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CHEERING AND APPLAUSE | 0:00:20 | 0:00:23 | |
Hello, I'm Frank Skinner and welcome to Room 101, | 0:00:31 | 0:00:36 | |
the show where three guests compete | 0:00:36 | 0:00:38 | |
to condemn their deepest dislikes to the dreadful Room 101. | 0:00:38 | 0:00:41 | |
They'll have to argue their case well because in each round, | 0:00:41 | 0:00:44 | |
only one item can be chosen. The final decision is mine. | 0:00:44 | 0:00:47 | |
Let's meet this week's guests. | 0:00:47 | 0:00:48 | |
Joining me tonight are King of the North, Alun Cochrane, | 0:00:48 | 0:00:50 | |
Queen of the South, Gabby Logan, | 0:00:50 | 0:00:52 | |
and Richard the Nerd, Richard Ayoade. | 0:00:52 | 0:00:54 | |
LAUGHTER AND APPLAUSE | 0:00:54 | 0:00:57 | |
OK, let's get ready to grumble. LAUGHTER | 0:00:59 | 0:01:03 | |
And let's see what's upsetting Gabby Logan. | 0:01:03 | 0:01:05 | |
Half and half football scarves, Frank. | 0:01:09 | 0:01:11 | |
-AUDIENCE MEMBER: -Whoo! -Yeah, they are a recent phenomena. | 0:01:11 | 0:01:15 | |
I would say it's only in the last six or seven seasons | 0:01:15 | 0:01:18 | |
-that they have become a thing. -Mm. -To the point now, | 0:01:18 | 0:01:21 | |
where there is almost not a Premier League fixture that goes by | 0:01:21 | 0:01:24 | |
where people don't feel the need to be peddling and, therefore, | 0:01:24 | 0:01:28 | |
other people buying these half and half scarves. | 0:01:28 | 0:01:30 | |
I've tried hard to work out if there is a justification, | 0:01:30 | 0:01:33 | |
if there is a reason why they should exist | 0:01:33 | 0:01:35 | |
and I shouldn't be quite so angry about them. | 0:01:35 | 0:01:37 | |
I can't think of anything. | 0:01:37 | 0:01:38 | |
The whole point of football is to be parochial, to be tribal, | 0:01:38 | 0:01:42 | |
to be committed to a team in your area and it's just wishy-washy, | 0:01:42 | 0:01:47 | |
it's indecisive, it shows a lack of commitment and they've got to go. | 0:01:47 | 0:01:52 | |
CHEERING AND APPLAUSE | 0:01:52 | 0:01:55 | |
I mean, some people could argue, I suppose, | 0:01:57 | 0:01:59 | |
that it suggests a lack of aggression and that partisan thing | 0:01:59 | 0:02:05 | |
and there's love in the room. | 0:02:05 | 0:02:07 | |
I love both these teams, I want them both to play well. | 0:02:07 | 0:02:10 | |
But I hate that idea. | 0:02:10 | 0:02:11 | |
-Can I just check...? Sorry. -LAUGHTER | 0:02:11 | 0:02:14 | |
-Are these things mocked up on a match by match basis? -Yes. | 0:02:14 | 0:02:17 | |
-So, what's your knitwear bill? -LAUGHTER | 0:02:17 | 0:02:20 | |
I just can't think of anybody who'd grow up in Liverpool | 0:02:20 | 0:02:23 | |
and be a massive Red - that's a Liverpool fan. | 0:02:23 | 0:02:26 | |
-OK, not a commie. -No. -LAUGHTER | 0:02:26 | 0:02:29 | |
-But they could be both. -OK. -They could be both. | 0:02:29 | 0:02:32 | |
Do you get any commie-fascist scarves? | 0:02:32 | 0:02:34 | |
LAUGHTER | 0:02:34 | 0:02:36 | |
They go, "I don't know, they both seem extreme ideologies." | 0:02:36 | 0:02:38 | |
Liverpool, actually, have got | 0:02:38 | 0:02:41 | |
the best half and half scarf I've ever seen, which is this one. | 0:02:41 | 0:02:45 | |
LAUGHTER | 0:02:45 | 0:02:49 | |
-That, I find acceptable. -Because what that means, Richard... | 0:02:49 | 0:02:51 | |
-Thank you. -It says there are only two teams | 0:02:51 | 0:02:53 | |
-and actually, there IS another team. It's called Everton. -Shut up! -Yep. | 0:02:53 | 0:02:56 | |
LAUGHTER | 0:02:56 | 0:02:58 | |
-For the same town? -Yeah. -Yeah. -They're good, aren't they? | 0:02:58 | 0:03:01 | |
LAUGHTER | 0:03:01 | 0:03:03 | |
It's strange, to me, that they've gone for the scarf | 0:03:03 | 0:03:06 | |
as the half and half souvenir of knitwear. | 0:03:06 | 0:03:09 | |
You'd think gloves would lend themselves. | 0:03:09 | 0:03:12 | |
LAUGHTER | 0:03:12 | 0:03:14 | |
Because then any surplus that are not sold could be rematched | 0:03:14 | 0:03:17 | |
-to an opposite for a future Liverpool or United game. -Yes. | 0:03:17 | 0:03:22 | |
-And thus, they cut down on waste. -That is better. | 0:03:22 | 0:03:26 | |
I've got a towel, which has got two halves - white and... | 0:03:26 | 0:03:31 | |
..and not white. | 0:03:32 | 0:03:34 | |
-And it's got "FACE" on one side. -Oh... -And I can't re... | 0:03:34 | 0:03:39 | |
I think ELBOW on the other, I always get those mixed up. | 0:03:39 | 0:03:43 | |
But anyway, you use it accordingly. | 0:03:43 | 0:03:46 | |
Which, at least, has got a practical message behind it. | 0:03:46 | 0:03:50 | |
The thing is, these great rivalries that we have in football | 0:03:50 | 0:03:53 | |
in this country, obviously, the local derby rivalries, | 0:03:53 | 0:03:57 | |
Newcastle against Sunderland, you've got, in Scotland, | 0:03:57 | 0:04:00 | |
-Glasgow Rangers against Glasgow Celtic. -Ooh. | 0:04:00 | 0:04:03 | |
Liverpool, Everton. And the idea that you would have... | 0:04:03 | 0:04:06 | |
OK, say Aston Villa go back to the Premier League, OK. | 0:04:06 | 0:04:09 | |
LAUGHTER | 0:04:09 | 0:04:12 | |
The idea that you'd have a scarf that has Aston Villa on one side | 0:04:12 | 0:04:15 | |
and West Bromwich Albion on the other must fill you with delight, | 0:04:15 | 0:04:18 | |
-the idea of wearing that. -Well, it's not dissimilar to this. | 0:04:18 | 0:04:20 | |
LAUGHTER | 0:04:20 | 0:04:22 | |
APPLAUSE | 0:04:22 | 0:04:25 | |
What do you think about this version of the half and half? | 0:04:25 | 0:04:30 | |
This is a sort of romantic version. | 0:04:30 | 0:04:32 | |
-Ah. -OK. -"Together since 2014." | 0:04:34 | 0:04:37 | |
To me, that looks like, "Together since she was 14." | 0:04:37 | 0:04:41 | |
LAUGHTER | 0:04:41 | 0:04:44 | |
APPLAUSE | 0:04:44 | 0:04:47 | |
And if it started when he was 20, you should not be applauding that. | 0:04:49 | 0:04:52 | |
No. LAUGHTER | 0:04:52 | 0:04:54 | |
The problem with that, though, | 0:04:54 | 0:04:55 | |
is if he wears it to five-a-side and she's busy, it just looks weird. | 0:04:55 | 0:05:00 | |
-No, I didn't mention his name is Paul Together. -Oh, OK. | 0:05:00 | 0:05:04 | |
There's a song Paul Together Now. | 0:05:04 | 0:05:06 | |
LAUGHTER | 0:05:06 | 0:05:07 | |
See, I've got twins and one's an Arsenal fan and one's a Spurs fan. | 0:05:07 | 0:05:10 | |
-They couldn't have, you know... -So, you've got half and half children! | 0:05:10 | 0:05:14 | |
-Yeah. -And you mind a scarf. | 0:05:14 | 0:05:17 | |
But the idea that they would get together and have a scarf made. | 0:05:17 | 0:05:21 | |
-Right. -No way, no way. | 0:05:21 | 0:05:22 | |
Well, I went to West Brom-Manchester City | 0:05:22 | 0:05:26 | |
and they lost 4-0 at home to Manchester City | 0:05:26 | 0:05:29 | |
and there was a period when we actually had the ball for a bit | 0:05:29 | 0:05:33 | |
and the fans started going, | 0:05:33 | 0:05:35 | |
# We've got the ball We've got the ball | 0:05:35 | 0:05:39 | |
# We've got the... We've lost the ball. # | 0:05:39 | 0:05:42 | |
They kept that going for about 20 minutes. | 0:05:42 | 0:05:45 | |
It puts tremendous pressure on the players, I think. | 0:05:45 | 0:05:48 | |
I feel that should be the theme song of football. | 0:05:48 | 0:05:52 | |
LAUGHTER | 0:05:52 | 0:05:54 | |
-It's basically football commentary... -Yeah. | 0:05:54 | 0:05:57 | |
..melted down to a quintessence. | 0:05:57 | 0:05:59 | |
That's the haiku version of football. | 0:05:59 | 0:06:02 | |
LAUGHTER | 0:06:02 | 0:06:04 | |
So, what's upsetting Richard? | 0:06:04 | 0:06:06 | |
Audiences cheering... | 0:06:09 | 0:06:11 | |
LAUGHTER | 0:06:11 | 0:06:13 | |
I mean, that could be enough, | 0:06:13 | 0:06:15 | |
but audiences cheering at the name of the town in which they reside. | 0:06:15 | 0:06:18 | |
LAUGHTER | 0:06:18 | 0:06:20 | |
I don't quite... I just don't see why you need to emit that sound. | 0:06:20 | 0:06:25 | |
I'm from Ipswich, so, obviously, I can't emit joy. | 0:06:25 | 0:06:30 | |
LAUGHTER | 0:06:30 | 0:06:32 | |
So, it seems very strange to me. I've never understood it. | 0:06:32 | 0:06:35 | |
-You say, "Hull." -AUDIENCE MEMBER: -Yay! | 0:06:35 | 0:06:37 | |
LAUGHTER | 0:06:37 | 0:06:39 | |
It seems odd. I don't know what I'm meant to do with that information. | 0:06:39 | 0:06:44 | |
Are you happy about Hull? | 0:06:44 | 0:06:46 | |
You're happy. OK. | 0:06:46 | 0:06:48 | |
LAUGHTER | 0:06:48 | 0:06:51 | |
-I think it's a form of missionary work. -OK. | 0:06:51 | 0:06:53 | |
It's that man saying, | 0:06:53 | 0:06:55 | |
"You probably think it's terrible coming from Hull." | 0:06:55 | 0:06:57 | |
-No, it's all right. -"When, in fact, it's, hey." -OK. | 0:06:57 | 0:07:00 | |
-I think he's selling Hull as a concept. -Right. | 0:07:00 | 0:07:03 | |
Yeah, I mean, it's not a LONG pitch for Hull. | 0:07:03 | 0:07:07 | |
LAUGHTER | 0:07:07 | 0:07:08 | |
It makes me feel like everyone's been hypnotised and someone's said, | 0:07:08 | 0:07:12 | |
"When your town's name is mentioned, | 0:07:12 | 0:07:15 | |
"obviously you'll have to go, 'Yay.'" And someone's gone... | 0:07:15 | 0:07:18 | |
And they've never been snapped back out of it. | 0:07:18 | 0:07:21 | |
It would make life difficult. | 0:07:21 | 0:07:23 | |
I mean, you obviously stand up and, you know, | 0:07:23 | 0:07:25 | |
perform in front of an audience. | 0:07:25 | 0:07:27 | |
You all do that and, actually, it's the easiest way | 0:07:27 | 0:07:29 | |
to get a few people on side, to just mention a town. | 0:07:29 | 0:07:34 | |
Look, let's specify here, | 0:07:34 | 0:07:35 | |
because I feel we're maybe getting off on the wrong foot. | 0:07:35 | 0:07:38 | |
I'm not talking about the response to a specific enquiry | 0:07:38 | 0:07:41 | |
addressed to an audience as to where they live. | 0:07:41 | 0:07:44 | |
"Hooray," is a fine response. | 0:07:44 | 0:07:47 | |
We can't all say, "Nine of us are from Preston." | 0:07:47 | 0:07:51 | |
-A FEW AUDIENCE MEMBERS: -Yay! -Thank you. | 0:07:51 | 0:07:53 | |
What I find odd is the mere mention of the name, | 0:07:53 | 0:07:57 | |
in a Pavlovian sense, eliciting a "Hooray". | 0:07:57 | 0:08:01 | |
That seems odd because why should that only exist in crowds? | 0:08:01 | 0:08:04 | |
You should follow it through any time, when you're on your own, | 0:08:04 | 0:08:07 | |
if you see it on a map. Any time, then say it. | 0:08:07 | 0:08:13 | |
It would be odd if you were on your own, though, | 0:08:13 | 0:08:15 | |
and you were watching the news and, "This evening, | 0:08:15 | 0:08:17 | |
"we're bringing you news of a fatal accident in Hull." Yay! | 0:08:17 | 0:08:21 | |
LAUGHTER | 0:08:21 | 0:08:23 | |
If you're going to do it, follow it through. | 0:08:23 | 0:08:25 | |
Don't just do it cos you're in a public place. | 0:08:25 | 0:08:27 | |
Yeah, I think you could have a clause, | 0:08:27 | 0:08:29 | |
"Not after the announcement of a fatal accident." | 0:08:29 | 0:08:31 | |
That would be reasonable. | 0:08:31 | 0:08:33 | |
The thing is, when I first started in comedy, | 0:08:33 | 0:08:36 | |
which was...before the old king died... | 0:08:36 | 0:08:39 | |
LAUGHTER | 0:08:39 | 0:08:41 | |
..I'd say, "What do you do?" And people would say, | 0:08:41 | 0:08:43 | |
"I'm a plumber" or something of that nature, and now they say to me, | 0:08:43 | 0:08:47 | |
"I'm a consultative HR area managerial cooperative officer." | 0:08:47 | 0:08:53 | |
-Yeah. -And then I say, "Where are you from?" And they say, "Ipswich." | 0:08:53 | 0:08:56 | |
And I say, "Did you come on a tractor?" It gets a big laugh. | 0:08:56 | 0:08:59 | |
-Yeah. -LAUGHTER | 0:08:59 | 0:09:01 | |
-It's a tough business, Richard. -Yeah. | 0:09:01 | 0:09:04 | |
It's more the spontaneous whoop when a town is mentioned | 0:09:04 | 0:09:10 | |
and also, it's existing in a group dynamic | 0:09:10 | 0:09:13 | |
because, conversationally, | 0:09:13 | 0:09:15 | |
if I were to say, "I went to Ipswich," and you went, "Yay!", | 0:09:15 | 0:09:19 | |
-in a group of less than four... -Yeah. | 0:09:19 | 0:09:22 | |
I don't know when it becomes all right to say, "Yay". | 0:09:22 | 0:09:25 | |
-Is there a critical mass? -What if it was just me and you talking? -Yeah. | 0:09:25 | 0:09:30 | |
-Yeah, just mention Ipswich. -OK. | 0:09:30 | 0:09:33 | |
-I did this gig in Ipswich... -Yay! | 0:09:34 | 0:09:36 | |
LAUGHTER | 0:09:36 | 0:09:39 | |
OK, so what's upsetting Alun? | 0:09:39 | 0:09:42 | |
LAUGHTER AND APPLAUSE | 0:09:45 | 0:09:48 | |
Advice, Frank, is what I'd like to put in Room 101 cos I think... | 0:09:53 | 0:09:57 | |
Maybe I'm arrogant, but when people say, | 0:09:57 | 0:10:00 | |
"I've got some advice for you," I often just think, "No." | 0:10:00 | 0:10:03 | |
LAUGHTER | 0:10:03 | 0:10:05 | |
No, don't bother. But a lot of advice is terrible. | 0:10:05 | 0:10:08 | |
Like, when you tot it up, a whole life, | 0:10:08 | 0:10:10 | |
there's probably about three bits that are any use | 0:10:10 | 0:10:13 | |
and one of them's yellow snow. | 0:10:13 | 0:10:15 | |
LAUGHTER | 0:10:15 | 0:10:16 | |
And the rest of it I just think is waffle, just bad, bad advice. | 0:10:16 | 0:10:21 | |
A friend told me that he was told, when he was younger, | 0:10:21 | 0:10:25 | |
dress for the job you want, not for the job you've got. | 0:10:25 | 0:10:28 | |
Have you heard that? That's apparently business advice. | 0:10:28 | 0:10:31 | |
And people think it's good. It's not. | 0:10:31 | 0:10:33 | |
He is serving a custodial sentence | 0:10:33 | 0:10:35 | |
for repeatedly impersonating a police officer. | 0:10:35 | 0:10:38 | |
LAUGHTER | 0:10:38 | 0:10:40 | |
I think it's bad advice. | 0:10:40 | 0:10:41 | |
I'm trying to remember if I've ever given Alun any advice. | 0:10:41 | 0:10:46 | |
-Have I? -I don't think so. | 0:10:46 | 0:10:47 | |
Cos comedians do, especially, you know, elder statesmen comics, | 0:10:47 | 0:10:52 | |
like myself, sometimes. | 0:10:52 | 0:10:54 | |
I remember an American comic, | 0:10:54 | 0:10:56 | |
he said, "I'll tell you something about stand-up comedy," | 0:10:56 | 0:10:59 | |
and I thought, "This could be handy." | 0:10:59 | 0:11:00 | |
He said, "Always take your wallet on stage." | 0:11:00 | 0:11:04 | |
LAUGHTER | 0:11:04 | 0:11:07 | |
-Sensible. -Yeah. | 0:11:07 | 0:11:08 | |
And another guy, an English magician, actually, | 0:11:08 | 0:11:11 | |
and he said to me, "I'll tell you something." I was very new. | 0:11:11 | 0:11:15 | |
He said, "I'll tell you something, Frank. | 0:11:15 | 0:11:17 | |
"When you get a BMW - and you will..." | 0:11:17 | 0:11:20 | |
LAUGHTER | 0:11:20 | 0:11:22 | |
"..get power-assisted steering." | 0:11:22 | 0:11:24 | |
LAUGHTER | 0:11:24 | 0:11:26 | |
That is the comedy advice that I've had. In my whole career, that's it. | 0:11:26 | 0:11:31 | |
My dad was big on advice, my dad. | 0:11:31 | 0:11:34 | |
He told me to keep salt in my pocket, | 0:11:34 | 0:11:36 | |
so that if anyone approached me after dark in the street, | 0:11:36 | 0:11:40 | |
I should throw it in their faces. | 0:11:40 | 0:11:42 | |
LAUGHTER | 0:11:42 | 0:11:44 | |
See, I think that's good advice. | 0:11:44 | 0:11:46 | |
I'm going to make that four... | 0:11:46 | 0:11:47 | |
LAUGHTER | 0:11:47 | 0:11:49 | |
-Yeah. -..that you get in a whole lifetime. | 0:11:49 | 0:11:52 | |
And also, if you need to grit snow at short notice. | 0:11:52 | 0:11:54 | |
LAUGHTER | 0:11:54 | 0:11:56 | |
He even told me the method. | 0:11:56 | 0:11:58 | |
He said what you would do if someone came over | 0:11:58 | 0:12:00 | |
and said, "Give me your wristwatch," | 0:12:00 | 0:12:03 | |
you'd go, "Oh, look I don't want any trouble, I'll just... Ha-ha!" | 0:12:03 | 0:12:07 | |
And then you'd get the salt. LAUGHTER | 0:12:07 | 0:12:09 | |
He said, "Cos you want their eyes to be... | 0:12:09 | 0:12:11 | |
"Make sure they're open. Don't give them any kind of hint." | 0:12:11 | 0:12:14 | |
-And then you... -Will you pass that advice on to your son? | 0:12:14 | 0:12:17 | |
No, because we've got, you know, mace and stuff now. | 0:12:17 | 0:12:20 | |
LAUGHTER | 0:12:20 | 0:12:22 | |
You've got to move with the times, I think. | 0:12:22 | 0:12:24 | |
Now everyone uses sea salt, | 0:12:24 | 0:12:25 | |
you'd have to just crumble it in their eyes. | 0:12:25 | 0:12:27 | |
LAUGHTER | 0:12:27 | 0:12:29 | |
-Exhausting. -LAUGHTER | 0:12:29 | 0:12:32 | |
It's Jamie Oliver's fault. | 0:12:32 | 0:12:34 | |
When I was a young man, I was in a pub, and a man told me, | 0:12:34 | 0:12:38 | |
"If ever a dog bites you and locks its jaws... | 0:12:38 | 0:12:42 | |
"..put your finger up its bottom and it will open its mouth." | 0:12:43 | 0:12:46 | |
LAUGHTER | 0:12:46 | 0:12:48 | |
-Right. -That's what he said. | 0:12:48 | 0:12:50 | |
I based a cutting-edge ventriloquist act on it in the 1980s. | 0:12:50 | 0:12:53 | |
LAUGHTER | 0:12:53 | 0:12:55 | |
Frank Skinner and Bongo. Do you remember it? | 0:12:55 | 0:12:57 | |
Does that work just for that particular bite? | 0:12:57 | 0:13:03 | |
If it bites again, you can do it again. | 0:13:03 | 0:13:06 | |
It's not a bee, where it bites you and then it dies. | 0:13:06 | 0:13:09 | |
No, but at some stage, you've got to get that finger back out. | 0:13:09 | 0:13:12 | |
LAUGHTER Yeah. | 0:13:12 | 0:13:14 | |
And then where are you? You need a net. | 0:13:14 | 0:13:17 | |
-No, they open their mouth... -Yeah. -So, you've got it open. | 0:13:17 | 0:13:20 | |
-Yeah, but now it's annoyed. -LAUGHTER | 0:13:20 | 0:13:22 | |
Not necessarily. | 0:13:22 | 0:13:25 | |
Well, it's got something to say on the matter. | 0:13:25 | 0:13:28 | |
It's either annoyed or quite attached. It's certainly attached. | 0:13:28 | 0:13:33 | |
-You've started a dialogue. -Yes. | 0:13:33 | 0:13:36 | |
-It does... I've seen it work. -Oh, have you? | 0:13:36 | 0:13:40 | |
LAUGHTER | 0:13:41 | 0:13:43 | |
OK, so, I'm glad of any kind of cheering or applause I can get | 0:13:43 | 0:13:48 | |
-at any gig, so I don't want to close down any areas. -Sure. | 0:13:48 | 0:13:53 | |
-So, you know... -That's OK. | 0:13:53 | 0:13:55 | |
Advice, I mean, one does get good advice | 0:13:55 | 0:13:59 | |
and I know it's thin on the ground, | 0:13:59 | 0:14:01 | |
but when you get it, it can be really brilliant and uplifting. | 0:14:01 | 0:14:05 | |
I just can't put in all advice. | 0:14:05 | 0:14:07 | |
However, the half and half scarf, I think, | 0:14:07 | 0:14:09 | |
is probably what's gone wrong with Great Britain and Europe. | 0:14:09 | 0:14:13 | |
LAUGHTER | 0:14:13 | 0:14:14 | |
And so, I'm going to put half and half scarves into Room 101. | 0:14:14 | 0:14:18 | |
-Thank you. -APPLAUSE | 0:14:18 | 0:14:22 | |
Righty ho. On we go with Gabby Logan. | 0:14:29 | 0:14:32 | |
People who are afraid of flying. | 0:14:36 | 0:14:38 | |
Which sounds like I have no empathy | 0:14:38 | 0:14:41 | |
and I'm very intolerant | 0:14:41 | 0:14:44 | |
and it sounds like I don't care. | 0:14:44 | 0:14:47 | |
-Um, I don't, actually. -LAUGHTER AND APPLAUSE | 0:14:47 | 0:14:50 | |
If you sit next to me on a flight... I've had a few of them lately. | 0:14:50 | 0:14:54 | |
-Right. -You've bought the ticket, you know how it works. | 0:14:54 | 0:14:58 | |
We're getting on a plane, we're going somewhere. | 0:14:58 | 0:15:01 | |
It cannot be a surprise to you that we are going to take off. | 0:15:01 | 0:15:04 | |
You've not watched The A-Team. | 0:15:04 | 0:15:06 | |
LAUGHTER AND APPLAUSE | 0:15:06 | 0:15:10 | |
I've had a few bad experiences in the last 12 months | 0:15:10 | 0:15:12 | |
and this has brought this to a head. | 0:15:12 | 0:15:15 | |
I was on my way to Newcastle - just a quick hop, | 0:15:15 | 0:15:17 | |
from London up to Newcastle - | 0:15:17 | 0:15:19 | |
and the lady sat next to me in the middle, | 0:15:19 | 0:15:21 | |
she sat down and pulled her coat off | 0:15:21 | 0:15:22 | |
and she started kind of rubbing herself in an almost sexual manner, | 0:15:22 | 0:15:25 | |
and I thought, "What's going on here?" | 0:15:25 | 0:15:27 | |
And then she started sweating a bit and she started rocking | 0:15:27 | 0:15:30 | |
and I thought, "We have somebody who's scared of flying, | 0:15:30 | 0:15:33 | |
so I'm going to be there for her." I start off with a lot of compassion. | 0:15:33 | 0:15:37 | |
I said, "Would you like some water?" She went, "No, no, no, I'm fine. | 0:15:37 | 0:15:40 | |
"I'm on a bus, I'm on a bus, I'm on a bus, I'm on bus." | 0:15:40 | 0:15:43 | |
I said, "No, we're on a plane. But, listen..." | 0:15:43 | 0:15:45 | |
LAUGHTER | 0:15:45 | 0:15:47 | |
"That's better because this is a lot safer than being on a bus. | 0:15:47 | 0:15:50 | |
"You are far more likely to die being on a bus than a plane. | 0:15:50 | 0:15:53 | |
"You're in a good place right now." | 0:15:53 | 0:15:54 | |
So, she carries on with this whole thing and I said, | 0:15:54 | 0:15:57 | |
"Look, I give this advice to anybody I sit next to | 0:15:57 | 0:15:59 | |
"who's scared of flying, and it's this. | 0:15:59 | 0:16:01 | |
"Have you ever met anybody who's had a little shunt at 35,000 feet?" | 0:16:01 | 0:16:04 | |
And she said, "No." And I said, "No, that's cos they die." So... | 0:16:04 | 0:16:07 | |
LAUGHTER | 0:16:07 | 0:16:10 | |
It's logic. | 0:16:10 | 0:16:12 | |
And it didn't occur to you | 0:16:12 | 0:16:13 | |
that dying might be the thing she was afraid of? | 0:16:13 | 0:16:16 | |
LAUGHTER | 0:16:16 | 0:16:18 | |
I mean, because that is a legitimate fear. | 0:16:19 | 0:16:22 | |
I think the only time I've been...concerned abut crashing, | 0:16:22 | 0:16:28 | |
I was on a flight with Ant and Dec... | 0:16:28 | 0:16:31 | |
..and it did occur to me that if the plane went down, | 0:16:32 | 0:16:35 | |
they would get top billing in the... | 0:16:35 | 0:16:38 | |
LAUGHTER | 0:16:38 | 0:16:40 | |
-Right. -The headline would be "Ant and Dec die." | 0:16:40 | 0:16:43 | |
And then, "Brummie comedian also perishes." | 0:16:43 | 0:16:47 | |
LAUGHTER | 0:16:47 | 0:16:49 | |
And that, I must say, I was glad when we got off that plane. I was... | 0:16:49 | 0:16:53 | |
I understand that people might, you know, | 0:16:53 | 0:16:55 | |
might have an apprehension about it but I don't see why it's any more, | 0:16:55 | 0:16:59 | |
that they would have an apprehension about getting on a bus or... | 0:16:59 | 0:17:02 | |
-People don't go... -SHE GASPS: -I'm getting in the car! | 0:17:02 | 0:17:05 | |
The car is much more dangerous than the plane. | 0:17:05 | 0:17:07 | |
-It's not, though. -It IS, it's fact. | 0:17:07 | 0:17:09 | |
-It IS. -It's not. -It IS. -Also, I DO do that before I go into cars. | 0:17:09 | 0:17:12 | |
LAUGHTER | 0:17:12 | 0:17:14 | |
It's a lot more likely that you're going to die in a car accident | 0:17:14 | 0:17:18 | |
-than a plane accident. -No. -Yes. -LAUGHTER | 0:17:18 | 0:17:22 | |
No, what you mean is, | 0:17:22 | 0:17:24 | |
it's a lot more likely that you're going to have a car accident | 0:17:24 | 0:17:27 | |
but it's a lot more likely | 0:17:27 | 0:17:29 | |
that you're going die in a plane accident. | 0:17:29 | 0:17:31 | |
-No. -Yeah. -No. | 0:17:31 | 0:17:33 | |
LAUGHTER | 0:17:33 | 0:17:35 | |
Can I give you some statistics? | 0:17:35 | 0:17:37 | |
The US National Transport Safety Board did a survey | 0:17:37 | 0:17:41 | |
of commercial airlines and these are the odds of dying in a plane crash. | 0:17:41 | 0:17:45 | |
They are 1 for every 1.2 million flights. | 0:17:45 | 0:17:51 | |
And this is what amazes me. | 0:17:52 | 0:17:54 | |
Out of the planes that do crash, 96.7% of passengers survive. | 0:17:54 | 0:18:00 | |
-What? -Yes. | 0:18:00 | 0:18:02 | |
See, your death thing isn't even any comfort. | 0:18:02 | 0:18:05 | |
-LAUGHTER -We may crash, | 0:18:05 | 0:18:07 | |
and there's a good chance we're going to survive this bloody thing. | 0:18:07 | 0:18:09 | |
LAUGHTER | 0:18:09 | 0:18:11 | |
Thus, the odds of dying in a plane crash are 1 in 11 million. | 0:18:11 | 0:18:15 | |
-Those odds are too high for me. -LAUGHTER | 0:18:15 | 0:18:18 | |
Apparently, stewardesses often survive because they are protected | 0:18:18 | 0:18:24 | |
by the hardened shell of their make-up. | 0:18:24 | 0:18:26 | |
LAUGHTER | 0:18:26 | 0:18:29 | |
Here's a man now. | 0:18:29 | 0:18:31 | |
This man was on an aeroplane and it was said that he drank | 0:18:31 | 0:18:36 | |
all of his duty-free liquor on the flight from Iceland to JFK | 0:18:36 | 0:18:41 | |
and, in the end, he attacked a woman, spat on other passengers | 0:18:41 | 0:18:46 | |
and screamed the plane was going to crash. | 0:18:46 | 0:18:48 | |
And so they duct taped him to his seat. | 0:18:48 | 0:18:53 | |
Here he is. | 0:18:53 | 0:18:55 | |
LAUGHTER | 0:18:55 | 0:18:57 | |
Now, I wonder, if that plane crashed, | 0:18:57 | 0:19:00 | |
maybe he might be the only person who'd survive, | 0:19:00 | 0:19:03 | |
and we'd all discover that is actually the safest way to travel. | 0:19:03 | 0:19:08 | |
OK, so, what's winding up Alun Cochrane? | 0:19:08 | 0:19:12 | |
LAUGHTER | 0:19:16 | 0:19:20 | |
It's people laughing out loud when reading a book. | 0:19:22 | 0:19:26 | |
And it's especially people near ME | 0:19:26 | 0:19:29 | |
laughing out loud when reading a book. | 0:19:29 | 0:19:32 | |
I don't know why it grinds my gears quite as much, | 0:19:32 | 0:19:36 | |
but that thing of, like... Ha-ha-ha. | 0:19:36 | 0:19:39 | |
Yeah, all right, we get it. We can all read. | 0:19:39 | 0:19:42 | |
I think there's a bit of show-offiness, like, | 0:19:42 | 0:19:45 | |
"Yeah, I'm reading a book!" | 0:19:45 | 0:19:47 | |
And I think, | 0:19:47 | 0:19:48 | |
"I've read loads of books but I'm not showing off about it. | 0:19:48 | 0:19:51 | |
There's just a self-aggrandi-i... | 0:19:51 | 0:19:53 | |
-There's a show-offiness about it. -LAUGHTER | 0:19:53 | 0:19:56 | |
You need to read more books! LAUGHTER | 0:19:56 | 0:19:59 | |
You say something funny, we go, "Ha-ha." | 0:19:59 | 0:20:01 | |
But if somebody's written something funny, | 0:20:01 | 0:20:03 | |
I feel like you should type, "LOL", or just write down, "Laughed". | 0:20:03 | 0:20:08 | |
-In a notebook to the side of the book, just go, "Laughs." -Yeah. | 0:20:08 | 0:20:12 | |
You could have marginalia. You could write, "Ha-ha" next to things. | 0:20:12 | 0:20:16 | |
I think that's a perfectly appropriate response | 0:20:16 | 0:20:18 | |
and I think there's a bit of people reading in public, | 0:20:18 | 0:20:21 | |
going, "Oh, I'm reading." | 0:20:21 | 0:20:23 | |
So, if I'm on a train and somebody near me's like, | 0:20:23 | 0:20:26 | |
"Ha-ha-ha-ha", I just think, "Get a room." | 0:20:26 | 0:20:28 | |
-Just read this in the comfort of your own... -Is this OK? | 0:20:28 | 0:20:32 | |
Yeah, that's fine. | 0:20:33 | 0:20:35 | |
Because it's not an assault on me living my life, | 0:20:35 | 0:20:37 | |
-which is what extraneous noise is to me. -Actual, really audible laughter. | 0:20:37 | 0:20:43 | |
Just, yeah... | 0:20:43 | 0:20:45 | |
Maybe it's other people's tangible existence that you don't like. | 0:20:45 | 0:20:48 | |
LAUGHTER | 0:20:48 | 0:20:50 | |
Yeah, I just find it very irritating. | 0:20:50 | 0:20:52 | |
I'm surprised it's getting so much resistance | 0:20:52 | 0:20:54 | |
cos I thought this was a thing. | 0:20:54 | 0:20:55 | |
I read an autobiography recently | 0:20:55 | 0:20:57 | |
and I really laughed out loud on several occasions, | 0:20:57 | 0:21:00 | |
which you would condemn me for. | 0:21:00 | 0:21:02 | |
-Who's autobiography were you reading? -Mine. | 0:21:02 | 0:21:05 | |
LAUGHTER | 0:21:05 | 0:21:07 | |
-It WAS actually mine. -Yeah. | 0:21:07 | 0:21:09 | |
This is one of the pluses of age-related memory loss. | 0:21:09 | 0:21:12 | |
-And you were laughing out loud? -I laughed out loud. | 0:21:12 | 0:21:15 | |
It's properly funny, my autobiography. | 0:21:15 | 0:21:17 | |
-"Laugh-out-loud funny..." -Yeah. -"..Frank Skinner." -Exactly. | 0:21:17 | 0:21:21 | |
I know that's not going to have the same impact as a recommendation. | 0:21:21 | 0:21:25 | |
"I laughed out loud while re-reading it, | 0:21:25 | 0:21:27 | |
-"having forgotten it." -"Said narcissist Frank Skinner." | 0:21:27 | 0:21:30 | |
LAUGHTER | 0:21:30 | 0:21:32 | |
-Have you ever seen the thumb thing, by the way? -No. | 0:21:32 | 0:21:35 | |
The thumb thing is a special gadget for reading books | 0:21:35 | 0:21:40 | |
and this is what the blurb says. | 0:21:40 | 0:21:42 | |
"Ever relaxed on the beach with a book?" | 0:21:42 | 0:21:45 | |
-LAUGHTER -Yeah. | 0:21:45 | 0:21:47 | |
"Likely you held the book in front of your face with your thumb | 0:21:47 | 0:21:50 | |
-"to block the sun from your eyes." -Mm. -Yeah, done that. | 0:21:50 | 0:21:54 | |
"A few minutes later, your thumb gets tired | 0:21:54 | 0:21:56 | |
"and the book smacks you in the face." | 0:21:56 | 0:21:58 | |
LAUGHTER | 0:21:58 | 0:22:00 | |
That's never happened to me ever. | 0:22:00 | 0:22:01 | |
But the thumb thing is invented for that. So, you get your book... | 0:22:01 | 0:22:06 | |
LAUGHTER | 0:22:06 | 0:22:08 | |
And you can hold it like that and it does give you, | 0:22:08 | 0:22:12 | |
if you can see there, it gives you a lot of extra support. | 0:22:12 | 0:22:15 | |
That's good. | 0:22:15 | 0:22:16 | |
-It's a simple thing, but so many of the best inventions are. -Mm. | 0:22:16 | 0:22:19 | |
-How's it doing? -Great. -No, the invention. Is it selling well? | 0:22:19 | 0:22:23 | |
Oh, sorry. LAUGHTER | 0:22:23 | 0:22:25 | |
-THIS is selling extremely well, apparently. -Is THAT funny? | 0:22:25 | 0:22:29 | |
Um, I've never actually, um... | 0:22:29 | 0:22:33 | |
I HAVE read it. LAUGHTER | 0:22:33 | 0:22:35 | |
And if you were offended at someone laughing on a train, | 0:22:35 | 0:22:38 | |
you should have been there when I read THAT! | 0:22:38 | 0:22:40 | |
LAUGHTER | 0:22:40 | 0:22:44 | |
There some books which I would be edgy about reading on a train. | 0:22:44 | 0:22:48 | |
Would you read Fifty Shades Of Grey on a train? | 0:22:48 | 0:22:51 | |
-No. -No. -No. -What about this one? | 0:22:51 | 0:22:54 | |
LAUGHTER | 0:22:57 | 0:22:59 | |
I'd like to read this on a train and every now and again, | 0:22:59 | 0:23:03 | |
stare at female passengers and go... | 0:23:03 | 0:23:05 | |
LAUGHTER | 0:23:06 | 0:23:09 | |
Any luck, Mrs? LAUGHTER | 0:23:09 | 0:23:12 | |
How did you find that book? Was it Amazon Recommends? | 0:23:12 | 0:23:18 | |
Yeah, "People who bought this also like..." I got one of those. | 0:23:18 | 0:23:22 | |
-"Hi, Frank, we thought you might like..." -Exactly. | 0:23:22 | 0:23:25 | |
I once got a news story on a news feed I have and it said, | 0:23:25 | 0:23:29 | |
"Here's a story you might like." | 0:23:29 | 0:23:31 | |
And it was a couple who'd been eaten by cannibals while on holiday. | 0:23:31 | 0:23:36 | |
Spot on. LAUGHTER | 0:23:36 | 0:23:39 | |
I'd love to read... I WOULD read this on a train. | 0:23:39 | 0:23:43 | |
LAUGHTER | 0:23:45 | 0:23:48 | |
There's something brilliant about that. | 0:23:50 | 0:23:52 | |
I would have thought that was the least of their problems, | 0:23:52 | 0:23:56 | |
-their carbon footprint. -Yeah. | 0:23:56 | 0:23:59 | |
They did a lot of bad, but they did offset a lot of it with trees. | 0:23:59 | 0:24:03 | |
LAUGHTER | 0:24:03 | 0:24:05 | |
Yeah. Respect to them. | 0:24:05 | 0:24:07 | |
I think... Just on THAT point, I mean. | 0:24:07 | 0:24:10 | |
Not generally. Righto, and so to Richard. | 0:24:10 | 0:24:15 | |
LAUGHTER | 0:24:18 | 0:24:21 | |
Yes...fun. | 0:24:21 | 0:24:25 | |
-I don't understand it. -LAUGHTER | 0:24:25 | 0:24:28 | |
I don't know...whether it's possible. | 0:24:28 | 0:24:32 | |
LAUGHTER | 0:24:32 | 0:24:34 | |
And I think, if you describe something as fun, | 0:24:34 | 0:24:37 | |
that's a bad thing. | 0:24:37 | 0:24:39 | |
It trivialises it. | 0:24:39 | 0:24:41 | |
If you think of anything you actually like, | 0:24:41 | 0:24:44 | |
and if you were to describe it to someone else, | 0:24:44 | 0:24:47 | |
I don't know that you'd use the word "fun". | 0:24:47 | 0:24:49 | |
It seems to be quite a word that's only really appropriate | 0:24:49 | 0:24:53 | |
for describing a Wham(!) video. | 0:24:53 | 0:24:55 | |
LAUGHTER | 0:24:55 | 0:24:56 | |
And only some of them. | 0:24:56 | 0:24:58 | |
And also, every time someone has said, | 0:24:59 | 0:25:02 | |
"This is going to be fun," you know they're lying. It's not. | 0:25:02 | 0:25:06 | |
I mean, if someone says, "This will be tolerable"... | 0:25:06 | 0:25:09 | |
LAUGHTER | 0:25:09 | 0:25:12 | |
-..I'd go, "I'm there." -LAUGHTER | 0:25:12 | 0:25:14 | |
-That's one of my chat-up lines. -Yeah. | 0:25:14 | 0:25:17 | |
I mean that, to me, is a boast. | 0:25:17 | 0:25:19 | |
LAUGHTER | 0:25:19 | 0:25:21 | |
Well, I suppose the most concrete example of fun | 0:25:21 | 0:25:25 | |
that one can get is this. | 0:25:25 | 0:25:28 | |
This is a fun-sized Mars Bar, | 0:25:28 | 0:25:32 | |
which suggests that your standard Mars Bar is a bit of a slog. | 0:25:32 | 0:25:36 | |
Yep. | 0:25:36 | 0:25:38 | |
That they're saying is, if we take that... | 0:25:38 | 0:25:40 | |
If, when you're eating a Mars Bar, this section of it is actually fun. | 0:25:40 | 0:25:46 | |
-Yeah. -After that, it's about knuckling down | 0:25:46 | 0:25:48 | |
and just getting the job done. | 0:25:48 | 0:25:50 | |
-LAUGHTER -That applies for a lot of stuff. | 0:25:50 | 0:25:53 | |
LAUGHTER Exactly. | 0:25:53 | 0:25:56 | |
Sometimes when you think something's going to be fun, | 0:25:56 | 0:25:59 | |
it absolutely isn't. | 0:25:59 | 0:26:01 | |
Take this, for example. | 0:26:01 | 0:26:03 | |
-VIDEO FOOTAGE: -Ready? Are you ready? Ready, steady, go. | 0:26:03 | 0:26:07 | |
LAUGHTER | 0:26:08 | 0:26:11 | |
Lift your legs up. | 0:26:13 | 0:26:15 | |
LAUGHTER | 0:26:17 | 0:26:20 | |
LAUGHTER | 0:26:25 | 0:26:28 | |
DAD LAUGHS ON VIDEO | 0:26:28 | 0:26:32 | |
That sounds like you. | 0:26:32 | 0:26:33 | |
You see, I think that's a very potent symbol | 0:26:33 | 0:26:36 | |
-of how fun often turns out. -Yeah. | 0:26:36 | 0:26:38 | |
I think the dad filming it is having GREAT fun. | 0:26:38 | 0:26:42 | |
LAUGHTER | 0:26:42 | 0:26:44 | |
Some people don't even want to be seen to be having fun. | 0:26:44 | 0:26:47 | |
I'm not saying you're in this category, Richard, | 0:26:47 | 0:26:49 | |
but look at this guy. | 0:26:49 | 0:26:50 | |
HE SINGS IN NATIVE LANGUAGE | 0:26:50 | 0:26:54 | |
LAUGHTER | 0:27:02 | 0:27:04 | |
That's right. Don't document his fun. Don't spoil that moment. | 0:27:04 | 0:27:09 | |
He was connecting to the performer. | 0:27:09 | 0:27:11 | |
LAUGHTER | 0:27:11 | 0:27:13 | |
OK, we come to the end of that round. | 0:27:13 | 0:27:15 | |
I don't think you can put people who are afraid of flying in | 0:27:15 | 0:27:18 | |
because they've got enough problems. | 0:27:18 | 0:27:20 | |
They're probably also claustrophobic, | 0:27:20 | 0:27:22 | |
so if we put them in the vault, they'll have a screaming fit. | 0:27:22 | 0:27:26 | |
People laughing out loud when they read a book. | 0:27:26 | 0:27:28 | |
I sort of respect the fact there's anyone left who reads a book. | 0:27:28 | 0:27:33 | |
Any reaction they get I don't mind. And if it's my... | 0:27:33 | 0:27:38 | |
I have seen people reading my book and laughing | 0:27:38 | 0:27:41 | |
but it was in the mirror. | 0:27:41 | 0:27:43 | |
LAUGHTER | 0:27:43 | 0:27:45 | |
-Fun. I tell you what. Fun, the way we're talking about it. -Yes. | 0:27:45 | 0:27:48 | |
-That fun was, "Way, let's have fun!" -Yes, Radio 1 Roadshow fun. | 0:27:48 | 0:27:52 | |
-Yeah, that kind of "fun". -Yes. -No, you're right. | 0:27:52 | 0:27:56 | |
-I don't like it and I'm going to put fun into Room 101. -Yeah. | 0:27:56 | 0:27:59 | |
CHEERING AND APPLAUSE | 0:27:59 | 0:28:03 | |
And that brings us to the end of the show. Well done, Gabby. | 0:28:10 | 0:28:13 | |
You were the most persuasive guest, so you are this week's winner. | 0:28:13 | 0:28:16 | |
Thank you very much. | 0:28:16 | 0:28:18 | |
CHEERING AND APPLAUSE | 0:28:18 | 0:28:20 | |
Thanks very much, Alun Cochrane, Gabby Logan and Richard Ayoade. | 0:28:20 | 0:28:24 | |
And thank you. Good night. | 0:28:24 | 0:28:26 | |
CHEERING AND APPLAUSE | 0:28:26 | 0:28:30 |