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This series only came about because some craven idiot at the BBC | 0:00:02 | 0:00:06 | |
was impressed by an award you won. | 0:00:06 | 0:00:08 | |
It's pretty ridiculous what's happened. | 0:00:08 | 0:00:10 | |
I mean, I've lost my way, and I think if you, if you give people BAFTAs | 0:00:10 | 0:00:13 | |
and British Comedy Awards that's what's going to happen. | 0:00:13 | 0:00:15 | |
I've got no... I don't know who I'm supposed to be any more. | 0:00:15 | 0:00:18 | |
I'm a, who am I? A person who sits every night looking at a mantelpiece | 0:00:18 | 0:00:22 | |
literally creaking with awards, | 0:00:22 | 0:00:24 | |
and yet every single one of those awards is like a vampire bat sucking all the energy out of me. | 0:00:24 | 0:00:30 | |
-It's kryptonite, isn't it? It's kryptonite to your... -Yeah. | 0:00:30 | 0:00:33 | |
And I suppose it looks now as if you're thrashing about | 0:00:33 | 0:00:36 | |
desperately trying to prove that you have an identity. | 0:00:36 | 0:00:39 | |
You have hoards of writers on the show. | 0:00:39 | 0:00:41 | |
You don't appear to be able to summon a thought. | 0:00:41 | 0:00:45 | |
My only, my only hope is that the final moments | 0:00:45 | 0:00:48 | |
of this expiring talent have been captured and that that in itself will be entertaining in some way. | 0:00:48 | 0:00:53 | |
The same way that it might be interesting to watch | 0:00:53 | 0:00:56 | |
an animal expire after its throat's been slit. | 0:00:56 | 0:01:00 | |
A sort of snuff...? | 0:01:00 | 0:01:01 | |
A kind of snuff comedy, yeah. Yeah. | 0:01:01 | 0:01:03 | |
Let's watch the, let's watch the talent and purpose ebb away from | 0:01:03 | 0:01:06 | |
this character, and maybe there's something comical about that. I don't know. | 0:01:06 | 0:01:11 | |
This programme contains very strong language. | 0:01:11 | 0:01:13 | |
So, I don't want to waste any time faffing around or trying | 0:01:13 | 0:01:15 | |
to create a good atmosphere in the room, so what I'm going to ask you to do in about 30 seconds | 0:01:15 | 0:01:22 | |
is clap for about three seconds. | 0:01:22 | 0:01:25 | |
Not as if it were the top of the show. | 0:01:25 | 0:01:26 | |
I don't want any whooping or cheering, | 0:01:26 | 0:01:28 | |
but just clap as if I'd already been on for about a quarter of an hour | 0:01:28 | 0:01:32 | |
and it was going all right and everyone is in a good mood. | 0:01:32 | 0:01:35 | |
I'd just done something that was OK, and I'll come off the back of that | 0:01:35 | 0:01:39 | |
on the move, as if we're already in the show in full flight | 0:01:39 | 0:01:44 | |
and you'll see that works just as well as if I'd done something good. | 0:01:44 | 0:01:48 | |
So, if you can just do about three seconds, low level clapping, | 0:01:50 | 0:01:53 | |
then I'll go into the first half hour. | 0:01:53 | 0:01:55 | |
If you just do that now. About three seconds clapping. | 0:01:55 | 0:01:57 | |
APPLAUSE | 0:01:57 | 0:02:00 | |
I know. I mean, thing is, that's what I said to them but, um, I don't think people listen, you know? | 0:02:00 | 0:02:07 | |
It's like, it's like, being in Spain. | 0:02:07 | 0:02:09 | |
It was ridiculous, you know? Blokes going, "Oh, where's your, you know, sombrero?" | 0:02:09 | 0:02:13 | |
Man. Now, so I was in a cab on a Sunday night | 0:02:13 | 0:02:18 | |
going from Waterloo to Hackney, and suddenly the cab driver turned around and his opening conversation | 0:02:18 | 0:02:24 | |
or gambit was to say this genuine sentence. | 0:02:24 | 0:02:27 | |
He said, "These days you get arrested and thrown in jail if you say you're English, don't you?" | 0:02:27 | 0:02:33 | |
LAUGHTER | 0:02:33 | 0:02:35 | |
Look, we've all done it. You're probably like me. | 0:02:36 | 0:02:39 | |
Sometimes a cab driver or someone might say something like that and you go, "Yeah." | 0:02:39 | 0:02:43 | |
You know, just for a quiet life. | 0:02:43 | 0:02:44 | |
Or if they go, "My face is made out of electricity and ham," | 0:02:44 | 0:02:47 | |
and you go, "Yes, it's awful when that happens. | 0:02:47 | 0:02:50 | |
"My friend had that. An electric ham face." | 0:02:50 | 0:02:53 | |
Or if they go, "All mice are gay and they're from space, aren't they?" | 0:02:53 | 0:02:57 | |
You go, "Yeah, the bloody gay space mice. I can't stand them. They make me physically sick." | 0:02:57 | 0:03:02 | |
You're just, you know, for a quiet life. | 0:03:02 | 0:03:04 | |
But on this occasion I thought, "I wonder what he means?" | 0:03:04 | 0:03:08 | |
I said to him, "What did you say?" And he said, "Oh, these days, | 0:03:08 | 0:03:10 | |
"if you say you're English you get arrested and thrown in jail." | 0:03:10 | 0:03:14 | |
I said, "When did this come in?" | 0:03:16 | 0:03:18 | |
And he said, "No," he said, "if you say you're English these days, mate. | 0:03:18 | 0:03:23 | |
"You get arrested and thrown in jail." | 0:03:23 | 0:03:26 | |
I said, "Are you...? | 0:03:26 | 0:03:28 | |
"What, if you say, just if you say you're English you get arrested and thrown in jail?" | 0:03:28 | 0:03:32 | |
He goes, "Yeah. These days," he said, | 0:03:32 | 0:03:35 | |
"if you say you're English you get arrested and you'll be, you'll be just thrown in jail." | 0:03:35 | 0:03:41 | |
I said "In, in, jail." He goes, "Yeah, these days. These days, mate, if you say you're English, right, | 0:03:41 | 0:03:47 | |
"these days, you'll get arrested and you'll be thrown in jail." | 0:03:47 | 0:03:51 | |
"I said, "You'll be thrown...? | 0:03:51 | 0:03:53 | |
"Actually thrown in jail, just if you, if you say you're English." | 0:03:53 | 0:03:56 | |
He goes, "Yeah, these days. | 0:03:56 | 0:03:58 | |
"Say you're English these days, you'll get, you'll be thrown in, | 0:03:58 | 0:04:02 | |
"arrested, and then you'll be thrown in jail." | 0:04:02 | 0:04:04 | |
I said, "You'd be actually be thrown in jail?" He goes, "Yeah." | 0:04:04 | 0:04:08 | |
I said, "Just for saying you're English?" | 0:04:08 | 0:04:09 | |
He goes, "Yeah," he said, "say you're English these days. | 0:04:09 | 0:04:12 | |
"You get arrested and you'll be, you'd be thrown in jail." | 0:04:12 | 0:04:16 | |
I said, "Thrown in, you'll be thrown in jail if you just say, just for saying you're Eng...?" | 0:04:16 | 0:04:20 | |
He goes, Yes, you will." | 0:04:20 | 0:04:23 | |
"These days," he said, "if you say you're English | 0:04:23 | 0:04:25 | |
"you'll be arrested and you'll be thrown..." | 0:04:25 | 0:04:28 | |
I said, "Absolutely, are you saying, what are you saying? | 0:04:28 | 0:04:31 | |
"If you say you're English these days, you'll be arrested and thrown in jail?" | 0:04:31 | 0:04:35 | |
He goes, "Yes, these days, if you say you're English, you just say that, and you'll be arrested | 0:04:35 | 0:04:40 | |
"and you'll be thrown in jail." | 0:04:40 | 0:04:42 | |
I said, "Thrown in, you'll be thrown in a jail? | 0:04:42 | 0:04:44 | |
"Just if you, and arrested, just if you say..." | 0:04:44 | 0:04:46 | |
He goes, "Yeah, you'll be arrested, then thrown in jail just for saying you're English." | 0:04:46 | 0:04:51 | |
I said, "Just for saying you're English you'll be arrested?" | 0:04:51 | 0:04:53 | |
He goes, "Yeah." I said, "Are you cer..." I said, "Are you sure? | 0:04:53 | 0:04:57 | |
"Will you be arrested and thrown in jail these days if you say you're English?" | 0:04:57 | 0:05:03 | |
And he said, "No." | 0:05:03 | 0:05:04 | |
LAUGHTER | 0:05:04 | 0:05:05 | |
Right. I'd worn him down, "But..." he said, | 0:05:05 | 0:05:11 | |
"but.." he said, "if on an official form where it says | 0:05:11 | 0:05:15 | |
" 'nationality' you cross out British and you write in 'White English' | 0:05:15 | 0:05:20 | |
"they will send that form back." Now, that's not strict... | 0:05:20 | 0:05:23 | |
It's not the same as being arrested, is it? | 0:05:23 | 0:05:26 | |
But it is a very thin line, to be fair. It is. | 0:05:26 | 0:05:30 | |
Earlier this year I was applying for a new passport | 0:05:30 | 0:05:32 | |
and on my passport photo, before I sent it in, on my face, in pen, | 0:05:32 | 0:05:36 | |
I wrote, "There ain't no black in the Union Jack." | 0:05:36 | 0:05:40 | |
Stupid load of fuss. I was banged up. | 0:05:40 | 0:05:42 | |
The next thing I knew Amnesty International had had to fly Micky Flanagan out to Carnegie Hall | 0:05:45 | 0:05:54 | |
to tell New Yorkers about fingering a woman in a fish market | 0:05:54 | 0:05:57 | |
in order to draw attention to my incarceration. | 0:05:57 | 0:06:00 | |
But look, it worked. I stand before you. I'm free. Look, free man. | 0:06:02 | 0:06:06 | |
So there's no truth at all in, what's more than a rumour, that you, you give a taxi driver something | 0:06:06 | 0:06:13 | |
dreadful to read out, and then pay him to read it out | 0:06:13 | 0:06:16 | |
so that you then have the supposed authenticity of having gathered a kind of, a folk bigotry into your... | 0:06:16 | 0:06:23 | |
-Well... -..cynical little sack. | 0:06:24 | 0:06:27 | |
I didn't initially do that. | 0:06:27 | 0:06:28 | |
Initially, the ideas that I got from cab drivers are from things they've | 0:06:28 | 0:06:32 | |
said, but pretty soon on, in between the second and third series, | 0:06:32 | 0:06:36 | |
I realised that what I really, I needed them to say particular things | 0:06:36 | 0:06:40 | |
to make the routines work, and I wanted the routines to have the, the, the feeling of... | 0:06:40 | 0:06:47 | |
This is, I mean, this is unbelievable. | 0:06:47 | 0:06:48 | |
This is, this is, the Jeremy Kyle argument. It is. | 0:06:48 | 0:06:53 | |
"I get them in the studio. They do it anyway, but I just put them in front of a camera and what's more, | 0:06:53 | 0:06:59 | |
"they get paid at the end of the day, | 0:06:59 | 0:07:01 | |
"and then they get some therapy afterwards to make absolute idiots of themselves at my behest." | 0:07:01 | 0:07:06 | |
That's what he says. That's what you say. | 0:07:06 | 0:07:08 | |
You're the same. | 0:07:08 | 0:07:09 | |
I don't, I don't film them doing it. I just remember what they've said. | 0:07:09 | 0:07:13 | |
-You film yourself remembering what they said. -I film myself remembering what I told them to say. | 0:07:13 | 0:07:17 | |
Which gives you the advantage because they're not there to answer for themselves. | 0:07:17 | 0:07:21 | |
No, well, if they were I wouldn't do it, because I think they would... | 0:07:21 | 0:07:23 | |
They'd have you. | 0:07:23 | 0:07:25 | |
Well, what are you going to do? I mean, in fact I don't... I don't have time now to have adventures or | 0:07:25 | 0:07:29 | |
experiences or ideas, so it's best if I can provoke the response | 0:07:29 | 0:07:33 | |
I want from a person and then pass it off as something that actually happened. | 0:07:33 | 0:07:37 | |
I mean, it didn't, it didn't not happen. | 0:07:37 | 0:07:39 | |
It just didn't happen really. | 0:07:39 | 0:07:41 | |
But a lot of people have anxieties about cultural identity, and that explains the rise of UKIP. | 0:07:41 | 0:07:46 | |
The UKIPs, that and the fact that Nigel Farage of the UKIPs | 0:07:46 | 0:07:50 | |
is what we in England call a character. | 0:07:50 | 0:07:53 | |
He's a character, isn't he? Nigel Farage. | 0:07:53 | 0:07:55 | |
The character. But remember, a character is defined in the Dictionary of Theatre | 0:07:55 | 0:07:59 | |
as being "something that gives the illusion of being a person." | 0:07:59 | 0:08:03 | |
LAUGHTER | 0:08:03 | 0:08:05 | |
Now, a lot of people have been saying their voting UKIP was a protest vote. | 0:08:06 | 0:08:09 | |
Which I sort of understand, | 0:08:09 | 0:08:10 | |
but when we were young, a protest vote, you voted for someone nice | 0:08:10 | 0:08:13 | |
who might not get in, like the Greens, didn't you, | 0:08:13 | 0:08:16 | |
or some funny, silly, amusing party like the Raving Monster Loony Party or the Liberal Democrats. | 0:08:16 | 0:08:20 | |
Something like that. But people have been voting for | 0:08:20 | 0:08:23 | |
the UKIPs as a protest vote, and they're nasty, | 0:08:23 | 0:08:26 | |
and they might get in, and then what kind of protest is that? | 0:08:26 | 0:08:30 | |
That's like shitting your hotel bed as a protest against bad service, | 0:08:30 | 0:08:33 | |
and then realising you've now got to sleep in a shitted bed. | 0:08:33 | 0:08:36 | |
Paul Nuttalls is the Deputy Leader of the UKIPs | 0:08:40 | 0:08:43 | |
and he's from Liverpool, and he's very worried about all these Bulgarians coming over, and in July, | 0:08:43 | 0:08:49 | |
he said, "Bulgarians need to ensure that their brightest and best people stay in Bulgaria | 0:08:49 | 0:08:55 | |
"and make it economically prosperous instead of coming to the UK to serve tea and coffee." | 0:08:55 | 0:09:02 | |
Now, that's all very well for Paul Nuttalls of the UKIPs, because he lives in Liverpool. | 0:09:02 | 0:09:08 | |
But I live in London, and what I want to know is how am I supposed to get cheap tea and coffee, | 0:09:08 | 0:09:15 | |
unless there's a massively overqualified East European philosophy professor | 0:09:15 | 0:09:21 | |
prepared to make it for me for significantly less than the living wage? | 0:09:21 | 0:09:26 | |
Selfish, selfish Paul Nuttalls of the UKIPs. | 0:09:27 | 0:09:31 | |
Paul Nuttalls of the UKIPs' clearly genuine concern for domestic economic prosperity in Bulgaria. | 0:09:31 | 0:09:37 | |
I don't doubt that for a minute, but that is threatening my | 0:09:37 | 0:09:40 | |
access to cheap hot beverages in the central London area, | 0:09:40 | 0:09:45 | |
and what I say to Paul Nuttalls of the UKIPs from Liverpool is this. | 0:09:45 | 0:09:49 | |
Paul Nuttall of the UKIPs, from Liverpool, | 0:09:49 | 0:09:54 | |
abandon your parliamentary hopes and your dreams of London | 0:09:54 | 0:09:58 | |
and stay in Liverpool where you belong. | 0:09:58 | 0:10:01 | |
For you are clearly the brightest and best | 0:10:02 | 0:10:05 | |
that Liverpool has to offer. | 0:10:05 | 0:10:07 | |
So stay in Liverpool | 0:10:08 | 0:10:10 | |
and concentrate instead on making Liverpool economically prosperous, | 0:10:10 | 0:10:15 | |
and not just by climbing over the hotel toilet cubicle doors | 0:10:15 | 0:10:18 | |
and stealing people's coats, either. | 0:10:18 | 0:10:21 | |
But how to make Liverpool economically prosperous? | 0:10:22 | 0:10:26 | |
If only there was some way for Liverpudlians | 0:10:26 | 0:10:29 | |
to profit from going on and on about the past in a whiny voice. | 0:10:29 | 0:10:32 | |
What you've done is evolve a system | 0:10:36 | 0:10:39 | |
that knowingly operates the levers that make people laugh | 0:10:39 | 0:10:43 | |
by using any means possible | 0:10:43 | 0:10:45 | |
apart from actually saying anything funny. | 0:10:45 | 0:10:47 | |
-Yeah, I know. -You make them feel awkward. | 0:10:47 | 0:10:49 | |
-Yep. -You make them feel a bit afraid. -Yep. | 0:10:49 | 0:10:51 | |
-You make them feel nervous. -Yep. | 0:10:51 | 0:10:53 | |
And that is the only reason they laugh. | 0:10:53 | 0:10:55 | |
But what's the last thing that they would expect? | 0:10:55 | 0:10:58 | |
Something funny actually just being said, | 0:10:58 | 0:11:00 | |
-and that's what I've tried to do in this series. -Again and again. | 0:11:00 | 0:11:03 | |
Again and again I've tried to just do a joke that will make people laugh | 0:11:03 | 0:11:06 | |
and you can see the fear and confusion on their faces. | 0:11:06 | 0:11:10 | |
They go, "Oh, what's this? What's happening now?" | 0:11:10 | 0:11:12 | |
This is quite a complicated brew | 0:11:12 | 0:11:15 | |
because I'm not sure whether that's smug or psychotic. | 0:11:15 | 0:11:20 | |
Yeah. | 0:11:20 | 0:11:21 | |
Now I am aware, | 0:11:21 | 0:11:22 | |
right, it's now December 2013 | 0:11:22 | 0:11:25 | |
and I'm recording this | 0:11:25 | 0:11:27 | |
but by the time this goes out, it will be 2014, | 0:11:27 | 0:11:31 | |
by which time, if the UKIPs are right, | 0:11:31 | 0:11:34 | |
we will have been swamped by Bulgarians, | 0:11:34 | 0:11:36 | |
and I do appreciate | 0:11:36 | 0:11:37 | |
that I will now look like the worst kind of BBC liberal apologist idiot | 0:11:37 | 0:11:42 | |
if you're all sitting at home watching this dubbed into Bulgarian. | 0:11:42 | 0:11:47 | |
LAUGHTER | 0:11:47 | 0:11:49 | |
With Romanian subtitles. | 0:11:50 | 0:11:53 | |
But the UKIPs seem to object to the Bulgarians | 0:11:55 | 0:11:57 | |
on the grounds that they are skilled, | 0:11:57 | 0:12:00 | |
which is a whole new angle in the anti-immigration debate. | 0:12:00 | 0:12:03 | |
Here they are, coming over here, their skills. | 0:12:03 | 0:12:07 | |
A lot of people say, um, that we need mass immigration | 0:12:07 | 0:12:11 | |
if we're going to have economic growth. | 0:12:11 | 0:12:13 | |
Other people say it will always cost the infrastructure | 0:12:13 | 0:12:16 | |
more than it brings to the country. | 0:12:16 | 0:12:18 | |
Whatever the truth of those two positions, | 0:12:18 | 0:12:21 | |
the way people are talking about the Bulgarians, | 0:12:21 | 0:12:24 | |
we've seen it all before, haven't we? | 0:12:24 | 0:12:25 | |
We've seen, ten years ago, with the Poles. | 0:12:25 | 0:12:29 | |
People going, oh, bloody Poles, coming over here. | 0:12:29 | 0:12:32 | |
Bloody Poles, coming over here, | 0:12:32 | 0:12:34 | |
being all Polish and mending everything. | 0:12:34 | 0:12:37 | |
Coming over here, fixing all the stuff we've broken | 0:12:38 | 0:12:41 | |
and are too illiterate to read the instructions for. | 0:12:41 | 0:12:45 | |
Doing it better than us in a second language. Bloody Poles. | 0:12:45 | 0:12:48 | |
Coming over here. | 0:12:48 | 0:12:50 | |
When I was a kid. 40, 45 years ago, it was the Indians, weren't it? | 0:12:50 | 0:12:53 | |
Bloody Indians, Pakistanis and Indians, coming over here, | 0:12:53 | 0:12:57 | |
inventing us a national cuisine. | 0:12:57 | 0:12:59 | |
LAUGHTER | 0:12:59 | 0:13:03 | |
Before that, in the 16th century, | 0:13:03 | 0:13:06 | |
it was bloody Huguenots, weren't it? Bloody Huguenots. | 0:13:06 | 0:13:10 | |
Coming over here from medieval France. Bloody French. | 0:13:10 | 0:13:13 | |
Religious heretics coming over here, doubting transubstantiation. | 0:13:13 | 0:13:19 | |
LAUGHTER | 0:13:19 | 0:13:21 | |
Bloody French Huguenots coming over here | 0:13:21 | 0:13:24 | |
questioning the Eucharistic symbolism | 0:13:24 | 0:13:28 | |
with their famed ability to weave little jerkins out of lace. | 0:13:28 | 0:13:33 | |
We don't want your lace here. | 0:13:33 | 0:13:36 | |
We've got corduroy. | 0:13:36 | 0:13:38 | |
My name's Paul Nuttalls of UKIPs | 0:13:39 | 0:13:42 | |
and I say we need to ensure the brightest and best Huguenots | 0:13:42 | 0:13:46 | |
stay in medieval France and concentrate on | 0:13:46 | 0:13:49 | |
revising its relationship with the Eucharistic tradition, | 0:13:49 | 0:13:53 | |
instead of coming over here to the UK | 0:13:53 | 0:13:55 | |
and teaching us to make hats out of lace. | 0:13:55 | 0:13:57 | |
And before then, in the 5th century, was the Anglo-Saxons, weren't it? | 0:13:57 | 0:14:02 | |
Bloody Anglo-Saxons, | 0:14:02 | 0:14:05 | |
coming over here, | 0:14:05 | 0:14:06 | |
from Northern Continental Europe. | 0:14:06 | 0:14:09 | |
Bloody Anglo-Saxons with their inlay jewellery | 0:14:09 | 0:14:13 | |
and their shit burial traditions, | 0:14:13 | 0:14:16 | |
and their miserable epic poetry. | 0:14:16 | 0:14:19 | |
RECITES ANGLOSAXON POEM | 0:14:20 | 0:14:24 | |
To come over here, Anglo-Saxons, | 0:14:33 | 0:14:34 | |
learn to speak the fucking language. | 0:14:34 | 0:14:37 | |
APPLAUSE | 0:14:37 | 0:14:38 | |
My name's Paul Nuttall from UKIP | 0:14:38 | 0:14:40 | |
and I say we need to ensure the brightest and best Anglo-Saxons | 0:14:40 | 0:14:44 | |
stay in 5th century Northern Continental Europe | 0:14:44 | 0:14:48 | |
instead of coming over here to the UK | 0:14:48 | 0:14:50 | |
and laying down the basis of our entire future language and culture. | 0:14:50 | 0:14:54 | |
And before them, 2000BC, 4,000 years ago, | 0:14:56 | 0:15:01 | |
was the Beaker folk, weren't it? | 0:15:01 | 0:15:03 | |
Bloody Beaker folk. | 0:15:03 | 0:15:05 | |
The Beaker folk. | 0:15:05 | 0:15:06 | |
Coming over here, | 0:15:06 | 0:15:09 | |
rowing up the Tagus Estuary from the Iberian Peninsula | 0:15:09 | 0:15:13 | |
in improvised rafts. | 0:15:13 | 0:15:15 | |
The bloody Beaker folk, coming over here with their beakers. | 0:15:15 | 0:15:18 | |
With their drinking vessels. | 0:15:18 | 0:15:20 | |
What's wrong with just cupping up the water in your hands? | 0:15:20 | 0:15:24 | |
And licking it up like a cat? | 0:15:24 | 0:15:26 | |
My name's Paul Nuttall of UKIP and I say | 0:15:28 | 0:15:30 | |
we need to ensure the brightest and best Beaker folk | 0:15:30 | 0:15:34 | |
stay in the Iberian Peninsula and fill it with beakers | 0:15:34 | 0:15:38 | |
instead of coming over here to the UK | 0:15:38 | 0:15:40 | |
and teaching us to drink liquid out of cups. | 0:15:40 | 0:15:43 | |
And before them, 4500 BC, | 0:15:43 | 0:15:46 | |
6,500 years ago, the Neolithic people, weren't it? | 0:15:46 | 0:15:49 | |
Bloody Neolithic people, | 0:15:49 | 0:15:52 | |
coming over here from Continental Mediterranean. | 0:15:52 | 0:15:55 | |
Neolithic people. | 0:15:55 | 0:15:57 | |
Coming over here with their pictograms, | 0:15:57 | 0:16:01 | |
and their primitive wheat farming innovations, | 0:16:01 | 0:16:05 | |
and their astrological stone circle temples | 0:16:05 | 0:16:08 | |
with all the rocks aligned with the movements of the planets. | 0:16:08 | 0:16:12 | |
What's wrong with just worshipping a tree? | 0:16:12 | 0:16:14 | |
LAUGHTER | 0:16:14 | 0:16:17 | |
My name's Paul Nuttall of UKIPs | 0:16:17 | 0:16:20 | |
and I say we need to ensure the brightest and best Neolithic people | 0:16:20 | 0:16:23 | |
stay in Mediterranean Continent | 0:16:23 | 0:16:25 | |
instead of coming over here to the UK | 0:16:25 | 0:16:27 | |
and teaching us to make and eat bread. | 0:16:27 | 0:16:30 | |
And before them, 400 million years ago, | 0:16:31 | 0:16:36 | |
when the first fish crawled up onto the land. | 0:16:36 | 0:16:39 | |
Our land. | 0:16:39 | 0:16:42 | |
You get back in the sea. | 0:16:45 | 0:16:47 | |
You finned cunt. | 0:16:48 | 0:16:50 | |
Coming up here, onto our land | 0:16:53 | 0:16:57 | |
with your barely developed lungs | 0:16:57 | 0:17:01 | |
and your hopes and dreams of a better tomorrow for fish. | 0:17:01 | 0:17:04 | |
Get back in the sea. | 0:17:04 | 0:17:06 | |
My name's Paul Nuttall of UKIP | 0:17:06 | 0:17:07 | |
and I say we need to ensure the brightest and best fish | 0:17:07 | 0:17:11 | |
stay in the sea and concentrate on making it aquatically prosperous | 0:17:11 | 0:17:16 | |
instead of coming up here onto the land | 0:17:16 | 0:17:18 | |
and beginning the process of evolution | 0:17:18 | 0:17:20 | |
that will eventually lead to all life on Earth as we know it. | 0:17:20 | 0:17:23 | |
It's too full, isn't it? | 0:17:23 | 0:17:25 | |
Not Britain. Reality is too full. | 0:17:25 | 0:17:29 | |
Reality is too full, isn't it? Reality. | 0:17:29 | 0:17:32 | |
There's too much stuff everywhere. | 0:17:34 | 0:17:36 | |
In reality, isn't there? | 0:17:36 | 0:17:38 | |
I liked it when there was nothing. Remember? | 0:17:39 | 0:17:42 | |
Remember when nothing existed at all? There was nothing. | 0:17:43 | 0:17:47 | |
And it was just an infinite void of nothing, and nothing existed. | 0:17:47 | 0:17:52 | |
Brilliant. Remember? | 0:17:52 | 0:17:54 | |
Remember the old nothing? | 0:17:54 | 0:17:56 | |
The old times of nothing. | 0:17:56 | 0:17:57 | |
Remember? When there was nothing. | 0:17:57 | 0:18:00 | |
Remember? The old nothing. | 0:18:00 | 0:18:02 | |
Remember when there was nothing? | 0:18:03 | 0:18:05 | |
Remember? | 0:18:05 | 0:18:06 | |
# Oh, oh there's nothing | 0:18:06 | 0:18:09 | |
# There's nothing | 0:18:09 | 0:18:11 | |
# Oh, remember. Oh, remember | 0:18:11 | 0:18:13 | |
# Oh, there's nothing at all | 0:18:13 | 0:18:16 | |
# Anywhere | 0:18:16 | 0:18:17 | |
# Oh, there's nothing | 0:18:17 | 0:18:19 | |
# Nothing. Nothing | 0:18:19 | 0:18:22 | |
# Oh, there's nothing anywhere at all | 0:18:22 | 0:18:24 | |
# Remember the old... | 0:18:24 | 0:18:25 | |
# Oh, is there anything over there? | 0:18:25 | 0:18:28 | |
# No, there's nothing | 0:18:28 | 0:18:31 | |
# What about round over there? | 0:18:31 | 0:18:33 | |
# There's nothing there either | 0:18:33 | 0:18:36 | |
# Is there anything over there? | 0:18:36 | 0:18:38 | |
# No. There's nothing | 0:18:38 | 0:18:40 | |
# What about over there? | 0:18:40 | 0:18:42 | |
# No, there isn't There's nothing. # | 0:18:42 | 0:18:44 | |
Remember in the old? Remember, nothing. | 0:18:44 | 0:18:46 | |
# Oh, nothing, nothing, nothing Nothing, oi! | 0:18:46 | 0:18:49 | |
# There's nothing, nothing at all | 0:18:49 | 0:18:52 | |
# Ah, nothing at all | 0:18:52 | 0:18:55 | |
# Nothing. Nothing, nothing, nothing | 0:18:55 | 0:18:57 | |
# Nothing | 0:18:57 | 0:18:59 | |
# Nothing | 0:18:59 | 0:19:01 | |
# Nothing | 0:19:01 | 0:19:03 | |
# Nothing out there | 0:19:03 | 0:19:04 | |
# There's nothing at all | 0:19:04 | 0:19:07 | |
# Out there is nothing | 0:19:07 | 0:19:12 | |
# Oh, there's nothing | 0:19:12 | 0:19:14 | |
# There's nothing. # | 0:19:14 | 0:19:16 | |
The old nothing times. Remember? | 0:19:16 | 0:19:17 | |
When there was nothing. Oh, it's brilliant. | 0:19:17 | 0:19:20 | |
There was no planets, was there? No. | 0:19:20 | 0:19:24 | |
And there was no suns, was there? No. | 0:19:25 | 0:19:27 | |
There was no crime. | 0:19:28 | 0:19:30 | |
LAUGHTER | 0:19:30 | 0:19:32 | |
Make of that what you will. | 0:19:34 | 0:19:36 | |
Could leave your house unlocked, couldn't you? | 0:19:37 | 0:19:40 | |
Cos it didn't exist. | 0:19:40 | 0:19:42 | |
There was nothing and it was bloody brilliant, and now, oh... | 0:19:45 | 0:19:48 | |
There was a big bang, wasn't there? | 0:19:48 | 0:19:51 | |
I don't remember anyone asking me if I wanted a big bang. | 0:19:51 | 0:19:54 | |
And now there's all this matter, isn't there? | 0:19:56 | 0:19:59 | |
Coming over here | 0:20:00 | 0:20:03 | |
and existing. | 0:20:03 | 0:20:05 | |
My name's Paul Nuttall of UKIP | 0:20:06 | 0:20:08 | |
and I say we need to ensure the brightest and best | 0:20:08 | 0:20:12 | |
particles of energy | 0:20:12 | 0:20:14 | |
that are yet to find a physical form | 0:20:14 | 0:20:17 | |
stay in an infinite void of nothing instead | 0:20:17 | 0:20:21 | |
of somehow coming together | 0:20:21 | 0:20:23 | |
and forming the basis of everything | 0:20:23 | 0:20:26 | |
that will ever exist. | 0:20:26 | 0:20:27 | |
LAUGHTER | 0:20:27 | 0:20:30 | |
It's not fair to make fun of Paul Nuttall from UKIP though, | 0:20:32 | 0:20:35 | |
because he's only trying as best he can | 0:20:35 | 0:20:38 | |
to ensure the future domestic prosperity | 0:20:38 | 0:20:40 | |
of Bulgaria. I don't doubt that for a minute. | 0:20:40 | 0:20:42 | |
And that is the main thrust of all UKIP policy. | 0:20:42 | 0:20:46 | |
That and bring back smoking in pubs. | 0:20:46 | 0:20:48 | |
And all the other stuff - | 0:20:48 | 0:20:50 | |
the homophobia, the climate change denial, | 0:20:50 | 0:20:52 | |
hitting people over the head with magazines. | 0:20:52 | 0:20:55 | |
That's all incidental to the main | 0:20:55 | 0:20:58 | |
pro-Bulgaria, pro-smoking thrust. | 0:20:58 | 0:21:00 | |
I appreciate that I am protected from many | 0:21:01 | 0:21:04 | |
of the stresses and strains that turn people against one another | 0:21:04 | 0:21:07 | |
but I do think we can all get on. | 0:21:07 | 0:21:08 | |
I live here, in the people's republic of Hackney | 0:21:08 | 0:21:11 | |
in North East London. It's very culturally diverse. | 0:21:11 | 0:21:14 | |
They're not really in this audience, but... | 0:21:14 | 0:21:16 | |
LAUGHTER | 0:21:16 | 0:21:18 | |
But I've had kids at nursery and playgroup here. | 0:21:22 | 0:21:25 | |
And what they do at the nurseries and playgroups in | 0:21:25 | 0:21:27 | |
Hackney... They celebrate all the different kids' festivals | 0:21:27 | 0:21:31 | |
and cultural events in what you might call a logical, sensitive | 0:21:31 | 0:21:35 | |
and pragmatic approach to cultural diversity | 0:21:35 | 0:21:37 | |
gone mad. | 0:21:37 | 0:21:39 | |
LAUGHTER | 0:21:39 | 0:21:42 | |
They celebrate Christian Christmas, | 0:21:42 | 0:21:44 | |
Chinese New Year, Muslim Michaelmas, | 0:21:44 | 0:21:46 | |
Atheist April Fool's day, | 0:21:46 | 0:21:48 | |
Pantheus' Pancake Day, | 0:21:48 | 0:21:49 | |
Odinist Oatcake Day | 0:21:49 | 0:21:50 | |
and Lesbian Gay and Bisexual Harvest Festival, | 0:21:50 | 0:21:53 | |
which is a fantastic day - | 0:21:53 | 0:21:55 | |
full of fruit for all the family. | 0:21:55 | 0:21:57 | |
But EDL members and Daily Telegraph readers, relax, | 0:21:57 | 0:22:03 | |
they do celebrate St George's Day as well. | 0:22:03 | 0:22:06 | |
On St George's Day they told me I had | 0:22:06 | 0:22:08 | |
to send my little two-year-old girl into the Hackney playgroup | 0:22:08 | 0:22:12 | |
dressed in traditional English costume, | 0:22:12 | 0:22:14 | |
so I sent her in dressed | 0:22:14 | 0:22:16 | |
as a 1970s English football hooligan | 0:22:16 | 0:22:18 | |
with a cross of St George and all swastikas drawn on her face, | 0:22:18 | 0:22:24 | |
and I had her drunk on Special Brew | 0:22:24 | 0:22:27 | |
and high on amphetamines. | 0:22:27 | 0:22:29 | |
I gave her sharpened coins to throw at horses, | 0:22:29 | 0:22:33 | |
and I had her shouting, | 0:22:33 | 0:22:34 | |
"I'm English, I'm English! Want to make something of it?" | 0:22:34 | 0:22:38 | |
Now, that led to a misunderstanding | 0:22:38 | 0:22:41 | |
and the police became involved. | 0:22:41 | 0:22:43 | |
Apparently, if you say you're English these days | 0:22:43 | 0:22:46 | |
you get arrested and thrown in jail. | 0:22:46 | 0:22:48 | |
APPLAUSE AND LAUGHTER | 0:22:48 | 0:22:50 | |
And what I've realised lately | 0:22:53 | 0:22:55 | |
is audiences that come out to things, they do want to enjoy themselves, | 0:22:55 | 0:22:59 | |
and my job is to allow them to. | 0:22:59 | 0:23:01 | |
And previously I've spent too much time trying to stop them | 0:23:01 | 0:23:04 | |
from enjoying themselves, I think. | 0:23:04 | 0:23:06 | |
You've become a sort of traffic warden for their laughter. | 0:23:06 | 0:23:08 | |
You're going, laugh for five seconds, stop. | 0:23:08 | 0:23:11 | |
This one's really hilarious. Make a lot of noise. | 0:23:11 | 0:23:14 | |
-Yep. -I mean, I've seen you do that for hours. | 0:23:14 | 0:23:16 | |
I know, well, the laughter is in the room like a resource | 0:23:16 | 0:23:20 | |
that's bottled up. | 0:23:20 | 0:23:22 | |
My job is to decant, | 0:23:22 | 0:23:24 | |
to decant enjoyment from a collective body of people. | 0:23:24 | 0:23:28 | |
But to decant it at a rate that is | 0:23:28 | 0:23:31 | |
just enough to eke out | 0:23:31 | 0:23:32 | |
half an hour of laughs for BBC Two. | 0:23:32 | 0:23:34 | |
It's like being a surgeon. | 0:23:34 | 0:23:35 | |
A trepanning sort of... | 0:23:35 | 0:23:37 | |
It's like being a... | 0:23:37 | 0:23:38 | |
A man with a drill. | 0:23:38 | 0:23:40 | |
A surgeon or someone | 0:23:40 | 0:23:42 | |
that milks semen out of a pig for, um, | 0:23:42 | 0:23:44 | |
for artificial insemination. | 0:23:44 | 0:23:47 | |
The laughter is like the pig semen | 0:23:47 | 0:23:49 | |
and the audience | 0:23:49 | 0:23:51 | |
are like the genitals of the pig | 0:23:51 | 0:23:52 | |
and the comedian | 0:23:52 | 0:23:54 | |
is the person milking the pig semen out | 0:23:54 | 0:23:57 | |
with a view towards selling it on | 0:23:57 | 0:23:59 | |
for use in industrial farming techniques. | 0:23:59 | 0:24:01 | |
SOMBRE MUSIC PLAYS | 0:24:09 | 0:24:11 | |
MUSIC CONTINUES | 0:24:30 | 0:24:33 | |
THRUMMING | 0:25:34 | 0:25:36 | |
SIZZLING | 0:25:36 | 0:25:38 | |
CHIMING | 0:25:48 | 0:25:51 | |
ROMANTIC MUSIC PLAYS | 0:25:53 | 0:25:55 | |
DRONING | 0:26:33 | 0:26:36 | |
WHIRRING | 0:26:41 | 0:26:43 | |
MUSIC STOPS | 0:26:46 | 0:26:47 | |
ROARING | 0:27:07 | 0:27:09 | |
MUSIC: "Jerusalem" | 0:27:32 | 0:27:36 |