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Coming up... a driver in a panic. | 0:00:02 | 0:00:05 | |
Can you step out of the vehicle, please? | 0:00:05 | 0:00:06 | |
Don't know how to turn the thing off yet. | 0:00:06 | 0:00:08 | |
A mother in a tizzy. | 0:00:08 | 0:00:10 | |
What is it? What is it, what's wrong? | 0:00:10 | 0:00:11 | |
It's my wee boy, he's fallen over. He can't get up. | 0:00:11 | 0:00:13 | |
OK. Look at me. Look at me. | 0:00:13 | 0:00:15 | |
And a VIP goes Triple X. | 0:00:15 | 0:00:19 | |
-Hey! Roy! -I have looked all over the place for you. | 0:00:19 | 0:00:22 | |
If crime is society's sickness, then the Scottish Police Force | 0:00:22 | 0:00:27 | |
are the miracle cure, nailing villains with justice's hammer | 0:00:27 | 0:00:31 | |
and locking the rogues in Her Majesty's slammer. | 0:00:31 | 0:00:34 | |
My Uncle Jimmy's still in the jail because of you. | 0:00:34 | 0:00:37 | |
Aye, is that right, Daniel? | 0:00:37 | 0:00:38 | |
You'll be in there before you know it an' all. | 0:00:38 | 0:00:40 | |
This is...Scot Squad! | 0:00:40 | 0:00:42 | |
When it comes to how Scotland perceives its police force, | 0:00:53 | 0:00:57 | |
not even Chief Commissioner Cameron Miekelson can | 0:00:57 | 0:01:00 | |
keep 100% of Scots happy, 100% of the time. | 0:01:00 | 0:01:06 | |
You can't have a police force peopled entirely of officers | 0:01:06 | 0:01:09 | |
who look like me, however attractive that might sound. | 0:01:09 | 0:01:12 | |
The big man manfully mans up to his man-sized task. | 0:01:12 | 0:01:17 | |
So, the crime figures are tumbling... | 0:01:17 | 0:01:19 | |
-CHANTING: -Chief, Chief, Chief! Out, out, out! | 0:01:19 | 0:01:21 | |
Chief, Chief, Chief! Out, out, out! | 0:01:21 | 0:01:23 | |
I'm sorry. Can you still hear me? This is... | 0:01:23 | 0:01:24 | |
They're not back, are they? Ah, here we go. | 0:01:24 | 0:01:27 | |
I'm the target of the women's protest people. | 0:01:27 | 0:01:31 | |
All because of an interview I gave to the press. | 0:01:32 | 0:01:34 | |
You probably saw it. | 0:01:34 | 0:01:35 | |
Big headline, "There will never be a woman chief - not on my watch," | 0:01:35 | 0:01:39 | |
that's what they're saying I said. | 0:01:39 | 0:01:41 | |
I did say it, but completely taken out of context. | 0:01:41 | 0:01:45 | |
What I meant was, I'm the chief, you know? | 0:01:45 | 0:01:49 | |
There can't be a woman chief on my watch, | 0:01:49 | 0:01:52 | |
because I'm already the chief, the position is taken. | 0:01:52 | 0:01:55 | |
Now, back in the day, you know, it'd just be a wee placard | 0:01:55 | 0:01:58 | |
and you could bang someone up because they smelled of grass. | 0:01:58 | 0:02:01 | |
But, no, now, they all know their rights. | 0:02:01 | 0:02:04 | |
Which is a good thing, don't get me wrong. | 0:02:04 | 0:02:06 | |
People should know their rights. | 0:02:06 | 0:02:07 | |
It just makes our job a lot harder. | 0:02:07 | 0:02:10 | |
I don't know. | 0:02:10 | 0:02:11 | |
I mean, it's as Voltaire said, | 0:02:11 | 0:02:13 | |
"I may not agree with what you're saying, but I will die | 0:02:13 | 0:02:16 | |
"defending your right to say it," | 0:02:16 | 0:02:18 | |
but I would just prefer if you said it about | 0:02:18 | 0:02:20 | |
ten miles out of town and you don't mind getting kettled, you know? | 0:02:20 | 0:02:25 | |
Once I'm dead, then you can have your women's chief. | 0:02:25 | 0:02:27 | |
From the M9 to the B817, | 0:02:28 | 0:02:32 | |
the Scottish Police Force ensures that Scotland's road users | 0:02:32 | 0:02:36 | |
get from A to B without a trip to A&E. | 0:02:36 | 0:02:40 | |
Nice feet for a guy, actually. | 0:02:40 | 0:02:41 | |
And that's the MO of PCs Hugh McKirdy and Surjit Singh. | 0:02:41 | 0:02:46 | |
People try and pull all sorts of things to try | 0:02:46 | 0:02:49 | |
and get out of getting points on their licence. | 0:02:49 | 0:02:52 | |
We had a couple speeding down the street, so we pulled them over. | 0:02:52 | 0:02:56 | |
Wrong window, sir. The front one, please. | 0:02:57 | 0:03:00 | |
-Thank you very much. -Officer? | 0:03:00 | 0:03:01 | |
Almost immediately, I noticed that something was a little bit off. | 0:03:01 | 0:03:05 | |
-Can you step out of the vehicle? -CAR HORN BEEPS | 0:03:05 | 0:03:07 | |
-Yeah, no problem. -ENGINE REVS | 0:03:07 | 0:03:09 | |
New car, I don't know how to turn the thing off yet. | 0:03:09 | 0:03:12 | |
-OK. Could you switch the engine off, please? -Yeah, sure. | 0:03:12 | 0:03:14 | |
CAR HORN BEEPS | 0:03:14 | 0:03:15 | |
Do you want to come over to the side? Thank you very much. | 0:03:15 | 0:03:18 | |
I start questioning him, you know, | 0:03:18 | 0:03:20 | |
he's a little bit wobbly, shall we say? | 0:03:20 | 0:03:23 | |
Yes. Are you feeling OK, sir? | 0:03:23 | 0:03:25 | |
-Absolutely fine. -Are you sure? -Yes. | 0:03:25 | 0:03:27 | |
You seem a little bit erratic there. | 0:03:27 | 0:03:28 | |
-How are you? -I'm good. I'm good. | 0:03:28 | 0:03:31 | |
That's when I asked my colleague, PC Hugh McKirdy here, | 0:03:31 | 0:03:34 | |
to bring out the breathalysers. | 0:03:34 | 0:03:36 | |
Just going to ask you to provide a specimen of breath. | 0:03:36 | 0:03:39 | |
-Just hold that for me a second. -No worries. | 0:03:39 | 0:03:41 | |
No, no, that's not the breathalyser. | 0:03:41 | 0:03:43 | |
-Oh, I think there's just a bit of dust in there. -Cheers. Thank you. | 0:03:43 | 0:03:46 | |
Just breathe in and go as fast as you can, OK? | 0:03:46 | 0:03:49 | |
-Keep blowing. -Keep blowing, keep blowing, keep blowing. | 0:03:49 | 0:03:51 | |
-It seems to be... -Zero. -Then I'll be off. | 0:03:51 | 0:03:53 | |
He takes the test, comes up negative, | 0:03:53 | 0:03:55 | |
and something clicks in my mind. | 0:03:55 | 0:03:57 | |
-You know, I'm a smart wee cookie now and again. -Mm-hm. | 0:03:57 | 0:03:59 | |
There's a sign down that road. | 0:03:59 | 0:04:01 | |
Could you just read that for me, please? | 0:04:01 | 0:04:03 | |
Tanning shop. | 0:04:03 | 0:04:04 | |
-The other side, sir. Cool. -That one. -Yeah. | 0:04:04 | 0:04:07 | |
Train station. | 0:04:07 | 0:04:09 | |
-What? -OK. I'm just going to have a chat with your... | 0:04:10 | 0:04:14 | |
-Is that your missus in there? -That's my wife, yeah. | 0:04:14 | 0:04:16 | |
Right, OK. I'll just have a chat with her. | 0:04:16 | 0:04:18 | |
If I ask you a question, if I ask you what that sign says, | 0:04:18 | 0:04:21 | |
and you look down that way, I know something's up. | 0:04:21 | 0:04:23 | |
So, sir, I've just found this in your car. | 0:04:23 | 0:04:26 | |
-It's a white stick. That's yours? -That's my... | 0:04:26 | 0:04:28 | |
-That's your missus's? -That's my wife's. | 0:04:28 | 0:04:29 | |
Sir, how many fingers am I actually holding up? | 0:04:29 | 0:04:33 | |
-Eh, three. -I'm not holding up any. | 0:04:33 | 0:04:35 | |
Are you blind? | 0:04:37 | 0:04:39 | |
Eh...yeah. | 0:04:39 | 0:04:42 | |
I can understand why he's obviously speeding up a wee bit | 0:04:42 | 0:04:44 | |
when he's driving the motor. Can't read the signs. | 0:04:44 | 0:04:47 | |
He wasn't driving, Hugh. | 0:04:47 | 0:04:49 | |
-What? -She was driving. | 0:04:49 | 0:04:51 | |
But... | 0:04:51 | 0:04:53 | |
His wife had been driving, but she had nine points on her licence. | 0:04:53 | 0:04:57 | |
Any more, that's it, her licence gone. | 0:04:57 | 0:05:01 | |
When we pulled them over, they switched seats. | 0:05:01 | 0:05:04 | |
Do me a favour, right? See this? | 0:05:04 | 0:05:06 | |
This is the only reason I can get a bird like that, right? | 0:05:06 | 0:05:09 | |
The blue badge. She loses the licence, | 0:05:09 | 0:05:12 | |
she loses the badge, she loses her parking, | 0:05:12 | 0:05:14 | |
I lose my bird. | 0:05:14 | 0:05:16 | |
She just wants that badge? What is it for? | 0:05:16 | 0:05:18 | |
So she can park up and go to her shops? | 0:05:18 | 0:05:20 | |
She can park... honestly, man, so close. | 0:05:20 | 0:05:22 | |
What about theme parks? Is she always getting up front? | 0:05:22 | 0:05:24 | |
Front of the queue, mate. Front of the queue. | 0:05:24 | 0:05:26 | |
-She doesn't... -We did Alton Towers in two hours. -What?! | 0:05:26 | 0:05:29 | |
I mean, both of them were stupid. I mean... | 0:05:29 | 0:05:31 | |
A blind man driving? I mean, I never saw that one coming. | 0:05:31 | 0:05:34 | |
He wasn't driving, though. | 0:05:36 | 0:05:38 | |
Oh, I keep forgetting he wasn't actually driving, was he? | 0:05:38 | 0:05:41 | |
-She was driving and they switched seats. -Aye, I know. | 0:05:41 | 0:05:43 | |
The cops dish out the penalty points, and what do points make? | 0:05:43 | 0:05:48 | |
Disqualification! | 0:05:48 | 0:05:50 | |
Meanwhile, Karen Ann Millar stands solitary at her station, | 0:05:51 | 0:05:56 | |
keeping watch on the prairie and answering the call of the wild. | 0:05:56 | 0:06:00 | |
As the desk sergeant, | 0:06:02 | 0:06:03 | |
I no longer work with a partner, | 0:06:03 | 0:06:04 | |
I'm very much a lone wolf. | 0:06:04 | 0:06:06 | |
A lone she-wolf. | 0:06:06 | 0:06:07 | |
Have you got any peanut butter? | 0:06:07 | 0:06:10 | |
A wolf of solitariness. | 0:06:10 | 0:06:12 | |
I'm getting the smell of jobbie away, Officer Karen. | 0:06:12 | 0:06:15 | |
And, sometimes, this lone wolf could stand a bit more lone. | 0:06:15 | 0:06:19 | |
All right, Officer Karen? | 0:06:22 | 0:06:24 | |
Hello, Bobby, what can I do for you? | 0:06:24 | 0:06:26 | |
I hope I'm not too late. | 0:06:26 | 0:06:27 | |
What is it you're after? | 0:06:29 | 0:06:30 | |
It's to vote. | 0:06:30 | 0:06:32 | |
-Right. -And it says go down to the station. | 0:06:32 | 0:06:35 | |
Yeah, Bobby, it's to the polling station. This is the police station. | 0:06:35 | 0:06:40 | |
Is it not the same thing, but? It's the government, isn't it? | 0:06:40 | 0:06:44 | |
See there, where it says you need to go up to the school? Right? | 0:06:44 | 0:06:47 | |
And then on the card there, it'll have a number, | 0:06:47 | 0:06:49 | |
it'll tell you which of the booths you go into, | 0:06:49 | 0:06:51 | |
and then you just go in and cast your vote in there, OK? | 0:06:51 | 0:06:53 | |
-It's in the school? -Yeah. | 0:06:53 | 0:06:55 | |
Are kids allowed to vote? | 0:06:55 | 0:06:57 | |
No, you make a valid point. | 0:06:58 | 0:07:00 | |
They send them home today, just to prevent that. | 0:07:00 | 0:07:02 | |
If you head up just now and just go in, | 0:07:02 | 0:07:04 | |
there'll be people there, they'll show you where to go, | 0:07:04 | 0:07:06 | |
and you just make your vote and that's you done. | 0:07:06 | 0:07:08 | |
-And I vote for who I like? -Yeah, it's entirely up to you. | 0:07:08 | 0:07:11 | |
That's what democracy is all about, | 0:07:11 | 0:07:13 | |
you get to decide who's going to be in charge. | 0:07:13 | 0:07:15 | |
Number one, obviously, would be Wesley Snipes. | 0:07:15 | 0:07:19 | |
You know, the guy out of Blade? | 0:07:21 | 0:07:23 | |
Yeah, I'm sure he would be very helpful in certain, | 0:07:23 | 0:07:26 | |
very specific circumstances, | 0:07:26 | 0:07:27 | |
but I don't know how good he's going to be at getting the bins out. | 0:07:27 | 0:07:31 | |
Number two... | 0:07:31 | 0:07:32 | |
Ainsley Harriot. | 0:07:32 | 0:07:35 | |
The TV cook. | 0:07:36 | 0:07:38 | |
I'm aware of his oeuvre, yeah. | 0:07:38 | 0:07:41 | |
He seems dead happy. | 0:07:41 | 0:07:42 | |
He looks like a lovely person. | 0:07:42 | 0:07:44 | |
Plus, if he was running the country, the foodbanks would be amazing. | 0:07:44 | 0:07:48 | |
I think, really, you're more supposed to go and get your polling | 0:07:48 | 0:07:52 | |
card and pick from the people who are standing in your area. | 0:07:52 | 0:07:56 | |
-I've got the power. -You have got the power, Bobby. | 0:07:56 | 0:07:58 | |
This is like a golden ticket. I've got the golden ticket. | 0:07:58 | 0:08:01 | |
Charlie And The Chocolate Factory. | 0:08:01 | 0:08:03 | |
-But as politics. -Yeah. | 0:08:03 | 0:08:06 | |
Keep the pen, because I'm absolutely buzzing for democracy. Am I right? | 0:08:06 | 0:08:11 | |
See you later, Officer Karen. | 0:08:11 | 0:08:13 | |
In today's Scotland, | 0:08:14 | 0:08:16 | |
very important people often mingle with normal people. | 0:08:16 | 0:08:19 | |
These VIPs are guaranteed an extra special welcome from the Scot Squad. | 0:08:19 | 0:08:26 | |
Ray McCoy is the special ops cop for the elite protection unit. | 0:08:26 | 0:08:31 | |
My name's Ray and I'll be saving your life today. | 0:08:31 | 0:08:34 | |
When Ray puts his best foot forward, he's got your back. | 0:08:34 | 0:08:38 | |
It's a pretty exciting job. | 0:08:38 | 0:08:40 | |
The training is almost as important as anything we'll do outside, | 0:08:40 | 0:08:43 | |
because we've got to be ready, we've got to be fighting fit. | 0:08:43 | 0:08:46 | |
The recent training we've been doing has been about... | 0:08:46 | 0:08:48 | |
I could say a very important person. | 0:08:48 | 0:08:50 | |
I mean, when it comes to Scotland, politics, | 0:08:50 | 0:08:53 | |
it's sort of as high as you can get. | 0:08:53 | 0:08:56 | |
I mean, I can't name her. Or him. | 0:08:56 | 0:08:58 | |
Eyes peeled, people. | 0:08:58 | 0:09:00 | |
You don't know where those threats are going to come from, | 0:09:00 | 0:09:02 | |
so we train using alien masks. Just to make it neutral. | 0:09:02 | 0:09:08 | |
But, of course, you've also got the added benefit of | 0:09:08 | 0:09:10 | |
we're prepared for aliens. | 0:09:10 | 0:09:12 | |
I mean, yes, the chance is minimal, | 0:09:12 | 0:09:14 | |
but minimal isn't zero, | 0:09:14 | 0:09:18 | |
and it's part of my job to think the unthinkable | 0:09:18 | 0:09:20 | |
and unthink the thinkable. | 0:09:20 | 0:09:22 | |
And this is the Monster. | 0:09:22 | 0:09:25 | |
It is fully armoured, bulletproof glass, of course. | 0:09:25 | 0:09:28 | |
All tinted for privacy. | 0:09:28 | 0:09:29 | |
A lot of people do some...well, whatever they want to do in there. | 0:09:29 | 0:09:32 | |
Round at the boot, we've got a full set of overalls for everyone, | 0:09:32 | 0:09:36 | |
can be used as a disguise, but, also, | 0:09:36 | 0:09:38 | |
coupled with that disguise, we've got a carpet. | 0:09:38 | 0:09:41 | |
I cannot tell you how many times I've managed to sneak someone out | 0:09:41 | 0:09:44 | |
of a building, dressed as a workman, with them wrapped in a carpet. | 0:09:44 | 0:09:47 | |
It has literally worked every single time. | 0:09:47 | 0:09:50 | |
Ray has all the tech at his fingertips, | 0:09:50 | 0:09:52 | |
all set to protect his protectees. | 0:09:52 | 0:09:55 | |
MUSICAL CHIMES PLAY | 0:09:55 | 0:09:57 | |
Why are we playing ice cream van music? Confusion. | 0:09:57 | 0:09:59 | |
And one very, very important person, | 0:09:59 | 0:10:02 | |
straddling the cutting edge of technology is the Chief. | 0:10:02 | 0:10:05 | |
One of the big issues is automation, going forward. | 0:10:05 | 0:10:08 | |
Because everything's getting automated. | 0:10:08 | 0:10:10 | |
Your banking, your cars, everything. | 0:10:10 | 0:10:12 | |
So, will the police ultimately be automated, is the question? | 0:10:12 | 0:10:16 | |
And the answer to that is yes, that is coming. | 0:10:16 | 0:10:19 | |
Robot policemen. Now, problem there is, | 0:10:19 | 0:10:22 | |
it's mainly one of perception. | 0:10:22 | 0:10:24 | |
Because, of course, I'm going to be the commander of a robot army, | 0:10:24 | 0:10:29 | |
and that, you know, that gets a wee bit Star Wars-y, you know? | 0:10:29 | 0:10:33 | |
It's just a wee bit dystopian. | 0:10:33 | 0:10:35 | |
Instantly, people get worried. So, perception. | 0:10:35 | 0:10:38 | |
What do we call it? We call it something else. | 0:10:38 | 0:10:40 | |
If you take something like Robocop - positive image, | 0:10:40 | 0:10:43 | |
Braveheart - positive image, | 0:10:43 | 0:10:45 | |
put the two together, you get, say, RoboHeart. | 0:10:45 | 0:10:48 | |
Now, suddenly, even your eyes lit up, | 0:10:48 | 0:10:50 | |
I could see that you're thinking, "Oh, yeah, that's OK." | 0:10:50 | 0:10:53 | |
"I've been burgled, call for RoboHeart." | 0:10:53 | 0:10:55 | |
Round he comes, everybody's happy. | 0:10:55 | 0:10:57 | |
Might even have ones with blue faces, wee bit of hair coming in. | 0:10:57 | 0:11:02 | |
And we can't be too far away from being able to take | 0:11:02 | 0:11:06 | |
all my knowledge and experience out of my brain | 0:11:06 | 0:11:10 | |
and download it onto a mainframe computer and preserve it forever. | 0:11:10 | 0:11:14 | |
My brain and my soul, my very essence, | 0:11:15 | 0:11:18 | |
so that I would be commander for all eternity, you know? | 0:11:18 | 0:11:23 | |
Now, is that dystopian, or is that just brilliant? | 0:11:23 | 0:11:28 | |
In the city, urban cops Sarah Fletcher and Jack McLaren | 0:11:29 | 0:11:33 | |
make an arresting sight on the streets. | 0:11:33 | 0:11:37 | |
I think the police uniform does look good. | 0:11:37 | 0:11:38 | |
Then, ie, I make it look good. | 0:11:38 | 0:11:41 | |
Ie, feel sorry for the police officers that don't have the ability | 0:11:41 | 0:11:45 | |
to make that uniform look good. | 0:11:45 | 0:11:47 | |
To protect all and serve all is what they are all about. | 0:11:47 | 0:11:52 | |
Irrespective of who you are, what you are, | 0:11:52 | 0:11:54 | |
it's our job to win hearts and minds in the community. | 0:11:54 | 0:11:57 | |
It doesn't matter your race, colour, creed, | 0:11:57 | 0:12:01 | |
we're there to help, you know? | 0:12:01 | 0:12:03 | |
Particularly if they're attractive looking women, in Jack's case. | 0:12:03 | 0:12:06 | |
Not especially, but obviously it doesn't matter | 0:12:06 | 0:12:08 | |
if you're ugly or average looking, I'll still help you, | 0:12:08 | 0:12:11 | |
but attractive looking women pay their taxes like everyone else. | 0:12:11 | 0:12:14 | |
You need to come and help me! It's my wee boy. | 0:12:14 | 0:12:16 | |
-What's wrong? -He's fallen over, he can't get up. | 0:12:16 | 0:12:18 | |
-Is he conscious? -Yes, he is. | 0:12:18 | 0:12:19 | |
He's twisted his leg and he can't get up. | 0:12:19 | 0:12:21 | |
It's OK. OK, OK. | 0:12:21 | 0:12:23 | |
My wee boy's fallen and twisted his leg and he can't get up and... | 0:12:23 | 0:12:25 | |
-OK. He's hurt his leg. Right, OK. OK. -We'll get the paramedics. | 0:12:25 | 0:12:28 | |
-Look at me. Everything will be all right. -Oh, good. | 0:12:28 | 0:12:30 | |
We're here to help. That's what you pay your taxes for. | 0:12:30 | 0:12:32 | |
The wee boy has hurt himself, I'll lift him up... | 0:12:32 | 0:12:34 | |
-Let's get the paramedics. -We'll take him to the medical centre. It'll be much quicker. | 0:12:34 | 0:12:38 | |
-You do look strong, so that's good. -Deceptively strong. | 0:12:38 | 0:12:41 | |
I'm so glad I found you, because I didn't know what to do | 0:12:41 | 0:12:43 | |
-and there's nobody else. -Know what they say about paramedics? | 0:12:43 | 0:12:46 | |
They're not cops, are they? Eh? It's all right, that's our job. | 0:12:46 | 0:12:49 | |
We arrived at the scene to find the lady's son. | 0:12:49 | 0:12:51 | |
-Mum! -The police are here. | 0:12:51 | 0:12:53 | |
The police are going to help you. This is my boy. | 0:12:53 | 0:12:57 | |
Bigger lad. Kind of an adult baby. | 0:12:57 | 0:12:59 | |
He was there, lying in a great deal of pain. | 0:12:59 | 0:13:01 | |
-Where is it sore on your leg? -There. | 0:13:01 | 0:13:03 | |
There. So, you definitely can't stand, then, no? | 0:13:03 | 0:13:06 | |
-No, no, he can't. -No... -So he needs carried. -Absolutely. | 0:13:06 | 0:13:09 | |
I said I would carry him to the health centre, | 0:13:09 | 0:13:11 | |
which was not a problem, I was still obviously willing to do that, | 0:13:11 | 0:13:14 | |
I just had to assess the situation. | 0:13:14 | 0:13:16 | |
I'll get you up, then I'll get you up onto my back, OK? | 0:13:16 | 0:13:18 | |
-OK. -This is Jack. -Jack. | 0:13:18 | 0:13:20 | |
He's a hero. Just pop that back on. | 0:13:20 | 0:13:22 | |
Let's get you to the doctor's, then, OK? 3, 2, 1! | 0:13:22 | 0:13:25 | |
Ah, ah, ah! | 0:13:25 | 0:13:27 | |
Oh, there we go. | 0:13:27 | 0:13:29 | |
Right, so, we're going to go, luckily, up the hill. | 0:13:29 | 0:13:32 | |
It'll just be... Just one foot in front of the other. | 0:13:32 | 0:13:35 | |
Come on, champ. I know. I know how to walk, cheers, Sarah. | 0:13:35 | 0:13:38 | |
Oh, such a relief, honestly. | 0:13:40 | 0:13:41 | |
-I mean, he's strong. -He is strong, yeah. | 0:13:41 | 0:13:44 | |
-Are you all right, Jack? -Aye, good. | 0:13:44 | 0:13:46 | |
He's doing well. He's doing well. | 0:13:46 | 0:13:48 | |
Pretty athletic, I like my sports and my sit-ups and that. | 0:13:48 | 0:13:52 | |
Do you like sports and athletics yourself? | 0:13:52 | 0:13:54 | |
Aye, my husband is an international rugby player, so... | 0:13:54 | 0:13:56 | |
-Your what? -Aye, my husband. -Husband? | 0:13:56 | 0:13:59 | |
Uh-huh. That's where he gets it from, you know? | 0:13:59 | 0:14:01 | |
You never mentioned his dad earlier, but. | 0:14:01 | 0:14:04 | |
No, honestly, it's not a problem. Honestly. It's fine. | 0:14:06 | 0:14:09 | |
Thank you so much. Honestly, I really appreciate it. | 0:14:09 | 0:14:11 | |
-Sarah! Sarah! -Och, no, it's fine. | 0:14:11 | 0:14:14 | |
Oh! | 0:14:14 | 0:14:15 | |
-Sorry, I thought you were fine. -I am fine. | 0:14:15 | 0:14:18 | |
Just worried about the wee man here not being able to get the gate. | 0:14:18 | 0:14:21 | |
-Are you all right there, son? -I'm fine. | 0:14:21 | 0:14:23 | |
-No... -Oh, him? -Aye. -Aye. | 0:14:23 | 0:14:25 | |
We got there in the end and got him to the health centre, | 0:14:34 | 0:14:36 | |
which is all that counts, really. | 0:14:36 | 0:14:38 | |
Jack, on the other hand, | 0:14:38 | 0:14:40 | |
spent a little bit longer in the health centre than the wee boy did. | 0:14:40 | 0:14:45 | |
Well, I sustained a lower back and a mid-back | 0:14:45 | 0:14:48 | |
and a sort of upper back injury. | 0:14:48 | 0:14:50 | |
It's an old injury through cage-fighting, | 0:14:50 | 0:14:52 | |
which I'm quite proficient at. | 0:14:52 | 0:14:54 | |
I think it was absolutely worthwhile helping them. | 0:14:54 | 0:14:56 | |
It's made them feel safer in the community, | 0:14:56 | 0:14:58 | |
and we're there to help as, kind of, first-aiders and heroes. | 0:14:58 | 0:15:02 | |
And there's more heroics on the agenda for Ray McCoy | 0:15:04 | 0:15:08 | |
as he provides TLC for a visiting VIP. | 0:15:08 | 0:15:13 | |
We essentially protect anyone who's important to Scotland. | 0:15:13 | 0:15:16 | |
There's a certain process that you go through | 0:15:16 | 0:15:18 | |
whenever we have these important dignitaries coming over, | 0:15:18 | 0:15:21 | |
so, for instance, I have to vet the hotel, the staff have to be vetted. | 0:15:21 | 0:15:24 | |
Large window... | 0:15:24 | 0:15:26 | |
Then I have to go into the rooms, | 0:15:26 | 0:15:27 | |
make sure that there's nothing untoward there. | 0:15:27 | 0:15:30 | |
Of course, you've got to strip a bed. | 0:15:30 | 0:15:32 | |
Stripping a bed, not hard. | 0:15:32 | 0:15:34 | |
Making a bed, however, 12-and-a-half seconds, boom, bed is remade. | 0:15:34 | 0:15:38 | |
Hospital corners, the lot. You want a little chocolate | 0:15:38 | 0:15:41 | |
on your pillow? I'm your man. | 0:15:41 | 0:15:42 | |
We are predominantly a plain clothes division, | 0:15:42 | 0:15:45 | |
and, so, our uniform is whatever it needs to be that day. | 0:15:45 | 0:15:48 | |
An example would be when the Pope was visiting, | 0:15:48 | 0:15:50 | |
a lot of people would think, | 0:15:50 | 0:15:52 | |
"Well, if you're going to disguise yourself with the Pope, | 0:15:52 | 0:15:54 | |
"where do you go? Priest? Cardinal?" | 0:15:54 | 0:15:57 | |
No. Nun. | 0:15:57 | 0:15:59 | |
I had to learn Latin for that job. | 0:15:59 | 0:16:02 | |
We just had the Deputy Prime Minister of the Netherlands over. | 0:16:02 | 0:16:04 | |
-Hello. -Pleasure, Mr Deputy Prime Minister. | 0:16:04 | 0:16:07 | |
It's always nice to have our cousins from the Continent over to visit us. | 0:16:07 | 0:16:10 | |
He wanted to ride a bike. It's a very Dutch thing to do. | 0:16:10 | 0:16:12 | |
That's fine, of course we'll facilitate that. | 0:16:12 | 0:16:15 | |
Ah, here we go! You got the bikes! Excellent. Of course, great stuff. | 0:16:15 | 0:16:19 | |
OK, we're going to go for a bike ride, | 0:16:19 | 0:16:20 | |
I think it's a good thing. Reduce the carbon footprint. | 0:16:20 | 0:16:23 | |
Come on, now! See if you can keep up with me, Roy. | 0:16:23 | 0:16:25 | |
We...paramount, want him to be safe. | 0:16:25 | 0:16:27 | |
I'll ride next to him at all times on the bike. | 0:16:27 | 0:16:29 | |
We've also got a team behind us, who will be following us. | 0:16:29 | 0:16:32 | |
I see you've got a nice bike there, Roy. | 0:16:32 | 0:16:35 | |
I like your bike. Do you know what? Let's swap around. | 0:16:35 | 0:16:37 | |
This is a better bike. I like this bike. | 0:16:37 | 0:16:40 | |
It's always important, you know, to take what you want. | 0:16:40 | 0:16:42 | |
And this is actually much smaller, I'm going to go for that bike again. | 0:16:42 | 0:16:45 | |
This is much too small. | 0:16:45 | 0:16:47 | |
People have quirks. | 0:16:47 | 0:16:48 | |
So, each time I'm protecting someone, I'm given a package, | 0:16:48 | 0:16:51 | |
and in that, it's got a briefing | 0:16:51 | 0:16:53 | |
about the things they may and may not want to do. | 0:16:53 | 0:16:55 | |
For instance, the Deputy Prime Minister's had, | 0:16:55 | 0:16:57 | |
"I would like to ride a bike." Fine. | 0:16:57 | 0:16:59 | |
What it didn't mention is that the man has | 0:16:59 | 0:17:01 | |
an insatiable need for strippers. | 0:17:01 | 0:17:04 | |
From the people of the Netherlands to the noble people of Scotland... | 0:17:04 | 0:17:07 | |
From the people of the Netherlands to the noble people of Scotland... | 0:17:07 | 0:17:11 | |
From the people of the Netherlands to the noble people of Scotland... | 0:17:11 | 0:17:14 | |
Herr Struber? Are you all right? | 0:17:14 | 0:17:16 | |
Are you ready? Are you decent? | 0:17:16 | 0:17:18 | |
..Scotland. Scotland. Scotland. Scotland... | 0:17:18 | 0:17:20 | |
Or even in here? | 0:17:20 | 0:17:22 | |
He managed to trick me with a tape recording | 0:17:22 | 0:17:24 | |
of his voice on a Dictaphone. | 0:17:24 | 0:17:26 | |
Bollocks! | 0:17:26 | 0:17:27 | |
He then scaled out of a four-storey window | 0:17:27 | 0:17:30 | |
and ran off to the nearest strip club that he could find. | 0:17:30 | 0:17:32 | |
You better start checking out the local haunts. | 0:17:32 | 0:17:35 | |
Not ideal. | 0:17:35 | 0:17:36 | |
We tracked him down, though. | 0:17:37 | 0:17:38 | |
He was enjoying himself. | 0:17:38 | 0:17:40 | |
-You! -Hey! Roy! -I have looked all over the place for you. | 0:17:40 | 0:17:44 | |
Drinks for Roy! | 0:17:44 | 0:17:45 | |
-There are no drinks. -Drinks for Roy. | 0:17:45 | 0:17:47 | |
-Don't get drinks for me. -On the Netherlands government. | 0:17:47 | 0:17:50 | |
No, the Netherlands government has already texted me about this. | 0:17:50 | 0:17:54 | |
I'm terribly sorry. | 0:17:54 | 0:17:55 | |
No, don't take them away. I'm just doing electioneering. | 0:17:55 | 0:17:58 | |
After a bit of a discussion, I think | 0:17:58 | 0:18:01 | |
he came round to understanding why his need for safety was so... | 0:18:01 | 0:18:05 | |
I mean, I did slap him, | 0:18:05 | 0:18:07 | |
but I think after that, he got the idea that safety is paramount. | 0:18:07 | 0:18:12 | |
Show's over for Strubers. | 0:18:12 | 0:18:14 | |
The bodyguard protects his body from the most dangerous body | 0:18:14 | 0:18:19 | |
of them all - himself. | 0:18:19 | 0:18:21 | |
Out on the roads, Singh and McKirdy battle slashed budgets, | 0:18:23 | 0:18:27 | |
doing much more with much less, much more better. | 0:18:27 | 0:18:32 | |
It's no secret. There is budget cuts within the police. | 0:18:32 | 0:18:35 | |
Back in the day, our police cars were maintained weekly, | 0:18:35 | 0:18:38 | |
and we're finding it a lot more difficult to try | 0:18:38 | 0:18:40 | |
and keep on top of the police cars. | 0:18:40 | 0:18:42 | |
Mind that I've got that jam set for my mum's birthday, in there, | 0:18:42 | 0:18:45 | |
in that glove compartment. | 0:18:45 | 0:18:47 | |
Oh, no...! | 0:18:47 | 0:18:49 | |
-Mate, you know it's... The latch doesn't work. -I forgot! | 0:18:49 | 0:18:52 | |
-It's stuck. -Oh, you're kidding me on. | 0:18:52 | 0:18:55 | |
She loves her jams. She loves her jams. | 0:18:57 | 0:18:59 | |
Well, you're going to have to see if you can pry it open again. | 0:18:59 | 0:19:01 | |
The cuts are affecting us every way possible. | 0:19:01 | 0:19:05 | |
-All we need... -It's even affecting my mum's birthday. | 0:19:05 | 0:19:07 | |
That was a great jam. | 0:19:07 | 0:19:09 | |
We're determined to keep the police car on the road, | 0:19:09 | 0:19:11 | |
so, sometimes we need to resort to actually doing it ourselves. | 0:19:11 | 0:19:14 | |
Sticking stuff together with a bit of duct tape. | 0:19:14 | 0:19:16 | |
We MacGyver the car. | 0:19:16 | 0:19:18 | |
R1 to control for registration check. | 0:19:18 | 0:19:20 | |
-RADIO CRACKLES -That's not... | 0:19:20 | 0:19:23 | |
-DISTORTED VOICE ON RADIO -Oh... | 0:19:23 | 0:19:25 | |
Could you stop contacting us through radio just now? | 0:19:25 | 0:19:28 | |
You're failing and it's... winding me up. Over. | 0:19:28 | 0:19:32 | |
Control, it's PC McKirdy here. | 0:19:32 | 0:19:35 | |
Aye, look, the reason why we can't reply | 0:19:35 | 0:19:36 | |
is this radio's still not working right. | 0:19:36 | 0:19:38 | |
Tell them about the glove compartment. | 0:19:38 | 0:19:40 | |
-Aye, well, it's not got to do with the glove... -But it's a complaint. | 0:19:40 | 0:19:43 | |
-My mum's jam's in that glove compartment and I can't get it out. -You don't need to say that. | 0:19:43 | 0:19:46 | |
Like my colleague PC Hugh McKirdy here says, | 0:19:46 | 0:19:49 | |
we might duct tape some things together, just to make sure | 0:19:49 | 0:19:52 | |
that it does hold together properly, and most of the time, that works. | 0:19:52 | 0:19:55 | |
Oh, oh, oh! No! | 0:19:55 | 0:19:58 | |
-Wait! Wait, stop! No, wait. -No, no, no, no. | 0:19:58 | 0:20:00 | |
Turn round. The other way, the other way! | 0:20:00 | 0:20:02 | |
-Oh, come on... -What's going on? What are you doing, man? | 0:20:02 | 0:20:05 | |
Right, you take him in. I'll sort this out. | 0:20:05 | 0:20:07 | |
I mean, we will resort to using various different things | 0:20:07 | 0:20:10 | |
to keep the car on the road. | 0:20:10 | 0:20:12 | |
I mean, I'm not saying we'll use our handcuffs | 0:20:12 | 0:20:14 | |
to hold the exhaust pipe together, | 0:20:14 | 0:20:16 | |
but we'll do anything in our means, anything in our power, | 0:20:16 | 0:20:20 | |
to keep the police car safe and professional looking. | 0:20:20 | 0:20:22 | |
So, I'm off to a Parliamentary Select Committee. | 0:20:25 | 0:20:28 | |
It's Penal Rehabilitation and Education. | 0:20:28 | 0:20:30 | |
It'll be me and a number of charitable foundations. | 0:20:30 | 0:20:34 | |
Just exchanging ideas about how best to reform | 0:20:34 | 0:20:37 | |
and help young offenders, and older offenders, not reoffend. | 0:20:37 | 0:20:41 | |
And... | 0:20:41 | 0:20:42 | |
Jean, is that Barbara Edwards? | 0:20:43 | 0:20:46 | |
Head of that charity. | 0:20:46 | 0:20:48 | |
That's not Barbara, is it? | 0:20:48 | 0:20:49 | |
Barbara Barbara? My Barbara? | 0:20:49 | 0:20:52 | |
It is? | 0:20:52 | 0:20:53 | |
HE EXHALES | 0:20:55 | 0:20:57 | |
Right...looks like we're going to meet my ex-wife. | 0:20:57 | 0:21:00 | |
GENERAL CHATTER | 0:21:02 | 0:21:04 | |
Hello. | 0:21:04 | 0:21:05 | |
Barbara. | 0:21:07 | 0:21:08 | |
Cameron. | 0:21:09 | 0:21:11 | |
Well, nice to see you. | 0:21:11 | 0:21:13 | |
Mm. Oh. | 0:21:13 | 0:21:14 | |
-Yes... -Come on. Come on. | 0:21:14 | 0:21:16 | |
Good. How are you? | 0:21:16 | 0:21:19 | |
-I'm good. And you? You look well. -Yes. | 0:21:19 | 0:21:23 | |
-Been dieting? It's worked. -Yes. Well, you know... | 0:21:23 | 0:21:25 | |
Yeah, you've lost... | 0:21:25 | 0:21:27 | |
Back in the game, Barbara, back in the game. | 0:21:27 | 0:21:29 | |
-Well... -And how are you, how's everything? | 0:21:29 | 0:21:31 | |
How's my house...the house... your house? | 0:21:31 | 0:21:34 | |
My house is... it's changed, actually. | 0:21:34 | 0:21:37 | |
-Has it? -Yeah. | 0:21:37 | 0:21:38 | |
-So, you're doing OK financially? You're fine? -Fine. | 0:21:38 | 0:21:41 | |
-You're absolutely fine. -Finally. | 0:21:41 | 0:21:42 | |
Have you not got too much? | 0:21:42 | 0:21:44 | |
Too much money from me...? No? | 0:21:44 | 0:21:46 | |
-WHISPERS: -I am not going to allow you to wind me up. | 0:21:46 | 0:21:50 | |
-So, I... -I didn't start this. I didn't start this. | 0:21:50 | 0:21:52 | |
I didn't WANT this. Somebody ELSE wanted this. | 0:21:52 | 0:21:55 | |
Ladies and gentlemen, if you please. | 0:21:55 | 0:21:57 | |
-OK, yes. -Thank you. | 0:21:57 | 0:21:58 | |
I'm going to my seat now. | 0:21:58 | 0:22:00 | |
Right. Yes. I'll see you later. | 0:22:00 | 0:22:01 | |
As long as we're not sitting together. | 0:22:01 | 0:22:03 | |
OK, ladies and gentlemen. Ladies and gentlemen... | 0:22:03 | 0:22:08 | |
The term "grass" isn't just applied to a drugs bust - | 0:22:08 | 0:22:12 | |
snitches provide vital info to DCs Squire and McGill, | 0:22:12 | 0:22:16 | |
clyping on criminals and dobbing in the dodgy. | 0:22:16 | 0:22:20 | |
Informants are a massive part of what we do. | 0:22:20 | 0:22:22 | |
Without informants, we couldn't have cracked | 0:22:22 | 0:22:24 | |
some of the biggest cases in Scotland's history. | 0:22:24 | 0:22:26 | |
We recently received information that an establishment | 0:22:26 | 0:22:29 | |
was being used to store and distribute illicit material. | 0:22:29 | 0:22:32 | |
This is... See, this is typical. | 0:22:32 | 0:22:33 | |
We get a tip-off and look where we're at. | 0:22:33 | 0:22:35 | |
A flipping funeral director's! | 0:22:35 | 0:22:37 | |
We went in and the place looked, you know, legitimate. | 0:22:37 | 0:22:41 | |
-They'd headstones and coffins, and it all looked very nice. -Yeah. | 0:22:41 | 0:22:43 | |
And then, in walked this lovely young boy. | 0:22:43 | 0:22:47 | |
DC Squire. DC McGill. | 0:22:47 | 0:22:48 | |
-All right? -And you are? | 0:22:48 | 0:22:50 | |
I'm Barry Greenhorn. | 0:22:50 | 0:22:52 | |
Barry Greenhorn? | 0:22:52 | 0:22:53 | |
Yeah. That's me. | 0:22:53 | 0:22:56 | |
Are you related to Billy Greenhorn at all? | 0:22:56 | 0:22:58 | |
Yeah, that's my uncle. | 0:22:58 | 0:23:00 | |
-Oh, your uncle? -Uncle Billy. | 0:23:00 | 0:23:02 | |
Bingo. Right away, wee light bulb is going off in my head. | 0:23:02 | 0:23:04 | |
They're a very, very dodgy family, they're into everything, | 0:23:04 | 0:23:08 | |
so we played a wee bit of cat and mouse with him and stuff. | 0:23:08 | 0:23:10 | |
I didn't know that your uncle was involved in funeral parlours. | 0:23:10 | 0:23:13 | |
Oh, no, we've just branched into this. This is a new business. | 0:23:13 | 0:23:17 | |
-Oh, right, OK. -New venture. -Uh-huh. -Oh. | 0:23:17 | 0:23:19 | |
I hope you don't mind me saying, | 0:23:19 | 0:23:21 | |
-you're quite young to be involved in this. -Yeah. | 0:23:21 | 0:23:23 | |
-How old are you, Barry? -I'm 17. -17? | 0:23:23 | 0:23:26 | |
And how long have you been working in the funeral industry? | 0:23:26 | 0:23:29 | |
Just a couple of weeks, you know? | 0:23:29 | 0:23:31 | |
You seem pretty set out for a couple of weeks. | 0:23:31 | 0:23:33 | |
-Like, it seems pretty... -Well, that's because... | 0:23:33 | 0:23:36 | |
..you know, organised. | 0:23:36 | 0:23:37 | |
..we care about burying people, and that's what we do. | 0:23:37 | 0:23:40 | |
And, Barry, can I ask you, are you solely in charge here, | 0:23:40 | 0:23:43 | |
or do you have a superior or a manager or...? | 0:23:43 | 0:23:46 | |
Well, I'm in charge when I'm here. | 0:23:46 | 0:23:49 | |
I can't speak for what goes on when I'm not here. | 0:23:50 | 0:23:53 | |
-Oh? -Because I'm not here to see it. | 0:23:53 | 0:23:56 | |
You don't expect a 17-year-old to be the front of a funeral home. | 0:23:56 | 0:23:59 | |
I mean, you'd expect to see them in a burger joint. | 0:23:59 | 0:24:01 | |
To be fair, he did try, though. | 0:24:01 | 0:24:03 | |
I was drawn by these coffins over here. | 0:24:03 | 0:24:05 | |
-Oh, yeah, lovely coffins, yeah. -Now, what's that made out of? -Yeah. | 0:24:05 | 0:24:08 | |
That...that's made from wood. | 0:24:08 | 0:24:10 | |
-Wood. -Uh-huh. -Do you know what kind of wood? | 0:24:10 | 0:24:13 | |
-From a tree. -Do you know what kind of tree? | 0:24:13 | 0:24:16 | |
A Christmas tree. | 0:24:16 | 0:24:19 | |
-Christmas tree. -Yes. | 0:24:19 | 0:24:20 | |
I didn't know you could get coffins made out of... | 0:24:20 | 0:24:22 | |
I thought folks just dumped them in the back lane. | 0:24:22 | 0:24:25 | |
-Well, no, because... -Folks make coffins out of them? -We come round the back and we pick up all | 0:24:25 | 0:24:29 | |
the unused Christmas trees, and make a wee coffin. | 0:24:29 | 0:24:31 | |
-There you go. Like recycled coffins. -That's it. | 0:24:31 | 0:24:34 | |
We're saving the planet, a dead person at a time. | 0:24:34 | 0:24:36 | |
-I'm kind of drawn to this one over here. -No, don't... -I like this one. | 0:24:36 | 0:24:39 | |
So, how do you get this open, then? | 0:24:39 | 0:24:40 | |
I wouldn't know, because I don't open coffins, I just close them. | 0:24:40 | 0:24:43 | |
-We'll give it a wee shoogle, will we? -Just a wee lift up. -Aye, McGill, come on. | 0:24:43 | 0:24:46 | |
I think it's broken. Oh... | 0:24:46 | 0:24:48 | |
-Oh! -Oh! -Barry... | 0:24:48 | 0:24:50 | |
Once we opened the coffin, we discovered a whole coffin | 0:24:50 | 0:24:53 | |
full of thousands and thousands of knocked-off cigarettes, | 0:24:53 | 0:24:56 | |
so, bull's-eye. | 0:24:56 | 0:24:58 | |
They can't all be for you. | 0:24:58 | 0:24:59 | |
They are. I'm a big smoker. | 0:24:59 | 0:25:02 | |
Barry, I'm going to put it to you that this might be a wee front. | 0:25:02 | 0:25:05 | |
-What do you think? -I think it's definitely a front. -It's not a front. | 0:25:05 | 0:25:08 | |
Are you fronting this shop for your uncle? | 0:25:08 | 0:25:10 | |
No... No... | 0:25:10 | 0:25:12 | |
In some ways, actually, it's quite clever, because who's going | 0:25:12 | 0:25:15 | |
to think that cigarettes and drugs are going about in a hearse? | 0:25:15 | 0:25:17 | |
-I mean, you just wouldn't. -Even though Barry was 17, it's still a crime, | 0:25:17 | 0:25:20 | |
we still have to take him in. He's a young boy, | 0:25:20 | 0:25:23 | |
but we've got to do our job. And we did let him phone his mum. | 0:25:23 | 0:25:25 | |
Right, watch your napper. | 0:25:27 | 0:25:29 | |
At the end of the shift, there's a great satisfaction. | 0:25:29 | 0:25:32 | |
I think you just feel a wee bit that, you know, the streets | 0:25:32 | 0:25:34 | |
are a wee bit cleaner, the city's, you know, a safer place, | 0:25:34 | 0:25:38 | |
and all-in-all, I think it makes the world a better place, | 0:25:38 | 0:25:41 | |
that we've done our job. | 0:25:41 | 0:25:43 | |
And you're one step closer to that police pension. | 0:25:43 | 0:25:46 | |
Back at the Select Committee on rehabilitation, | 0:25:46 | 0:25:49 | |
inter-agency tension is running high. | 0:25:49 | 0:25:53 | |
To kick us off, I wonder if I could ask you a little bit | 0:25:53 | 0:25:56 | |
about the importance of giving someone a second chance. | 0:25:56 | 0:26:00 | |
Depends on the crime. | 0:26:00 | 0:26:02 | |
We all make mistakes, and for all of us | 0:26:02 | 0:26:05 | |
sitting in our ivory towers, in our uniforms, it's very difficult | 0:26:05 | 0:26:11 | |
sometimes to come down out of that tower and understand why. | 0:26:11 | 0:26:15 | |
Boredom, being neglected, | 0:26:15 | 0:26:19 | |
being under-stimulated, | 0:26:19 | 0:26:21 | |
and being taken for granted. | 0:26:21 | 0:26:23 | |
It's the snowflake generation once again. Here we go. | 0:26:23 | 0:26:26 | |
It's just, "Oh, I didn't... No-one took me on holiday." | 0:26:26 | 0:26:29 | |
Just because the criminal's husband, just because he's away | 0:26:29 | 0:26:32 | |
for the weekend, doesn't mean that the criminal should commit | 0:26:32 | 0:26:34 | |
the crime while he's gone on a fact-finding trip to Bournemouth. | 0:26:34 | 0:26:39 | |
Facts established, both parties seek out common ground. | 0:26:39 | 0:26:43 | |
I think it's absolutely necessary for the sake of all | 0:26:43 | 0:26:45 | |
involved that we work together. | 0:26:45 | 0:26:48 | |
Well, we can get back there. It's hard... | 0:26:48 | 0:26:51 | |
-Can be. Sometimes. -Sometimes it has to be hard. | 0:26:53 | 0:26:56 | |
And sometimes it's going to get harder before you know which way... | 0:26:56 | 0:27:00 | |
Exactly, that's what I'm saying, if we work together, | 0:27:00 | 0:27:02 | |
that's when you can get it hardest of all. | 0:27:02 | 0:27:05 | |
Rehabilitation becomes possible | 0:27:05 | 0:27:07 | |
as official bodies move closer together. | 0:27:07 | 0:27:10 | |
I believe that if we're easing the offender back into society, | 0:27:10 | 0:27:15 | |
-maybe there could be the occasional... -Probationary period... | 0:27:15 | 0:27:18 | |
Like a weekend. Maybe they get together, | 0:27:18 | 0:27:20 | |
-you know, at weekends. -Good idea. | 0:27:20 | 0:27:21 | |
It's important to have the offender passionate about | 0:27:21 | 0:27:23 | |
that rehabilitation, is it? Do you...? | 0:27:23 | 0:27:26 | |
I think you take that passion, and we have to now, you know, | 0:27:26 | 0:27:29 | |
handle it, if you like, you know, we have to shape it and deal with it. | 0:27:29 | 0:27:33 | |
-Together. -Together. | 0:27:33 | 0:27:35 | |
Two-handed approach. | 0:27:35 | 0:27:36 | |
And they may even be better at... Who knows? | 0:27:36 | 0:27:39 | |
-Exactly. -Who knows? | 0:27:39 | 0:27:41 | |
It might be better. You don't know. Only one way of finding out. | 0:27:41 | 0:27:44 | |
Some of these boys have learned stuff inside | 0:27:44 | 0:27:46 | |
that's made them even better. | 0:27:46 | 0:27:48 | |
With new positions agreed... | 0:27:48 | 0:27:50 | |
Thank you very much for this session. | 0:27:50 | 0:27:52 | |
..all parties come to a satisfying conclusion. | 0:27:52 | 0:27:56 | |
More than it is a question of... | 0:27:56 | 0:27:59 | |
..a question of... | 0:28:03 | 0:28:04 | |
Sorry, could you excuse me just a moment? | 0:28:05 | 0:28:07 | |
I'll... But, yes, I think you're right, it's hard. | 0:28:07 | 0:28:10 | |
It's very... | 0:28:10 | 0:28:12 | |
It's very hard. | 0:28:14 | 0:28:15 | |
Hey, that was a Select Committee! | 0:28:18 | 0:28:21 | |
Exhausting, though, I'll tell you. But worth it. | 0:28:21 | 0:28:24 | |
Excellent. Spring in my step. Got the juices flowing. | 0:28:24 | 0:28:27 |