12:36 | 0:12:39 | |
You can put as much ketchup on or as little as you like. | 0:12:39 | 0:12:41 | |
You don't have two put a minimum that-sized clod of it. | 0:12:41 | 0:12:45 | |
Sugar exists as a powder in a granulated form, | 0:12:45 | 0:12:49 | |
why turn it into lumps? | 0:12:49 | 0:12:51 | |
What are you doing? You're only limiting its usage, | 0:12:51 | 0:12:53 | |
you're not extending its usage. | 0:12:53 | 0:12:56 | |
So there you go. | 0:12:56 | 0:12:57 | |
Sugar lumps. Why do they exist? | 0:12:57 | 0:13:00 | |
Stop doing it. Stop congealing sugar into lumps. | 0:13:00 | 0:13:05 | |
APPLAUSE | 0:13:07 | 0:13:10 | |
I don't know why it exists, actually. | 0:13:11 | 0:13:13 | |
And do you know? One argument you could make... | 0:13:13 | 0:13:16 | |
Let me play devil's advocate. | 0:13:16 | 0:13:17 | |
And I mean devil's, they're devils. | 0:13:17 | 0:13:20 | |
You could say, well, it's a useful way to take, | 0:13:21 | 0:13:24 | |
you know, an amount of sugar, you know, you can then hold it, | 0:13:24 | 0:13:28 | |
such as a sugar sachet. | 0:13:28 | 0:13:30 | |
And obviously, a sugar sachet, that involves paper, | 0:13:30 | 0:13:33 | |
that's worse for the environment. | 0:13:33 | 0:13:34 | |
However, there exists, and I have seen this, | 0:13:34 | 0:13:37 | |
and the people who make these are the real satans of the world - | 0:13:37 | 0:13:42 | |
sugar lumps in sachets. | 0:13:42 | 0:13:45 | |
A lump of sugar in a little plastic... | 0:13:47 | 0:13:50 | |
Why is that allowed to exist? | 0:13:50 | 0:13:54 | |
What's the point of that? | 0:13:54 | 0:13:55 | |
The only defence for the lump, | 0:13:55 | 0:13:58 | |
the sugar lump that allows bowls of sugar in cafes to get dirtier | 0:13:58 | 0:14:02 | |
and dirtier and dirtier, and people, "Oh, I'll have that one, | 0:14:02 | 0:14:05 | |
"oh, that's a bit of a wonky one," you know, this disgusting thing. | 0:14:05 | 0:14:08 | |
The only defence is a certain level of convenience | 0:14:08 | 0:14:11 | |
and then someone decides, well, actually, | 0:14:11 | 0:14:13 | |
let's take the sachet that also provides that level of convenience | 0:14:13 | 0:14:16 | |
and put a lump in it. | 0:14:16 | 0:14:18 | |
These aren't sugar sachets that have been left in the wet or something, | 0:14:19 | 0:14:23 | |
this is a deliberately-formed sugar lump put in a sachet. | 0:14:23 | 0:14:27 | |
Can you imagine anything more diabolical? | 0:14:28 | 0:14:30 | |
LAUGHTER | 0:14:30 | 0:14:33 | |
APPLAUSE | 0:14:35 | 0:14:37 | |
How do they stick it together, the lump? | 0:14:38 | 0:14:40 | |
God knows! | 0:14:40 | 0:14:41 | |
I've heard they get Chinese children to cry. | 0:14:45 | 0:14:49 | |
LAUGHTER | 0:14:49 | 0:14:51 | |
So let's see what Joe has gone for. | 0:14:54 | 0:14:56 | |
Mating foxes. | 0:15:03 | 0:15:05 | |
MUSIC: Crazy Horses by The Osmonds | 0:15:05 | 0:15:07 | |
Sorry, it's a bit like Crazy Horses. | 0:15:08 | 0:15:10 | |
Yeah, nice. | 0:15:10 | 0:15:11 | |
# Mating foxes! # | 0:15:11 | 0:15:13 | |
CRAZY HORSES PLAYS | 0:15:13 | 0:15:15 | |
Nice. | 0:15:15 | 0:15:16 | |
OK, let's see what is winding up Judy Murray. | 0:15:18 | 0:15:21 | |
-Sniffing. -Sniffing, there's a lot of it in show business, I know. | 0:15:27 | 0:15:30 | |
I can't stand sniffing. | 0:15:30 | 0:15:32 | |
Anyone who sniffs, especially if they sniff constantly, | 0:15:35 | 0:15:38 | |
is going straight in Room 101, and it had better be soundproofed. | 0:15:38 | 0:15:42 | |
I sat on a flight on the way down here | 0:15:43 | 0:15:46 | |
beside a guy who sniffed constantly. | 0:15:46 | 0:15:49 | |
And I started off looking at him with my best death stare, | 0:15:49 | 0:15:52 | |
which I usually reserve for people like Novak Djokovic. | 0:15:52 | 0:15:56 | |
Judy, can you show me your evil stare? | 0:15:56 | 0:15:59 | |
-Wow, that's a good one. -It didn't make any difference. | 0:16:03 | 0:16:06 | |
And I always keep a pack of tissues in my bag | 0:16:06 | 0:16:08 | |
because of my sniffing problem. | 0:16:08 | 0:16:11 | |
And I said, "Would you like a tissue?" | 0:16:12 | 0:16:15 | |
-You actually said that? -Yeah, because it drives me absolutely... | 0:16:15 | 0:16:18 | |
I mean, I don't want to know what's going on up that guy's nose. | 0:16:18 | 0:16:22 | |
And why don't you just blow your nose? | 0:16:22 | 0:16:24 | |
Why don't you just get it out? | 0:16:24 | 0:16:25 | |
And I don't want your germs either. | 0:16:25 | 0:16:27 | |
No, sniffing... Can't stand it. | 0:16:27 | 0:16:30 | |
Get in that room, now. | 0:16:30 | 0:16:32 | |
They have a thing in Japan... | 0:16:32 | 0:16:34 | |
..called the hay fever hat. | 0:16:35 | 0:16:37 | |
Have you ever heard of that? | 0:16:37 | 0:16:38 | |
It just so happens I have one here. | 0:16:38 | 0:16:41 | |
And if you have hay fever and are in a sniffy situation... | 0:16:41 | 0:16:45 | |
LAUGHTER | 0:16:45 | 0:16:48 | |
This is real. This is honestly real. | 0:16:48 | 0:16:50 | |
So... | 0:16:53 | 0:16:54 | |
What you don't want to do is fall asleep in a public lavatory. | 0:16:55 | 0:16:59 | |
So that's the hay fever hat. | 0:17:02 | 0:17:04 | |
Tremendous. | 0:17:05 | 0:17:07 | |
What do you think of this for a piece of nasal activity, | 0:17:07 | 0:17:09 | |
from the world of international tennis, Judy? | 0:17:09 | 0:17:13 | |
LAUGHTER | 0:17:15 | 0:17:18 | |
APPLAUSE | 0:17:19 | 0:17:22 | |
At least he didn't sniff. | 0:17:26 | 0:17:27 | |
OK, and so to Catherine's choice. | 0:17:30 | 0:17:33 | |
CHEERING | 0:17:37 | 0:17:39 | |
-Oh! -School cake bake sales. | 0:17:39 | 0:17:43 | |
The bane of my life because there's one every... | 0:17:43 | 0:17:46 | |
Oh, my gosh, every week, it seems. | 0:17:46 | 0:17:49 | |
And everyone else knows about it in advance apart from me, it seems. | 0:17:49 | 0:17:54 | |
-I'm never aware of the cake bake sale. -Yeah. | 0:17:54 | 0:17:56 | |
It's the dread of walking to school in the morning | 0:17:56 | 0:17:59 | |
and up ahead you see some people carrying Tupperware. | 0:17:59 | 0:18:03 | |
You realise, oh, not another bloody cake bake sale | 0:18:03 | 0:18:09 | |
that I was supposed to have remembered | 0:18:09 | 0:18:11 | |
and supposed to have baked myself. | 0:18:11 | 0:18:13 | |
And then it's the state of the cake bake sale as well. | 0:18:13 | 0:18:16 | |
They look like monstrosities. You know they're 20% snot. | 0:18:16 | 0:18:20 | |
They've got neon-coloured icing and sprinkles, | 0:18:23 | 0:18:28 | |
they're awful things. | 0:18:28 | 0:18:30 | |
Mary Berry's not going to say it's good. | 0:18:30 | 0:18:33 | |
-No. -Why should I? | 0:18:33 | 0:18:35 | |
I should say that we on the BBC now believe, of course, | 0:18:35 | 0:18:38 | |
that baking cakes is the work of the devil. | 0:18:38 | 0:18:41 | |
LAUGHTER | 0:18:41 | 0:18:43 | |
And the best place for it is on Channel 4, | 0:18:44 | 0:18:47 | |
amidst naked game shows | 0:18:47 | 0:18:49 | |
and documentaries about the boy with the 28st head. | 0:18:49 | 0:18:53 | |
So, to Sophie's choice. | 0:18:56 | 0:18:59 | |
Oh, that's a good name for a film! | 0:18:59 | 0:19:01 | |
Oh. | 0:19:05 | 0:19:06 | |
So, I'm talking specifically about when I go to an event, | 0:19:06 | 0:19:10 | |
you know, a party or whatever it is, | 0:19:10 | 0:19:11 | |
and they've separated me from whoever I've gone with at the table. | 0:19:11 | 0:19:15 | |
If I've gone to something with my sister, my friend, | 0:19:15 | 0:19:18 | |
my husband, I want to sit next to them when I'm eating. | 0:19:18 | 0:19:21 | |
I don't want them to be on the other side of the table, or miles away. | 0:19:21 | 0:19:25 | |
I don't like it when they move us apart | 0:19:25 | 0:19:27 | |
and if I get to the table quick enough, | 0:19:27 | 0:19:29 | |
I will move us back together. | 0:19:29 | 0:19:30 | |
I find me and my partner jump at the chance to sit somewhere else. | 0:19:30 | 0:19:35 | |
-I don't believe you. -Honestly. | 0:19:35 | 0:19:38 | |
But it is, I think we regard it as a bit of a treat. | 0:19:38 | 0:19:40 | |
I find it very annoying, enforced seating plans. | 0:19:41 | 0:19:43 | |
The worst one is where they go, | 0:19:43 | 0:19:45 | |
-"So, everyone moves along a seat every five minutes." -Oh, yeah. | 0:19:45 | 0:19:48 | |
Have you had that? Every course you move along | 0:19:48 | 0:19:51 | |
or every ten minutes you move along. | 0:19:51 | 0:19:52 | |
I find boy, girl, boy, girl quite annoying as well. | 0:19:52 | 0:19:54 | |
Like, it doesn't matter, just sit down. | 0:19:54 | 0:19:56 | |
How are you with this kind of thing, Ross? | 0:19:56 | 0:19:58 | |
I meet a lot of strangers through the job, | 0:19:58 | 0:20:00 | |
-some very weird ones occasionally. -Yeah. | 0:20:00 | 0:20:02 | |
I just met Rowdy, you'd like Rowdy. | 0:20:02 | 0:20:04 | |
-Who's that? -Rowdy is an Imperial Wizard | 0:20:04 | 0:20:07 | |
-of the Ku Klux Klan. -Oh, my word. | 0:20:07 | 0:20:10 | |
I think I know him. LAUGHTER | 0:20:10 | 0:20:12 | |
-He's a very, very tall bloke, pointy head. -Yeah, exactly. | 0:20:12 | 0:20:15 | |
Rowdy was a very scary man. | 0:20:17 | 0:20:19 | |
Yeah, I suppose if you're the Imperial Wizard of the Ku Klux Klan | 0:20:19 | 0:20:22 | |
-you're going to have an edge. -He was at a wedding? | 0:20:22 | 0:20:26 | |
He had a very long place... | 0:20:26 | 0:20:29 | |
I hate it when someone else wears all white at a wedding! | 0:20:29 | 0:20:32 | |
Yes, anyway, I didn't think we'd be talking about the Klan tonight. | 0:20:35 | 0:20:38 | |
-You never know. -Every night we talk about the Klan with Rowdy. | 0:20:38 | 0:20:41 | |
I wonder if the Klan have these problems. | 0:20:41 | 0:20:43 | |
They stand around saying, "You know when we had that dinner | 0:20:43 | 0:20:46 | |
"and they made me sit by the Imperial Wizard? | 0:20:46 | 0:20:48 | |
"I don't know him that well." | 0:20:48 | 0:20:50 | |
I bet at the Klan they're looking at the tablecloth and thinking, | 0:20:52 | 0:20:55 | |
"This would make a lovely robe. | 0:20:55 | 0:20:57 | |
"Do you want this after? Are you keeping this?" | 0:20:59 | 0:21:02 | |
Let me show you... | 0:21:04 | 0:21:06 | |
This is a towel which is the cover of Playboy, | 0:21:06 | 0:21:10 | |
and so the idea is you can have it on the beach and you can lie on it | 0:21:10 | 0:21:14 | |
and it makes it like you're on the cover of Playboy. | 0:21:14 | 0:21:17 | |
-Oh! -Oh! | 0:21:17 | 0:21:19 | |
LAUGHTER | 0:21:19 | 0:21:21 | |
I bought one, and... | 0:21:21 | 0:21:23 | |
Let's see what you think of this. | 0:21:24 | 0:21:26 | |
Just bear with me. Talk amongst yourselves, it's fine. | 0:21:26 | 0:21:29 | |
I'm just glad you're here. | 0:21:29 | 0:21:31 | |
FRANK HUMS A TUNE | 0:21:31 | 0:21:34 | |
It'll all be revealed in a minute. | 0:21:35 | 0:21:37 | |
This is like someone's dad trying to make them have a good time. | 0:21:37 | 0:21:40 | |
It's almost exactly that! | 0:21:41 | 0:21:43 | |
Great! | 0:21:45 | 0:21:46 | |
CHEERING AND APPLAUSE | 0:21:49 | 0:21:52 | |
OK. What's upsetting Robert? | 0:21:55 | 0:21:57 | |
APPLAUSE | 0:22:02 | 0:22:04 | |
Look, I don't particularly care that it celebrates the font of all evil, | 0:22:07 | 0:22:11 | |
I don't mind that. It's just the things that it comes with, | 0:22:11 | 0:22:14 | |
all the accoutrements, like trick or treat. | 0:22:14 | 0:22:17 | |
What a nonsense! | 0:22:17 | 0:22:18 | |
I mean, first of all, in my area they come with trick or treat - | 0:22:18 | 0:22:22 | |
who says, "Oh, yes, I'd like a trick"? | 0:22:22 | 0:22:25 | |
Nobody says that. They're teenagers that come, | 0:22:25 | 0:22:28 | |
so I'm always unprepared. | 0:22:28 | 0:22:31 | |
And so they're never terribly amused | 0:22:31 | 0:22:33 | |
when you go into the cupboard and you come back with a custard cream. | 0:22:33 | 0:22:36 | |
That's no good. | 0:22:36 | 0:22:38 | |
And then you say, well, it's got to the stage where I've prepared, | 0:22:38 | 0:22:44 | |
and I've got the little penny sweets and that sort of thing ready, | 0:22:44 | 0:22:47 | |
thinking they'll be children, and they sort of look at you and... | 0:22:47 | 0:22:50 | |
Well, last time I did it, the person wanted my watch! | 0:22:50 | 0:22:54 | |
LAUGHTER | 0:22:54 | 0:22:56 | |
For a judge, you don't seem to be able to recognise | 0:22:58 | 0:23:00 | |
that you're a victim of a mugging. | 0:23:00 | 0:23:02 | |
And so to Richard. | 0:23:04 | 0:23:06 | |
LAUGHTER | 0:23:09 | 0:23:11 | |
Yes. | 0:23:11 | 0:23:12 | |
Fun. | 0:23:14 | 0:23:16 | |
I don't understand it. | 0:23:16 | 0:23:18 | |
I don't know... | 0:23:19 | 0:23:20 | |
..whether it's possible. | 0:23:22 | 0:23:23 | |
And I think, if you describe something as fun, | 0:23:24 | 0:23:28 | |
that's a bad thing. | 0:23:28 | 0:23:29 | |
It trivialises it. | 0:23:30 | 0:23:32 | |
If you think of anything you actually like... | 0:23:32 | 0:23:34 | |
..and if you were to describe it to someone else, | 0:23:35 | 0:23:37 | |
I don't know that you would use the word fun. | 0:23:37 | 0:23:39 | |
It seems to be quite a word | 0:23:39 | 0:23:41 | |
that's only really appropriate for describing a "Wham!" video. | 0:23:41 | 0:23:45 | |
And only some of them. | 0:23:47 | 0:23:48 | |
And, also, every time someone has said, "This is going to be fun," | 0:23:50 | 0:23:54 | |
you know they're lying. | 0:23:54 | 0:23:56 | |
I mean, if someone says "This will be tolerable..." | 0:23:57 | 0:23:59 | |
..I'd go, "I'm there." | 0:24:02 | 0:24:03 | |
-That's one of my chat-up lines. -Yeah! | 0:24:05 | 0:24:07 | |
I mean, that, to me, is a boast. | 0:24:08 | 0:24:10 | |
Well, sometimes when you think something's going to be fun, | 0:24:12 | 0:24:15 | |
it absolutely isn't. | 0:24:15 | 0:24:17 | |
Take this, for example. | 0:24:17 | 0:24:19 | |
Are you ready, Gary? | 0:24:19 | 0:24:20 | |
Ready, steady, go! | 0:24:20 | 0:24:22 | |
LAUGHTER | 0:24:24 | 0:24:27 | |
You see, I think that's a very potent symbol | 0:24:49 | 0:24:52 | |
-of how fun often turns out. -Yeah! | 0:24:52 | 0:24:54 | |
What's upsetting Rob Beckett? | 0:24:56 | 0:24:58 | |
Yeah. | 0:25:04 | 0:25:05 | |
APPLAUSE | 0:25:05 | 0:25:07 | |
It's just so expensive. | 0:25:07 | 0:25:10 | |
And whenever you benefit from it, something bad's happened, | 0:25:10 | 0:25:13 | |
it's all just very negative, | 0:25:13 | 0:25:14 | |
and I think a lot of the time as well, it's like, | 0:25:14 | 0:25:16 | |
you just sort of have it so that if anything does go wrong, | 0:25:16 | 0:25:18 | |
you go, "I didn't have insurance." | 0:25:18 | 0:25:20 | |
"Oh, my God! You should have got insurance," | 0:25:20 | 0:25:22 | |
where if no-one had insurance, then, like, | 0:25:22 | 0:25:24 | |
I think people would drive more carefully. | 0:25:24 | 0:25:27 | |
-Because then they'd have to pay. -Oh, yeah, yeah. | 0:25:27 | 0:25:29 | |
Or it might be like Mad Max and either way, it's a laugh. | 0:25:29 | 0:25:32 | |
I just find it... | 0:25:34 | 0:25:36 | |
It's just annoying, like, going on holiday. | 0:25:36 | 0:25:38 | |
I mean, your travel insurance, I bet that's pricey! | 0:25:38 | 0:25:40 | |
Just a bit. | 0:25:40 | 0:25:41 | |
"You going skiing?" "I'm not going skiing, | 0:25:43 | 0:25:45 | |
"but I'm going with a drug cartel." | 0:25:45 | 0:25:47 | |
You can't go skiing with the Klan, you'd never find them! | 0:25:47 | 0:25:50 | |
LAUGHTER | 0:25:50 | 0:25:52 | |
I don't remember there being a mountain range in that direction. | 0:25:52 | 0:25:55 | |
Oh, it's the lads! Come here! | 0:25:55 | 0:25:57 | |
-"It's the lads!" -I call them the lads... | 0:25:59 | 0:26:03 | |
So, let's see what Frankie has chosen. | 0:26:05 | 0:26:08 | |
LAUGHTER AND APPLAUSE | 0:26:12 | 0:26:15 | |
I just feel life is hugely overrated. | 0:26:20 | 0:26:22 | |
I know, actually, it's always quite weird, | 0:26:24 | 0:26:26 | |
Scotland comes top of these | 0:26:26 | 0:26:27 | |
"how happy are you with your life?" studies, | 0:26:27 | 0:26:30 | |
and I think that's because researchers | 0:26:30 | 0:26:33 | |
don't really understand sarcasm. | 0:26:33 | 0:26:35 | |
I think... Do you ever just open your eyes in the morning and go, | 0:26:37 | 0:26:42 | |
"Not this again"? You know, if someone said to you, | 0:26:42 | 0:26:46 | |
"We'll going to see a movie that was like the day of your life," | 0:26:46 | 0:26:50 | |
you know, it's going to be 16 hours long, nothing really happens, | 0:26:50 | 0:26:53 | |
and in the middle the main character has to go for a poo... | 0:26:53 | 0:26:56 | |
..you probably wouldn't go. | 0:26:57 | 0:26:59 | |
And it peaks early. | 0:26:59 | 0:27:00 | |
Life peaks at about 12, maybe, | 0:27:00 | 0:27:03 | |
and then it just starts to get worse and worse. | 0:27:03 | 0:27:06 | |
And I'm now, like, 44, | 0:27:06 | 0:27:08 | |
I've got a body like a dropped lasagne. | 0:27:08 | 0:27:10 | |
Women look at my naked body in the same fearful way | 0:27:12 | 0:27:15 | |
that pensioners look at snow. | 0:27:15 | 0:27:17 | |
LAUGHTER | 0:27:17 | 0:27:20 | |
We're supposed to say, oh, you know, | 0:27:20 | 0:27:21 | |
life is about loving people and being loved in return and that. | 0:27:21 | 0:27:25 | |
I think, really, we're in relationships | 0:27:25 | 0:27:27 | |
because we don't want to die alone, | 0:27:27 | 0:27:29 | |
which is why I've always planned on taking | 0:27:29 | 0:27:31 | |
quite a lot of people with me. | 0:27:31 | 0:27:32 | |
LAUGHTER | 0:27:32 | 0:27:34 | |
You know, if someone gave you a drug that was love, | 0:27:35 | 0:27:38 | |
and warned you what the withdrawal was going to be like, | 0:27:38 | 0:27:41 | |
you wouldn't take it. "Take this, it's amazing, | 0:27:41 | 0:27:44 | |
"but afterwards you're going to feel like you're having | 0:27:44 | 0:27:46 | |
"open heart surgery performed by a swarm of wasps." | 0:27:46 | 0:27:49 | |
You wouldn't do it. | 0:27:51 | 0:27:52 | |
LAUGHTER AND APPLAUSE | 0:27:54 | 0:27:57 | |
You see, Nicola, you don't get this on A Question Of Sport. | 0:28:03 | 0:28:05 | |
I'll tell you what also I'd put in Room 101 as well - | 0:28:08 | 0:28:11 | |
at the end of a programme, where they say, "Oh, goodbye," | 0:28:11 | 0:28:15 | |
like anyone cares. | 0:28:15 | 0:28:17 | |
And they say, "Thanks for watching." | 0:28:17 | 0:28:18 | |
No-one's been paying any attention. | 0:28:18 | 0:28:20 | |
But they have to do it, you know, as if it really matters to people. | 0:28:20 | 0:28:23 | |
What? | 0:28:23 | 0:28:24 | |
LAUGHTER | 0:28:28 | 0:28:31 | |
CHEERING AND APPLAUSE | 0:28:31 | 0:28:34 |