Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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Coming up: | 0:00:02 | 0:00:03 | |
On the case, on the ground... | 0:00:03 | 0:00:04 | |
-Oh, -BLEEP! | 0:00:04 | 0:00:06 | |
Make it stop! | 0:00:06 | 0:00:09 | |
..bottoms up in the sticks... | 0:00:09 | 0:00:11 | |
HE GASPS | 0:00:11 | 0:00:12 | |
HE COUGHS | 0:00:12 | 0:00:14 | |
..pulling over and pulling shapes. | 0:00:14 | 0:00:17 | |
-Team! -BOOM! | 0:00:17 | 0:00:18 | |
When the scum of Scotland kicks off, | 0:00:18 | 0:00:21 | |
the Scottish police force are the crack cops | 0:00:21 | 0:00:24 | |
who kick in and kick it out. | 0:00:24 | 0:00:26 | |
Whoo! | 0:00:26 | 0:00:27 | |
This is...Scot Squad! | 0:00:27 | 0:00:29 | |
In the Caledonian crime-fighting community, | 0:00:41 | 0:00:44 | |
one single super man heads up the MacJustice League - | 0:00:44 | 0:00:48 | |
Chief Commissioner Cameron Miekelson. | 0:00:48 | 0:00:51 | |
Vladimir Putin is First Minister of this country - it's not me to blame. | 0:00:51 | 0:00:55 | |
In the ding-dong between right and wrong, he rights the wrongs | 0:00:55 | 0:00:59 | |
and fights for the rights of the right, and he ain't wrong. | 0:00:59 | 0:01:02 | |
I'll tell you something that gets my goat, | 0:01:02 | 0:01:05 | |
it's the glorification of the bad guy. You know? | 0:01:05 | 0:01:08 | |
The whole "Bonnie and Clyde" ethos, the antihero, you know? | 0:01:08 | 0:01:13 | |
There's a pub on the high street here called the Burke & Hare. | 0:01:13 | 0:01:16 | |
Grave-robbers. It's celebrating grave-robbers, you know? | 0:01:16 | 0:01:19 | |
And what's Edinburgh's iconic image these days? | 0:01:19 | 0:01:23 | |
When I was a lad, it was Edinburgh Castle, the Forth Bridges, | 0:01:23 | 0:01:25 | |
something to be proud of. | 0:01:25 | 0:01:27 | |
What is it now? Trainspotting! | 0:01:27 | 0:01:30 | |
Got all these skinny, radgey bams running down Princes Street. | 0:01:30 | 0:01:34 | |
You know, forget Sick Boy and the boys, | 0:01:34 | 0:01:35 | |
the poster should be the poor wee police officer | 0:01:35 | 0:01:38 | |
having to rugby tackle the wee radges running out of Boots, | 0:01:38 | 0:01:40 | |
cos he's off and getting the skag. | 0:01:40 | 0:01:43 | |
So, that's what I'm proposing. | 0:01:43 | 0:01:45 | |
Statue of Rebus outside the Oxford Bar, why not? | 0:01:45 | 0:01:48 | |
Hamish Macbeth up in Plockton. | 0:01:48 | 0:01:50 | |
And if we must, OK - | 0:01:50 | 0:01:52 | |
a statue of me in St Andrew's Square. | 0:01:52 | 0:01:54 | |
Fair enough, I won't stand in your way, but it's just more acclaim, | 0:01:54 | 0:01:58 | |
more attention, more dignity, more justice. | 0:01:58 | 0:02:02 | |
Urban cops Jack McLaren and Sarah Fletcher have a duty of care | 0:02:04 | 0:02:08 | |
to protect the city's party animals. | 0:02:08 | 0:02:11 | |
What's going on, big boy? | 0:02:11 | 0:02:13 | |
When a hot new nightspot pops up, these cops rock up to suss it out | 0:02:13 | 0:02:17 | |
and give the thumbs up from the law's ultimate bouncers. | 0:02:17 | 0:02:21 | |
In a city with a large nightlife community, | 0:02:21 | 0:02:24 | |
it's important for us to work closely with the club owners. | 0:02:24 | 0:02:28 | |
There was a new club had opened, | 0:02:28 | 0:02:29 | |
it had been refurbished, under new management. | 0:02:29 | 0:02:31 | |
-Oh! -Oh, hiya, how are you doing? -Hiya, officers. -Hiya. | 0:02:31 | 0:02:34 | |
We just visited it, let ourselves be known to the guy. | 0:02:34 | 0:02:37 | |
Do you want to show us around? | 0:02:37 | 0:02:38 | |
Yeah, no problem at all. Come on and I'll show you. | 0:02:38 | 0:02:40 | |
Yous aren't wearing trainers, so that's superb. | 0:02:40 | 0:02:42 | |
As you can see here, we've got a grand selection of drinks. | 0:02:42 | 0:02:45 | |
Are yous wanting a drink at all? | 0:02:45 | 0:02:46 | |
-Not on duty. Not on duty. -Are you sure? | 0:02:46 | 0:02:48 | |
You look like a man that likes a slippery nipple there, no? | 0:02:48 | 0:02:50 | |
I do, but it's no drink. | 0:02:50 | 0:02:51 | |
THEY LAUGH | 0:02:51 | 0:02:53 | |
-Excellent. -There's been no problems so far? | 0:02:53 | 0:02:55 | |
No problems at all. It's been rammed every night. | 0:02:55 | 0:02:57 | |
We're kind of doing kind of, like, a promotion, | 0:02:57 | 0:02:59 | |
with competitions and stuff. You know? | 0:02:59 | 0:03:01 | |
We've got, like, lap dancing competitions. A bit of fun. | 0:03:01 | 0:03:03 | |
-Pole dancing competitions, you know? -That's fantastic. | 0:03:03 | 0:03:06 | |
-Are you single? -At the moment? Well, not really, no. | 0:03:06 | 0:03:09 | |
-That's just the best. -I've got kind of...my fingers in many pies. | 0:03:09 | 0:03:11 | |
-Like, literally. -Aye. | 0:03:11 | 0:03:13 | |
Can I check your fire escapes? | 0:03:13 | 0:03:15 | |
And you two can get to know each other a bit better, | 0:03:15 | 0:03:17 | |
maybe swap numbers, and... | 0:03:17 | 0:03:19 | |
Yeah, certainly. The fire escape is down this way. | 0:03:19 | 0:03:21 | |
My partner, Sarah, went to check fire exits | 0:03:21 | 0:03:24 | |
and have a look round the building to see what else had changed, | 0:03:24 | 0:03:26 | |
and he gave me a tour of the VIP area. | 0:03:26 | 0:03:29 | |
-VIP. Very Important Policeman, mate. That could be you. -Aye, very good. | 0:03:29 | 0:03:32 | |
-That could be you. -Aye, it could as well. It's brilliant. | 0:03:32 | 0:03:34 | |
-It's not bad. -This is where all the tidy lassies come? | 0:03:34 | 0:03:36 | |
If you want them in here, my man, that's what we'll get. | 0:03:36 | 0:03:38 | |
Is that for the football? | 0:03:38 | 0:03:40 | |
Aye, that's where we watch football. Aye. Aye. | 0:03:40 | 0:03:42 | |
Oh, there you go. There's a wee insight | 0:03:42 | 0:03:45 | |
into the extras that you get in this room, Jack. That's... | 0:03:45 | 0:03:48 | |
-That's Sarah. -That's your partner, my man. Yeah. | 0:03:48 | 0:03:50 | |
-Is that the toilet? -Oh, aye, it's the toilet. | 0:03:50 | 0:03:52 | |
-That's a wee bit of extras, man. -You can't do that! | 0:03:52 | 0:03:54 | |
It's what the punters want. It's... | 0:03:54 | 0:03:56 | |
That's illegal. You cannot film a toilet. | 0:03:56 | 0:03:58 | |
-Oh, come on, it's a good laugh. -Sarah, no! | 0:03:58 | 0:03:59 | |
-Sarah, don't drop your kecks! -Come on! | 0:03:59 | 0:04:01 | |
Sarah, don't drop your kecks! | 0:04:01 | 0:04:02 | |
Come on. Surely, she's your partner - | 0:04:02 | 0:04:04 | |
you've seen her from that angle before. | 0:04:04 | 0:04:06 | |
No! I saw it! I saw that! | 0:04:06 | 0:04:07 | |
-Sarah, I saw it! -It's just... | 0:04:07 | 0:04:09 | |
No! No, that is wrong on every level. | 0:04:09 | 0:04:11 | |
-That's all... -Sarah... Please, get this off! | 0:04:11 | 0:04:14 | |
You cannae do that! | 0:04:14 | 0:04:15 | |
Surely, she's your partner - you've seen that before. | 0:04:15 | 0:04:17 | |
-It's a good laugh. -No, she's a work partner. | 0:04:17 | 0:04:19 | |
You, my friend, are under arrest, you Very Important Pervert. | 0:04:19 | 0:04:22 | |
Afterwards, Jack told me the situation, | 0:04:22 | 0:04:25 | |
that the club owner had put in a CCTV inside the female cubicle. | 0:04:25 | 0:04:30 | |
Everything seems to be fine with the fire escapes. | 0:04:30 | 0:04:32 | |
Yep, everything's fine. We're just going to take him down the station. | 0:04:32 | 0:04:35 | |
-What's going on? -Er... -Jack, what's wrong? -Oh... | 0:04:35 | 0:04:37 | |
-Sorry, my hands are wet. -Aye. Yep. Yep. They are. | 0:04:37 | 0:04:39 | |
Yeah, definitely are. So we know that. Let's go. | 0:04:39 | 0:04:41 | |
-VOICEOVER: -It's not often we're caught with our pants down, | 0:04:41 | 0:04:44 | |
but, in this case, well, he was caught with, well, my pants down. | 0:04:44 | 0:04:48 | |
I don't understand what I've done wrong. | 0:04:48 | 0:04:50 | |
I'm just pleased that scum like that, due to our intervention, | 0:04:50 | 0:04:54 | |
can't run a club any more. | 0:04:54 | 0:04:56 | |
And I was happy to take one for the team. | 0:04:56 | 0:04:58 | |
Well, do one for the team. | 0:04:58 | 0:05:00 | |
When the public need the police, | 0:05:03 | 0:05:05 | |
long-serving desk sergeant Karen Ann Millar | 0:05:05 | 0:05:08 | |
is the go-to cop the public go to. | 0:05:08 | 0:05:11 | |
Service with a smile is something that I really aspire to, | 0:05:11 | 0:05:14 | |
and I like to think that my smile is the first thing | 0:05:14 | 0:05:16 | |
that welcomes someone into the station. | 0:05:16 | 0:05:19 | |
Officer Karen! Officer Karen! | 0:05:19 | 0:05:21 | |
All right, Officer Karen? | 0:05:21 | 0:05:23 | |
-Are you all right there? -Aye, I'm all right. | 0:05:23 | 0:05:25 | |
Officer Karen, look what I found in a skip! | 0:05:25 | 0:05:26 | |
Whoa, Bobby. You need to take that out. | 0:05:26 | 0:05:28 | |
-I found it in a skip! -You need to go. | 0:05:28 | 0:05:30 | |
-Sawdust. -Outside, right now. -Sand! | 0:05:30 | 0:05:31 | |
-Go, go, go! -Have you got milk? Milk?! -Just go, go, go! | 0:05:31 | 0:05:34 | |
Right, OK. See you. OK, sorry, Officer Karen. | 0:05:34 | 0:05:36 | |
-Go faster! -FIREWORKS WHISTLE AND POP | 0:05:36 | 0:05:37 | |
Approachability is my byword, my watch word, | 0:05:37 | 0:05:40 | |
and sometimes my failing. | 0:05:40 | 0:05:42 | |
Officer Karen... | 0:05:43 | 0:05:45 | |
..I think I've found some evidence. | 0:05:46 | 0:05:48 | |
Okie dokie, Bobby, give me a second to get my special pad. | 0:05:48 | 0:05:52 | |
There's a good chance it's just somebody's left something behind, | 0:05:52 | 0:05:54 | |
but where did you run across it? | 0:05:54 | 0:05:56 | |
No, somebody ditched it in a hedge down the canal when I was walking. | 0:05:56 | 0:05:59 | |
I'm sure it'll be nothing. It'll... | 0:05:59 | 0:06:02 | |
Oh... | 0:06:02 | 0:06:03 | |
Well done, Bobby. | 0:06:03 | 0:06:05 | |
OK, you just need to bear with me a couple of minutes, | 0:06:05 | 0:06:07 | |
I just need to go and get a couple of bits of kit, OK? | 0:06:07 | 0:06:09 | |
You just stay there for me, and just make sure nobody touches it, OK? | 0:06:09 | 0:06:13 | |
I just need to get an evidence bag. | 0:06:17 | 0:06:19 | |
MUFFLED BANG | 0:06:24 | 0:06:25 | |
HE SPLUTTERS | 0:06:25 | 0:06:26 | |
Right. | 0:06:28 | 0:06:29 | |
What did you do, Bobby? | 0:06:34 | 0:06:36 | |
I never done nothing. | 0:06:36 | 0:06:38 | |
-You opened the bag, didn't you, Bobby? -Yeah. | 0:06:40 | 0:06:42 | |
I'm not even going to lie to you, Officer Karen. | 0:06:42 | 0:06:45 | |
You set off the dye pack. | 0:06:45 | 0:06:46 | |
I set off the what? | 0:06:46 | 0:06:48 | |
The dye pack. These bags have dye packs in them. | 0:06:48 | 0:06:51 | |
Why? | 0:06:51 | 0:06:52 | |
So when someone who's not meant to open the bag | 0:06:52 | 0:06:55 | |
opens the bag, they get covered in dye, | 0:06:55 | 0:06:57 | |
and it makes it really easy for us to find the person that did it | 0:06:57 | 0:07:00 | |
because the dye doesn't go away for a couple of weeks. | 0:07:00 | 0:07:02 | |
A couple of weeks?! Are you kidding me on? | 0:07:02 | 0:07:05 | |
I'm going to be cutting about like a fat Smurf | 0:07:05 | 0:07:08 | |
for a couple of weeks? | 0:07:08 | 0:07:10 | |
I'm sorry, Bobby. | 0:07:10 | 0:07:11 | |
Oh, my God. | 0:07:13 | 0:07:14 | |
I look like a really bad Braveheart. | 0:07:16 | 0:07:19 | |
Just accept the blueness of your life for the next two weeks. | 0:07:19 | 0:07:23 | |
-We've both learned a valuable lesson here today, Bobby. -Yeah. | 0:07:26 | 0:07:29 | |
When I tell you not to open a bag, you don't touch the bag. | 0:07:29 | 0:07:33 | |
Right. I can see where you're coming from on that one. | 0:07:35 | 0:07:38 | |
-Yeah. -And I'm going to go now. | 0:07:38 | 0:07:41 | |
-DOOR BANGS OPEN -See you later, Officer Karen! | 0:07:43 | 0:07:45 | |
-WEARILY: -See you later, Bobby. -Bye! | 0:07:45 | 0:07:47 | |
So we're asking the public, who are our friend, to be aware. | 0:07:49 | 0:07:54 | |
You know, we want the public to report something to us. | 0:07:54 | 0:07:58 | |
Even if that something turns out to be nothing, still report it. | 0:07:58 | 0:08:01 | |
You know? So we've got a campaign behind that. | 0:08:01 | 0:08:03 | |
Here's some of the choices. | 0:08:03 | 0:08:05 | |
"Do something about nothing." | 0:08:05 | 0:08:07 | |
Um... | 0:08:07 | 0:08:09 | |
I'm not convinced about that one. Little bit confusing. | 0:08:09 | 0:08:12 | |
Er, "Don't do nothing about something." | 0:08:12 | 0:08:15 | |
What do you think about that one? I think it... | 0:08:15 | 0:08:17 | |
I know, I agree, it's a wee bit... | 0:08:17 | 0:08:19 | |
I think it's the double negative that worries me about that one. | 0:08:19 | 0:08:22 | |
"Make nothing happen." | 0:08:22 | 0:08:23 | |
I saw you - instantly, you sunk. It's too downbeat, isn't it? | 0:08:25 | 0:08:28 | |
Yeah. | 0:08:28 | 0:08:29 | |
"Do nothing together." | 0:08:29 | 0:08:30 | |
I like "Do nothing together," I'll tell you. Um... | 0:08:30 | 0:08:32 | |
But I'm thinking, I don't know, is it a wee bit rom-commy? | 0:08:32 | 0:08:35 | |
It kind of smells of Sandra Bullock, that one, doesn't it? | 0:08:35 | 0:08:37 | |
So we won't have that one. | 0:08:37 | 0:08:39 | |
I think this is the boy for me, frontrunner certainly. | 0:08:39 | 0:08:41 | |
"Watch out for nothing." | 0:08:41 | 0:08:43 | |
Because it keeps the "be aware, be alert", | 0:08:43 | 0:08:45 | |
but also has the keyword of "nothing", | 0:08:45 | 0:08:48 | |
because, currently, that's what the Scottish Police Force stands for - | 0:08:48 | 0:08:51 | |
nothing. | 0:08:51 | 0:08:52 | |
And I stand, front and centre, behind nothing. | 0:08:52 | 0:08:56 | |
When Scotland sees something, Scotland must say something... | 0:08:57 | 0:09:03 | |
Police emergency, how can I be of assistance? | 0:09:03 | 0:09:05 | |
..and the someone they say it to is Maggie LeBeau. | 0:09:05 | 0:09:08 | |
It's just, if I was kidnapped, | 0:09:08 | 0:09:10 | |
I think I'd be quite sure that I had been kidnapped. | 0:09:10 | 0:09:13 | |
Speaking to anyone and everyone, | 0:09:13 | 0:09:16 | |
sorting through everything, | 0:09:16 | 0:09:18 | |
for something. | 0:09:18 | 0:09:20 | |
Very often, the public don't know the correct terms | 0:09:20 | 0:09:22 | |
for crimes that they're trying to report. | 0:09:22 | 0:09:24 | |
So, sometimes, you get someone reporting a thing | 0:09:24 | 0:09:27 | |
which is not the thing that they think they're reporting. | 0:09:27 | 0:09:31 | |
No, a hit-and-run is very serious, sir. | 0:09:31 | 0:09:33 | |
You've done the right thing to call 999. | 0:09:33 | 0:09:34 | |
We're going to have a unit with you very shortly. | 0:09:34 | 0:09:36 | |
In the meantime, could you give me | 0:09:36 | 0:09:38 | |
a description of the vehicle that was involved? | 0:09:38 | 0:09:40 | |
OK, sir. Um... | 0:09:43 | 0:09:45 | |
So, a hit-and-run is when someone's hit by a car | 0:09:45 | 0:09:48 | |
and then the driver flees the scene, | 0:09:48 | 0:09:50 | |
but a young lad knocking on your door and then running away | 0:09:50 | 0:09:53 | |
is what we'd call chappy. | 0:09:53 | 0:09:55 | |
Could you appreciate the difference there? | 0:09:55 | 0:09:58 | |
Out in the country... COW MOOS | 0:09:59 | 0:10:01 | |
..Charlie McIntosh and Jane Mackay | 0:10:01 | 0:10:04 | |
are the fearless Wyatt Earps of the wild. | 0:10:04 | 0:10:06 | |
I'm being chased by a tractor! | 0:10:06 | 0:10:08 | |
They go off the beaten track to follow the moonshine trail. | 0:10:08 | 0:10:12 | |
Anyone down there? | 0:10:12 | 0:10:13 | |
There's swallies in them there valleys. | 0:10:13 | 0:10:16 | |
This is an actual distillery. | 0:10:16 | 0:10:19 | |
-A what? -This is a distillery. -It doesn't look much like a distillery. | 0:10:19 | 0:10:22 | |
No, there's a group of guys, | 0:10:22 | 0:10:23 | |
they used to come up here from the village, | 0:10:23 | 0:10:25 | |
and they were distilling their own moonshine. | 0:10:25 | 0:10:27 | |
Yeah, they'd bottle it up. See, all these, and they'd make it, | 0:10:27 | 0:10:31 | |
they'd ferment anything they can find - | 0:10:31 | 0:10:33 | |
cabbages, cauliflowers, potatoes, turnips, beetroot - | 0:10:33 | 0:10:36 | |
mash it all together, ferments, bottle it up. | 0:10:36 | 0:10:38 | |
Like a smoothie? | 0:10:38 | 0:10:40 | |
-HE PUFFS -Well, a vicious smoothie. | 0:10:40 | 0:10:42 | |
You know, one that'll blow your head off. | 0:10:42 | 0:10:44 | |
-Hang on. -What are you doing? -I'm just going to have a wee look. | 0:10:44 | 0:10:47 | |
No, it's really... Honestly, it's quite, quite severe. | 0:10:47 | 0:10:50 | |
-Do you want a hit? -I wouldn't. No, well, we're on duty, so... | 0:10:51 | 0:10:54 | |
-I know, but we need to know that's definitely alcohol... -Yeah. | 0:10:54 | 0:10:57 | |
-..before we go looking for people. -Ah, it's not my first... -Go on. | 0:10:57 | 0:10:59 | |
-..moonshine. -It's just a wee bit. -It's just a wee bit. | 0:10:59 | 0:11:02 | |
-OK... -You're not scared, are you, Charlie? | 0:11:02 | 0:11:05 | |
HE SCOFFS | 0:11:05 | 0:11:06 | |
"Moonshine Charlie", that'll be your new name. | 0:11:06 | 0:11:08 | |
Yes. OK. | 0:11:08 | 0:11:09 | |
-JANE LAUGHS -Mmm. | 0:11:09 | 0:11:11 | |
Charlie, you don't need to actually... No, don't, er... | 0:11:11 | 0:11:14 | |
HE GASPS | 0:11:16 | 0:11:17 | |
HE COUGHS | 0:11:17 | 0:11:19 | |
-Oh, boy... -Strong? | 0:11:19 | 0:11:21 | |
-Farah, that is... -More? | 0:11:21 | 0:11:23 | |
Occasionally, you have to take a shot in the line of duty, | 0:11:23 | 0:11:26 | |
and Charlie did that. | 0:11:26 | 0:11:28 | |
You're not going to have a wee...? | 0:11:28 | 0:11:29 | |
-I'm on duty, I don't drink. -What?! | 0:11:29 | 0:11:31 | |
-Sorry. -Oh, hey... | 0:11:31 | 0:11:33 | |
-SHE CHUCKLES -Jane... | 0:11:33 | 0:11:35 | |
We left the bunker where we'd found the home-brew... | 0:11:35 | 0:11:38 | |
-SLURRING: -Feeling a wee bit woozy, if I'm being completely honest. | 0:11:38 | 0:11:40 | |
Oh, Charlie, come on. Hang on... | 0:11:40 | 0:11:43 | |
-VOICEOVER: -..and we stumbled across four postal workers | 0:11:43 | 0:11:45 | |
who were lying unconscious outside. | 0:11:45 | 0:11:48 | |
Charlie? | 0:11:48 | 0:11:50 | |
Char...? Charlie! | 0:11:50 | 0:11:52 | |
Charlie! | 0:11:52 | 0:11:53 | |
Charlie was also unconscious. | 0:11:53 | 0:11:56 | |
I nearly had to give him mouth-to-mouth, | 0:11:56 | 0:11:58 | |
but I called for an ambulance, | 0:11:58 | 0:12:00 | |
and, luckily, the paramedics arrived very quickly | 0:12:00 | 0:12:03 | |
-so it didn't need to come to that. -Yeah... | 0:12:03 | 0:12:04 | |
-Charlie. -Jane, Jane, Jane... | 0:12:04 | 0:12:07 | |
-That is my name. -# Jane, Jane, Jane! # | 0:12:07 | 0:12:11 | |
The home-brew stuff, you have to understand, | 0:12:11 | 0:12:14 | |
is particularly potent, and, yes, I fell victim to the devil drink. | 0:12:14 | 0:12:20 | |
He's got blue hands! | 0:12:20 | 0:12:22 | |
It hit me hard. | 0:12:22 | 0:12:23 | |
I don't really remember what happened afterwards. I just... | 0:12:23 | 0:12:26 | |
Hopefully, didn't embarrass myself or humiliate myself in any way. | 0:12:26 | 0:12:31 | |
Not at all. Not at all. | 0:12:31 | 0:12:32 | |
It's a kissing gate. | 0:12:32 | 0:12:33 | |
Nope. | 0:12:33 | 0:12:34 | |
-HE MAKES KISSING SOUNDS -Nope. | 0:12:34 | 0:12:36 | |
You booze, you lose... | 0:12:36 | 0:12:38 | |
..your dignity, opportunities, | 0:12:39 | 0:12:42 | |
and quite a lot of your bladder, unfortunately. | 0:12:42 | 0:12:45 | |
Jane... Jane, I love you! | 0:12:45 | 0:12:48 | |
Hey... | 0:12:48 | 0:12:49 | |
Oh, it's like the TARDIS. | 0:12:49 | 0:12:51 | |
A lot of people are claiming to be the fourth emergency service. | 0:12:53 | 0:12:56 | |
You know, you've got your AA, the coastguard claim it's them. | 0:12:56 | 0:13:00 | |
Honestly, I know a few stoners who claim that Domino's delivery pizza | 0:13:00 | 0:13:03 | |
is the fourth emergency service, you know? | 0:13:03 | 0:13:05 | |
Um, I guess it's all context. Isn't it? | 0:13:05 | 0:13:08 | |
I mean, if you're drowning, | 0:13:08 | 0:13:10 | |
then I guess the coastguard becomes the first emergency service. | 0:13:10 | 0:13:14 | |
Although, you know, just so you know, we can do that too. | 0:13:14 | 0:13:17 | |
We can be there for you. You know, we've got frogmen. So... | 0:13:17 | 0:13:20 | |
I think, more important debate is what's your one, two, three? | 0:13:20 | 0:13:24 | |
Now, taking them... Obviously, the police is one. We know that. | 0:13:24 | 0:13:27 | |
Firemen, now, listen, if you're going to praise the firemen, | 0:13:29 | 0:13:31 | |
you get behind me in the queue, OK? | 0:13:31 | 0:13:34 | |
Cos those boys are the bravest boys you're going to meet, | 0:13:34 | 0:13:36 | |
but they don't work that often, let's be... | 0:13:36 | 0:13:38 | |
let's be honest about it. | 0:13:38 | 0:13:40 | |
It's a lot of cleaning that van, a lot of ping-pong. | 0:13:40 | 0:13:43 | |
We've got a phrase in this game - | 0:13:43 | 0:13:44 | |
"show me a fireman that isn't good at Scrabble", you know what I mean? | 0:13:44 | 0:13:48 | |
That's the downside of those boys. Then you've got your ambulance. | 0:13:48 | 0:13:51 | |
Brilliant boys. First responders, OK? | 0:13:51 | 0:13:54 | |
That's you onto the scene first. When we arrive on the scene, | 0:13:54 | 0:13:57 | |
and go, "What happened here? Did the big bam hit the wee bam?" | 0:13:57 | 0:13:59 | |
they go, "Oh, no, it's nothing. We just treat... | 0:13:59 | 0:14:01 | |
"They're all humans to us." Imagine if we did that in court. | 0:14:01 | 0:14:05 | |
"Oh, it doesn't matter, we're all born equal." | 0:14:05 | 0:14:08 | |
We're not going to get anywhere. | 0:14:08 | 0:14:10 | |
So, weighing it all up, I would say, first place, police, | 0:14:10 | 0:14:15 | |
second place, police, | 0:14:15 | 0:14:18 | |
third place, fire and ambulance jointly. | 0:14:18 | 0:14:20 | |
Virtual crime needs a real crime-fighter. | 0:14:21 | 0:14:26 | |
Archie Pepper, cyberspace bam hunter. | 0:14:26 | 0:14:29 | |
I've been made Employee Of The Month. | 0:14:29 | 0:14:32 | |
Again. | 0:14:32 | 0:14:33 | |
Who else are you going to pick? | 0:14:33 | 0:14:34 | |
They should have given it to the computer system, really. | 0:14:34 | 0:14:36 | |
That's... It does all the work. | 0:14:36 | 0:14:38 | |
Archie's doing right by swiping right on the nation's wrong'uns. | 0:14:38 | 0:14:43 | |
Sometimes, for more serious crimes, | 0:14:43 | 0:14:45 | |
the perpetrators, they want to go underground. | 0:14:45 | 0:14:48 | |
Now, that obviously makes it more difficult for me, | 0:14:48 | 0:14:50 | |
but not impossible. | 0:14:50 | 0:14:51 | |
I'd say the most successful method | 0:14:51 | 0:14:54 | |
is to pose as someone on a dating website or app, | 0:14:54 | 0:14:58 | |
cos you might be underground, but you still want to have sex, and... | 0:14:58 | 0:15:04 | |
..though I am not going to have sex with you, | 0:15:04 | 0:15:07 | |
I can pretend to be someone | 0:15:07 | 0:15:09 | |
who can pretend to want to have sex with you. | 0:15:09 | 0:15:12 | |
I don't have to have sex with them. | 0:15:12 | 0:15:14 | |
Right? I want to make that very clear. | 0:15:14 | 0:15:17 | |
I'm still an investigator. I never leave the desk. | 0:15:17 | 0:15:19 | |
This is me creating my online dating profile to lure Tony Peterson, | 0:15:21 | 0:15:25 | |
the local gang kingpin. | 0:15:25 | 0:15:28 | |
The way I do that, usually just pick an attractive woman. | 0:15:29 | 0:15:32 | |
I don't know if you've looked on the internet - | 0:15:32 | 0:15:34 | |
there's quite a few on there. | 0:15:34 | 0:15:36 | |
I'm going for this one. Classic bikini shot. | 0:15:36 | 0:15:39 | |
Doesn't really matter if it's, like, a professionally-taken picture. | 0:15:39 | 0:15:42 | |
They don't seem to realise the difference between... | 0:15:42 | 0:15:44 | |
I mean, I've been to East Kilbride and I've not seen her. | 0:15:44 | 0:15:48 | |
So name? Go..."Emma". | 0:15:48 | 0:15:50 | |
Three of my ex-girlfriends are called Emma. | 0:15:52 | 0:15:54 | |
You can read into that what you want. | 0:15:54 | 0:15:57 | |
Pick an age. Er, 26? | 0:15:57 | 0:16:00 | |
Appeals across the board - | 0:16:00 | 0:16:01 | |
18-years-olds think they've got a chance. | 0:16:01 | 0:16:02 | |
They don't, but... Well, they do with her, cos it's me. | 0:16:02 | 0:16:05 | |
Interests? Interests is good to keep vague. | 0:16:05 | 0:16:07 | |
Basically, people think they've got a connection. | 0:16:07 | 0:16:09 | |
Like, if you say, "I like going to the cinema" - | 0:16:09 | 0:16:11 | |
"I like going to the cinema!" | 0:16:11 | 0:16:12 | |
Like, everyone likes going to the cinema, mate. | 0:16:12 | 0:16:14 | |
There he is, Tony Peterson. | 0:16:16 | 0:16:18 | |
"You look hot, baby." | 0:16:18 | 0:16:19 | |
Return the flirting. Um... | 0:16:20 | 0:16:23 | |
I don't even bother with words most of the time, it's a waste of energy. | 0:16:23 | 0:16:26 | |
I just... Emojis. The non-thinking man's words. | 0:16:26 | 0:16:30 | |
Let's just do four random emojis. | 0:16:30 | 0:16:32 | |
Straightaway, "Want to go out?" | 0:16:32 | 0:16:34 | |
Yes, I do, Tony. | 0:16:34 | 0:16:35 | |
I do want to go out with you, but not the way you think, sir. | 0:16:35 | 0:16:39 | |
Maybe... You just basically pick a location for the date. | 0:16:39 | 0:16:42 | |
Cinema would be great. | 0:16:42 | 0:16:43 | |
And then I'll just send the officers round there, | 0:16:43 | 0:16:45 | |
handcuff the guy, in the jail. | 0:16:45 | 0:16:49 | |
And he certainly won't see Emma88. | 0:16:49 | 0:16:51 | |
You are not going to Nando's, Tony. | 0:16:52 | 0:16:54 | |
In the Force, there's no better personification of dedication | 0:16:55 | 0:17:00 | |
than long-standing Volunteer Officer Ken Beattie. | 0:17:00 | 0:17:03 | |
This...! Police! Argh! This is a bust! | 0:17:03 | 0:17:08 | |
Ken is still chasing his dream | 0:17:08 | 0:17:10 | |
of one day becoming an actual police constable. | 0:17:10 | 0:17:14 | |
At this stage, I've lost count of the amount of times I've applied. | 0:17:14 | 0:17:18 | |
You know, um... Got a lot of rejection over the years, but... | 0:17:18 | 0:17:20 | |
..it's my dream, | 0:17:22 | 0:17:23 | |
so I've always kept going with it. | 0:17:23 | 0:17:25 | |
Also, I applied to work at Bargain Warehouse just as a backup. | 0:17:25 | 0:17:31 | |
"Thank you for attending the recent interview for Store Assistant. | 0:17:31 | 0:17:35 | |
"Regret to inform you that, after careful consideration, | 0:17:35 | 0:17:38 | |
"you're no longer being considered." | 0:17:38 | 0:17:40 | |
Bargain Warehouse didn't want me. | 0:17:44 | 0:17:47 | |
Andrew Turley works at that Bargain Warehouse, | 0:17:49 | 0:17:52 | |
and let me tell you about Andrew Turley, | 0:17:52 | 0:17:54 | |
OK? He once took a jobbie in the playground. | 0:17:54 | 0:17:57 | |
His mum eats soap. | 0:17:57 | 0:17:58 | |
Now he's serving people and I can't. | 0:17:58 | 0:18:00 | |
Very next day, I received my letter from the police. | 0:18:02 | 0:18:06 | |
And I was... Opened it, and I thought, | 0:18:08 | 0:18:10 | |
"If Bargain Warehouse don't want me, | 0:18:10 | 0:18:12 | |
"there's no way the police want me." | 0:18:12 | 0:18:14 | |
But they did! Ha-ha! | 0:18:14 | 0:18:16 | |
I'm a real policeman! | 0:18:16 | 0:18:18 | |
Finally! Eh?! | 0:18:18 | 0:18:20 | |
Police Constable Ken Beattie. | 0:18:22 | 0:18:25 | |
Ever since I was a wee boy, | 0:18:28 | 0:18:30 | |
all I ever wanted was to be a real policeman... | 0:18:30 | 0:18:32 | |
..and now I am one. | 0:18:34 | 0:18:35 | |
HE SNIFFS | 0:18:35 | 0:18:37 | |
Morning, Hamish. | 0:18:37 | 0:18:39 | |
So, now I'm on two years probationary. | 0:18:39 | 0:18:41 | |
How do I forward it? Do you just come over here, or...? | 0:18:41 | 0:18:44 | |
Er, no. Just press transfer. | 0:18:44 | 0:18:46 | |
Transfer. | 0:18:46 | 0:18:47 | |
You've got an image in your mind | 0:18:47 | 0:18:49 | |
of what you think it's going to be like. | 0:18:49 | 0:18:51 | |
And how do you put it on hold, Hamish? Is there a...? | 0:18:51 | 0:18:54 | |
-Sorry. -You just hit hold. | 0:18:54 | 0:18:55 | |
But it's even a million times better than that. | 0:18:55 | 0:18:58 | |
-Hold, transfer... -DISCONNECT TONE | 0:18:58 | 0:19:01 | |
..and then I can... | 0:19:01 | 0:19:03 | |
I've not pressed hold. | 0:19:03 | 0:19:04 | |
Hello? | 0:19:05 | 0:19:06 | |
You know, and essentially what I'm doing now, | 0:19:06 | 0:19:08 | |
I'm just like a volunteer officer. | 0:19:08 | 0:19:10 | |
Excuse me, young lady. | 0:19:10 | 0:19:12 | |
Do you mind putting that in the bin, please? | 0:19:12 | 0:19:13 | |
Except I actually get paid, and people listen to me. | 0:19:13 | 0:19:16 | |
This was my dream job, and it always has been. | 0:19:18 | 0:19:22 | |
I-I can't tell you how happy it makes me, you know? | 0:19:22 | 0:19:24 | |
I run into work, skipping and jumping. | 0:19:24 | 0:19:27 | |
Not literally, because that would look weird, | 0:19:27 | 0:19:30 | |
a real policeman skipping into work. | 0:19:30 | 0:19:33 | |
But every day, in my head... | 0:19:34 | 0:19:36 | |
..I am skipping. | 0:19:38 | 0:19:40 | |
When collecting clues to crack the toughest cases, | 0:19:41 | 0:19:45 | |
the Scottish Police Force counts on the detectives | 0:19:45 | 0:19:48 | |
of its Criminal Investigation Department. | 0:19:48 | 0:19:51 | |
-I'm DC Squire. -I'm DC McGill. | 0:19:51 | 0:19:53 | |
These sleuths unearth the truths. | 0:19:53 | 0:19:56 | |
-Is that the McGann case files? -That's them, yeah. -Thanks. | 0:19:56 | 0:19:58 | |
He never looks at me. | 0:19:58 | 0:20:00 | |
And as DC Andrea McGill is learning from her partner, Megan Squire, | 0:20:00 | 0:20:05 | |
it's a steep learning curve as you wise up to being streetwise. | 0:20:05 | 0:20:10 | |
I think what I've learned from DC Squire can't actually be taught. | 0:20:10 | 0:20:13 | |
It's something that I think you learn on the job, | 0:20:13 | 0:20:15 | |
and that's people skills. | 0:20:15 | 0:20:16 | |
I'm just going to record the interview | 0:20:16 | 0:20:18 | |
for the purpose of the tape. | 0:20:18 | 0:20:20 | |
Just to remind you once more, you are under caution. | 0:20:20 | 0:20:22 | |
This suspect was brought in, he was found at a raid, from... | 0:20:22 | 0:20:25 | |
A lot of stolen goods were found at this warehouse raid. | 0:20:25 | 0:20:28 | |
DC Squire isn't here at the moment, | 0:20:28 | 0:20:30 | |
so I'm just going to start the interview. | 0:20:30 | 0:20:32 | |
Unfortunately, I was actually looking at evidence from that raid, | 0:20:32 | 0:20:34 | |
and McGill had to take the questioning herself. | 0:20:34 | 0:20:37 | |
Could I please take your full name? | 0:20:37 | 0:20:39 | |
-RAPIDLY: -Col'n Bert'm. | 0:20:39 | 0:20:40 | |
Sorry, what? | 0:20:41 | 0:20:43 | |
I says to you - Col'n Bert'm. | 0:20:43 | 0:20:45 | |
I couldn't understand a word he said. | 0:20:45 | 0:20:47 | |
-Col'n Bert'm. -I'm getting... | 0:20:47 | 0:20:50 | |
Col'n Bert'm. | 0:20:50 | 0:20:51 | |
To be fair, McGill was very much up against it, you know? | 0:20:51 | 0:20:54 | |
I managed to get his first name. | 0:20:54 | 0:20:56 | |
Colin... Colin Bear? | 0:20:56 | 0:20:57 | |
Bear?! No, I'm a Cel'ic man. Cel'ic man. | 0:20:57 | 0:21:00 | |
Hail, hail! Cel'ic man. | 0:21:00 | 0:21:02 | |
Let's... Let's just go with Colin for now. | 0:21:02 | 0:21:03 | |
The riverside warehouse on the 19th of March, can I just ask, | 0:21:03 | 0:21:06 | |
first of all, what you were doing there? | 0:21:06 | 0:21:08 | |
'S'like I says, 's'like I says to 'em, | 0:21:08 | 0:21:10 | |
all right, I wun't e'en mean'ta be there la'er. | 0:21:10 | 0:21:12 | |
It was th' start o' it. I was only mean'ta be at th' star', right? | 0:21:12 | 0:21:15 | |
but they's all shoutin' in the text an' all. | 0:21:15 | 0:21:17 | |
It wasnae a text - you know that WhatsApp? | 0:21:17 | 0:21:19 | |
-This was like...high-level bam talk. -Totally. -It was full-on. | 0:21:19 | 0:21:22 | |
SHE GABBLES INCOHERENTLY | 0:21:22 | 0:21:25 | |
-WhatsApp, says like that... -Colin, I'm so sorry. I'm so sorry. | 0:21:25 | 0:21:28 | |
-I was mean'ta be workin'... -I'm going to need to stop you. | 0:21:28 | 0:21:30 | |
Can we just start...? Just a little bit slower? | 0:21:30 | 0:21:32 | |
I'm literally focusing right in on those lips? | 0:21:32 | 0:21:34 | |
-Just start one more time. -Right. Here's the thing, right? | 0:21:34 | 0:21:36 | |
Thing is...can make it. Sa'urdays maist of the time... | 0:21:36 | 0:21:39 | |
And my wee dug, know what I mean? | 0:21:39 | 0:21:41 | |
Wee dug, you know, like a wee Shih-Tzu. | 0:21:41 | 0:21:43 | |
I don't... Have you ever played charades? Charades? | 0:21:44 | 0:21:48 | |
It's like you know how you do the film or the book, or the... | 0:21:48 | 0:21:51 | |
Yeah, need to do two syllables like that. | 0:21:51 | 0:21:53 | |
-Well, you do... -Wee syllable, like that. -Aye. You could. | 0:21:53 | 0:21:55 | |
My uncle can't do that, he's a junkie. | 0:21:55 | 0:21:57 | |
I tried blinking, I tried writing it down, I tried charades. | 0:21:57 | 0:22:00 | |
At one point, I even got him to draw, you know, like, a picture, | 0:22:00 | 0:22:03 | |
like they did on Art Attack, but, unfortunately, | 0:22:03 | 0:22:06 | |
I couldn't get any further. | 0:22:06 | 0:22:07 | |
Hi, there. For the benefit of the tape, | 0:22:07 | 0:22:09 | |
joining the interview is myself, DC Squire. | 0:22:09 | 0:22:11 | |
-Squire, I've had... -With your hands. | 0:22:11 | 0:22:14 | |
I've had a wee... We've had a wee bit of a... | 0:22:14 | 0:22:15 | |
What's the matter? You look rattled. | 0:22:15 | 0:22:17 | |
I'm absolutely... I'm sweating buckets. | 0:22:17 | 0:22:19 | |
He was pretty indecipherable, to be honest. | 0:22:19 | 0:22:21 | |
It was pretty difficult, even for me, | 0:22:21 | 0:22:23 | |
and I'm used to doing it all the time. I'm used to the bam talk. | 0:22:23 | 0:22:25 | |
Right, it's OK. So what's his name? Let's get started. | 0:22:25 | 0:22:28 | |
-Col'n Bert'm. -I've got Colin. | 0:22:28 | 0:22:29 | |
Colin Bertram. | 0:22:29 | 0:22:30 | |
Mm-hm. Age? | 0:22:30 | 0:22:32 | |
HE MUTTERS | 0:22:32 | 0:22:33 | |
25. Smashing. | 0:22:33 | 0:22:35 | |
Now, you know why you're here, Mr Bertram? | 0:22:35 | 0:22:37 | |
You've got this down haven't you, at least? | 0:22:37 | 0:22:38 | |
-I couldn't get further than his name. -Well, | 0:22:38 | 0:22:40 | |
I've been looking at the stolen goods | 0:22:40 | 0:22:42 | |
-we retrieved from the raid that we were at. -Like, | 0:22:42 | 0:22:44 | |
nothin' do wi' me. Thought it was jus' cash in haun'. | 0:22:44 | 0:22:47 | |
That's what we thought. So we'll just put that down here. | 0:22:47 | 0:22:49 | |
How are you getting any of this? | 0:22:49 | 0:22:51 | |
It's just the bam chat. Just tune your ear in. | 0:22:51 | 0:22:53 | |
There is a wee bit of reputation that goes around the station - | 0:22:53 | 0:22:55 | |
she is called the Bam-Whisperer. | 0:22:55 | 0:22:57 | |
It's like a sixth sense, almost. | 0:22:57 | 0:22:59 | |
And who else? Could you give us names of your accomplices? | 0:22:59 | 0:23:01 | |
-Well, my big pal, wi' the WhatsApp, my big pal. -We know him. | 0:23:01 | 0:23:05 | |
-His bra'r, Big Marco... -Who? -Big Marco. -Oh, Big Marco. | 0:23:05 | 0:23:08 | |
-How are you getting anything? -It's his bra'r. -It's... | 0:23:08 | 0:23:10 | |
-It's his bra'r. -His bra'r. -His bra'r. | 0:23:10 | 0:23:12 | |
-It's his bra'r. -His bra'r. | 0:23:12 | 0:23:13 | |
-His what? -His bra'r. Do that. Bra'r. -Bra'r? | 0:23:13 | 0:23:15 | |
Yeah, it's all about learning, it's all about growing, | 0:23:15 | 0:23:17 | |
and we learn the lingo. | 0:23:17 | 0:23:19 | |
It's like when you go to Spain on holiday, | 0:23:19 | 0:23:21 | |
you do a wee bit of homework, | 0:23:21 | 0:23:22 | |
you learn a wee bit of the local lingo, you know? | 0:23:22 | 0:23:24 | |
Your gracias, your buenos noches. | 0:23:24 | 0:23:26 | |
So we learn the Scottish chat. | 0:23:26 | 0:23:27 | |
All right, troops, what's happening? | 0:23:27 | 0:23:29 | |
And when they start to bam us up, we just bang them up. | 0:23:29 | 0:23:33 | |
On the road to hell, | 0:23:34 | 0:23:36 | |
traffic officers Hugh McKirdy and Surjit Singh | 0:23:36 | 0:23:39 | |
are a combination made in heaven. | 0:23:39 | 0:23:42 | |
I think we're a cracking team together. | 0:23:42 | 0:23:44 | |
I would actually compare us a wee bit to a McFlurry. | 0:23:44 | 0:23:47 | |
You know, I'm the, kind of softer, sweeter, smoother, | 0:23:47 | 0:23:49 | |
ice cream part - he's the biscuit bit, the rough, tough, | 0:23:49 | 0:23:51 | |
and harder bit, and once they're mixed together, it's absolutely... | 0:23:51 | 0:23:54 | |
what a combination. Beautiful. | 0:23:54 | 0:23:56 | |
And these ice-cool cops get whipped up | 0:23:56 | 0:23:59 | |
when they see a driver has whipped out his mobile phone. | 0:23:59 | 0:24:03 | |
Still on it, look. | 0:24:03 | 0:24:04 | |
Sort him out. | 0:24:04 | 0:24:05 | |
My colleague, PC Hugh McKirdy here, | 0:24:05 | 0:24:07 | |
went out to talk to the young gentleman. | 0:24:07 | 0:24:09 | |
Right, sir, I'm going to need to get you to come out of the car. | 0:24:09 | 0:24:11 | |
I know, I know, I know, but, listen, I'm just on hold. | 0:24:11 | 0:24:13 | |
I'm just waiting to see if I'm going to be on the radio. | 0:24:13 | 0:24:16 | |
I don't care. | 0:24:16 | 0:24:17 | |
The driver was reluctant to put his phone down. | 0:24:17 | 0:24:19 | |
It turns out he was waiting to get on the Jeremy B £200 quiz, | 0:24:19 | 0:24:22 | |
and everybody and their dog's talking about it, | 0:24:22 | 0:24:25 | |
and I've actually tried myself to get through and do the quiz. | 0:24:25 | 0:24:28 | |
JEREMY B: Today's lucky caller is Bruce. | 0:24:28 | 0:24:29 | |
Let's hear the first legend. | 0:24:29 | 0:24:31 | |
MUSIC: We Like To Party by The Vengaboys | 0:24:31 | 0:24:35 | |
What are you doing? | 0:24:35 | 0:24:36 | |
It's only Jeremy B, ScotiaFM, for the £200. | 0:24:36 | 0:24:38 | |
JEREMY B: Name the song and the act. | 0:24:38 | 0:24:40 | |
We Like To Party (The Vengabus) by the Vengaboys. | 0:24:40 | 0:24:43 | |
-Correct. -Yes! -Well done, mate. | 0:24:43 | 0:24:45 | |
Naturally, when the questions began to be asked, | 0:24:45 | 0:24:48 | |
we were there, and we provided our knowledge on music. | 0:24:48 | 0:24:52 | |
-# Come on, Barbie, let's go party -Ah, ah, ah, yeah | 0:24:52 | 0:24:55 | |
# I'm a Barbie girl in a Barbie world | 0:24:55 | 0:24:59 | |
# Life is plastic... # | 0:24:59 | 0:25:01 | |
JEREMY B: What was the name of the Scandinavian pop combo's | 0:25:01 | 0:25:04 | |
number one follow-up single? | 0:25:04 | 0:25:07 | |
-Oh, um... -Doctor Jones. | 0:25:07 | 0:25:08 | |
Doctor Jones! | 0:25:08 | 0:25:10 | |
Is the correct answer! | 0:25:10 | 0:25:11 | |
Yes! | 0:25:11 | 0:25:12 | |
Let's make things a tiny bit trickier. | 0:25:12 | 0:25:15 | |
Listen to this. | 0:25:15 | 0:25:16 | |
MUSIC: Fight The Power by Public Enemy | 0:25:16 | 0:25:19 | |
# Our freedom of speech is freedom or death | 0:25:19 | 0:25:21 | |
# We've got to fight the power... # | 0:25:21 | 0:25:23 | |
Is this your jam? | 0:25:23 | 0:25:24 | |
# Fight the power! # | 0:25:24 | 0:25:26 | |
Are you into all that? | 0:25:26 | 0:25:27 | |
Fight the power now and again. Yeah. | 0:25:27 | 0:25:29 | |
Which member of Public Enemy is famous for performing onstage | 0:25:29 | 0:25:32 | |
with a great big clock around his neck? | 0:25:32 | 0:25:35 | |
-Flava Flav. -Flava Flav! -I don't know, is it? | 0:25:35 | 0:25:38 | |
That's right! | 0:25:38 | 0:25:39 | |
Whoa-ho! What are you all about? | 0:25:39 | 0:25:40 | |
You knew some of the answers, I knew some of the answers. | 0:25:40 | 0:25:43 | |
# I made up my mind... # | 0:25:43 | 0:25:44 | |
She had a really high beehive and that in the video. | 0:25:44 | 0:25:46 | |
A bit of a team effort. | 0:25:48 | 0:25:49 | |
1997. | 0:25:49 | 0:25:50 | |
Absolutely right! | 0:25:50 | 0:25:51 | |
MUSIC: American Idiot by Green Day | 0:25:51 | 0:25:53 | |
# Can't live... # | 0:25:54 | 0:25:57 | |
-It's a sad one, this. -Aye, it is. It is a sad song. | 0:25:57 | 0:26:00 | |
# Can't live any more... # | 0:26:00 | 0:26:01 | |
DANCE MUSIC PLAYS | 0:26:01 | 0:26:04 | |
-Can you do that? -No. He looks like he's having a seizure. | 0:26:09 | 0:26:12 | |
-Calvin Harris. -Calvin Harris. | 0:26:15 | 0:26:17 | |
That is the one. | 0:26:17 | 0:26:19 | |
It's "I Stop It, You Sing It". | 0:26:19 | 0:26:21 | |
# Anybody find me... # | 0:26:21 | 0:26:27 | |
# Somebody to lo-o-o-o-o-o-o-ove! # | 0:26:27 | 0:26:34 | |
Well done! You are indeed a pop legend. | 0:26:34 | 0:26:38 | |
THEY CHEER | 0:26:38 | 0:26:39 | |
Well done. Well done. | 0:26:39 | 0:26:41 | |
A prize of 200 smackeroonies. | 0:26:41 | 0:26:43 | |
Yes, well done. | 0:26:43 | 0:26:45 | |
He actually won the £200. | 0:26:45 | 0:26:46 | |
-Congratulations. Congratulations. -Oh, wow, thank you. | 0:26:46 | 0:26:49 | |
Congratulations, old boy. | 0:26:49 | 0:26:50 | |
Actually, we were delighted for the guy. | 0:26:50 | 0:26:51 | |
That's what people like to see, is the police helping the community, | 0:26:51 | 0:26:54 | |
-and that's what it was, it was unity in the community. -There you go. | 0:26:54 | 0:26:57 | |
-Unity in the community. Team! -Aye, indeed. Team! -Boom! -Boom! | 0:26:57 | 0:27:00 | |
-I need to get you in the back of the car. -Aye. -How? | 0:27:00 | 0:27:03 | |
As soon as the show was over, we were back to business. | 0:27:03 | 0:27:07 | |
-Lovely moment, but we need to go discuss it. -Yeah, please. | 0:27:07 | 0:27:09 | |
Oh, you're joking. | 0:27:09 | 0:27:10 | |
And he had his day in court, and, at the end of the day, | 0:27:10 | 0:27:13 | |
it all balanced out because his fine was £200. | 0:27:13 | 0:27:17 | |
I've got in my hand here, a letter from a human rights campaigner. | 0:27:17 | 0:27:20 | |
And, er... Objecting to the force's use of Tasers | 0:27:20 | 0:27:23 | |
in the fight against crime. There you go, right there. | 0:27:23 | 0:27:26 | |
Well, I'm afraid the Taser is an integral part of the police force. | 0:27:26 | 0:27:30 | |
But, no, they're very vocal. | 0:27:30 | 0:27:32 | |
"We don't like this, human rights," etc, etc, you know? | 0:27:32 | 0:27:36 | |
I tell you, they're not so vocal when someone breaks into their place | 0:27:36 | 0:27:39 | |
and takes a dump in their Aga. | 0:27:39 | 0:27:41 | |
What you've got to do with these people, | 0:27:41 | 0:27:42 | |
you've got to call their bluff. | 0:27:42 | 0:27:44 | |
I'm about to be tasered, to prove once and for all | 0:27:44 | 0:27:47 | |
that being tasered is safe, and the pain is brief and momentary. | 0:27:47 | 0:27:52 | |
In your own time. | 0:27:54 | 0:27:55 | |
-ELECTRICAL ZAPPING -Argh, you -BLEEP! | 0:27:56 | 0:27:59 | |
-Ow! -BLEEP! | 0:27:59 | 0:28:01 | |
-Argh! Argh! -BLEEP! | 0:28:01 | 0:28:04 | |
-Oh, -BLEEP! | 0:28:04 | 0:28:06 | |
-Oh, my -BLEEP! -My -BLEEP's -on fire! | 0:28:06 | 0:28:10 | |
Make it stop! Make it stop! | 0:28:10 | 0:28:12 | |
-BREATHLESSLY: -Right, I hope that's... | 0:28:12 | 0:28:15 | |
..finally put this nonsense to bed. | 0:28:15 | 0:28:17 | |
It's perfectly safe, getting tasered. | 0:28:18 | 0:28:22 | |
Still a wee bit wobbly. I think it's low blood sugar more than anything. | 0:28:22 | 0:28:25 | |
Jean? | 0:28:26 | 0:28:28 | |
Jean, have you still got the Christmas Quality Street? | 0:28:28 | 0:28:31 |