Browse content similar to Episode 8. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
APPLAUSE AND CHEERING | 0:00:21 | 0:00:24 | |
Hello, I'm Frank Skinner and welcome to Room 101, | 0:00:32 | 0:00:35 | |
the show where three guests explain | 0:00:35 | 0:00:37 | |
what really winds them up in the hope | 0:00:37 | 0:00:39 | |
that I'll condemn said things to the grim environs of Room 101. | 0:00:39 | 0:00:44 | |
They'll have to argue their case well, | 0:00:44 | 0:00:46 | |
because in each round only one item can be chosen. | 0:00:46 | 0:00:48 | |
The final decision is mine. | 0:00:48 | 0:00:50 | |
Let's meet this week's guests. | 0:00:50 | 0:00:52 | |
Joining me tonight are comedy gold, Diane Morgan, | 0:00:52 | 0:00:55 | |
Olympic gold, Nicola Adams, | 0:00:55 | 0:00:56 | |
and his agents promise me he'll be as good as gold, Frankie Boyle. | 0:00:56 | 0:01:00 | |
So, let us begin. | 0:01:04 | 0:01:07 | |
What is winding up Diane? | 0:01:07 | 0:01:09 | |
APPLAUSE | 0:01:14 | 0:01:16 | |
I think they're quite needy people. | 0:01:19 | 0:01:22 | |
Generally. | 0:01:22 | 0:01:23 | |
Whenever I watch them, I'm never entertained. | 0:01:23 | 0:01:27 | |
That's quite a negative review. | 0:01:30 | 0:01:31 | |
-Isn't it? -Really? | 0:01:31 | 0:01:33 | |
-Yeah! -I love it. | 0:01:33 | 0:01:34 | |
There was one... I went to a restaurant, | 0:01:35 | 0:01:37 | |
there was one that was going between the tables, between courses, | 0:01:37 | 0:01:41 | |
and showing you a card trick. | 0:01:41 | 0:01:43 | |
And then he'd finished the card trick, and he'd wait, | 0:01:43 | 0:01:47 | |
and you can't just go... | 0:01:47 | 0:01:48 | |
You've got to go, "Oh, that was good." | 0:01:50 | 0:01:52 | |
How did you do that? | 0:01:52 | 0:01:53 | |
So you feel like they're getting more out of this than you are. | 0:01:53 | 0:01:57 | |
I think it starts with parents giving kids magic sets. | 0:01:57 | 0:02:02 | |
Because if you give a kid a magic set, that's like a starter kit for | 0:02:02 | 0:02:07 | |
-a psychopath, isn't it? -LAUGHTER | 0:02:07 | 0:02:10 | |
I never had a magic kit, I must admit. | 0:02:10 | 0:02:12 | |
Is it a common gift for children? | 0:02:12 | 0:02:15 | |
-For psychopaths, yeah. -OK. | 0:02:15 | 0:02:16 | |
It's so boring. | 0:02:17 | 0:02:19 | |
It's like cups and balls, who cares? | 0:02:19 | 0:02:22 | |
Pulling flags out of your sleeve. | 0:02:22 | 0:02:25 | |
I just can't find any enthusiasm for it. | 0:02:25 | 0:02:27 | |
Then there's these sort of sexy magicians. | 0:02:28 | 0:02:31 | |
Oh, the American ones that do that? | 0:02:31 | 0:02:33 | |
So instead of the sparkly leotard, | 0:02:34 | 0:02:36 | |
the women sort of dress like they might work in a dungeon. | 0:02:36 | 0:02:40 | |
That's another thing, isn't it? | 0:02:40 | 0:02:41 | |
The assistants don't get any of the glory. | 0:02:41 | 0:02:43 | |
They're the ones who are just | 0:02:43 | 0:02:46 | |
crouching in boxes for the entire act. | 0:02:46 | 0:02:49 | |
-Or being sawn in half? -Or being sawn... | 0:02:49 | 0:02:51 | |
Well, no, they're down the bottom of the... | 0:02:51 | 0:02:53 | |
I don't want a ruin it for anyone. | 0:02:53 | 0:02:55 | |
There's two bendy women, | 0:02:56 | 0:02:58 | |
and one of them's crouched in the end of the box, | 0:02:58 | 0:03:00 | |
that's how it's done. | 0:03:00 | 0:03:01 | |
CROWD EXCLAIM | 0:03:01 | 0:03:03 | |
Ah. | 0:03:03 | 0:03:05 | |
They often marry those assistants as well, don't they? | 0:03:05 | 0:03:07 | |
That says a lot about what they want from a woman. | 0:03:07 | 0:03:09 | |
Someone who's prepared to crouch in a box for a few hours. | 0:03:09 | 0:03:14 | |
-And has a twin. -Yeah. -LAUGHTER | 0:03:14 | 0:03:17 | |
-Very bendy. -Yeah. | 0:03:17 | 0:03:19 | |
We're all looking for bendy women, aren't we? | 0:03:19 | 0:03:22 | |
I do like... You know the women in the sparkly leotards, | 0:03:22 | 0:03:25 | |
it takes real confidence, I think, | 0:03:25 | 0:03:27 | |
to think I'm going to finish this trick | 0:03:27 | 0:03:29 | |
and that woman is going to go... | 0:03:29 | 0:03:32 | |
You've got to really believe that it's going to work. | 0:03:32 | 0:03:34 | |
I mean, can you imagine, Frankie, as a comic, | 0:03:34 | 0:03:37 | |
say if I had a woman standing here, | 0:03:37 | 0:03:39 | |
every punch line that I do, she goes... | 0:03:39 | 0:03:43 | |
They'd be those terrible moments when I'd go into the joke, | 0:03:44 | 0:03:48 | |
and she's ready. | 0:03:48 | 0:03:50 | |
And then gets nothing from the audience and she has to go... | 0:03:50 | 0:03:52 | |
It would be that thing as well when you start to lose her | 0:03:55 | 0:03:57 | |
and you look over and she's just sitting there having a fag. | 0:03:57 | 0:04:00 | |
Completely... | 0:04:01 | 0:04:02 | |
I like it. | 0:04:04 | 0:04:06 | |
I must say. When someone comes up to me and starts doing magic, | 0:04:06 | 0:04:09 | |
I do get slightly thrilled by it. | 0:04:09 | 0:04:11 | |
Even if someone disappears in front of me, | 0:04:11 | 0:04:13 | |
I still feel dead inside. | 0:04:13 | 0:04:15 | |
I don't know what it is. | 0:04:21 | 0:04:22 | |
I think it's because I know deep down its not really magic. | 0:04:22 | 0:04:25 | |
See, I'm never completely certain about that. | 0:04:26 | 0:04:29 | |
There's always the possibility for me that they could be magic. | 0:04:29 | 0:04:32 | |
No? | 0:04:34 | 0:04:35 | |
But surely, if you had magic powers, | 0:04:35 | 0:04:36 | |
the last place you would choose to hide them | 0:04:36 | 0:04:38 | |
would be an a magic act? | 0:04:38 | 0:04:39 | |
Unless it's a double bluff. | 0:04:41 | 0:04:43 | |
I'll tell you what I don't like, I don't like up-to-something hands. | 0:04:43 | 0:04:47 | |
Do you know what I mean by that? | 0:04:47 | 0:04:49 | |
Like when magicians hold a card... | 0:04:49 | 0:04:51 | |
Say if there's a card here like this, instead of... | 0:04:51 | 0:04:54 | |
You know, if I pick up a card I do this with it. | 0:04:54 | 0:04:56 | |
There's a card. With magicians there's that sort of... | 0:04:56 | 0:05:02 | |
And I think, they're up to something. | 0:05:02 | 0:05:03 | |
I immediately think they're up to something. | 0:05:03 | 0:05:05 | |
Cos no-one ever went like that. | 0:05:05 | 0:05:06 | |
Have you ever played cards with anyone when they said, | 0:05:06 | 0:05:09 | |
"Hold on, let me just look at my hand?" | 0:05:09 | 0:05:10 | |
I, erm.... | 0:05:13 | 0:05:15 | |
The problem is it can be, it's sort of funny when it goes wrong. | 0:05:15 | 0:05:19 | |
Like, one of my favourite clips ever | 0:05:19 | 0:05:21 | |
is a Chinese man making himself disappear. | 0:05:21 | 0:05:24 | |
I don't know if you're familiar with this. | 0:05:24 | 0:05:27 | |
This... Well, this is a Chinese man making himself disappear. | 0:05:27 | 0:05:31 | |
HE SPEAKS OWN LANGUAGE | 0:05:31 | 0:05:32 | |
LAUGHTER | 0:05:40 | 0:05:41 | |
Absolutely marvellous! | 0:05:47 | 0:05:49 | |
I think magic's great when it's children. | 0:05:50 | 0:05:52 | |
But when it is an actual... Another guy going, | 0:05:52 | 0:05:55 | |
"Oh, where's the ball gone?" | 0:05:55 | 0:05:57 | |
You're just thinking, "We're both 40. | 0:05:57 | 0:05:59 | |
"And you have hidden a ball from me." | 0:05:59 | 0:06:02 | |
Do you mean children doing it or... | 0:06:07 | 0:06:09 | |
Yeah, children doing it. | 0:06:09 | 0:06:10 | |
But I saw a kid do a funny joke on a magician, | 0:06:10 | 0:06:13 | |
it's quite cruel. | 0:06:13 | 0:06:14 | |
A magician at a kids' party was making a handkerchief disappear, | 0:06:14 | 0:06:17 | |
and he blew on it and it disappeared. | 0:06:17 | 0:06:18 | |
And the kid went, "Oh, does blowing on things | 0:06:18 | 0:06:20 | |
"make them disappear, then?" | 0:06:20 | 0:06:22 | |
And the magician goes, "Yeah." And the kid went... | 0:06:22 | 0:06:24 | |
HE BLOWS | 0:06:24 | 0:06:26 | |
Wow! | 0:06:26 | 0:06:28 | |
I have a clip of some children. | 0:06:28 | 0:06:30 | |
These are German children doing magic. | 0:06:30 | 0:06:32 | |
I actually think this is brilliant. | 0:06:32 | 0:06:34 | |
THEY SPEAK GERMAN | 0:06:34 | 0:06:36 | |
Come on, Diane, that was entertainment! | 0:06:54 | 0:06:57 | |
That wasn't magic though. | 0:06:57 | 0:06:59 | |
I think that they set that up. | 0:06:59 | 0:07:01 | |
I think it is a magic trick. | 0:07:01 | 0:07:03 | |
-What? They set it up? -I think so. | 0:07:03 | 0:07:06 | |
He made the kid disappear. | 0:07:06 | 0:07:07 | |
The thing is, if they didn't set it up, | 0:07:09 | 0:07:11 | |
we are all laughing at a child being crushed by a bookcase. | 0:07:11 | 0:07:15 | |
Are you familiar with the old rabbit out the hat? | 0:07:15 | 0:07:18 | |
-Yeah. -OK. | 0:07:18 | 0:07:19 | |
Get off! Get under. | 0:07:21 | 0:07:23 | |
Hold on. | 0:07:23 | 0:07:25 | |
Well, once they get their claws into the lining. | 0:07:25 | 0:07:27 | |
Oh, God. | 0:07:29 | 0:07:30 | |
CROWD GROAN AND LAUGH | 0:07:30 | 0:07:32 | |
So what is winding up Frankie? | 0:07:47 | 0:07:49 | |
CROWD CHEER | 0:07:54 | 0:07:56 | |
Richard Branson. | 0:08:01 | 0:08:03 | |
Who... I can't believe I live in a society | 0:08:03 | 0:08:06 | |
where I'm asked to admire this guy. | 0:08:06 | 0:08:10 | |
A sort of sun-dried Bee Gee | 0:08:10 | 0:08:14 | |
who'll probably only wants to travel into space | 0:08:14 | 0:08:16 | |
so that he can find the rest of his own species. | 0:08:16 | 0:08:18 | |
He's sort of held up by a something for me to admire, | 0:08:19 | 0:08:23 | |
because he self-identifies as a good person. | 0:08:23 | 0:08:26 | |
He said he is an environmentalist and runs an airline. | 0:08:26 | 0:08:30 | |
Saying that he's an environmentalist is like saying that Joseph Stalin | 0:08:30 | 0:08:33 | |
ran skiing holidays. | 0:08:33 | 0:08:35 | |
People say, "Oh, you know, you're jealous of Richard Branson, | 0:08:37 | 0:08:40 | |
"you're jealous of his money." | 0:08:40 | 0:08:42 | |
If I had all his money, what I'd do with it, | 0:08:42 | 0:08:44 | |
is I'd use it to pull that island he lives on | 0:08:44 | 0:08:47 | |
towards Syria. | 0:08:47 | 0:08:48 | |
We've got a thing, we've got some photos of him. | 0:08:54 | 0:08:56 | |
One of his things... As you'd imagine, | 0:08:56 | 0:08:58 | |
a billionaire he's very good at picking up women, | 0:08:58 | 0:09:00 | |
it's what you'd assume. | 0:09:00 | 0:09:02 | |
He's one of the worst celebrities at picking up women. | 0:09:02 | 0:09:06 | |
Here he is with Dita Von Teese. | 0:09:06 | 0:09:08 | |
I accept that one. | 0:09:10 | 0:09:11 | |
That's the sort of traditional fireman's lift. | 0:09:11 | 0:09:14 | |
What about this one? This is Kate Moss. | 0:09:14 | 0:09:16 | |
That's... That looks like somebody's stocktaking at Madame Tussauds. | 0:09:19 | 0:09:25 | |
When he was 65, their website did 65 questions about Richard Branson. | 0:09:25 | 0:09:32 | |
So you could learn more about him. | 0:09:32 | 0:09:34 | |
I'll just give you a quick example. | 0:09:34 | 0:09:36 | |
This is question 12. | 0:09:36 | 0:09:37 | |
Now, I think, what this is, if you're getting up for work at | 0:09:45 | 0:09:48 | |
5:30am it's an absolute sickener. | 0:09:48 | 0:09:52 | |
But if you're getting up to be a billionaire... | 0:09:52 | 0:09:56 | |
Get up early! | 0:09:56 | 0:09:57 | |
You don't want to waste a day. | 0:09:57 | 0:09:59 | |
Cos basically we're all the same when we're asleep. | 0:09:59 | 0:10:02 | |
The minute you wake up, you're a billionaire. | 0:10:02 | 0:10:04 | |
I think that's a great move. | 0:10:04 | 0:10:05 | |
This is the next question. | 0:10:06 | 0:10:08 | |
Who knew? | 0:10:11 | 0:10:12 | |
I thought it was a pun on Doctor No, cos he lived on an island. | 0:10:19 | 0:10:22 | |
Also, is life more interesting when you say yes? | 0:10:25 | 0:10:28 | |
What about if the question is, | 0:10:28 | 0:10:30 | |
"What band would you like to listen to for the next eight hours?" | 0:10:30 | 0:10:34 | |
LAUGHTER | 0:10:34 | 0:10:36 | |
And then this is the last example, this is question 55. | 0:10:36 | 0:10:40 | |
Any ideas? | 0:10:44 | 0:10:45 | |
It surprised me, it's this. | 0:10:45 | 0:10:47 | |
Yeah, because his broadband doesn't work! | 0:10:51 | 0:10:53 | |
Oh, marvellous. | 0:11:00 | 0:11:02 | |
We've got a picture. This is of... | 0:11:02 | 0:11:04 | |
Well, I'm not going to beat around the bush. | 0:11:04 | 0:11:06 | |
This is a dog that looks like Richard Branson. | 0:11:06 | 0:11:09 | |
Actually not bad. | 0:11:16 | 0:11:17 | |
OK, so what's upsetting Nicola? | 0:11:19 | 0:11:21 | |
Yeah. | 0:11:25 | 0:11:26 | |
Is this something you do a lot? | 0:11:27 | 0:11:29 | |
Yeah, well, it always seems to happen when I'm in a rush. | 0:11:29 | 0:11:33 | |
And I'll be packing all my stuff, I'll be quickly going to the gym. | 0:11:33 | 0:11:38 | |
And then I can't find my keys. | 0:11:38 | 0:11:39 | |
And then it makes me late | 0:11:39 | 0:11:40 | |
and it really annoys me because they're always in, | 0:11:40 | 0:11:43 | |
like, a weird place. | 0:11:43 | 0:11:44 | |
So you're sort of absent-minded? | 0:11:44 | 0:11:47 | |
Have you had any blows to the head recently? | 0:11:47 | 0:11:49 | |
It doesn't happen every time! | 0:11:51 | 0:11:53 | |
-It's just like... It seems to happen when I'm in a rush. -OK. | 0:11:53 | 0:11:56 | |
They just appear. I've found them in the dog's bed. | 0:11:56 | 0:12:00 | |
How they got there, I do not know. | 0:12:00 | 0:12:01 | |
In the dog's bed? | 0:12:01 | 0:12:03 | |
-Yeah. -What kind of dog is it? | 0:12:03 | 0:12:06 | |
I've got a Doberman and a Pomeranian. | 0:12:06 | 0:12:09 | |
I bet the Doberman had them. | 0:12:09 | 0:12:10 | |
Yeah, the Doberman had the keys. | 0:12:10 | 0:12:12 | |
That's why they call them a Pinscher! | 0:12:12 | 0:12:14 | |
AUDIENCE GROANS | 0:12:14 | 0:12:15 | |
Tough crowd. Tough crowd. | 0:12:18 | 0:12:21 | |
It's amazing we still have keys, don't you think? | 0:12:21 | 0:12:24 | |
You could have like | 0:12:24 | 0:12:26 | |
voice recognition on your doors, couldn't you? | 0:12:26 | 0:12:28 | |
I suppose a lot of drunks | 0:12:29 | 0:12:31 | |
would freeze to death on their own front steps. | 0:12:31 | 0:12:36 | |
That's going to happen anyway. | 0:12:36 | 0:12:38 | |
Have you ever been in those hotels, | 0:12:38 | 0:12:41 | |
I know most hotels they've got the little card, | 0:12:41 | 0:12:43 | |
but the ones with the proper keys where they have a key ring, | 0:12:43 | 0:12:47 | |
an enormous key ring, so you can't possibly lose it. | 0:12:47 | 0:12:51 | |
Have you ever had one of those? | 0:12:51 | 0:12:52 | |
Yeah, but you know what you do with them? | 0:12:52 | 0:12:54 | |
You always take the big part off | 0:12:54 | 0:12:55 | |
so you can get it into your pocket and then... | 0:12:55 | 0:12:57 | |
-Do you? -Yeah. -You're really not supposed to do that. | 0:12:57 | 0:13:00 | |
I've got one that I use, which is... | 0:13:00 | 0:13:03 | |
It celebrates one of my favourite clips, it's... | 0:13:03 | 0:13:08 | |
It's the magician running into the door key ring. | 0:13:09 | 0:13:12 | |
And you just don't lose this. | 0:13:21 | 0:13:23 | |
OK. So we've come to the end of that round, I... | 0:13:26 | 0:13:29 | |
I'm worried about putting Richard Branson in, | 0:13:30 | 0:13:33 | |
partly because... | 0:13:33 | 0:13:35 | |
-CROWD: -Go on! | 0:13:35 | 0:13:37 | |
I'm quite a fan of the Virgin train first-class section. | 0:13:37 | 0:13:43 | |
I also love the bit when it crosses over the border in Scotland, | 0:13:43 | 0:13:47 | |
because that's the moment I know I've got first class to myself. | 0:13:47 | 0:13:51 | |
To hell with it! I'm putting Richard Branson into Room 101. | 0:13:55 | 0:13:58 | |
Right. | 0:14:09 | 0:14:10 | |
Moving on to Diane's next choice. | 0:14:10 | 0:14:13 | |
Microwaves. | 0:14:18 | 0:14:20 | |
Or microwave ovens. | 0:14:20 | 0:14:23 | |
I just don't trust them. | 0:14:23 | 0:14:24 | |
Never have. | 0:14:25 | 0:14:26 | |
They cook food from the inside out. | 0:14:26 | 0:14:29 | |
I don't know why. | 0:14:29 | 0:14:30 | |
It's not natural, is it? | 0:14:31 | 0:14:32 | |
It's a bizarre order of events. | 0:14:32 | 0:14:35 | |
It uses gamma rays, I was reading about these. | 0:14:35 | 0:14:38 | |
These use gamma rays, and I thought, | 0:14:38 | 0:14:40 | |
where have I heard of gamma rays before? | 0:14:40 | 0:14:43 | |
And then I realised, it was the Hulk. | 0:14:43 | 0:14:46 | |
The Incredible Hulk. | 0:14:46 | 0:14:47 | |
Oh, yes? | 0:14:47 | 0:14:48 | |
That must be why I don't like microwaves. | 0:14:48 | 0:14:52 | |
It's one of the great inventions of the last 100 years, isn't it? | 0:14:52 | 0:14:55 | |
-The microwave? -I think in ten years they'll be saying, | 0:14:55 | 0:14:58 | |
"Oh, my God, I can't believe that people used to use microwave ovens." | 0:14:58 | 0:15:02 | |
I think with kids, you've kind of got to use them though, haven't you? | 0:15:04 | 0:15:06 | |
Because you've got to get some calories into these monsters. | 0:15:06 | 0:15:10 | |
And you can't be going, "Well, you guys chop the parsley? | 0:15:10 | 0:15:15 | |
"I'll get the mushrooms." You know, you've just got to slam some, like, | 0:15:15 | 0:15:18 | |
pasta ready meal into a microwave | 0:15:18 | 0:15:20 | |
and then just scrape it into their faces. | 0:15:20 | 0:15:25 | |
Before they go insane. | 0:15:25 | 0:15:26 | |
But you could use a saucepan, it will take 20 minutes. | 0:15:26 | 0:15:29 | |
I've not got 20 minutes. | 0:15:29 | 0:15:31 | |
I've got like two minutes, tops. | 0:15:31 | 0:15:33 | |
At certain points you need a microwave. | 0:15:33 | 0:15:35 | |
Exactly, you can't get the slow cooker out for kids. | 0:15:35 | 0:15:38 | |
"Just sit down, do some crayoning for eight hours. | 0:15:39 | 0:15:44 | |
"And we'll all gather around." | 0:15:44 | 0:15:46 | |
Nothing tastes better having come out of a microwave. | 0:15:46 | 0:15:50 | |
I don't need it... I just want it to taste warmer. | 0:15:50 | 0:15:54 | |
You can use a hair dryer for that. | 0:15:54 | 0:15:57 | |
Funny you should say that, what about this as a method. | 0:15:57 | 0:16:00 | |
This is how to heat a slice of pizza in a hotel room. | 0:16:00 | 0:16:04 | |
Would you rather do that? | 0:16:10 | 0:16:12 | |
I'd rather do that than a microwave. | 0:16:12 | 0:16:14 | |
-OK. -What about these onion rings? | 0:16:14 | 0:16:16 | |
That looks safe! | 0:16:20 | 0:16:21 | |
See, I like the fact that with a microwave I can do my exercises and | 0:16:23 | 0:16:27 | |
the ding goes off and then I can just get my food. | 0:16:27 | 0:16:30 | |
I know the time's done. | 0:16:30 | 0:16:32 | |
How long do your exercises take? | 0:16:32 | 0:16:35 | |
I do, like, a two-minute thing, and I'll do my press-ups and my sit-ups, | 0:16:35 | 0:16:41 | |
and I know I've done two minutes | 0:16:41 | 0:16:42 | |
when the ding goes off and then I get my food. | 0:16:42 | 0:16:44 | |
-That is perfect. -It's like a workout before my meal. | 0:16:44 | 0:16:46 | |
-See. -Set a timer! | 0:16:46 | 0:16:48 | |
But then you don't get food at the end of it. | 0:16:49 | 0:16:51 | |
You don't get the motivation. | 0:16:51 | 0:16:52 | |
You don't get radioactive food. | 0:16:52 | 0:16:54 | |
Yeah, but if Nicola had a slow cooker, | 0:16:55 | 0:16:57 | |
she'd be absolutely wrecked by the time her food was there. | 0:16:57 | 0:17:00 | |
OK, so to Frankie. | 0:17:00 | 0:17:02 | |
Celebrity atheists. I am an atheist. | 0:17:10 | 0:17:13 | |
But I don't like celebrity atheists. I was a very bad Catholic. | 0:17:13 | 0:17:16 | |
Unless you include my attitude to condoms, | 0:17:16 | 0:17:18 | |
in which case I was an amazing Catholic. | 0:17:18 | 0:17:22 | |
But I don't like the judgmental nature of celebrity atheists, | 0:17:22 | 0:17:27 | |
I think religions... Some religions have done good things. | 0:17:27 | 0:17:30 | |
The Quakers fought against the Vietnam War, | 0:17:30 | 0:17:33 | |
liberation theology in Central America. | 0:17:33 | 0:17:35 | |
Those people got killed standing up for poor people, | 0:17:35 | 0:17:38 | |
and what's the reward? | 0:17:38 | 0:17:39 | |
To be looked down on by Ricky Gervais. | 0:17:39 | 0:17:42 | |
LAUGHTER | 0:17:42 | 0:17:43 | |
I don't need Ricky Gervais to tell me that God doesn't exist | 0:17:43 | 0:17:46 | |
when I watched Derek get recommissioned twice. | 0:17:46 | 0:17:48 | |
LAUGHTER AND APPLAUSE | 0:17:48 | 0:17:50 | |
I just sort of think, | 0:17:55 | 0:17:56 | |
you know, we all need something to get through. | 0:17:56 | 0:17:59 | |
And why stand in judgment on what other people need? | 0:17:59 | 0:18:03 | |
So Ricky Gervais, or Richard Dawkins, or whoever, | 0:18:03 | 0:18:06 | |
they need re-tweets, or whatever they need. | 0:18:06 | 0:18:09 | |
And other people need different things. | 0:18:09 | 0:18:12 | |
I just feel the whole thing sort of... | 0:18:12 | 0:18:14 | |
The whole thing's a bit religious. | 0:18:14 | 0:18:16 | |
You know, so it's the idea of certainty, to me, is very religious. | 0:18:16 | 0:18:20 | |
The idea of judgment is very religious and it's blaming God. | 0:18:20 | 0:18:23 | |
It's blaming religion. | 0:18:23 | 0:18:24 | |
They go, "Oh, religion causes violence." | 0:18:24 | 0:18:27 | |
OK, some violence is caused by religion, | 0:18:27 | 0:18:30 | |
some violence is caused by lager. | 0:18:30 | 0:18:32 | |
Some violence is caused by people cheating at pool. | 0:18:32 | 0:18:36 | |
But at the moment when you go, I'm blaming that on God, | 0:18:36 | 0:18:40 | |
that's like you don't get any mayonnaise in your Chicken Zinger, | 0:18:40 | 0:18:43 | |
and you blame it on Colonel Sanders. | 0:18:43 | 0:18:46 | |
I can sense Nicola here thinking, | 0:18:46 | 0:18:48 | |
"What's wrong with violence all of a sudden?" | 0:18:48 | 0:18:51 | |
Well, this is a difficult one for me. | 0:18:52 | 0:18:54 | |
I am a practising Roman Catholic, | 0:18:54 | 0:18:56 | |
so I'm sort of against celebrity atheists for other reasons than you. | 0:18:56 | 0:19:00 | |
I mean, I don't mind anyone being an atheist, | 0:19:00 | 0:19:02 | |
that's sort of a little bit more elbow room in paradise for me. | 0:19:02 | 0:19:06 | |
But I think what's happened is being an atheist, | 0:19:10 | 0:19:14 | |
or a celebrity atheist is incredibly cool. | 0:19:14 | 0:19:17 | |
And it's also, sort of, | 0:19:17 | 0:19:18 | |
associated with science and all that. | 0:19:18 | 0:19:20 | |
So it's like that all the intelligent people, you know, | 0:19:20 | 0:19:24 | |
like Stephen Fry and Dawkins, they're all atheists. | 0:19:24 | 0:19:27 | |
So it's like there's an elite gentlemen's club | 0:19:27 | 0:19:31 | |
with Dawkins and Stephen Fry sitting chatting. | 0:19:31 | 0:19:35 | |
And I'm in Julie's Pantry with Cliff Richard. | 0:19:35 | 0:19:39 | |
It's a bit like, you know when a toddler goes, | 0:19:39 | 0:19:42 | |
"Oh, I think I saw a fairy. Is that a fairy?" | 0:19:42 | 0:19:44 | |
And you go, "No, it's just a moth." | 0:19:44 | 0:19:46 | |
And then you tweet all day about how it's just a moth, | 0:19:47 | 0:19:50 | |
and you write a book about how it's just a moth. | 0:19:50 | 0:19:52 | |
It's like, nobody asked you people to do this. | 0:19:52 | 0:19:55 | |
Nobody asked Ricky Gervais to do this. | 0:19:55 | 0:19:57 | |
It's like one of those people, | 0:19:57 | 0:19:59 | |
you know those people who used to direct you | 0:19:59 | 0:20:00 | |
into a parking space without being asked? | 0:20:00 | 0:20:03 | |
Like, come on, mate. You've just taken this on yourself. | 0:20:03 | 0:20:07 | |
Here's a Stephen Fry quote which probably sums it all up. | 0:20:07 | 0:20:11 | |
He said... | 0:20:11 | 0:20:12 | |
Stephen Fry. | 0:20:22 | 0:20:24 | |
He certainly will. | 0:20:25 | 0:20:26 | |
LAUGHTER | 0:20:28 | 0:20:29 | |
OK, and so to Nicola. | 0:20:31 | 0:20:33 | |
This is exactly the reason. | 0:20:42 | 0:20:44 | |
-What? -Like you can never look good. | 0:20:45 | 0:20:46 | |
I mean, you've got to wrap up. | 0:20:46 | 0:20:48 | |
It's cold. | 0:20:48 | 0:20:50 | |
It's always raining. | 0:20:50 | 0:20:51 | |
You know, it's not me. I'm a summer person. | 0:20:51 | 0:20:56 | |
Summer clothes. | 0:20:56 | 0:20:57 | |
It's hard to look good in winter. | 0:20:57 | 0:20:59 | |
I suspect the reason for this is, if you don't mind me saying, | 0:20:59 | 0:21:04 | |
that you're in great shape. | 0:21:04 | 0:21:06 | |
-And you don't want to hide that away. Is that right? -Exactly. | 0:21:06 | 0:21:08 | |
Yeah. OK. | 0:21:08 | 0:21:10 | |
I mean, I understand that. | 0:21:10 | 0:21:12 | |
We have a picture of you in your... | 0:21:12 | 0:21:14 | |
AUDIENCE WHOOP | 0:21:14 | 0:21:16 | |
Well, exactly. I used to have quite a flat stomach. | 0:21:16 | 0:21:19 | |
In the '90s. | 0:21:19 | 0:21:21 | |
And every picture of me that was taken, I used to get it out. | 0:21:21 | 0:21:24 | |
I was so pleased. | 0:21:24 | 0:21:25 | |
This is just a standard paparazzi shot. | 0:21:25 | 0:21:28 | |
And as soon as... Look. | 0:21:28 | 0:21:31 | |
I was so happy with that. | 0:21:31 | 0:21:33 | |
But now I look forward to it. | 0:21:33 | 0:21:36 | |
You can take it down now. | 0:21:36 | 0:21:39 | |
I look forward to winter now at my age. | 0:21:39 | 0:21:41 | |
The more multilayers, the better. | 0:21:41 | 0:21:44 | |
I think boxers are famous for their style, for their fashion. | 0:21:45 | 0:21:50 | |
So we've got a few to look at. | 0:21:50 | 0:21:53 | |
That's Mike Tyson. | 0:21:53 | 0:21:54 | |
That looks like he's leaned on something and people... | 0:21:55 | 0:21:59 | |
-Yeah! -It just shows you how little people can tell him the truth. | 0:21:59 | 0:22:04 | |
LAUGHTER | 0:22:04 | 0:22:05 | |
"Is this a nice jacket?" "Sure, Mike." | 0:22:05 | 0:22:09 | |
And this is, this is Chris Eubank. | 0:22:09 | 0:22:12 | |
That's pretty cool. | 0:22:12 | 0:22:13 | |
-No? -No. -You don't like that? | 0:22:13 | 0:22:16 | |
Why is he wearing the monocle thing? | 0:22:16 | 0:22:18 | |
Like, what's that about? | 0:22:18 | 0:22:19 | |
Because I think it's fair to say, he's slightly eccentric. | 0:22:19 | 0:22:22 | |
Have you met Chris Eubank? | 0:22:23 | 0:22:25 | |
-Yeah. -How was it? | 0:22:25 | 0:22:26 | |
-How did it go? -It was an experience. | 0:22:26 | 0:22:28 | |
I met Chris Eubank at a film premiere. | 0:22:30 | 0:22:34 | |
Did he shake your hand? | 0:22:34 | 0:22:35 | |
-Yes. -Did he squeeze it really, really hard? | 0:22:35 | 0:22:38 | |
-No. -No, he probably wouldn't with you. | 0:22:38 | 0:22:39 | |
I think with men he really, really squeezes your hand. | 0:22:39 | 0:22:44 | |
Very, very tight indeed, just to prove he is... | 0:22:44 | 0:22:47 | |
See, I'm funny with handshakes, | 0:22:47 | 0:22:48 | |
I don't like when people squeeze my hand really tight. | 0:22:48 | 0:22:50 | |
No. I didn't like it. | 0:22:50 | 0:22:52 | |
It's your tools, isn't it? | 0:22:52 | 0:22:53 | |
I saw him shake hands with Jeff Goldblum, | 0:22:53 | 0:22:56 | |
you know Jeff Goldblum, the actor. | 0:22:56 | 0:22:58 | |
And he really squeezed it and Jeff Goldblum was doing... | 0:22:58 | 0:23:01 | |
And you know Jeff Goldblum speaks in a slightly... | 0:23:01 | 0:23:04 | |
And he's going, | 0:23:04 | 0:23:05 | |
AS JEFF GOLDBLUM: "That is... Erm... Hurting me." | 0:23:05 | 0:23:07 | |
OK, so at the end of that round... | 0:23:10 | 0:23:13 | |
Microwaves, I'm completely dependent on. | 0:23:13 | 0:23:17 | |
I've almost abandoned all other forms of cooking. | 0:23:17 | 0:23:20 | |
I don't mind going blind in one eye if I get a meat pie in two minutes. | 0:23:20 | 0:23:23 | |
Well, you know what, I can talk about winter clothes forever, | 0:23:27 | 0:23:31 | |
but I'm still putting celebrity atheists into Room 101. | 0:23:31 | 0:23:34 | |
Right, we've got time to make a bonus choice, | 0:23:46 | 0:23:48 | |
so let's see what Frankie has chosen. | 0:23:48 | 0:23:51 | |
I just feel life is hugely overrated. | 0:24:03 | 0:24:06 | |
I know... Actually, it's always quite weird Scotland | 0:24:07 | 0:24:10 | |
comes top of these "how happy are you with your life?" studies. | 0:24:10 | 0:24:14 | |
And I think that's because | 0:24:14 | 0:24:16 | |
researchers don't really understand sarcasm. | 0:24:16 | 0:24:21 | |
But I think, do you ever just open your eyes in the morning and go, | 0:24:21 | 0:24:26 | |
"Not this again." | 0:24:26 | 0:24:27 | |
If someone said to you, | 0:24:28 | 0:24:30 | |
"Oh, we'll go and see a movie that was, like, the day of your life." | 0:24:30 | 0:24:33 | |
You know, it's going to be 16 hours long. | 0:24:33 | 0:24:35 | |
Nothing really happens, | 0:24:35 | 0:24:36 | |
and in the middle the main character has to go for a poo. | 0:24:36 | 0:24:39 | |
LAUGHTER | 0:24:39 | 0:24:41 | |
You probably wouldn't go. | 0:24:41 | 0:24:42 | |
It peaks early. | 0:24:42 | 0:24:44 | |
Life peaks at about 12, maybe, | 0:24:44 | 0:24:47 | |
and then it just starts to get worse and worse, and I'm now, like, 44. | 0:24:47 | 0:24:51 | |
I've got a body like a dropped lasagne. | 0:24:51 | 0:24:53 | |
Women look at my naked body | 0:24:55 | 0:24:57 | |
in the same fearful way that pensioners look at snow. | 0:24:57 | 0:25:00 | |
And we've all just got to, kind of, we've got to make it through. | 0:25:04 | 0:25:07 | |
Having had the high points of life already, you know, | 0:25:08 | 0:25:11 | |
by the time you reach a certain age you've heard your favourite song, | 0:25:11 | 0:25:14 | |
you've met the person you love the most, there's nobody who is 65, | 0:25:14 | 0:25:18 | |
sitting about going, | 0:25:18 | 0:25:19 | |
"Oh, that Angry Birds movie is the film I've waited all my life for." | 0:25:19 | 0:25:22 | |
And there's almost no consolation. | 0:25:24 | 0:25:26 | |
So we're supposed to say, "Oh, you know, life is about love, | 0:25:27 | 0:25:30 | |
"loving people and being loved in return." | 0:25:30 | 0:25:32 | |
And that, and I think, really, | 0:25:32 | 0:25:33 | |
we're in relationships because we don't want to die alone. | 0:25:33 | 0:25:37 | |
Which is why I've always planned | 0:25:37 | 0:25:39 | |
on taking quite a lot of people with me. | 0:25:39 | 0:25:41 | |
You know, if someone gave you a drug that was love, | 0:25:43 | 0:25:46 | |
and warned you what the withdrawal was going to be like, | 0:25:46 | 0:25:49 | |
you wouldn't take it. | 0:25:49 | 0:25:50 | |
If someone said, "Take this, it's amazing, | 0:25:50 | 0:25:52 | |
"but afterwards you're going to feel like you're having | 0:25:52 | 0:25:54 | |
"open heart surgery performed by a swarm of wasps." | 0:25:54 | 0:25:57 | |
LAUGHTER | 0:25:57 | 0:25:59 | |
You wouldn't do it. | 0:25:59 | 0:26:00 | |
LAUGHTER AND APPLAUSE | 0:26:02 | 0:26:04 | |
You see, Nicola, you don't get this on A Question Of Sport. | 0:26:11 | 0:26:14 | |
I mean, we're having a lovely time, aren't we? | 0:26:16 | 0:26:20 | |
Professional comedians and all that. | 0:26:20 | 0:26:22 | |
This is, sort of, just a distraction for it, isn't it? | 0:26:22 | 0:26:25 | |
-For people. -What is? Life? | 0:26:25 | 0:26:27 | |
No, this show, you know. | 0:26:27 | 0:26:29 | |
Maybe it's just me, but I... | 0:26:32 | 0:26:35 | |
I'm quite chirpy about at all. | 0:26:36 | 0:26:40 | |
Like, for example, here's a thing, I'm right-handed. | 0:26:40 | 0:26:44 | |
And so cutting the nails on my right hand, with my left hand, | 0:26:44 | 0:26:49 | |
I find quite tricky. | 0:26:49 | 0:26:51 | |
So what I do, I do that hand first, | 0:26:51 | 0:26:55 | |
and then I've got the easy bit to look forward to. | 0:26:55 | 0:26:58 | |
And I think that's how you have to construct life. | 0:27:01 | 0:27:04 | |
So you're always... Deferred gratification, | 0:27:04 | 0:27:07 | |
you're always looking forward to the next peak. | 0:27:07 | 0:27:10 | |
That was like Buddha. | 0:27:10 | 0:27:11 | |
Thanks very much. | 0:27:13 | 0:27:14 | |
But I mean, it's probably better than death? Is it? | 0:27:16 | 0:27:18 | |
Oh, a lot better. | 0:27:18 | 0:27:20 | |
To be honest, I was just having a hard week | 0:27:20 | 0:27:22 | |
when they asked me to choose the thing. | 0:27:22 | 0:27:24 | |
For some people, I think you'd agree, | 0:27:28 | 0:27:31 | |
life seems... Everything seems to go perfectly for them. | 0:27:31 | 0:27:34 | |
Wouldn't you say? You know those sort of people. | 0:27:34 | 0:27:36 | |
You take this crowd surfer. | 0:27:36 | 0:27:38 | |
I know what you're thinking, it might well be full of urine. | 0:27:51 | 0:27:55 | |
Well, look, it doesn't matter what I think, Frankie, | 0:27:55 | 0:27:57 | |
it's your bonus choice. It's going into Room 101. | 0:27:57 | 0:28:00 | |
And that brings us to the end of the show. | 0:28:08 | 0:28:09 | |
Well done, Frankie, you were the most persuasive guest, | 0:28:09 | 0:28:12 | |
so you are this week's winner. | 0:28:12 | 0:28:14 | |
APPLAUSE | 0:28:14 | 0:28:16 | |
Thanks very much, Frankie Boyle, Diane Morgan and Nicola Adams. | 0:28:20 | 0:28:25 | |
And thank you, good night. | 0:28:25 | 0:28:26 |