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Coming up... Major nudity... | 0:00:02 | 0:00:04 | |
Have we caught you at a bad time? | 0:00:04 | 0:00:06 | |
..graphic language... | 0:00:06 | 0:00:08 | |
Look at that van. Does that say "prick"? | 0:00:08 | 0:00:11 | |
..and scenes of a bedroom nature. | 0:00:11 | 0:00:14 | |
Can you scratch my pinky? | 0:00:14 | 0:00:15 | |
No, no. | 0:00:17 | 0:00:18 | |
Extreme situations that call for an extreme police response. | 0:00:18 | 0:00:23 | |
Dream team, dream team! | 0:00:23 | 0:00:25 | |
This is...Scot Squad. | 0:00:25 | 0:00:27 | |
Scotland's cops are constantly adapting to combat crime. | 0:00:39 | 0:00:43 | |
One man fully clued up on the evolution of the crime-fighter | 0:00:43 | 0:00:47 | |
is the Charles Darwin of law enforcement, | 0:00:47 | 0:00:50 | |
Chief Commissioner Cameron Miekelson. | 0:00:50 | 0:00:53 | |
Oh, the force has changed considerably since I joined. | 0:00:53 | 0:00:57 | |
A few years ago now, I can tell you! But for the better. | 0:00:57 | 0:01:00 | |
You know, we're better equipped, it's fairer. | 0:01:00 | 0:01:02 | |
The young recruits now, they're fitter, | 0:01:02 | 0:01:04 | |
they're faster, they're leaner. | 0:01:04 | 0:01:06 | |
They're not taller, I'll give you that, they are not taller. | 0:01:06 | 0:01:11 | |
And maybe, | 0:01:11 | 0:01:13 | |
if you were to push me, call me old-fashioned, | 0:01:13 | 0:01:15 | |
but I think the only thing I regret about modern policing is getting rid | 0:01:15 | 0:01:19 | |
of the height restriction. You know, I think, look, | 0:01:19 | 0:01:21 | |
I think there's just something, | 0:01:21 | 0:01:22 | |
there's a certain gravitas, isn't there? | 0:01:22 | 0:01:25 | |
With a gentleman over six feet tall, you know? | 0:01:25 | 0:01:28 | |
You're not any less of a man if you're under 5' 8" - | 0:01:28 | 0:01:32 | |
although, TECHNICALLY, you are, | 0:01:32 | 0:01:36 | |
there is just simply less of you. | 0:01:36 | 0:01:39 | |
It's a question of authority. | 0:01:40 | 0:01:43 | |
Look. | 0:01:43 | 0:01:44 | |
Who's taking this guy seriously? | 0:01:50 | 0:01:52 | |
But, other than that, the force has definitely improved. | 0:01:52 | 0:01:56 | |
On the big city streets, | 0:01:56 | 0:01:58 | |
the best are taking the concept of policing better to bigger heights. | 0:01:58 | 0:02:03 | |
Street cops Sarah Fletcher | 0:02:03 | 0:02:05 | |
and Jack McLaren are using the full force of fairness. | 0:02:05 | 0:02:10 | |
It's important to be inclusive in the police force | 0:02:10 | 0:02:14 | |
and be nonjudgemental about people's lifestyles, religion, backgrounds, | 0:02:14 | 0:02:21 | |
all that sort of thing, | 0:02:21 | 0:02:22 | |
even the most, kind of... confusing circumstances. | 0:02:22 | 0:02:26 | |
We were responding to a burglary and we were firstly confronted | 0:02:26 | 0:02:31 | |
with a moody teenager. | 0:02:31 | 0:02:33 | |
Mum, it's the police. | 0:02:33 | 0:02:34 | |
And then down the stairs came... | 0:02:34 | 0:02:38 | |
the owner of the house. | 0:02:38 | 0:02:40 | |
Good afternoon, police officers, | 0:02:40 | 0:02:42 | |
thank you so much for coming, thank you. | 0:02:42 | 0:02:44 | |
'And she was naked.' | 0:02:44 | 0:02:48 | |
I've seen more naked women than most, I would imagine, | 0:02:49 | 0:02:52 | |
but it was still, still a shock when you're not expecting it. | 0:02:52 | 0:02:55 | |
Usually I expect or instigate it, but it was a shock. | 0:02:55 | 0:02:58 | |
Do you want me to put some clothes on? | 0:02:58 | 0:03:00 | |
-No, if that's how... -Are you sure? -Ah, yeah... | 0:03:00 | 0:03:02 | |
I can easily put some clothes on if you're embarrassed. | 0:03:02 | 0:03:05 | |
If you're comfortable... | 0:03:05 | 0:03:06 | |
I'm very comfortable like this, this is me all the time. | 0:03:06 | 0:03:08 | |
If you're uncomfortable, I'll put some clothes on. | 0:03:08 | 0:03:11 | |
Are you a naturist, is that what you do? | 0:03:11 | 0:03:12 | |
-Yes. -Yes. | 0:03:12 | 0:03:14 | |
-Are you OK with that? -Cool, yes. -That's fine. -Good. | 0:03:14 | 0:03:17 | |
-So, you've had a break-in. -Yes. -Yes. | 0:03:17 | 0:03:19 | |
So, if you want to take us to where the break-in... | 0:03:19 | 0:03:23 | |
-Yeah, if you just want to... -Where they entered. | 0:03:23 | 0:03:25 | |
-..want to come this way? -Uh-huh. | 0:03:25 | 0:03:27 | |
When you're in someone's surroundings and you're invited in, | 0:03:27 | 0:03:30 | |
you need to be as comfortable as they are | 0:03:30 | 0:03:32 | |
and make them feel comfortable, so if she's in the buff, | 0:03:32 | 0:03:35 | |
we've not necessarily got to get into the buff, | 0:03:35 | 0:03:37 | |
but we've got to be comfortable with that. | 0:03:37 | 0:03:39 | |
But we'd always take our hats off entering someone's house, | 0:03:39 | 0:03:43 | |
-but that's as far as I'm certainly prepared to go. -Aye. | 0:03:43 | 0:03:48 | |
So, in here you maybe think, did they come from up there or...? | 0:03:48 | 0:03:52 | |
-No, I don't. -No, no, over here. -Let me just show you. -Right, OK. | 0:03:52 | 0:03:55 | |
-Just over here. -Yeah. | 0:03:55 | 0:03:57 | |
And that scratch, that wasn't there before? | 0:03:57 | 0:04:01 | |
Do you see any fingerprints? | 0:04:02 | 0:04:04 | |
No, no, at the minute. | 0:04:04 | 0:04:07 | |
Do you need a hand or anything, Jack? No. | 0:04:07 | 0:04:11 | |
And then down here. | 0:04:12 | 0:04:13 | |
In here, if you look. Oh, sorry, I touched that. | 0:04:14 | 0:04:17 | |
No, that, that's OK. | 0:04:17 | 0:04:18 | |
If you look down in there, there's DVDs. | 0:04:18 | 0:04:20 | |
DVDs, right. | 0:04:20 | 0:04:21 | |
A naked ambition to serve his community | 0:04:25 | 0:04:28 | |
is something Volunteer Officer Ken Beattie has in spades. | 0:04:28 | 0:04:32 | |
From pounding the pavement... | 0:04:33 | 0:04:35 | |
..to nailing noise nuisance. | 0:04:36 | 0:04:38 | |
I'll just pump it up a bit, come on. | 0:04:38 | 0:04:40 | |
Don't pump anything up. | 0:04:40 | 0:04:42 | |
Always keen to assist, | 0:04:42 | 0:04:44 | |
ever ready to wade in and lend a hand. | 0:04:44 | 0:04:47 | |
In my job, you need to always be ready to help people at all times. | 0:04:47 | 0:04:51 | |
Help! | 0:04:51 | 0:04:53 | |
-Two secs, sir, I'm just coming for you. -Cheers. | 0:04:53 | 0:04:56 | |
-Are you OK, sir? -No, mate, listen, I need your help, | 0:04:59 | 0:05:01 | |
it's the first in the right, mate, the door's open. | 0:05:01 | 0:05:04 | |
So, I rushed into action. | 0:05:04 | 0:05:06 | |
It transpired that this man had broken both his legs, you know, | 0:05:06 | 0:05:10 | |
he was bedbound, so I went into the house | 0:05:10 | 0:05:12 | |
and I offered my assistance to him. | 0:05:12 | 0:05:15 | |
Mate, gonnae dae us a favour? | 0:05:15 | 0:05:16 | |
-Oh, of course, sir. -Gonnae... My telly remote, I cannae reach it. | 0:05:16 | 0:05:20 | |
Oh, OK. Sorry, sorry, I'm Volunteer Officer Ken Beattie. | 0:05:20 | 0:05:23 | |
-Volunteer? -Volunteer Officer Ken Beattie. | 0:05:23 | 0:05:26 | |
Can you, are your arms OK? | 0:05:26 | 0:05:27 | |
Good for you, mate. | 0:05:27 | 0:05:28 | |
-Aargh! -Oh, God, don't move, don't move, are you OK? | 0:05:28 | 0:05:32 | |
I cannae move, mate. | 0:05:32 | 0:05:33 | |
-What happened to you? -Work, work-related, aye. | 0:05:34 | 0:05:37 | |
I get very sore legs as well in my job. | 0:05:37 | 0:05:40 | |
I'm walking around a lot. | 0:05:40 | 0:05:41 | |
Aye. | 0:05:42 | 0:05:43 | |
There you go. | 0:05:45 | 0:05:46 | |
-Good man. -There you go. | 0:05:46 | 0:05:49 | |
Just watch that, watch that apple juice down there, mate. | 0:05:49 | 0:05:51 | |
-OK. Apple juice. -It's not apple juice, but...! | 0:05:51 | 0:05:54 | |
That's, that's, that's no' apple juice, mate. | 0:05:54 | 0:05:57 | |
TV TURNS ON | 0:05:59 | 0:06:01 | |
Can you scratch my pinky? It's really, really itchy. | 0:06:01 | 0:06:03 | |
-My pinky toe. -Scratch it? | 0:06:03 | 0:06:05 | |
-Aye... No, no, no! No wi' your finger. -Oh, sorry, sorry. | 0:06:05 | 0:06:08 | |
There's colour pencils or something, or a fork, | 0:06:08 | 0:06:11 | |
-I don't know, whatever you can get. -A fork. | 0:06:11 | 0:06:13 | |
-Just bang right in about it. -There's plenty of things, anyway. | 0:06:13 | 0:06:16 | |
Plenty of stuff you could podger it wi', mate. | 0:06:16 | 0:06:18 | |
Just find a wee podger. | 0:06:18 | 0:06:19 | |
-Go for it, mate. -You wanting the rubber or the lead? | 0:06:19 | 0:06:22 | |
-Lead, wee pointy bit. -Sure? -Gie it some of that. | 0:06:22 | 0:06:25 | |
-It might be quite sore. -That's you, up and down, up and down. | 0:06:25 | 0:06:28 | |
In about it. | 0:06:28 | 0:06:30 | |
Oh, yes. | 0:06:30 | 0:06:32 | |
Jimmy that action about it. | 0:06:34 | 0:06:35 | |
Oh, 'ere your dinner. | 0:06:36 | 0:06:38 | |
I mean, if you're no' too busy, could...? | 0:06:38 | 0:06:40 | |
A wee cup of tea, mate, the kitchen's just through there. | 0:06:40 | 0:06:43 | |
Honestly, honestly, I really appreciate this. | 0:06:44 | 0:06:46 | |
-That's no worries at all. -Thank you. -No worries at all, sir. | 0:06:46 | 0:06:49 | |
-Straight through, mate. -OK. | 0:06:49 | 0:06:50 | |
No problem is too big or too small for Desk Sergeant Karen Ann Millar. | 0:06:53 | 0:06:59 | |
And when it comes to problems, | 0:06:59 | 0:07:01 | |
whether she finds that problem herself... | 0:07:01 | 0:07:03 | |
All right, Officer Karen? | 0:07:03 | 0:07:05 | |
..or the problem finds her... | 0:07:06 | 0:07:09 | |
Where do you want these? | 0:07:09 | 0:07:10 | |
Do you want them there or behind the desk? | 0:07:10 | 0:07:12 | |
Or I'll put them in the toilet. | 0:07:12 | 0:07:13 | |
..she always makes the right call. | 0:07:13 | 0:07:16 | |
Thanks very much, sir, bye-bye. | 0:07:16 | 0:07:18 | |
-All right, Officer Karen? -How are we doing, Bobby? | 0:07:20 | 0:07:23 | |
Look, I was wondering, I'm in a rush today, I was wondering | 0:07:23 | 0:07:26 | |
if you could help us put my flyers up for my new business model. | 0:07:26 | 0:07:29 | |
-Oh, right. -I know how you're always saying, like, get motivated, | 0:07:29 | 0:07:34 | |
positive thoughts lead to positive thinking, all that kind of stuff. | 0:07:34 | 0:07:37 | |
-Yeah. -So, can you put that up in the station, | 0:07:37 | 0:07:40 | |
maybe put that down there for the customers? | 0:07:40 | 0:07:43 | |
"Bobby Muir's speaking clock." | 0:07:43 | 0:07:45 | |
-Yeah. -OK. | 0:07:45 | 0:07:46 | |
So, what kind of business is that going to be? | 0:07:46 | 0:07:49 | |
-Well, basically, see when you pick up your phone, right? -Uh-huh. | 0:07:49 | 0:07:52 | |
-See if you dial that number? -Yeah. | 0:07:52 | 0:07:55 | |
I'll tell you the time. | 0:07:55 | 0:07:56 | |
But I'll have a wee chat with you as well. | 0:07:56 | 0:07:59 | |
OK, I mean, that's a nice... | 0:08:01 | 0:08:03 | |
That's a nice, kind of, positive suggestion. | 0:08:03 | 0:08:06 | |
I'm not sure exactly where the, | 0:08:06 | 0:08:08 | |
where the moneymaking element is in that particular business model. | 0:08:08 | 0:08:11 | |
It's baby steps, innit? | 0:08:13 | 0:08:14 | |
I was also thinking as well, like, see if you wanted to stop smoking | 0:08:15 | 0:08:19 | |
and you couldnae stop, then I hang about with you | 0:08:19 | 0:08:21 | |
and every time you go to smoke I, like, slap it out your hand. | 0:08:21 | 0:08:24 | |
But I wouldn't do it like bad, I'd be like, "What you smoking for? | 0:08:24 | 0:08:29 | |
"Eh? I thought you wanted to stop." | 0:08:29 | 0:08:30 | |
And then I was thinking about having, like, | 0:08:32 | 0:08:34 | |
you know how all these kind of fancy places are starting to open up? | 0:08:34 | 0:08:38 | |
So, like, punting gravy. | 0:08:38 | 0:08:40 | |
Because I love gravy. | 0:08:40 | 0:08:42 | |
A gravy restaurant? | 0:08:42 | 0:08:43 | |
No, a gravy van, like, driving about in a van and just punt it. | 0:08:43 | 0:08:47 | |
Or a cinema pal, like, you know how sometimes you go to the cinema | 0:08:48 | 0:08:53 | |
and, you know, you've no' got a pal? | 0:08:53 | 0:08:55 | |
Well, if you phone my number, | 0:08:55 | 0:08:57 | |
I would be your pal, I'll go the cinema with you. | 0:08:57 | 0:08:59 | |
I mean, yeah, that's a nice idea. | 0:08:59 | 0:09:00 | |
I mean, you're probably going to find that you're only going | 0:09:00 | 0:09:03 | |
to be able to have one customer at a time, so you'd probably have | 0:09:03 | 0:09:05 | |
to charge them quite a lot. Because, you know, | 0:09:05 | 0:09:07 | |
what you're looking for is strong income potential, | 0:09:07 | 0:09:10 | |
a good, strong income stream, and that means that you're busy, | 0:09:10 | 0:09:12 | |
you're out there, out THERE, | 0:09:12 | 0:09:15 | |
doing business outside, you know, and that's great. | 0:09:15 | 0:09:18 | |
Thank you very much, Officer Karen. | 0:09:18 | 0:09:20 | |
I'm going to go away and honest to God, right, I swear, | 0:09:20 | 0:09:24 | |
see the next time you see me? | 0:09:24 | 0:09:26 | |
I'm going to be a millionaire. | 0:09:26 | 0:09:27 | |
In that case, I'll probably not see you tomorrow. | 0:09:29 | 0:09:32 | |
And I don't forget my pals, Officer Karen, so I'll see you later, | 0:09:32 | 0:09:35 | |
-all right? -See you later, Bobby. -Bye. See you, Officer Karen. | 0:09:35 | 0:09:38 | |
In today's Scotland, | 0:09:38 | 0:09:40 | |
not only do the Scottish Police Force deal with today's criminal, | 0:09:40 | 0:09:44 | |
they must recruit to stay ahead of the criminal of tomorrow's world, | 0:09:44 | 0:09:49 | |
a world that is already here today. | 0:09:49 | 0:09:53 | |
My name's Archie Pepper. | 0:09:53 | 0:09:55 | |
I'm the head of the force's... | 0:09:55 | 0:09:57 | |
Let me get this right - | 0:09:57 | 0:09:59 | |
our Covert Inadvertent Alert Investigation unit. | 0:09:59 | 0:10:06 | |
It's a unit. I'm the head of the unit. | 0:10:06 | 0:10:09 | |
Basically, if some fanny commits a crime and then | 0:10:09 | 0:10:11 | |
brags about on Facebook, I take screenshots. | 0:10:11 | 0:10:14 | |
You do need certain qualifications, | 0:10:15 | 0:10:17 | |
but it's a little different, what I do. | 0:10:17 | 0:10:20 | |
Yeah, I didn't go to, like, police academy or anything like that. | 0:10:20 | 0:10:22 | |
Or police university or... | 0:10:22 | 0:10:24 | |
I went to the university of hard knocks. | 0:10:24 | 0:10:26 | |
You know, Dundee. | 0:10:26 | 0:10:28 | |
I did graphic design. | 0:10:28 | 0:10:30 | |
But I didn't just walk out of uni into the job. I had a job before. | 0:10:30 | 0:10:32 | |
You know, I was an ice cream correspondent for BuzzFeed. | 0:10:32 | 0:10:37 | |
But, you know, there's parallels. | 0:10:37 | 0:10:38 | |
Ten reasons mint chocolate chip is an underrated ice cream flavour, | 0:10:38 | 0:10:43 | |
ten reasons your Uncle Barry's a roaster and he's getting the jail. | 0:10:43 | 0:10:45 | |
You know? | 0:10:45 | 0:10:47 | |
The good thing is, you don't need official qualifications | 0:10:47 | 0:10:49 | |
when people are just going to write on Facebook, | 0:10:49 | 0:10:51 | |
"Just robbed the bank, lol." | 0:10:51 | 0:10:53 | |
You just take a screenshot and get on with your day. | 0:10:53 | 0:10:55 | |
Back at the butt-naked break-in, | 0:10:58 | 0:11:00 | |
Officers McLaren and Fletcher hope that the evidence | 0:11:00 | 0:11:04 | |
reveals as much as the victims. | 0:11:04 | 0:11:06 | |
There was some DVDs of whatever nature | 0:11:07 | 0:11:12 | |
and the laptop, most importantly, which was... | 0:11:12 | 0:11:15 | |
Contained a lot of holiday photos | 0:11:15 | 0:11:19 | |
and personal family photos. | 0:11:19 | 0:11:21 | |
Which are all going to look the same because of, | 0:11:21 | 0:11:24 | |
obviously, in the scud. | 0:11:24 | 0:11:25 | |
-We haven't touched anything. -Oh, there's another one. | 0:11:25 | 0:11:27 | |
-Is this your...? This is your...? -This is, this is Jack. | 0:11:27 | 0:11:30 | |
-Hello, officers, thanks for coming. -Hi. -Jack. | 0:11:30 | 0:11:32 | |
-Nice to meet you. -Yeah. -Nice to meet you, Jack. | 0:11:32 | 0:11:34 | |
I'm Jack too, yeah. | 0:11:34 | 0:11:36 | |
That's where the similarities end. | 0:11:36 | 0:11:37 | |
Do you want a wee bite to eat or anything? | 0:11:37 | 0:11:39 | |
No, absolutely fine, we'll just get this investigated. | 0:11:39 | 0:11:42 | |
And then, I don't know what's happened with this. | 0:11:42 | 0:11:44 | |
'Then there was a broken vase on the table that had blood on it,' | 0:11:44 | 0:11:47 | |
which we established pretty quickly wasn't their blood. | 0:11:47 | 0:11:49 | |
-Definitely not your blood? -Definitely. -No. | 0:11:49 | 0:11:52 | |
That's brilliant news because that's Soco. | 0:11:52 | 0:11:54 | |
-Who's Soco? -Scenes of Crime, different department than us, | 0:11:54 | 0:11:57 | |
-so that's not our jurisdiction. It's not us. -We're just bodies that, | 0:11:57 | 0:11:59 | |
I mean, we're people that go on the... | 0:11:59 | 0:12:03 | |
Scenes of Crime can go in there and do their stuff, find DNA, | 0:12:03 | 0:12:06 | |
which was a proper result for us. | 0:12:06 | 0:12:08 | |
I mean, we could, we could get to, cos it's another department. | 0:12:08 | 0:12:11 | |
So... Oh, there's a wee hair there as well. | 0:12:11 | 0:12:13 | |
-Is that..? -Oh, that's not one of ours either. | 0:12:13 | 0:12:15 | |
-Oh, no. -Possibly it might be? -Not mine, definitely not. | 0:12:15 | 0:12:17 | |
Maybe you should have had a wee shave this morning, then, Jack! | 0:12:17 | 0:12:20 | |
We'll get that seen to as well so it'll rule out | 0:12:20 | 0:12:23 | |
if it's anything to do with either of you. | 0:12:23 | 0:12:26 | |
-Thanks very much for your help. -Thanks a lot, have a nice day. | 0:12:26 | 0:12:29 | |
-Nice to meet you, bye. -Like me to help you there? | 0:12:29 | 0:12:31 | |
-Yeah, you put them back. -OK, cheers. | 0:12:31 | 0:12:33 | |
We like to think that in every circumstance we treat everyone | 0:12:33 | 0:12:37 | |
equally and we will handle everyone in the same way. | 0:12:37 | 0:12:41 | |
Meanwhile, the clean-up continues for Beattie. | 0:12:43 | 0:12:46 | |
I ended up cleaning for him because he was incredibly messy, you know, | 0:12:46 | 0:12:50 | |
there was stuff everywhere. | 0:12:50 | 0:12:52 | |
You're doing a grand job, Kenny boy. | 0:12:52 | 0:12:54 | |
-Cheers, man. -Thank you. | 0:12:54 | 0:12:57 | |
I do the washing for the prostitutes once a month. | 0:12:57 | 0:12:59 | |
They bring all their laundry to me. | 0:12:59 | 0:13:01 | |
So that's why I'm so good at ironing. | 0:13:01 | 0:13:03 | |
So, I was hoovering and ironing and washing, you know, | 0:13:03 | 0:13:06 | |
just general police work, really. | 0:13:06 | 0:13:08 | |
Nice smell off that, innit? | 0:13:09 | 0:13:12 | |
Yeah, it is, actually. | 0:13:12 | 0:13:14 | |
So, tell me, what exactly is it you do for work? | 0:13:14 | 0:13:18 | |
Well, just kind of like, used to do deliveries and that. | 0:13:18 | 0:13:22 | |
Deliveries for a Chinese or Indian? | 0:13:22 | 0:13:25 | |
I'm quite partial to a Chinese. | 0:13:25 | 0:13:27 | |
No, like deals and that. | 0:13:27 | 0:13:30 | |
Deals? | 0:13:30 | 0:13:31 | |
Like... | 0:13:33 | 0:13:35 | |
watches or socks? | 0:13:35 | 0:13:37 | |
Drugs. | 0:13:37 | 0:13:38 | |
Excuse me? | 0:13:41 | 0:13:42 | |
Aye, drugs. | 0:13:42 | 0:13:43 | |
(Drugs?) | 0:13:46 | 0:13:47 | |
Dru...? | 0:13:48 | 0:13:49 | |
You're a...? | 0:13:49 | 0:13:50 | |
It turned out that he was a drug dealer, | 0:13:50 | 0:13:53 | |
which was quite a shock to me. | 0:13:53 | 0:13:57 | |
You know, I'd been helping a drug dealer, | 0:13:57 | 0:13:58 | |
something I never thought would have happened. | 0:13:58 | 0:14:00 | |
Oh, my God, I can't believe | 0:14:00 | 0:14:02 | |
I've been cleaning up after you, you scumbag! | 0:14:02 | 0:14:05 | |
A drug dealer?! | 0:14:05 | 0:14:06 | |
There you go, how do you like that? | 0:14:06 | 0:14:09 | |
I've been running around after you. | 0:14:09 | 0:14:10 | |
Then his mother came back. | 0:14:10 | 0:14:12 | |
Give me that. Don't touch that. | 0:14:12 | 0:14:14 | |
There you go. Try and watch the TV now, Mr Drug... | 0:14:14 | 0:14:17 | |
-FRONT DOOR OPENS -That's me in, son! | 0:14:17 | 0:14:19 | |
What's going on here? | 0:14:19 | 0:14:21 | |
I'm Volunteer Officer Ken Beattie. | 0:14:21 | 0:14:23 | |
-Right. -Pleasure to meet you. | 0:14:23 | 0:14:25 | |
Do you think? | 0:14:25 | 0:14:26 | |
What are you doing here? | 0:14:28 | 0:14:30 | |
Well, I was helping your son tidy up your house, actually. | 0:14:30 | 0:14:34 | |
-Trying to say I've got a dirty house? -I'll tell you something, | 0:14:34 | 0:14:37 | |
your son... | 0:14:37 | 0:14:39 | |
(is a drug dealer.) | 0:14:39 | 0:14:41 | |
Aye. | 0:14:41 | 0:14:42 | |
How do you think his legs got broken? | 0:14:43 | 0:14:45 | |
Ma maw chucked me down the stair. | 0:14:47 | 0:14:50 | |
Turns out she actually pushed him down the stairs. | 0:14:50 | 0:14:52 | |
And she threatened to do something quite similar to me, so... | 0:14:52 | 0:14:56 | |
Ended up staying for another five hours, | 0:14:56 | 0:14:59 | |
cleaning up the house some more. | 0:14:59 | 0:15:01 | |
Maybe I'll think twice about helping someone, | 0:15:01 | 0:15:04 | |
because anyone could be a drug dealer. | 0:15:04 | 0:15:06 | |
That's what I've learned from that. | 0:15:06 | 0:15:08 | |
-I -could be a drug dealer. | 0:15:08 | 0:15:10 | |
I'm definitely not a drug dealer. | 0:15:11 | 0:15:13 | |
Well, of course, | 0:15:13 | 0:15:15 | |
I can only enforce the laws that are currently in place, you know. | 0:15:15 | 0:15:18 | |
The law is fluid. | 0:15:18 | 0:15:20 | |
For instance, at the moment, alcohol is legal, | 0:15:20 | 0:15:23 | |
cannabis is illegal. | 0:15:23 | 0:15:25 | |
That could change. Currently, there's a prohibition on cannabis. | 0:15:25 | 0:15:29 | |
America's the example. | 0:15:29 | 0:15:30 | |
There used to be prohibition on alcohol. | 0:15:30 | 0:15:32 | |
It's told in The Untouchables, you'll remember the film. | 0:15:32 | 0:15:35 | |
Big Sean, the Irish-American cop. | 0:15:35 | 0:15:38 | |
Remember the line, "He puts one of yours in the hospital, | 0:15:38 | 0:15:41 | |
"you put one of his in the morgue." | 0:15:41 | 0:15:43 | |
Classic, old-school policing, I like to say. | 0:15:43 | 0:15:46 | |
And then, of course, at the end of that movie, the wee lad's saying, | 0:15:46 | 0:15:49 | |
"Elliott, Elliott, we might be repealing prohibition." | 0:15:49 | 0:15:53 | |
He goes, "Well, I'll have a drink, then." | 0:15:53 | 0:15:56 | |
That could be us tomorrow. | 0:15:56 | 0:15:57 | |
Cannabis could be legal. | 0:15:57 | 0:16:00 | |
Now, do I immediately spark up a big doobie? | 0:16:00 | 0:16:03 | |
Unlikely. | 0:16:03 | 0:16:04 | |
But never say never. | 0:16:05 | 0:16:07 | |
A breaking crime situation is escalating. | 0:16:07 | 0:16:11 | |
It's time for Archie Pepper, covert cop... | 0:16:11 | 0:16:14 | |
Screenshot, you're going down. | 0:16:14 | 0:16:17 | |
..to infiltrate the web and penetrate the cyber wall. | 0:16:17 | 0:16:21 | |
OK, so we just got word through that there's been a robbery | 0:16:21 | 0:16:24 | |
at a jewellery shop, and a diamond necklace has gone missing. | 0:16:24 | 0:16:27 | |
So down on the ground they'll be trying to, you know, | 0:16:27 | 0:16:30 | |
run around, putting up wanted posters, whatever they do. | 0:16:30 | 0:16:33 | |
Easiest way, just... | 0:16:33 | 0:16:34 | |
Just start searching online, you know. | 0:16:36 | 0:16:37 | |
Keywords - diamonds, necklace. | 0:16:37 | 0:16:41 | |
Certain things just pop up now and again. | 0:16:41 | 0:16:43 | |
You know, like... | 0:16:43 | 0:16:45 | |
"Spoiled again, he knows me so well," that kind of thing. | 0:16:45 | 0:16:47 | |
Just start peppering that search bar with words like that. | 0:16:47 | 0:16:51 | |
Let's go... | 0:16:51 | 0:16:52 | |
lucky girl... | 0:16:52 | 0:16:54 | |
diamonds... | 0:16:54 | 0:16:56 | |
OK, so, what have we got here? | 0:16:56 | 0:16:58 | |
"Diamonds fae bae." Cheryl Duncan, there you go. | 0:16:59 | 0:17:02 | |
Picture of the necklace. Let's find out who bae is. | 0:17:02 | 0:17:04 | |
Give me five minutes, I reckon I'll crack this, honestly, | 0:17:04 | 0:17:07 | |
it's an absolute piece of piss, you'd be amazed. | 0:17:07 | 0:17:09 | |
Eh up, here we go, man in a suit, | 0:17:09 | 0:17:11 | |
he's got his arm round her in a way that suggests | 0:17:11 | 0:17:13 | |
they're not blood relations or casual acquaintances. | 0:17:13 | 0:17:16 | |
I think it's your bog-standard bae, that's such a bae photo. | 0:17:17 | 0:17:21 | |
Let's get them. | 0:17:21 | 0:17:22 | |
OK, John, what's his name? John? | 0:17:22 | 0:17:24 | |
He is bae, we've got bae. | 0:17:24 | 0:17:26 | |
There we go, John Osborne. | 0:17:26 | 0:17:28 | |
Let's add him. | 0:17:28 | 0:17:29 | |
Here we go, John, straight away again. | 0:17:29 | 0:17:31 | |
100% record, there we go. | 0:17:31 | 0:17:33 | |
There he is, just checked in at Kreme Krunch. | 0:17:33 | 0:17:36 | |
Two minutes ago. | 0:17:36 | 0:17:37 | |
So I'll just get on the phone, get the boys to go and sort him out. | 0:17:37 | 0:17:40 | |
Check yourself into the jail, John, | 0:17:40 | 0:17:42 | |
you're going down for a very long time. | 0:17:42 | 0:17:44 | |
Yeah, that's just one way of doing it. | 0:17:44 | 0:17:47 | |
Most of my time is spent just sitting here | 0:17:47 | 0:17:49 | |
waiting for people to hand themselves in. | 0:17:49 | 0:17:51 | |
You know, don't call me a hero, these people are clowns. | 0:17:51 | 0:17:54 | |
Scotland's ring roads can be a circus of shoddy driving. | 0:17:56 | 0:18:00 | |
Road ringmasters Hugh McKirdy and Surjit Singh | 0:18:00 | 0:18:03 | |
have the street skills to fix the fuss. | 0:18:03 | 0:18:07 | |
-That's no' your motor. -I'm 18, I've had it for a year. | 0:18:07 | 0:18:09 | |
-You're 18? -Aye! -You're about ten year old, wee man. | 0:18:09 | 0:18:11 | |
Inspecting the unacceptable, spotting the signs. | 0:18:11 | 0:18:15 | |
Honestly, you see some sights when you're patrolling about the streets. | 0:18:15 | 0:18:19 | |
Look at that van. Does that say...? | 0:18:19 | 0:18:21 | |
-That say "prick" at the back of that van? -Yep. | 0:18:21 | 0:18:23 | |
'This van wasn't any normal type of van.' | 0:18:23 | 0:18:27 | |
It had been absolutely abused. | 0:18:27 | 0:18:29 | |
-Look, he's got more written on the side. -"Arsehole shagger". | 0:18:29 | 0:18:32 | |
-Aye, pull over. -Cannae have that round about here. | 0:18:32 | 0:18:35 | |
SIREN | 0:18:35 | 0:18:36 | |
Excuse me, sir. You'll need to come to the side of the road. | 0:18:37 | 0:18:40 | |
-Come out of your van. -OK. | 0:18:40 | 0:18:41 | |
It's just about that offensive wordage on the side of you. | 0:18:41 | 0:18:44 | |
Oh, right. Oh, aye, that. | 0:18:44 | 0:18:45 | |
-"Arsehole shagger". -Aye. | 0:18:45 | 0:18:47 | |
All right, want to come and explain this? | 0:18:47 | 0:18:50 | |
It's fine, it's easy to explain, really. | 0:18:50 | 0:18:52 | |
It's the wife that's done this. | 0:18:52 | 0:18:55 | |
Right, the wife. | 0:18:55 | 0:18:57 | |
-Your wife? -My wife? Yeah, THE wife. My wife. | 0:18:57 | 0:19:00 | |
It's got her written all over it, to be honest. | 0:19:00 | 0:19:03 | |
Shagger, prick, slimeball. | 0:19:03 | 0:19:06 | |
-Prick. -She calling you a shagger? | 0:19:06 | 0:19:08 | |
-She calling herself a...? -Aye, me, me. That's me. | 0:19:08 | 0:19:10 | |
-You're the shagger? -I'm the shagger. | 0:19:10 | 0:19:12 | |
Why's she calling you that? | 0:19:12 | 0:19:14 | |
Well... | 0:19:14 | 0:19:15 | |
I've been playing away from home a wee bit, you know. | 0:19:15 | 0:19:18 | |
Well, it was with her sister. | 0:19:18 | 0:19:20 | |
-What? -Yeah, aye, I know. | 0:19:20 | 0:19:23 | |
Hold on, you've been having an affair with your... | 0:19:23 | 0:19:26 | |
-wife's sister? -Yeah, yeah. I'm the shagger. | 0:19:26 | 0:19:28 | |
-Your sister-in-law? -Yes. | 0:19:28 | 0:19:30 | |
I love women, I love the female form, you know. | 0:19:30 | 0:19:34 | |
-Your trousers are all ripped up. -Aye, she did that as well. | 0:19:34 | 0:19:37 | |
She didn't stop at the van. | 0:19:37 | 0:19:39 | |
Have you no' got a spare pair of trousers | 0:19:39 | 0:19:41 | |
you could have wore the day? | 0:19:41 | 0:19:42 | |
-She's kind of done it to all of them. -All your clothes are...? -Aye. | 0:19:42 | 0:19:45 | |
How'd you manage to get all these..? How'd you get these...? | 0:19:45 | 0:19:48 | |
I've got good people skills, I'm quite a charmer. | 0:19:48 | 0:19:51 | |
-As easy as that? -Aye. | 0:19:51 | 0:19:53 | |
Very charismatic. | 0:19:53 | 0:19:54 | |
We did advise him to take his van back to his house. | 0:19:56 | 0:19:59 | |
There's no way we could let him drive about the streets | 0:19:59 | 0:20:01 | |
with that bad language on the side of his van. | 0:20:01 | 0:20:03 | |
That isnae as offensive as prick. | 0:20:03 | 0:20:06 | |
Superheroes named after rats. | 0:20:06 | 0:20:09 | |
-Aye. -You don't get superheroes named after pricks. | 0:20:09 | 0:20:11 | |
Is it Roland Rat? | 0:20:11 | 0:20:13 | |
Right, you've no' got Roland Prick. | 0:20:13 | 0:20:15 | |
No, no, that would just be inappropriate. | 0:20:15 | 0:20:17 | |
To be honest, we can't have this on the road. | 0:20:17 | 0:20:19 | |
Have you got another mode of transport, by any chance? | 0:20:19 | 0:20:21 | |
I've got a car back at the house. | 0:20:21 | 0:20:24 | |
OK, let's get you back to your house. | 0:20:24 | 0:20:27 | |
-See youse there? -Yeah, we'll be right behind you. | 0:20:27 | 0:20:29 | |
The Scottish Police Force command centre | 0:20:32 | 0:20:34 | |
provides the essential info Scotland needs. | 0:20:34 | 0:20:38 | |
Old people smell, it's just not a police matter. | 0:20:38 | 0:20:42 | |
Maggie LeBeau gives crucial advice to the public | 0:20:42 | 0:20:45 | |
so that they can sleep safe in the knowledge | 0:20:45 | 0:20:48 | |
that that knowledge is keeping them safe. | 0:20:48 | 0:20:52 | |
I feel really sorry for people who get caught out by scams, | 0:20:52 | 0:20:55 | |
I really do. But the simple rule is, | 0:20:55 | 0:20:58 | |
don't give your credit details out over the phone. | 0:20:58 | 0:21:01 | |
Often you'll get a "celebrity" phoning you, you know, | 0:21:01 | 0:21:05 | |
it's Will.I.am phoning to say he wants you on The Voice, | 0:21:05 | 0:21:07 | |
and he's spinning in his chair as he speaks to you. | 0:21:07 | 0:21:10 | |
Don't believe him. We find that celebrities rarely call the public. | 0:21:10 | 0:21:14 | |
They're just not interested in the public, | 0:21:14 | 0:21:17 | |
so just remember that. | 0:21:17 | 0:21:19 | |
You're not interesting, you're a no-one, | 0:21:19 | 0:21:22 | |
you're not lucky, you're not a winner. | 0:21:22 | 0:21:25 | |
Remember that, and you'll do fine. | 0:21:25 | 0:21:28 | |
Today, a very important entry in the diary, seeing the PM. | 0:21:28 | 0:21:32 | |
Not the Prime Minister. | 0:21:32 | 0:21:34 | |
The pipe major. | 0:21:34 | 0:21:36 | |
Because, amongst my myriad of duties, I have to personally choose | 0:21:36 | 0:21:39 | |
and approve of all of the tunes the police pipe band play | 0:21:39 | 0:21:42 | |
when they enter a competition. | 0:21:42 | 0:21:44 | |
And the boys have a big competition coming this weekend, | 0:21:44 | 0:21:46 | |
so I'm going to listen. I'm going to do it right here, | 0:21:46 | 0:21:49 | |
make the choices right in this room, | 0:21:49 | 0:21:50 | |
so that I don't lose any valuable desk time. | 0:21:50 | 0:21:53 | |
A JAUNTY REEL | 0:21:53 | 0:21:56 | |
Some of them choose themselves, of course. | 0:22:01 | 0:22:03 | |
I'm particularly partial to Highland Laddie. | 0:22:03 | 0:22:05 | |
Mhairi's Wedding, it's a bit on the nose, but you can't do without it. | 0:22:05 | 0:22:11 | |
The Hills Of Kintail, of course, spectacular. | 0:22:11 | 0:22:13 | |
But I'm thinking of throwing a curveball this year, | 0:22:13 | 0:22:17 | |
mixing things up and maybe seeing | 0:22:17 | 0:22:19 | |
if the lad can do something contemporary. | 0:22:19 | 0:22:21 | |
PIPER PLAYS SINGLE LADIES BY BEYONCE | 0:22:21 | 0:22:24 | |
Cracking. Keeper, keeper. | 0:22:33 | 0:22:35 | |
From Single Ladies to the ladies' man, | 0:22:49 | 0:22:52 | |
the cops move to replace the defaced vehicle, | 0:22:52 | 0:22:55 | |
so this cheat in the sheets can get back on the streets. | 0:22:55 | 0:22:59 | |
Yeah, it's not good, is it? | 0:22:59 | 0:23:01 | |
No, it's not. | 0:23:01 | 0:23:03 | |
What I can do, I'll swap that for the car, I've got a car. | 0:23:03 | 0:23:06 | |
-Oh, for -BLEEP's -sake. | 0:23:09 | 0:23:12 | |
-No. -BLEEP. | 0:23:12 | 0:23:13 | |
The tits, as well, that's new. | 0:23:14 | 0:23:17 | |
I thought they were eyes. | 0:23:17 | 0:23:18 | |
No, they're tits, I know her. | 0:23:18 | 0:23:21 | |
I thought, because she'd seen you cheating. | 0:23:21 | 0:23:24 | |
It's open to interpretation, it's like a bit of art, you know. | 0:23:24 | 0:23:26 | |
I'm watching you. Or the woman that you're cheating with, it's her tits. | 0:23:26 | 0:23:30 | |
-I'm watching her. -We'll come back to the car and we'll get the details. | 0:23:30 | 0:23:33 | |
OK, all right. You might want to, | 0:23:33 | 0:23:36 | |
I was going to say you might want to close that over, | 0:23:36 | 0:23:38 | |
but not with what's on the door. | 0:23:38 | 0:23:41 | |
Having affairs, that's not against the law, | 0:23:41 | 0:23:43 | |
but abusing somebody's property, vandalism, that is. | 0:23:43 | 0:23:46 | |
So we had to deal with that thoroughly. | 0:23:46 | 0:23:48 | |
Hopefully they can patch things up | 0:23:48 | 0:23:50 | |
because no-one wants to see a break-up. | 0:23:50 | 0:23:53 | |
The wee man did not look like a shagger, I'll tell you that. | 0:23:53 | 0:23:55 | |
Not all partnerships are made in heaven, | 0:23:57 | 0:24:00 | |
but rural cops Charley McIntosh and Jane Mackay form a dream duo. | 0:24:00 | 0:24:05 | |
Get down, get down! | 0:24:05 | 0:24:06 | |
Whether it's tearing after hoods on the hillside... | 0:24:06 | 0:24:10 | |
Come back! Stop! | 0:24:10 | 0:24:12 | |
..or breaking for a breather by the roadside. | 0:24:12 | 0:24:17 | |
I don't know if you are aware of this, | 0:24:17 | 0:24:20 | |
but it's actually our three-year anniversary. | 0:24:20 | 0:24:23 | |
Ah, yes. | 0:24:23 | 0:24:25 | |
-As partners. -Yeah, I remembered. | 0:24:25 | 0:24:28 | |
-I've actually bought you something. -No way, I've got you something too! | 0:24:28 | 0:24:31 | |
-Just a wee thing. -I didn't know when to give it to you, | 0:24:31 | 0:24:33 | |
I thought I'd wait to the end of the shift. | 0:24:33 | 0:24:34 | |
Well, yeah, I've got a great thing here, just a little thing, but... | 0:24:34 | 0:24:38 | |
Me too, me too. Right, I'll give you mine first, all right? | 0:24:38 | 0:24:40 | |
-OK. -OK, close your eyes. | 0:24:40 | 0:24:43 | |
OK, I think you're going to love it. | 0:24:43 | 0:24:46 | |
Ta-da! | 0:24:46 | 0:24:47 | |
Oh...! | 0:24:50 | 0:24:52 | |
-A Trio... -Yeah! -..biscuit. | 0:24:52 | 0:24:55 | |
It's like, one, two, three - three years. | 0:24:55 | 0:24:57 | |
# Trio, Trio. # | 0:24:57 | 0:24:59 | |
Thank you! | 0:24:59 | 0:25:02 | |
I had to go, like, two villages away to be able to get them | 0:25:02 | 0:25:05 | |
because they don't sell them everywhere. | 0:25:05 | 0:25:07 | |
I didn't think they even made them any more. | 0:25:07 | 0:25:09 | |
Just makes it all the more special, thank you. I will treasure it. | 0:25:09 | 0:25:13 | |
I was going to give you the whole packet but I ate the rest. | 0:25:13 | 0:25:16 | |
Sorry! I couldn't help myself. | 0:25:16 | 0:25:18 | |
-Do you like it? -I love it. | 0:25:18 | 0:25:20 | |
-You can save it till later. -Thank you. | 0:25:20 | 0:25:23 | |
-OK, what did you get me? -It's not really... | 0:25:23 | 0:25:25 | |
I don't even know if it's worth it, really. You've trumped me, there. | 0:25:25 | 0:25:28 | |
Please, please! That's not fair, I gave you a present. | 0:25:28 | 0:25:31 | |
I know, I'm kind of embarrassed there. | 0:25:31 | 0:25:33 | |
-OK, you don't need to give it to me. -OK, it's just... | 0:25:33 | 0:25:36 | |
-Remember, it's just a wee thing, it's not... -OK. | 0:25:36 | 0:25:39 | |
I'm just glad we were on the same wavelength. | 0:25:39 | 0:25:42 | |
-Is this, like...? -Here you go. | 0:25:43 | 0:25:45 | |
This is a handbag. | 0:25:48 | 0:25:49 | |
Yeah, it's just a handbag. | 0:25:49 | 0:25:51 | |
No, it's actually a Mulberry handbag. | 0:25:51 | 0:25:54 | |
Is that a good one? | 0:25:54 | 0:25:56 | |
-That's beautiful! -Well... | 0:25:56 | 0:25:58 | |
Charlie, those are worth a fortune. | 0:25:58 | 0:26:00 | |
Where did...? You didn't, you didn't buy this, did you? | 0:26:00 | 0:26:04 | |
I mean...you bought it, but... | 0:26:04 | 0:26:06 | |
You got it in a sale or something, right? | 0:26:06 | 0:26:08 | |
Well, I wouldn't spend that money, obviously. | 0:26:08 | 0:26:10 | |
I have always wanted a designer bag. | 0:26:10 | 0:26:12 | |
That is so nice, thank you so much. | 0:26:12 | 0:26:15 | |
Aw, that's... | 0:26:15 | 0:26:17 | |
-But seriously... -What? | 0:26:17 | 0:26:18 | |
It is too much, though. | 0:26:19 | 0:26:21 | |
Yeah, no, don't worry, I didn't, I didn't buy it. | 0:26:21 | 0:26:26 | |
-I got it from the evidence lock-up room. -What? | 0:26:26 | 0:26:30 | |
I don't think you're allowed to just take things from the evidence. | 0:26:30 | 0:26:33 | |
Oh, no, I know the guy on the desk there | 0:26:33 | 0:26:36 | |
and they said no-one's claimed it | 0:26:36 | 0:26:38 | |
and it's not going to be used on trial. | 0:26:38 | 0:26:39 | |
Oh, so it's like, after a certain amount of time, | 0:26:39 | 0:26:42 | |
you can get things back. | 0:26:42 | 0:26:43 | |
Yeah, so, instead of going to auction he said, "Hey, Charlie..." | 0:26:43 | 0:26:45 | |
Yeah. So, there you go, it's yours, regardless. | 0:26:47 | 0:26:51 | |
Aw, Charlie, thank you so, so, much! | 0:26:51 | 0:26:54 | |
-Yeah! -I'm going to pop it back there so it keeps nice and safe. | 0:26:54 | 0:26:57 | |
-Mwah! -Thank you. | 0:26:57 | 0:26:59 | |
Aw! I'm so sorry I only got you a biscuit. | 0:26:59 | 0:27:02 | |
What? But a bag and a biscuit, I mean... | 0:27:02 | 0:27:04 | |
Yeah, but I should have at least given you all the biscuits! | 0:27:04 | 0:27:07 | |
I'm just glad you like the bag. | 0:27:07 | 0:27:09 | |
Thank you, thank you, I love the bag. | 0:27:09 | 0:27:11 | |
Ha-ha! | 0:27:17 | 0:27:19 | |
Wahey! | 0:27:19 | 0:27:20 | |
Well, yes, a little bit of controversy that I've used | 0:27:22 | 0:27:25 | |
police funds to purchase this vintage Pac-Man machine. | 0:27:25 | 0:27:28 | |
I think it's the very model I played at police college. | 0:27:28 | 0:27:31 | |
Wonder if it still has my top score? | 0:27:31 | 0:27:33 | |
No, but seriously, | 0:27:33 | 0:27:36 | |
playing Pac-Man is absolutely vital training | 0:27:36 | 0:27:40 | |
in police pursuit procedures. | 0:27:40 | 0:27:43 | |
Some of the first criminals that your young bobby on the beat meets | 0:27:43 | 0:27:47 | |
and confronts is the shoplifter in the supermarket. | 0:27:47 | 0:27:50 | |
Your shoplifter's running up the cheese aisle, | 0:27:50 | 0:27:52 | |
you're pursuing him and he takes a left, double backs down, | 0:27:52 | 0:27:54 | |
mixed spices and home baking. | 0:27:54 | 0:27:56 | |
Do you follow him or do you double back yourself, | 0:27:56 | 0:27:59 | |
cutting down through fruit and vegetable, | 0:27:59 | 0:28:01 | |
thinking, "I'll cut him off at toiletries"? | 0:28:01 | 0:28:04 | |
So, that's the kind of decision, | 0:28:04 | 0:28:05 | |
the life-and-death decision, | 0:28:05 | 0:28:07 | |
that a young bobby has to take on front-line policing every day. | 0:28:07 | 0:28:12 | |
And playing Pac-Man is vital in training. | 0:28:12 | 0:28:16 | |
The training never stops, nor do the Scot Squad. | 0:28:16 | 0:28:19 |