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CHEERING AND APPLAUSE | 0:00:21 | 0:00:22 | |
Hello! And welcome to Good News. | 0:00:24 | 0:00:28 | |
One of the best things about my job - I get to choose | 0:00:28 | 0:00:31 | |
loads of great comics to come and do a set on my show. | 0:00:31 | 0:00:33 | |
This is a special edition | 0:00:33 | 0:00:35 | |
showing you all their very best bits, so enjoy. | 0:00:35 | 0:00:38 | |
(DEADPAN) Hello, I'm Mark. | 0:00:45 | 0:00:47 | |
LAUGHTER | 0:00:47 | 0:00:49 | |
MIXED CHEERING | 0:00:49 | 0:00:51 | |
Coo-ee! > | 0:00:51 | 0:00:53 | |
LAUGHTER | 0:00:53 | 0:00:55 | |
Not going to lie, I'm a little bit disappointed with that opening. | 0:00:56 | 0:00:59 | |
There was clapping. That was good, I enjoyed that. | 0:00:59 | 0:01:03 | |
But Russell mentioned, did he not, that I'm a geography teacher? | 0:01:03 | 0:01:06 | |
WHOOPING | 0:01:06 | 0:01:07 | |
The correct response is "Yes, sir." | 0:01:10 | 0:01:12 | |
And that doesn't mean that manners can go out the window. | 0:01:12 | 0:01:16 | |
What do you do when a teacher enters the room? | 0:01:16 | 0:01:18 | |
-Leave! -Go home! | 0:01:18 | 0:01:20 | |
LAUGHTER | 0:01:20 | 0:01:21 | |
(INAUDIBLE) > | 0:01:30 | 0:01:31 | |
Stand up, so you DO know. We'll try again. | 0:01:31 | 0:01:35 | |
Ladies and gentlemen, please welcome to the stage, | 0:01:41 | 0:01:44 | |
part-time teacher of geography, Mark Cooper-Jones! | 0:01:44 | 0:01:46 | |
CHEERING | 0:01:46 | 0:01:48 | |
Thank you. Thank you. | 0:01:56 | 0:01:59 | |
No, I haven't said sit down. | 0:02:00 | 0:02:02 | |
I haven't said sit down. | 0:02:02 | 0:02:04 | |
I'm afraid that calls for teacher face disappointment level 2. | 0:02:04 | 0:02:08 | |
But you may sit down. | 0:02:09 | 0:02:10 | |
I love X-Men. My favourite X-Man is Professor Xavier, | 0:02:12 | 0:02:15 | |
because that guy is in a wheelchair, but he can move things with his mind. | 0:02:15 | 0:02:20 | |
But that's what I never understood. | 0:02:20 | 0:02:21 | |
Like, if you can move a huge building with your mind, | 0:02:21 | 0:02:24 | |
shouldn't you be able to move your legs with your mind? | 0:02:24 | 0:02:27 | |
Like, I think he was just faking it for a better disability cheque. | 0:02:31 | 0:02:34 | |
And in the new X-Men, there's this mutant, Darwin, | 0:02:36 | 0:02:38 | |
and Darwin's mutant ability is to adapt. | 0:02:38 | 0:02:41 | |
Like, when Darwin put his head underwater, he grows gills. | 0:02:41 | 0:02:44 | |
He adapts. Which is amazing, but this guy's black in 1962 America. | 0:02:44 | 0:02:50 | |
And it's like, hey, if you can grow gills on your face, | 0:02:54 | 0:02:56 | |
you should not be black in 1962. | 0:02:56 | 0:02:58 | |
Adapt! That's your mutant ability, Darwin! | 0:03:00 | 0:03:05 | |
Like, at one point in the movie, the guy had bulletproof skin | 0:03:05 | 0:03:07 | |
and I was like "Dude, you wouldn't need that if you were just white." | 0:03:07 | 0:03:10 | |
MIXED LAUGHTER AND GROANS | 0:03:10 | 0:03:13 | |
I love that I'm doing stand-up on TV. This is amazing, because on TV, | 0:03:15 | 0:03:19 | |
whenever you do a joke about a black guy, what they do is, | 0:03:19 | 0:03:21 | |
they show a black guy in the audience laughing, so you guys know it's OK. | 0:03:21 | 0:03:25 | |
So next time I'm on TV, | 0:03:27 | 0:03:28 | |
I'm going to do a joke about a paraplegic midget, | 0:03:28 | 0:03:31 | |
just to watch the cameraman run around trying to find one | 0:03:31 | 0:03:34 | |
right after I say it. | 0:03:34 | 0:03:35 | |
"We need to find one!" "There's a short guy with a crutch". | 0:03:35 | 0:03:38 | |
"Break his other leg! We don't want to offend anyone!" | 0:03:38 | 0:03:42 | |
Oh, I saw a cab today. It had a sign on it | 0:03:44 | 0:03:49 | |
that said "There's nothing of value in this car", | 0:03:49 | 0:03:51 | |
and there was a man inside, and he looked very sad. | 0:03:51 | 0:03:55 | |
"I'm worthless". | 0:03:55 | 0:03:57 | |
I couldn't afford it, but I went on this ten-day vacation | 0:03:59 | 0:04:03 | |
with my adopted dad, and it was ten days, but no alone time at all. | 0:04:03 | 0:04:07 | |
So by day three of the trip, I end up having to try to wank off | 0:04:07 | 0:04:12 | |
with my dad asleep in the hotel bed beside me. | 0:04:12 | 0:04:15 | |
That's not the worst part. | 0:04:15 | 0:04:16 | |
The worst part was, the whole time I'm doing it, | 0:04:16 | 0:04:19 | |
I had to stare at my dad to make sure he didn't wake up. | 0:04:19 | 0:04:21 | |
And just imagine it from his perspective. | 0:04:24 | 0:04:26 | |
If he woke up, what a harsh reality check that would be on his holiday. | 0:04:26 | 0:04:31 | |
Like, he goes from dreaming, | 0:04:31 | 0:04:33 | |
thinking of this beautiful girl he saw in his dream, | 0:04:33 | 0:04:35 | |
to waking up to his own son wanking off | 0:04:35 | 0:04:37 | |
while staring at him while he's asleep, | 0:04:37 | 0:04:40 | |
pretending that mole on his bald head | 0:04:40 | 0:04:42 | |
is a weird nipple on an ugly tit. | 0:04:42 | 0:04:45 | |
Before this, I used to be a businesslady, | 0:04:47 | 0:04:49 | |
and I quit because of the glass ceiling effect, | 0:04:49 | 0:04:53 | |
which is the same reason I left the British Museum. | 0:04:53 | 0:04:57 | |
For that joke to work, | 0:05:02 | 0:05:03 | |
you have to know what a metaphorical glass ceiling is. | 0:05:03 | 0:05:06 | |
Then you've got to know | 0:05:06 | 0:05:07 | |
that the British Museum has got the biggest ever glass ceiling, | 0:05:07 | 0:05:11 | |
and then you've got to think it's funny, so... | 0:05:11 | 0:05:13 | |
It's a bit of a tall order. | 0:05:15 | 0:05:16 | |
But I like this job, because you get to work from home quite a lot, | 0:05:16 | 0:05:20 | |
and I like working from home, because you can investigate different things. | 0:05:20 | 0:05:24 | |
Like, if you've run out of milk, this is a good tip, | 0:05:24 | 0:05:28 | |
if you run out of milk, you can put yoghurt in your coffee, | 0:05:28 | 0:05:33 | |
and it totally ruins it. | 0:05:33 | 0:05:34 | |
So I'm engaged, no surprises there. | 0:05:40 | 0:05:43 | |
Someone's laughing more than they should at that. | 0:05:44 | 0:05:47 | |
And it's lovely. Mainly for him, but it is. I love him! | 0:05:49 | 0:05:55 | |
It's really nice. But, um... | 0:05:55 | 0:05:58 | |
It's kind of weird, right, because I've only just got round | 0:06:00 | 0:06:04 | |
to telling people that I've got a boyfriend. | 0:06:04 | 0:06:06 | |
I think loads of people do this. | 0:06:06 | 0:06:08 | |
If you're in a social situation, you don't want to tell people | 0:06:08 | 0:06:11 | |
that you've got a boyfriend, because you don't want to ruin their lives. | 0:06:11 | 0:06:15 | |
Come on, we've all been there. | 0:06:18 | 0:06:19 | |
And I realised that this was ridiculous | 0:06:19 | 0:06:21 | |
when someone did it to me, and I didn't even fancy him. | 0:06:21 | 0:06:24 | |
I'll explain what happened. | 0:06:24 | 0:06:26 | |
He's a stand-up, so I can't say his name, and I had known him | 0:06:26 | 0:06:29 | |
for about six months, and he had never mentioned a girlfriend. | 0:06:29 | 0:06:32 | |
That's quite a long time, right? | 0:06:32 | 0:06:33 | |
I would have liked to hear about his girlfriend, because I'm quite nosy. | 0:06:33 | 0:06:37 | |
And he'd never mentioned it, | 0:06:37 | 0:06:38 | |
so he must have thought that I fancied him, and I did not. | 0:06:38 | 0:06:43 | |
And this was how I deduced all of this, | 0:06:43 | 0:06:45 | |
because we were walking to a gig, and his girlfriend was coming later, | 0:06:45 | 0:06:48 | |
but I didn't know she was coming to the gig. | 0:06:48 | 0:06:50 | |
So we were walking to the gig and I said to him, | 0:06:50 | 0:06:52 | |
"I'm just going to get a packet of Wotsits"... | 0:06:52 | 0:06:55 | |
because I like Wotsits, and I tell it like it is. | 0:06:55 | 0:07:01 | |
And here's what he said - | 0:07:01 | 0:07:04 | |
"Oh, my girlfriend likes Wotsits." | 0:07:04 | 0:07:09 | |
So then I've got to show the appropriate facial reaction | 0:07:12 | 0:07:17 | |
to "I know you've just mentioned the G-bomb, but I'm not bothered", | 0:07:17 | 0:07:21 | |
while also showing the appropriate facial reaction to... | 0:07:21 | 0:07:24 | |
"Someone else likes Wotsits?" | 0:07:25 | 0:07:27 | |
There's a lot going on. So I went with this. | 0:07:29 | 0:07:32 | |
And then I said "I'll get her a packet if you like", | 0:07:39 | 0:07:41 | |
which does sound bitter. | 0:07:41 | 0:07:43 | |
Guess we'd better sort some things out straight from the top, yeah? | 0:07:43 | 0:07:46 | |
Deal with some issues. First of all, let's deal with the audio. | 0:07:46 | 0:07:50 | |
What's going into your earholes, mate? I'm not from here. | 0:07:50 | 0:07:55 | |
I'm from somewhere else, from New Zealand. | 0:07:55 | 0:07:57 | |
There's something about the New Zealand accent, isn't there? | 0:07:57 | 0:08:00 | |
I'll tell you what it is. It's sexy. | 0:08:00 | 0:08:02 | |
Oh, yeah, I know a few of you ladies | 0:08:04 | 0:08:06 | |
have been affected in the downstairs region already. | 0:08:06 | 0:08:09 | |
There's a lot of moisture in the air tonight. | 0:08:09 | 0:08:13 | |
It is such a sexy accent, I wouldn't be surprised | 0:08:13 | 0:08:15 | |
if some of you ladies walked away a little bit pregnant tonight. | 0:08:15 | 0:08:19 | |
It's one of those risks. | 0:08:19 | 0:08:20 | |
It's also sexy enough that there's probably a couple of guys | 0:08:20 | 0:08:23 | |
tonight going "Oh, my God, I've got a semi on". | 0:08:23 | 0:08:25 | |
And now all the posh people are sitting there going "Semillon? | 0:08:25 | 0:08:29 | |
"That's a lovely glass of wine. Mmm, I love a vintage Semillon." | 0:08:29 | 0:08:34 | |
So that's the audio dealt with. Tick that box. We are moving on... | 0:08:36 | 0:08:40 | |
to the visuals, or the viz-u-als, if you're a dick. | 0:08:40 | 0:08:43 | |
I'm quite a hairy man, I don't mind admitting that. | 0:08:45 | 0:08:48 | |
Any other hairy men in the room? Come on, roar like the bears you are! | 0:08:48 | 0:08:52 | |
MEN GROWL | 0:08:52 | 0:08:53 | |
"Grr! Not really a grizzly bear, more a teddy bear! Go on! | 0:08:53 | 0:08:58 | |
"Put me in the room with your kids!" Awkward. Awkward, right. | 0:08:58 | 0:09:02 | |
But at least you admit it, | 0:09:04 | 0:09:05 | |
because there's too many guys out there who are hairy, | 0:09:05 | 0:09:07 | |
and they don't admit it because they think the ladies don't like it, | 0:09:07 | 0:09:11 | |
because for too long, society has been telling us | 0:09:11 | 0:09:15 | |
that the ladies don't like body hair on a man. For too long...! | 0:09:15 | 0:09:20 | |
..The movies have given us hairless men | 0:09:22 | 0:09:25 | |
and told us they are beautiful. For too long... | 0:09:25 | 0:09:30 | |
Magazines have said a hairy man is not your ideal man. | 0:09:30 | 0:09:35 | |
But guess what, ladies? You love it. | 0:09:35 | 0:09:39 | |
Oh, openly you don't admit it, | 0:09:39 | 0:09:41 | |
but deep down you know there's nothing better | 0:09:41 | 0:09:43 | |
than rubbing your face into the downy softness of a man's back. | 0:09:43 | 0:09:47 | |
Oh! It's one of life's little gifts! | 0:09:47 | 0:09:51 | |
You have not spooned until you've spooned | 0:09:51 | 0:09:53 | |
and got your face tickled at the same time. | 0:09:53 | 0:09:55 | |
But we all know that famous saying. | 0:09:57 | 0:09:59 | |
"If you want great nookie, bag yourself a Wookiee." | 0:09:59 | 0:10:02 | |
We all know that. | 0:10:02 | 0:10:03 | |
I like to play a game | 0:10:06 | 0:10:08 | |
whenever I go to the supermarket with my girlfriend, | 0:10:08 | 0:10:10 | |
where I try to think of something I can yell to her | 0:10:10 | 0:10:13 | |
that makes everybody there think that she's crazy. | 0:10:13 | 0:10:17 | |
And we were there and I was by the cart and she was 20 feet away | 0:10:18 | 0:10:22 | |
and I yelled to her "You know what? I AM going to get toilet paper. | 0:10:22 | 0:10:26 | |
"I don't think it's a waste." | 0:10:26 | 0:10:28 | |
And then everybody looks at her | 0:10:30 | 0:10:32 | |
like she's some crazy toilet paper vegan. | 0:10:32 | 0:10:34 | |
Often, when I'm touring, before a show | 0:10:36 | 0:10:39 | |
I'll have a lot of time to kill, so I'll sit at a bar. | 0:10:39 | 0:10:41 | |
I don't know if you do it here, | 0:10:41 | 0:10:43 | |
but in the States, whenever you order a drink, | 0:10:43 | 0:10:45 | |
they give you a napkin with your drink. | 0:10:45 | 0:10:47 | |
And one thing I like to do is write a little note on the napkin | 0:10:47 | 0:10:50 | |
and then put it back at the bottom of the pile | 0:10:50 | 0:10:52 | |
so that in a few weeks, somebody gets a message from me. | 0:10:52 | 0:10:55 | |
And I found a bunch of napkins that I wrote a ton of stuff on, | 0:10:55 | 0:10:58 | |
but never put back in the pile, that I wanted to share with you. | 0:10:58 | 0:11:02 | |
So here we go. Here they are. | 0:11:02 | 0:11:06 | |
"Cheer up, fatty!" | 0:11:06 | 0:11:07 | |
"It's OK to lie to old people." | 0:11:12 | 0:11:14 | |
"This napkin gives you permission to talk about politics, | 0:11:17 | 0:11:20 | |
"even though you're drunk and uninformed." | 0:11:20 | 0:11:22 | |
"You can lead a horse to water. Congratulations, fuckface." | 0:11:25 | 0:11:29 | |
"You are an alchemist who can turn six beers | 0:11:32 | 0:11:35 | |
"into an awkward three-week relationship." | 0:11:35 | 0:11:37 | |
You are. | 0:11:39 | 0:11:40 | |
"Don't shit where you sleep either." | 0:11:42 | 0:11:44 | |
And then of course, lastly, "Have a baby. It'll save your marriage". | 0:11:46 | 0:11:50 | |
Sad to get, but wonderful to leave. | 0:11:54 | 0:11:56 | |
I was in an elevator, because I have the money, and it was really small. | 0:12:03 | 0:12:10 | |
It was this big, really small and crowded, | 0:12:10 | 0:12:13 | |
and a guy sarcastically goes, | 0:12:13 | 0:12:14 | |
"There's probably bigger elevators than this in Russia!" | 0:12:14 | 0:12:18 | |
Probably. | 0:12:18 | 0:12:20 | |
That's not one of the pre-agreed-upon stereotypes of Russia. | 0:12:20 | 0:12:24 | |
You can't just make up random information | 0:12:25 | 0:12:28 | |
and say it sarcastically to replace actual information. | 0:12:28 | 0:12:32 | |
I'd be like "I was on a date with this French girl. | 0:12:32 | 0:12:35 | |
"She was more rude than a wolfcat"... | 0:12:35 | 0:12:37 | |
..an animal I made up and decided was rude. | 0:12:39 | 0:12:42 | |
Last summer, I was in Manchester. | 0:12:45 | 0:12:48 | |
England, not New Hampshire, as you're assuming. | 0:12:48 | 0:12:51 | |
And I was walking around. It was pretty late. | 0:12:51 | 0:12:54 | |
It was midnight, or one, and I was trying to get back to my hotel | 0:12:54 | 0:12:57 | |
and this guy came up to me and said | 0:12:57 | 0:12:59 | |
"Excuse me, are you from around here?" | 0:12:59 | 0:13:01 | |
And I was like, "No". And he was like "Great". That's not good. | 0:13:01 | 0:13:05 | |
That is not a person who wants time or directions. | 0:13:05 | 0:13:07 | |
He is excited I'm lost. | 0:13:07 | 0:13:09 | |
And I slowly start walking away and he gets mad and he goes | 0:13:09 | 0:13:12 | |
"Everybody thinks I want money!" | 0:13:12 | 0:13:14 | |
And I was like "I don't know what you want, I'm just leaving." | 0:13:14 | 0:13:17 | |
And then he gets even more mad and he goes | 0:13:18 | 0:13:21 | |
"I've just got off the bus. I'm from Czechoslovakia". | 0:13:21 | 0:13:26 | |
And I was like, "I have some very bad news for you, sir. | 0:13:26 | 0:13:30 | |
"Your country has been dissolved. | 0:13:30 | 0:13:32 | |
"I don't know when you got on the bus, but it must have been the '90s, | 0:13:34 | 0:13:40 | |
"because your country no longer exists". | 0:13:40 | 0:13:43 | |
The problem is, the world's a mess at the moment | 0:13:43 | 0:13:46 | |
and nobody really cares about anything. | 0:13:46 | 0:13:48 | |
Like you, what do you care about? See, nothing. | 0:13:48 | 0:13:51 | |
But we do, and we've become revolutionaries. | 0:13:52 | 0:13:55 | |
I'm not going to say we're like Che Guevara, | 0:13:55 | 0:13:57 | |
but pretty much every T-shirt on every campus in the country | 0:13:57 | 0:14:01 | |
is soon to have our faces emblazoned upon it. | 0:14:01 | 0:14:04 | |
Yeah, like this one - fuck, I forgot to put it on. | 0:14:04 | 0:14:06 | |
SOMBRE PIANO MUSIC | 0:14:11 | 0:14:13 | |
I believe it was Malcolm X that said "By any means necessary." | 0:14:19 | 0:14:23 | |
So we're going to march down to Parliament Square hand in hand, | 0:14:23 | 0:14:27 | |
linked together. | 0:14:27 | 0:14:28 | |
No matter how much the riot police bang their batons | 0:14:29 | 0:14:33 | |
against their shields, no matter how much they push against us, | 0:14:33 | 0:14:37 | |
we will not break hands and we will not break that link. | 0:14:37 | 0:14:40 | |
Unless there's a car coming or one of us got to go toilet. | 0:14:40 | 0:14:44 | |
Because revolution is about breaking down fences. | 0:14:44 | 0:14:47 | |
No Chaka Demus, just Pliers, | 0:14:47 | 0:14:48 | |
handing out flyers about the revolution, | 0:14:48 | 0:14:51 | |
saying that we've got to stand together, | 0:14:51 | 0:14:54 | |
march together, fight together and yeah, die together. | 0:14:54 | 0:14:57 | |
Not us, we're admin. | 0:14:57 | 0:14:59 | |
But this revolution is about kicking down the doors of Primark | 0:14:59 | 0:15:04 | |
saying "Hey, brothers, rumour has it | 0:15:04 | 0:15:06 | |
"that you've sourced materials from sweatshops? | 0:15:06 | 0:15:08 | |
"If that's true, stop it. | 0:15:08 | 0:15:10 | |
"Now, pass me a basket, that's not the only reason why we came here. | 0:15:10 | 0:15:13 | |
"My mum needs new knickers." This revolution is now! | 0:15:13 | 0:15:15 | |
Conservative Government of the '70s and '80s, you shut the coal mines, | 0:15:15 | 0:15:20 | |
and that uncompromising legacy still reverberates through these times. | 0:15:20 | 0:15:23 | |
So Margaret Thatcher, we're comin' atcha, | 0:15:23 | 0:15:25 | |
like Cleopatra, coming to catch ya. | 0:15:25 | 0:15:27 | |
Oh, but you're dead, so we'll punch Meryl Streep instead. | 0:15:27 | 0:15:29 | |
# Marching, fighting Shaking our fists in the air | 0:15:30 | 0:15:35 | |
# Which is a universal sign of anger. # | 0:15:35 | 0:15:39 | |
Look, let's start sharing, caring, yeah? | 0:15:39 | 0:15:43 | |
What's yours is mine, what's mine is yours. You, look. | 0:15:43 | 0:15:46 | |
Here, have my sock. That is yours. Can I have your...wallet? | 0:15:46 | 0:15:51 | |
Well, give me my sock back, then, you fascist pig. | 0:15:52 | 0:15:56 | |
We will not use wealth or peerage to enter Parliament. | 0:15:56 | 0:15:59 | |
We will use intelligence, and guerrilla tactics. | 0:15:59 | 0:16:02 | |
"Look, security, a gorilla". | 0:16:02 | 0:16:04 | |
And while the security man is looking for a gorilla, | 0:16:04 | 0:16:06 | |
we'll go past and say "Hey, MPs, | 0:16:06 | 0:16:07 | |
"we've got to change what our reality is doing to our kids. | 0:16:07 | 0:16:10 | |
"Start putting down some proper bids. Stop wearing your bullshit bib." | 0:16:10 | 0:16:13 | |
"What's a bullshit bib?" | 0:16:13 | 0:16:14 | |
"You know". | 0:16:14 | 0:16:15 | |
# We are holding a revolt | 0:16:15 | 0:16:19 | |
# We are revolting. # | 0:16:19 | 0:16:21 | |
So let's start sharing and caring, yeah? | 0:16:21 | 0:16:25 | |
And let's all bow our heads | 0:16:25 | 0:16:27 | |
and remember those that have died in violence with a minute of silence. | 0:16:27 | 0:16:31 | |
MUSIC STOPS | 0:16:31 | 0:16:33 | |
-Actually, a minute's a bit long. -It is quite long. | 0:16:36 | 0:16:39 | |
My teaching career began with a reception class | 0:16:40 | 0:16:42 | |
in a primary school as a teaching assistant. | 0:16:42 | 0:16:44 | |
They were aged four to five years old. It was loads of fun. | 0:16:44 | 0:16:46 | |
They have so much energy. There is nothing funnier than a fat child... | 0:16:46 | 0:16:51 | |
So I began in primary school. | 0:16:51 | 0:16:53 | |
And yes, I did have a favourite. His name was Peter. | 0:16:55 | 0:16:58 | |
His best line of written work read "An egg is cold... | 0:16:58 | 0:17:04 | |
"..like the sun." | 0:17:04 | 0:17:07 | |
Possibly the worst analogy I've ever encountered. | 0:17:15 | 0:17:19 | |
I put it on a wall display. | 0:17:19 | 0:17:20 | |
But there was another occasion when the class were all changing for PE. | 0:17:20 | 0:17:24 | |
Always a nightmare. | 0:17:24 | 0:17:25 | |
The number of five-year-olds who cannot pull down their shorts | 0:17:25 | 0:17:28 | |
without their pants needs to be addressed by parents. | 0:17:28 | 0:17:31 | |
And the girl next to Peter had accidentally done this | 0:17:34 | 0:17:37 | |
and pulled everything down, and Peter's reaction was very sweet. | 0:17:37 | 0:17:40 | |
He simply went...(GASPS) | 0:17:41 | 0:17:43 | |
"No!" | 0:17:43 | 0:17:44 | |
Lovely child. When I came to leave the school, | 0:17:52 | 0:17:55 | |
Peter was a bit upset that I was leaving, | 0:17:55 | 0:17:57 | |
and I got a bit upset that he was upset. | 0:17:57 | 0:18:00 | |
Until, that is, ladies and gents, he gave me this as a leaving present. | 0:18:00 | 0:18:03 | |
AUDIENCE: Aww! | 0:18:03 | 0:18:05 | |
Now... | 0:18:19 | 0:18:20 | |
Never mind the fact that Mark is spelt not only with a C, | 0:18:22 | 0:18:26 | |
but with a U... | 0:18:26 | 0:18:28 | |
Never mind the strange picture of a pink bunny | 0:18:30 | 0:18:32 | |
about to commit suicide off the top of this house. | 0:18:32 | 0:18:35 | |
We can even ignore the disproportionate size | 0:18:37 | 0:18:40 | |
of the tree trunk. | 0:18:40 | 0:18:42 | |
The picture is of a girl! | 0:18:47 | 0:18:50 | |
So I'm just delighted to be here, really. | 0:18:53 | 0:18:55 | |
I feel a bit like Niall Horan in One Direction, you know what I mean? | 0:18:55 | 0:18:59 | |
For those of you who don't know, | 0:18:59 | 0:19:00 | |
One Direction is like a group of singing children | 0:19:00 | 0:19:03 | |
made up entirely of fringes and inappropriate thoughts. | 0:19:03 | 0:19:07 | |
And Niall is like the Irish one, and he's just so happy to be there, | 0:19:07 | 0:19:10 | |
because the group is made up of four angels, and Niall. | 0:19:10 | 0:19:14 | |
And Niall is just a normal lad. | 0:19:16 | 0:19:18 | |
He is all of us, and he's just delighted to be there. | 0:19:18 | 0:19:21 | |
You always see the camera panning out across them all. | 0:19:21 | 0:19:23 | |
And it's like | 0:19:23 | 0:19:24 | |
# You're insecure Don't know what for | 0:19:24 | 0:19:27 | |
# You're turning heads as you walk through the do-o-or!... # | 0:19:27 | 0:19:30 | |
Yeah, and there's Niall at the end, | 0:19:31 | 0:19:34 | |
not doing the same things as anyone else, just clicking away, winking. | 0:19:34 | 0:19:39 | |
Winking's like Irish heroin. You know what I mean? | 0:19:39 | 0:19:44 | |
Everyone says, "Aisling, you shouldn't be so hard on Niall," | 0:19:44 | 0:19:47 | |
because he's the one in the group, but you know | 0:19:47 | 0:19:50 | |
that he is hoovering up the punani that the pretty ones don't want. | 0:19:50 | 0:19:54 | |
Just delighted to be here! | 0:19:54 | 0:19:55 | |
Everyone says, "Aisling, | 0:19:55 | 0:19:57 | |
"you shouldn't really be into One Direction, it's so uncool." | 0:19:57 | 0:20:01 | |
But lads, One Direction say thank you to their mothers, | 0:20:01 | 0:20:04 | |
they don't hit women, and one fifth of them | 0:20:04 | 0:20:07 | |
is currently the only thing supporting the Irish economy. | 0:20:07 | 0:20:11 | |
The reason Nick Clegg mainly frustrates me | 0:20:11 | 0:20:13 | |
is because of the way he speaks. That gets to the heart of the problem. | 0:20:13 | 0:20:15 | |
Sometimes, politics needs flashes of colour. | 0:20:15 | 0:20:18 | |
It's not always about what you're saying, | 0:20:18 | 0:20:19 | |
it's the way you say it. And to demonstrate this point, | 0:20:19 | 0:20:22 | |
I would like to read aloud | 0:20:22 | 0:20:23 | |
from the seminal political text, The House At Pooh Corner by AA Milne. | 0:20:23 | 0:20:28 | |
Now, there are two oratorical styles | 0:20:34 | 0:20:36 | |
that I believe are the best styles for delivering politics. | 0:20:36 | 0:20:39 | |
One is the Tony Blair, who is a phenomenal orator. Stuff like this. | 0:20:39 | 0:20:43 | |
(RISING INTONATION) So he does the big stuff, like this! | 0:20:43 | 0:20:47 | |
(LOWERS VOICE) And then makes it personal. | 0:20:47 | 0:20:50 | |
Oh! Ugh! | 0:20:53 | 0:20:54 | |
Hits you, doesn't it? Really gets you. | 0:20:56 | 0:20:57 | |
And the other is the generic northern union rep. | 0:20:57 | 0:21:00 | |
I'll come on to him in a minute. I'll do it firstly as Nick Clegg. | 0:21:00 | 0:21:04 | |
So I'll read out this passage, and you'll see that these words | 0:21:04 | 0:21:07 | |
literally fail to leap off the page. | 0:21:07 | 0:21:09 | |
"As it happened, it was Rabbit who saw Piglet first. | 0:21:10 | 0:21:14 | |
"Piglet had got up in the morning | 0:21:14 | 0:21:15 | |
"to pick himself a bunch of... violets. | 0:21:15 | 0:21:18 | |
"And when he picked them | 0:21:19 | 0:21:20 | |
"and put them in a pot in the middle of his house, | 0:21:20 | 0:21:24 | |
"it suddenly came over him | 0:21:24 | 0:21:25 | |
"that nobody had ever picked Eeyore a bunch of...violets. | 0:21:25 | 0:21:28 | |
"The more he thought about this, the more he thought how sad it was | 0:21:28 | 0:21:32 | |
"to be an animal who had never had a bunch of violets picked for him." | 0:21:32 | 0:21:35 | |
Boring, stiff, Clegg. | 0:21:35 | 0:21:38 | |
Now, just you feel this... | 0:21:38 | 0:21:41 | |
in the voice of the master, Tony Blair. | 0:21:41 | 0:21:43 | |
(AS TONY BLAIR) "But as it happened, | 0:21:47 | 0:21:50 | |
"it was Rabbit who saw Piglet first. | 0:21:50 | 0:21:52 | |
"Piglet got up early that morning to pick himself a bunch of violets. | 0:21:52 | 0:21:58 | |
"And when he'd picked them, | 0:22:01 | 0:22:02 | |
"put them in a pot in the middle of the table, it suddenly came over him. | 0:22:02 | 0:22:07 | |
"No-one had ever picked Eeyore a bunch of violets. | 0:22:07 | 0:22:11 | |
"And the more he thought about this, the more he thought how sad it was | 0:22:11 | 0:22:15 | |
"to be an animal who'd never had a bunch of violets picked for him." | 0:22:15 | 0:22:19 | |
Ooh! Tony, Tony! | 0:22:23 | 0:22:24 | |
Forget the war in Iraq, just get him to read children's stories. | 0:22:26 | 0:22:29 | |
Come back, Tony! | 0:22:29 | 0:22:31 | |
Now, the generic northern union rep, | 0:22:31 | 0:22:33 | |
all you need to know about this is, they do not pause for breath. | 0:22:33 | 0:22:38 | |
And whatever it is they're talking about, | 0:22:38 | 0:22:39 | |
there is a deep injustice at the heart of it. | 0:22:39 | 0:22:42 | |
QUICKLY AND AGGRESSIVELY: "It was Rabbit who saw Piglet first. | 0:22:45 | 0:22:48 | |
"And when he put them in a pot in his house it suddenly came to him | 0:22:48 | 0:22:51 | |
"that no-one had picked Eeyore a bunch of violets and the more he thought about it | 0:22:51 | 0:22:55 | |
"the more he thought how sad it was to be an animal | 0:22:55 | 0:22:57 | |
"who'd never had a bunch of violets picked for him!" Conference! | 0:22:57 | 0:23:02 | |
I used to work with this guy called Colin. | 0:23:07 | 0:23:09 | |
We were like a couple of dummies together, | 0:23:09 | 0:23:11 | |
and I really liked him, because he made me feel good about myself. | 0:23:11 | 0:23:14 | |
And one day, I was printing off pictures of dogs' heads... | 0:23:14 | 0:23:18 | |
Because my friend's scared of dogs, and I like a prank! | 0:23:20 | 0:23:23 | |
And I was trying to get them on a big sheet of paper, like, | 0:23:25 | 0:23:29 | |
bigger than A4. A3. | 0:23:29 | 0:23:31 | |
Because a big dog's head, let's face it, is funny. | 0:23:32 | 0:23:36 | |
But they kept coming out in A4. | 0:23:36 | 0:23:38 | |
So in between everyone else's work, it was like work, work, work, | 0:23:38 | 0:23:41 | |
and a dog's head. | 0:23:41 | 0:23:42 | |
This happened for quite some time. | 0:23:44 | 0:23:46 | |
And Colin, bless him, he was behind the printer, | 0:23:46 | 0:23:49 | |
and he was like, he was flabbergasted. | 0:23:49 | 0:23:52 | |
He said "Lou, there's something wrong with the printer. | 0:23:53 | 0:23:59 | |
"It keeps printing out dogs' heads!" | 0:24:00 | 0:24:02 | |
I was like, "I'll just check the manual on that one, Colin". | 0:24:02 | 0:24:06 | |
And then he said, I swear, he said: | 0:24:06 | 0:24:09 | |
"I did see a little dog round here! | 0:24:09 | 0:24:13 | |
"You don't think he got in, do you?" | 0:24:14 | 0:24:17 | |
I love a good bus journey. | 0:24:19 | 0:24:21 | |
The key to a good bus journey is having no-one sit beside you. | 0:24:21 | 0:24:25 | |
So what do we all do? | 0:24:25 | 0:24:27 | |
We put our bag down, as if people are going to walk by and be like | 0:24:27 | 0:24:30 | |
"Oh, I can't sit there, that person looks a lot like a bag", | 0:24:30 | 0:24:33 | |
and then keep walking. | 0:24:33 | 0:24:34 | |
No, they'll be like "Move your bag, you're no better than me, | 0:24:34 | 0:24:37 | |
"we're both on the bus, man." | 0:24:37 | 0:24:39 | |
Like, if you don't want anyone to sit beside you on a bus, | 0:24:39 | 0:24:42 | |
I will tell you all exactly what you have to do. | 0:24:42 | 0:24:45 | |
Just act really excited for them to sit beside you. | 0:24:45 | 0:24:48 | |
Just make solid eye contact and say | 0:24:50 | 0:24:53 | |
"This is the seat for you. You can sleep here. | 0:24:53 | 0:24:57 | |
"It'll be the last time." | 0:24:57 | 0:24:58 | |
Like, I try not to be creepy, I'm just not very good at it. | 0:25:00 | 0:25:04 | |
I was sitting on a bus and I was staring at this girl | 0:25:04 | 0:25:07 | |
and, like, fantasising, and then I noticed this other dude | 0:25:07 | 0:25:11 | |
staring at the same woman and fantasising, which is weird, | 0:25:11 | 0:25:14 | |
because now I feel like I'm in a psychic gang bang. | 0:25:14 | 0:25:18 | |
Like me and this homeless dude | 0:25:19 | 0:25:21 | |
are spit-roasting a chick on a bus in our minds. | 0:25:21 | 0:25:23 | |
And then the guy looks at me and goes "Yeeeah!" | 0:25:23 | 0:25:27 | |
And I didn't know what to do, so I was just like "Yeeeah!" | 0:25:29 | 0:25:34 | |
What did I just agree to? What does that even mean? | 0:25:34 | 0:25:37 | |
I saw a lady drop a baby. Accidentally. | 0:25:40 | 0:25:43 | |
She wasn't like "I don't want this baby any more". | 0:25:43 | 0:25:46 | |
It was an accident, but she dropped a baby, | 0:25:46 | 0:25:48 | |
and a baby's the worst thing to drop in the world, | 0:25:48 | 0:25:51 | |
because if you drop a cellphone, | 0:25:51 | 0:25:53 | |
you can do that trick where you put your foot out to catch the phone. | 0:25:53 | 0:25:57 | |
But you cannot do that with a baby, | 0:25:58 | 0:26:01 | |
or it really just looks like you're drop-kicking a baby. | 0:26:01 | 0:26:03 | |
And nobody is for that, we found out that day. | 0:26:06 | 0:26:08 | |
I don't even like staying in, to be honest with you, | 0:26:09 | 0:26:12 | |
because when you stay in, you have to watch television, | 0:26:12 | 0:26:14 | |
and I don't like much of the television I'm watching - | 0:26:14 | 0:26:17 | |
well, that my wife chooses, certainly. Like, she loves X Factor. | 0:26:17 | 0:26:20 | |
I don't know if there are any X Factor fans in? | 0:26:20 | 0:26:22 | |
SILENCE | 0:26:22 | 0:26:23 | |
OK. | 0:26:23 | 0:26:25 | |
LAUGHTER | 0:26:25 | 0:26:26 | |
My problem with X Factor, right, is that they take people | 0:26:27 | 0:26:31 | |
that are desperate to be famous, desperate to get on television. | 0:26:31 | 0:26:35 | |
Some of them are mentally unstable. | 0:26:35 | 0:26:38 | |
And they take these people and they make them judges. | 0:26:38 | 0:26:41 | |
LAUGHTER AND APPLAUSE | 0:26:41 | 0:26:44 | |
And we've got to watch this? | 0:26:51 | 0:26:53 | |
And the thing is, they distil every contestant into their sob story. | 0:26:53 | 0:26:58 | |
That's how much they're worth. | 0:26:58 | 0:26:59 | |
So I'm watching the last series and they go to the judges' houses, | 0:26:59 | 0:27:02 | |
and a guy comes out, one of the contestants, | 0:27:02 | 0:27:04 | |
and he goes "I mean, you know, my brother's not very well. | 0:27:04 | 0:27:10 | |
(TEARFULLY) "He said that his one wish... you know... | 0:27:10 | 0:27:14 | |
"Would be to see me... | 0:27:14 | 0:27:17 | |
"In that studio. And it's just..." | 0:27:17 | 0:27:21 | |
(NORMAL VOICE) And I think that's incredible, | 0:27:21 | 0:27:23 | |
because I think if I was in that guy's position, | 0:27:23 | 0:27:26 | |
my one wish might be to get better. | 0:27:26 | 0:27:28 | |
Here we have somebody that's willing to throw that away | 0:27:30 | 0:27:33 | |
so that his brother can do an Adele cover. | 0:27:33 | 0:27:35 | |
I mean, my wife has told me | 0:27:37 | 0:27:39 | |
that she doesn't want me interacting too much with the children, right, | 0:27:39 | 0:27:43 | |
because she says that they're sponges | 0:27:43 | 0:27:45 | |
and I've got certain views, | 0:27:45 | 0:27:46 | |
and she doesn't want me passing them on to the kids. | 0:27:46 | 0:27:49 | |
For example, I've got an issue with charity. | 0:27:49 | 0:27:51 | |
Not a massive issue - I think donating to charity's a great thing. | 0:27:51 | 0:27:55 | |
My problem is that it's become a bit of a consumer experience. | 0:27:55 | 0:27:58 | |
Right, like, there'll be a big cause or a situation or an issue. | 0:27:58 | 0:28:02 | |
I'll do something very small for that cause, | 0:28:02 | 0:28:04 | |
and I'll cease to feel bad about it. Like, I'll actually feel a bit good. | 0:28:04 | 0:28:07 | |
If somebody's got a collection box, I'll walk up to the collection box | 0:28:07 | 0:28:11 | |
and put some money in it and then I'll go | 0:28:11 | 0:28:13 | |
"Don't worry about the sticker, mate", like I'm a fucking hero. | 0:28:13 | 0:28:17 | |
Like that guy is watching me walk away going "You know what? | 0:28:17 | 0:28:21 | |
"He just put 50p in this box to stop the onset of disease. | 0:28:21 | 0:28:25 | |
"He didn't even want a sticker! I think I've just met Jesus! | 0:28:25 | 0:28:30 | |
I find the concept of child sponsorship depressing. | 0:28:31 | 0:28:34 | |
I find it depressing that in order for us | 0:28:34 | 0:28:36 | |
to donate money from our comfortable lives, | 0:28:36 | 0:28:38 | |
we have to have these issues attached to a person, | 0:28:38 | 0:28:41 | |
and this person has to write us letters saying "Thank you so much." | 0:28:41 | 0:28:44 | |
That's not what these letters should say. | 0:28:44 | 0:28:46 | |
These letters should say "I'm so glad | 0:28:46 | 0:28:47 | |
"you decided to halve your chocolate consumption for a month | 0:28:47 | 0:28:50 | |
"so that I can have clean water, you fat prick." | 0:28:50 | 0:28:53 | |
That's what they should say, isn't it? | 0:28:53 | 0:28:55 | |
I don't understand our attitude towards beggars. | 0:28:55 | 0:28:57 | |
I gave some money to a beggar recently at a train station, | 0:28:57 | 0:29:00 | |
and a guy working at the train station came up to me and said | 0:29:00 | 0:29:03 | |
"You can't give money to beggars, mate". I said "Why not?" | 0:29:03 | 0:29:06 | |
He said "It encourages begging." | 0:29:06 | 0:29:08 | |
I mean, that's simple supply and demand, my friend, | 0:29:10 | 0:29:12 | |
I don't know what the problem is. | 0:29:12 | 0:29:14 | |
I said "Why is that such an issue?" | 0:29:14 | 0:29:15 | |
He said "He's only going to spend that money on drugs. | 0:29:15 | 0:29:17 | |
I mean, that makes a massive assumption - | 0:29:17 | 0:29:19 | |
that I was going to spend that money on something better. | 0:29:19 | 0:29:22 | |
I didn't have a very sophisticated adolescence. | 0:29:24 | 0:29:27 | |
I feel like inherently, I'm a bit laddy. | 0:29:27 | 0:29:29 | |
Like, my friends and I would go to strip clubs, | 0:29:29 | 0:29:31 | |
gentlemen's clubs, as they were euphemistically called. | 0:29:31 | 0:29:34 | |
Never saw many gentlemen there. Saw a loss of horrible-men. | 0:29:34 | 0:29:37 | |
A few disgusting-men. | 0:29:38 | 0:29:40 | |
Some sad and disenfranchised-men, | 0:29:40 | 0:29:42 | |
but never many Edwardian gentlemen | 0:29:42 | 0:29:44 | |
raising their monocles and top hats in appreciation | 0:29:44 | 0:29:47 | |
as the emaciated coke addict slid down the waxen pole, | 0:29:47 | 0:29:50 | |
reaching the ground, legs akimbo, interior walls visible. | 0:29:50 | 0:29:53 | |
If those walls could talk, | 0:29:53 | 0:29:55 | |
they would say "Gentlemen, you have lost your way." | 0:29:55 | 0:29:59 | |
I'm going to read you this article now, | 0:29:59 | 0:30:02 | |
which exemplifies what I mean about injecting fun into life. | 0:30:02 | 0:30:06 | |
I'm playing the dating game at the moment. | 0:30:06 | 0:30:08 | |
I don't know about you guys, | 0:30:08 | 0:30:09 | |
but I thought games were supposed to be fun. | 0:30:09 | 0:30:12 | |
Sometimes I think I'd rather be playing Jumanji. | 0:30:12 | 0:30:15 | |
I'm joking, of course, that would be horrid. | 0:30:16 | 0:30:19 | |
But dating's no picnic either, | 0:30:19 | 0:30:21 | |
so I want to read this article about alternative dating ideas | 0:30:21 | 0:30:24 | |
from a popular London lifestyle listings magazine. | 0:30:24 | 0:30:27 | |
Alternative dating ideas for Londoners. | 0:30:27 | 0:30:29 | |
It's pretty London-centric, | 0:30:29 | 0:30:30 | |
but you'll probably get some of this stuff out in the provinces | 0:30:30 | 0:30:33 | |
in a couple of years as well. | 0:30:33 | 0:30:35 | |
OK, I'm just going to read it. Could you play the romantic music, please? | 0:30:37 | 0:30:41 | |
SULTRY MUSIC PLAYS | 0:30:41 | 0:30:42 | |
"Looking for innovative dating ideas this weekend? | 0:30:42 | 0:30:45 | |
"Well, you should be, you fucking little rat. | 0:30:45 | 0:30:48 | |
"Everybody your age group and socio-economic bracket is dating, | 0:30:49 | 0:30:53 | |
"so you should be, too, you waste of sperm. | 0:30:53 | 0:30:55 | |
"Here are our top ten alternative dating ideas for Londoners. | 0:30:58 | 0:31:01 | |
"Number one, a salsa class. | 0:31:01 | 0:31:04 | |
"Learn how to make salsa at one of London's many salsa schools. | 0:31:04 | 0:31:07 | |
"Number two, comedy on a bus. | 0:31:09 | 0:31:11 | |
"Laughter can be a perfect icebreaker on a first date, but on a bus? | 0:31:11 | 0:31:16 | |
"This is comedy like you've never experienced it before. | 0:31:16 | 0:31:20 | |
"Three, pebble washing in the Thames. | 0:31:20 | 0:31:22 | |
"The Thames Museum runs free workshops where every Sunday, | 0:31:23 | 0:31:26 | |
"budding pebble washers, | 0:31:26 | 0:31:28 | |
"or Jefferies, as they used to be called for no reason, | 0:31:28 | 0:31:30 | |
"can take to the horrible river bank | 0:31:30 | 0:31:32 | |
"and wash the pebbles in baby oil, which is like sunflower oil, | 0:31:32 | 0:31:36 | |
"but extracted from babies. | 0:31:36 | 0:31:38 | |
"When the 16 hour session is finished, | 0:31:40 | 0:31:42 | |
"why not relax by a burning pile of bin bags | 0:31:42 | 0:31:45 | |
"with a steaming bowl of live mice? | 0:31:45 | 0:31:48 | |
"Number four, a tour of the Tube. We take the Tube for granted. | 0:31:49 | 0:31:52 | |
"We ride it to and from work each day, and when we get home, we cry. | 0:31:52 | 0:31:56 | |
"But the Tube is full of amazing hidden secrets. | 0:31:56 | 0:31:59 | |
"Did you know some of the stations are very old? | 0:31:59 | 0:32:02 | |
"Ride around on the Tube together, | 0:32:06 | 0:32:08 | |
"and bring a wry smile to your date's face | 0:32:08 | 0:32:11 | |
"by showing them the Nemi cartoon in that day's Metro. | 0:32:11 | 0:32:13 | |
"Number five. Jazz on a roof. | 0:32:13 | 0:32:17 | |
"Tapping along to the crazy rhythms of jazz | 0:32:17 | 0:32:20 | |
"can be the perfect icebreaker on a first date, but on a roof? | 0:32:20 | 0:32:24 | |
"This is jazz like you've never experienced it before. | 0:32:24 | 0:32:27 | |
"Six, a ceilidh. For a taste of the Celtic, | 0:32:27 | 0:32:30 | |
"why not pay a Scottish or Irish woman called Kayleigh | 0:32:30 | 0:32:33 | |
"to let you have a bite of her body? | 0:32:33 | 0:32:35 | |
"Seven, cocktails in a tree. | 0:32:37 | 0:32:40 | |
"Zesty fruit and frontal lobe-numbing alcohol | 0:32:40 | 0:32:43 | |
"can be the perfect icebreaker on a first date, but in a tree? | 0:32:43 | 0:32:47 | |
"This is a cocktail experience like you've never had before, | 0:32:47 | 0:32:51 | |
"nor ever will want to have again. Eight, visit the National Gallery. | 0:32:51 | 0:32:54 | |
"Nine, karaoke in a bin, blah, blah, blah. Ten, a sewer walk. | 0:32:54 | 0:32:58 | |
"Without permission or supervision, climb into London's sewer system. | 0:32:58 | 0:33:03 | |
"And take a look around. But be warned, you will die." | 0:33:03 | 0:33:07 | |
A great way to, like, teach children about death is with pets. | 0:33:09 | 0:33:14 | |
Psychologically, it's a great way to teach children about death. | 0:33:14 | 0:33:18 | |
So, you know, you buy your child a hamster, and after five years, | 0:33:18 | 0:33:22 | |
when it's attached to it, you break its neck, | 0:33:22 | 0:33:24 | |
and then you go "Right, now I'm going to teach you | 0:33:24 | 0:33:27 | |
"about what's going to happen to Granny very soon," | 0:33:27 | 0:33:29 | |
you know what I mean? | 0:33:29 | 0:33:30 | |
And then you die, and the circle continues. | 0:33:30 | 0:33:34 | |
But when I was growing up, we had this pet rabbit called Bubbles, | 0:33:34 | 0:33:38 | |
and, like, Bubbles, I thought, had a great life, | 0:33:38 | 0:33:41 | |
just running around, pooing in our shoes. | 0:33:41 | 0:33:45 | |
I was like, "There's a guy who knows how to party." | 0:33:45 | 0:33:48 | |
But you never know what's going on inside someone's head, lads, | 0:33:48 | 0:33:51 | |
and one night Bubbles got out of his hutch, | 0:33:51 | 0:33:54 | |
and he bit away at the wire in his hutch like this, | 0:33:54 | 0:33:58 | |
until it sort of came out in a long spear. | 0:33:58 | 0:34:00 | |
And then he turned himself around | 0:34:00 | 0:34:03 | |
and he reversed his arsehole onto that spear, | 0:34:03 | 0:34:05 | |
and it punctured every single organ on the way up. | 0:34:05 | 0:34:10 | |
They say he died of a broken heart in the end. | 0:34:10 | 0:34:13 | |
So the next morning, | 0:34:13 | 0:34:15 | |
my mother had to sort of, you know... him off the wire, | 0:34:15 | 0:34:20 | |
and it was up to my neighbour, Jim Murphy, to bury Bubbles the rabbit. | 0:34:20 | 0:34:23 | |
So Jim dug a grave for Bubbles as he remembered him, | 0:34:23 | 0:34:27 | |
which was a small little rabbit like this. | 0:34:27 | 0:34:29 | |
But when rabbits die, they don't die as they were, | 0:34:29 | 0:34:32 | |
they die with their arms longer than their ears | 0:34:32 | 0:34:34 | |
and their legs longer than their short lives. | 0:34:34 | 0:34:36 | |
So my first memory of death | 0:34:36 | 0:34:37 | |
was basically standing in front of this grave | 0:34:37 | 0:34:39 | |
with Jim Murphy in front of me going | 0:34:39 | 0:34:41 | |
"In the name of the Father and of the son and of the Holy Spirit, amen. | 0:34:41 | 0:34:44 | |
"Dear Jesus, we give you Bubbles the rabbit to bury, | 0:34:44 | 0:34:47 | |
"to go to heaven with all the other angel rabbits." | 0:34:47 | 0:34:49 | |
And I couldn't believe it, there was Jim Murphy in front of me, | 0:34:49 | 0:34:53 | |
kind of shoving Bubbles into the grave | 0:34:53 | 0:34:55 | |
at the end of his welly boot like this. | 0:34:55 | 0:34:58 | |
And still to this day, lads, whenever I have bad sex, | 0:34:58 | 0:35:01 | |
I can't help but be reminded of Jim Murphy | 0:35:01 | 0:35:04 | |
shoving that flaccid rabbit into a hole that was made for a live one. | 0:35:04 | 0:35:08 | |
You know? | 0:35:08 | 0:35:09 | |
I don't drink. I quit thinking three years ago. | 0:35:10 | 0:35:13 | |
Whenever people find out that you don't drink, | 0:35:13 | 0:35:16 | |
they always ask the same question. They always ask why. | 0:35:16 | 0:35:20 | |
Why do people ask why? It's never going to be a happy story. | 0:35:20 | 0:35:23 | |
"Why do I not drink any more? | 0:35:23 | 0:35:25 | |
"Well, I just found that I was too successful." | 0:35:25 | 0:35:29 | |
That conversation's never happened. | 0:35:29 | 0:35:31 | |
Stag dos are difficult when you don't drink, | 0:35:31 | 0:35:33 | |
because invariably, you end up at a lap-dancing club | 0:35:33 | 0:35:36 | |
and the woman comes over and she's like, "Ask me anything", | 0:35:36 | 0:35:39 | |
and I'm like, "Aren't you cold?" | 0:35:39 | 0:35:42 | |
Just not in the right headspace. | 0:35:45 | 0:35:47 | |
Weddings are even worse when you don't drink, | 0:35:47 | 0:35:49 | |
because the bride thinks she's doing you a favour | 0:35:49 | 0:35:52 | |
by putting you on the non-drinking table, | 0:35:52 | 0:35:54 | |
but this is basically just pregnant women. | 0:35:54 | 0:35:56 | |
Sorry if there's any pregnant women in tonight, but you are dull. | 0:35:57 | 0:36:02 | |
Pregnant women walk around | 0:36:02 | 0:36:03 | |
like they've got the future hopes of a generation in there, | 0:36:03 | 0:36:06 | |
like it's John Connor or something. | 0:36:06 | 0:36:09 | |
That reference isn't going to work for all of you. | 0:36:10 | 0:36:12 | |
And you try to make conversation. | 0:36:12 | 0:36:14 | |
You're like, "Do you know if it's going to be a boy or a girl?" | 0:36:14 | 0:36:17 | |
And they're always like, | 0:36:17 | 0:36:18 | |
"Ooh, we don't want to know". And I'm like, "Me neither. | 0:36:18 | 0:36:20 | |
"Couldn't give a toss what's up there". | 0:36:20 | 0:36:23 | |
There was a report out recently which said that the happiest people | 0:36:25 | 0:36:29 | |
are those who average two glasses of wine, | 0:36:29 | 0:36:32 | |
a bottle of beer or a shot of spirits a week. | 0:36:32 | 0:36:37 | |
Who were they surveying, the under-fives? | 0:36:37 | 0:36:41 | |
And who's this guy who's averaging a shot of spirits a week? | 0:36:42 | 0:36:46 | |
Like every Friday, he's like, "Hi, guys! | 0:36:46 | 0:36:48 | |
"God, what am I like? See you Monday". | 0:36:50 | 0:36:54 | |
My kids live down in Hampshire with their mum, | 0:36:56 | 0:37:00 | |
and they come up and stay with me a lot in London. | 0:37:00 | 0:37:02 | |
The last time they came to London, | 0:37:02 | 0:37:04 | |
they were like "Daddy, we really want to go on a London bus." | 0:37:04 | 0:37:08 | |
They may have said the London Eye. | 0:37:08 | 0:37:11 | |
I took them on a London bus. | 0:37:13 | 0:37:16 | |
You still get to see London, but from a bus. | 0:37:16 | 0:37:19 | |
They, like all kids, wanted to sit on the back row, but the problem was, | 0:37:19 | 0:37:22 | |
sat in the middle of the back row was this really angry looking hoodie. | 0:37:22 | 0:37:25 | |
Now, we all know the rules of the bus. | 0:37:25 | 0:37:27 | |
You don't sit anywhere near this character. | 0:37:27 | 0:37:29 | |
But they don't know the rules of the bus, | 0:37:29 | 0:37:31 | |
because they're only kids, | 0:37:31 | 0:37:32 | |
and they plonk themselves down one either side of him. | 0:37:32 | 0:37:35 | |
They're oblivious to the danger that they're in, | 0:37:37 | 0:37:40 | |
and they just start playing their game of | 0:37:40 | 0:37:42 | |
"I spy with my little eye something beginning with K". | 0:37:42 | 0:37:45 | |
Now, this puts our hoodie in a bit of a quandary, | 0:37:45 | 0:37:48 | |
because if he moves, | 0:37:48 | 0:37:50 | |
he looks like he's just been bounced off the back row | 0:37:50 | 0:37:53 | |
by a couple of kids from Hampshire. | 0:37:53 | 0:37:56 | |
But if he stays there, they look like they're his crew. | 0:37:56 | 0:37:59 | |
I've positioned myself a couple of rows up. I'm not stupid. | 0:38:01 | 0:38:04 | |
If this kicks off, I want to be able to make a quick getaway. | 0:38:04 | 0:38:08 | |
But the hoodie realises he looks ridiculous, so to save face, | 0:38:08 | 0:38:11 | |
he decides to join in the game. | 0:38:11 | 0:38:14 | |
He's like, "Tell me this, little man, yeah? That K you were spying. | 0:38:14 | 0:38:18 | |
"Is it cones?" | 0:38:18 | 0:38:19 | |
The reason this was a potentially incendiary situation | 0:38:23 | 0:38:25 | |
is that anyone here who's got a little nine-year old girl | 0:38:25 | 0:38:28 | |
will know that the distinguishing factor of little nine-year-old girls | 0:38:28 | 0:38:31 | |
is that they don't let anything go. So she's like "Daddy? Daddy?" | 0:38:31 | 0:38:35 | |
I'm pretending I don't know her. | 0:38:35 | 0:38:37 | |
She's like "Daddy, cones isn't spelt with a K". | 0:38:38 | 0:38:41 | |
Don't anger the man! | 0:38:41 | 0:38:43 | |
"It is in London, darling." | 0:38:45 | 0:38:47 | |
Then she looks at the hoodie dead in the eyes and goes | 0:38:48 | 0:38:51 | |
"But knife is". | 0:38:51 | 0:38:53 | |
Like she's mocking him! At which point the hoodie gets off the bus. | 0:38:56 | 0:39:00 | |
It's his stop, but the rest of the bus don't know this. | 0:39:00 | 0:39:04 | |
To them, it looks like he's just been psyched out by a nine-year-old girl. | 0:39:04 | 0:39:09 | |
It didn't help that she followed him down going | 0:39:09 | 0:39:12 | |
"Yeah, keep walking, bitch". | 0:39:12 | 0:39:14 | |
You've been really nice. I'm going to come to the end of my set now. | 0:39:16 | 0:39:19 | |
But you've been lovely. This is to you. | 0:39:19 | 0:39:22 | |
# Fishing for compliments Hey, that's a nice jumper | 0:39:23 | 0:39:28 | |
# Fishing for compliments That's a nice sentiment | 0:39:28 | 0:39:32 | |
# La la la la La la la, la la la | 0:39:32 | 0:39:35 | |
# Fishing for compliments Hey, that's a nice jumper | 0:39:35 | 0:39:40 | |
# Fishing for compliments That's a nice sentiment | 0:39:40 | 0:39:43 | |
# La la la la, la la la... # OK! | 0:39:43 | 0:39:47 | |
-What's your name? -Jordan. -Jordan! | 0:39:47 | 0:39:50 | |
Jordan, he must be very excited about his compliment. | 0:39:53 | 0:39:56 | |
OK, Jordan. | 0:39:58 | 0:40:00 | |
"If your face was on currency, I would have a very sticky purse." | 0:40:01 | 0:40:07 | |
The thing is, I want my daughters both to have New Zealand passports, | 0:40:11 | 0:40:15 | |
so when they turn 15, they have to bungee jump, | 0:40:15 | 0:40:18 | |
because that's what I did. | 0:40:18 | 0:40:20 | |
When I was 15, I did a bungee jump off a bridge over a river, | 0:40:20 | 0:40:23 | |
and they measured the bungee out so that my head got dunked in the river. | 0:40:23 | 0:40:27 | |
It was pretty scary. But I came up with a wild salmon in my mouth, so... | 0:40:27 | 0:40:31 | |
Good times. | 0:40:31 | 0:40:32 | |
And then I moved over here | 0:40:32 | 0:40:34 | |
and found out you guys were doing bungee jumps | 0:40:34 | 0:40:36 | |
off cranes over car parks! | 0:40:36 | 0:40:39 | |
What the hell is wrong with you people! | 0:40:41 | 0:40:43 | |
And did you hear about the guy that measured the bungee up wrong, | 0:40:43 | 0:40:46 | |
so his face went straight into the car park! | 0:40:46 | 0:40:48 | |
But he came up with Richard III in his mouth, so... | 0:40:48 | 0:40:51 | |
Good times. Good times. | 0:40:51 | 0:40:54 | |
Historical AND topical. | 0:40:54 | 0:40:57 | |
Ooh, you're probably wanting us to end on a song about jogging. Good. | 0:40:57 | 0:41:02 | |
# Where have you been, son? | 0:41:06 | 0:41:10 | |
# Why are you looking so tired and worn and weary? # | 0:41:10 | 0:41:15 | |
I've been for a run, Ma. | 0:41:15 | 0:41:17 | |
# Where have you been, son? | 0:41:20 | 0:41:24 | |
# Why has Mr Windy been sweeping through your hair? # | 0:41:24 | 0:41:27 | |
I've been for a run, Ma. | 0:41:29 | 0:41:32 | |
# Where have you been, son? | 0:41:34 | 0:41:38 | |
# Why are your snowdropped eyelids so heavy? # | 0:41:38 | 0:41:44 | |
Are you fucking deaf? | 0:41:45 | 0:41:47 | |
I said I went for a run, you fat cow. | 0:41:49 | 0:41:52 | |
-We've been Ginger and Black. -Thank you very much. | 0:41:52 | 0:41:54 | |
Hope you enjoyed that. Thanks very much for watching. | 0:41:56 | 0:41:59 | |
Good night, my friends. Good night! | 0:41:59 | 0:42:01 | |
Subtitles by Red Bee Media Ltd | 0:42:22 | 0:42:26 |