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Hello, I'm Frank Skinner | 0:00:31 | 0:00:33 | |
and welcome to Room 101. | 0:00:33 | 0:00:34 | |
This week joining me in the game of moans are | 0:00:34 | 0:00:37 | |
man down Roisin Conaty, | 0:00:37 | 0:00:39 | |
man up, Nish Kumar, | 0:00:39 | 0:00:42 | |
and man-to-man marking, Chris Kamara. | 0:00:42 | 0:00:44 | |
CHEERING AND APPLAUSE | 0:00:44 | 0:00:45 | |
OK, so what is upsetting Nish? | 0:00:52 | 0:00:55 | |
Er, I am very upset with people who are really into cars. | 0:00:58 | 0:01:03 | |
I don't get why they are so into cars. | 0:01:03 | 0:01:07 | |
Like, I mean, that may be because I can't drive, | 0:01:07 | 0:01:10 | |
which could be a huge factor in it. | 0:01:10 | 0:01:12 | |
But I just, I find it so tedious when people are like, | 0:01:12 | 0:01:15 | |
"Yeah, I'm just, just really into my automobiles." | 0:01:15 | 0:01:19 | |
I just think, "Ah, man, I want to kill you and myself, right." | 0:01:19 | 0:01:21 | |
I don't understand why people are so into a mode of transport. | 0:01:21 | 0:01:25 | |
And also, the people that are into it are considered sort of cool and | 0:01:25 | 0:01:28 | |
interesting. Like train spotters are pariahs but people who are really | 0:01:28 | 0:01:32 | |
into cars get their own Amazon shows. | 0:01:32 | 0:01:34 | |
Like, it doesn't make any sense to me. | 0:01:34 | 0:01:35 | |
And it's not just the fact that they're cars, | 0:01:35 | 0:01:37 | |
it's the fact that cars sort of pollute the atmosphere. | 0:01:37 | 0:01:40 | |
That people who are into them are called petrolheads, | 0:01:40 | 0:01:42 | |
as if that's a good thing, but petrol is killing people. | 0:01:42 | 0:01:45 | |
So if you call people like the Boy Stranglers, like, | 0:01:45 | 0:01:48 | |
it wouldn't be anywhere near as cool. And it's not just cars. | 0:01:48 | 0:01:51 | |
It's also just the fact that they, all the wider culture of it, | 0:01:51 | 0:01:54 | |
like I hate Formula 1, I think it's unbelievably dull, | 0:01:54 | 0:01:57 | |
and I like Test cricket so that is saying something. | 0:01:57 | 0:02:00 | |
Er, I don't like the film Drive, | 0:02:00 | 0:02:03 | |
I think Cars is the worst Pixar film | 0:02:03 | 0:02:06 | |
and anyone who says that their ideal car isn't the Batmobile | 0:02:06 | 0:02:10 | |
I have no interest in speaking to. | 0:02:10 | 0:02:12 | |
Wow, that's fairly, fairly comprehensive. | 0:02:12 | 0:02:16 | |
I feel very strongly about this, frank. | 0:02:16 | 0:02:18 | |
I think I'm, at this stage I'm with you. | 0:02:18 | 0:02:21 | |
I drive a car but I have no real interest in cars. | 0:02:21 | 0:02:26 | |
I mean, I drive a BMW, | 0:02:26 | 0:02:29 | |
3 Series. | 0:02:29 | 0:02:31 | |
I'm saying that because someone asked me and I said, | 0:02:31 | 0:02:34 | |
"It's a Series 3." | 0:02:34 | 0:02:36 | |
They looked at me, I said, | 0:02:36 | 0:02:38 | |
"You know the one when Rachel leaves her job at Central Perk." | 0:02:38 | 0:02:41 | |
But it's um... There aren't many things I've paid 30 grand for | 0:02:42 | 0:02:46 | |
that I would leave in the gutter outside my house | 0:02:46 | 0:02:49 | |
covered in bird excrement. | 0:02:49 | 0:02:51 | |
It is a weird thing. I feel it should be locked up. | 0:02:51 | 0:02:54 | |
I agree. I don't like, I don't like people who are really into cars. | 0:02:54 | 0:02:57 | |
I'm not into cars. But I am into the lifestyle. | 0:02:57 | 0:03:00 | |
I like the gloves. Driving gloves. | 0:03:00 | 0:03:03 | |
-Oh, no, those are the creepiest things in the world. -They're not, they're so cool. | 0:03:03 | 0:03:06 | |
Can I ask you, do you keep the gloves in the glove compartment? | 0:03:06 | 0:03:10 | |
-Well, I can't drive. -Oh! | 0:03:10 | 0:03:13 | |
I bet Kammy likes cars. | 0:03:15 | 0:03:17 | |
-Do you like cars? -Yeah, Nish, I'm an ex-footballer, innit. | 0:03:17 | 0:03:20 | |
So you know, once you've got enough money in the bank, you think, | 0:03:20 | 0:03:23 | |
Range Rover? | 0:03:23 | 0:03:25 | |
A Mercedes soft top? | 0:03:25 | 0:03:27 | |
You know? | 0:03:27 | 0:03:28 | |
A Rolls-Royce? | 0:03:28 | 0:03:30 | |
Have you ever owned a Rolls-Royce? | 0:03:32 | 0:03:34 | |
No. | 0:03:34 | 0:03:35 | |
I tell you what, what do you think of this. I'm guessing you don't own one of these. | 0:03:37 | 0:03:40 | |
This is, it's a, it's a mouse for the old computer, | 0:03:40 | 0:03:44 | |
but it's a Porsche mouse. | 0:03:44 | 0:03:48 | |
If you look at that, | 0:03:48 | 0:03:50 | |
it's actually in the shape of | 0:03:50 | 0:03:52 | |
a Porsche. Stylish? | 0:03:52 | 0:03:55 | |
I'll show you, I'll show you my mouse. | 0:03:55 | 0:03:57 | |
Quite normal. | 0:03:58 | 0:04:01 | |
But, on the back... | 0:04:01 | 0:04:03 | |
LAUGHTER | 0:04:03 | 0:04:04 | |
What would you say was worse then, people who are really into cars, | 0:04:14 | 0:04:18 | |
or people who are really into trains? | 0:04:18 | 0:04:20 | |
I mean... | 0:04:20 | 0:04:22 | |
..neither is ideal. | 0:04:22 | 0:04:23 | |
We've got, we've got a clip of some train spotters, | 0:04:23 | 0:04:26 | |
waiting for that legendary train, | 0:04:26 | 0:04:29 | |
the Flying Scotsman, and I've got to say I love this. | 0:04:29 | 0:04:33 | |
Aw, look at it. | 0:04:35 | 0:04:37 | |
Would you believe... Ah, bloody hell. | 0:04:37 | 0:04:40 | |
LAUGHTER | 0:04:40 | 0:04:42 | |
APPLAUSE | 0:04:48 | 0:04:50 | |
OK. So what is upsetting Kammy. | 0:04:55 | 0:04:58 | |
Oh. | 0:04:58 | 0:05:01 | |
Hopefully, everyone will agree with me on this one, Frank. | 0:05:01 | 0:05:05 | |
I have to say, I get upset when men don't stand up for women | 0:05:05 | 0:05:10 | |
on the trains, or senior citizens. | 0:05:10 | 0:05:13 | |
APPLAUSE | 0:05:13 | 0:05:15 | |
Thank you. | 0:05:15 | 0:05:17 | |
It's so annoying. It really is so annoying. | 0:05:18 | 0:05:21 | |
Cos I do the trains all the time. | 0:05:21 | 0:05:23 | |
Cos traffic jams in London, they just do my head in. | 0:05:23 | 0:05:27 | |
So my Achilles heel is getting in a taxi, or whatever, | 0:05:27 | 0:05:31 | |
because Sky's the other side of London, so I drive to there quite a lot. | 0:05:31 | 0:05:35 | |
Um, so I get the train | 0:05:35 | 0:05:37 | |
and when I get off the train at King's Cross I get the Tube. | 0:05:37 | 0:05:40 | |
Don't feel you have to give us the whole route, Kammy. | 0:05:40 | 0:05:44 | |
Well, it is, it's the Piccadilly line... | 0:05:44 | 0:05:47 | |
Right, so when I get off the... | 0:05:48 | 0:05:50 | |
Season-ticket? | 0:05:50 | 0:05:52 | |
No, no, I've got one of them things that you just put in the machine, | 0:05:52 | 0:05:56 | |
what's it called, something card? | 0:05:56 | 0:05:58 | |
-Money. -Oyster card. -Oyster card. | 0:05:58 | 0:06:01 | |
So you put the Oyster card in and you... | 0:06:01 | 0:06:04 | |
So I get on the Piccadilly line after I get to King's Cross. | 0:06:04 | 0:06:07 | |
Right, all the way to Osterley. | 0:06:07 | 0:06:10 | |
And then I walk from Osterley... | 0:06:10 | 0:06:12 | |
I don't know about you, I liked him a lot better in the Merc. | 0:06:12 | 0:06:15 | |
So when I'm on the, when I'm on the Tube, at certain times of the day, | 0:06:16 | 0:06:19 | |
when it's really, really crowded, and there's no seats, right, | 0:06:19 | 0:06:24 | |
there are men who allow women, | 0:06:24 | 0:06:27 | |
or senior citi, citizens, | 0:06:27 | 0:06:30 | |
easy for me to say, | 0:06:30 | 0:06:31 | |
there are men who allow women or senior citizens to... | 0:06:31 | 0:06:34 | |
LAUGHTER | 0:06:34 | 0:06:36 | |
I've got a lisp! | 0:06:40 | 0:06:42 | |
So it annoys me so much, it really does. | 0:06:42 | 0:06:45 | |
But is there an argument here? | 0:06:45 | 0:06:47 | |
Because your modern woman wants to be treated as an equal, then why, | 0:06:47 | 0:06:51 | |
why should we stand up? | 0:06:51 | 0:06:53 | |
Well, because they've got the option to say, "Thank you very much for | 0:06:53 | 0:06:56 | |
"offering but I'd rather stand." | 0:06:56 | 0:06:59 | |
Right. It's on me, then, is it? | 0:07:03 | 0:07:04 | |
Brilliant. | 0:07:04 | 0:07:06 | |
What do you think, Roisin? | 0:07:06 | 0:07:07 | |
I don't expect to be offered a seat by a man, | 0:07:07 | 0:07:10 | |
um, I don't think it's necessary. | 0:07:10 | 0:07:12 | |
But I do agree with you for older people, or if a woman is pregnant, | 0:07:12 | 0:07:15 | |
I agree absolutely, 100%. | 0:07:15 | 0:07:17 | |
Literally makes no difference to me, | 0:07:17 | 0:07:19 | |
because I get on a Tube carriage and everyone gets off anyway. | 0:07:19 | 0:07:22 | |
LAUGHTER | 0:07:22 | 0:07:24 | |
APPLAUSE | 0:07:24 | 0:07:25 | |
It's the only... | 0:07:29 | 0:07:31 | |
You've got to get rid of that backpack! | 0:07:31 | 0:07:33 | |
Absolutely not, Frank. It's the only acceptable form of racism! | 0:07:34 | 0:07:39 | |
Because it's a form of racism that results in me sitting all the way home! | 0:07:39 | 0:07:43 | |
There's a woman here proving that men standing up is not always | 0:07:43 | 0:07:47 | |
necessarily a good thing. | 0:07:47 | 0:07:49 | |
Oh! | 0:07:49 | 0:07:50 | |
CHRIS LAUGHS | 0:07:50 | 0:07:53 | |
I have a little confession to make. | 0:07:55 | 0:07:57 | |
-Go on. -I did once, I was really hung over and I wanted a seat. | 0:07:57 | 0:08:00 | |
So I'd just like breathed out as much as I could. | 0:08:00 | 0:08:04 | |
Just didn't say it. | 0:08:05 | 0:08:07 | |
-Wow! -But I just let it go. | 0:08:07 | 0:08:09 | |
And I got a seat. | 0:08:09 | 0:08:11 | |
And I went, "Thank you," and that was it. | 0:08:11 | 0:08:14 | |
But I did a, yeah, so I have, yeah, I faked a preggo, see. | 0:08:14 | 0:08:17 | |
-I'd have given you my seat, Roisin. -Thank you very much. | 0:08:17 | 0:08:20 | |
That's brilliant. Well, I'm all for politeness. | 0:08:20 | 0:08:23 | |
You wouldn't have needed to breathe out, either. | 0:08:23 | 0:08:25 | |
So I think the moral is... | 0:08:25 | 0:08:26 | |
What are you saying, Chris? | 0:08:26 | 0:08:28 | |
LAUGHTER | 0:08:28 | 0:08:30 | |
Well, I'm 60. Do you think people should... | 0:08:33 | 0:08:35 | |
No-one has yet stood up for me on... I'm waiting for that day. | 0:08:35 | 0:08:39 | |
Because you're young and you're virile. | 0:08:39 | 0:08:41 | |
No, but I'm 60. You have no idea if I'm virile! | 0:08:41 | 0:08:43 | |
So I was travelling from South Ealing, right, to Covent Garden | 0:08:45 | 0:08:48 | |
cos I was doing, er, some work in Soho. | 0:08:48 | 0:08:51 | |
So I thought, right, I get on the Tube, | 0:08:51 | 0:08:53 | |
so, I get as far as Hammersmith. | 0:08:53 | 0:08:55 | |
It really gets crowded. And there's a lady there, and I said, | 0:08:55 | 0:08:58 | |
"Would you like a seat?" And she said, "No, I don't want one thanks." | 0:08:58 | 0:09:02 | |
I went, please. | 0:09:02 | 0:09:04 | |
So I got up and gave my seat. | 0:09:04 | 0:09:06 | |
She said, "Well I've only got three stops to go, I'm going to Earls Court." | 0:09:06 | 0:09:09 | |
I said, "Well, it doesn't matter." | 0:09:09 | 0:09:11 | |
After I've... It's no problem. | 0:09:13 | 0:09:15 | |
So she takes my seat. | 0:09:15 | 0:09:18 | |
So she sits in my seat and I'm stood there. | 0:09:18 | 0:09:20 | |
Just as we get to Earls Court, somebody asked me for a photo. | 0:09:20 | 0:09:23 | |
Says, I've been watching Soccer Saturday, would you have a photo? | 0:09:23 | 0:09:26 | |
And where were they going? | 0:09:26 | 0:09:27 | |
I presume they were getting off at Earls Court. | 0:09:29 | 0:09:31 | |
-Right, OK. -Yeah. Quickly. | 0:09:31 | 0:09:33 | |
Changing to District? | 0:09:33 | 0:09:34 | |
So they take a quick selfie and then when I look back, there's a young fella sat in my seat. | 0:09:34 | 0:09:39 | |
Ahhh. | 0:09:39 | 0:09:40 | |
-Now that... -I'm gutted. I'm absolutely devastated. | 0:09:40 | 0:09:43 | |
Not only is there a young fella sat in my seat, there's an old, | 0:09:43 | 0:09:47 | |
a mature lady, I should say, | 0:09:47 | 0:09:50 | |
with a walking stick stood right in front of him. | 0:09:50 | 0:09:53 | |
So I am fuming. | 0:09:53 | 0:09:55 | |
So he's got his headset on, listening to music. | 0:09:55 | 0:09:57 | |
So I pulled the thing out of his ear... | 0:09:57 | 0:10:00 | |
-Whoa. -And I've said, | 0:10:00 | 0:10:02 | |
do you realise there's a lady there who needs to sit down. | 0:10:02 | 0:10:05 | |
He went... | 0:10:05 | 0:10:07 | |
"I broke my leg in a car accident. | 0:10:07 | 0:10:09 | |
"And that's my nan with the walking stick!" | 0:10:09 | 0:10:11 | |
-So it has backfired on me, I have to say. -Yeah. | 0:10:20 | 0:10:24 | |
OK, what's upsetting Roisin? | 0:10:27 | 0:10:29 | |
Ex-partners. | 0:10:34 | 0:10:35 | |
Right guys. | 0:10:39 | 0:10:40 | |
Um, I would like to put, and not just mine, | 0:10:40 | 0:10:43 | |
but I think everyone's ex-partners into Room 101 because | 0:10:43 | 0:10:48 | |
I think, they're not any good, are they? | 0:10:48 | 0:10:51 | |
Er it's like, I don't think there's any reason to have to experience | 0:10:51 | 0:10:54 | |
someone you've been romantically intimate with, ever again | 0:10:54 | 0:10:57 | |
after that's done. | 0:10:57 | 0:10:59 | |
And now because of the social media and you know, friends... | 0:10:59 | 0:11:03 | |
LAUGHTER | 0:11:03 | 0:11:05 | |
You've got to still meet them in the modern world. | 0:11:07 | 0:11:10 | |
It never makes an evening better seeing one, "Oh, brilliant. | 0:11:10 | 0:11:12 | |
"My ex is here." It's a really odd thing. | 0:11:12 | 0:11:15 | |
I think there should be a way in which like you can sort of just, | 0:11:15 | 0:11:18 | |
you know, not be on the same grid, so you never bump into them again, | 0:11:18 | 0:11:22 | |
-like some sort of Uber map or something. -Um, I mean I do... | 0:11:22 | 0:11:24 | |
-APPLAUSE -Thank you! | 0:11:24 | 0:11:27 | |
One person, going through a horrific break-up! | 0:11:27 | 0:11:29 | |
Either that or that's one of your exes. | 0:11:29 | 0:11:32 | |
Once you've seen someone naked... | 0:11:35 | 0:11:38 | |
-Yeah. -..you can never really see them with clothes on again. | 0:11:38 | 0:11:41 | |
Yeah. So you're in Waitrose, and you're talking, | 0:11:41 | 0:11:43 | |
having this weird conversation, where you're sort of | 0:11:43 | 0:11:46 | |
where have you been... But it's all mad. | 0:11:46 | 0:11:48 | |
This is madness that we're talking like this with the things we've done. | 0:11:48 | 0:11:51 | |
Like, I don't want to... This is crazy, | 0:11:52 | 0:11:54 | |
that we're talking to each other about you know, like, "Oh, yes, | 0:11:54 | 0:11:57 | |
"the new book shop's opened, it's great." It's crazy. | 0:11:57 | 0:12:00 | |
I always think though if you want to see someone at their absolute best, | 0:12:00 | 0:12:04 | |
I mean looking amazing, | 0:12:04 | 0:12:06 | |
invite them to any event that they know their ex is going to be at. | 0:12:06 | 0:12:10 | |
-Yeah, but then... -And they make such a supreme effort. | 0:12:10 | 0:12:14 | |
-They look fantastic. -The first hour they look amazing. | 0:12:14 | 0:12:17 | |
And then the second hour, they're normally wined out of their mind. | 0:12:17 | 0:12:19 | |
So the first hour, they are like, "Yeah, I'm doing really great. | 0:12:21 | 0:12:23 | |
And the second, they are like... Just like...jittery. | 0:12:23 | 0:12:25 | |
I mean, I'm friends with all my exes but I just think sometimes it | 0:12:25 | 0:12:29 | |
would be quite nice if you go, | 0:12:29 | 0:12:31 | |
"I'll never have to meet anyone I've been romantic with ever again." | 0:12:31 | 0:12:35 | |
I suppose on one level I hate the idea that they can live without me! | 0:12:35 | 0:12:39 | |
Oh, no, they can miss you, they just never get to see you! | 0:12:39 | 0:12:42 | |
-Yeah. -Sometimes when you see, like, | 0:12:42 | 0:12:44 | |
it can be sort of affirming when you see an ex, | 0:12:44 | 0:12:47 | |
because you look at them and you go, | 0:12:47 | 0:12:48 | |
"Oh, I really have grown a lot since then!" | 0:12:48 | 0:12:51 | |
Like, do you not think, like... | 0:12:51 | 0:12:53 | |
That came out much harsher! | 0:12:53 | 0:12:55 | |
And I also want to make clear that all of my exes, brackets two, | 0:12:55 | 0:12:59 | |
are very nice people... | 0:12:59 | 0:13:01 | |
There is something to be said for, like, looking at it and going, | 0:13:01 | 0:13:06 | |
-"Oh, we've both grown... -You know, it makes me feel depressed. | 0:13:06 | 0:13:09 | |
I think, this is going to be really sad, but I feel like... | 0:13:09 | 0:13:11 | |
I remember being so in love with you, | 0:13:11 | 0:13:13 | |
and now that feels so alien that it makes me doubt love! | 0:13:13 | 0:13:16 | |
Wow! I love that! | 0:13:18 | 0:13:20 | |
I love that! You're right, you're right! | 0:13:20 | 0:13:24 | |
Thank you! | 0:13:24 | 0:13:25 | |
So, we come to the summary, | 0:13:25 | 0:13:27 | |
I do have a big problem with people who are into cars, I must say, | 0:13:27 | 0:13:31 | |
it does get on my nerves. But there are a lot of them, | 0:13:31 | 0:13:33 | |
and I'm starting to think it might be my own insecurities. | 0:13:33 | 0:13:37 | |
Exes... | 0:13:37 | 0:13:38 | |
I don't mind so much, if I feel I've had their golden years... | 0:13:38 | 0:13:42 | |
Oh! | 0:13:42 | 0:13:44 | |
How do you know when their golden years are? | 0:13:44 | 0:13:47 | |
People peak at different times! | 0:13:47 | 0:13:49 | |
Well, maybe. As you can imagine, a lot of my exes are actually dead! | 0:13:49 | 0:13:52 | |
So, it's not... | 0:13:55 | 0:13:57 | |
It's not such a problem for me. | 0:13:59 | 0:14:02 | |
Men standing up for women, I've got a problem with this as well, Kammy. | 0:14:03 | 0:14:07 | |
Because I'm thinking the way things are going in the world now, | 0:14:07 | 0:14:10 | |
you're liable to get head-butted by a feminist if you stand up. | 0:14:10 | 0:14:14 | |
I think I am going to put into Room 101 | 0:14:14 | 0:14:17 | |
people who are mad about cars. | 0:14:17 | 0:14:19 | |
APPLAUSE AND CHEERING | 0:14:19 | 0:14:22 | |
Roisin... | 0:14:31 | 0:14:33 | |
Oscar bait. | 0:14:37 | 0:14:39 | |
-What is that? -So, around Oscar season you'll see the same | 0:14:40 | 0:14:44 | |
sort of films that get nominated. | 0:14:44 | 0:14:47 | |
And a lot of the time it's sort of extreme acting. | 0:14:47 | 0:14:49 | |
It's actors who take on roles to win Oscars, | 0:14:49 | 0:14:53 | |
but they're not actually acting. | 0:14:53 | 0:14:55 | |
Like Leonardo DiCaprio in The Revenant. | 0:14:55 | 0:14:57 | |
He's not acting cold, he's cold! | 0:14:57 | 0:14:59 | |
He's just freezing! He's there, | 0:14:59 | 0:15:02 | |
he is not pretending to eat whatever he ate, he ate it. | 0:15:02 | 0:15:05 | |
He's saying, "Oh, look at me." It's not acting, you're doing it! | 0:15:05 | 0:15:07 | |
It's just like Bear Grylls! | 0:15:07 | 0:15:09 | |
-Good point. -There's no acting in this. | 0:15:09 | 0:15:13 | |
I want to see him in the Sahara shivering, | 0:15:13 | 0:15:15 | |
then I'm like, "Look at that, | 0:15:15 | 0:15:16 | |
"you know how hot it is there and he's shivering." | 0:15:16 | 0:15:19 | |
He is filming in the Sahara, that's acting. | 0:15:19 | 0:15:22 | |
And also, actors who, they take on roles, and there's no storyline, | 0:15:22 | 0:15:27 | |
all they do is either get really big or really skinny and then do two | 0:15:27 | 0:15:31 | |
years of interviews saying what good actors they are. | 0:15:31 | 0:15:34 | |
Like, no, that's just dieting or eating doughnuts, | 0:15:34 | 0:15:36 | |
that's not acting either. | 0:15:36 | 0:15:38 | |
And the other one is when they get really sad films, | 0:15:38 | 0:15:40 | |
they do such, like, graphic crying when they're sad, | 0:15:40 | 0:15:44 | |
they don't even wipe the snot from their nose, they are just like... | 0:15:44 | 0:15:48 | |
Really ugly acting. | 0:15:49 | 0:15:51 | |
There's no kind of natural, you know when we're a bit like that? | 0:15:51 | 0:15:54 | |
And they leave the snot run down onto their lip? | 0:15:54 | 0:15:56 | |
And whenever I see that, I think, "You Oscar-hungry little sod!" | 0:15:56 | 0:15:59 | |
Instinct wipes it. | 0:16:00 | 0:16:02 | |
When it's like two lines of bubble and you're just like, "Let me tell you what you did..." | 0:16:02 | 0:16:05 | |
You're just like, "Oh, God!" | 0:16:05 | 0:16:07 | |
Maybe the Oscars should embrace it and have like the biggest | 0:16:07 | 0:16:12 | |
weight-loss or biggest weight. | 0:16:12 | 0:16:14 | |
You could have like a fatter Oscar! | 0:16:14 | 0:16:17 | |
We've got Charlize Theron in the film Monster, | 0:16:19 | 0:16:23 | |
she put on 30lbs by eating crisps | 0:16:23 | 0:16:26 | |
and wore prosthetic... | 0:16:26 | 0:16:27 | |
I mean, she's a fabulously attractive woman. | 0:16:27 | 0:16:30 | |
This is what she looked like in Monster. | 0:16:30 | 0:16:32 | |
It's uncomfortable for me, because that's what I look like! | 0:16:32 | 0:16:36 | |
-I look so much like Charlize Theron in Monster! -That is not true! | 0:16:36 | 0:16:39 | |
What about all the ugly actors who could have played that part? | 0:16:39 | 0:16:42 | |
-Exactly! -Think how many ugly actresses there must be | 0:16:42 | 0:16:45 | |
-who could have walked into that. -She got an Oscar for becoming... | 0:16:45 | 0:16:48 | |
Listen, her performance is good, but fundamentally it's like, | 0:16:48 | 0:16:51 | |
"I made myself unattractive." | 0:16:51 | 0:16:53 | |
And they're like, "Give her the Oscar, how brave!" | 0:16:53 | 0:16:55 | |
But there'll be ugly people at home saying, "What about us?! | 0:16:55 | 0:16:58 | |
"We never get anything in life. | 0:16:58 | 0:17:01 | |
"Can't we just play... | 0:17:01 | 0:17:02 | |
"The rare opportunity to play an ugly person, they cast a beautiful person." | 0:17:02 | 0:17:06 | |
I don't even know why Hollywood actors want to do real? | 0:17:06 | 0:17:10 | |
Why not stick with what you know? | 0:17:10 | 0:17:12 | |
I know, because I get a lot of work... | 0:17:12 | 0:17:14 | |
I'm a teeth double in films set in Medieval England! | 0:17:14 | 0:17:20 | |
And the real thing, as well... | 0:17:23 | 0:17:25 | |
I don't know about you, but in life, people say stuff to me and I say, | 0:17:27 | 0:17:31 | |
"What?" And they have to repeat it. That never happens in a film! | 0:17:31 | 0:17:35 | |
They hear everything first time, everything. | 0:17:36 | 0:17:39 | |
No-one ever in the middle of the conversation goes, "Hold on a minute." | 0:17:39 | 0:17:43 | |
That never, ever happens. | 0:17:47 | 0:17:50 | |
The number of films I've seen with people running down a street | 0:17:50 | 0:17:52 | |
and not one of them has ever trod in a dog turd! | 0:17:52 | 0:17:55 | |
That's not statistically possible. | 0:17:56 | 0:17:58 | |
Exactly. | 0:17:58 | 0:18:00 | |
No-one ever farts in a movie. | 0:18:00 | 0:18:02 | |
And if they do, it's considered crass. | 0:18:02 | 0:18:04 | |
Exactly! Also, the Oscars itself is such a painful evening. | 0:18:04 | 0:18:10 | |
They read from the autocue like they've never read out loud | 0:18:10 | 0:18:14 | |
before in their lives. | 0:18:14 | 0:18:16 | |
This is John Travolta, a fine actor, | 0:18:16 | 0:18:18 | |
I've seen him in many brilliant things, | 0:18:18 | 0:18:21 | |
and he's presenting the singer Idina Menzel. | 0:18:21 | 0:18:26 | |
Here to perform the Oscar-nominated, gorgeously empowering song | 0:18:26 | 0:18:29 | |
Let It Go, from the Oscar-winning animated movie Frozen, | 0:18:29 | 0:18:34 | |
please welcome the wick-ed-ly talented, one and only, | 0:18:34 | 0:18:38 | |
Adele Dazene. | 0:18:38 | 0:18:40 | |
LAUGHTER | 0:18:40 | 0:18:42 | |
I remember that, it was so funny. | 0:18:44 | 0:18:46 | |
Idina Menzel becomes Adele Dazene. | 0:18:46 | 0:18:49 | |
It sounds like someone unplugged him. | 0:18:51 | 0:18:53 | |
It's the confidence of going, the wick-ed-ly talented... | 0:18:54 | 0:18:58 | |
When would you ever say that in life?! | 0:18:58 | 0:19:00 | |
OK, so what's upsetting Nish? | 0:19:01 | 0:19:04 | |
It's downloading music. | 0:19:08 | 0:19:09 | |
So, I... | 0:19:09 | 0:19:11 | |
..feel that the fact that we, download music has slightly spoiled things. | 0:19:12 | 0:19:17 | |
I really miss sort of the physical copy of a CD, or a record. | 0:19:17 | 0:19:23 | |
I really miss that. I think it's taken some of the sort of poetry and the romance out of music. | 0:19:23 | 0:19:29 | |
And it's ended the sort of culture of mix tapes and sharing music by | 0:19:29 | 0:19:33 | |
discovering it via your friends. | 0:19:33 | 0:19:34 | |
But then I am a certain type of person, and a couple of years ago, | 0:19:34 | 0:19:38 | |
my girlfriend bought me a record player. | 0:19:38 | 0:19:40 | |
And I said, "Oh, this is amazing." | 0:19:40 | 0:19:42 | |
And she said, "Yeah, I just thought you should have one because you seem | 0:19:42 | 0:19:45 | |
"like the sort of nob that does!" | 0:19:45 | 0:19:46 | |
LAUGHTER | 0:19:46 | 0:19:49 | |
She's not off-base with that! | 0:19:49 | 0:19:51 | |
And also like the event of going... | 0:19:51 | 0:19:53 | |
I went on the day the newest Kendrick Lamar album came out, | 0:19:53 | 0:19:56 | |
I went to my local record shop, | 0:19:56 | 0:19:59 | |
or the shell where my local record shop used to be. | 0:19:59 | 0:20:02 | |
I went in there and I said to the guy, I was like, "I can't wait, | 0:20:02 | 0:20:04 | |
"new Kendrick Lamar album." I couldn't see it on the shelves. | 0:20:04 | 0:20:07 | |
I was like, "Well, they must have sold out." | 0:20:07 | 0:20:09 | |
I went to the guy, "Do you have any copies left?" | 0:20:09 | 0:20:11 | |
And he was like, "No, it doesn't come out on CD for like two weeks." | 0:20:11 | 0:20:14 | |
I was like, "Oh, what am I supposed to do?" | 0:20:14 | 0:20:15 | |
He went, "Just download it!" I was like, "That's your business that you're ruining!" | 0:20:15 | 0:20:19 | |
What about you, Kammy? Do you download? | 0:20:20 | 0:20:23 | |
No, I don't download. | 0:20:23 | 0:20:24 | |
But just bringing that on from Nish. | 0:20:24 | 0:20:27 | |
Basically, going to the record shop to buy Dexy's Midnight Runners' | 0:20:27 | 0:20:30 | |
Come On Eileen. | 0:20:30 | 0:20:32 | |
Come On Eileen?! | 0:20:32 | 0:20:34 | |
I had no idea... | 0:20:34 | 0:20:35 | |
# Come on, Eileen... # | 0:20:35 | 0:20:37 | |
We know it! | 0:20:37 | 0:20:39 | |
You know, that was the main thing, you know, at the end of the day... | 0:20:39 | 0:20:44 | |
-What, every week?! -No, not every week. I bought it once. | 0:20:44 | 0:20:46 | |
No wonder it was number one for so long! | 0:20:46 | 0:20:48 | |
When I first left home and I went to live in a bedsit, | 0:20:48 | 0:20:51 | |
I left and I didn't have a record player, | 0:20:51 | 0:20:55 | |
CD player, cassette player, I didn't have a television. | 0:20:55 | 0:20:58 | |
I really learned to appreciate the ice cream van! | 0:20:58 | 0:21:04 | |
Just any sort of music! | 0:21:04 | 0:21:06 | |
Are you old enough to remember the CD Walkman? | 0:21:06 | 0:21:11 | |
The Discman? | 0:21:11 | 0:21:13 | |
That's the first thing that I had to listen to music on. | 0:21:13 | 0:21:16 | |
I've got one here. | 0:21:17 | 0:21:19 | |
And this is what I remember about the Discman, | 0:21:19 | 0:21:24 | |
is that you'd have... | 0:21:24 | 0:21:25 | |
You'd be thinking, "I'm all set now for the music." | 0:21:25 | 0:21:27 | |
But the least little bump and it jumped the CD. | 0:21:27 | 0:21:32 | |
So, honestly, I would find myself... | 0:21:32 | 0:21:35 | |
This is how I used to walk listening to music. | 0:21:35 | 0:21:37 | |
LAUGHTER | 0:21:37 | 0:21:39 | |
I think people thought, "Look at that bloke, balancing a 50p piece | 0:21:49 | 0:21:52 | |
"on his private parts." | 0:21:52 | 0:21:54 | |
Queen facing away, obviously. | 0:21:55 | 0:21:57 | |
So, I don't miss that, Nish. | 0:22:00 | 0:22:02 | |
Oh, maybe I am wrong. | 0:22:02 | 0:22:03 | |
OK, so, to Kammy. | 0:22:05 | 0:22:07 | |
-This is my biggie, Frank. -OK. | 0:22:07 | 0:22:10 | |
This is my biggie, I have to say - bread in restaurants. | 0:22:10 | 0:22:12 | |
-Hmm. -So, we go out for a meal, we go to a restaurant, we get in there, | 0:22:14 | 0:22:20 | |
we order some drinks, as soon as we order the drinks, | 0:22:20 | 0:22:23 | |
a pint of lager for me... | 0:22:23 | 0:22:26 | |
Oh, no, it's like the travel story again! | 0:22:26 | 0:22:28 | |
I want to know how Kammy got to the restaurant. | 0:22:31 | 0:22:33 | |
-We got a taxi, Frank. -Oh, OK. | 0:22:35 | 0:22:37 | |
Thank God! | 0:22:38 | 0:22:39 | |
Tap water for the missus, she's driving. | 0:22:41 | 0:22:43 | |
The taxi?! | 0:22:43 | 0:22:45 | |
Yeah, just in case she gets a call-out... | 0:22:51 | 0:22:53 | |
..while we're eating! | 0:22:56 | 0:22:57 | |
So then you get in the restaurant, so they come | 0:23:00 | 0:23:02 | |
and take the drinks order and then they bring the bread. | 0:23:02 | 0:23:06 | |
They bring the bread and they put it down. | 0:23:06 | 0:23:08 | |
And I know what you're going to say, "You don't have to eat it." | 0:23:08 | 0:23:11 | |
But you haven't eaten all day. | 0:23:11 | 0:23:12 | |
Right? So you know you're tempted. | 0:23:12 | 0:23:15 | |
So you go for the bread, little bit of butter on it. | 0:23:15 | 0:23:18 | |
While you're still waiting for the drinks little bit more, | 0:23:20 | 0:23:23 | |
eat it. | 0:23:23 | 0:23:24 | |
So then they bring the drinks. | 0:23:24 | 0:23:26 | |
Great, brilliant. So we're sat there, we're eating the bread | 0:23:26 | 0:23:30 | |
and then they put the order in. | 0:23:30 | 0:23:31 | |
So then there's some more bread, isn't there? | 0:23:33 | 0:23:36 | |
Kammy, I think you're in a bakery! | 0:23:36 | 0:23:38 | |
Kammy! | 0:23:45 | 0:23:46 | |
Oh, it's just bread upon bread upon bread! | 0:23:48 | 0:23:51 | |
Then dessert comes out. | 0:23:51 | 0:23:52 | |
What is it? Bread pudding! Good lord! | 0:23:52 | 0:23:55 | |
So then your starters come. | 0:23:55 | 0:23:57 | |
And I've ordered the tomato soup, and it comes with a bread roll. | 0:23:57 | 0:24:00 | |
So by the time my lobster Thermidor comes, | 0:24:03 | 0:24:06 | |
I don't want anything more to eat cos I've eaten all the bread. | 0:24:06 | 0:24:09 | |
-Yeah. -Yeah, and I'm full, I'm completely full. | 0:24:09 | 0:24:12 | |
So that's why I want to throw bread in restaurants in Room 101. | 0:24:12 | 0:24:17 | |
I have to... Come on, that deserves a round of applause! | 0:24:17 | 0:24:21 | |
And don't get me wrong... Don't get me wrong, Frank, | 0:24:25 | 0:24:28 | |
I wouldn't be here today if it wasn't for bread, you know?! | 0:24:28 | 0:24:31 | |
That has to be the trailer, Frank, that has to be the trailer! | 0:24:34 | 0:24:37 | |
"Don't get me wrong, Frank, I wouldn't be here today | 0:24:37 | 0:24:39 | |
"if it wasn't for bread!" | 0:24:39 | 0:24:41 | |
After hearing Kammy's story, I'm feeling a bit bloated. | 0:24:41 | 0:24:44 | |
But you're right, it is a strange thing that you go | 0:24:46 | 0:24:48 | |
into a restaurant and you say, | 0:24:48 | 0:24:52 | |
"I want a meal," and they say, "OK, I'll just go and get something | 0:24:52 | 0:24:56 | |
"to ruin your appetite." | 0:24:56 | 0:24:58 | |
And then they come... Why do they do that? | 0:24:58 | 0:25:00 | |
It doesn't make any sense, when you think about it. | 0:25:00 | 0:25:02 | |
-No, it doesn't. -Wait, and I'll just have the food. | 0:25:02 | 0:25:04 | |
It's to stop you being cranky. In a busy restaurant, it's kind | 0:25:04 | 0:25:07 | |
of a good thing to do as well. You know when you get into a | 0:25:07 | 0:25:09 | |
restaurant and you're like, foaming, like, "I need food now." | 0:25:09 | 0:25:12 | |
-And they're like, "OK, that person looks crazy hungry." -Yeah. | 0:25:12 | 0:25:14 | |
So that's probably like what they're thinking, he looks really hungry. | 0:25:14 | 0:25:17 | |
So if they give you bread and a bit of salad, | 0:25:17 | 0:25:19 | |
-it just takes the edge off. -Exactly, it takes the edge off. | 0:25:19 | 0:25:22 | |
And then it slows down reading the menu, | 0:25:22 | 0:25:23 | |
you've got that lovely calm feeling. | 0:25:23 | 0:25:26 | |
It's all OK! | 0:25:26 | 0:25:28 | |
But when the food comes, I want to be hungry. | 0:25:28 | 0:25:31 | |
I'd rather that they gave, when I went in, they gave me marijuana... | 0:25:31 | 0:25:35 | |
..to make me hungrier, you know? | 0:25:36 | 0:25:38 | |
I know restaurants you can go in and you get that. | 0:25:38 | 0:25:41 | |
Just give me a call, Frank! | 0:25:43 | 0:25:44 | |
If anyone from Sky is watching, that was a joke. | 0:25:46 | 0:25:49 | |
No, it wasn't. | 0:25:51 | 0:25:52 | |
I think the Kamara household is the most industrious household | 0:25:59 | 0:26:02 | |
in Britain, cos your wife's driving taxis, | 0:26:02 | 0:26:05 | |
you're presenting football shows, | 0:26:05 | 0:26:06 | |
and apparently dealing drugs. | 0:26:06 | 0:26:08 | |
Well, we don't deal. | 0:26:10 | 0:26:11 | |
Kammy has got his standards. | 0:26:16 | 0:26:17 | |
I'm happy to just start the meal abruptly. | 0:26:20 | 0:26:23 | |
I don't need a ramp. | 0:26:23 | 0:26:25 | |
Where do you all stand on poppadoms? Because I think... | 0:26:25 | 0:26:28 | |
I think there is no Indian dish which is good enough to | 0:26:28 | 0:26:33 | |
follow poppadoms. | 0:26:33 | 0:26:35 | |
Poppadoms are so brilliant. | 0:26:36 | 0:26:38 | |
I try to limit myself to two. | 0:26:38 | 0:26:40 | |
Because, you know, once you poppadom, you can't stopadom. | 0:26:40 | 0:26:43 | |
What people do is they break a bit of poppadom | 0:26:48 | 0:26:51 | |
-and then they put a piece of poppadom back. -Yeah. | 0:26:51 | 0:26:55 | |
And I'm losing count. I'm trying to eat two, but there's | 0:26:55 | 0:26:57 | |
half pieces, I don't know... | 0:26:57 | 0:26:59 | |
I've had nine, let's face it. | 0:26:59 | 0:27:01 | |
I've had nine with their accompanying pickles. | 0:27:01 | 0:27:04 | |
They're so brilliant. | 0:27:04 | 0:27:06 | |
Also, but I do realise my mother is definitely going to watch this show | 0:27:06 | 0:27:10 | |
and she is now going to see what you've said | 0:27:10 | 0:27:12 | |
as some sort of a challenge extended. | 0:27:12 | 0:27:14 | |
So if you ever make it down to Croydon, | 0:27:14 | 0:27:15 | |
my mother will absolutely make you an Indian meal that she feels can | 0:27:15 | 0:27:19 | |
follow poppadoms. That is a 100% guarantee. | 0:27:19 | 0:27:21 | |
I am definitely going to come for the poppadoms. | 0:27:21 | 0:27:24 | |
What's the best route for me to take? | 0:27:24 | 0:27:26 | |
You get the Northern line... | 0:27:29 | 0:27:31 | |
Anyway, we come to the end. | 0:27:36 | 0:27:37 | |
And the Oscar bait, you know what... | 0:27:37 | 0:27:40 | |
..it's a really interesting thing, | 0:27:41 | 0:27:43 | |
with lots of points I'd never thought of before. | 0:27:43 | 0:27:45 | |
It doesn't sound like I've got it, though! | 0:27:45 | 0:27:47 | |
I know the old... | 0:27:49 | 0:27:51 | |
I know the old switcheroo. | 0:27:51 | 0:27:53 | |
Thank God for that! | 0:27:54 | 0:27:56 | |
The truth is, I think downloading music is brilliant. | 0:27:56 | 0:27:58 | |
I think the Oscars, I think that's really clever and insightful. | 0:27:58 | 0:28:02 | |
But could anything be better than Kammy talking about bread?! | 0:28:02 | 0:28:06 | |
I'm going to put bread in restaurants into Room 101. | 0:28:08 | 0:28:10 | |
CHEERING AND APPLAUSE | 0:28:10 | 0:28:12 | |
And that brings us to the end of the show. | 0:28:23 | 0:28:25 | |
Well done... | 0:28:25 | 0:28:27 | |
Nish. You were the most persuasive guest, | 0:28:27 | 0:28:28 | |
so you are this week's winner. | 0:28:28 | 0:28:30 | |
CHEERING AND APPLAUSE | 0:28:30 | 0:28:33 | |
Thanks very much, Nish Kumar, Roisin Conaty and Chris Kamara. | 0:28:38 | 0:28:42 | |
And thank you, goodnight. | 0:28:42 | 0:28:43 |