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This programme contains some strong language. | 0:00:02 | 0:00:09 | |
APPLAUSE AND CHEERING | 0:00:21 | 0:00:24 | |
Hello! And welcome to Good News. | 0:00:26 | 0:00:28 | |
Now, one of the best things about my job, I get to choose | 0:00:28 | 0:00:31 | |
loads of great comics to come and do a set on my show, and this | 0:00:31 | 0:00:34 | |
is a special edition showing you all their very best bits, | 0:00:34 | 0:00:36 | |
so, enjoy. | 0:00:36 | 0:00:38 | |
APPLAUSE AND CHEERING | 0:00:40 | 0:00:42 | |
I guess we'd better sort some things out straight from the top, yeah? | 0:00:42 | 0:00:45 | |
Deal with some issues. | 0:00:45 | 0:00:47 | |
First of all, let's deal with the audio, | 0:00:47 | 0:00:50 | |
what's going into your ear holes, mate. | 0:00:50 | 0:00:52 | |
I'm not from here. | 0:00:52 | 0:00:54 | |
I'm from somewhere else. From New Zealand. | 0:00:54 | 0:00:56 | |
Now, there's something about the New Zealand accent, isn't there? | 0:00:56 | 0:00:59 | |
And I'll tell you what it is - | 0:00:59 | 0:01:01 | |
it's sexy. | 0:01:01 | 0:01:02 | |
LAUGHTER | 0:01:02 | 0:01:04 | |
Oh, I know a few of you ladies have been affected | 0:01:04 | 0:01:06 | |
in the downstairs region already. | 0:01:06 | 0:01:08 | |
There's a lot of moisture in the air tonight. | 0:01:08 | 0:01:11 | |
AUDIENCE GROANS | 0:01:11 | 0:01:13 | |
It is such a sexy accent, I wouldn't be surprised | 0:01:13 | 0:01:15 | |
if some of you ladies walked away a little bit pregnant tonight. | 0:01:15 | 0:01:18 | |
It's one of those risks. | 0:01:18 | 0:01:20 | |
It's also sexy enough there's probably a couple of guys tonight | 0:01:20 | 0:01:23 | |
going, "Oh, my God, I've got a semi on!" | 0:01:23 | 0:01:25 | |
And now all the posh people are sitting going, "Semillon? | 0:01:26 | 0:01:29 | |
"That's a lovely glass of wine!" | 0:01:29 | 0:01:31 | |
LAUGHTER | 0:01:31 | 0:01:32 | |
"Mmm, I love vintage Semillon." | 0:01:32 | 0:01:34 | |
That's the audio dealt with. Tick that box, we are moving on. | 0:01:35 | 0:01:39 | |
To the visuals, or the visu-als, | 0:01:39 | 0:01:42 | |
if you're a dick. | 0:01:42 | 0:01:44 | |
I'm quite a hairy man, I don't mind admitting that. | 0:01:45 | 0:01:47 | |
Any other hairy men in the room? | 0:01:47 | 0:01:49 | |
Come on, roar like the bears you are! | 0:01:49 | 0:01:51 | |
QUIET ROARS | 0:01:51 | 0:01:53 | |
"Grrr! Not really a grizzly bear, more a teddy bear! | 0:01:54 | 0:01:57 | |
"Go on! Put me in the room with your kids!" | 0:01:57 | 0:01:59 | |
AUDIENCE GROANS | 0:01:59 | 0:02:01 | |
Awkward, you're right. Awful. | 0:02:01 | 0:02:02 | |
But at least you admit it, | 0:02:03 | 0:02:05 | |
because there's too many guys out there who are hairy | 0:02:05 | 0:02:07 | |
and don't admit it because they think the ladies don't like it. | 0:02:07 | 0:02:11 | |
Because, for too long... | 0:02:11 | 0:02:13 | |
society has been telling us | 0:02:13 | 0:02:15 | |
that the ladies don't like body hair on a man. | 0:02:15 | 0:02:18 | |
For too LONG... | 0:02:18 | 0:02:20 | |
..the movies have given us hairless men and told us they are beautiful! | 0:02:21 | 0:02:27 | |
MENACINGLY: For too long. | 0:02:27 | 0:02:30 | |
Magazines have said a hairy man is not your ideal man. | 0:02:30 | 0:02:35 | |
But guess what, ladies? | 0:02:35 | 0:02:37 | |
You love it. | 0:02:37 | 0:02:38 | |
Oh, openly you don't admit it, but deep down you know there's nothing | 0:02:38 | 0:02:42 | |
better than rubbing your faces into the downy softness of a man's back. | 0:02:42 | 0:02:46 | |
GROANS | 0:02:46 | 0:02:48 | |
Oh! | 0:02:48 | 0:02:49 | |
It's one of life's little gifts! | 0:02:49 | 0:02:51 | |
You have not spooned until you've spooned | 0:02:51 | 0:02:53 | |
and got your face tickled at the same time. | 0:02:53 | 0:02:55 | |
LAUGHTER | 0:02:55 | 0:02:56 | |
And we all know that famous saying, | 0:02:56 | 0:02:58 | |
"If you want great nookie, | 0:02:58 | 0:03:00 | |
"bag yourself a wookiee." | 0:03:00 | 0:03:01 | |
We all know that! | 0:03:01 | 0:03:03 | |
LAUGHTER AND APPLAUSE | 0:03:03 | 0:03:05 | |
So, I'm engaged - no surprises there. | 0:03:08 | 0:03:11 | |
LAUGHTER | 0:03:11 | 0:03:13 | |
Someone laughing more than they should at that. | 0:03:13 | 0:03:15 | |
And it's lovely, | 0:03:17 | 0:03:19 | |
mainly for him, but... | 0:03:19 | 0:03:21 | |
It is. "I love him!" | 0:03:21 | 0:03:23 | |
It's really nice. But, um... | 0:03:23 | 0:03:25 | |
It's kind of weird, right, | 0:03:28 | 0:03:29 | |
because I've only just got round to telling people I've got a boyfriend. | 0:03:29 | 0:03:34 | |
I think loads of people do this - | 0:03:34 | 0:03:35 | |
if you're in a social situation, you don't want to tell people | 0:03:35 | 0:03:39 | |
that you've got a boyfriend, | 0:03:39 | 0:03:40 | |
cos you don't want to ruin their lives? | 0:03:40 | 0:03:43 | |
Come on, we've all been there. | 0:03:46 | 0:03:47 | |
And I realised this was ridiculous when someone did it to me, | 0:03:47 | 0:03:50 | |
and I didn't even fancy him. | 0:03:50 | 0:03:52 | |
I'll explain what happened. He's a stand-up, so I can't say his name, | 0:03:52 | 0:03:56 | |
and I had known him for about six months | 0:03:56 | 0:03:58 | |
and he'd never mentioned a girlfriend. | 0:03:58 | 0:04:00 | |
That's quite a long time, right? | 0:04:00 | 0:04:01 | |
I would have liked to hear about his girlfriend, because I'm quite nosy. | 0:04:01 | 0:04:05 | |
And he'd never mentioned it, so he must have thought that | 0:04:05 | 0:04:08 | |
I fancied him and I did not, and this is how I deduced all of this. | 0:04:08 | 0:04:13 | |
Because, we were walking to a gig and his girlfriend was coming later | 0:04:13 | 0:04:16 | |
but I didn't know she was coming to the gig, | 0:04:16 | 0:04:18 | |
so we were walking to the gig, and I said to him, | 0:04:18 | 0:04:20 | |
"I'm just going to get a packet of Wotsits." | 0:04:20 | 0:04:22 | |
You know, because I like Wotsits. | 0:04:24 | 0:04:27 | |
And I tell it like it is! | 0:04:27 | 0:04:28 | |
And he said, "Oh... | 0:04:30 | 0:04:33 | |
"My girlfriend likes Wotsits." | 0:04:33 | 0:04:37 | |
"My girlfriend likes Wotsits." | 0:04:39 | 0:04:41 | |
But then I've got to show the appropriate facial reaction to, | 0:04:41 | 0:04:44 | |
"Right, I know you've just mentioned the G-bomb, | 0:04:44 | 0:04:46 | |
"but I'm not bothered." | 0:04:46 | 0:04:48 | |
While also showing the appropriate facial reaction to... | 0:04:48 | 0:04:51 | |
"Someone else likes Wotsits?" | 0:04:53 | 0:04:55 | |
LAUGHTER | 0:04:55 | 0:04:57 | |
There's a lot going on! | 0:04:57 | 0:04:59 | |
So I went with this... | 0:04:59 | 0:05:00 | |
LAUGHTER | 0:05:03 | 0:05:04 | |
And then I said, "I'll get her a packet, if you like," | 0:05:06 | 0:05:09 | |
which does sound bitter. | 0:05:09 | 0:05:10 | |
I love X-Men, my favourite is Professor Xavier, | 0:05:11 | 0:05:14 | |
cos that guy is in a wheelchair, but he can move things with his mind. | 0:05:14 | 0:05:18 | |
But that's what I never understood - | 0:05:18 | 0:05:20 | |
if you can move a huge building with your mind, | 0:05:20 | 0:05:22 | |
shouldn't you be able to move your legs with your mind? | 0:05:22 | 0:05:25 | |
LAUGHTER | 0:05:25 | 0:05:27 | |
Like, I think he was just faking it for a better disability cheque. | 0:05:30 | 0:05:33 | |
And in the new X-Men, there's this mutant, Darwin, | 0:05:34 | 0:05:37 | |
and Darwin's mutant ability is to adapt. | 0:05:37 | 0:05:39 | |
Like, when Darwin puts his head underwater, | 0:05:39 | 0:05:42 | |
he grows gills, he adapts. Which is amazing, | 0:05:42 | 0:05:46 | |
but this guy's black in 1962 America. | 0:05:46 | 0:05:48 | |
LAUGHTER | 0:05:48 | 0:05:50 | |
It's like, hey, if you can grow gills on your face, | 0:05:53 | 0:05:55 | |
you should probably not be black in 1962. | 0:05:55 | 0:05:58 | |
Adapt! | 0:05:58 | 0:05:59 | |
LAUGHTER | 0:05:59 | 0:06:01 | |
That's your mutant ability, Darwin! | 0:06:01 | 0:06:03 | |
At one point in the movie the guy had bullet-proof skin, and I was like, | 0:06:03 | 0:06:06 | |
"Dude, you wouldn't need that if you were just white!" | 0:06:06 | 0:06:09 | |
LAUGHTER | 0:06:09 | 0:06:11 | |
I love that I'm doing stand-up on TV, this is amazing, | 0:06:13 | 0:06:17 | |
because on TV, whenever you do a joke about a black guy, | 0:06:17 | 0:06:19 | |
what they do is show a black guy in the audience laughing | 0:06:19 | 0:06:22 | |
so you guys know it's OK. | 0:06:22 | 0:06:23 | |
LAUGHTER | 0:06:23 | 0:06:25 | |
So next time I'm on TV I'm going to do a joke about a paraplegic midget | 0:06:25 | 0:06:28 | |
just to watch the cameraman run around trying to find one after I say it. | 0:06:28 | 0:06:32 | |
"We need to find one!" | 0:06:32 | 0:06:34 | |
"Uh, there is short guy with a crutch." | 0:06:34 | 0:06:36 | |
"Break his other leg!" | 0:06:36 | 0:06:37 | |
LAUGHTER | 0:06:37 | 0:06:38 | |
The problem is the world's a mess at the moment | 0:06:39 | 0:06:42 | |
and nobody really cares about anything. | 0:06:42 | 0:06:44 | |
Like, you, what do you care about? See? Nothing. | 0:06:44 | 0:06:46 | |
LAUGHTER | 0:06:46 | 0:06:47 | |
But we do, and we've become revolutionaries. | 0:06:47 | 0:06:50 | |
I'm not going to say we're like Che Guevara, | 0:06:50 | 0:06:53 | |
but pretty much every T-shirt on every campus in the country | 0:06:53 | 0:06:56 | |
is soon to have our faces emblazoned upon it. | 0:06:56 | 0:06:58 | |
Yeah, like this one... | 0:06:58 | 0:07:00 | |
Fuck, I forgot to put it on. | 0:07:00 | 0:07:01 | |
LAUGHTER | 0:07:01 | 0:07:04 | |
SLOW PIANO MUSIC | 0:07:06 | 0:07:10 | |
I believe it was Malcolm X that said, "By any means necessary." | 0:07:14 | 0:07:19 | |
So we're going to march down to Parliament Square, | 0:07:19 | 0:07:22 | |
hand in hand, linked together. | 0:07:22 | 0:07:25 | |
And no matter how much the riot police bang their batons against their shields, | 0:07:25 | 0:07:29 | |
no matter how much they push against us, | 0:07:29 | 0:07:32 | |
we will not break hands and we will not break that link. | 0:07:32 | 0:07:35 | |
Unless there's a car coming, or one of us got to go toilet. | 0:07:35 | 0:07:38 | |
This revolution is about breaking down fences, | 0:07:40 | 0:07:42 | |
no Chaka Demus, just Pliers. | 0:07:42 | 0:07:44 | |
Handing out flyers about the revolution, | 0:07:44 | 0:07:46 | |
saying that we've got to stand together, march together, | 0:07:46 | 0:07:49 | |
fight together and, yeah, die together. | 0:07:49 | 0:07:53 | |
Not us, we're admin. | 0:07:53 | 0:07:54 | |
But this revolution is about kicking down the doors of Primark saying, | 0:07:54 | 0:07:58 | |
"Hey, brothers, rumour has it that you've-you've sourced materials | 0:07:58 | 0:08:03 | |
"from sweatshops?! If that's true, stop it. | 0:08:03 | 0:08:06 | |
"Now pass me a basket, that's not the only reason we came here, my mum needs new knickers." | 0:08:06 | 0:08:09 | |
This revolution is now. | 0:08:09 | 0:08:11 | |
Conservative Government of the '70s and '80s, you closed minds, | 0:08:11 | 0:08:14 | |
shut the coal mines, an uncompromising legacy | 0:08:14 | 0:08:16 | |
still reverberates through these times. | 0:08:16 | 0:08:18 | |
So, Margaret Thatcher, we're coming atcha, like Cleopatra, | 0:08:18 | 0:08:21 | |
coming to catch ya. | 0:08:21 | 0:08:22 | |
Oh, you're dead, so we punched Meryl Streep instead. | 0:08:22 | 0:08:25 | |
# Marching, fighting | 0:08:26 | 0:08:27 | |
# Shaking our fists in the air | 0:08:27 | 0:08:31 | |
# Which is a universal sign of anger. # | 0:08:31 | 0:08:35 | |
Look, let's start sharing, caring, yeah? | 0:08:35 | 0:08:38 | |
What's yours is mine, what's mine is yours. | 0:08:38 | 0:08:40 | |
You, look - here. | 0:08:40 | 0:08:41 | |
Have my sock. That is yours. | 0:08:41 | 0:08:44 | |
Can I have your...wallet? | 0:08:44 | 0:08:46 | |
LAUGHTER | 0:08:46 | 0:08:48 | |
Well, give me my sock back, then, you fascist pig. | 0:08:48 | 0:08:51 | |
We will not use wealth or peerage to enter Parliament. | 0:08:51 | 0:08:54 | |
We will use intelligence and guerrilla tactics. | 0:08:54 | 0:08:58 | |
"Look, security, a gorilla." | 0:08:58 | 0:08:59 | |
And while the security man is looking we'll go past him | 0:08:59 | 0:09:02 | |
and say, "Hey, MPs, | 0:09:02 | 0:09:03 | |
"we've got to change what our reality is doing to our kids, | 0:09:03 | 0:09:05 | |
"start putting down some proper bids, stop wearing your bullshit bib." | 0:09:05 | 0:09:08 | |
"What's a bullshit bib?" | 0:09:08 | 0:09:10 | |
"You know." | 0:09:10 | 0:09:11 | |
# We are holding a revolt | 0:09:12 | 0:09:14 | |
# We are revolting. # | 0:09:14 | 0:09:17 | |
So, let's start sharing, caring, yeah? | 0:09:18 | 0:09:21 | |
Let's all bow our heads | 0:09:21 | 0:09:22 | |
and remember those that have died in violence | 0:09:22 | 0:09:25 | |
with a minute of silence. | 0:09:25 | 0:09:27 | |
MUSIC STOPS ABRUPTLY | 0:09:27 | 0:09:29 | |
-Actually, a minute's a bit long, isn't it? -It is. | 0:09:32 | 0:09:34 | |
LAUGHTER | 0:09:34 | 0:09:35 | |
My teaching career began with a reception class | 0:09:35 | 0:09:38 | |
in a primary school as a teaching assistant. | 0:09:38 | 0:09:40 | |
They're aged four to five, loads of fun, they have so much energy. | 0:09:40 | 0:09:43 | |
There is nothing funnier than a fat child... | 0:09:43 | 0:09:46 | |
So I began in primary school. | 0:09:46 | 0:09:48 | |
LAUGHTER | 0:09:48 | 0:09:50 | |
And, yes, I did have a favourite. His name was Peter. | 0:09:51 | 0:09:54 | |
His best line of written work read, | 0:09:54 | 0:09:56 | |
"An egg is cold... | 0:09:56 | 0:09:59 | |
"..like the sun." | 0:10:00 | 0:10:02 | |
LAUGHTER AND APPLAUSE | 0:10:03 | 0:10:06 | |
Possibly the worst analogy I've ever encountered. | 0:10:10 | 0:10:13 | |
I put it on a wall display. | 0:10:13 | 0:10:15 | |
There was another occasion, when the class were all changing for PE. | 0:10:15 | 0:10:19 | |
Always a nightmare. | 0:10:19 | 0:10:20 | |
The number of five-year-olds who cannot pull down their shorts | 0:10:20 | 0:10:23 | |
without their pants needs to be addressed by parents. | 0:10:23 | 0:10:26 | |
And the girl next to Peter had accidentally done this, | 0:10:29 | 0:10:32 | |
she'd pulled everything down, and Peter's reaction was very sweet. | 0:10:32 | 0:10:35 | |
He simply went... | 0:10:35 | 0:10:36 | |
HE GASPS | 0:10:36 | 0:10:38 | |
"No!" | 0:10:38 | 0:10:40 | |
LAUGHTER AND APPLAUSE | 0:10:40 | 0:10:42 | |
A lovely child. | 0:10:48 | 0:10:49 | |
When I came to leave the school, Peter was a bit upset | 0:10:49 | 0:10:52 | |
that I was leaving, and I got a bit upset that he was upset. | 0:10:52 | 0:10:55 | |
Until, that is, ladies and gents, | 0:10:55 | 0:10:57 | |
he gave me this as a leaving present. | 0:10:57 | 0:10:59 | |
-AUDIENCE: -Awww. | 0:11:00 | 0:11:01 | |
LAUGHTER | 0:11:07 | 0:11:10 | |
APPLAUSE | 0:11:10 | 0:11:12 | |
Now... | 0:11:14 | 0:11:16 | |
..never mind the fact that Mark is spelt, | 0:11:17 | 0:11:20 | |
not only with a C... | 0:11:20 | 0:11:22 | |
but with a U! | 0:11:22 | 0:11:23 | |
Never mind the strange picture of a pink bunny | 0:11:25 | 0:11:28 | |
about to commit suicide off the top of this house. | 0:11:28 | 0:11:30 | |
We can even ignore | 0:11:33 | 0:11:34 | |
the disproportionate size of the tree trunk. | 0:11:34 | 0:11:37 | |
The picture is of a girl! | 0:11:42 | 0:11:44 | |
LAUGHTER | 0:11:44 | 0:11:47 | |
A great way to, like, teach children about death is with pets. | 0:11:47 | 0:11:52 | |
Psychologically, it's a great way to teach children about death. | 0:11:52 | 0:11:55 | |
So, you know, like, you buy your child a hamster | 0:11:55 | 0:11:58 | |
and then after five years when it's attached to it, | 0:11:58 | 0:12:01 | |
you break its neck! | 0:12:01 | 0:12:03 | |
And then you go, "Right, | 0:12:03 | 0:12:04 | |
"now I'm going to teach you what's going to happen to Granny very soon." | 0:12:04 | 0:12:08 | |
And then you die, and the circle continues, you know what I mean? | 0:12:08 | 0:12:12 | |
But, like, when I was growing up we had this pet rabbit | 0:12:12 | 0:12:15 | |
called Bubbles, and, like, Bubbles, I thought, had a great life. | 0:12:15 | 0:12:19 | |
You know, just running around, pooing in our shoes. | 0:12:19 | 0:12:23 | |
I was like, "There's a guy who knows how to party." | 0:12:23 | 0:12:26 | |
You never know what's going on inside someone's head, lads, | 0:12:26 | 0:12:30 | |
and one night, Bubbles got out of his hutch | 0:12:30 | 0:12:33 | |
and he bit away at the wire in his hutch like this | 0:12:33 | 0:12:36 | |
until it sort of came out in a long spear, | 0:12:36 | 0:12:39 | |
and then he turned himself around, | 0:12:39 | 0:12:41 | |
and he reversed his arsehole on to that spear. | 0:12:41 | 0:12:44 | |
And it punctured every single organ on the way up. | 0:12:44 | 0:12:48 | |
They say he died of a broken heart in the end. | 0:12:48 | 0:12:52 | |
So, the next morning, my mother had to sort of... | 0:12:52 | 0:12:55 | |
SQUELCH | 0:12:55 | 0:12:56 | |
..him off the wire, | 0:12:56 | 0:12:58 | |
and it was up to my neighbour, Jim Murphy, | 0:12:58 | 0:13:01 | |
to bury Bubbles the rabbit, do you know what I mean? | 0:13:01 | 0:13:03 | |
So Jim dug a grave for Bubbles as he remembered him, | 0:13:03 | 0:13:06 | |
which is a small, little rabbit like this. | 0:13:06 | 0:13:08 | |
But when rabbits die they don't die as they were, | 0:13:08 | 0:13:10 | |
they die with their arms sort of longer than the ears | 0:13:10 | 0:13:13 | |
and the legs longer than their short lives. | 0:13:13 | 0:13:14 | |
So my first memory of death was standing in front of this grave | 0:13:14 | 0:13:17 | |
with Jim Murphy in front of me going, "In the name of the Father | 0:13:17 | 0:13:20 | |
"and of the Son, and of the Holy Spirit, amen. | 0:13:20 | 0:13:22 | |
"Dear Jesus, we give you Bubbles the rabbit to bury, | 0:13:22 | 0:13:25 | |
"to go to heaven with all the other angel rabbits..." | 0:13:25 | 0:13:28 | |
I couldn't believe it, there was Jim Murphy in front of me | 0:13:28 | 0:13:31 | |
shoving Bubbles into the grave with the end of his welly boot like this. | 0:13:31 | 0:13:36 | |
And still to this day, lads, whenever I have bad sex... | 0:13:36 | 0:13:39 | |
..I can't help but be reminded of Jim Murphy | 0:13:41 | 0:13:43 | |
shoving that flaccid rabbit into a hole that was made for a live one. | 0:13:43 | 0:13:46 | |
LAUGHTER AND APPLAUSE | 0:13:46 | 0:13:47 | |
Often, when I'm touring, before a show | 0:13:47 | 0:13:50 | |
I'll have a lot of time to kill, | 0:13:50 | 0:13:52 | |
so I'll sit at a bar and, I don't know if you do it here, | 0:13:52 | 0:13:55 | |
but in the States when you order a drink | 0:13:55 | 0:13:57 | |
they give you a napkin with it, and one thing I like to do | 0:13:57 | 0:14:00 | |
is write a little note on the napkin and put it back at the bottom | 0:14:00 | 0:14:03 | |
of the pile so that in a few weeks somebody gets a message from me. | 0:14:03 | 0:14:07 | |
And I found a bunch of napkins that I wrote a ton of stuff on | 0:14:07 | 0:14:10 | |
but never put back in the pile that I wanted to share with you. | 0:14:10 | 0:14:13 | |
So here we go. | 0:14:13 | 0:14:15 | |
Here they are. | 0:14:16 | 0:14:17 | |
"Cheer up, Fatty." | 0:14:17 | 0:14:19 | |
"It's OK to lie to old people." | 0:14:23 | 0:14:26 | |
"This napkin gives you permission to talk about politics | 0:14:28 | 0:14:32 | |
"even though you're drunk and uninformed." | 0:14:32 | 0:14:34 | |
"You can lead a horse to water. Congratulations, Fuckface!" | 0:14:37 | 0:14:41 | |
"You are an alchemist who can turn six beers | 0:14:44 | 0:14:46 | |
into an awkward "three-week relationship." | 0:14:46 | 0:14:49 | |
You are. | 0:14:51 | 0:14:52 | |
LAUGHTER | 0:14:52 | 0:14:54 | |
"Don't shit where you sleep either." | 0:14:54 | 0:14:56 | |
And then, of course, lastly, | 0:14:57 | 0:14:59 | |
"Have a baby. It'll save your marriage." | 0:14:59 | 0:15:02 | |
LAUGHTER | 0:15:02 | 0:15:04 | |
Sad to get but wonderful to leave. | 0:15:05 | 0:15:07 | |
LAUGHTER, CHEERING AND APPLAUSE | 0:15:07 | 0:15:09 | |
I was in, this was last summer, I was in Manchester. | 0:15:16 | 0:15:19 | |
Uh, England, not New Hampshire as you're assuming. | 0:15:19 | 0:15:23 | |
And I was walking around, it was pretty late, | 0:15:23 | 0:15:25 | |
it was midnight or one, and I was trying to get back to my hotel. | 0:15:25 | 0:15:29 | |
And this guy came up to me and he was like, | 0:15:29 | 0:15:31 | |
"Excuse me, are you from around here?" | 0:15:31 | 0:15:33 | |
And I was like, "No." And he was like, "Great!" | 0:15:33 | 0:15:35 | |
That's not good, that is not a person who wants time or directions. | 0:15:35 | 0:15:38 | |
He is excited, I'm lost. | 0:15:38 | 0:15:41 | |
And I sort of slowly start walking away, and he gets really mad | 0:15:41 | 0:15:44 | |
and he goes, "Everybody thinks I want money!" | 0:15:44 | 0:15:46 | |
And I was like, "I don't know what you want, I'm just leaving." | 0:15:46 | 0:15:50 | |
And then he gets even more mad and he goes, | 0:15:50 | 0:15:52 | |
"I just got off the bus. I'm from Czechoslovakia!" | 0:15:52 | 0:15:56 | |
And I was like, "I have some very bad news for you, sir. | 0:15:57 | 0:16:00 | |
"Your country has been dissolved. | 0:16:01 | 0:16:05 | |
"I don't know when you got on the bus, | 0:16:05 | 0:16:08 | |
"but it must have been the '90s | 0:16:08 | 0:16:11 | |
"because your country no longer exists." | 0:16:11 | 0:16:15 | |
One of the biggest losses to politics this year was | 0:16:15 | 0:16:17 | |
the death of Margaret Thatcher. | 0:16:17 | 0:16:18 | |
The funeral itself was marvellous television, a great state occasion. | 0:16:18 | 0:16:22 | |
But my favourite bits of the footage | 0:16:22 | 0:16:24 | |
were when the casket was processing through London, | 0:16:24 | 0:16:26 | |
and it would cut back to the audience. | 0:16:26 | 0:16:28 | |
There were some interesting people in the audience. | 0:16:28 | 0:16:30 | |
You get the mix of dignitaries and some quite odd people. | 0:16:30 | 0:16:33 | |
So you go, "There's John Gummer! | 0:16:33 | 0:16:36 | |
"Oh, look, there's Nigel Lawson. | 0:16:36 | 0:16:39 | |
"Is that Terry Wogan?! | 0:16:39 | 0:16:41 | |
"How did he get on the guest list?" Incredible! | 0:16:41 | 0:16:44 | |
Then they kept going back to the casket. No, no, no. | 0:16:44 | 0:16:46 | |
There should have been an option on the Sky remote, on the red button, | 0:16:46 | 0:16:50 | |
to just go through that audience and people-watch who was there. | 0:16:50 | 0:16:54 | |
"Oh, my God, Robert Mugabe's there. | 0:16:54 | 0:16:56 | |
"Seems to be getting on very well with Alex Zane. | 0:16:57 | 0:17:00 | |
"Who invited him?" | 0:17:00 | 0:17:02 | |
The worst thing was Facebook. | 0:17:02 | 0:17:04 | |
Until Margaret Thatcher died, I thought Facebook was just for | 0:17:04 | 0:17:08 | |
only posting flattering pictures of yourself, only bragging a little bit | 0:17:08 | 0:17:12 | |
and for looking at people that you fancied, | 0:17:12 | 0:17:14 | |
that's what most people use Facebook for. | 0:17:14 | 0:17:16 | |
All of a sudden, on Facebook, everyone's a political commentator. | 0:17:16 | 0:17:19 | |
When did this happen? | 0:17:19 | 0:17:20 | |
And it didn't matter what people said about Thatcher's death, | 0:17:20 | 0:17:23 | |
in my view everyone got it wrong. | 0:17:23 | 0:17:25 | |
So we had people on there going, "Yeah, ding dong, the witch is dead! | 0:17:25 | 0:17:28 | |
"I'm going to go out tonight and celebrate! Woo-hoo!" | 0:17:28 | 0:17:31 | |
You think, whoa, whoa, an old lady has died. | 0:17:31 | 0:17:33 | |
I know she was divisive, but there was a world before 1979, | 0:17:33 | 0:17:36 | |
it's important people remember this. Then other people are going, | 0:17:36 | 0:17:38 | |
"Yeah! Margaret Thatcher, I'm going to go out and celebrate her tonight. | 0:17:38 | 0:17:42 | |
"She was the best Prime Minister this country's ever had. | 0:17:42 | 0:17:44 | |
"And if you don't understand why, then get a job." | 0:17:44 | 0:17:46 | |
You think, "Whoa, whoa. She was a divisive lady, | 0:17:46 | 0:17:48 | |
"and parts of the North are still paying the price | 0:17:48 | 0:17:51 | |
"for her divisive leadership." | 0:17:51 | 0:17:52 | |
And then you get other people who said, | 0:17:52 | 0:17:54 | |
"I know that some people are for or against Margaret Thatcher, | 0:17:54 | 0:17:56 | |
"but can we just have a little bit of respect for the family?" | 0:17:56 | 0:17:59 | |
And you think, "Oh, you sanctimonious prick! | 0:17:59 | 0:18:02 | |
"Get over yourself." | 0:18:02 | 0:18:03 | |
I love a good bus journey. | 0:18:03 | 0:18:07 | |
The key to a good bus journey is having no-one sit beside you. | 0:18:07 | 0:18:11 | |
So what do we all do? We put our bag down. | 0:18:11 | 0:18:13 | |
As if people are going to walk by and be like, | 0:18:13 | 0:18:15 | |
"Oh, I can't sit there, that person looks a lot like a bag!" | 0:18:15 | 0:18:19 | |
No, they're going to be like, | 0:18:19 | 0:18:21 | |
"Move your bag, you're not better than me, we're both on the bus, man!" | 0:18:21 | 0:18:25 | |
If you don't want anyone to sit beside you on a bus, | 0:18:25 | 0:18:28 | |
I will tell you all exactly what you have to do. | 0:18:28 | 0:18:30 | |
Just act really excited for them to sit beside you. | 0:18:30 | 0:18:35 | |
Just make solid eye contact and say, "This is the seat for you! | 0:18:35 | 0:18:40 | |
"You can sleep here, it'll be the last time." | 0:18:41 | 0:18:44 | |
I saw a lady drop a baby. | 0:18:46 | 0:18:48 | |
Accidentally, she wasn't just like, "I don't want this baby any more." | 0:18:48 | 0:18:52 | |
It was an accident, she dropped the baby, | 0:18:52 | 0:18:54 | |
and a baby's like the worst thing to drop in the world. | 0:18:54 | 0:18:57 | |
Cos if you drop a cell phone, you can do that trick | 0:18:57 | 0:19:00 | |
where you put your foot out to catch the phone. | 0:19:00 | 0:19:03 | |
But you cannot do that with a baby! | 0:19:03 | 0:19:07 | |
It really just looks like you're drop-kicking a baby. | 0:19:07 | 0:19:10 | |
And nobody is for that, we found out that day. | 0:19:11 | 0:19:14 | |
I don't even like staying in, to be honest with you. | 0:19:15 | 0:19:18 | |
The thing is, when you stay in you have to watch television, | 0:19:18 | 0:19:20 | |
and I don't like much of the television that I'm watching, | 0:19:20 | 0:19:23 | |
that my wife chooses, certainly. She loves X Factor. | 0:19:23 | 0:19:26 | |
Don't know if there are any X Factor fans in. | 0:19:26 | 0:19:28 | |
-AWKWARD SILENCE AND COUGHING -OK. | 0:19:28 | 0:19:30 | |
-LAUGHTER -Hmm. | 0:19:30 | 0:19:32 | |
My problem with X Factor, right, is that they take people | 0:19:32 | 0:19:36 | |
that are desperate to be famous, | 0:19:36 | 0:19:38 | |
that are desperate to get on television, right? | 0:19:38 | 0:19:41 | |
Some of them are mentally unstable. | 0:19:41 | 0:19:43 | |
And they take these people and they make them judges. | 0:19:44 | 0:19:48 | |
LAUGHTER AND APPLAUSE | 0:19:48 | 0:19:50 | |
And we've got to watch this! | 0:19:56 | 0:19:58 | |
And the thing is, they distil every contestant into their sob story. | 0:19:58 | 0:20:04 | |
That's how much they're worth, their sob story. | 0:20:04 | 0:20:06 | |
I'm watching the last series, they go to the judges' houses, | 0:20:06 | 0:20:09 | |
and the guy comes out, one of the contestants, and he goes, | 0:20:09 | 0:20:11 | |
SOBBING: "I mean, you know, my brother's not very well, | 0:20:11 | 0:20:14 | |
"and erm... | 0:20:14 | 0:20:16 | |
"he said that his one wish... you know... | 0:20:16 | 0:20:20 | |
"would be to see me... | 0:20:20 | 0:20:22 | |
"..in that studio, and it's just...!" | 0:20:23 | 0:20:26 | |
And I think that's incredible. | 0:20:26 | 0:20:28 | |
Because I think, if I was in that guy's position, | 0:20:28 | 0:20:31 | |
my one wish might be to get better. | 0:20:31 | 0:20:34 | |
Here we have somebody that's willing to throw that away | 0:20:36 | 0:20:39 | |
so that his brother can do an Adele cover. | 0:20:39 | 0:20:41 | |
I want to read you this article now which exemplifies what I mean | 0:20:42 | 0:20:47 | |
about injecting fun into life. | 0:20:47 | 0:20:50 | |
I'm playing the dating game at the moment. | 0:20:50 | 0:20:51 | |
I don't know about you guys, | 0:20:51 | 0:20:53 | |
but I thought games were supposed to be fun. | 0:20:53 | 0:20:55 | |
Sometimes I think I'd rather be playing Jumanji. | 0:20:55 | 0:20:58 | |
I'm joking, of course, that would be horrid. | 0:20:59 | 0:21:02 | |
Dating's no picnic either, | 0:21:02 | 0:21:04 | |
so I just want to read this article about alternative dating ideas | 0:21:04 | 0:21:07 | |
from a popular London lifestyle listings magazine, | 0:21:07 | 0:21:10 | |
"Alternative dating ideas for Londoners." | 0:21:10 | 0:21:13 | |
It's pretty London-centric, but you'll get some of this stuff | 0:21:13 | 0:21:15 | |
out in the provinces in a couple of years as well. | 0:21:15 | 0:21:18 | |
OK, so I'm just going to read it. Can you play the romantic music, please? | 0:21:20 | 0:21:24 | |
ROMANTIC MUSIC STARTS | 0:21:24 | 0:21:25 | |
OK. "Looking for innovative dating ideas this weekend? | 0:21:25 | 0:21:28 | |
"Well, you should be, you fucking little rat. | 0:21:28 | 0:21:31 | |
"Everybody your age group and socio-economic bracket is dating, | 0:21:32 | 0:21:36 | |
"so you should be too, you waste of sperm." | 0:21:36 | 0:21:38 | |
"Here are our top ten alternative dating ideas for Londoners. | 0:21:41 | 0:21:44 | |
"Number One, a salsa class. | 0:21:44 | 0:21:47 | |
"Learn how to make salsa at one of London's many salsa stores. | 0:21:47 | 0:21:52 | |
"Number Two, comedy on a bus. | 0:21:52 | 0:21:54 | |
"Laughter can be a perfect ice-breaker on a first date, | 0:21:54 | 0:21:58 | |
"but on a bus?! | 0:21:58 | 0:21:59 | |
"This is comedy like you've never experienced it before. | 0:21:59 | 0:22:03 | |
"Three, pebble washing in the Thames. | 0:22:03 | 0:22:05 | |
"The Thames Museum runs free workshops, where every Sunday, | 0:22:06 | 0:22:09 | |
"budding pebble washers or Geoffreys as they used to be called | 0:22:09 | 0:22:12 | |
"for no reason, can take to the horrible riverbank | 0:22:12 | 0:22:15 | |
"and wash the pebbles in baby oil, which is like sunflower oil | 0:22:15 | 0:22:19 | |
"but extracted from babies." | 0:22:19 | 0:22:20 | |
LAUGHTER | 0:22:20 | 0:22:22 | |
"When the 16-hour session is finished, why not relax | 0:22:22 | 0:22:25 | |
"by a burning pile of bin bags with a steaming bowl of alive mice? | 0:22:25 | 0:22:31 | |
"Number Four, a tour of the Tube. | 0:22:32 | 0:22:34 | |
"We take the Tube for granted. We ride it to and from work each day | 0:22:34 | 0:22:37 | |
"and when we get home we cry. | 0:22:37 | 0:22:40 | |
"But the Tube is full of amazing hidden secrets. | 0:22:40 | 0:22:42 | |
"Did you know some of the stations are very old?" | 0:22:42 | 0:22:45 | |
LAUGHTER | 0:22:46 | 0:22:48 | |
"Ride around on the Tube together and bring a wry smile to your | 0:22:49 | 0:22:53 | |
"date's face by showing them the Nemi cartoon in that day's Metro. | 0:22:53 | 0:22:57 | |
"Number Five, jazz on a roof. | 0:22:57 | 0:23:00 | |
"Tapping along to the crazy rhythms of jazz | 0:23:00 | 0:23:02 | |
"can be the perfect ice-breaker on a first date, | 0:23:02 | 0:23:06 | |
"but on a roof?! | 0:23:06 | 0:23:07 | |
"This is jazz like you've never experienced it before. | 0:23:07 | 0:23:10 | |
"Six, a ceilidh. | 0:23:10 | 0:23:12 | |
"For a taste of the Celtic, why not pay a Scottish or Irish woman | 0:23:12 | 0:23:15 | |
"called Kayleigh to let you have a bite of her body? | 0:23:15 | 0:23:18 | |
"Seven, cocktails in a tree. | 0:23:20 | 0:23:23 | |
"Zesty fruit and frontal lobe-numbing alcohol | 0:23:23 | 0:23:26 | |
"can be the perfect ice-breaker on a first date, | 0:23:26 | 0:23:29 | |
"but in a tree?! | 0:23:29 | 0:23:31 | |
"This is a cocktail experience like you've never had before | 0:23:31 | 0:23:34 | |
"nor ever will want to have again. | 0:23:34 | 0:23:35 | |
"Eight, visit the National Gallery. | 0:23:35 | 0:23:38 | |
"Nine, karaoke in a bin, blah, blah, blah. | 0:23:38 | 0:23:40 | |
"Ten, a sewer walk. | 0:23:40 | 0:23:42 | |
"Without permission or supervision, climb into London's sewer system | 0:23:42 | 0:23:46 | |
"and take a look around, but be warned, you'll die." | 0:23:46 | 0:23:51 | |
LAUGHTER | 0:23:51 | 0:23:53 | |
Before this, I used to be a business lady, | 0:23:53 | 0:23:55 | |
and I quit because of the glass ceiling effect, | 0:23:55 | 0:23:59 | |
which is the same reason I left the British Museum. | 0:23:59 | 0:24:03 | |
SHE SIGHS | 0:24:06 | 0:24:08 | |
No, for that joke to work, you have to know | 0:24:08 | 0:24:10 | |
what a metaphorical glass ceiling is, | 0:24:10 | 0:24:12 | |
then you've got to know | 0:24:12 | 0:24:13 | |
that the British Museum have got the biggest ever glass ceiling. | 0:24:13 | 0:24:17 | |
And then you've got to think it's funny, so... | 0:24:17 | 0:24:19 | |
It's a bit of a tall order. | 0:24:20 | 0:24:23 | |
But, erm, I like this job cos you get to work from home quite a lot. | 0:24:23 | 0:24:26 | |
And I like working from home cos you can investigate different things. | 0:24:26 | 0:24:29 | |
Like, if you run out of milk, this is quite a good tip, right? | 0:24:29 | 0:24:33 | |
If you run out of milk, | 0:24:33 | 0:24:35 | |
you can put yoghurt in your coffee... | 0:24:35 | 0:24:37 | |
..and it totally ruins it. | 0:24:39 | 0:24:41 | |
I don't drink, I quit drinking three years ago. | 0:24:44 | 0:24:48 | |
Whenever people find out that you don't drink, | 0:24:48 | 0:24:50 | |
they always ask the same question, they always ask why. | 0:24:50 | 0:24:53 | |
Why do people ask why? It's never going to be a happy story. | 0:24:53 | 0:24:57 | |
"Why do I not drink anymore? Well, I just felt that I was too successful!" | 0:24:57 | 0:25:01 | |
That conversation's never happened. | 0:25:02 | 0:25:04 | |
Stag dos are difficult when you don't drink, | 0:25:04 | 0:25:07 | |
because invariably you end up in a lap-dancing club | 0:25:07 | 0:25:09 | |
and the woman comes over and she's like, | 0:25:09 | 0:25:11 | |
"Ask me anything?" And I'm like, "Aren't you cold?" | 0:25:11 | 0:25:15 | |
LAUGHTER | 0:25:15 | 0:25:17 | |
Just not in the right head space. | 0:25:19 | 0:25:21 | |
Weddings are even worse when you don't drink because the bride, | 0:25:21 | 0:25:24 | |
she thinks she's doing you a favour | 0:25:24 | 0:25:26 | |
by putting you on the non-drinking table, | 0:25:26 | 0:25:28 | |
but this is basically just pregnant women. | 0:25:28 | 0:25:30 | |
Really sorry if there's any pregnant women in tonight, but you are dull. | 0:25:30 | 0:25:35 | |
Pregnant women, they walk around like they've got the future | 0:25:35 | 0:25:38 | |
hopes of a generation in there, like it's John Connor or something. | 0:25:38 | 0:25:42 | |
That reference isn't going to work for all of you. | 0:25:43 | 0:25:46 | |
And you try to make conversation, | 0:25:46 | 0:25:47 | |
"Do you know, is it going to be a boy or a girl?" | 0:25:47 | 0:25:50 | |
And they're always like, "Ooh, we don't want to know." | 0:25:50 | 0:25:53 | |
And I'm like, "Me neither. | 0:25:53 | 0:25:55 | |
"Couldn't give a toss what's up there." | 0:25:55 | 0:25:57 | |
There was a report out recently which said that the happiest people | 0:25:59 | 0:26:03 | |
are those who average two glasses of wine, | 0:26:03 | 0:26:06 | |
a bottle of beer or a shot of spirits a week. | 0:26:06 | 0:26:10 | |
Who were they surveying? The under-fives? | 0:26:11 | 0:26:15 | |
And who's this guy who's averaging a shot of spirits a week? | 0:26:16 | 0:26:19 | |
Like every Friday, he's like, "Hi, guys!" | 0:26:19 | 0:26:22 | |
"God, what am I like? | 0:26:23 | 0:26:25 | |
"See you Monday." | 0:26:26 | 0:26:29 | |
I was chatting about my daughter waking up at 6am | 0:26:29 | 0:26:31 | |
and I can't deal with it. I don't understand why, | 0:26:31 | 0:26:33 | |
she's three years old. What have you got to do? | 0:26:33 | 0:26:35 | |
Show me your to-do list, you got a lot in your schedule? | 0:26:35 | 0:26:38 | |
No, you've got nothing! Go back to sleep for three hours! | 0:26:38 | 0:26:41 | |
The thing she's really obsessed with at the moment | 0:26:41 | 0:26:43 | |
is that song Gangnam Style. Ohhhhh! | 0:26:43 | 0:26:46 | |
Ohhhh, it does my head in! | 0:26:46 | 0:26:47 | |
I now know why North Korea's kicking off! | 0:26:47 | 0:26:51 | |
If you're getting that song blasted into your country 24/7, | 0:26:51 | 0:26:54 | |
that's enough to drive anyone insane. | 0:26:54 | 0:26:57 | |
Yeah, build a nuclear bomb just to drop it on yourself | 0:26:57 | 0:26:59 | |
to end the misery! | 0:26:59 | 0:27:01 | |
The thing is, I want my daughters both to have New Zealand passports. | 0:27:01 | 0:27:04 | |
I want them to have New Zealand passports | 0:27:04 | 0:27:06 | |
so when they turn 15 they have to bungee jump, cos that's what I did. | 0:27:06 | 0:27:12 | |
When I was 15, I did a bungee jump off a bridge over a river, | 0:27:12 | 0:27:16 | |
and they measured the bungee out so my head got dunked in the river. | 0:27:16 | 0:27:19 | |
It was pretty scary, but I came up with a wild salmon in my mouth, | 0:27:19 | 0:27:22 | |
so good times. | 0:27:22 | 0:27:24 | |
Then I moved over here and found out you guys were doing bungee jumps | 0:27:24 | 0:27:28 | |
off cranes over car parks! | 0:27:28 | 0:27:31 | |
What the hell is wrong with you people?! | 0:27:32 | 0:27:34 | |
Did you hear about the guy who measured the bungee out wrong | 0:27:34 | 0:27:37 | |
so his face went straight into the car park. | 0:27:37 | 0:27:40 | |
But he came up with Richard III in his mouth, so good times. | 0:27:40 | 0:27:44 | |
LAUGHTER AND APPLAUSE | 0:27:44 | 0:27:47 | |
Historical and topical. | 0:27:47 | 0:27:49 | |
Well, hope you enjoyed that. | 0:27:49 | 0:27:51 | |
Thanks very much for watching. Good night, my friends. Good night. | 0:27:51 | 0:27:54 | |
CHEERING AND APPLAUSE | 0:27:54 | 0:27:56 | |
Subtitles by Red Bee Media Ltd | 0:28:14 | 0:28:16 |