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This programme contains some strong language. | 0:00:03 | 0:00:07 | |
Hello and welcome to Good News. | 0:00:26 | 0:00:29 | |
One of the great things about doing this show - | 0:00:29 | 0:00:31 | |
I meet loads of comedians I've watched and, basically, | 0:00:31 | 0:00:33 | |
seen being really funny over the years and I can show them to you. | 0:00:33 | 0:00:37 | |
This is a special edition looking at some of my favourites. Enjoy. | 0:00:37 | 0:00:40 | |
-HE SHOUTS: -Good evening, Russell Howard's Good News! | 0:00:40 | 0:00:44 | |
-Are you all right? -Yeah. | 0:00:45 | 0:00:48 | |
-Are you all right? Louder! -Yeah. | 0:00:48 | 0:00:51 | |
-Are you all right? -Yeah. | 0:00:51 | 0:00:53 | |
-Are you all right? Louder! -Yeah. | 0:00:53 | 0:00:56 | |
-Are you all right? -Yeah. | 0:00:56 | 0:00:58 | |
Let's kick this in the dick! | 0:00:58 | 0:01:01 | |
Do you like jokes? Do you like jokes? Do you like jokes? | 0:01:01 | 0:01:04 | |
Do you like jokes? Do you like jokes? | 0:01:04 | 0:01:07 | |
Do you like jokes? Answer me! | 0:01:07 | 0:01:10 | |
Yeah. | 0:01:10 | 0:01:12 | |
You're in luck, mate. I've got six of 'em. | 0:01:12 | 0:01:14 | |
Let's do this. | 0:01:15 | 0:01:17 | |
I won a swimsuit contest. | 0:01:20 | 0:01:23 | |
CHEERING | 0:01:23 | 0:01:24 | |
I ate 57 swimsuits. | 0:01:24 | 0:01:27 | |
You lucky, lucky people. | 0:01:31 | 0:01:34 | |
Does anyone else think that Tim Rice | 0:01:34 | 0:01:36 | |
and Tim Curry should get together and open up an Indian takeaway? | 0:01:36 | 0:01:39 | |
They could call it Tim's. It would be ideal. | 0:01:41 | 0:01:45 | |
You're welcome. | 0:01:45 | 0:01:47 | |
Do you think Mr T likes wearing all that jewellery | 0:01:49 | 0:01:52 | |
or do you think he was just paranoid about being burgled? | 0:01:52 | 0:01:56 | |
OH. MY. GOD. | 0:01:56 | 0:01:59 | |
This is happening. | 0:02:00 | 0:02:02 | |
This is the act. Get on board. | 0:02:03 | 0:02:05 | |
All right? Lightning doesn't shoot out of my dick. | 0:02:05 | 0:02:08 | |
It doesn't get any better than this. | 0:02:08 | 0:02:10 | |
My mate was in the Army. He ate all the pudding rations. | 0:02:12 | 0:02:16 | |
He got shot for deserting. | 0:02:16 | 0:02:18 | |
In the Bigg Market, right, | 0:02:20 | 0:02:21 | |
there's a place that does a thing called Mr Rupali's curry challenge. | 0:02:21 | 0:02:26 | |
You might have heard of this, | 0:02:26 | 0:02:28 | |
this is essentially the hottest curry in the world, right. | 0:02:28 | 0:02:32 | |
And the challenge is you go there, you order it, you eat it. | 0:02:32 | 0:02:35 | |
If you finish it, you get it for free. | 0:02:35 | 0:02:37 | |
There's a slight chance - slight chance, however - | 0:02:38 | 0:02:41 | |
that you might die. | 0:02:41 | 0:02:43 | |
You have to sign something. It's ridiculous, right. | 0:02:43 | 0:02:46 | |
Me mate, one night, me and me mate were having a pint and me mate went, | 0:02:46 | 0:02:49 | |
"Hey, Ramsey, I think I can do this curry challenge, you know." | 0:02:49 | 0:02:53 | |
And I went, "I think you can as well." | 0:02:53 | 0:02:57 | |
"Shall we get in a taxi?" | 0:02:58 | 0:03:00 | |
We went down to this place, I knew it was going to be amazing | 0:03:00 | 0:03:03 | |
cos he said these words, he went, | 0:03:03 | 0:03:05 | |
"Right, with stuff like this, piece of piss. | 0:03:05 | 0:03:08 | |
"All you've got to do is eat it as fast as you can, | 0:03:08 | 0:03:11 | |
"and worry about the consequences later." | 0:03:11 | 0:03:14 | |
I went, "That sounds spot-on, mate." | 0:03:14 | 0:03:17 | |
Sat down, he inhaled it, bang, it was gone, whoomph, and he was fine. | 0:03:17 | 0:03:21 | |
He was ab... He was spot-on. | 0:03:21 | 0:03:23 | |
For about 35 seconds. | 0:03:23 | 0:03:26 | |
Then he was in a bit of a plight. | 0:03:26 | 0:03:27 | |
He was sitting there going, "Ah, piece of piss. | 0:03:27 | 0:03:29 | |
FLUSTERED BREATHING | 0:03:29 | 0:03:31 | |
"Hoo!" He started shaking, he started sweating, his vision went blurry. | 0:03:31 | 0:03:35 | |
A bead of sweat rolled down his forehead, down his nose, | 0:03:35 | 0:03:38 | |
joined with one of his own tears, rolled onto his top lip. | 0:03:38 | 0:03:42 | |
He licked it, it tasted like curry, right. | 0:03:42 | 0:03:44 | |
The spices were leaving his body immediately. | 0:03:44 | 0:03:47 | |
He went outside to lie down on the park bench, | 0:03:47 | 0:03:49 | |
cos that's how you solve a problem in Newcastle. | 0:03:49 | 0:03:52 | |
Park bench - everything's champion, right. | 0:03:52 | 0:03:55 | |
Put a paper on your mate, you'll be all right, you'll be spot-on. | 0:03:55 | 0:03:58 | |
Next door to this restaurant, right, you can Google this, it's true. | 0:03:58 | 0:04:01 | |
Next door to this restaurant, there is a Greek restaurant. | 0:04:01 | 0:04:04 | |
Lying on a park bench, sweating, shaking, | 0:04:04 | 0:04:07 | |
through his curry-glazed vision, he just went, "YOGHURT!" | 0:04:07 | 0:04:10 | |
He got up and he went into this restaurant, right. | 0:04:10 | 0:04:14 | |
Now, the reason I mention that it's such a scummy area is because | 0:04:14 | 0:04:19 | |
the staff in these establishments will take no shit from anyone. | 0:04:19 | 0:04:22 | |
If you walk in in the middle of the night sweating, | 0:04:22 | 0:04:25 | |
shouting about yoghurt, you are going to get a slap, right. | 0:04:25 | 0:04:28 | |
He walked in, he went, "I need some yoghurt!" | 0:04:28 | 0:04:31 | |
This massive bloke went, "Get out, mate. We're closed." | 0:04:31 | 0:04:34 | |
He went, "No! I need some yoghurt!" | 0:04:34 | 0:04:36 | |
He went, "Get out, mate. We're closed. | 0:04:36 | 0:04:38 | |
"I am not going to tell you again." | 0:04:38 | 0:04:40 | |
He went, "No, please." | 0:04:40 | 0:04:42 | |
The guy ran up, grabbed me mate by the scruff of the neck, | 0:04:42 | 0:04:44 | |
smashed him up against the wall. | 0:04:44 | 0:04:46 | |
Me mate went, "Please, man, I've just done the curry challenge." | 0:04:46 | 0:04:50 | |
The bloke went, | 0:04:50 | 0:04:51 | |
"GET THE YOGHURT!" | 0:04:51 | 0:04:54 | |
I was a very, very creepy child. | 0:04:55 | 0:04:58 | |
There's no easy way of getting into that. | 0:04:58 | 0:05:01 | |
I was one of those children that when people saw them, they went, "Urgh, God!" | 0:05:01 | 0:05:05 | |
And, contrary to popular opinion, I wasn't sort of those quiet and kill-y children. | 0:05:05 | 0:05:09 | |
I was very loud and mental. I'd sort of run in, go, | 0:05:09 | 0:05:12 | |
"All right, yeah? My dad drives a helicopter. | 0:05:12 | 0:05:14 | |
"Prove he don't." | 0:05:14 | 0:05:16 | |
Really annoying, really weird, creepy child. | 0:05:16 | 0:05:19 | |
But as I've got older, you know, I've become very socially adept. | 0:05:19 | 0:05:22 | |
I'm very normal now. Like, I'm really socially adept. | 0:05:22 | 0:05:24 | |
If I met you, sir, I'd be like, | 0:05:24 | 0:05:26 | |
"Hello, how are you? Would you like a cup of tea?" | 0:05:26 | 0:05:28 | |
Bang, done. | 0:05:28 | 0:05:29 | |
The only time the true core of myself comes out is | 0:05:29 | 0:05:32 | |
when I meet someone that I'm attracted to. | 0:05:32 | 0:05:35 | |
Then old Creepy McCreepson comes back. | 0:05:35 | 0:05:37 | |
It's really bad. | 0:05:38 | 0:05:40 | |
And when I say creepy, I don't mean in a sort of bumbling, | 0:05:40 | 0:05:43 | |
but ultimately endearing, kind of Meg Ryan way. | 0:05:43 | 0:05:45 | |
I mean fucking creepy. | 0:05:45 | 0:05:47 | |
My friend Caroline said, | 0:05:49 | 0:05:50 | |
"It makes the hairs on my arm stand up to watch." | 0:05:50 | 0:05:52 | |
I was at a party recently in north London. | 0:05:54 | 0:05:56 | |
It was a massive house and I was talking to this guy and, | 0:05:56 | 0:05:59 | |
after about five minutes, I thought, | 0:05:59 | 0:06:01 | |
"Oh, what's this feeling I'm experiencing? Attraction?" | 0:06:01 | 0:06:04 | |
That's fine. | 0:06:04 | 0:06:05 | |
After about ten minutes, I knew Creepy was waking up, | 0:06:05 | 0:06:08 | |
cos I found myself talking quite a lot about cheese. | 0:06:08 | 0:06:11 | |
And I don't know anything about cheese. | 0:06:11 | 0:06:13 | |
I thought, "Maybe it's not... No, he's not back. | 0:06:13 | 0:06:16 | |
"No, he's not back, he's not back." | 0:06:16 | 0:06:18 | |
Fifteen minutes into it, Creepy was running things. | 0:06:18 | 0:06:20 | |
I was talking to this guy doing this, | 0:06:20 | 0:06:23 | |
like some horny gazelle about to leap at him, | 0:06:23 | 0:06:26 | |
still banging on about cheese, like, | 0:06:26 | 0:06:29 | |
"There's other cheeses, there's other cheeses," | 0:06:29 | 0:06:31 | |
and I thought to myself, "What shall I do? How shall I make this...?" | 0:06:31 | 0:06:34 | |
Normally I'd be like, "I've just got myself into a funny position. Ha-ha." | 0:06:34 | 0:06:38 | |
But, of course, Creepy went, "I'm going to give you nuffink." | 0:06:38 | 0:06:40 | |
There was music coming from another part of the house, | 0:06:40 | 0:06:43 | |
very, very vague music. | 0:06:43 | 0:06:45 | |
Creepy went, "Pretend you're dancing." | 0:06:45 | 0:06:47 | |
So I started clicking along to this music, just clicking. | 0:06:47 | 0:06:52 | |
"Cheese, I've had feta - it gives me wind." | 0:06:52 | 0:06:54 | |
Do you know what music was playing? | 0:06:55 | 0:06:57 | |
Reggae. | 0:06:57 | 0:06:59 | |
No-one in the history of the world has ever clicked to reggae. | 0:06:59 | 0:07:02 | |
"Yeah, yeah, I've had cheese on pizza. I've had cheese on pizza. | 0:07:02 | 0:07:05 | |
"That's quite nice. Um, yeah, there's... | 0:07:05 | 0:07:07 | |
"What other cheeses have I had? What other cheeses have I had?" | 0:07:07 | 0:07:11 | |
And the horror of what's happening - lucky I'm very socially adept - | 0:07:11 | 0:07:14 | |
the horror of what's happening is killing me | 0:07:14 | 0:07:16 | |
and I just start sweating profusely, literally dripping. | 0:07:16 | 0:07:19 | |
I looked like Mickey Rourke from The Wrestler. | 0:07:19 | 0:07:21 | |
I was like, "Yeah, yeah, yeah." | 0:07:21 | 0:07:23 | |
Then one trickle of sweat slowly starts coming down my face. | 0:07:23 | 0:07:25 | |
Could have wiped it away like a human being but Creepy was running things. | 0:07:25 | 0:07:29 | |
I went... | 0:07:29 | 0:07:30 | |
Caught it with my own mouth like some horrible lizard woman. | 0:07:40 | 0:07:44 | |
And that is one of the many reasons I will die alone. | 0:07:44 | 0:07:46 | |
A few summers ago, I went on a tour with a bunch of bands. | 0:07:46 | 0:07:50 | |
And, before the tour started, I wanted to go online, | 0:07:50 | 0:07:53 | |
check these bands out, to get an idea who I'd be working with. | 0:07:53 | 0:07:56 | |
I was looking at one band. | 0:07:56 | 0:07:58 | |
Every show, the lead from this band put the microphone in his ass. | 0:07:58 | 0:08:02 | |
So I was concerned. | 0:08:02 | 0:08:04 | |
I e-mailed the promoter, said, | 0:08:04 | 0:08:06 | |
"Hey, man, what's up with this dude putting a microphone in his ass?" | 0:08:06 | 0:08:10 | |
He e-mailed me back and said, "Don't worry. | 0:08:10 | 0:08:12 | |
"Microphone-in-the-ass-guy brings his own microphone." | 0:08:12 | 0:08:15 | |
As he should bring his own microphone, | 0:08:15 | 0:08:18 | |
but I'm sure it didn't start out like that. | 0:08:18 | 0:08:20 | |
It probably took complaints from other performers. | 0:08:20 | 0:08:22 | |
"Hey, man, I don't want to be a diva or anything | 0:08:22 | 0:08:25 | |
"but this guy just totally had the microphone in his ass, | 0:08:25 | 0:08:27 | |
"so is there a way that we can get a spare microphone, | 0:08:27 | 0:08:31 | |
"or is there a special spray we could put on that microphone | 0:08:31 | 0:08:34 | |
"to make it less ass-y? | 0:08:34 | 0:08:36 | |
"I don't want to be a diva." | 0:08:36 | 0:08:37 | |
But they would put on a live show. Their show was good. | 0:08:37 | 0:08:40 | |
Every show, the lead would take a garbage can full of pub garbage | 0:08:40 | 0:08:43 | |
and throw it on the head of his drummer. | 0:08:43 | 0:08:45 | |
And the drummer just kept drumming with a garbage can on his head, | 0:08:45 | 0:08:48 | |
garbage all over his body. It was disgusting. | 0:08:48 | 0:08:50 | |
He would keep the beat and everything. He was a professional. | 0:08:50 | 0:08:53 | |
My favourite show was in Montreal. | 0:08:53 | 0:08:55 | |
During this, somebody else from the crowd took the garbage can | 0:08:55 | 0:08:59 | |
off the drummer's head and put it on his own head. | 0:08:59 | 0:09:02 | |
I don't know why he did that because, immediately after, | 0:09:02 | 0:09:04 | |
somebody else from the crowd punched him in his garbage can head | 0:09:04 | 0:09:08 | |
and he fell to the ground, bloody. | 0:09:08 | 0:09:10 | |
And I tell you why that happened. | 0:09:10 | 0:09:12 | |
That's because, when you put a garbage can on your head, | 0:09:12 | 0:09:15 | |
it limits your peripheral vision about 100%. | 0:09:15 | 0:09:19 | |
You're very open to these type of attacks. | 0:09:19 | 0:09:22 | |
That's why I never put garbage cans on my head, | 0:09:22 | 0:09:24 | |
cos I always need to know what's going on around me. | 0:09:24 | 0:09:27 | |
I can't maintain that level of awareness with a garbage can on my head. | 0:09:27 | 0:09:31 | |
I just know myself like that. | 0:09:31 | 0:09:33 | |
I felt bad for the guy because it happened so fast that | 0:09:33 | 0:09:36 | |
he didn't even get to enjoy having a garbage can on his head. | 0:09:36 | 0:09:39 | |
His two consecutive thoughts were, | 0:09:39 | 0:09:41 | |
"I have a garbage can on my head! | 0:09:41 | 0:09:43 | |
"Man, I regret putting that garbage can on my head." | 0:09:43 | 0:09:46 | |
Here's a good question. | 0:09:46 | 0:09:48 | |
I was wondering for ages the other day, | 0:09:48 | 0:09:51 | |
what took so long with the invention of suitcase wheels? | 0:09:51 | 0:09:54 | |
It's a genuinely good question, but some of the young people | 0:09:58 | 0:10:02 | |
haven't got a clue what I'm talking about. | 0:10:02 | 0:10:05 | |
You know suitcases? We used to have to pick them up | 0:10:05 | 0:10:08 | |
and fucking carry them, | 0:10:08 | 0:10:10 | |
even when they were heavy. | 0:10:10 | 0:10:12 | |
We'd carry them about like that. Not now. Not your generation. | 0:10:12 | 0:10:16 | |
Now they've all got little wheels at the bottom. | 0:10:16 | 0:10:18 | |
This is mind-blowing if you think about this for long enough. | 0:10:18 | 0:10:22 | |
How long did the suitcase | 0:10:22 | 0:10:23 | |
and the wheel exist entirely separately for, | 0:10:23 | 0:10:26 | |
before some genius inventor thought, | 0:10:26 | 0:10:29 | |
"We could pop those two together and save on a bit of back-break, | 0:10:29 | 0:10:32 | |
"and probably make a few pounds in the process"? | 0:10:32 | 0:10:35 | |
That is a change that occurred in my lifetime. | 0:10:35 | 0:10:37 | |
Did we really conquer space travel | 0:10:37 | 0:10:40 | |
before we put the suitcase and the wheel together? | 0:10:40 | 0:10:43 | |
It seems an absurd set of priorities for the human species. | 0:10:43 | 0:10:46 | |
Surely we should have had the wheelie suitcase | 0:10:46 | 0:10:49 | |
before we had a fully functioning spaceship. | 0:10:49 | 0:10:52 | |
If nothing else, it could have helped them load up. | 0:10:52 | 0:10:56 | |
So I tend to buy my clothes from charity shops. | 0:10:56 | 0:10:58 | |
-That's all right, innit? -Yeah. | 0:10:58 | 0:11:00 | |
I mean, not Oxfam. I'm not made of money. Jesus! | 0:11:00 | 0:11:02 | |
I was in a charity shop the other day, right, | 0:11:02 | 0:11:04 | |
and I knew I must have been looking pretty rough | 0:11:04 | 0:11:07 | |
when this woman handed me a leaflet called The Truth About Drugs. | 0:11:07 | 0:11:11 | |
Had a little read, though, and I'll share with you what it said on the first page. | 0:11:11 | 0:11:14 | |
It said, word for word, "Taking drugs has a liability. | 0:11:14 | 0:11:18 | |
"It can affect the way your mind works." | 0:11:18 | 0:11:20 | |
Yeah, I don't do drugs but I am pretty sure that's an asset. | 0:11:21 | 0:11:24 | |
I don't think anyone's been up all night taking cocaine, | 0:11:24 | 0:11:27 | |
got up the next morning and gone, "Do you know what? | 0:11:27 | 0:11:29 | |
"Didn't like the way that gave me confidence and made me forget all my troubles. | 0:11:29 | 0:11:33 | |
"Not going to stop taking it, though, cos I really like nosebleeds." | 0:11:33 | 0:11:36 | |
I've been trying to look after myself a bit more but it's hard, innit? | 0:11:37 | 0:11:41 | |
Go to the gym but that's boring. | 0:11:41 | 0:11:43 | |
Is it just me or would you be more likely to go to the gym | 0:11:43 | 0:11:46 | |
if they were like they were at school, with wall bars and ropes? | 0:11:46 | 0:11:49 | |
It's way more fun, isn't it? | 0:11:49 | 0:11:50 | |
Or is that just cos I'm a girl and we had | 0:11:50 | 0:11:52 | |
quite a voyage of discovery on those ropes, didn't we, ladies? | 0:11:52 | 0:11:55 | |
Boys are looking at me blankly | 0:11:55 | 0:11:57 | |
but the girls know exactly what I'm talking about, don't you? | 0:11:57 | 0:12:00 | |
I went to an all girls school. Some days you couldn't get on them, the queue was round the playground. | 0:12:00 | 0:12:05 | |
I'm trying to find a sport I like but I'm not a very sporty person. | 0:12:05 | 0:12:08 | |
I mean, my mum plays golf but that's not a sport, is it? | 0:12:08 | 0:12:10 | |
You can't call something a sport if you're so unlikely to break into a sweat, | 0:12:10 | 0:12:14 | |
you could play it wearing a jumper. | 0:12:14 | 0:12:16 | |
I like crazy golf. That's fun. I'll do a bit of crazy golf. | 0:12:16 | 0:12:19 | |
They're missing a trick. Why aren't they doing this with other sports? | 0:12:19 | 0:12:22 | |
I'd play cricket if I had to run up and down a seesaw to get a run. | 0:12:22 | 0:12:25 | |
As it is, the only sport I am any good at is badminton | 0:12:27 | 0:12:29 | |
but then, you know, anyone can hit a ball | 0:12:29 | 0:12:31 | |
when it's attached to its own parachute, can't they? | 0:12:31 | 0:12:34 | |
I'm very bad at seducing ladies, you know. | 0:12:34 | 0:12:37 | |
One of my main problems is I'm very bad at giving the eye. | 0:12:37 | 0:12:41 | |
It's a skill I've never mastered, giving the eye, right. | 0:12:41 | 0:12:44 | |
I tried to do it the other day in the cafe. | 0:12:44 | 0:12:46 | |
There was me and this girl sitting there, no-one else there. | 0:12:46 | 0:12:49 | |
I thought, "I'll give her a bit of the eye." | 0:12:49 | 0:12:52 | |
So I started looking at her, right. | 0:12:52 | 0:12:53 | |
I can do eye contact, that first bit, eye contact. | 0:12:53 | 0:12:56 | |
I can do that but the crucial thing is the smile, right. | 0:12:56 | 0:12:59 | |
Because if you don't do the smile, it's just... | 0:12:59 | 0:13:02 | |
So the smile, the smile is crucial. | 0:13:14 | 0:13:17 | |
I was looking at her and I thought, | 0:13:17 | 0:13:18 | |
"I'm going to do the smile. I'm going to do the smile," | 0:13:18 | 0:13:21 | |
but I chickened out. | 0:13:21 | 0:13:22 | |
When it came to the moment of smiling, | 0:13:22 | 0:13:24 | |
I chickened out and I looked away, I looked down. | 0:13:24 | 0:13:27 | |
But this was the pathetic bit. | 0:13:28 | 0:13:30 | |
I then thought to myself, "Maybe it's not too late. | 0:13:30 | 0:13:33 | |
"Maybe it's not too late for the smile. | 0:13:35 | 0:13:37 | |
"Maybe I can still do the smile after I've looked down | 0:13:37 | 0:13:40 | |
"and it'll have a sort of retrospective smile effect." | 0:13:40 | 0:13:43 | |
So this is what happened when I gave her the eye. | 0:13:43 | 0:13:46 | |
APPLAUSE | 0:14:03 | 0:14:07 | |
Now, one of the many problems with this is that | 0:14:09 | 0:14:12 | |
it looked as if I was picturing her murder. | 0:14:12 | 0:14:15 | |
Basically, right, my whole life... | 0:14:15 | 0:14:18 | |
babies have stared at me. | 0:14:18 | 0:14:21 | |
Right... | 0:14:24 | 0:14:26 | |
But I was on the bus the other day with my friend, and my friend - | 0:14:27 | 0:14:30 | |
there were five or six babies on the bus and my friend looked around, | 0:14:30 | 0:14:33 | |
and they were all staring at me, obviously... | 0:14:33 | 0:14:35 | |
My friend looked around the bus and she went, "Er, Joe... | 0:14:35 | 0:14:39 | |
"All the babies | 0:14:41 | 0:14:43 | |
"on this bus are staring at you!" | 0:14:43 | 0:14:47 | |
I went, "Yeah, I know, it happens, yeah." | 0:14:47 | 0:14:50 | |
She went, "Really?" I went, "Yeah, this always happens." | 0:14:52 | 0:14:54 | |
She went, "Bit weird." I went, "Er, you know." | 0:14:54 | 0:14:57 | |
Got off - about an hour later, got on another bus, | 0:14:57 | 0:14:59 | |
on my own, and there was a baby on that bus, | 0:14:59 | 0:15:02 | |
and it wasn't staring at me, and I thought, "Ooh, that's weird." | 0:15:02 | 0:15:06 | |
Right? But then, I saw the baby do this - I saw the baby go... | 0:15:06 | 0:15:10 | |
And I swear to God, at that point, I thought, | 0:15:18 | 0:15:20 | |
"Still got it!" | 0:15:20 | 0:15:22 | |
Actually, I lived in the UK once before, | 0:15:24 | 0:15:26 | |
I lived in London a couple of years ago, | 0:15:26 | 0:15:29 | |
and this is probably the strangest thing that happened at that time. | 0:15:29 | 0:15:32 | |
I was hanging out on Liverpool Street in east London, | 0:15:32 | 0:15:34 | |
looking for Brick Lane, which was close, but I couldn't find it. | 0:15:34 | 0:15:37 | |
I kept going around in circles, and I saw this woman, | 0:15:37 | 0:15:39 | |
asked her if she knew where Brick Lane was, | 0:15:39 | 0:15:41 | |
and she didn't know - not a big deal, right? | 0:15:41 | 0:15:44 | |
I'm about to walk away when she grabbed me, looked me in the eye, | 0:15:44 | 0:15:48 | |
and said, "Excuse me, do you go to church?" | 0:15:48 | 0:15:50 | |
I thought she meant, do I go to her church? "No, I'm sorry, I don't." | 0:15:50 | 0:15:54 | |
She's like, "OK. Because I go to church, | 0:15:54 | 0:15:57 | |
"and I believe in Jesus Christ, and I think you should | 0:15:57 | 0:16:00 | |
"believe in Jesus as well." Wow! | 0:16:00 | 0:16:02 | |
How did you get from this part of the conversation... | 0:16:02 | 0:16:05 | |
to that part of the conversation so quickly? | 0:16:05 | 0:16:08 | |
It's like she thought to herself, | 0:16:08 | 0:16:11 | |
"Ah! He does not know where Brick Lane is. | 0:16:11 | 0:16:13 | |
"Clearly, he is lost in all aspects of his life. | 0:16:13 | 0:16:17 | |
"I will help him. | 0:16:17 | 0:16:20 | |
"Jesus - perhaps you've heard the name before?" | 0:16:20 | 0:16:22 | |
"Yeah, perhaps. That name has gotten around, | 0:16:22 | 0:16:25 | |
"mostly through word of mouth and pamphlets and... | 0:16:25 | 0:16:28 | |
"bullets were used at some point, I believe. Yes, I'm familiar | 0:16:28 | 0:16:31 | |
"with this Jesus figure - he looks like Bjorn Borg. | 0:16:31 | 0:16:33 | |
"We discussed this earlier, he looks like a Swedish tennis player." | 0:16:33 | 0:16:36 | |
I think she meant well, but it was kind of annoying, | 0:16:36 | 0:16:39 | |
and I wanted to end it, but I wanted to be polite. | 0:16:39 | 0:16:41 | |
She was being nice enough, and I said, "Excuse me, miss - | 0:16:41 | 0:16:43 | |
"thank you very much, but I'm a Hindu, all right? | 0:16:43 | 0:16:47 | |
"I'm taken, all right? | 0:16:47 | 0:16:48 | |
"I have a box to check." | 0:16:48 | 0:16:51 | |
And it didn't matter, and I know it didn't matter, because she said, | 0:16:51 | 0:16:54 | |
"It doesn't matter! | 0:16:54 | 0:16:56 | |
"It doesn't matter what you are, or who you are, | 0:16:56 | 0:16:59 | |
"Jesus loves you. Jesus loves me, | 0:16:59 | 0:17:01 | |
"Jesus gives me strength, Jesus gives me direction." | 0:17:01 | 0:17:04 | |
"Oh, OK. Well, then, can you ask Jesus where Brick Lane is...?" | 0:17:04 | 0:17:08 | |
APPLAUSE | 0:17:08 | 0:17:11 | |
I don't know if anyone else does this - | 0:17:11 | 0:17:13 | |
it never ceases to amaze me, the hour of the day I will stay up till | 0:17:13 | 0:17:16 | |
to watch a film, just because it's on television, | 0:17:16 | 0:17:20 | |
even though I've got it on DVD! | 0:17:20 | 0:17:22 | |
GIGGLING | 0:17:22 | 0:17:24 | |
What the fuck is that all about? | 0:17:24 | 0:17:26 | |
Like, it's better with adverts in it or something? | 0:17:26 | 0:17:29 | |
I was once two hours late for work, because I'd stayed up, ironically, | 0:17:29 | 0:17:32 | |
to watch Ferris Bueller's Day Off! | 0:17:32 | 0:17:35 | |
I've been watching a lot of daytime television as well, | 0:17:36 | 0:17:39 | |
I've got a lot of time to kill during the day, I'm at home... | 0:17:39 | 0:17:42 | |
I watched a programme for the first time called "Flog It!". | 0:17:42 | 0:17:44 | |
-I don't know if anyone's seen this. -WOMAN IN AUDIENCE: -Hey! | 0:17:44 | 0:17:47 | |
You sound like you enjoyed it a lot more than I did. | 0:17:47 | 0:17:49 | |
Let me say this about "Flog It!". Firstly, | 0:17:49 | 0:17:51 | |
there's an hour of my life I'll never get back. | 0:17:51 | 0:17:54 | |
It wasn't what I was expecting when I tuned in, if I'm honest. | 0:17:54 | 0:17:57 | |
I saw "Flog It!" in the Radio Times, I thought, "Ooh, hello!" | 0:17:57 | 0:18:00 | |
Daytime television's livened up - a bit of afternoon S&M on BBC One. | 0:18:00 | 0:18:04 | |
It didn't turn out to be quite the sort of "Flog It!" they had in mind. | 0:18:04 | 0:18:07 | |
"Flog It!", for those of you who haven't seen it, works like this - | 0:18:07 | 0:18:10 | |
people bring in stuff they think is going to be worth money - | 0:18:10 | 0:18:14 | |
old stuff, it tends to be, antiques, that kind of thing. | 0:18:14 | 0:18:17 | |
They've got a team of experts on there | 0:18:17 | 0:18:19 | |
who evaluate the object, and then, based on what they think it's worth, | 0:18:19 | 0:18:22 | |
the person that's brought it in has to decide whether | 0:18:22 | 0:18:24 | |
to take it to an auction, sell it off, flog it, basically - | 0:18:24 | 0:18:28 | |
hence the title. | 0:18:28 | 0:18:30 | |
I'd never seen it before. There was a guy sat there, | 0:18:30 | 0:18:32 | |
looking very happy with himself, with a big antique vase. | 0:18:32 | 0:18:36 | |
The professional says, "Hello, welcome to the show, | 0:18:36 | 0:18:38 | |
"what's the story with the vase, where did you get it?" | 0:18:38 | 0:18:41 | |
He goes, "Well, it's a funny story, actually. | 0:18:41 | 0:18:43 | |
"My girlfriend works in a hotel, they got a new manager and... | 0:18:43 | 0:18:46 | |
"out with the old, in with the new." | 0:18:46 | 0:18:48 | |
I thought, "Either I've missed something, | 0:18:50 | 0:18:53 | |
"or he's fuckin' nicked that!" | 0:18:53 | 0:18:54 | |
I don't think national television | 0:18:54 | 0:18:56 | |
is the place to be moving on stolen goods, mate! | 0:18:56 | 0:18:59 | |
I don't think sticking in "Out with the old, in with the new" | 0:18:59 | 0:19:02 | |
is going to throw everyone off the scent you've committed a crime! | 0:19:02 | 0:19:05 | |
If it were that easy, we'd all be at it. | 0:19:05 | 0:19:07 | |
"Welcome to A Place In The Sun, to Linda and Dave. | 0:19:07 | 0:19:10 | |
"They're looking to invest £100,000 in a villa in Spain. | 0:19:10 | 0:19:14 | |
"Linda, welcome - tell the audience how you raised the funds." | 0:19:14 | 0:19:17 | |
"Well, it's a funny story, that, actually. | 0:19:17 | 0:19:20 | |
"Dave was in HSBC at 9am the other day with a sawn-off shotgun, and... | 0:19:20 | 0:19:23 | |
"the early bird catches the worm!" | 0:19:23 | 0:19:27 | |
APPLAUSE AND CHEERING | 0:19:27 | 0:19:30 | |
I find Canadians - I feel like such a giant in this country. | 0:19:30 | 0:19:34 | |
I feel like Gandalf - you know what I mean? | 0:19:34 | 0:19:36 | |
Just, like around a bunch of Hobbits! | 0:19:36 | 0:19:39 | |
I don't know what it is about being a tall woman | 0:19:39 | 0:19:42 | |
that will always attract the smallest man. | 0:19:42 | 0:19:44 | |
You see him from across the way, you think he might be the right height, | 0:19:46 | 0:19:49 | |
but then he gets closer... | 0:19:49 | 0:19:51 | |
and closer. | 0:19:51 | 0:19:53 | |
And then he looks at you like he's going to climb a mountain, | 0:19:53 | 0:19:55 | |
like, "Rrrr!" | 0:19:55 | 0:19:58 | |
Like, you can't have what you can't reach! | 0:19:58 | 0:20:01 | |
APPLAUSE | 0:20:01 | 0:20:04 | |
That's why the cookies are on the top shelf. | 0:20:10 | 0:20:13 | |
Terrible! You know what? One good thing about being a giant, | 0:20:16 | 0:20:20 | |
I'm never afraid that anyone's ever going to drug my drink. | 0:20:20 | 0:20:24 | |
If they have any foresight at all, | 0:20:24 | 0:20:26 | |
how the fuck are they going to get me home? | 0:20:26 | 0:20:29 | |
You'd have to get creative - there's a shopping trolley waiting! | 0:20:29 | 0:20:34 | |
Ladies and gentlemen, it is time for my brand-new ventriloquism act! | 0:20:34 | 0:20:38 | |
-Here we go! -APPLAUSE AND CHEERING | 0:20:38 | 0:20:40 | |
-Please! -Get ready for this! -What...? | 0:20:40 | 0:20:43 | |
-# Duh, duh-duh, duh-duh... # -What are you putting the jacket on for? | 0:20:43 | 0:20:46 | |
-When I said dress smart, you could have... -Here we go! | 0:20:46 | 0:20:48 | |
What the fuck is that? | 0:20:48 | 0:20:50 | |
-Get ready! -What on earth is that? | 0:20:50 | 0:20:53 | |
Mate! | 0:20:53 | 0:20:55 | |
Oh, hello! | 0:20:55 | 0:20:57 | |
What is your name? | 0:20:57 | 0:20:59 | |
-"My name is Naughty Keith!" -Naughty Keith? | 0:20:59 | 0:21:02 | |
Oh...! | 0:21:02 | 0:21:04 | |
-Have you not prepared anything? -I was making that! | 0:21:04 | 0:21:06 | |
-Right. -Oh... | 0:21:06 | 0:21:07 | |
Why do they call you Naughty Keith? | 0:21:09 | 0:21:12 | |
"Cos I am right bloody naughty, me!" | 0:21:12 | 0:21:14 | |
What is it? What IS that? | 0:21:14 | 0:21:16 | |
Oh... | 0:21:16 | 0:21:17 | |
-Wha...? -What naughty things have you done today? | 0:21:17 | 0:21:20 | |
I don't even know what it is. | 0:21:20 | 0:21:22 | |
-"I poured petrol on a tramp and set fire to him." -No, mate, no... | 0:21:22 | 0:21:25 | |
LAUGHTER No! | 0:21:25 | 0:21:27 | |
-It's too much! -Keith - you shouldn't really do that! | 0:21:27 | 0:21:29 | |
What...? This is Naughty Keith, I know that. | 0:21:29 | 0:21:32 | |
-Thank you. -What on earth is Naughty Keith? | 0:21:32 | 0:21:34 | |
-Right - it's a little puppet. -Of what?! | 0:21:34 | 0:21:37 | |
-Of a boy, clearly! -Of a...?! | 0:21:37 | 0:21:39 | |
What's happened to him? It's really sad, awful! | 0:21:39 | 0:21:43 | |
-You know that I like The Muppets. -Yeah. -Love The Muppets, right? | 0:21:43 | 0:21:46 | |
-All right. -This is my one. | 0:21:46 | 0:21:47 | |
-Going to take it to America, join The Muppets, make my fortune. -Right. | 0:21:47 | 0:21:51 | |
# Me-nah, me-nah, duh-da, da-da-da! # | 0:21:51 | 0:21:53 | |
-Piss! -Piss? Yeah, piss... | 0:21:53 | 0:21:55 | |
"Piss" is his catchphrase. Piss! | 0:21:55 | 0:21:58 | |
-Piss? They will all be saying it tomorrow. -They won't be, mate, no. | 0:21:58 | 0:22:02 | |
Get it on a T-shirt - the word, not the thing. | 0:22:02 | 0:22:05 | |
It's not... It's not going to fit in with The Muppets. | 0:22:05 | 0:22:08 | |
-Piss! It's not going to fit in with The Muppets at all. -Why? | 0:22:08 | 0:22:10 | |
It looks like it might rape Kermit, I don't know. | 0:22:10 | 0:22:13 | |
-No, it'll be fine. Piss! -Stop saying piss! | 0:22:13 | 0:22:15 | |
-Piss! -Piss! You're a terrible ventriloquist as well, | 0:22:15 | 0:22:17 | |
it's not going to work, you're awful, your technique's terrible. | 0:22:17 | 0:22:21 | |
-AUDIENCE: -Aw! -No, shut up! | 0:22:21 | 0:22:23 | |
He's a grown man! | 0:22:23 | 0:22:25 | |
-It won't work. -Why? -The technique's awful, I can see your lips moving. | 0:22:26 | 0:22:30 | |
-That is my voice! -I know! | 0:22:30 | 0:22:32 | |
-That is me doing it! -No, I know! | 0:22:32 | 0:22:34 | |
Watch him. "Piss!" | 0:22:34 | 0:22:36 | |
-Now watch me... Piss! It's me! -I do know. I can see that. | 0:22:36 | 0:22:39 | |
How can I do it without moving my lips? That's like saying, | 0:22:39 | 0:22:43 | |
"Oh, look over there, mate. Oh, but keep your eyes shut." | 0:22:43 | 0:22:45 | |
Hang on, mate, second point on technique - | 0:22:45 | 0:22:47 | |
you're supposed to be making that look like it's coming alive. | 0:22:47 | 0:22:51 | |
When you're talking yourself, it's just down by your side, | 0:22:51 | 0:22:54 | |
and you're making it talk upside down, and I just saw you use it | 0:22:54 | 0:22:57 | |
to scratch your head with! | 0:22:57 | 0:22:59 | |
-My hand is in it! -I know! | 0:23:02 | 0:23:04 | |
-I think he thinks it's real! -No, I don't, mate! | 0:23:04 | 0:23:06 | |
Piss!! Stop saying piss! | 0:23:06 | 0:23:08 | |
The biggest cultural shock I've had since being here, | 0:23:08 | 0:23:11 | |
which to all of you is perfectly normal, | 0:23:11 | 0:23:14 | |
and you have no idea how messed-up it sounds to someone not from here... | 0:23:14 | 0:23:17 | |
I was having a cup of tea with an English friend of mine, | 0:23:17 | 0:23:20 | |
and she said to me, "Do you want a Penguin?" | 0:23:20 | 0:23:24 | |
It's... You know... | 0:23:31 | 0:23:34 | |
And I was like, "Er... | 0:23:34 | 0:23:37 | |
"Well, yeah. | 0:23:38 | 0:23:40 | |
"Who doesn't? | 0:23:42 | 0:23:44 | |
"They're adorable! Where did you get it?! | 0:23:44 | 0:23:48 | |
"Do the zoos sell them now? | 0:23:48 | 0:23:51 | |
"I mean, I don't know how to take care of it. I mean, it's a bird, | 0:23:51 | 0:23:54 | |
"but does it go in a cage or in the bathtub? | 0:23:54 | 0:23:57 | |
"And they look like you need to oil them. They seem kind of oily. | 0:23:57 | 0:24:01 | |
"Mind you, I could put a little bow-tie on him, | 0:24:01 | 0:24:04 | |
"and make some pretty sweet YouTube videos. | 0:24:04 | 0:24:07 | |
"Yeah, stuff it, I will have a penguin, go on, I will." | 0:24:07 | 0:24:10 | |
And she said, "No, you idiot! | 0:24:10 | 0:24:12 | |
"A Penguin's a biscuit!" | 0:24:12 | 0:24:16 | |
And I was like, "Oh! How stupid of me... | 0:24:16 | 0:24:20 | |
"..to confuse something... | 0:24:21 | 0:24:23 | |
"with what it is. | 0:24:23 | 0:24:26 | |
"I'm doing that all the time. When you said Penguin, | 0:24:26 | 0:24:29 | |
"I should have known that you meant biscuit, | 0:24:29 | 0:24:33 | |
"and not, you know, a penguin." And she goes, | 0:24:33 | 0:24:35 | |
"Don't worry about it, let's not fight about it." I'm like, "Yeah. | 0:24:35 | 0:24:38 | |
"Would you like some cake?" And she said yes. | 0:24:38 | 0:24:41 | |
And then I threw a spider in her face. | 0:24:41 | 0:24:44 | |
"Fuckin' Jesus! What did you throw a spider at me for?!" | 0:24:44 | 0:24:47 | |
I was like, "Oh! | 0:24:47 | 0:24:49 | |
"You idiot! In Australia, a cake is a spider! | 0:24:49 | 0:24:53 | |
"I just assumed you'd know that." | 0:24:53 | 0:24:55 | |
"God, it bit me!" I'm like, "Did it? Do you want the antidote?" | 0:24:55 | 0:24:58 | |
She's, "Yes, give me the antidote!" "Are you sure?" "Yes!" | 0:24:58 | 0:25:01 | |
And then I shot her in the kneecap. | 0:25:01 | 0:25:04 | |
"What did you just shoot me for?!!" | 0:25:04 | 0:25:06 | |
I was like, "Oh...! | 0:25:06 | 0:25:08 | |
"I don't like you." | 0:25:08 | 0:25:10 | |
In my opinion, real rap - real rap - | 0:25:12 | 0:25:14 | |
it should reflect the hardships | 0:25:14 | 0:25:16 | |
in life, you know? Of which I've had my unfair share. | 0:25:16 | 0:25:20 | |
-LAUGHTER -I've had some dark times, right, | 0:25:20 | 0:25:23 | |
where I used to think it was like me against the world, | 0:25:23 | 0:25:27 | |
-you know? And in those times... -ELECTRIC GUITAR RIFF PLAYS | 0:25:27 | 0:25:29 | |
you've got to remember, it's not you, | 0:25:29 | 0:25:31 | |
it's them. | 0:25:31 | 0:25:33 | |
Cos when you're down and out And you're really up against it | 0:25:33 | 0:25:36 | |
Just remember the basics | 0:25:36 | 0:25:38 | |
It's a mantra, repeatedly say this | 0:25:38 | 0:25:41 | |
You're not a loser It's just everybody's racist | 0:25:41 | 0:25:44 | |
Yeah, that's right, I said it! | 0:25:44 | 0:25:46 | |
Why d'you think nobody ever give you any credit...? | 0:25:46 | 0:25:48 | |
Why you last on the list of your doctor's patients? | 0:25:48 | 0:25:51 | |
Chronological? Or is your surgery racist? | 0:25:51 | 0:25:54 | |
What type of dog shits on the pavement | 0:25:54 | 0:25:56 | |
In front of your house? Alsatian - racist! | 0:25:56 | 0:25:59 | |
Say you're typing in a search engine | 0:25:59 | 0:26:02 | |
Trying to write "haterz" with a Z at the end | 0:26:02 | 0:26:05 | |
And your computer goes Did you mean "haters"? | 0:26:05 | 0:26:08 | |
That's how you know Google's racist | 0:26:08 | 0:26:10 | |
How come every time an igloo's made | 0:26:10 | 0:26:13 | |
It's always white, mmm? Eskimos - racist! | 0:26:13 | 0:26:16 | |
So now you know the truth at its plainest | 0:26:16 | 0:26:18 | |
Your car won't start? Engine - racist | 0:26:18 | 0:26:21 | |
Your team don't pick you? These guys - racist | 0:26:21 | 0:26:24 | |
Jeans don't fit you? Levi's - racist! | 0:26:24 | 0:26:27 | |
If you can't lose weight Every time you try it | 0:26:27 | 0:26:30 | |
I guarantee your diet is racist | 0:26:30 | 0:26:32 | |
On your birthday it rained in places | 0:26:32 | 0:26:34 | |
Fuck, the clouds The whole sky is racist! | 0:26:34 | 0:26:37 | |
You've got an iPod Shuffling the play list | 0:26:37 | 0:26:40 | |
It ain't picked reggae in a while? Racist! | 0:26:40 | 0:26:42 | |
How come every time you get to the queue | 0:26:42 | 0:26:45 | |
You're the last in the queue, dude? That queue's racist! | 0:26:45 | 0:26:48 | |
And then when you get to the front | 0:26:48 | 0:26:50 | |
The staff say, "Hey, thanks for waiting!" | 0:26:50 | 0:26:52 | |
That's racist | 0:26:52 | 0:26:54 | |
The whole Post Office are skanks | 0:26:54 | 0:26:55 | |
Why do you think they try and sell you second-class stamps? | 0:26:55 | 0:26:59 | |
Two words Institutional racism | 0:26:59 | 0:27:02 | |
You go Nando's Suddenly they make chicken | 0:27:02 | 0:27:04 | |
And you might want couscous Or just soup | 0:27:04 | 0:27:07 | |
Too late, man They already judged you | 0:27:07 | 0:27:10 | |
When you're down and out And you're really up against it | 0:27:10 | 0:27:13 | |
Just remember the basics | 0:27:13 | 0:27:16 | |
It's a mantra, repeatedly say this | 0:27:16 | 0:27:17 | |
You're not a loser | 0:27:17 | 0:27:19 | |
It's just everybody's racist! | 0:27:19 | 0:27:22 | |
APPLAUSE AND CHEERING | 0:27:22 | 0:27:25 | |
I've been Doc Brown - thank you very much! | 0:27:31 | 0:27:33 | |
Ladies and gentlemen... | 0:27:37 | 0:27:39 | |
please give it up for Doc Brown! | 0:27:39 | 0:27:42 | |
APPLAUSE AND CHEERING | 0:27:42 | 0:27:45 | |
That's the end of Good News - hope you enjoyed it. | 0:27:45 | 0:27:47 | |
Farewell. | 0:27:47 | 0:27:49 | |
APPLAUSE AND CHEERING | 0:27:49 | 0:27:52 | |
Subtitles by Red Bee Media Ltd | 0:28:02 | 0:28:05 |