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Coming back from the pub on a Tuesday afternoon about | 0:00:02 | 0:00:04 | |
six months back, and a woman was coming along the road towards me. | 0:00:04 | 0:00:07 | |
I thought, "That is a very beautiful woman." | 0:00:07 | 0:00:10 | |
Even though... Even though you're married, you can't shut down | 0:00:10 | 0:00:13 | |
that part of your aesthetic appreciation of people. | 0:00:13 | 0:00:17 | |
Then, as she got nearer to me, | 0:00:17 | 0:00:20 | |
I realised it was actually my wife, | 0:00:20 | 0:00:22 | |
which is a very funny thing to happen. | 0:00:22 | 0:00:23 | |
And I thought, what an amazing thing, to mistake a stranger... | 0:00:23 | 0:00:27 | |
to not know who that stranger was, to find a stranger attractive | 0:00:27 | 0:00:30 | |
and then to realise that it was your wife. | 0:00:30 | 0:00:32 | |
It was a great thing to happen. | 0:00:32 | 0:00:34 | |
But then she lifted up her arms, this beautiful woman, | 0:00:34 | 0:00:37 | |
my wife, and she said...she said, | 0:00:37 | 0:00:40 | |
"You were supposed to defrost that ham pie. | 0:00:40 | 0:00:42 | |
"Why couldn't you even defrost the ham pie? | 0:00:42 | 0:00:45 | |
"Now we'll have to take the kids to Nando's again." | 0:00:45 | 0:00:48 | |
Tax breaks for married people are great, aren't they? | 0:00:50 | 0:00:52 | |
They're worth up to £70 per person per year! | 0:00:52 | 0:00:55 | |
With that money, you can buy an HBO box set | 0:00:57 | 0:01:00 | |
and then you never have to talk to each other in the evenings. | 0:01:00 | 0:01:03 | |
And, no, I haven't seen Breaking Bad, I haven't seen Breaking Bad. | 0:01:03 | 0:01:07 | |
I don't need to watch hundreds of hours of television | 0:01:07 | 0:01:10 | |
about an educated man who supports his family | 0:01:10 | 0:01:13 | |
by doing something he knows is beneath him. | 0:01:13 | 0:01:15 | |
LAUGHTER | 0:01:15 | 0:01:17 | |
-Now... -LAUGHTER | 0:01:23 | 0:01:26 | |
..earlier this year, my wife insisted I have a vasectomy. | 0:01:27 | 0:01:31 | |
I don't know why, | 0:01:31 | 0:01:34 | |
she'd be the first to admit there wasn't really any pressing need. | 0:01:34 | 0:01:37 | |
What you will find if you... | 0:01:37 | 0:01:41 | |
LAUGHTER | 0:01:41 | 0:01:44 | |
You like that, do you? You like that Charlie Chaplin shit? | 0:01:47 | 0:01:51 | |
LAUGHTER | 0:01:51 | 0:01:54 | |
I tell you, if you've enjoyed that, if you've enjoyed that, | 0:01:57 | 0:02:00 | |
if you're a viewer at home and you've enjoyed that, that's... | 0:02:00 | 0:02:03 | |
there's no more like that in this episode. Turn off now. | 0:02:03 | 0:02:07 | |
But if you've been married for a long time, | 0:02:09 | 0:02:13 | |
you will find your partner ceases to view you as a sexual being. | 0:02:13 | 0:02:16 | |
I've been married ten years now. | 0:02:16 | 0:02:20 | |
Now, nine years ago, I'd been married one year, | 0:02:20 | 0:02:22 | |
and I went off on tour, and while I was on tour, I ran out of pants. | 0:02:22 | 0:02:26 | |
Now, like a lot of men, | 0:02:26 | 0:02:28 | |
I don't really know where my pants come from. | 0:02:28 | 0:02:30 | |
I always seem to have loads, | 0:02:31 | 0:02:33 | |
but I don't remember ever having bought any. | 0:02:33 | 0:02:35 | |
So, I bought some pants in Lincoln, went home, | 0:02:35 | 0:02:39 | |
one year of marriage, new pants. | 0:02:39 | 0:02:42 | |
And my wife said to me, "Oh, you've bought new pants. | 0:02:42 | 0:02:45 | |
"Are you having an affair?" | 0:02:45 | 0:02:47 | |
In a sort of sarcastic way. | 0:02:47 | 0:02:49 | |
Which was funny, but it was also nice, because it suggested, | 0:02:49 | 0:02:52 | |
in her mind, I was still a sexual possibility, see what I mean? | 0:02:52 | 0:02:55 | |
Now, last year, I'd been married ten years, I went off on tour, | 0:02:55 | 0:02:58 | |
I ran out of pants, and I bought some new pants in Bovey Tracey, | 0:02:58 | 0:03:03 | |
and I got back to London, ten years of marriage, new pants. | 0:03:03 | 0:03:08 | |
And my wife said to me, "Oh, you've bought new pants. | 0:03:08 | 0:03:10 | |
"Did you shit yourself at work?" | 0:03:10 | 0:03:12 | |
LAUGHTER | 0:03:12 | 0:03:14 | |
I mean, I had done, but it was a coincidence. | 0:03:20 | 0:03:24 | |
Now, earlier this year, our cat was walking around | 0:03:26 | 0:03:31 | |
with a parasitical worm hanging out of his anus. | 0:03:31 | 0:03:34 | |
To be honest, I envied him that level of intimacy. | 0:03:37 | 0:03:41 | |
And my daughter, who's two, | 0:03:48 | 0:03:52 | |
she saw the parasitical worm hanging out of the cat's anus, | 0:03:52 | 0:03:55 | |
and she said to me, "Dad, what is the point of that worm? | 0:03:55 | 0:03:58 | |
"Why is it alive?" | 0:03:58 | 0:04:01 | |
And I said to her, "I suppose the point of a parasitical worm | 0:04:01 | 0:04:04 | |
"is to stay alive long enough to mate and reproduce | 0:04:04 | 0:04:07 | |
"and make more versions of itself." | 0:04:07 | 0:04:10 | |
And she said to me, "Oh. | 0:04:10 | 0:04:12 | |
"What's the point of you, then, Dad? You've had a vasectomy. | 0:04:12 | 0:04:19 | |
"Why are you still alive?" | 0:04:19 | 0:04:21 | |
LAUGHTER | 0:04:21 | 0:04:24 | |
She'd been reading my Wikipedia page. | 0:04:24 | 0:04:26 | |
My wife updates it. | 0:04:28 | 0:04:29 | |
And I thought, you know what, I find it quite offensive. | 0:04:32 | 0:04:35 | |
I'm much better than a parasitical worm, you know. | 0:04:35 | 0:04:38 | |
For a start, I don't live in a cat's anus. | 0:04:38 | 0:04:40 | |
I live in Hackney. | 0:04:42 | 0:04:44 | |
Then I thought, you know what, maybe she's right. | 0:04:50 | 0:04:53 | |
What's the point of me? | 0:04:53 | 0:04:54 | |
If you're an impotent, vasectomised, 45-year-old | 0:04:54 | 0:04:58 | |
functioning alcoholic father of two, what is the... | 0:04:58 | 0:05:01 | |
There's not really any point in you, is there? | 0:05:01 | 0:05:03 | |
You're a waste of air, a waste of space. You're pointless. | 0:05:03 | 0:05:06 | |
You're like a three-week-old chop gradually going green in a hot room, | 0:05:06 | 0:05:10 | |
or an Amstrad games console, | 0:05:10 | 0:05:13 | |
or Vernon Kay. There's no point in you. | 0:05:13 | 0:05:15 | |
If you're an impotent, vasectomised, 45-year-old functioning alcoholic | 0:05:17 | 0:05:22 | |
father of two, the best you can hope for, I think, | 0:05:22 | 0:05:24 | |
is you just drop dead in the street, | 0:05:24 | 0:05:26 | |
and maybe flies will lay their eggs in your eyes, | 0:05:26 | 0:05:29 | |
and if maggots hatch out, then you're part of the cycle of life... | 0:05:29 | 0:05:34 | |
Why do the kids ask me these depressing questions? | 0:05:34 | 0:05:37 | |
I read my six-year-old son the myths of the Norse gods | 0:05:40 | 0:05:44 | |
in an attempt to neutralise my wife's Catholicism. | 0:05:44 | 0:05:48 | |
And earlier this year, he said to me, | 0:05:51 | 0:05:54 | |
"Dad, is Thor a goodie or a baddie?" | 0:05:54 | 0:05:57 | |
And I said, "He's neither. | 0:05:57 | 0:05:59 | |
"He's a chaotic individual, driven by pride, shame and lust | 0:06:01 | 0:06:06 | |
"who embodies an essential moral relativism." | 0:06:06 | 0:06:09 | |
And he said to me, "Oh. | 0:06:11 | 0:06:14 | |
"So, he's like you, then." | 0:06:14 | 0:06:16 | |
At some level, you're not just shitting on your own doorstep... | 0:06:19 | 0:06:23 | |
-No. -..you're blasting sewage through the letterbox with a fire hose. | 0:06:23 | 0:06:27 | |
Yeah. And I'm choosing to do that. | 0:06:27 | 0:06:29 | |
You're like Bobby Sands with a muck spreader. | 0:06:29 | 0:06:31 | |
What I've tried to do here is write a kind of | 0:06:31 | 0:06:34 | |
mainstream-y, dad-husband-parent act. | 0:06:34 | 0:06:38 | |
But see if you can put into it some feeling of | 0:06:38 | 0:06:41 | |
apprehension of mortality and dread. | 0:06:41 | 0:06:44 | |
And I think it comes out with such a tone of depression | 0:06:44 | 0:06:49 | |
and fatality that you can see why those guys, | 0:06:49 | 0:06:52 | |
the popular stadium guys, tend to keep it light. | 0:06:52 | 0:06:54 | |
I've found I've been drinking a lot more since the vasectomy and, er... | 0:06:56 | 0:07:00 | |
..my wife had been away working for a couple of weeks, and she was | 0:07:01 | 0:07:05 | |
coming back that night, so I thought I'd go and get a bottle of wine, | 0:07:05 | 0:07:08 | |
you know, like I have on all the nights she's been away. | 0:07:08 | 0:07:11 | |
So, I went to the corner shop in Hackney. | 0:07:16 | 0:07:18 | |
I thought, "I'm not going to get a 3.99, cheapskate bottle of wine. | 0:07:18 | 0:07:21 | |
"I'm not going to get an 18.99 bottle of wine, like I've been unfaithful or something. | 0:07:21 | 0:07:25 | |
"I'm going to get a 12.99 bottle of wine." | 0:07:25 | 0:07:28 | |
That's the kind of guy I am, | 0:07:28 | 0:07:30 | |
I'm a 12.99 bottle of wine kind of guy. | 0:07:30 | 0:07:33 | |
I took the 12.99 bottle of wine up to the guy at the counter, | 0:07:33 | 0:07:36 | |
and he looked down at it and he said to me... | 0:07:36 | 0:07:39 | |
.."That's the best wine in the shop. You have good taste, sir." | 0:07:41 | 0:07:45 | |
And just making chit-chat, just friendly banter, I said to him, | 0:07:46 | 0:07:49 | |
"I'll tell my wife you said that. | 0:07:49 | 0:07:52 | |
"She'll be very surprised to find out that I've got good taste." | 0:07:52 | 0:07:56 | |
Just making sort of chit-chat, banter with the bloke. | 0:07:56 | 0:08:00 | |
And then he said, | 0:08:00 | 0:08:01 | |
"Yes. Bitches." | 0:08:01 | 0:08:03 | |
LAUGHTER | 0:08:03 | 0:08:06 | |
"You try and do your best for women, | 0:08:14 | 0:08:17 | |
"but they all just run us down, | 0:08:17 | 0:08:20 | |
"the fucking bitches." | 0:08:20 | 0:08:22 | |
That's a little bit I like to call | 0:08:26 | 0:08:28 | |
When Polite Conversation Goes Wrong. | 0:08:28 | 0:08:30 | |
LAUGHTER | 0:08:30 | 0:08:32 | |
Now, if you're an impotent, vasectomised, 45-year-old | 0:08:34 | 0:08:38 | |
functioning alcoholic father of two, | 0:08:38 | 0:08:40 | |
you can't fail to have noticed how all supermarket alcohol | 0:08:40 | 0:08:43 | |
marketing campaigns are now targeted directly at you, aren't they? | 0:08:43 | 0:08:47 | |
You walk round the Sainsbury's aisles every week, | 0:08:47 | 0:08:49 | |
there's more of these exotic bottled beers | 0:08:49 | 0:08:52 | |
with names like Wizard's Sleeve | 0:08:52 | 0:08:55 | |
and Goblin's Hole. | 0:08:55 | 0:08:57 | |
Catamite's Regret. | 0:08:59 | 0:09:01 | |
And the pretend folksy names and fake artisanal packaging | 0:09:04 | 0:09:09 | |
of these bottled beers conspires to give the functioning | 0:09:09 | 0:09:13 | |
45-year-old alcoholic the impression that he's not a functioning alcoholic, | 0:09:13 | 0:09:18 | |
but is instead some kind of connoisseur of beer, | 0:09:18 | 0:09:22 | |
cutting a valuable exploratory swathe | 0:09:22 | 0:09:26 | |
through an uncharted wilderness of 7.8% proof alcohol | 0:09:26 | 0:09:32 | |
that's all got to be... | 0:09:32 | 0:09:34 | |
I've got news for you, Sainsbury's! | 0:09:34 | 0:09:36 | |
I've seen through The Matrix, | 0:09:36 | 0:09:38 | |
and an alcoholic is an alcoholic is an alcoholic, | 0:09:38 | 0:09:41 | |
whether it's a tramp lying in the gutter drinking Buckfast | 0:09:41 | 0:09:45 | |
or a 45-year-old father of two sitting at home alone | 0:09:45 | 0:09:50 | |
in the middle of the night drinking Hadron's Collision. | 0:09:50 | 0:09:54 | |
LAUGHTER | 0:09:54 | 0:09:57 | |
And scowling and sneering to himself | 0:09:58 | 0:10:03 | |
as he watches Andrew Graham Dixon | 0:10:03 | 0:10:07 | |
talking about art on The Culture Show. | 0:10:07 | 0:10:13 | |
Andrew Graham Dixon. | 0:10:13 | 0:10:15 | |
Our fathers' generation had Late Night Line-Up | 0:10:17 | 0:10:21 | |
with Joan Bakewell, the thinking man's crumpet. | 0:10:21 | 0:10:26 | |
And what have we got? The Culture Show with Andrew Graham Dixon. | 0:10:27 | 0:10:34 | |
The crumpet man's thinker. | 0:10:34 | 0:10:37 | |
LAUGHTER | 0:10:37 | 0:10:39 | |
Culture Show. What is that? | 0:10:43 | 0:10:46 | |
It's like a children's programme from a collapsed Soviet state. | 0:10:46 | 0:10:50 | |
Where they're still bewildered by Velcro. | 0:10:54 | 0:10:58 | |
You know what? When I... | 0:11:00 | 0:11:02 | |
It took the BBC three years to decide to recommission this show. | 0:11:02 | 0:11:05 | |
I don't care about that. | 0:11:05 | 0:11:07 | |
I don't think anyone's got a God-given right to be on television. | 0:11:07 | 0:11:10 | |
What annoys me is, during that period, they said to me, | 0:11:10 | 0:11:12 | |
"Maybe it would help if you were more of a personality," they said. | 0:11:12 | 0:11:15 | |
"Perhaps you could host The Culture Show." | 0:11:15 | 0:11:18 | |
Host The Culture Show. | 0:11:18 | 0:11:19 | |
I AM culture. | 0:11:21 | 0:11:23 | |
I've got an Olivier Award, | 0:11:25 | 0:11:28 | |
for directing an opera, | 0:11:28 | 0:11:29 | |
at the National Theatre. | 0:11:29 | 0:11:32 | |
I've done a John Cage piece at the Barbican. | 0:11:32 | 0:11:35 | |
I've done the voiceover for a Kurt Schwitters app | 0:11:35 | 0:11:38 | |
at the Southbank Centre. | 0:11:38 | 0:11:40 | |
And I've had two books published by Faber And Faber. | 0:11:42 | 0:11:45 | |
Not Tesco's own-brand books, | 0:11:45 | 0:11:48 | |
like all the Mock The Week twats. | 0:11:48 | 0:11:51 | |
Faber And fucking Faber. | 0:11:52 | 0:11:54 | |
I am... | 0:11:58 | 0:11:59 | |
Every week, The Culture Show should just be me sitting on a massive jewelled throne... | 0:11:59 | 0:12:03 | |
LAUGHTER | 0:12:03 | 0:12:06 | |
..while Andrew Graham Dixon crawls around in the dirt in a nappy, | 0:12:06 | 0:12:12 | |
like a hog, | 0:12:12 | 0:12:15 | |
occasionally looking up at me and saying, | 0:12:15 | 0:12:18 | |
"So, Stewart Lee, what have you been thinking about this week?" | 0:12:18 | 0:12:21 | |
LAUGHTER | 0:12:21 | 0:12:24 | |
Host The Culture Show! | 0:12:25 | 0:12:27 | |
The only way I'd host The Culture Show is if I was dead. | 0:12:28 | 0:12:31 | |
And you could wheel my decomposing corpse | 0:12:31 | 0:12:35 | |
through the streets of Florence in a shopping trolley, | 0:12:35 | 0:12:39 | |
using a lolly stick to move my lips, | 0:12:39 | 0:12:44 | |
so they appeared to mouth platitudinous phrases clipped out of Wikipedia, | 0:12:44 | 0:12:50 | |
like, "Of course, what you need to understand about Giotto is... | 0:12:50 | 0:12:54 | |
"open square brackets, citation needed, close square brackets." | 0:12:54 | 0:12:58 | |
LAUGHTER | 0:12:58 | 0:13:01 | |
Host The Culture Show. | 0:13:01 | 0:13:03 | |
We're a betrayed generation, we've got nothing. | 0:13:05 | 0:13:09 | |
We've got vasectomies | 0:13:09 | 0:13:12 | |
and Andrew Graham Dixon | 0:13:12 | 0:13:15 | |
and three for the price of two at Sainsbury's | 0:13:15 | 0:13:18 | |
on Higginbotham's Wrench and Dunbar's Retaliation | 0:13:18 | 0:13:22 | |
and Vincent Crane's Atomic Rooster | 0:13:22 | 0:13:25 | |
and Drake and Theaker's Rustic Hinge | 0:13:25 | 0:13:27 | |
and Elmer Gantry's Velvet Opera | 0:13:27 | 0:13:29 | |
and Principal Edward's Magic Theatre | 0:13:29 | 0:13:31 | |
and Andweller's Dream | 0:13:31 | 0:13:33 | |
and Gorky's Zygotic Mynci | 0:13:33 | 0:13:35 | |
and Bevis' Frond | 0:13:35 | 0:13:37 | |
and Noel's Chemical Effluent. | 0:13:37 | 0:13:40 | |
We've got nothing. We've got... | 0:13:40 | 0:13:42 | |
We've got nothing. | 0:13:42 | 0:13:44 | |
I've got no idea what's going on. | 0:13:49 | 0:13:51 | |
I've got no idea... | 0:13:55 | 0:13:57 | |
I didn't even know that Mutya | 0:13:57 | 0:14:01 | |
had left The Sugarcubes. | 0:14:01 | 0:14:03 | |
She's not been in it for years, apparently, The Sugarcubes. | 0:14:11 | 0:14:14 | |
I don't understand it, cos I saw... | 0:14:17 | 0:14:19 | |
I saw a picture just last week, and it was Mutya and Kerris, | 0:14:21 | 0:14:25 | |
whatever she was called, and the Irish one, Siobhan, | 0:14:25 | 0:14:30 | |
and I thought, "Good, there's The Sugarcubes." | 0:14:30 | 0:14:33 | |
And then underneath, it says it's MKS. | 0:14:33 | 0:14:36 | |
That's The Sugarcubes. | 0:14:38 | 0:14:40 | |
And then there's another picture, there's a load of... | 0:14:40 | 0:14:44 | |
Oh, that's The Sugarcubes. | 0:14:44 | 0:14:46 | |
A load of women about 12 years old. | 0:14:46 | 0:14:49 | |
Never seen them before, they're not old enough to have even been | 0:14:51 | 0:14:54 | |
with Gary Numan when he was with the other one. | 0:14:54 | 0:14:58 | |
It doesn't make any sense. | 0:14:58 | 0:15:00 | |
Why is it... | 0:15:00 | 0:15:02 | |
That's The Sugarcubes, Mutya, Kelly and Siobhan, | 0:15:02 | 0:15:08 | |
they're not dead. Why are they not called... | 0:15:08 | 0:15:12 | |
Why is...the other ones called The Sugarcubes? | 0:15:12 | 0:15:14 | |
The Sugarcubes, they're alive. | 0:15:14 | 0:15:16 | |
Why are they not called... Why are these other ones... | 0:15:18 | 0:15:20 | |
It doesn't make any... | 0:15:20 | 0:15:21 | |
You can't have The Sugarcubes without Mutya, I don't think. | 0:15:23 | 0:15:27 | |
That embodies it to me. | 0:15:27 | 0:15:30 | |
The whole... | 0:15:30 | 0:15:31 | |
It's not fair, there should be... | 0:15:34 | 0:15:36 | |
It's not fair on older people to change things like this. | 0:15:36 | 0:15:39 | |
There should be an alert you can sign up for and it will tell you. | 0:15:41 | 0:15:45 | |
It's like being Rip Van Winkle. It's like that. | 0:15:47 | 0:15:49 | |
I went to bed, I thought, "Oh, good, Mutya's in The Sugarcubes." | 0:15:51 | 0:15:55 | |
LAUGHTER | 0:15:55 | 0:15:57 | |
I have a checklist every night of things that are not changed. | 0:15:59 | 0:16:04 | |
You wake up the next day, "Oh, she's not been in it for years, didn't you know?" | 0:16:05 | 0:16:08 | |
"No, I didn't, why would I know that?" | 0:16:08 | 0:16:10 | |
Happens to me all the time. | 0:16:11 | 0:16:13 | |
I thought I lived on my own in a flat. | 0:16:15 | 0:16:17 | |
Wake up, I'm in a house, there's a woman there. | 0:16:19 | 0:16:23 | |
Children. A cat. | 0:16:23 | 0:16:25 | |
Parasitical anus worm. | 0:16:27 | 0:16:28 | |
That I'm envious of. | 0:16:31 | 0:16:33 | |
So, I've been up all night, drinking Gandalf's Memory Stick, and... | 0:16:38 | 0:16:43 | |
LAUGHTER | 0:16:43 | 0:16:45 | |
..Hogwart's Bukkake. | 0:16:49 | 0:16:51 | |
LAUGHTER | 0:16:51 | 0:16:53 | |
I was just having a little lie down on the kitchen floor. | 0:17:13 | 0:17:18 | |
I looked up, I saw the strip light was flickering on the... | 0:17:20 | 0:17:25 | |
on the unit. I've got a unit! | 0:17:25 | 0:17:27 | |
I've got no social life, | 0:17:29 | 0:17:32 | |
I've got no sex life, I've got no inner imaginative life. | 0:17:32 | 0:17:36 | |
I've got a unit. | 0:17:36 | 0:17:37 | |
I thought I'd climb up... | 0:17:39 | 0:17:40 | |
"I'll climb up on the unit, I can fix that." | 0:17:40 | 0:17:42 | |
I climbed up, I was jiggling the light, and I slipped. | 0:17:42 | 0:17:45 | |
I fell back. | 0:17:45 | 0:17:46 | |
I thought, "I'm going to hit my head on the wall there." | 0:17:46 | 0:17:49 | |
And as I was falling back, I thought to myself, in slow motion, | 0:17:49 | 0:17:53 | |
I thought, "Oh, I might die now. | 0:17:53 | 0:17:55 | |
"I wonder what that will be like? | 0:17:57 | 0:17:59 | |
"Shit, I expect... | 0:17:59 | 0:18:01 | |
"..if being alive's anything to go by." | 0:18:03 | 0:18:05 | |
I come round at A&E on the Euston Road. | 0:18:14 | 0:18:17 | |
They said to me, "Do you feel disorientated? Do you feel distressed? | 0:18:18 | 0:18:22 | |
"Do you feel bewildered? Do you feel confused? | 0:18:22 | 0:18:24 | |
"Do you feel unsteady? Do you feel unstable? | 0:18:24 | 0:18:27 | |
"Are you having trouble remembering who you are? | 0:18:27 | 0:18:29 | |
"Are you having trouble remembering where you are?" | 0:18:29 | 0:18:32 | |
And the answer to all those questions was, "Yes." | 0:18:32 | 0:18:35 | |
Because the symptoms of mild traumatic brain damage | 0:18:35 | 0:18:39 | |
are the same as the symptoms of being | 0:18:39 | 0:18:41 | |
a 45-year-old father of two small children. | 0:18:41 | 0:18:44 | |
But they don't... they don't tell you that. | 0:18:44 | 0:18:47 | |
LAUGHTER | 0:18:47 | 0:18:48 | |
Because if they... | 0:18:48 | 0:18:50 | |
If they did, you would all have vasectomies. | 0:18:50 | 0:18:54 | |
Self-administered, if necessary. | 0:18:56 | 0:18:59 | |
With whatever kitchen utensils were to hand. | 0:19:00 | 0:19:02 | |
Spatula and a... | 0:19:04 | 0:19:07 | |
tea-strainer and a... | 0:19:07 | 0:19:10 | |
garlic press. | 0:19:10 | 0:19:12 | |
LAUGHTER | 0:19:12 | 0:19:15 | |
And I was... I was left lying all night on a trolley | 0:19:22 | 0:19:26 | |
in a corridor at A&E, and there's been a lot of people lately | 0:19:26 | 0:19:30 | |
complaining about being left lying all night | 0:19:30 | 0:19:34 | |
on a trolley in a corridor at A&E, but I liked it. | 0:19:34 | 0:19:38 | |
Because it was quiet and it was peaceful | 0:19:40 | 0:19:43 | |
and no-one was trying to wake me up or argue with me | 0:19:43 | 0:19:46 | |
or demand things or | 0:19:46 | 0:19:50 | |
curse me for their very having been born. | 0:19:50 | 0:19:53 | |
I tried to pretend to be asleep so I could stay, | 0:19:57 | 0:20:00 | |
but they woke me up and they discharged me | 0:20:00 | 0:20:03 | |
and they sent me on my way with some antibiotics, | 0:20:03 | 0:20:06 | |
because apparently, the wound in my head | 0:20:06 | 0:20:09 | |
had become very slightly infected, and I was overjoyed, to be honest. | 0:20:09 | 0:20:12 | |
Because that meant that my... | 0:20:14 | 0:20:18 | |
impotent, vasectomised, 45-year-old body | 0:20:18 | 0:20:21 | |
was at least home to something living. | 0:20:21 | 0:20:24 | |
LAUGHTER | 0:20:24 | 0:20:26 | |
Even if it was just germs. | 0:20:32 | 0:20:35 | |
And I thought... | 0:20:35 | 0:20:37 | |
..if I was kind to the germs... | 0:20:39 | 0:20:42 | |
..maybe they would be my friends. | 0:20:44 | 0:20:47 | |
That night, my wife was coming home from being away, | 0:20:51 | 0:20:53 | |
so I thought I'd go out and buy her... | 0:20:53 | 0:20:56 | |
She suggested we buy... | 0:20:56 | 0:20:59 | |
open the 12.99 bottle of wine to | 0:20:59 | 0:21:02 | |
celebrate my not being dead. | 0:21:02 | 0:21:05 | |
I told her while she'd been away | 0:21:06 | 0:21:08 | |
the kids had been asking me difficult questions, as usual. | 0:21:08 | 0:21:11 | |
I told her my son had said to me, "Dad, what are stars?" | 0:21:11 | 0:21:13 | |
And I said to him, I said, "Stars are faraway suns. | 0:21:14 | 0:21:18 | |
"Because of the way gas burns out, the theory of relativity | 0:21:18 | 0:21:23 | |
"and the speed of light, some of the light we see reaching us | 0:21:23 | 0:21:28 | |
"is coming to us from stars that are already dead." | 0:21:28 | 0:21:31 | |
And I said to my wife, | 0:21:38 | 0:21:40 | |
"That's what I am." | 0:21:40 | 0:21:41 | |
LAUGHTER | 0:21:41 | 0:21:43 | |
"The children are the light that has poured out of me... | 0:21:43 | 0:21:47 | |
"..and I am a star that is dead." | 0:21:48 | 0:21:51 | |
And she said to me, | 0:21:55 | 0:21:57 | |
"When you won a BAFTA, they cut you out of the television broadcast. | 0:21:57 | 0:22:02 | |
"You and Terry Pratchett. | 0:22:06 | 0:22:09 | |
"Maybe they'd have kept you in if you hadn't had done such a weird, boring speech." | 0:22:12 | 0:22:16 | |
LAUGHTER | 0:22:16 | 0:22:18 | |
"I told the kids you'd be on, and they'd stayed up and you weren't there, | 0:22:21 | 0:22:24 | |
"and they were angry and they were embarrassed and ashamed. | 0:22:24 | 0:22:28 | |
"They kept the woman from Mrs Brown's Boys in... | 0:22:31 | 0:22:34 | |
"..and he's a man. | 0:22:39 | 0:22:41 | |
"And you've never been on the Channel 4 Stand-Up Comedy Gala... | 0:22:44 | 0:22:48 | |
"..and they allow anyone to do that." | 0:22:49 | 0:22:51 | |
LAUGHTER | 0:22:51 | 0:22:54 | |
"No-one knows who you are," she said. | 0:22:54 | 0:22:56 | |
"When we walk along in the street, I hear them whispering behind you, | 0:22:56 | 0:23:00 | |
"'Oh, look... | 0:23:00 | 0:23:01 | |
"'..the Serbian warlord Ratko Mladic... | 0:23:05 | 0:23:08 | |
"'..has let himself go.' | 0:23:19 | 0:23:21 | |
"And so," she said, | 0:23:25 | 0:23:27 | |
"at the risk of compromising your neat, light-based metaphor, | 0:23:27 | 0:23:31 | |
"I think it's something of an exaggeration | 0:23:31 | 0:23:33 | |
"to say that you are a star." | 0:23:33 | 0:23:36 | |
And I looked down at the 12.99 bottle of wine | 0:23:40 | 0:23:44 | |
and I thought to myself... | 0:23:44 | 0:23:47 | |
"Yeah. Bitches." | 0:23:47 | 0:23:49 | |
LAUGHTER | 0:23:49 | 0:23:51 | |
APPLAUSE | 0:23:55 | 0:23:57 | |
Is it entertainment? I don't know. Is it meant to be entertainment? | 0:26:44 | 0:26:47 | |
I don't know. But you know what's important? Time's passed. | 0:26:47 | 0:26:50 | |
And at the end of it, people go, "Oh, something happened." | 0:26:50 | 0:26:53 | |
Is there anything that you couldn't say that about? | 0:26:55 | 0:26:58 | |
No, I guess not. But... | 0:26:58 | 0:26:59 | |
Have you been reduced to that? That's your defence for everything. | 0:26:59 | 0:27:03 | |
Time's passed. And at the end of it, you say something happened. | 0:27:03 | 0:27:06 | |
-You can't use that as a defence... -You can say that... | 0:27:06 | 0:27:09 | |
-No, you said that! -I know. | 0:27:09 | 0:27:11 | |
Well, I think that people will be hard-pressed to say that the money's | 0:27:11 | 0:27:16 | |
been wasted, because you can see... you can see... | 0:27:16 | 0:27:20 | |
It seems like you're drunk, I don't know what you're saying! | 0:27:20 | 0:27:23 | |
Words being... This man's been speaking. | 0:27:23 | 0:27:28 | |
A man was speaking. | 0:27:28 | 0:27:30 | |
You saw him from... you saw him from... | 0:27:30 | 0:27:32 | |
-Angles. Some angles. -Different angles, and...you know... | 0:27:32 | 0:27:38 | |
And it can't be said not to have happened! | 0:27:38 | 0:27:40 | |
I don't know why you would put that forward... | 0:27:42 | 0:27:45 | |
Some music came on at the end. | 0:27:45 | 0:27:47 | |
It's finished now. | 0:27:47 | 0:27:50 | |
They can't say that... | 0:27:51 | 0:27:54 | |
they can't say that nothing happened, | 0:27:54 | 0:27:56 | |
because you can see it did. | 0:27:56 | 0:27:58 | |
All right. OK. It's fine. It did. | 0:27:58 | 0:28:02 | |
They can say it wasn't any good, | 0:28:02 | 0:28:05 | |
but they can't say nothing happened, because there was loads... | 0:28:05 | 0:28:08 | |
There's six pages of words, minimum, for each episode. | 0:28:08 | 0:28:12 | |
You can see in the film bit at the end, | 0:28:12 | 0:28:15 | |
someone's put a lot of work into that. | 0:28:15 | 0:28:17 | |
It goes at different speeds, the cameras... | 0:28:17 | 0:28:19 | |
You can still say it didn't happen, though, can't you? | 0:28:20 | 0:28:23 | |
Well, you know, first... | 0:28:23 | 0:28:26 | |
I resent the idea that it was... | 0:28:26 | 0:28:29 | |
people's time has been wasted. It hasn't. | 0:28:29 | 0:28:32 | |
You know? | 0:28:32 | 0:28:33 |