Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
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-Coming up... -Hey! -..it's a rollover... | 0:00:02 | 0:00:04 | |
-Get out! -I'm not going up. -You're getting out! | 0:00:04 | 0:00:07 | |
..it's a knockout... | 0:00:08 | 0:00:11 | |
Bobby? Bobby? | 0:00:11 | 0:00:13 | |
SIREN BLARES | 0:00:13 | 0:00:15 | |
..it's a blaze. | 0:00:15 | 0:00:17 | |
Is that a barbecue? | 0:00:19 | 0:00:20 | |
Fighting the good fight... | 0:00:20 | 0:00:22 | |
-Oi! -You're under arrest! -..sniffing out hoods, | 0:00:22 | 0:00:25 | |
crooks and unacceptable activities. | 0:00:25 | 0:00:29 | |
-Stop, it. Stop that. -This is Scot Squad! | 0:00:29 | 0:00:33 | |
Scotland, home to over five million people - | 0:00:45 | 0:00:47 | |
many of them prone to going radge, nuts or loco. | 0:00:49 | 0:00:53 | |
Go find my dog, will you? | 0:00:53 | 0:00:55 | |
Calming the chaos when it all kicks off are the men and women of the | 0:00:55 | 0:00:59 | |
Scottish police force. | 0:00:59 | 0:01:00 | |
Coolest cucumber in the country is the ice man himself, | 0:01:03 | 0:01:07 | |
Chief Commissioner Cameron Miekelson. | 0:01:07 | 0:01:09 | |
Tell Tupac to stop filming! | 0:01:09 | 0:01:11 | |
All clued up on what's most offensive. | 0:01:11 | 0:01:14 | |
The Offensive Behaviour Act does cause us a lot of problems. | 0:01:14 | 0:01:19 | |
It's very time-consuming, because it's the shifting sands | 0:01:19 | 0:01:22 | |
of what is offensive and what is not, | 0:01:22 | 0:01:25 | |
and who can you offend and who shouldn't you offend? | 0:01:25 | 0:01:27 | |
And is it OK to offend anybody? I mean, I'm offended all the time. | 0:01:27 | 0:01:31 | |
I mean, you just Google my name, | 0:01:31 | 0:01:33 | |
right now on the internet, there you go. | 0:01:33 | 0:01:36 | |
You've got Cameron Dickelson, | 0:01:36 | 0:01:39 | |
Cameron Miekelson-of-a-bitch, | 0:01:39 | 0:01:42 | |
-Chief Commissioner -BLEEP. -You know, am I offended? | 0:01:42 | 0:01:45 | |
No, I just grow a pair. | 0:01:45 | 0:01:47 | |
-I can take it. You can call me a baldy-heided pig -BLEEP -all day! | 0:01:47 | 0:01:52 | |
You know? But the Offensive Behaviour Act | 0:01:52 | 0:01:54 | |
is not designed to protect me. | 0:01:54 | 0:01:56 | |
It's designed to protect those who do take offence, | 0:01:56 | 0:01:59 | |
and that, unfortunately, can be anybody. | 0:01:59 | 0:02:01 | |
And times change. I mean, "gypsy" for instance. | 0:02:01 | 0:02:04 | |
That's a very interesting one. We used to use the word "gypsy" | 0:02:04 | 0:02:06 | |
willy-nilly. Now, I can guarantee we will not use "gypsy" | 0:02:06 | 0:02:09 | |
willy nor nilly. We even...I've stopped having Gypsy Creams. | 0:02:09 | 0:02:13 | |
If someone's in for a meeting, they won't get a Gypsy Cream from me. | 0:02:13 | 0:02:16 | |
In case offence is taken, and that... | 0:02:16 | 0:02:19 | |
that's a perfect example, biscuits. | 0:02:19 | 0:02:21 | |
There's a whole range you can no longer...you can no longer have. | 0:02:21 | 0:02:25 | |
A Ginger Nut, you'd think, | 0:02:25 | 0:02:27 | |
"No, that's offensive to many Scottish people." | 0:02:27 | 0:02:29 | |
Chocolate Finger. | 0:02:29 | 0:02:30 | |
You try giving the Chocolate Finger to the Women's Institute, | 0:02:30 | 0:02:33 | |
see how far you get, that's all I'm saying. | 0:02:33 | 0:02:36 | |
So, if you're having afternoon tea in my office, | 0:02:36 | 0:02:38 | |
you'll get served a Custard Cream. | 0:02:38 | 0:02:40 | |
The cream of Scottish volunteer policing is Ken Beattie, | 0:02:42 | 0:02:47 | |
an unsung hero with a heart of gold, | 0:02:47 | 0:02:49 | |
eager to be the public face that faces the public. | 0:02:49 | 0:02:53 | |
Oh, God, somebody's taken a shit in the phone box again. | 0:02:53 | 0:02:57 | |
Last night, I was very excited, | 0:02:57 | 0:02:59 | |
because I got invited to the Parkhill Community Council | 0:02:59 | 0:03:02 | |
committee meeting. | 0:03:02 | 0:03:04 | |
I was there to represent the police, | 0:03:04 | 0:03:07 | |
which was a great honour for me. | 0:03:08 | 0:03:10 | |
-I'm Helen. -Helen? -I'm the chairman of the Parkhill Community Council. | 0:03:10 | 0:03:14 | |
-Betty? -Yes. -I'm Ken Beattie. | 0:03:14 | 0:03:15 | |
-Donald? -Yes. -Ken Beattie. -How do you do? -Pleasure to meet you, Donald. | 0:03:15 | 0:03:19 | |
There was also cake... | 0:03:19 | 0:03:22 | |
and coffee, which I was not expecting! | 0:03:22 | 0:03:24 | |
Look at this, that's like a tuck shop! | 0:03:24 | 0:03:26 | |
-How much for the...? -No, no, no, you help yourself. | 0:03:26 | 0:03:28 | |
-We take good care of our guests here. -Oh, my word! | 0:03:28 | 0:03:32 | |
That was a very good bonus. | 0:03:32 | 0:03:34 | |
A less good bonus was the things they were asking me about. | 0:03:35 | 0:03:38 | |
Floor's all yours, Ken. | 0:03:38 | 0:03:39 | |
Thank you. Can I ask you a question? | 0:03:43 | 0:03:46 | |
Oh! Right away. | 0:03:46 | 0:03:48 | |
Immigration. | 0:03:48 | 0:03:49 | |
When are you going to stop all those immigrants coming into this country? | 0:03:49 | 0:03:53 | |
There's no control. When are you going to control it? | 0:03:55 | 0:03:57 | |
-Me... -Yes! -..personally? | 0:03:57 | 0:04:00 | |
Um, well... | 0:04:00 | 0:04:01 | |
Unless they litter...I could do something about that. | 0:04:02 | 0:04:07 | |
OK. Is that all the...? Oh. | 0:04:07 | 0:04:10 | |
-Stop and search. -Stop and search? -Stop and search. | 0:04:10 | 0:04:13 | |
The kids that I take the football with, | 0:04:13 | 0:04:17 | |
they, every day, coming up to me, | 0:04:17 | 0:04:19 | |
"Stevie, Stevie, these coppers are always pulling us over. | 0:04:19 | 0:04:22 | |
-"They're always searching us." -You don't want stop and searches? | 0:04:22 | 0:04:25 | |
Aye. Ban them, completely. | 0:04:25 | 0:04:27 | |
-Ban them. -Yep. -Ban stop and searches. | 0:04:27 | 0:04:29 | |
OK, I don't think that will go down well, | 0:04:29 | 0:04:32 | |
but I can see | 0:04:32 | 0:04:35 | |
-what I can do. -Right, OK. | 0:04:35 | 0:04:37 | |
Can I just say, instead of stopping folk like that, | 0:04:38 | 0:04:41 | |
you should be up in they fields there, | 0:04:41 | 0:04:44 | |
where the 14- and 15-year-olds are lying drunk. | 0:04:44 | 0:04:47 | |
So, more stop and searching at the fields, | 0:04:47 | 0:04:51 | |
and less stop and searching down at the parks? | 0:04:51 | 0:04:54 | |
OK. We're getting somewhere now. | 0:04:54 | 0:04:56 | |
As Ken takes notes, | 0:04:57 | 0:04:59 | |
Desk Sergeant Karen Ann Millar is tasked with recording whatever the | 0:04:59 | 0:05:03 | |
public feel is important. | 0:05:03 | 0:05:05 | |
And that means the paperwork never stops at her station. | 0:05:05 | 0:05:09 | |
-Ooh. -Karen, how are you doing? | 0:05:09 | 0:05:12 | |
All right, Bobby, what can I do for you? | 0:05:12 | 0:05:14 | |
-You all right? -Officer Karen, | 0:05:14 | 0:05:16 | |
I've just found a bag of shanks in the middle of the road, right? | 0:05:16 | 0:05:20 | |
In the middle of the road. I was wondering if you could help me. | 0:05:20 | 0:05:22 | |
-Look. -I'm looking, I'm looking, Bobby. | 0:05:22 | 0:05:24 | |
I just don't want to touch anything and get fingerprints on it. | 0:05:24 | 0:05:27 | |
-Where did this happen? -It happened in the middle of the road, | 0:05:27 | 0:05:30 | |
-up at the city centre. -Right. | 0:05:30 | 0:05:32 | |
Oh, right. OK. Give me a couple of minutes. I just need to check | 0:05:33 | 0:05:36 | |
-a couple of things, OK? -Just see when you're there, is it all right | 0:05:36 | 0:05:39 | |
if I hide in the toilet, just in case he comes in? | 0:05:39 | 0:05:41 | |
If you really want to, then go for your life. | 0:05:41 | 0:05:43 | |
-You all right, Officer Karen? -Bobby? | 0:05:54 | 0:05:56 | |
Where exactly were you when you saw this guy? | 0:05:57 | 0:06:00 | |
I was in the city centre, in the middle of the road. | 0:06:00 | 0:06:03 | |
Right. Were you up by the shops? | 0:06:03 | 0:06:05 | |
-Yeah. -Right. | 0:06:05 | 0:06:07 | |
What did the guy look like, that you took these off of? | 0:06:07 | 0:06:10 | |
-Well, he had long hair... -Uh-huh. | 0:06:10 | 0:06:13 | |
..he looked like Tarzan, he had his top off and he was wearing, like, | 0:06:13 | 0:06:17 | |
-Aladdin shoes. -Right. | 0:06:17 | 0:06:19 | |
Was he holding them like this at all? | 0:06:19 | 0:06:22 | |
-Yeah. -Yeah. | 0:06:22 | 0:06:23 | |
I think he was a maniac. | 0:06:23 | 0:06:25 | |
I think what you've done there, I'll be honest, | 0:06:25 | 0:06:27 | |
is, uh, I think you slightly mugged a juggler. | 0:06:27 | 0:06:31 | |
-Really? -Wee bit, aye. | 0:06:31 | 0:06:34 | |
But why is he juggling knives? | 0:06:34 | 0:06:35 | |
That's bad. Therefore, I've done the right thing. | 0:06:35 | 0:06:38 | |
Yes and no. | 0:06:41 | 0:06:42 | |
I think what you've inadvertently done | 0:06:42 | 0:06:45 | |
is take that man's livelihood off him and bring it in to the police | 0:06:46 | 0:06:49 | |
station. So, what I'm going to do is, | 0:06:49 | 0:06:51 | |
I'm going to try and get in touch with the juggler | 0:06:51 | 0:06:54 | |
and give him back his juggling knives. | 0:06:54 | 0:06:57 | |
Because I was thinking, you know, how you get 4½ years | 0:06:57 | 0:06:59 | |
for carrying an offensive weapon. | 0:06:59 | 0:07:02 | |
-Yeah. -Well, there's about seven there, isn't there? | 0:07:02 | 0:07:04 | |
So, what's that? | 0:07:04 | 0:07:06 | |
-Uh... -37½ years, the guy's going to get. | 0:07:07 | 0:07:10 | |
Well... | 0:07:11 | 0:07:12 | |
Probably not, on the basis that they're blunt and for juggling. | 0:07:13 | 0:07:18 | |
Erm, and legal. | 0:07:19 | 0:07:20 | |
But I appreciate you were trying to do the right thing. | 0:07:21 | 0:07:24 | |
What I suggest is, is maybe if you just want to go home... | 0:07:24 | 0:07:27 | |
Right, nae worries, Officer Karen. Thank you very much. | 0:07:27 | 0:07:30 | |
-That's the phone again. -You better get it... -I know, I need to get it. | 0:07:30 | 0:07:33 | |
..Officer Karen, sorry! I'll talk to you later, right? | 0:07:33 | 0:07:35 | |
-I'll speak to you later. -Bye, Officer Karen. | 0:07:35 | 0:07:37 | |
See you later, Bobby. | 0:07:37 | 0:07:39 | |
As you can imagine, I get invited to any number of charity events, | 0:07:41 | 0:07:46 | |
fundraisers, and, you know, I, | 0:07:46 | 0:07:48 | |
to be honest, I tend to try not to go unless I have to. | 0:07:48 | 0:07:51 | |
But, this one, I'm quite intrigued to go. | 0:07:51 | 0:07:53 | |
It's the ¸Lothian Benevolent Fundraiser, | 0:07:53 | 0:07:56 | |
and special guest, Ian Rankin. | 0:07:56 | 0:07:58 | |
And, as you know, I do a little bit of writing myself | 0:07:58 | 0:08:01 | |
in the crime genre. | 0:08:01 | 0:08:03 | |
I thought it might be nice to bump into Ian, | 0:08:03 | 0:08:06 | |
and see if I can maybe, uh, | 0:08:06 | 0:08:08 | |
get a little bit of advice from him. | 0:08:09 | 0:08:12 | |
Or give him some! | 0:08:12 | 0:08:13 | |
Anyone drinking yet? | 0:08:16 | 0:08:19 | |
Not yet. I see. | 0:08:19 | 0:08:21 | |
Evening. Hi. | 0:08:23 | 0:08:25 | |
-Yeah. -This? -Yes. | 0:08:25 | 0:08:28 | |
That's you. Cameron Miekelson. | 0:08:28 | 0:08:30 | |
-Hi. Ian Rankin. -You're Ian Rankin, I know, I know. | 0:08:30 | 0:08:33 | |
When I saw the name I thought, "It has to be". | 0:08:33 | 0:08:35 | |
-I'm a big fan. -Oh, thank you. -I'm a very, very big fan. | 0:08:35 | 0:08:39 | |
-Mm, nice wine, this. -Yeah, it's lovely. | 0:08:41 | 0:08:43 | |
Yeah. Um, look, I can't wait any longer. | 0:08:43 | 0:08:46 | |
Capital Of Blood. Mean anything to you? | 0:08:46 | 0:08:49 | |
-Capital Of Blood? -Capital Of Blood. | 0:08:49 | 0:08:51 | |
I knew you were going to be here. I know you've got it anyway, because I | 0:08:51 | 0:08:54 | |
sent it to you, but just in case, I want you to take one away as well. | 0:08:54 | 0:08:58 | |
Yeah. So, the main character, Michael Cameronson, you know? | 0:08:58 | 0:09:03 | |
-Michael Cameronson. -Bit of a loner. Other cops hate him. | 0:09:03 | 0:09:05 | |
Women love him, though. | 0:09:05 | 0:09:07 | |
Drinks a bit. | 0:09:07 | 0:09:09 | |
Yeah, it's kind of been done. | 0:09:09 | 0:09:11 | |
Well, I don't think it's been done very well. | 0:09:11 | 0:09:14 | |
-Uh-huh? -You know, between you and me. | 0:09:14 | 0:09:16 | |
And I think...you know, I think that kind of maverick cop, | 0:09:16 | 0:09:21 | |
there's always, there's always a place for a maverick cop. | 0:09:21 | 0:09:24 | |
-In today's modern police force? -In today's modern police force, yes. | 0:09:24 | 0:09:27 | |
And what there's never been is someone at the very top, | 0:09:27 | 0:09:32 | |
a Chief Commissioner who's solving all the crimes. | 0:09:32 | 0:09:35 | |
Because, basically, everybody else is incompetent. | 0:09:35 | 0:09:38 | |
I mean, you'll remember the plot. It's the impaler killer. | 0:09:38 | 0:09:41 | |
-Yeah? -OK. Yeah. -The first murder, remember? | 0:09:41 | 0:09:43 | |
Scott Monument, he's thrown up in the air and impaled on | 0:09:43 | 0:09:46 | |
Scott Monument. He's impaled on - the second murder - | 0:09:46 | 0:09:49 | |
impaled on the One o'clock Gun. | 0:09:49 | 0:09:51 | |
I just can't visualise how you can impale someone | 0:09:51 | 0:09:53 | |
on the One o'clock Gun. It's a cannon. | 0:09:53 | 0:09:55 | |
OK, OK. This is valuable stuff, Ian. | 0:09:57 | 0:09:59 | |
Let me just get some of this down. | 0:09:59 | 0:10:01 | |
So, you're saying that you can't be impaled on a cannon? | 0:10:01 | 0:10:05 | |
-I wouldn't have thought so. -OK, when Michael Cameronson chases | 0:10:05 | 0:10:08 | |
-the impaler killer. -That name is something you have to think about, | 0:10:08 | 0:10:11 | |
-that name. -You think so? Michael Cameronson? | 0:10:11 | 0:10:13 | |
-What's wrong with Michael Cameronson? -What's your name again? | 0:10:13 | 0:10:16 | |
-Well, Cameron Miekelson. -Yeah. -But you've got to have little broad hints about, you know. | 0:10:16 | 0:10:20 | |
It's not autobiographical, but I've seen a lot of this kind of stuff. | 0:10:20 | 0:10:22 | |
-More than broad. -You got to the end, didn't you? | 0:10:22 | 0:10:25 | |
-Because he chases the killer down to Leith. -Yeah. | 0:10:25 | 0:10:27 | |
On the boat, then he escapes through the porthole, | 0:10:27 | 0:10:30 | |
chases up the Forth Road Bridge, where there's a fist... | 0:10:30 | 0:10:32 | |
Pulls the balaclava off the killer. | 0:10:32 | 0:10:34 | |
It's Svetlina, the gorgeous Russian double agent! | 0:10:34 | 0:10:37 | |
Yeah. He escapes through a porthole? | 0:10:37 | 0:10:39 | |
-Yes. -What is he, Hen Broon? | 0:10:39 | 0:10:41 | |
Well, he's... | 0:10:41 | 0:10:42 | |
-He's a... -A porthole's not a very big space. | 0:10:42 | 0:10:45 | |
He's a thin...he's a thin... | 0:10:45 | 0:10:46 | |
-It's a thin man? -He's a very thin, good-looking cop. | 0:10:46 | 0:10:52 | |
So, Svet...of course they have a bit of sex, | 0:10:52 | 0:10:54 | |
-but then she escapes to New York. -Uh-huh. | 0:10:54 | 0:10:56 | |
You see where we're going with this now? | 0:10:56 | 0:10:58 | |
Sequels! Sequels? | 0:10:58 | 0:11:00 | |
The Big Apple Of Blood. | 0:11:00 | 0:11:01 | |
The crime writer learns from the crime-fighter. | 0:11:03 | 0:11:06 | |
Meanwhile, not all cars are fit for the road. | 0:11:06 | 0:11:09 | |
Traffic officers Singh and McKirdy | 0:11:10 | 0:11:13 | |
are purposed with checking for vehicles not fit for purpose. | 0:11:13 | 0:11:16 | |
You'd be surprised at how many cars you see that are unroadworthy. | 0:11:17 | 0:11:21 | |
You'll see, uh, | 0:11:21 | 0:11:22 | |
bumpers hanging off the side of cars, | 0:11:22 | 0:11:24 | |
you've got doors hanging off the side of cars, | 0:11:24 | 0:11:26 | |
smoke that comes out of cars. | 0:11:26 | 0:11:28 | |
Pull him over, man. Pull him over, hit the lights. | 0:11:28 | 0:11:30 | |
SIREN BLARES | 0:11:30 | 0:11:32 | |
Right, lads. Just head over to the pavement for me, please. | 0:11:37 | 0:11:39 | |
-Some smell coming fae it, right enough. -Thank you. | 0:11:39 | 0:11:43 | |
What have you got here? | 0:11:43 | 0:11:44 | |
-Barbecue. -Barbecue? -Aye. | 0:11:44 | 0:11:46 | |
With an open boot. How can you see out the windshield with that? | 0:11:46 | 0:11:49 | |
-Where were yous boys? -We were at the park there. | 0:11:49 | 0:11:51 | |
Apparently a bunch of wee bams come down and started to noise them up. | 0:11:51 | 0:11:54 | |
And they decided, well, instead of throwing the barbecue out, | 0:11:54 | 0:11:57 | |
they decided to put the barbecue in the boot, and try and get it back up | 0:11:57 | 0:12:01 | |
the road. Can you open that for me? | 0:12:01 | 0:12:02 | |
-Aye. -Aye, let's see what you've got in there. | 0:12:02 | 0:12:04 | |
Just mind the rod, mind the rod, mind the rod! | 0:12:04 | 0:12:07 | |
All right. | 0:12:07 | 0:12:08 | |
Whoa! What yous got there? Aye, there we go. | 0:12:08 | 0:12:11 | |
I actually complimented them, because the links were | 0:12:11 | 0:12:13 | |
actually good. I tried a wee link. | 0:12:13 | 0:12:16 | |
Aye, not too bad! I actually like them. | 0:12:16 | 0:12:19 | |
Burgers, tae. Yous not got any rolls, no? | 0:12:19 | 0:12:21 | |
And I just kind of got tore in. | 0:12:21 | 0:12:22 | |
I had a wee burger, I had a wee drink of juice. | 0:12:22 | 0:12:26 | |
So, obviously, we advise against this kind of behaviour. | 0:12:26 | 0:12:29 | |
-This is not safe, you know what I mean. -Aye. | 0:12:29 | 0:12:30 | |
So, for proper reasons, you understand that, yeah? | 0:12:30 | 0:12:33 | |
Folk could be driving by. They smell that lovely, | 0:12:33 | 0:12:36 | |
crackling smell of sausages barbecuing away. | 0:12:36 | 0:12:39 | |
You know, it's going to hook your beak and, "What's that?" | 0:12:39 | 0:12:41 | |
Turn around and you see smoke, and you end up going into a lamppost | 0:12:41 | 0:12:44 | |
or a cat. Might seem like a bright idea at the time, | 0:12:44 | 0:12:46 | |
but we cannae have this. So, we're going to have to take the barbecue. | 0:12:46 | 0:12:49 | |
If yous are not eating the rest of the burgers, I'll take them. | 0:12:49 | 0:12:52 | |
Here. This is the body-builder's there, right, he's watching. | 0:12:52 | 0:12:55 | |
They don't have buns, so they kind of put their fillings in | 0:12:55 | 0:12:58 | |
and they use it like that, see? | 0:12:58 | 0:13:00 | |
Nae carbs. | 0:13:01 | 0:13:03 | |
The barbecue was still hot, | 0:13:03 | 0:13:05 | |
so we advised them to leave the barbecue at the side of the road, | 0:13:05 | 0:13:09 | |
wait till it cooled down, | 0:13:09 | 0:13:10 | |
and then come back and pick it up a little bit later on. | 0:13:10 | 0:13:13 | |
But we didnae let it cool down, | 0:13:13 | 0:13:14 | |
because we had a big bottle of orange juice. | 0:13:14 | 0:13:17 | |
There we go. | 0:13:18 | 0:13:19 | |
Don't want the smoke coming in the street, you know? | 0:13:19 | 0:13:23 | |
Good thinking there, good thinking. | 0:13:23 | 0:13:25 | |
See you later, boys! Bye. | 0:13:25 | 0:13:26 | |
The burger boys are let off with a grilling. | 0:13:26 | 0:13:29 | |
Justice is served well done, and this barbie's road trip is over. | 0:13:29 | 0:13:35 | |
I had the taste of they burgers in my mouth all day. | 0:13:35 | 0:13:38 | |
Especially with the mustard. Because I'm not used to eating mustard. | 0:13:38 | 0:13:40 | |
It must have been American mustard. I'm used to eating French mustard. | 0:13:40 | 0:13:43 | |
Back at the council meet, Ken's keen to keep a tally | 0:13:43 | 0:13:47 | |
of complaints, as the locals let off steam. | 0:13:47 | 0:13:51 | |
So, we've got stop and search, | 0:13:51 | 0:13:55 | |
we've got drunk people at the park, | 0:13:55 | 0:13:57 | |
-and... -Immigrants. | 0:13:57 | 0:14:00 | |
Of course. How could I forget? | 0:14:00 | 0:14:02 | |
And Ken, I'd like to know what you're going to do about | 0:14:02 | 0:14:04 | |
-this global warning. -Do you mean warming or warning? | 0:14:04 | 0:14:07 | |
Aye, well, warming, you know what I'm talking about. | 0:14:07 | 0:14:09 | |
-OK. I wasn't sure. -No, no. -I didn't know if that was two separate... | 0:14:09 | 0:14:12 | |
I mean, you don't know whether to book a holiday in Spain for a month, | 0:14:12 | 0:14:15 | |
or whether to book a holiday in Saltcoats! | 0:14:15 | 0:14:18 | |
-OK. -And it's all to do with this global warning! | 0:14:18 | 0:14:20 | |
-Ken... -Yes, Greta? -..I'd just like to ask about the price of petrol. | 0:14:20 | 0:14:23 | |
I mean, it's gone up and up and up. | 0:14:23 | 0:14:24 | |
Diesel, petrol, up way over £1 now. | 0:14:24 | 0:14:28 | |
-OK. -Can you tell me why that is? | 0:14:28 | 0:14:30 | |
Global warming? | 0:14:32 | 0:14:34 | |
No, that's got nothing to do with the price of oil! | 0:14:34 | 0:14:37 | |
It's the price of petrol. | 0:14:37 | 0:14:39 | |
Anything else? | 0:14:39 | 0:14:40 | |
Seagulls. | 0:14:41 | 0:14:42 | |
OK! | 0:14:46 | 0:14:48 | |
So, to be clear, | 0:14:48 | 0:14:50 | |
there's three points of action. | 0:14:50 | 0:14:52 | |
Number one, I shall take your list of complaints | 0:14:52 | 0:14:55 | |
to the Justice Secretary. | 0:14:55 | 0:14:57 | |
When I find out who the Justice Secretary is. | 0:14:57 | 0:15:00 | |
Number two, I shall increase management of resources | 0:15:00 | 0:15:04 | |
to cope with immigration and increased Scottish birth rate. | 0:15:04 | 0:15:08 | |
And number three, I shall put away the chairs and tidy the hall | 0:15:08 | 0:15:12 | |
after the meeting...this evening. Is that everything? | 0:15:12 | 0:15:17 | |
The Scottish police force is always ready and willing to respond | 0:15:23 | 0:15:28 | |
to the public's needs. | 0:15:28 | 0:15:29 | |
Maggie LeBeau engages effectively and efficiently. | 0:15:29 | 0:15:34 | |
The person driving under the influence is...you? | 0:15:34 | 0:15:38 | |
So, how exactly did you carpet burn your face? | 0:15:38 | 0:15:42 | |
No, I don't think a helicopter will be able to spot your stripey | 0:15:42 | 0:15:45 | |
flip-flops, but I'll put the details in. | 0:15:45 | 0:15:49 | |
Today, she's engaged...elsewhere. | 0:15:49 | 0:15:52 | |
I'm not in the office. | 0:15:52 | 0:15:54 | |
As you can see, I'm in the Police Museum. | 0:15:54 | 0:15:56 | |
That's because I've started volunteering here, | 0:15:56 | 0:15:58 | |
doing some shifts, showing the public around, | 0:15:58 | 0:16:01 | |
teaching them about the history of the police. | 0:16:01 | 0:16:03 | |
To start off with, we've got lots of uniforms. | 0:16:03 | 0:16:06 | |
Some older uniforms here. | 0:16:06 | 0:16:08 | |
You may notice that we have swords. | 0:16:08 | 0:16:10 | |
Now, nowadays, the police don't have swords, | 0:16:10 | 0:16:13 | |
unless they've taken them off somebody. | 0:16:13 | 0:16:15 | |
But, then, they got a sword. | 0:16:15 | 0:16:16 | |
So, people were more scared of the police, and with good reason. | 0:16:16 | 0:16:20 | |
The medal we have here is a suffragette medal. | 0:16:20 | 0:16:23 | |
Wasn't actually given to a suffragette, | 0:16:24 | 0:16:26 | |
it was given to the police officer who arrested the most suffragettes. | 0:16:26 | 0:16:30 | |
In this room, we have all the uniforms. | 0:16:30 | 0:16:33 | |
Not just from the UK, but around the world. | 0:16:33 | 0:16:35 | |
So, very exciting stuff. | 0:16:35 | 0:16:37 | |
We've got the Russian ones. | 0:16:37 | 0:16:39 | |
The only thing I would say is, I'm not sure if they've noticed, | 0:16:39 | 0:16:42 | |
but the slogan there, if you look at it in a mirror, | 0:16:42 | 0:16:46 | |
it could be an issue. | 0:16:46 | 0:16:49 | |
All in all, you can see that | 0:16:49 | 0:16:50 | |
there's some great uniforms around the world, | 0:16:50 | 0:16:52 | |
but, personally, I do think we have the best one. | 0:16:52 | 0:16:56 | |
We're the only one who gets to wear a hi-vis vest, | 0:16:56 | 0:16:59 | |
and who doesn't love wearing a hi-vis vest? | 0:16:59 | 0:17:03 | |
Back at the auction, great minds talk crime. | 0:17:03 | 0:17:06 | |
You've had a bit of success, son, OK? | 0:17:06 | 0:17:09 | |
There's no need to get on your high... They're not that great, | 0:17:09 | 0:17:11 | |
between you and me. OK, Rebus is all right. | 0:17:11 | 0:17:14 | |
But riddled with procedural errors. | 0:17:14 | 0:17:17 | |
-Like what? -Oh, dress, people wearing the wrong hat, the wrong shoes. | 0:17:17 | 0:17:21 | |
You've got a killer running round Edinburgh | 0:17:21 | 0:17:23 | |
-impaling people on cannons. -Yeah, all right, I'll change that! | 0:17:23 | 0:17:26 | |
-He can stuff him inside, you know? -He cannae stuff him inside! | 0:17:26 | 0:17:29 | |
-Yes, you can! -The aperture's about that size. | 0:17:29 | 0:17:31 | |
He's a thin guy, the guy he kills has got anorexia. | 0:17:31 | 0:17:34 | |
God, you find problems in everything. | 0:17:34 | 0:17:36 | |
-And your main character... -You know, in Exit Music, by the way. | 0:17:36 | 0:17:39 | |
Exit Music, page 75, | 0:17:39 | 0:17:41 | |
the number 26 bus, OK, | 0:17:41 | 0:17:43 | |
doesn't go down St John's Street after 11 o'clock on an evening. | 0:17:43 | 0:17:48 | |
So, don't come, "Oh, I've done my research". | 0:17:48 | 0:17:50 | |
-It's fiction. -God's sake, son! | 0:17:50 | 0:17:52 | |
I mean, it's a charity do. You could be a bit more charitable. | 0:17:52 | 0:17:55 | |
What about encouraging new writers, eh? | 0:17:55 | 0:17:57 | |
Oh, no, jobs for the boys. Let's keep them out. | 0:17:57 | 0:18:00 | |
We only want our books being sold at the airport. | 0:18:00 | 0:18:02 | |
It's you and Mc...Val McDermid all the rest of them, you know. | 0:18:02 | 0:18:05 | |
You don't let other people into the game. | 0:18:05 | 0:18:07 | |
Well, we do when the quality's there. | 0:18:07 | 0:18:10 | |
Aw, listen, enough. | 0:18:10 | 0:18:11 | |
'Ladies and gentlemen, we now come to tonight's auction. | 0:18:11 | 0:18:15 | |
'Would you please put your hands together and welcome our host, | 0:18:15 | 0:18:18 | |
'Mr Ian Rankin!' | 0:18:18 | 0:18:20 | |
Look, I'm sorry, I'm sorry. | 0:18:20 | 0:18:22 | |
APPLAUSE | 0:18:22 | 0:18:23 | |
Rebus is my favourite! And the other boy! | 0:18:23 | 0:18:25 | |
And the other one. Really. | 0:18:25 | 0:18:28 | |
APPLAUSE | 0:18:28 | 0:18:31 | |
Look, drink was taken, put it that way. | 0:18:35 | 0:18:38 | |
I did have a little bit of a spat with Ian Rankin, and some things | 0:18:38 | 0:18:41 | |
were said that I regret, in retrospect. | 0:18:41 | 0:18:44 | |
And then the blood was pumping because of that. | 0:18:44 | 0:18:47 | |
I may have overbid for this item here, that's, uh, | 0:18:47 | 0:18:52 | |
a-a-a signed Andy Murray shirt. | 0:18:52 | 0:18:56 | |
But signed by Jamie Murray. | 0:18:56 | 0:18:58 | |
I didn't know that at the time of bidding, | 0:18:59 | 0:19:01 | |
so maybe £5,000 was maybe overstepping the mark. | 0:19:01 | 0:19:05 | |
But, look. | 0:19:05 | 0:19:07 | |
It's for charity. | 0:19:07 | 0:19:09 | |
Besides, it's not my money. | 0:19:09 | 0:19:10 | |
Experienced urban cops Jack McLaren and Sarah Fletcher | 0:19:13 | 0:19:18 | |
have withstood most things the streets have to throw at them. | 0:19:18 | 0:19:21 | |
-You idiot! -What? -That's disgusting! | 0:19:21 | 0:19:24 | |
Oh, don't be sick. | 0:19:24 | 0:19:25 | |
-But they've learned to expect... -Whoa! | 0:19:25 | 0:19:28 | |
-..the unexpected. -Sarah could have died! | 0:19:28 | 0:19:31 | |
-I nearly spilled my tea. -Exactly! | 0:19:31 | 0:19:34 | |
Yeah, sometimes you turn up to an incident, you don't get all the | 0:19:34 | 0:19:36 | |
information, all the facts, | 0:19:36 | 0:19:38 | |
and you're confronted with something that's quite, you know, surprising. | 0:19:38 | 0:19:41 | |
We turned up to the park the other day, for | 0:19:41 | 0:19:45 | |
a young man who'd breached his bail conditions. | 0:19:45 | 0:19:48 | |
He had a tag on, shouldn't have been outside. | 0:19:48 | 0:19:50 | |
We had the location, we went to find him, | 0:19:50 | 0:19:52 | |
and he was, uh, we were confronted with something, | 0:19:52 | 0:19:55 | |
you know, rather creative. | 0:19:55 | 0:19:57 | |
What's happening there? | 0:19:57 | 0:20:00 | |
-No, it can't be. -It's hard to tell, but I think it is, you know. | 0:20:00 | 0:20:03 | |
We got in the park and we realised he was in a zorb, | 0:20:03 | 0:20:06 | |
which is like the big hamster ball things. | 0:20:06 | 0:20:08 | |
It's not fast. I mean... | 0:20:08 | 0:20:10 | |
-Hey, hey! -Yep, stop! -Hey! | 0:20:10 | 0:20:12 | |
OK, whoa, whoa, whoa, whoa! | 0:20:12 | 0:20:14 | |
-Yeah, that's it. Whoa. -What are you doing? | 0:20:14 | 0:20:16 | |
What are you playing at? | 0:20:16 | 0:20:18 | |
-Eh? -What's the problem? | 0:20:18 | 0:20:20 | |
The problem is that you've broke your bail conditions. | 0:20:20 | 0:20:22 | |
-You've got your tag on. -I haven't broken my bail conditions. | 0:20:22 | 0:20:25 | |
Let me see your tag. | 0:20:25 | 0:20:26 | |
-Uh-huh. -Yeah, he does. | 0:20:26 | 0:20:28 | |
Well, it's beeped, hasn't it? You shouldnae be out at this time. | 0:20:28 | 0:20:30 | |
-I'm not out. -Well, you are out. | 0:20:30 | 0:20:33 | |
-You are. -This is my house. | 0:20:33 | 0:20:35 | |
I mean, you're out... technically you're outside. | 0:20:35 | 0:20:37 | |
No, but this is part of my house. I blew it up in my garden. | 0:20:37 | 0:20:40 | |
He said that was his house. | 0:20:40 | 0:20:42 | |
Which, technically, if that's correct, | 0:20:42 | 0:20:44 | |
then he's not breached his bail conditions. | 0:20:44 | 0:20:46 | |
But then, of course it's no use to us, | 0:20:46 | 0:20:48 | |
because that'd be a stupid place to live. | 0:20:48 | 0:20:50 | |
Just stand still. Out. | 0:20:50 | 0:20:52 | |
-I'm not coming out. -Somebody's going to come in and get you. | 0:20:52 | 0:20:55 | |
You can't come into my house. | 0:20:55 | 0:20:56 | |
Do we need a warrant, to...? | 0:20:56 | 0:20:58 | |
The question was asked, would you need a warrant? | 0:20:58 | 0:21:01 | |
But of course you don't need a warrant, because it's not a house. | 0:21:01 | 0:21:03 | |
You could climb up a tree and say you need a warrant | 0:21:03 | 0:21:06 | |
to climb up a tree, so, you quickly | 0:21:06 | 0:21:07 | |
you know, use your policing skills. | 0:21:07 | 0:21:09 | |
Right, I'm coming in to get you. | 0:21:09 | 0:21:11 | |
-You got him? -And I mean, it's quite warm in there. | 0:21:14 | 0:21:16 | |
You wouldn't need, you know, | 0:21:16 | 0:21:18 | |
an electric heater or anything like that. | 0:21:18 | 0:21:21 | |
-Because it would melt. -Aye. | 0:21:21 | 0:21:22 | |
-Get out! -I'm not going out. | 0:21:22 | 0:21:24 | |
You're getting out! | 0:21:24 | 0:21:25 | |
Here, you! Out! | 0:21:28 | 0:21:30 | |
-Enough of your nonsense, right? -Right. | 0:21:32 | 0:21:35 | |
Wait, he's on the run! Quick! | 0:21:35 | 0:21:36 | |
And then he made a run for it, which was daft. | 0:21:36 | 0:21:40 | |
It wouldn't have been daft if I'd went in and you'd... | 0:21:40 | 0:21:42 | |
because he'd have got away from you, but I caught him, like, nae bother. | 0:21:42 | 0:21:46 | |
Probably would have caught him! | 0:21:46 | 0:21:47 | |
Erm, can we have, uh, backup, yeah?! | 0:21:47 | 0:21:50 | |
Well, I'm tailing him! | 0:21:50 | 0:21:52 | |
So, then, that was it. Apprehended. | 0:21:52 | 0:21:54 | |
Good job! | 0:21:54 | 0:21:56 | |
Yeah, I mean, he won't try that again. | 0:21:56 | 0:21:59 | |
Because we've burst his ball. | 0:21:59 | 0:22:01 | |
You can roll but you can't hide. | 0:22:01 | 0:22:03 | |
Sooner or later, the Scot Squad catch up with everyone. | 0:22:05 | 0:22:10 | |
We definitely get people who phone, just because they feel a bit guilty, | 0:22:10 | 0:22:13 | |
or they've got a dark secret that they want to share. | 0:22:13 | 0:22:16 | |
And I understand, I mean, we all have dark secrets, we do. | 0:22:16 | 0:22:21 | |
You know, mine would probably be, | 0:22:21 | 0:22:23 | |
when I was 14, | 0:22:23 | 0:22:25 | |
I did shoplift a Cliff Richard calendar. | 0:22:25 | 0:22:28 | |
And I've regretted that ever since. | 0:22:28 | 0:22:31 | |
Scotland's backroads. | 0:22:32 | 0:22:34 | |
For McIntosh and Mackay, | 0:22:34 | 0:22:36 | |
when it comes to a routine stop, in this patch, | 0:22:36 | 0:22:40 | |
there's no such word as "routine". | 0:22:40 | 0:22:42 | |
-Do you know why we've stopped you? -No. I wasn't speeding, was I? | 0:22:42 | 0:22:46 | |
You weren't speeding at all. | 0:22:46 | 0:22:47 | |
-Your speed was perfect. -Oh, Jesus! I thought not! OK. | 0:22:47 | 0:22:50 | |
-You've actually got a tail light out. -Have I?! -Yes. | 0:22:50 | 0:22:52 | |
-If you just come there. -Catherine, I'm just writing you a little note | 0:22:52 | 0:22:56 | |
to say that you've got 28 days to take the car into the garage | 0:22:56 | 0:22:58 | |
-to get it fixed. -KNOCK | 0:22:58 | 0:23:00 | |
Was that...sorry, was that from your...? | 0:23:00 | 0:23:03 | |
-Have you got something in the boot? I heard... -No. Oh, I didn't hear anything. | 0:23:03 | 0:23:06 | |
It's probably just the engine. It's probably just cooling down. | 0:23:06 | 0:23:09 | |
-That's great. OK, thank you very much. -KNOCKING | 0:23:09 | 0:23:11 | |
-There's something in here, is in there? -Yeah. | 0:23:11 | 0:23:13 | |
-Uh, no. -You don't have an animal, or a...? -No. | 0:23:13 | 0:23:15 | |
That's definitely not the sound of the car cooling down. | 0:23:15 | 0:23:18 | |
I think maybe we should just have a look inside. | 0:23:18 | 0:23:20 | |
-Can we have a look inside your boot, please? -Is that really necessary? | 0:23:20 | 0:23:23 | |
Well, it's a suspicious sound and we'd like to check it out. | 0:23:23 | 0:23:25 | |
Fair enough. | 0:23:25 | 0:23:27 | |
Oh, oh. Hang... Uh, can you just step back there a second? | 0:23:27 | 0:23:30 | |
-Oh! -Charlie. -Jeez Louise. Oh, we've got... | 0:23:30 | 0:23:32 | |
-Oh, are you OK? Are you OK? -No, he's fine. | 0:23:32 | 0:23:35 | |
-Can you hear me? -No, no. He's absolutely fine. | 0:23:35 | 0:23:37 | |
-He's having a nice time! -Can you please explain what's going on? | 0:23:37 | 0:23:40 | |
-Right, listen, do you want the truth? -Yes! | 0:23:40 | 0:23:42 | |
Right, we met online, we have organised this, | 0:23:42 | 0:23:44 | |
it's two consenting adults. | 0:23:44 | 0:23:46 | |
And this is what he likes women to do to him. | 0:23:46 | 0:23:48 | |
He calls me "mistress". | 0:23:48 | 0:23:50 | |
You're trying to tell me this is a date right now? | 0:23:50 | 0:23:53 | |
Well, it's not strictly a date, | 0:23:53 | 0:23:54 | |
but I can guarantee he's absolutely 100% fine. | 0:23:54 | 0:23:57 | |
We kind of need confirmation from him. | 0:23:57 | 0:23:59 | |
Could you please just step out the car? | 0:23:59 | 0:24:01 | |
Can you please come out? | 0:24:01 | 0:24:03 | |
Why are you...why are you looking at...? | 0:24:03 | 0:24:05 | |
I'm just giving him an instruction. Just wait a minute. | 0:24:05 | 0:24:07 | |
Look, if you like to be dominated, I'll dominate you. | 0:24:07 | 0:24:09 | |
Get out the car right now! | 0:24:09 | 0:24:11 | |
Now, we... | 0:24:13 | 0:24:14 | |
we need to know that you're OK. | 0:24:14 | 0:24:16 | |
-You're OK? -Could we have the gag off him, | 0:24:19 | 0:24:22 | |
-just to confirm in his own voice that he is OK? -OK. | 0:24:22 | 0:24:26 | |
You can take the gag off, yes. | 0:24:26 | 0:24:27 | |
-I can? I'll take the gag off. -Well, I'll give you permission to do it. | 0:24:27 | 0:24:31 | |
Are you OK? | 0:24:34 | 0:24:36 | |
No, I'm good, I'm fine. | 0:24:36 | 0:24:37 | |
OK, Catherine, I think it's best for you | 0:24:37 | 0:24:40 | |
if you just get in the vehicle now. | 0:24:40 | 0:24:41 | |
Erm, for yourself as well, please get in the front. | 0:24:41 | 0:24:45 | |
Sorry. | 0:24:49 | 0:24:51 | |
I will get the tail-light fixed. | 0:24:51 | 0:24:52 | |
Yes, please. Drive safe. | 0:24:52 | 0:24:55 | |
Come on, Charlie. I'll explain it in the car. | 0:24:58 | 0:25:00 | |
From one S&M to another S and M, | 0:25:02 | 0:25:06 | |
Singh and McKirdy. | 0:25:06 | 0:25:07 | |
-Where is it you get your fruit and veg? -Fruit and veg? | 0:25:08 | 0:25:11 | |
-Aye. -Mum usually gets it. -Oh, right. | 0:25:11 | 0:25:13 | |
Like I say, I used to go to Harry's. | 0:25:14 | 0:25:16 | |
-What? -What? -Here, gies us a race! -No, no race. | 0:25:18 | 0:25:21 | |
-You want a race, mate? -Aye, a race, go on! -You want to race me? | 0:25:21 | 0:25:24 | |
-Go on, race us! -You want to race me? Wee man? Hey? Aye. | 0:25:24 | 0:25:27 | |
-Go on, then. -Are you ready for...? I'll race you. | 0:25:27 | 0:25:29 | |
-No, we're not racing. -I'll race you. -We're not racing. | 0:25:29 | 0:25:32 | |
Aye, race him. Give him a wee thrill, come on. | 0:25:32 | 0:25:34 | |
-It's engaging with the young folk in the community. -He's a wee boy. | 0:25:34 | 0:25:36 | |
Hey! You ready? Get set, by the way. Hey, bite my dust, wee man! | 0:25:36 | 0:25:39 | |
Soon as it goes to green, right? Right? | 0:25:39 | 0:25:43 | |
-Argh! -Shite! -You fannies! | 0:25:43 | 0:25:45 | |
Stalled, man! Oh, no! | 0:25:45 | 0:25:47 | |
YOUNG MAN JEERS | 0:25:47 | 0:25:49 | |
Aw, man. | 0:25:49 | 0:25:51 | |
Build relations with the community like that? | 0:25:51 | 0:25:53 | |
Today's cop, always engaging, always approachable. | 0:25:53 | 0:25:57 | |
Officer Karen, how you doing? | 0:25:57 | 0:25:59 | |
Bobby? | 0:25:59 | 0:26:00 | |
Bobby? | 0:26:02 | 0:26:03 | |
Bobby? Can you hear me? | 0:26:03 | 0:26:06 | |
Bobby? | 0:26:06 | 0:26:07 | |
Argh. | 0:26:07 | 0:26:08 | |
You all right? | 0:26:08 | 0:26:10 | |
-All right? -Mind your neck, mind your neck. | 0:26:10 | 0:26:12 | |
-You OK? -Are you my guardian angel, Officer Karen? | 0:26:12 | 0:26:16 | |
Uh, no, but I might potentially be your first aider. | 0:26:16 | 0:26:19 | |
You got a first aid certificate as well?! | 0:26:19 | 0:26:21 | |
-Yeah. -That's brilliant. -Are you sure you're OK? | 0:26:21 | 0:26:24 | |
-Aye, I'm brilliant. -Right, you kind of banged your head a wee bit. | 0:26:24 | 0:26:27 | |
Mind your...! Mind! Mind your head there. | 0:26:27 | 0:26:30 | |
How are you doing, Officer Karen? | 0:26:30 | 0:26:33 | |
It's weird to see you the other side of desk. | 0:26:33 | 0:26:37 | |
-Are you sure you're feeling OK? -I feel fresh. -OK. -I feel positive. | 0:26:37 | 0:26:40 | |
-How many fingers? -Two. | 0:26:40 | 0:26:42 | |
Who's the Prime Minister? | 0:26:42 | 0:26:43 | |
I don't know anything about politics, Officer Karen. | 0:26:43 | 0:26:46 | |
-Come on. -OK, what's your... | 0:26:46 | 0:26:48 | |
What's your uncle's first name? | 0:26:48 | 0:26:51 | |
-Uncle. -Are you sure you're feeling OK? | 0:26:51 | 0:26:53 | |
Aye, I feel brilliant, Officer Karen. | 0:26:53 | 0:26:56 | |
-ou don't have any pain in your neck? -Nae neck pain. | 0:26:56 | 0:26:59 | |
Everything looks kind of normal? | 0:26:59 | 0:27:02 | |
Everything's normal. | 0:27:02 | 0:27:04 | |
Right, good to go, Officer Karen. | 0:27:04 | 0:27:05 | |
I don't want to hang about all day and be annoying and all that. | 0:27:05 | 0:27:08 | |
But, look, I'm going to go up the road, right? | 0:27:08 | 0:27:11 | |
Um, OK, Bobby, you haven't actually told me what it was | 0:27:11 | 0:27:14 | |
-you were rushing in for in the first place. -Eh... | 0:27:14 | 0:27:17 | |
I think it was to tell you that I've got nae sense of smell | 0:27:17 | 0:27:20 | |
since I've been five. | 0:27:20 | 0:27:22 | |
-Right. -All right, Officer Karen. | 0:27:22 | 0:27:23 | |
-Look, I'd better go. -See you later, Bobby. | 0:27:23 | 0:27:26 | |
See you later. | 0:27:26 | 0:27:27 | |
Well, yes, I have to face facts, I am a national public figure. | 0:27:29 | 0:27:34 | |
And, consequently, my head is, you know, | 0:27:34 | 0:27:36 | |
slightly further above the parapet than, on occasion, | 0:27:36 | 0:27:38 | |
I'd like it to be! | 0:27:38 | 0:27:39 | |
You probably recently read that my name was discovered | 0:27:39 | 0:27:42 | |
on a list of terrorist targets. | 0:27:42 | 0:27:44 | |
It's odd when you discover your name's on one of those. | 0:27:44 | 0:27:47 | |
Because, of course, you don't want your life to be upset | 0:27:47 | 0:27:50 | |
to the extent you can't pop down to Lidl of an evening. | 0:27:50 | 0:27:53 | |
But I would be lying if, you know, | 0:27:53 | 0:27:55 | |
to say there wasn't a frisson of satisfaction | 0:27:55 | 0:27:59 | |
to discover that I'm a bigger prize than big Gerry Butler! | 0:27:59 | 0:28:04 | |
All-round Scottish hunk and action hero. | 0:28:04 | 0:28:08 | |
My delight in that discovery was tempered slightly by the fact that I | 0:28:08 | 0:28:12 | |
discovered I am lower than the Falkirk Wheel. | 0:28:12 | 0:28:15 | |
I mean, you know. | 0:28:15 | 0:28:16 | |
God forbid that the barge traffic of this great nation | 0:28:16 | 0:28:20 | |
ever were to grind to a halt. | 0:28:20 | 0:28:22 |