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This programme contains some strong language | 0:00:02 | 0:00:07 | |
Do you think satire is a loser's game? | 0:00:07 | 0:00:09 | |
Is it the cry of the loser? | 0:00:09 | 0:00:10 | |
Well, I prefer not to be called a satirist, | 0:00:10 | 0:00:13 | |
because it suggests a degree of rigour, | 0:00:13 | 0:00:15 | |
accuracy and research that I'm not prepared to... | 0:00:15 | 0:00:19 | |
I'm not prepared to put that amount of effort in. | 0:00:19 | 0:00:21 | |
And yet, health wise, you are satirising yourself from the inside. | 0:00:21 | 0:00:24 | |
Yeah, if you look at the first series in the Mildmay Club | 0:00:24 | 0:00:26 | |
I was hanging off the railings, rolling around on the floor... | 0:00:26 | 0:00:30 | |
I mean, it's as much as I can do now, | 0:00:30 | 0:00:32 | |
I'm so unfit and decrepit, to even just to stand for half an hour. | 0:00:32 | 0:00:36 | |
APPLAUSE | 0:00:36 | 0:00:38 | |
Thank you. Yeah. Now... Um... | 0:00:38 | 0:00:42 | |
One of the things I thought was funny about the death of Thatcher... | 0:00:44 | 0:00:47 | |
LAUGHTER | 0:00:47 | 0:00:50 | |
..was, um... | 0:00:50 | 0:00:51 | |
MUTED APPLAUSE | 0:00:51 | 0:00:52 | |
Don't applaud that! | 0:00:52 | 0:00:55 | |
Was that, um, people... to satirise her, | 0:00:55 | 0:00:58 | |
people bought this Munchkins record, didn't they? | 0:00:58 | 0:01:01 | |
Munchkins singing 'The Witch is Dead' from Wizard of Oz. | 0:01:01 | 0:01:03 | |
We were watching the news, the week of Thatcher's death, me and my son, | 0:01:03 | 0:01:06 | |
and he said to me, "Dad, why are the Munchkins singing on the news?" | 0:01:06 | 0:01:09 | |
And I said to him, "Well, it's because an old lady, | 0:01:09 | 0:01:12 | |
"who about half the country didn't like has died | 0:01:12 | 0:01:16 | |
"and so, to make fun of her, a lot of people | 0:01:16 | 0:01:19 | |
"have bought this record of the Munchkins singing." | 0:01:19 | 0:01:21 | |
And he looked confused, so I said to him, "What do you think of that?" | 0:01:21 | 0:01:25 | |
"Do you think that's fair?" And he said, "No, Daddy, it isn't fair." | 0:01:25 | 0:01:29 | |
And I said, "Why?" And he said, "Because the Munchkins will be sad | 0:01:29 | 0:01:33 | |
"when they find out that an old lady's died.' | 0:01:33 | 0:01:38 | |
28 years old he is. | 0:01:38 | 0:01:40 | |
LAUGHTER | 0:01:40 | 0:01:42 | |
He's a fucking idiot. | 0:01:42 | 0:01:44 | |
LAUGHTER | 0:01:44 | 0:01:47 | |
He's a constant source of shame and embarrassment | 0:01:47 | 0:01:50 | |
to everyone in the family. | 0:01:50 | 0:01:54 | |
Combs his hair with a spoon! | 0:01:54 | 0:01:56 | |
He is kind, though, he's one of the kindest people I've ever met. | 0:01:56 | 0:01:59 | |
Should have his own Channel 4 comedy-drama series. | 0:01:59 | 0:02:03 | |
Now... | 0:02:06 | 0:02:09 | |
in the 1980s, the Labour Party believed that the poor, | 0:02:09 | 0:02:12 | |
who did not deserve to be poor, should be helped by the rich, | 0:02:12 | 0:02:15 | |
who did not deserve to be rich. | 0:02:15 | 0:02:18 | |
Meanwhile, the Conservatives thought that the poor, | 0:02:18 | 0:02:20 | |
who deserved to be poor, should not be helped by the rich, | 0:02:20 | 0:02:23 | |
who deserved to be rich. And that is the 1980s explained. | 0:02:23 | 0:02:28 | |
It's very different today. | 0:02:28 | 0:02:30 | |
Today, both the main parties believe that the poor | 0:02:30 | 0:02:33 | |
should be tied up in a bin-bag and thrown into a canal. | 0:02:33 | 0:02:37 | |
The Conservatives, to be fair to them, | 0:02:37 | 0:02:39 | |
at least had the guts to look as if they mean that. | 0:02:39 | 0:02:43 | |
Whereas the Labour Party, when they announced their support | 0:02:43 | 0:02:45 | |
for welfare cuts, they did so with all the confidence | 0:02:45 | 0:02:48 | |
of a dog running away from the smell of his own farts. | 0:02:48 | 0:02:54 | |
The leaders are no different, are they? David Cameron and Ed Miliband. | 0:02:54 | 0:02:57 | |
They are about as different as two rats fighting over a courgette | 0:02:57 | 0:03:01 | |
that has fallen into a urinal. | 0:03:01 | 0:03:04 | |
LAUGHTER | 0:03:04 | 0:03:06 | |
The main difference being that the David Cameron rat is wearing Chinos. | 0:03:06 | 0:03:11 | |
LAUGHTER | 0:03:11 | 0:03:15 | |
In an attempt to win over the youth voter. | 0:03:15 | 0:03:18 | |
LAUGHTER | 0:03:18 | 0:03:21 | |
I do think we should vote though, | 0:03:21 | 0:03:23 | |
I know that's unfashionable in stand-up comedy now, | 0:03:23 | 0:03:25 | |
but I do think we should vote. Fair play, though. | 0:03:25 | 0:03:27 | |
Congratulations to Russell Brand for bringing global capitalism | 0:03:27 | 0:03:32 | |
to the attention of CBeebies viewers. | 0:03:32 | 0:03:34 | |
LAUGHTER | 0:03:34 | 0:03:37 | |
Russell Brand and Jeremy Paxman. It was hardly Frost/Nixon, was it? | 0:03:37 | 0:03:42 | |
More like watching a monkey throw his own excrement at a foghorn. | 0:03:42 | 0:03:46 | |
LAUGHTER AND APPLAUSE | 0:03:46 | 0:03:50 | |
Now... hear that? Applause? That's what I like. | 0:03:50 | 0:03:53 | |
I'm not interested in laughs. | 0:03:53 | 0:03:54 | |
I prefer applause. "Is it supposed to be funny?" | 0:03:54 | 0:03:58 | |
That's what the critics say. No, it isn't. | 0:03:58 | 0:04:00 | |
I'm not interested in laughs. I'm interested in... | 0:04:00 | 0:04:03 | |
"Did you see Stewart Lee?" "Yeah." "Was it funny?" | 0:04:03 | 0:04:05 | |
"No, but I agreed the fuck out of it". | 0:04:05 | 0:04:07 | |
LAUGHTER | 0:04:07 | 0:04:09 | |
I'm not interested in laughs, | 0:04:09 | 0:04:11 | |
what I'm aiming for is a temporary mass liberal consensus. | 0:04:11 | 0:04:16 | |
That dissolves on contact with air. | 0:04:16 | 0:04:19 | |
LAUGHTER | 0:04:19 | 0:04:22 | |
I remember, when I first voted in the '80s, I voted Labour. | 0:04:26 | 0:04:31 | |
Now I don't think I understood the issues, | 0:04:31 | 0:04:33 | |
but I did love the guitar sound on Billy Bragg's first album. | 0:04:33 | 0:04:36 | |
I'd like to vote Conservative now though and I'll tell you why. | 0:04:38 | 0:04:42 | |
When I met my wife ten years ago, I wasn't really earning enough | 0:04:42 | 0:04:44 | |
to pay tax, but I am now, so I would like to vote Conservative, | 0:04:44 | 0:04:47 | |
so I can pay less or no tax, ideally I'd have to pay no tax at all. | 0:04:47 | 0:04:53 | |
The money I've got, that's mine, and I want to keep all of that. | 0:04:53 | 0:04:58 | |
And I don't want any of that to go to schools or hospitals | 0:04:58 | 0:05:02 | |
or to help people less fortunate than me, | 0:05:02 | 0:05:05 | |
either here or in Bongo Bongo Land. | 0:05:05 | 0:05:09 | |
The money... that money's mine. | 0:05:09 | 0:05:11 | |
And people say to me, "Don't you think you are lucky | 0:05:11 | 0:05:14 | |
"getting certain professional breaks that have helped you to earn?" | 0:05:14 | 0:05:17 | |
No, I don't think that comes into it. | 0:05:17 | 0:05:20 | |
I think if you have to think, if you're earning, | 0:05:20 | 0:05:22 | |
you have to think there's some divine cosmic justice at play, | 0:05:22 | 0:05:24 | |
in which you're being rewarded | 0:05:24 | 0:05:27 | |
and the poor are being punished for some crime or moral deficiency. | 0:05:27 | 0:05:30 | |
And er...the money's mine. | 0:05:30 | 0:05:32 | |
And people say, you know, "Don't you think you're being lucky | 0:05:32 | 0:05:36 | |
"to be born a certain time in a certain class?" | 0:05:36 | 0:05:38 | |
No. The money is mine. Now... | 0:05:38 | 0:05:40 | |
LAUGHTER | 0:05:40 | 0:05:42 | |
It's good to hear that getting laughs. | 0:05:42 | 0:05:44 | |
It's clearly meant as an absurd notion. | 0:05:44 | 0:05:47 | |
Three months ago, when I was doing this bit in Guildford, | 0:05:47 | 0:05:51 | |
people sat there and said "At last, someone's put that into words." | 0:05:51 | 0:05:54 | |
There was a... | 0:05:54 | 0:05:57 | |
Yeah, they're laughing at you, Guildford, you idiots. | 0:05:57 | 0:05:59 | |
It was a joke! | 0:05:59 | 0:06:01 | |
And you all sat there, nodding along, | 0:06:01 | 0:06:03 | |
like it was observational comedy about your... | 0:06:03 | 0:06:06 | |
"Yes, that's what we think here in Guildford! | 0:06:06 | 0:06:09 | |
"We're utter vermin!" | 0:06:09 | 0:06:11 | |
LAUGHTER | 0:06:11 | 0:06:14 | |
At the end of the day, it's comedy. It's entertainment. | 0:06:14 | 0:06:17 | |
It's not meant to make sense or have a coherent argument | 0:06:17 | 0:06:20 | |
or a through-line or a beginning or a middle or an end. | 0:06:20 | 0:06:23 | |
Succession of unrelated things that are meant to provoke laughter | 0:06:23 | 0:06:26 | |
in different ways. | 0:06:26 | 0:06:27 | |
And I think to criticise me for failing... | 0:06:27 | 0:06:32 | |
having... You say, "Oh, you haven't written an essay." | 0:06:32 | 0:06:35 | |
That's like criticising a dog for not being a cat. | 0:06:35 | 0:06:37 | |
It's not meant to be a cat. | 0:06:37 | 0:06:39 | |
This is just... It's just a bit of fun at the end of the day. | 0:06:39 | 0:06:42 | |
-This is just... -Keith Lemon. -Yeah. | 0:06:42 | 0:06:44 | |
It was easy to vote Labour in the '80s, though, | 0:06:44 | 0:06:47 | |
because there were lots of cool celebrities telling you to, | 0:06:47 | 0:06:49 | |
weren't there, in the '80s? People like Bananarama | 0:06:49 | 0:06:53 | |
and The Blow Monkeys and Mick Talbot, people like that. | 0:06:53 | 0:06:59 | |
But, um... | 0:06:59 | 0:07:02 | |
Mick Talbot from the Merton Parkas, remember? | 0:07:02 | 0:07:07 | |
So, there were a lot of them. | 0:07:07 | 0:07:10 | |
Some things, when you do a long run of shows, | 0:07:10 | 0:07:12 | |
you have to have a bit that's just for you, really. | 0:07:12 | 0:07:15 | |
So... | 0:07:15 | 0:07:16 | |
LAUGHTER | 0:07:16 | 0:07:20 | |
It's much harder now though, isn't it? | 0:07:20 | 0:07:22 | |
I tell you what, I would vote Conservative | 0:07:22 | 0:07:24 | |
if there were some cool celebrities voting Conservative. | 0:07:24 | 0:07:27 | |
So, I looked it up on the internet and there's a lot more | 0:07:27 | 0:07:29 | |
than you would have thought, actually. Some pretty good people... | 0:07:29 | 0:07:32 | |
Voting Conservative. | 0:07:32 | 0:07:35 | |
Peter Stringfellow is a Tory. I know? | 0:07:35 | 0:07:39 | |
Wouldn't have thought that, would you? | 0:07:39 | 0:07:41 | |
After everything he's done for the women's movement. | 0:07:41 | 0:07:44 | |
LAUGHTER | 0:07:44 | 0:07:45 | |
Pushing them up them poles. Towards the glass ceiling. | 0:07:45 | 0:07:51 | |
Come on, that's better than that! | 0:07:51 | 0:07:55 | |
Peter Stringfellow, a Tory, I couldn't believe it, I tell ya. | 0:07:55 | 0:07:57 | |
From the colour of his face... | 0:07:57 | 0:08:00 | |
I assumed he was a Liberal Democrat. | 0:08:04 | 0:08:09 | |
That was weird, wasn't it? | 0:08:09 | 0:08:11 | |
Different people laughing at different times. | 0:08:11 | 0:08:15 | |
He's got a yellow sort of... | 0:08:15 | 0:08:20 | |
sunbed face, hasn't he? | 0:08:20 | 0:08:23 | |
Yellow is the colour of all the Liberal Democrats flags | 0:08:23 | 0:08:27 | |
and things, all right. Now, fair enough, | 0:08:27 | 0:08:30 | |
a lot of you, probably at home, | 0:08:30 | 0:08:31 | |
probably filed the colour of the Liberal Democrats flags | 0:08:31 | 0:08:34 | |
in the part of your brain marked 'things I'll never need to know again.' | 0:08:34 | 0:08:38 | |
But you did need to know it again, didn't you, to get that joke, | 0:08:38 | 0:08:41 | |
and you'll need it again in a bit... | 0:08:41 | 0:08:43 | |
Because the third joke in this bit is... | 0:08:43 | 0:08:47 | |
Who is the third celebrity on that list, sir? | 0:08:47 | 0:08:50 | |
-Judith Chalmers. -Judith Chalmers. That's right. | 0:08:50 | 0:08:54 | |
Now, SHE'S got a yellow face, as well | 0:08:54 | 0:08:58 | |
and I'm going to do a joke about her | 0:08:58 | 0:09:00 | |
that looks like it's going to be the same as the Liberal Democrats one, | 0:09:00 | 0:09:04 | |
but then I go off in a different angle with it | 0:09:04 | 0:09:07 | |
and you wouldn't have got that, if I'd hadn't explained this. | 0:09:07 | 0:09:11 | |
Anyway, that's not the next joke. That's coming up in a bit. | 0:09:11 | 0:09:17 | |
Gary Barlow is a Tory. From Take That. | 0:09:17 | 0:09:20 | |
He's a good bloke, Gary Barlow. I might vote for them | 0:09:20 | 0:09:22 | |
if he's a Tory. He's talented. | 0:09:22 | 0:09:25 | |
He helped the Haitians as well, he's a nice bloke. | 0:09:25 | 0:09:28 | |
And at the moment, Gary Barlow is actually planning to walk | 0:09:28 | 0:09:30 | |
to the North Pole for charity. I hope he finds it though, | 0:09:30 | 0:09:34 | |
because he couldn't find the Tax Office, could he? | 0:09:34 | 0:09:37 | |
LAUGHTER | 0:09:37 | 0:09:39 | |
Mind you, neither could Google. | 0:09:39 | 0:09:42 | |
And they've got Google Maps. | 0:09:42 | 0:09:45 | |
Judith Chalmers is a Tory! | 0:09:47 | 0:09:50 | |
I couldn't believe it, I tell ya! | 0:09:50 | 0:09:53 | |
From the colour of her face... | 0:09:53 | 0:09:57 | |
I assumed that she was a urinal cake. | 0:09:57 | 0:10:00 | |
LAUGHTER | 0:10:00 | 0:10:02 | |
Applause for the urinal cake there, did you hear that? | 0:10:02 | 0:10:05 | |
Good, I think the urinal cake is an inherently amusing thing, well done. | 0:10:05 | 0:10:10 | |
But I'll tell you an interesting thing. | 0:10:10 | 0:10:11 | |
As you travel around Britain doing this bit, | 0:10:11 | 0:10:14 | |
people find urinal cake unanimously amusing up until about Birmingham. | 0:10:14 | 0:10:19 | |
You go up into the north, people can go either way | 0:10:19 | 0:10:21 | |
whether they find urinal cake funny or not. | 0:10:21 | 0:10:23 | |
You get to Scotland, no-one's really laughing at urinal cake. | 0:10:23 | 0:10:27 | |
And I think the reason for that is, in Scotland, | 0:10:27 | 0:10:29 | |
people just really love cake, don't they? | 0:10:29 | 0:10:32 | |
And you say urinal cake to a Scottish audience | 0:10:32 | 0:10:35 | |
and they go "Well, it's still a cake. | 0:10:35 | 0:10:39 | |
"How much urine is there in it?" | 0:10:41 | 0:10:43 | |
LAUGHTER | 0:10:43 | 0:10:47 | |
Helena Bonham Carter is a Tory. Well, she's friends with the Tories. | 0:10:50 | 0:10:54 | |
There's that famous bit of film of her out on New Year's Day | 0:10:54 | 0:10:58 | |
with David Cameron and Samantha Cameron | 0:10:58 | 0:11:00 | |
and she spent New Year's Eve at their mansion in the Cotswolds. | 0:11:00 | 0:11:04 | |
It's probably good fun spending New Year's Eve with the Camerons. | 0:11:04 | 0:11:08 | |
They probably play lots of fun games, don't they? | 0:11:08 | 0:11:10 | |
Like, they could hide their daughter in a pub toilet. | 0:11:10 | 0:11:15 | |
And the first person to even remember that she exists | 0:11:15 | 0:11:18 | |
gets shares in a Post Office. | 0:11:18 | 0:11:21 | |
LAUGHTER | 0:11:21 | 0:11:24 | |
But I'm surprised she's friends with the Tories, Helena Bonham Carter, | 0:11:24 | 0:11:27 | |
because she's an artist and I'm not saying it's right or wrong. | 0:11:27 | 0:11:30 | |
Artists do tend historically to be on the left. | 0:11:30 | 0:11:33 | |
People on the right tend to be practical, level-headed, capable, | 0:11:33 | 0:11:36 | |
unsentimental realists. | 0:11:36 | 0:11:38 | |
People on the left tend to be people with dreams, | 0:11:38 | 0:11:40 | |
hope, vision, imagination. | 0:11:40 | 0:11:43 | |
You have to have imagination on the left, don't you? | 0:11:43 | 0:11:46 | |
You have to be able to look at Ed Miliband and imagine | 0:11:46 | 0:11:49 | |
that he represents anything other than the death | 0:11:49 | 0:11:51 | |
of the post-war Socialist dream. | 0:11:51 | 0:11:53 | |
LAUGHTER | 0:11:53 | 0:11:57 | |
Ed Miliband. How did he manage that? | 0:11:57 | 0:11:59 | |
How did he make the Labour Party less popular than under Blair? | 0:11:59 | 0:12:02 | |
That's like catching a baby that's been thrown out of an aircraft | 0:12:02 | 0:12:05 | |
and then tripping up and dropping it in a gutter. | 0:12:05 | 0:12:09 | |
Series four is commissioned as you know | 0:12:09 | 0:12:11 | |
and I'm sort of thinking, where now? | 0:12:11 | 0:12:16 | |
And I think custard pies, funny noses, all those sorts of things. | 0:12:16 | 0:12:20 | |
That's an area I've not worked in before. | 0:12:20 | 0:12:23 | |
You're on your way to making yourself a physically funny object. | 0:12:23 | 0:12:28 | |
Hmm. | 0:12:28 | 0:12:31 | |
She's a good actress, though, Helena Bonham Carter. | 0:12:31 | 0:12:33 | |
She's good in anything. She was even good in... | 0:12:33 | 0:12:36 | |
like, rubbish things like The Planet of the Apes remake. | 0:12:36 | 0:12:39 | |
The original Planet of the Apes is a brilliant film, | 0:12:39 | 0:12:42 | |
if you've seen that, the original, it's fantastic. | 0:12:42 | 0:12:44 | |
It's got an amazing shock, surprise ending. | 0:12:44 | 0:12:47 | |
If you've not seen the original Planet of the Apes, | 0:12:47 | 0:12:50 | |
it's got an amazing shock, surprise ending. | 0:12:50 | 0:12:53 | |
What happens at the end of the original Planet of the Apes | 0:12:53 | 0:12:56 | |
is that it turns out that, on their planet, | 0:12:56 | 0:12:59 | |
the apes have made an exact replica of the Statue of Liberty. | 0:12:59 | 0:13:04 | |
And it's never explained why. | 0:13:04 | 0:13:08 | |
It's mad! And Charlton Heston is on the beach at the end, | 0:13:08 | 0:13:11 | |
he's on his knees and going "Why? Why have you made this?" | 0:13:11 | 0:13:15 | |
"Why, you dirty apes? Why have you made this statue?" | 0:13:15 | 0:13:19 | |
"Why? It's a civilisation of apes! | 0:13:19 | 0:13:22 | |
"Why would you... it's human... it's insane!" | 0:13:22 | 0:13:26 | |
And the apes go, "I don't know, we've just done it." | 0:13:26 | 0:13:29 | |
It's an amazing scene. | 0:13:29 | 0:13:31 | |
It's one of the most iconic images of cinema. | 0:13:31 | 0:13:34 | |
Completely meaningless, though. Stupid. But... | 0:13:34 | 0:13:38 | |
It's based on a book, The Planet of the Apes, | 0:13:38 | 0:13:40 | |
by a French post-war intellectual, Pierre Boulle. | 0:13:40 | 0:13:42 | |
And the American guy who adapted it for the screen | 0:13:42 | 0:13:45 | |
was not allowed to have an Oscar, because he was on a McCarthy blacklist | 0:13:45 | 0:13:48 | |
for being a Communist party sympathiser. | 0:13:48 | 0:13:50 | |
It's reasonable to assume, Planet of the Apes is a socialist fable. | 0:13:50 | 0:13:54 | |
It's a kind of left-leaning satire of our society, | 0:13:54 | 0:13:57 | |
in which the Orangutans, they're the governing elite. | 0:13:57 | 0:14:00 | |
David Cameron, George Osborne, Boris Johnson types. | 0:14:00 | 0:14:03 | |
The chimpanzees, they're the middle class liberal intelligentsia. | 0:14:03 | 0:14:07 | |
People like Helena Bonham Carter, Robin Ince, Eric Cantona, | 0:14:07 | 0:14:13 | |
people like that. | 0:14:13 | 0:14:15 | |
LAUGHTER | 0:14:15 | 0:14:17 | |
And the gorillas, they're the proletariat. | 0:14:17 | 0:14:22 | |
People like Ray Winstone, Fred West | 0:14:22 | 0:14:24 | |
and that woman who put the cat in the bin. | 0:14:24 | 0:14:26 | |
LAUGHTER | 0:14:26 | 0:14:28 | |
Filth. Scum. | 0:14:28 | 0:14:32 | |
But, um, | 0:14:32 | 0:14:34 | |
so, it's a satire of here, Planet of the Apes is the same as here, | 0:14:34 | 0:14:38 | |
but there's apes in it. And that's what a satire is. | 0:14:38 | 0:14:40 | |
If anyone ever says to you, "What's a satire?" | 0:14:40 | 0:14:43 | |
and you want to look clever, what a satire is, | 0:14:43 | 0:14:46 | |
a satire is when it's the same as here, but there's animals in it. | 0:14:46 | 0:14:50 | |
LAUGHTER | 0:14:50 | 0:14:53 | |
"What's a satire, Lee?" "It's when there's animals, sir." | 0:14:53 | 0:14:57 | |
"That's right, go directly to Oxford." | 0:14:57 | 0:15:01 | |
But that's what a satire is, when there's animals, think about it. | 0:15:01 | 0:15:04 | |
Planet of the Apes, that's like here, | 0:15:04 | 0:15:06 | |
but, instead of people, there's apes. Animals, that's satire. | 0:15:06 | 0:15:10 | |
Parliament of the Fowls by Chaucer, that's like a parliament | 0:15:10 | 0:15:15 | |
but, instead of people, there's birds. Animals, that's a satire. | 0:15:15 | 0:15:18 | |
And the best satire of all, most people agree, the best, | 0:15:18 | 0:15:21 | |
the most satirical one, | 0:15:21 | 0:15:23 | |
the best at satirising things is Animal Farm by George Orwell. | 0:15:23 | 0:15:28 | |
Because there's not just one animal in that, | 0:15:28 | 0:15:30 | |
there's loads of different ones. | 0:15:30 | 0:15:33 | |
A rabbit, I think. | 0:15:33 | 0:15:36 | |
A fly. | 0:15:36 | 0:15:38 | |
And...an ocelot. | 0:15:38 | 0:15:41 | |
And that's... | 0:15:41 | 0:15:43 | |
The ocelot's Hitler, I think and the others... I've not read it. | 0:15:43 | 0:15:49 | |
But that's what a satire is, when there's animals. | 0:15:49 | 0:15:53 | |
But don't get carried away, London, | 0:15:53 | 0:15:55 | |
not everything with animals in it is a satire. | 0:15:55 | 0:15:58 | |
Don't get carried away, people at home, if you're out and about | 0:15:58 | 0:16:01 | |
and you see a little vole by the canal, cleaning its whiskers. | 0:16:01 | 0:16:06 | |
Don't be looking at it thinking, "Is this supposed to be... | 0:16:06 | 0:16:11 | |
"Theresa May?" It doesn't know. | 0:16:11 | 0:16:14 | |
The vole doesn't know what that is, it's not interested. | 0:16:14 | 0:16:18 | |
Not all animals are trying to satirise things, do you understand? | 0:16:18 | 0:16:23 | |
No, all right, I'll give you an example. | 0:16:23 | 0:16:25 | |
It's the middle of the afternoon, | 0:16:25 | 0:16:27 | |
you're flicking around on the telly, you're in the high cable numbers, | 0:16:27 | 0:16:30 | |
in the 500s, in the purgatorial wilderness of programmes | 0:16:30 | 0:16:32 | |
from 20 years ago that go round in endless repeated loops. | 0:16:32 | 0:16:36 | |
And suddenly, looming out of the telly, you see the young Ben Fogle, | 0:16:36 | 0:16:39 | |
20 years ago, he looks the same as he does now. How does he do it? | 0:16:39 | 0:16:43 | |
I think he's got a ravaged portrait of Joanna Lumley in his attic. | 0:16:43 | 0:16:47 | |
He's there, Ben Fogle, it's 20 years ago, on this programme. | 0:16:47 | 0:16:51 | |
He's at Longleat Safari Park, anyone remember this? | 0:16:51 | 0:16:54 | |
He's got no veterinary training, | 0:16:54 | 0:16:56 | |
but he's helping out all the animals at Longleat Safari Park | 0:16:56 | 0:17:01 | |
on a programme, there's hundreds of episodes of it, called...? | 0:17:01 | 0:17:04 | |
Anyone? | 0:17:04 | 0:17:07 | |
-What? -Animal Safari Park. | 0:17:07 | 0:17:10 | |
Not Animal Safari Park. It's called Animal Park. Not Animal Safari Park. | 0:17:10 | 0:17:15 | |
But there's only one person in the room that remembers that programme | 0:17:15 | 0:17:18 | |
and he doesn't remember it well enough to remember its name. | 0:17:18 | 0:17:24 | |
Now, if you've not seen me before you're probably thinking, | 0:17:24 | 0:17:27 | |
"Oh, dear, that's not a very good strike rate. | 0:17:27 | 0:17:30 | |
"Surely the comedian won't do now a long routine about something | 0:17:30 | 0:17:35 | |
"that no-one in the audience really has any working knowledge of?" | 0:17:35 | 0:17:39 | |
Yes, I will do exactly that and I will do it with glee. | 0:17:39 | 0:17:44 | |
Yeah, it's called Animal Park, and erm... | 0:17:44 | 0:17:49 | |
You remember it, he used to be there helping out the animals | 0:17:49 | 0:17:53 | |
and he's got no veterinary training, he's there...erm... | 0:17:53 | 0:17:56 | |
I'm going to have to go to you on this one, sir, you're the only... | 0:17:56 | 0:17:59 | |
He's got no veterinary training, Ben Fogle. | 0:17:59 | 0:18:02 | |
He's got a young, sick, baby... What? What would you like? | 0:18:02 | 0:18:07 | |
-He went to the toilet. -A what? | 0:18:07 | 0:18:10 | |
He went to the toilet! | 0:18:10 | 0:18:12 | |
LAUGHTER | 0:18:12 | 0:18:15 | |
-What did he say? -He went to the toilet. | 0:18:15 | 0:18:18 | |
He's gone to the toilet? | 0:18:18 | 0:18:19 | |
LAUGHTER | 0:18:19 | 0:18:21 | |
Do you see the fucking level of contempt there? | 0:18:25 | 0:18:29 | |
There's a guy there, he knows that this is for a recording for telly. | 0:18:29 | 0:18:32 | |
He's the only person in the room who can help me with this bit. | 0:18:32 | 0:18:36 | |
And he's left, he's left leaving no-one | 0:18:36 | 0:18:38 | |
with any working knowledge of Animal Park in the room. | 0:18:38 | 0:18:43 | |
He's gone to the toilet. Not only that, you won't know this at home, | 0:18:43 | 0:18:47 | |
before the recording started, I expressly forbid people | 0:18:47 | 0:18:49 | |
from going to the toilet. | 0:18:49 | 0:18:52 | |
Not only has he gone to the toilet in direct contravention | 0:18:52 | 0:18:55 | |
of my instructions, but he has gone, taking with him a piece of knowledge | 0:18:55 | 0:19:00 | |
which could have saved this whole bit! | 0:19:00 | 0:19:04 | |
Can I just confirm as well that this is really happening? | 0:19:04 | 0:19:07 | |
I don't want to go on the fucking internet and see, | 0:19:07 | 0:19:10 | |
"Oh, it was brilliant when he faked that bloke going to the toilet." | 0:19:10 | 0:19:13 | |
I haven't! | 0:19:13 | 0:19:14 | |
An actual man, who was the only person here | 0:19:14 | 0:19:17 | |
who knows what I am talking about, has left. | 0:19:17 | 0:19:19 | |
LAUGHTER | 0:19:19 | 0:19:22 | |
I'm not going to stand here like a tool, waiting for him to come back, | 0:19:22 | 0:19:27 | |
with his knowledge of Ben Fogle's early animal-based documentary. | 0:19:27 | 0:19:32 | |
The irony is, I've told the staff, | 0:19:35 | 0:19:38 | |
if people walk out then not to let them back in, | 0:19:38 | 0:19:42 | |
because it would disrupt the filming. | 0:19:42 | 0:19:44 | |
But, ironically, it would have been a huge help if he had come back, | 0:19:44 | 0:19:49 | |
he's the only person who knows what I'm talking about! | 0:19:49 | 0:19:52 | |
Who would like to pretend to have watched Animal Park? | 0:19:55 | 0:20:00 | |
You get the idea, it's an animal thing. | 0:20:00 | 0:20:02 | |
You will. You've seen Animal Park, you know what it's like. | 0:20:05 | 0:20:08 | |
Who are we talking about? I've forgotten. Ben Fogle, yeah. | 0:20:10 | 0:20:14 | |
He's got no veterinary training. He's got a young, sick, baby...? | 0:20:14 | 0:20:17 | |
Giraffe? Do You know what? I'm not going to accept giraffe because... | 0:20:17 | 0:20:21 | |
I don't know why, I've been doing this bit on tour | 0:20:21 | 0:20:24 | |
and people always say "giraffe" when they're asked to come up | 0:20:24 | 0:20:27 | |
with an animal and I'm just a bit... | 0:20:27 | 0:20:30 | |
I'm sick of doing it, to be honest. | 0:20:30 | 0:20:31 | |
I know it's difficult cos you've stepped into the breach. | 0:20:31 | 0:20:34 | |
What? A rhino? Yeah, that's all right. | 0:20:34 | 0:20:37 | |
It's more in the... You know. | 0:20:41 | 0:20:43 | |
No, a rhino's fine. Don't... It's all right. | 0:20:43 | 0:20:46 | |
I appreciate you helping me out. | 0:20:46 | 0:20:47 | |
I'm sorry to knock your first idea back. | 0:20:47 | 0:20:50 | |
It seems ungrateful but... | 0:20:50 | 0:20:53 | |
Rhinoceros, rhino. Yeah. I know what it is. | 0:20:53 | 0:20:56 | |
LAUGHTER | 0:20:56 | 0:21:00 | |
Young Ben Fogle, he's got a sick baby rhino. | 0:21:03 | 0:21:06 | |
Still quite a big creature. He's struggling to cradle it. | 0:21:06 | 0:21:08 | |
He senses something's wrong. He doesn't know what, he's got no veterinary training. | 0:21:08 | 0:21:12 | |
Holds its mouth open, he spits Gaviscon into its mouth. | 0:21:12 | 0:21:16 | |
He's got no veterinary training, doesn't know how to use a syringe. | 0:21:16 | 0:21:19 | |
He drinks up the Gaviscon, he spits it into the rhino's mouth like that. | 0:21:19 | 0:21:23 | |
It doesn't like it. Some has gone in its eyes. It goes, "Argh." | 0:21:23 | 0:21:26 | |
The camera goes in tight on a Gaviscon-blinded rhino | 0:21:26 | 0:21:30 | |
going, "Argh." Don't be looking at it thinking, | 0:21:30 | 0:21:32 | |
"Oh, is this about the EU? | 0:21:32 | 0:21:34 | |
"Is the rhino having a go at the Greek far right?" | 0:21:37 | 0:21:41 | |
No. It doesn't know what that is. | 0:21:41 | 0:21:43 | |
Not all animals are trying to satirise things. | 0:21:43 | 0:21:46 | |
Do you understand what I'm...? | 0:21:46 | 0:21:48 | |
No, you don't understand. I'll give you another example. | 0:21:48 | 0:21:50 | |
It's the middle of the afternoon, you're flicking around in the high cable numbers. | 0:21:50 | 0:21:54 | |
Look, it's Michaela Strachan from 20 years ago, | 0:21:54 | 0:21:57 | |
helping out the animals on a programme called...? | 0:21:57 | 0:22:00 | |
-Really Wild Show. -Really Wild Show. That's about 40 of you. | 0:22:00 | 0:22:03 | |
Don't all go to the toilet. OK? | 0:22:03 | 0:22:06 | |
En masse. All right? | 0:22:08 | 0:22:10 | |
She's got no veterinary training, has she, Michaela Strachan? | 0:22:10 | 0:22:13 | |
She's on The Really Wild Show. She's got a young, sick baby... | 0:22:13 | 0:22:16 | |
-Whatever you like, come on. -Mongoose. -Mongoose. | 0:22:16 | 0:22:18 | |
LAUGHTER | 0:22:20 | 0:22:22 | |
She's got a mongoose. | 0:22:25 | 0:22:26 | |
Michaela Strachan, she's got a young mongoose. | 0:22:27 | 0:22:30 | |
She's got no veterinary training. There's something wrong with it. | 0:22:32 | 0:22:36 | |
She smears Anusol on its face. | 0:22:36 | 0:22:40 | |
Doesn't like it. It's going, "Argh!" | 0:22:42 | 0:22:45 | |
The camera goes in tight on an Anusol-smeared mongoose. | 0:22:45 | 0:22:50 | |
Don't be looking at it, going, | 0:22:53 | 0:22:55 | |
"Oh, is this about Toby Young's free school movement? | 0:22:55 | 0:22:58 | |
"Is it a satire of inequality in the education system?" | 0:23:01 | 0:23:04 | |
No, it isn't. The Anusol-smeared mongoose has got no... | 0:23:04 | 0:23:09 | |
It's got no... Do you...? | 0:23:09 | 0:23:11 | |
Not all animals are trying to satirise things. | 0:23:11 | 0:23:14 | |
Do you understand? "No, we don't." I'll give you another example. | 0:23:14 | 0:23:17 | |
It's the middle of the afternoon, you're flicking... | 0:23:17 | 0:23:19 | |
"Look, it's Johnny Morris from 40 years ago on... | 0:23:19 | 0:23:23 | |
-Animal Magic. -Animal Magic, that's right. Animal Magic | 0:23:23 | 0:23:25 | |
with Johnny Morris, | 0:23:25 | 0:23:27 | |
the last 1970s children's TV entertainer still standing. | 0:23:27 | 0:23:31 | |
He's there, Johnny Morris. | 0:23:31 | 0:23:34 | |
He's dressed as a zoo keeper. There's nothing sinister about it, | 0:23:34 | 0:23:37 | |
it's just an acting... He's not trying to trick anyone. | 0:23:37 | 0:23:40 | |
And he's got no veterinary training, Johnny Morris. | 0:23:40 | 0:23:44 | |
He's got a young, sick baby... Whatever you like, come on. | 0:23:44 | 0:23:47 | |
-What? -Koala. -Koala. | 0:23:47 | 0:23:50 | |
All right. What did you say? | 0:23:50 | 0:23:53 | |
-Dragon. -Dragon. | 0:23:53 | 0:23:54 | |
LAUGHTER | 0:23:54 | 0:23:56 | |
I'm going to go with that cos we've had a lot of mammals today. | 0:23:56 | 0:24:01 | |
What a lovely audience you are. That's fine. | 0:24:01 | 0:24:04 | |
"Under the normal rules of improvisation, you would be obliged | 0:24:04 | 0:24:08 | |
"to accept the first suggestion." | 0:24:08 | 0:24:10 | |
That's what she's thinking, but she knows it's a live recording, | 0:24:10 | 0:24:13 | |
I'm trying to get the very best for the licence payer at home. | 0:24:13 | 0:24:17 | |
She's allowed me to take the slightly more interesting | 0:24:17 | 0:24:20 | |
suggestion of dragon, even though it does fly in the rules | 0:24:20 | 0:24:23 | |
of the Geneva Convention concerning improvisation in comedy. | 0:24:23 | 0:24:27 | |
He's got a young, sick dragon, Johnny Morris. | 0:24:27 | 0:24:30 | |
-What is the young form of a dragon, sir? -Baby dragon. | 0:24:30 | 0:24:33 | |
Not a baby dragon. Before... | 0:24:33 | 0:24:35 | |
-Egg. -Egg, yeah. That's what I'm... | 0:24:35 | 0:24:37 | |
LAUGHTER | 0:24:37 | 0:24:40 | |
There's Johnny Morris. He's dressed as a zoo keeper. | 0:24:42 | 0:24:45 | |
He's got a dragon's egg, it's about this big. He's an old man, | 0:24:45 | 0:24:48 | |
he's struggling with the dragon's egg. | 0:24:48 | 0:24:50 | |
He's got no veterinary training. He listens to the egg. | 0:24:50 | 0:24:53 | |
He can sense there's something wrong. | 0:24:53 | 0:24:55 | |
There's a dragon inside saying, "Oh, I feel... I feel bloody awful." | 0:24:55 | 0:24:58 | |
He doesn't know... He's got no veterinary training, Johnny. | 0:24:58 | 0:25:02 | |
He just... | 0:25:02 | 0:25:03 | |
He just drops it and he stabs the foetus to death... | 0:25:03 | 0:25:07 | |
of the egg... | 0:25:07 | 0:25:09 | |
..putting both the dragon and this routine | 0:25:11 | 0:25:13 | |
out of its misery, let's face it. | 0:25:13 | 0:25:15 | |
So, I'll tell you a weird thing. That bit about how I shouldn't have to pay tax | 0:25:17 | 0:25:21 | |
cos if I'm earning money, I'm obviously better than anyone else, | 0:25:21 | 0:25:24 | |
I wrote that in August as a kind of absurd position. | 0:25:24 | 0:25:28 | |
But then in November, you may have noticed, | 0:25:28 | 0:25:30 | |
Boris Johnson expressed that as an actual idea. | 0:25:30 | 0:25:33 | |
LAUGHTER | 0:25:33 | 0:25:36 | |
That is the weird... It's hard to do comedy at the moment | 0:25:36 | 0:25:39 | |
because you think of something as, like, a sick joke | 0:25:39 | 0:25:43 | |
and six months later, it comes out as actual Conservative policy, | 0:25:43 | 0:25:47 | |
so it's difficult to keep ahead. | 0:25:47 | 0:25:49 | |
Their main innovation, the current Tories, I think, | 0:25:49 | 0:25:52 | |
is to be the world's first self-satirising party. | 0:25:52 | 0:25:56 | |
The problem with that, of course, is it's doing me | 0:25:56 | 0:25:59 | |
and all animals out of a job. | 0:25:59 | 0:26:01 | |
Er, and I'm surprised at them... | 0:26:02 | 0:26:07 | |
surprised to be honest cos it flies in the face | 0:26:07 | 0:26:10 | |
of the free-market doctrine | 0:26:10 | 0:26:11 | |
of farming government services out to independent providers. | 0:26:11 | 0:26:15 | |
It's sad though, isn't it? What it means is somewhere, | 0:26:18 | 0:26:20 | |
there's a gerbil who looks like Boris Johnson, | 0:26:20 | 0:26:24 | |
kicking his heels because the actual Boris Johnson | 0:26:24 | 0:26:27 | |
is much more ridiculous | 0:26:27 | 0:26:29 | |
than a gerbil that looks like Boris Johnson. | 0:26:29 | 0:26:32 | |
I want to pick up this idea about satire being something | 0:26:33 | 0:26:36 | |
-when there's animals in it. -Right. | 0:26:36 | 0:26:37 | |
-Can I ask you some yes or no questions? -Yep. | 0:26:37 | 0:26:40 | |
-A Kleenex box with a shrew in it - satire? -No. | 0:26:40 | 0:26:43 | |
-A wolf with a duck in it? -Yep. | 0:26:43 | 0:26:45 | |
That's one small step for man, | 0:26:45 | 0:26:48 | |
one giant leap for mankind. | 0:26:48 | 0:26:52 | |
-A conker with a wasp in it? -Yep. | 0:26:52 | 0:26:54 | |
-A glove box full of elks? -Satire. | 0:26:54 | 0:26:57 | |
MUSIC: "Assault and Battery" by Hawkwind | 0:26:57 | 0:27:01 | |
-Dum-Dum bullet with a woodlouse in it? -Satire. | 0:27:03 | 0:27:06 | |
-A shipping container with a turtle? -Satire. | 0:27:06 | 0:27:08 | |
-A toilet bowl full of goats? -Satire. | 0:27:08 | 0:27:11 | |
SHOUTING | 0:27:11 | 0:27:13 | |
-A limpet shell with a limpet in it? -That's doubly satirical | 0:27:16 | 0:27:19 | |
to the point where it could almost be too serious. | 0:27:19 | 0:27:22 | |
-George Osborne's eye with a ladybird in it? -Satirical. | 0:27:27 | 0:27:30 | |
-An ostrich in a soda siphon? -That's satirical, yeah. | 0:27:30 | 0:27:33 | |
A crow inside a swift? | 0:27:37 | 0:27:39 | |
Yes, that works. They're two different birds. | 0:27:39 | 0:27:42 | |
-Sausages? -Not on their own, no. | 0:27:42 | 0:27:44 | |
George Clooney's blood vein with a baby swordfish? | 0:27:49 | 0:27:52 | |
-Yes, that is satirical. -Is it? | 0:27:52 | 0:27:53 | |
-That is satirical. -Is it? -Definitely, yeah. | 0:27:53 | 0:27:55 | |
-Is it?! -Yeah. -OK. Good. Thanks. | 0:27:55 | 0:27:59 | |
GUNSHOTS | 0:27:59 | 0:28:01 | |
SCREAMING | 0:28:01 | 0:28:04 | |
# So your thoughts, they were expecting | 0:28:12 | 0:28:15 | |
# Assault and battery on the human anatomy | 0:28:15 | 0:28:18 | |
# Assault and battery on the human anatomy, man... # | 0:28:18 | 0:28:24 |