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Good evening. | 0:00:00 | 0:00:01 | |
I was watching the television this evening. | 0:00:01 | 0:00:05 | |
and I thought, there's nothing like a good laugh. | 0:00:05 | 0:00:09 | |
LAUGHTER | 0:00:09 | 0:00:11 | |
Take two. | 0:00:11 | 0:00:13 | |
Good evening. | 0:00:13 | 0:00:15 | |
I was watching the television this evening | 0:00:15 | 0:00:18 | |
and I thought, there's nothing like a good laugh. | 0:00:18 | 0:00:21 | |
LAUGHTER | 0:00:21 | 0:00:22 | |
Take three. | 0:00:22 | 0:00:24 | |
I was watching the television this evening. | 0:00:25 | 0:00:27 | |
LAUGHTER and I thought, | 0:00:27 | 0:00:29 | |
there's nothing like a good laugh. | 0:00:29 | 0:00:32 | |
LAUGHTER | 0:00:32 | 0:00:33 | |
Take four. | 0:00:33 | 0:00:35 | |
STRAINED VOICE: I was watching... | 0:00:35 | 0:00:37 | |
LAUGHTER ..the television this evening. | 0:00:37 | 0:00:39 | |
And I thought, there's nothing like a good laugh. | 0:00:39 | 0:00:43 | |
LAUGHTER | 0:00:43 | 0:00:44 | |
Oh, BLEEP religion! LAUGHTER | 0:00:44 | 0:00:46 | |
UPBEAT FANFARE | 0:00:48 | 0:00:50 | |
LAUGHTER Ah, good morning. | 0:00:56 | 0:00:58 | |
Erm, this show is called... What? | 0:00:58 | 0:01:00 | |
MEN HUM What's it called? | 0:01:00 | 0:01:01 | |
LAUGHTER | 0:01:01 | 0:01:03 | |
RAMBLES | 0:01:03 | 0:01:04 | |
HE SHOUTS Q 7, isn't it? | 0:01:04 | 0:01:06 | |
HE SHOUTS, HUMMING CONTINUES | 0:01:06 | 0:01:07 | |
LAUGHTER | 0:01:07 | 0:01:09 | |
You've got to stop doing that. | 0:01:12 | 0:01:13 | |
You've got to stop that habit. | 0:01:13 | 0:01:15 | |
-Ready to go in. -Right. | 0:01:15 | 0:01:17 | |
Right. OK, fine. | 0:01:17 | 0:01:18 | |
Ready? | 0:01:18 | 0:01:19 | |
-WOMAN'S VOICE: -Yes? | 0:01:29 | 0:01:30 | |
-Er, good morning, madam. -Morning. | 0:01:32 | 0:01:35 | |
-ALL: -Morning madam. | 0:01:35 | 0:01:36 | |
Morning. | 0:01:36 | 0:01:37 | |
LAUGHTER | 0:01:37 | 0:01:39 | |
I am, er, Herb, er...ahem. | 0:01:42 | 0:01:45 | |
I am, er, Herbert Screckle, a salesman. | 0:01:45 | 0:01:49 | |
Er... Me and my fellow directors would like to know... | 0:01:49 | 0:01:53 | |
LAUGHTER | 0:01:53 | 0:01:55 | |
.. if, er, you are getting sufficient sympathy | 0:01:55 | 0:01:57 | |
and understanding in your life? | 0:01:57 | 0:01:59 | |
Not much. Why? | 0:01:59 | 0:02:00 | |
Do you mind if we come in, madam? | 0:02:00 | 0:02:02 | |
-No. -No. | 0:02:02 | 0:02:04 | |
Supposing you had been out for a hard day's shopping. Tired out. | 0:02:04 | 0:02:09 | |
You get on the tube... | 0:02:09 | 0:02:11 | |
Does anybody... Does anybody get up for you? | 0:02:11 | 0:02:14 | |
No fear. Not these days. You have to drop bleeding dead. | 0:02:14 | 0:02:17 | |
There's no need for you to drop bleeding dead, madam. | 0:02:17 | 0:02:20 | |
LAUGHTER | 0:02:20 | 0:02:21 | |
Me and my company have invented something for ladies | 0:02:21 | 0:02:24 | |
that guarantees to get them | 0:02:24 | 0:02:26 | |
the maximum of sympathy and understanding. | 0:02:26 | 0:02:28 | |
What is it? Divorce? | 0:02:28 | 0:02:30 | |
Er, no, no, madam. | 0:02:32 | 0:02:33 | |
LAUGHTER | 0:02:33 | 0:02:34 | |
It is not a divorce. Er, Tom? | 0:02:34 | 0:02:37 | |
Agh! Christ! | 0:02:37 | 0:02:39 | |
Er, this is the Mark I plastic inflatable sympathy arm. | 0:02:40 | 0:02:46 | |
Say you were on a crowded Tube... | 0:02:46 | 0:02:49 | |
I'm on a crowded Tube? | 0:02:49 | 0:02:50 | |
You're on a crowded Tube. | 0:02:50 | 0:02:52 | |
You want to sit down, but no-one is getting up for you. | 0:02:52 | 0:02:55 | |
Beforehand, you have taken the precaution | 0:02:55 | 0:02:58 | |
of placing this bladder up your back, so. | 0:02:58 | 0:03:01 | |
Now, then... | 0:03:01 | 0:03:02 | |
All you have to do is to inflate it. | 0:03:02 | 0:03:04 | |
PUMPING | 0:03:04 | 0:03:06 | |
LAUGHTER | 0:03:06 | 0:03:09 | |
They are infallible, madam. | 0:03:15 | 0:03:17 | |
They're tried out by 20 of our humpy-back inspectors | 0:03:17 | 0:03:22 | |
on the modern average day. | 0:03:22 | 0:03:23 | |
Well, it looks real, but I don't fancy it. | 0:03:23 | 0:03:26 | |
No, course you do not fancy it, madam. Of course you do not. | 0:03:26 | 0:03:30 | |
This is the Quasimodo model. | 0:03:30 | 0:03:32 | |
LAUGHTER | 0:03:32 | 0:03:34 | |
For men and boys. | 0:03:34 | 0:03:36 | |
No, for a lady we have something more delicate, eh, Tom? | 0:03:36 | 0:03:39 | |
-Ow! -Will you pardon me, madam? | 0:03:39 | 0:03:41 | |
Would you open your jacket, please? | 0:03:41 | 0:03:43 | |
Now then. Once again, just imagine you are on a crowded Tube. | 0:03:44 | 0:03:48 | |
Er, you want to get a seat. | 0:03:48 | 0:03:51 | |
Then, all you have to do is to inflate this. | 0:03:51 | 0:03:54 | |
WHOOSHING | 0:03:55 | 0:03:57 | |
Oh! | 0:03:57 | 0:03:58 | |
LAUGHTER | 0:03:58 | 0:04:00 | |
Winds? | 0:04:00 | 0:04:01 | |
WHOOSHING | 0:04:01 | 0:04:02 | |
So flex. | 0:04:02 | 0:04:03 | |
Yes! It is the infallible false pregnancy hump, madam. | 0:04:03 | 0:04:08 | |
Now then, if on the other hand you... | 0:04:08 | 0:04:09 | |
-Oh! Hello. -Dear, oh, dear, oh, dear, oh, dear. | 0:04:09 | 0:04:12 | |
Have you had a bad day? | 0:04:12 | 0:04:13 | |
-LAUGHTER -I had to stand all the way on the Tube. | 0:04:13 | 0:04:18 | |
LAUGHTER | 0:04:18 | 0:04:19 | |
LAUGHTER | 0:04:25 | 0:04:27 | |
Er, that is the end of that bit. | 0:04:28 | 0:04:30 | |
LAUGHTER | 0:04:30 | 0:04:31 | |
DRUMROLL Would you now all stand for the national anthem? | 0:04:31 | 0:04:34 | |
KERCHING | 0:04:34 | 0:04:35 | |
LAUGHTER | 0:04:35 | 0:04:37 | |
IN DEEP VOICE: # God save our gracious queen | 0:04:39 | 0:04:43 | |
# Long live our noble queen | 0:04:43 | 0:04:47 | |
# God save the queen. # | 0:04:47 | 0:04:52 | |
What a wonderful tune that is. Lovely tune. | 0:04:52 | 0:04:54 | |
My wife and I often sing it on an evening, you know? | 0:04:54 | 0:04:57 | |
I say to her, "Molly? Should we go into the lounge | 0:04:57 | 0:04:59 | |
"and sing God Save The Queen?" | 0:04:59 | 0:05:01 | |
She says "Yes, John." And we go down and sing it. | 0:05:01 | 0:05:04 | |
We often invite Ted and his mother to come over and sing it with us. | 0:05:04 | 0:05:07 | |
It really is a lovely tune. | 0:05:07 | 0:05:08 | |
IN DEEP VOICE: God save our grac... | 0:05:08 | 0:05:11 | |
But I can't understand why it isn't in the chart, you know? | 0:05:11 | 0:05:14 | |
But, seriously, folks, is it, in fact, like a dead palm tree? | 0:05:14 | 0:05:18 | |
Out of date. | 0:05:18 | 0:05:19 | |
-ALL: -Ooh. -LAUGHTER | 0:05:19 | 0:05:22 | |
HE CHUCKLES | 0:05:22 | 0:05:25 | |
LAUGHTER | 0:05:28 | 0:05:30 | |
Well, I... I think I got the best out of that joke. | 0:05:30 | 0:05:32 | |
LAUGHTER | 0:05:32 | 0:05:33 | |
Get the best out of this one, Sailor! Whoopee! | 0:05:33 | 0:05:35 | |
Erm... | 0:05:36 | 0:05:38 | |
LAUGHTER | 0:05:38 | 0:05:41 | |
That was John Wells in a censored excerpt from the Mountbatten story. | 0:05:41 | 0:05:46 | |
LAUGHTER | 0:05:46 | 0:05:47 | |
To find out whether people actually did stand | 0:05:47 | 0:05:49 | |
for the national anthem, we tried this simple experiment. | 0:05:49 | 0:05:52 | |
Example one, Kew Gardens... | 0:05:53 | 0:05:54 | |
GOD SAVE THE QUEEN PLAYS | 0:05:56 | 0:05:59 | |
LAUGHTER | 0:05:59 | 0:06:03 | |
MUSIC SWELLS | 0:06:13 | 0:06:16 | |
Number two, The Mall... | 0:06:43 | 0:06:45 | |
GOD SAVE THE QUEEN PLAYS | 0:06:45 | 0:06:46 | |
LAUGHTER | 0:06:49 | 0:06:51 | |
APPLAUSE | 0:06:52 | 0:06:54 | |
CROWD CHEERS | 0:06:54 | 0:06:55 | |
But then, suddenly it's the Queen. | 0:06:57 | 0:06:59 | |
GOD SAVE THE QUEEN PLAYS | 0:06:59 | 0:07:01 | |
Number four, a sewers... | 0:07:05 | 0:07:07 | |
ANTHEM PLAYS | 0:07:12 | 0:07:13 | |
-CLANG -Ow! | 0:07:13 | 0:07:14 | |
LAUGHTER And finally... | 0:07:14 | 0:07:17 | |
GOD SAVE THE QUEEN PLAYS | 0:07:17 | 0:07:19 | |
MUSIC SWELLS | 0:07:30 | 0:07:32 | |
LAUGHTER | 0:07:32 | 0:07:34 | |
HE WHISPERS: Screwdrivers? Screwdrivers? | 0:07:42 | 0:07:44 | |
MUSIC ENDS | 0:07:50 | 0:07:52 | |
Well, there you see, there are those people who just won't. | 0:07:52 | 0:07:54 | |
But, most people generally, do stand for the national anthem. | 0:07:54 | 0:07:58 | |
What we can't understand is why they stand for er, Harold Wilson... | 0:07:58 | 0:08:01 | |
..Edward Heath and Mrs Enid Stone. | 0:08:01 | 0:08:05 | |
I'm Enid Stone and I'm 62. | 0:08:05 | 0:08:08 | |
62. Isn't that wonderful, ladies and gentlemen? | 0:08:08 | 0:08:11 | |
LAUGHTER | 0:08:11 | 0:08:12 | |
She's 62. Great big hand for Enid Stone, who's 62 and... | 0:08:12 | 0:08:15 | |
APPLAUSE | 0:08:16 | 0:08:18 | |
But, what of those ex-patriots | 0:08:20 | 0:08:22 | |
who are beyond the earshot of God Save The Queen? | 0:08:22 | 0:08:24 | |
RULE BRITANNIA PLAYS | 0:08:24 | 0:08:25 | |
There they lie in the corner of some foreign suit | 0:08:25 | 0:08:27 | |
that is for ever England. | 0:08:27 | 0:08:28 | |
We carried out the national anthem survey with Lord Louis Mountbatten, | 0:08:28 | 0:08:32 | |
who'd taken time off from filming Ben-Hur, with a cast of sailors. | 0:08:32 | 0:08:35 | |
Hello, sailor! | 0:08:35 | 0:08:37 | |
Har-har-har! | 0:08:37 | 0:08:38 | |
LAUGHTER | 0:08:38 | 0:08:39 | |
Using GPO national anthem detectors, we discovered that all people living | 0:08:39 | 0:08:44 | |
in these areas here, there and there | 0:08:44 | 0:08:47 | |
were totally without GSTQ - God Save The Queen. | 0:08:47 | 0:08:51 | |
Yes, we at the Foreign and Commonwealth Office, | 0:08:53 | 0:08:55 | |
decided to invent a pill which would make you hear the national anthem... | 0:08:55 | 0:08:58 | |
..in your mind. | 0:08:58 | 0:09:00 | |
LAUGHTER | 0:09:08 | 0:09:10 | |
It's wonderful. Very good. | 0:09:17 | 0:09:18 | |
I heard every... every note... God save... | 0:09:18 | 0:09:21 | |
STARTS CLUCKING | 0:09:22 | 0:09:23 | |
HOWLING | 0:09:23 | 0:09:24 | |
WOOFING | 0:09:24 | 0:09:27 | |
Of course, these national anthem pills | 0:09:27 | 0:09:29 | |
have got very, very nasty side-effects. | 0:09:29 | 0:09:31 | |
But, there are other far worse problems. | 0:09:31 | 0:09:34 | |
Let us visit the National Anthem Addiction Centre at Sandringham. | 0:09:34 | 0:09:38 | |
PATIENTS SHOUT | 0:09:39 | 0:09:41 | |
LAUGHTER | 0:09:41 | 0:09:43 | |
Here we see men suffering the advanced throes | 0:09:44 | 0:09:46 | |
and acute agonies of national anthem mania. | 0:09:46 | 0:09:49 | |
PATIENTS CHATTER | 0:09:49 | 0:09:53 | |
God save the queen. The queen! | 0:09:53 | 0:09:55 | |
The Queen, God bless her! The Queen, God bless her! | 0:09:55 | 0:09:57 | |
-LAUGHTER -Queen! | 0:09:57 | 0:10:00 | |
Queen! | 0:10:00 | 0:10:01 | |
-God save the queen, god bless her. The Queen! The Queen! -The Queen. | 0:10:01 | 0:10:04 | |
-The queen, God bless her! -The queen, god bless her! | 0:10:04 | 0:10:07 | |
PATIENTS BABBLE | 0:10:07 | 0:10:09 | |
These are the withdrawal symptoms of compulsive patriotism. | 0:10:09 | 0:10:12 | |
Even though these people have not heard the national anthem | 0:10:12 | 0:10:15 | |
for three weeks. | 0:10:15 | 0:10:16 | |
Fortunately, the GPO has come up with a dial-an-anthem service. | 0:10:16 | 0:10:20 | |
LA MARSEILLAISE PLAYS | 0:10:24 | 0:10:26 | |
LAUGHTER Er! | 0:10:26 | 0:10:28 | |
Operator, I've got a wrong line. Hello? | 0:10:28 | 0:10:31 | |
Let that give comfort to those who scoff at The Patriot, | 0:10:31 | 0:10:33 | |
the well-known restaurant which serves Brown Windsor soup | 0:10:33 | 0:10:36 | |
in the shape of the Duke of Edinburgh. | 0:10:36 | 0:10:38 | |
LAUGHTER | 0:10:38 | 0:10:39 | |
This week saw the start of the | 0:10:39 | 0:10:41 | |
South London Unorthodox Amateur Athletics Association sport week. | 0:10:41 | 0:10:45 | |
Here, we see competitors from the Bromley Operatic Society | 0:10:45 | 0:10:49 | |
in the hundred metres singing relay. | 0:10:49 | 0:10:52 | |
THEY WARM UP | 0:10:52 | 0:10:54 | |
On your marks. | 0:10:54 | 0:10:55 | |
GUNSHOT | 0:10:55 | 0:10:56 | |
-JERUSALEM: -# And did those feet | 0:10:56 | 0:10:58 | |
-FASCINATING RHYTHM: -# Fascinating rhythm, you've got me on the run | 0:10:58 | 0:11:00 | |
# In ancient time | 0:11:00 | 0:11:01 | |
# Fascinating rhythm | 0:11:01 | 0:11:02 | |
# What a mess you're making The neighbours want to know | 0:11:02 | 0:11:04 | |
# Walk upon England's mountains green? | 0:11:04 | 0:11:06 | |
# Why am I shaking like a flivver? | 0:11:06 | 0:11:07 | |
# Each morning I get up with the sun | 0:11:07 | 0:11:08 | |
# And was the holy Lamb of God | 0:11:08 | 0:11:10 | |
# To find at night no work has been done. | 0:11:10 | 0:11:12 | |
# On England's pleasant pastures seen? | 0:11:12 | 0:11:15 | |
THEY CONTINUE TO SING | 0:11:15 | 0:11:17 | |
LAUGHTER | 0:11:17 | 0:11:20 | |
# And did the Countenance Divine | 0:11:21 | 0:11:23 | |
# Won't you take a day off? | 0:11:23 | 0:11:24 | |
# Decide to run along | 0:11:24 | 0:11:25 | |
# Somewhere far away off and make it snappy | 0:11:25 | 0:11:27 | |
# Shine forth upon our clouded hills? | 0:11:27 | 0:11:28 | |
# Oh, how I long to be the girl I used to be | 0:11:28 | 0:11:31 | |
LAUGHTER | 0:11:31 | 0:11:33 | |
LAUGHTER | 0:11:34 | 0:11:36 | |
# What a mess you're making | 0:11:41 | 0:11:43 | |
# The neighbours want to know why | 0:11:43 | 0:11:44 | |
# I'm always shaking | 0:11:44 | 0:11:45 | |
HE SINGS JERUSALEM | 0:11:45 | 0:11:47 | |
# Fascinating rhythm | 0:11:47 | 0:11:48 | |
# Fascinating rhythm | 0:11:48 | 0:11:49 | |
# Oh, won't you stop picking on me! | 0:11:49 | 0:11:51 | |
Today, sees the finale of the | 0:11:52 | 0:11:54 | |
annual grandmother-hurling contest at Beachy Head. | 0:11:54 | 0:11:57 | |
The grandmothers and contestants are just warming up | 0:11:57 | 0:11:59 | |
for the final throws so over to Ivor Pulcock. | 0:11:59 | 0:12:03 | |
Hello. | 0:12:03 | 0:12:04 | |
It's a great day for the grandmother-hurling finals | 0:12:04 | 0:12:07 | |
here, at Beachy Head. | 0:12:07 | 0:12:08 | |
In the last three eliminations over 100 grandmothers were | 0:12:08 | 0:12:12 | |
successfully thrown out to sea, after which only two returned back | 0:12:12 | 0:12:16 | |
in the penalty time of one and a half minutes. | 0:12:16 | 0:12:19 | |
Let's go over to last year's champion hurler and grandmother. | 0:12:19 | 0:12:24 | |
Hello. This is Mr John Squonk and his grandmother Mrs Ethel Squonk. | 0:12:25 | 0:12:30 | |
Good morning. | 0:12:30 | 0:12:31 | |
Could you tell us, how old are you? | 0:12:31 | 0:12:33 | |
Er, five feet, 3. | 0:12:33 | 0:12:34 | |
LAUGHTER | 0:12:34 | 0:12:35 | |
And, er, what made you offer yourself for this hurling contest? | 0:12:35 | 0:12:39 | |
Well, I am a widow, my husband died, my cat died, but... | 0:12:39 | 0:12:45 | |
-..I didn't. So, my gardener came and did this. -Yes, my word. | 0:12:46 | 0:12:52 | |
We come down here in the good weather, | 0:12:52 | 0:12:53 | |
I give her several good hurls off the cliff on the weekend. | 0:12:53 | 0:12:56 | |
We have some great fun and the money comes in handy. | 0:12:56 | 0:12:59 | |
Hello and this is Mr Arthur Grainger and his 80-year-old grandmother. | 0:12:59 | 0:13:04 | |
Er, Major. Major. | 0:13:04 | 0:13:05 | |
-I think... -Grandmother and teacher? | 0:13:05 | 0:13:07 | |
-And 91. -91? | 0:13:07 | 0:13:09 | |
APPLAUSE | 0:13:09 | 0:13:10 | |
Well, well, well, goodness me. 91 years of age! 91. | 0:13:10 | 0:13:13 | |
And, er, she, er... The coroner said she was dead. | 0:13:13 | 0:13:17 | |
He said, "She's dead", but erm...I got a... | 0:13:17 | 0:13:19 | |
HE STAMMERS | 0:13:19 | 0:13:20 | |
-..a second opinion. -Right. | 0:13:20 | 0:13:22 | |
-Mine. -Yes. -And she was in a... | 0:13:22 | 0:13:24 | |
-She looked all right, so I put her... -And? | 0:13:24 | 0:13:27 | |
-She's 91, you see. -And? -And they...they go that way, in the end. | 0:13:27 | 0:13:30 | |
-Now, Major... -Can't help it, no. | 0:13:30 | 0:13:32 | |
-When they go... When you say, "They go that way"... -91. | 0:13:32 | 0:13:35 | |
-...because... because she's 91. -And, er, Major and, er... | 0:13:35 | 0:13:38 | |
What, yourself? You are...? | 0:13:38 | 0:13:40 | |
-A Major. -You're a...? -A Major. | 0:13:40 | 0:13:42 | |
HE MUTTERS | 0:13:42 | 0:13:43 | |
Could you tell us? This, er, why are you...? | 0:13:43 | 0:13:45 | |
HE CHATTERS | 0:13:45 | 0:13:46 | |
-I think you'll find... -There's rain out there. | 0:13:46 | 0:13:48 | |
-The wind blows rough. -Yes. What I wanted to know, Major... | 0:13:48 | 0:13:51 | |
-HE SHOUTS: Put the ramp on her, Derek! -What... | 0:13:51 | 0:13:53 | |
Put the ramp on her! | 0:13:53 | 0:13:54 | |
Yes, erm... M...Major, what...? | 0:13:54 | 0:13:55 | |
-Ah, we haven't got any blocks for the wheel. -Yes. | 0:13:55 | 0:13:58 | |
I'm telling him that you're 91. | 0:13:58 | 0:14:00 | |
-I'd like to... -91! -Yes. | 0:14:00 | 0:14:02 | |
Why are you using apparatus? | 0:14:02 | 0:14:04 | |
Well, she's got er... | 0:14:04 | 0:14:05 | |
Got these er... | 0:14:05 | 0:14:06 | |
..weak ankles, you see. | 0:14:06 | 0:14:07 | |
And, er, well, she's had them more than a week, actually. | 0:14:07 | 0:14:10 | |
-I'd say two weeks. -Is this because of the straps that go around...? | 0:14:10 | 0:14:13 | |
The... The particular straps? | 0:14:13 | 0:14:15 | |
Because of the scrabsons on the blink? | 0:14:15 | 0:14:17 | |
There's a scrabson on the blink. | 0:14:17 | 0:14:19 | |
Well, we've got these hairy socks | 0:14:19 | 0:14:20 | |
and I don't like the handheld ones. It gets... | 0:14:20 | 0:14:23 | |
-And you prefer the traditional method? The tradi... -Er, no! | 0:14:23 | 0:14:26 | |
I like the hurl method. | 0:14:26 | 0:14:28 | |
Hurl out to sea. | 0:14:29 | 0:14:30 | |
-Er, she's left me money in the will and there's the cottage. -I see. | 0:14:30 | 0:14:33 | |
-And er... -And this is...? | 0:14:33 | 0:14:35 | |
I'm telling you. I have everything right for you, Granny. | 0:14:35 | 0:14:37 | |
I see, so I think we're ready. | 0:14:37 | 0:14:39 | |
-BELL CLANGS -That sounds... | 0:14:39 | 0:14:40 | |
-She's 91 and ready. -Righty one. | 0:14:40 | 0:14:42 | |
So, I think we're ready for the first scrabsons on the... | 0:14:42 | 0:14:45 | |
-I mean... -I'll just get her. | 0:14:45 | 0:14:46 | |
...for the first, er, hurl. | 0:14:46 | 0:14:48 | |
The major is just making sure that the straps are... | 0:14:48 | 0:14:50 | |
Put your fingers in your ears, Granny. | 0:14:50 | 0:14:52 | |
-I'll put my fingers in my ears. -Yes. | 0:14:52 | 0:14:53 | |
And clench your teeth until they go "Pop!". | 0:14:53 | 0:14:55 | |
She's clenching her teeth now and... | 0:14:55 | 0:14:57 | |
See the rocks? | 0:14:57 | 0:14:59 | |
Flatten out! | 0:14:59 | 0:15:00 | |
He has instructed her... He's instructed her to flatten out | 0:15:00 | 0:15:04 | |
over the rocks when she's about to go. | 0:15:04 | 0:15:06 | |
MAJOR TALKS | 0:15:06 | 0:15:08 | |
Now... | 0:15:08 | 0:15:09 | |
-Are you ready, dear? -I'm ready. | 0:15:09 | 0:15:11 | |
CROWD CHATTERS | 0:15:11 | 0:15:13 | |
He...he... I think he's ready now. Looking at his watch, he's... | 0:15:13 | 0:15:17 | |
Waaah! | 0:15:17 | 0:15:19 | |
LAUGHTER | 0:15:19 | 0:15:20 | |
Oh! Major, Major, that really was quite wonderful. | 0:15:20 | 0:15:24 | |
I'd like to congratulate you. | 0:15:24 | 0:15:26 | |
It was, really, a wonderful hurl. | 0:15:26 | 0:15:27 | |
-A wonderful hurl. -Good for her. | 0:15:27 | 0:15:30 | |
And now John Squonk OBE, with his traditional freestyle hurl. | 0:15:30 | 0:15:33 | |
Don't worry, darling. The rocks will break your fall. | 0:15:33 | 0:15:35 | |
-All right, darling. -He's ready now. | 0:15:35 | 0:15:37 | |
He wheels her round once. | 0:15:37 | 0:15:38 | |
-LAUGHTER -Twice. | 0:15:38 | 0:15:40 | |
He's building into a cartwheel, into increasing circles. | 0:15:40 | 0:15:43 | |
-And it's...! -Agh! -LAUGHTER | 0:15:43 | 0:15:46 | |
Oh, that was a beauty. It certainly could be a close thing. | 0:15:46 | 0:15:50 | |
UPBEAT PIANO TUNE | 0:15:52 | 0:15:57 | |
APPLAUSE | 0:15:57 | 0:15:58 | |
# Yesterday... | 0:15:58 | 0:15:59 | |
# All my troubles seemed so far away | 0:15:59 | 0:16:02 | |
# Now! | 0:16:02 | 0:16:03 | |
# Even though they're here to stay | 0:16:03 | 0:16:05 | |
# Oh, I believe in yesterday | 0:16:05 | 0:16:08 | |
LAUGHTER | 0:16:08 | 0:16:09 | |
# Suddenly | 0:16:09 | 0:16:11 | |
# Suddenly | 0:16:11 | 0:16:12 | |
UPBEAT TUNE, LAUGHTER | 0:16:12 | 0:16:13 | |
# I'm just half the man I used... | 0:16:13 | 0:16:16 | |
# There's a shadow hanging over me | 0:16:16 | 0:16:18 | |
# Oh, yesterday came suddenly | 0:16:18 | 0:16:21 | |
# Why she had to go, I don't know | 0:16:21 | 0:16:24 | |
# She wouldn't say | 0:16:24 | 0:16:26 | |
UPBEAT TUNE | 0:16:26 | 0:16:27 | |
ECHOING: # I said | 0:16:27 | 0:16:28 | |
# Something wrong, now I think of yesterday # | 0:16:28 | 0:16:32 | |
UPBEAT TUNE | 0:16:32 | 0:16:33 | |
Agh! | 0:16:33 | 0:16:34 | |
PIANO STOPS ABRUPTLY | 0:16:34 | 0:16:35 | |
LAUGHTER | 0:16:35 | 0:16:37 | |
# Yesterday | 0:16:38 | 0:16:39 | |
PIANO TUNE STARTS AGAIN | 0:16:39 | 0:16:40 | |
LAUGHTER | 0:16:40 | 0:16:44 | |
# All my troubles seemed so fa... | 0:16:44 | 0:16:46 | |
#..far away | 0:16:46 | 0:16:47 | |
PIANO STARTS AGAIN | 0:16:47 | 0:16:49 | |
# Now I need a place to... | 0:16:49 | 0:16:51 | |
# ..hide away | 0:16:51 | 0:16:53 | |
# Oh, I believe... | 0:16:53 | 0:16:54 | |
PIANO STOPS ABRUPTLY | 0:16:54 | 0:16:56 | |
LAUGHTER | 0:16:56 | 0:16:59 | |
LADDER CREAKS | 0:16:59 | 0:17:00 | |
# In yest... | 0:17:00 | 0:17:01 | |
Agh. Agh! | 0:17:01 | 0:17:02 | |
PIANO STOPS | 0:17:02 | 0:17:04 | |
LADDER CREAKS # Yester... | 0:17:04 | 0:17:06 | |
Agh! LAUGHTER | 0:17:06 | 0:17:08 | |
# I believe... # | 0:17:09 | 0:17:10 | |
No...Agh! | 0:17:10 | 0:17:12 | |
LAUGHTER AND APPLAUSE | 0:17:12 | 0:17:15 | |
What you are seeing at this very moment, | 0:17:19 | 0:17:21 | |
is the smallest police station in the world. | 0:17:21 | 0:17:24 | |
And I am but the voice over. | 0:17:24 | 0:17:26 | |
-LAUGHTER -Oh, no, it isn't! | 0:17:26 | 0:17:28 | |
This is the smallest police station in the world | 0:17:28 | 0:17:30 | |
LAUGHTER | 0:17:30 | 0:17:31 | |
Yes! It will hold three fully grown policemen or eight large constables. | 0:17:31 | 0:17:37 | |
Lies! That man is lying! | 0:17:37 | 0:17:39 | |
I'm not - I'm standing on my head. | 0:17:39 | 0:17:42 | |
LAUGHTER | 0:17:42 | 0:17:43 | |
Groans! Groans! | 0:17:43 | 0:17:45 | |
No! | 0:17:45 | 0:17:46 | |
This is the smallest police station in the world. | 0:17:46 | 0:17:49 | |
LAUGHTER | 0:17:49 | 0:17:50 | |
And I should know! | 0:17:50 | 0:17:52 | |
Let us put an end to these rumours. | 0:17:52 | 0:17:54 | |
LAUGHTER | 0:17:54 | 0:17:55 | |
This is definitely the smallest police station in the world. | 0:17:55 | 0:17:59 | |
And I am about to incarcerate a criminal in it. | 0:17:59 | 0:18:04 | |
SPEAKS GIBBERISH | 0:18:04 | 0:18:05 | |
LAUGHTER | 0:18:05 | 0:18:06 | |
Elementary, my dear Watson. | 0:18:11 | 0:18:12 | |
LAUGHTER | 0:18:12 | 0:18:13 | |
Brilliant! | 0:18:13 | 0:18:15 | |
WHIRRING | 0:18:15 | 0:18:16 | |
I see there's only a skeleton service running tonight. | 0:18:17 | 0:18:19 | |
-LAUGHTER -Brilliant. | 0:18:19 | 0:18:21 | |
OK, you dirty rat! | 0:18:21 | 0:18:22 | |
Hands together. | 0:18:22 | 0:18:24 | |
-Kneel down. -Oh! | 0:18:24 | 0:18:25 | |
Now, listen, blue eyes. | 0:18:25 | 0:18:26 | |
SPEAKS LATIN | 0:18:26 | 0:18:31 | |
Amen. | 0:18:32 | 0:18:33 | |
-Oh! -GROANS IN PAIN | 0:18:33 | 0:18:35 | |
This man is laying on his back, | 0:18:35 | 0:18:36 | |
clutching his throat, groaning and overacting. | 0:18:36 | 0:18:38 | |
Brilliant! | 0:18:38 | 0:18:40 | |
-He's wearing a greasy bowler. -Brilliantine! | 0:18:40 | 0:18:42 | |
LAUGHTER | 0:18:42 | 0:18:43 | |
MAN CONTINUES TO GROAN | 0:18:43 | 0:18:45 | |
But God! He's been... | 0:18:45 | 0:18:48 | |
..ordained! | 0:18:48 | 0:18:49 | |
SINISTER ORGAN MUSIC | 0:18:49 | 0:18:50 | |
LAUGHTER | 0:18:50 | 0:18:54 | |
Ordained? But who do you suspect? | 0:18:54 | 0:18:56 | |
It looks like a typical six and three quarter inch collar - | 0:18:56 | 0:18:58 | |
Archbishop of Canterbury job to me. LAUGHTER | 0:18:58 | 0:19:00 | |
But I'm Jewish! | 0:19:00 | 0:19:01 | |
There, there. Now you're... | 0:19:01 | 0:19:03 | |
..Christian. | 0:19:04 | 0:19:05 | |
-HE GASPS -Oh, my life! | 0:19:05 | 0:19:06 | |
LAUGHTER Oh, no. We need to get him to | 0:19:06 | 0:19:08 | |
the de-ordination hospital as soon as possible. | 0:19:08 | 0:19:11 | |
SERENE MUSIC | 0:19:12 | 0:19:16 | |
LAUGHTER | 0:19:16 | 0:19:17 | |
And so he came to the mountain and fell down... | 0:19:18 | 0:19:21 | |
Oi! | 0:19:23 | 0:19:24 | |
And so it came to pass that they all spake out... | 0:19:25 | 0:19:29 | |
LAUGHTER | 0:19:31 | 0:19:32 | |
-Oi! -One more time! | 0:19:32 | 0:19:33 | |
-LAUGHTER -And all the tribes... | 0:19:33 | 0:19:36 | |
Oi! | 0:19:36 | 0:19:37 | |
Just know when he's beaten. | 0:19:37 | 0:19:39 | |
LAUGHTER | 0:19:39 | 0:19:40 | |
Are you the Jewish mother? | 0:19:40 | 0:19:42 | |
Well, no, actually I'm a Catholic, but I'll do anything for money. | 0:19:42 | 0:19:45 | |
LAUGHTER | 0:19:45 | 0:19:47 | |
This is the worst case of ordination I've seen | 0:19:47 | 0:19:49 | |
since Pope Pius did the Archbishop of Canterbury job. | 0:19:49 | 0:19:52 | |
4 minus! | 0:19:52 | 0:19:55 | |
LAUGHTER | 0:19:55 | 0:19:56 | |
HE GASPS | 0:19:56 | 0:19:57 | |
Good God! | 0:19:57 | 0:19:58 | |
HE GROANS | 0:19:58 | 0:20:00 | |
LAUGHTER | 0:20:00 | 0:20:03 | |
It's taken! | 0:20:03 | 0:20:05 | |
SINISTER ORGAN MUSIC | 0:20:06 | 0:20:08 | |
HE MIMICS GUN | 0:20:08 | 0:20:10 | |
Ibe! Ibe! | 0:20:10 | 0:20:11 | |
-My name's Dick! -LAUGHTER | 0:20:13 | 0:20:15 | |
Dick! Dick! | 0:20:15 | 0:20:16 | |
Anything for money. | 0:20:16 | 0:20:17 | |
WHISTLING | 0:20:17 | 0:20:20 | |
Sherlock Holmes... | 0:20:20 | 0:20:21 | |
This is new, Sergeant! | 0:20:21 | 0:20:23 | |
LAUGHTER | 0:20:23 | 0:20:24 | |
I must warn you, that anything you say that is funnier than me, | 0:20:25 | 0:20:28 | |
will be cut out in the edited repeats. | 0:20:28 | 0:20:30 | |
LAUGHTER | 0:20:30 | 0:20:31 | |
Here is a newsflash. | 0:20:31 | 0:20:33 | |
It's been reported that the Archbishop of Canterbury is | 0:20:33 | 0:20:36 | |
holding out in Lewisham. | 0:20:36 | 0:20:37 | |
Exactly what he is holding out, the police will not say. | 0:20:37 | 0:20:40 | |
LAUGHTER | 0:20:40 | 0:20:42 | |
It's also reported that he is holding an atheist hostage. | 0:20:42 | 0:20:45 | |
And here is another flash. | 0:20:45 | 0:20:46 | |
LAUGHTER | 0:20:46 | 0:20:48 | |
Listen, Archbishop of Canterbury, we know you're in there | 0:20:49 | 0:20:52 | |
and we know we're out here. | 0:20:52 | 0:20:54 | |
Throw out your Cruisiers, or we'll send in the Jesuits! | 0:20:54 | 0:20:57 | |
LAUGHTER | 0:20:57 | 0:20:58 | |
Keep back, copper! I got Margaret Thatcher prisoner. | 0:20:58 | 0:21:01 | |
-LAUGHTER -One step nearer and she gets ordained. | 0:21:01 | 0:21:05 | |
INDISTINCT MEGAPHONE | 0:21:05 | 0:21:07 | |
One step nearer and I'll kill myself! | 0:21:07 | 0:21:10 | |
This is an opportunity not to be missed. | 0:21:10 | 0:21:12 | |
Wah! | 0:21:12 | 0:21:13 | |
LAUGHTER | 0:21:15 | 0:21:16 | |
Mrs Thatcher, darling! Are you all right? | 0:21:17 | 0:21:20 | |
Mrs Thatcher is not a darling. | 0:21:20 | 0:21:21 | |
-LAUGHTER -Speak to me Mrs Thatcher! | 0:21:21 | 0:21:23 | |
Speak to me! Can you hear me? | 0:21:23 | 0:21:25 | |
-She's deaf. -APPLAUSE | 0:21:26 | 0:21:28 | |
LAUGHTER | 0:21:30 | 0:21:31 | |
LAUGHTER | 0:21:35 | 0:21:38 | |
APPLAUSE | 0:21:46 | 0:21:49 | |
Mr and Mrs Agh. | 0:21:52 | 0:21:54 | |
Ah! Come in, sir. | 0:21:54 | 0:21:56 | |
LAUGHTER | 0:21:58 | 0:22:00 | |
Erm... | 0:22:03 | 0:22:04 | |
Now, then... | 0:22:09 | 0:22:11 | |
..Which one of you two is Mr and Mrs Agh? | 0:22:11 | 0:22:14 | |
-We are. -Ha! | 0:22:14 | 0:22:15 | |
Do you want this privately, or on the National Health? | 0:22:17 | 0:22:21 | |
National Health. | 0:22:21 | 0:22:22 | |
CLICKING | 0:22:22 | 0:22:24 | |
LAUGHTER | 0:22:24 | 0:22:26 | |
Now, then, what appears to be the trouble? | 0:22:34 | 0:22:38 | |
It's my husband. | 0:22:38 | 0:22:39 | |
KAZOO-LIKE VOICE | 0:22:39 | 0:22:41 | |
LAUGHTER | 0:22:41 | 0:22:44 | |
Husband? You want a solicitor, not a doctor. | 0:22:44 | 0:22:48 | |
No, my husband is ill, seriously. | 0:22:48 | 0:22:51 | |
Suddenly he can't talk proper, like. | 0:22:51 | 0:22:54 | |
KAZOO VOICE | 0:22:54 | 0:22:55 | |
LAUGHTER | 0:22:55 | 0:22:59 | |
Has he ever talked proper, like? | 0:22:59 | 0:23:02 | |
Oh, yes. | 0:23:02 | 0:23:04 | |
-KAZOO VOICE: -Oh, yes! -LAUGHTER | 0:23:04 | 0:23:06 | |
But, recently, he's become very difficult to see live with. | 0:23:06 | 0:23:10 | |
-Do you find him trying? -Aye. | 0:23:10 | 0:23:12 | |
Last night I found him trying with Mrs Soaper on the back step. | 0:23:12 | 0:23:16 | |
-LAUGHTER -That's not an illness. | 0:23:16 | 0:23:18 | |
Haha. He soon had one, though. | 0:23:18 | 0:23:20 | |
I fetched him one on the back of his nut, with a coal shovel. | 0:23:20 | 0:23:23 | |
KAZOO VOICE | 0:23:23 | 0:23:25 | |
She screams and I belted him on the back of his nut again. | 0:23:25 | 0:23:28 | |
KAZOO VOICE | 0:23:28 | 0:23:29 | |
I said, "Bert, will you stop doing it, | 0:23:29 | 0:23:31 | |
"while I'm trying to talk to her?" | 0:23:31 | 0:23:33 | |
LAUGHTER | 0:23:33 | 0:23:34 | |
It were that last blow that done something to his voice. | 0:23:34 | 0:23:37 | |
What?! | 0:23:37 | 0:23:39 | |
You tell him, Bert. | 0:23:39 | 0:23:40 | |
VOICE PLAYS JERKY TUNE | 0:23:41 | 0:23:45 | |
LAUGHTER | 0:23:47 | 0:23:49 | |
Good heavens! | 0:23:51 | 0:23:52 | |
The which of like I never have I not seen, | 0:23:52 | 0:23:54 | |
which in my whole career etc. | 0:23:54 | 0:23:56 | |
Say, "The quick brown fox jumped over the lazy cow." | 0:23:56 | 0:23:59 | |
VOICE PLAYS TUNE | 0:23:59 | 0:24:01 | |
LAUGHTER | 0:24:01 | 0:24:04 | |
Does he know Little Jack Horner? | 0:24:04 | 0:24:06 | |
If he lives in Deptford, yes. | 0:24:06 | 0:24:08 | |
-LAUGHTER -No, I mean the nursery rhyme. | 0:24:08 | 0:24:11 | |
VOICE JERKS LITTLE JACK HORNER | 0:24:11 | 0:24:14 | |
LAUGHTER | 0:24:23 | 0:24:26 | |
Ladies and gentlemen, there is no known cure for this disease. | 0:24:26 | 0:24:30 | |
Therefore, there can be no known ending to this sketch. | 0:24:30 | 0:24:34 | |
-KAZOO VOICE: -What?! | 0:24:34 | 0:24:35 | |
LAUGHTER, BERT TALKS | 0:24:35 | 0:24:37 | |
APPLAUSE | 0:24:37 | 0:24:40 | |
HE PLAYS FRANTIC TUNE | 0:24:40 | 0:24:42 | |
SCALES PIANO | 0:24:48 | 0:24:50 | |
MUSIC ENDS | 0:24:50 | 0:24:51 | |
APPLAUSE | 0:24:51 | 0:24:53 | |
LAUGHTER | 0:24:58 | 0:25:00 | |
Here's a way of breaking eggs without dirtying your hands. | 0:25:06 | 0:25:09 | |
Right. | 0:25:10 | 0:25:11 | |
And here's a way of losing weight rapidly. | 0:25:11 | 0:25:13 | |
Ah! LAUGHTER | 0:25:15 | 0:25:17 | |
Another thing, stains. | 0:25:17 | 0:25:18 | |
Now, here's a way of saving money on stains by not buying washing powder. | 0:25:18 | 0:25:22 | |
LAUGHTER | 0:25:25 | 0:25:27 | |
Now, food bills. | 0:25:27 | 0:25:28 | |
Here's a way of cutting down on family food bills. | 0:25:28 | 0:25:30 | |
LAUGHTER | 0:25:32 | 0:25:34 | |
Agh! | 0:25:34 | 0:25:35 | |
LAUGHTER | 0:25:35 | 0:25:37 | |
Steady on, steady on, steady on. | 0:25:41 | 0:25:43 | |
Now, take all your clothes off, stand in front of the mirror naked. | 0:25:43 | 0:25:46 | |
WOMAN SCREAMS | 0:25:46 | 0:25:47 | |
LAUGHTER | 0:25:47 | 0:25:49 | |
And, when you've stopped screaming... LAUGHTER | 0:25:49 | 0:25:51 | |
..see if you can do this. Watch this. Watch the monitor. | 0:25:51 | 0:25:54 | |
LAUGHTER | 0:25:54 | 0:25:57 | |
You fool, Camera 2! | 0:26:01 | 0:26:02 | |
You've given away the secret of a year. | 0:26:02 | 0:26:05 | |
That's all they do give away at the BBC. | 0:26:05 | 0:26:06 | |
Get the outer readers. The outer readers! | 0:26:06 | 0:26:08 | |
BAND MUSIC PLAYS | 0:26:10 | 0:26:11 | |
LAUGHTER | 0:26:11 | 0:26:13 | |
EVERYTHING IS FRESH TODAY: | 0:26:17 | 0:26:18 | |
# In a little town where I belong | 0:26:18 | 0:26:20 | |
# There's a most accomplished fellow | 0:26:20 | 0:26:23 | |
# He's the leader of the village choir | 0:26:23 | 0:26:25 | |
# And his voice is warm and mellow | 0:26:25 | 0:26:28 | |
# He drives a fruit cart around the street | 0:26:28 | 0:26:30 | |
# And everybody knows it | 0:26:30 | 0:26:33 | |
# He doesn't sing or rave about his fruit | 0:26:33 | 0:26:35 | |
# His fruit, he simply blows it | 0:26:35 | 0:26:37 | |
BAND PLAYS TUNE | 0:26:39 | 0:26:40 | |
HE BLOWS RASPBERRY TUNE | 0:26:40 | 0:26:42 | |
LAUGHTER | 0:26:42 | 0:26:43 | |
# He's doing it all day long | 0:26:43 | 0:26:45 | |
HE BLOWS RASPBERRY TUNE | 0:26:45 | 0:26:47 | |
LAUGHTER | 0:26:47 | 0:26:48 | |
# It's better than any song | 0:26:48 | 0:26:50 | |
# Though it isn't very pretty | 0:26:50 | 0:26:52 | |
# You've got to admit it's cute | 0:26:52 | 0:26:55 | |
# So, all together, let it go | 0:26:55 | 0:26:57 | |
HE BLOWS RASPBERRIES IN TIME | 0:26:57 | 0:26:58 | |
LAUGHTER | 0:26:58 | 0:27:00 | |
# Eat more fruit | 0:27:00 | 0:27:01 | |
HE BLOWS RASPBERRY TUNE | 0:27:01 | 0:27:02 | |
# It's certainly come to stay | 0:27:02 | 0:27:05 | |
HE BLOWS RASPBERRY TUNE | 0:27:05 | 0:27:06 | |
# It's a treat to hear him say | 0:27:06 | 0:27:09 | |
# Hey, fruit's in season, | 0:27:09 | 0:27:11 | |
# Plenty berries | 0:27:11 | 0:27:12 | |
# Apples, plums and the old raspberries | 0:27:12 | 0:27:15 | |
HE BLOWS RASPBERRY TUNE | 0:27:15 | 0:27:16 | |
# Everything is fresh today | 0:27:16 | 0:27:19 | |
BAND CONCLUDES | 0:27:19 | 0:27:20 | |
BAND STARTS AGAIN | 0:27:20 | 0:27:21 | |
LAUGHTER | 0:27:23 | 0:27:25 | |
# Every Friday night when work is done | 0:27:25 | 0:27:27 | |
# He never wastes a minute | 0:27:27 | 0:27:30 | |
# To the village hall he hurries 'round | 0:27:30 | 0:27:32 | |
# Where he sings just like a linnet | 0:27:32 | 0:27:35 | |
# To hear him blow a melody | 0:27:35 | 0:27:37 | |
# It's great, you can't deny it | 0:27:37 | 0:27:40 | |
# And if you've nothing else to do | 0:27:40 | 0:27:42 | |
# I'd like you all to try it | 0:27:42 | 0:27:45 | |
BAND PLAYS TUNE | 0:27:45 | 0:27:46 | |
HE BLOWS RASPBERRY TUNE | 0:27:47 | 0:27:49 | |
LAUGHTER | 0:27:49 | 0:27:50 | |
# Get ready and do it now | 0:27:50 | 0:27:52 | |
HE BLOWS RASPBERRY TUNE | 0:27:52 | 0:27:54 | |
# It's easy when you know how | 0:27:54 | 0:27:57 | |
# Though it isn't very pretty | 0:27:57 | 0:27:59 | |
# You've got to admit it's cute | 0:27:59 | 0:28:02 | |
# So, all together, let it go | 0:28:02 | 0:28:04 | |
HE BLOWS RASPBERRY TUNE | 0:28:04 | 0:28:06 | |
# Eat more fruit | 0:28:06 | 0:28:07 | |
HE BLOWS RASPBERRY TUNE | 0:28:07 | 0:28:09 | |
# It's certainly come to stay | 0:28:09 | 0:28:12 | |
HE BLOWS RASPBERRY TUNE | 0:28:12 | 0:28:13 | |
# It's a treat to hear him say | 0:28:13 | 0:28:15 | |
# Hey | 0:28:15 | 0:28:17 | |
# Do-te-la-so-fa-me-re-do | 0:28:17 | 0:28:19 | |
HE BLOWS RASPBERRY TUNE | 0:28:19 | 0:28:21 | |
LAUGHTER | 0:28:21 | 0:28:23 | |
# Everything is fresh today | 0:28:23 | 0:28:25 | |
BAND CONCLUDES | 0:28:25 | 0:28:26 | |
MUSIC CONTINUES | 0:28:27 | 0:28:29 | |
UPBEAT SOLO | 0:28:36 | 0:28:39 | |
HE BLOWS RASPBERRY TUNE | 0:28:46 | 0:28:48 | |
LAUGHTER | 0:28:48 | 0:28:49 | |
# It's certainly come to stay | 0:28:49 | 0:28:51 | |
HE BLOWS RASPBERRY TUNE | 0:28:51 | 0:28:53 | |
# It's a treat to hear him say | 0:28:53 | 0:28:55 | |
# Hey, fruit's in season, plenty berries | 0:28:55 | 0:28:58 | |
# Apples, plums and the old raspberries | 0:28:58 | 0:29:01 | |
HE BLOWS RASPBERRY TUNE | 0:29:01 | 0:29:02 | |
# Everything is fresh today | 0:29:02 | 0:29:05 | |
BAND CONCLUDE | 0:29:05 | 0:29:06 | |
HE BLOWS RASPBERRY SOLO | 0:29:06 | 0:29:10 | |
CYMBAL CLASH, BAND ENDS | 0:29:10 | 0:29:11 | |
LAUGHTER AND APPLAUSE | 0:29:11 | 0:29:12 |