Browse content similar to Wealth. Check below for episodes and series from the same categories and more!
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This programme contains very strong language | 0:00:02 | 0:00:09 | |
Hmm. | 0:00:11 | 0:00:13 | |
HE CLEARS HIS THROAT | 0:00:14 | 0:00:17 | |
So, I'm going to do 28 minutes now | 0:00:28 | 0:00:29 | |
on wealth and social responsibility. | 0:00:29 | 0:00:32 | |
That's quite a heavy subject to go straight into, | 0:00:32 | 0:00:35 | |
so, I'm going to do a quick light-hearted 45-second anecdote | 0:00:35 | 0:00:39 | |
first of all, to soften up the ground and hopefully you won't see | 0:00:39 | 0:00:43 | |
the gears change too obviously, as we move into the main routine. | 0:00:43 | 0:00:48 | |
So, I was on tour and I was in... AUDIENCE LAUGHS | 0:00:48 | 0:00:51 | |
I was... I was in Sheffield and I was walking along the main street | 0:00:53 | 0:00:57 | |
in Sheffield, Fargate, | 0:00:57 | 0:00:58 | |
and I saw two guys holding up big cardboard placards | 0:00:58 | 0:01:01 | |
and one of them said, | 0:01:01 | 0:01:03 | |
"Would you like to download thousands of films now from Sky?" | 0:01:03 | 0:01:06 | |
And the other one said, | 0:01:06 | 0:01:07 | |
"Would you like to learn the truth about Islam?" | 0:01:07 | 0:01:10 | |
And I thought, "Oh, decisions, decisions." | 0:01:10 | 0:01:13 | |
But we were all asked to make a decision in the last election, | 0:01:15 | 0:01:18 | |
weren't we? AUDIENCE LAUGHS | 0:01:18 | 0:01:21 | |
Any... | 0:01:23 | 0:01:25 | |
That's how you do segues between material. | 0:01:25 | 0:01:28 | |
Any young comics watching at home... | 0:01:29 | 0:01:32 | |
So, we were asked to make a choice, weren't we? | 0:01:32 | 0:01:34 | |
Between voting out of self-interest, broadly speaking, | 0:01:34 | 0:01:37 | |
and out of the interests of others. | 0:01:37 | 0:01:39 | |
We know what happened on a national level | 0:01:39 | 0:01:41 | |
and now I sort of worry that I see evidence | 0:01:41 | 0:01:43 | |
of people's selfishness everywhere. | 0:01:43 | 0:01:45 | |
I was walking along the canal in Camden | 0:01:45 | 0:01:47 | |
and walked past that Dingwalls there | 0:01:47 | 0:01:49 | |
and there was a load of drunk lads on the canal towpath, | 0:01:49 | 0:01:53 | |
laughing and cheering as they watched five seagulls | 0:01:53 | 0:01:58 | |
peck a fluffy baby duckling to death. | 0:01:58 | 0:02:00 | |
And then I realised why Mock The Week is so popular. | 0:02:00 | 0:02:04 | |
AUDIENCE LAUGHS LIGHTLY | 0:02:04 | 0:02:06 | |
Wow, where did they get this crowd from? | 0:02:06 | 0:02:09 | |
Normally... | 0:02:09 | 0:02:10 | |
Normally, my audience would go, | 0:02:10 | 0:02:12 | |
"Ha, ha, imagine liking Mock The Week, eurgh." | 0:02:12 | 0:02:15 | |
But BBC Ticket Unit, | 0:02:15 | 0:02:17 | |
the sort of people who go, "Oh, I like comedy, I'll go and see that." | 0:02:17 | 0:02:20 | |
Going to be a tough, it's going to be a tough night, isn't it? | 0:02:21 | 0:02:25 | |
We've got to be careful having a go at the panel shows now though, | 0:02:27 | 0:02:30 | |
I don't want Lee Mack writing in his next book | 0:02:30 | 0:02:34 | |
that I'm an intellectual snob again. | 0:02:34 | 0:02:37 | |
Like I inferred he did in the last one, unless, of course... | 0:02:38 | 0:02:41 | |
..unless, of course, I choose to appear | 0:02:43 | 0:02:45 | |
as an intellectual snob on purpose, | 0:02:45 | 0:02:47 | |
in order to create a secondary character-driven narrative | 0:02:47 | 0:02:52 | |
that runs both in tandem with and in dramatic opposition | 0:02:52 | 0:02:55 | |
to the surface level stand-up. | 0:02:55 | 0:02:58 | |
Um... I want you to laugh in spite of me, not because of me. | 0:03:00 | 0:03:03 | |
It's an example of the theatrical practice known as | 0:03:06 | 0:03:08 | |
Brechtian alienation. | 0:03:08 | 0:03:11 | |
It is, it's an incredibly high-risk performance strategy | 0:03:11 | 0:03:14 | |
that very few people seem to appreciate. | 0:03:14 | 0:03:16 | |
No-one is equipped to review me. | 0:03:17 | 0:03:19 | |
Least of all The Daily Telegraph, | 0:03:23 | 0:03:25 | |
which is...I got a no-star review in The Daily Telegraph, I did. | 0:03:25 | 0:03:30 | |
The bloke said... Normally they give you one for turning up. | 0:03:30 | 0:03:33 | |
The bloke said that I have contempt for the public | 0:03:33 | 0:03:36 | |
and if I understood anything about the sacrifices people make | 0:03:36 | 0:03:39 | |
to come and see things, I would spare them my toxic scorn. | 0:03:39 | 0:03:42 | |
And I do understand all that and I just did it for a laugh, really. | 0:03:44 | 0:03:48 | |
Which is within the remit of this job, isn't it? | 0:03:48 | 0:03:51 | |
If you think about it for a second. | 0:03:51 | 0:03:53 | |
So... | 0:03:53 | 0:03:55 | |
But it's awkward getting bad reviews in The Daily Telegraph, | 0:03:55 | 0:03:58 | |
cos that is the paper that all the middle-class dads | 0:03:58 | 0:04:01 | |
at my kids' school read. | 0:04:01 | 0:04:02 | |
They read these awful things about how terrible I am | 0:04:02 | 0:04:05 | |
and then they're embarrassed to meet my eye in the school playground, | 0:04:05 | 0:04:08 | |
as if they've imagined me doing some incredibly intimate thing | 0:04:08 | 0:04:11 | |
with their middle-class wives that they would never do with them, | 0:04:11 | 0:04:15 | |
like talk to them in the evenings. | 0:04:15 | 0:04:17 | |
And, yes, you did hear me say middle-class dads there. | 0:04:20 | 0:04:23 | |
I now move in exclusively middle-class dad circles, | 0:04:23 | 0:04:27 | |
because the money that you have given me by coming to see me | 0:04:27 | 0:04:32 | |
in incrementally larger amounts over the last 26 years | 0:04:32 | 0:04:35 | |
has finally moved me into a social milieu | 0:04:35 | 0:04:38 | |
where I do not belong and I'm not welcome. | 0:04:38 | 0:04:40 | |
So, thanks for that! Thanks. | 0:04:43 | 0:04:44 | |
Now, one of the things that comes across in this series | 0:04:46 | 0:04:48 | |
is that you are obsessed with money. | 0:04:48 | 0:04:51 | |
As usual, in a sort of slightly perverse, inverted kind of way. | 0:04:51 | 0:04:55 | |
What are you really saying? | 0:04:55 | 0:04:57 | |
Are you saying that having money is worse than not having money? | 0:04:57 | 0:05:00 | |
Yeah, I think the difficult position I've been put in | 0:05:00 | 0:05:03 | |
is to be allowed to be about as successful as it's possible to be | 0:05:03 | 0:05:07 | |
as a sort of obscure figure, but, really, | 0:05:07 | 0:05:11 | |
what I do is not of enough quality or interest | 0:05:11 | 0:05:13 | |
to tip over into having a subterranean garage | 0:05:13 | 0:05:18 | |
full of Aston Martins, you know, it's sort of a weird... | 0:05:18 | 0:05:22 | |
But that's where you feel you're sort of bound to go? | 0:05:22 | 0:05:24 | |
Yeah, but it's something I'm clearly not capable of doing. | 0:05:24 | 0:05:26 | |
I mean, each series is like a suicide note | 0:05:26 | 0:05:29 | |
or someone that's carried out a crime | 0:05:29 | 0:05:31 | |
and is leaving written in blood on the wall, | 0:05:31 | 0:05:33 | |
"Stop me before I do this again." | 0:05:33 | 0:05:35 | |
And yet they seem to keep coming back | 0:05:35 | 0:05:37 | |
and driving me further and further towards this sort of position | 0:05:37 | 0:05:42 | |
of utter dislocation. | 0:05:42 | 0:05:44 | |
OK, I'm a reader, right? | 0:05:44 | 0:05:46 | |
But I used to wait till books were second-hand or discounted, | 0:05:46 | 0:05:50 | |
but I don't have to now. | 0:05:50 | 0:05:51 | |
For example, when a new Lee Mack book is published... | 0:05:51 | 0:05:54 | |
..I buy it on the day it comes out | 0:05:56 | 0:05:59 | |
from Tesco's for 16.99. | 0:05:59 | 0:06:04 | |
I don't even wait until the next day when it will be 50p at The Works... | 0:06:04 | 0:06:08 | |
..or even less | 0:06:13 | 0:06:14 | |
as part of a three-stickered-items for a pound offer, | 0:06:14 | 0:06:19 | |
along with some wool | 0:06:19 | 0:06:22 | |
and a 2008 Graham Norton calendar. | 0:06:22 | 0:06:26 | |
You see that bloke with glasses up there, | 0:06:30 | 0:06:33 | |
he's not laughing at all, on the table, | 0:06:33 | 0:06:35 | |
do you see him with his beard? | 0:06:35 | 0:06:37 | |
He's sort of going, "Oh." | 0:06:37 | 0:06:38 | |
He's going, "Oh, he's having a go at Graham Norton now." | 0:06:38 | 0:06:41 | |
Right, I'm not. OK, I'm not having a go at Graham Norton, OK? | 0:06:41 | 0:06:44 | |
I'm just saying that an out-of-date Graham Norton calendar | 0:06:44 | 0:06:47 | |
is like something that would be in The Works, is it? | 0:06:47 | 0:06:49 | |
Yes, it is, it's not having a go at... | 0:06:49 | 0:06:51 | |
I actually...I like Graham Norton, OK? I have... | 0:06:51 | 0:06:54 | |
I have... I'm going to come off book to put you at ease, all right? | 0:06:54 | 0:06:59 | |
I have a thing with Graham Norton where I... | 0:06:59 | 0:07:01 | |
You probably have this with a band or a football team or something, | 0:07:01 | 0:07:04 | |
whenever he does well, I feel like it's my success, do you get that? | 0:07:04 | 0:07:09 | |
So, if it goes, "Graham Norton has £1,000,000 publishing deal," | 0:07:10 | 0:07:13 | |
I go, "Yeah!" | 0:07:13 | 0:07:14 | |
And the reason for this, right, is because in 1992, | 0:07:16 | 0:07:20 | |
I was in the same venue as Graham Norton for a month, | 0:07:20 | 0:07:23 | |
in The Fringe in Edinburgh. It was a 40-seater attic | 0:07:23 | 0:07:26 | |
at the Pleasance Theatre and I was on at 9.45 in the morning | 0:07:26 | 0:07:32 | |
and he was on at 11 or something. And I used to see him in the... | 0:07:32 | 0:07:34 | |
He was...he had a one-man show about the Carpenters, | 0:07:34 | 0:07:37 | |
if you must know, and I used to see him in the... | 0:07:37 | 0:07:40 | |
He did, do you find it amusing that someone who's now famous | 0:07:40 | 0:07:43 | |
once had to struggle? | 0:07:43 | 0:07:44 | |
Well, that's how it works. | 0:07:44 | 0:07:45 | |
Well, I used to see him in the hand over | 0:07:45 | 0:07:49 | |
and he was always very nice, so to this day, | 0:07:49 | 0:07:51 | |
when I see that he's done really well, like, if it goes | 0:07:51 | 0:07:54 | |
"Graham Norton is the highest-paid man on TV," or something, | 0:07:54 | 0:07:57 | |
I go, "Yeah!" | 0:07:57 | 0:07:59 | |
Attic, attic lads! | 0:07:59 | 0:08:01 | |
Do you know what I mean? | 0:08:01 | 0:08:02 | |
I have a similar thing with Napalm Death, do you know them? | 0:08:02 | 0:08:06 | |
Grindcore pioneers - Napalm Death. | 0:08:06 | 0:08:09 | |
Cos I was actually at school with Napalm Death | 0:08:09 | 0:08:12 | |
and I was, I used to go orienteering with Napalm Death. | 0:08:12 | 0:08:16 | |
I did, that's not a new BBC Four programme. | 0:08:17 | 0:08:19 | |
I used to go orienteering with the original line-up of Napalm Death | 0:08:21 | 0:08:25 | |
every other weekend all around the Wrekin in Shropshire, | 0:08:25 | 0:08:29 | |
but, it wasn't square middle-class watching BBC Two orienteering, | 0:08:29 | 0:08:35 | |
like you would do, | 0:08:35 | 0:08:37 | |
it was second wave anarcho-punk orienteering. | 0:08:37 | 0:08:40 | |
We had maps, but all the boundaries were crossed out. | 0:08:41 | 0:08:45 | |
AUDIENCE LAUGHS | 0:08:45 | 0:08:48 | |
You'd think there would be more on that, wouldn't you? | 0:08:55 | 0:08:57 | |
It's a good joke. | 0:08:57 | 0:08:58 | |
It's one of the three best jokes in this half hour, that. | 0:08:58 | 0:09:03 | |
I tell you what, when the other good ones come up, | 0:09:06 | 0:09:09 | |
I'll give you a little...a little signal. | 0:09:09 | 0:09:12 | |
But to this day, I mean, there's not even any of them | 0:09:15 | 0:09:18 | |
in Napalm Death any more from them, | 0:09:18 | 0:09:20 | |
but I'll be on the internet, | 0:09:20 | 0:09:21 | |
you know, and I'll see that Napalm Death are in Brazil or something, | 0:09:21 | 0:09:25 | |
headlining Cunt Fest '15 or whatever and I go, | 0:09:25 | 0:09:28 | |
"Yeah, orienteering." | 0:09:28 | 0:09:32 | |
And I have a similar thing with Graham Norton, I go... | 0:09:32 | 0:09:38 | |
Well...interesting cos earlier this year, | 0:09:38 | 0:09:42 | |
last year it was the BAFTAs, do you know that? | 0:09:42 | 0:09:46 | |
It's the British Academy of Film and Television, | 0:09:46 | 0:09:49 | |
like the TV Oscars, basically. | 0:09:49 | 0:09:51 | |
Anyway, Graham Norton's chat show that he does, | 0:09:51 | 0:09:55 | |
that actually beats this series for the Best TV Comedy BAFTA, so... | 0:09:55 | 0:10:01 | |
No... | 0:10:04 | 0:10:06 | |
OK, I don't mind, I just thought it was a bit sort of strange, | 0:10:06 | 0:10:09 | |
isn't it? | 0:10:09 | 0:10:10 | |
Do you not think? I don't know. Just seems... | 0:10:13 | 0:10:16 | |
Strange, uneasy crowd, aren't you, tonight? Very... | 0:10:18 | 0:10:23 | |
OK, I'm not saying I'm a better comedian | 0:10:23 | 0:10:26 | |
than Graham Norton, OK, if that's what you're thinking. | 0:10:26 | 0:10:29 | |
OK, I didn't go to the BAFTAs and boo, if that's what you're... | 0:10:32 | 0:10:36 | |
I never go... I never go to those awards anyway, because I'm not... | 0:10:38 | 0:10:42 | |
It doesn't even get as far as... | 0:10:42 | 0:10:45 | |
cos I'm not like a telly personality. | 0:10:45 | 0:10:49 | |
I'm a live act, really, so, I'm working late 320-odd nights a year, | 0:10:49 | 0:10:54 | |
so, if they suddenly go, "Can you come to the BAFTAs?" | 0:10:54 | 0:10:57 | |
I can't go anyway, so I don't...you know... | 0:10:57 | 0:11:00 | |
I can't, so, you know, with the last BAFTAs, | 0:11:00 | 0:11:03 | |
I don't even know where I was, when it was on, to be honest. | 0:11:03 | 0:11:06 | |
Salford, I think... | 0:11:08 | 0:11:10 | |
I tell you what, it was Salford Quays, I tell you why I know, right? | 0:11:14 | 0:11:17 | |
No, I'm not interested, genuinely, in the BAFTAs, | 0:11:17 | 0:11:21 | |
but I remember it was Salford Quays, cos I did the gig at The Lowry | 0:11:21 | 0:11:24 | |
and then I went back to the Premier Inn. And I was... | 0:11:24 | 0:11:27 | |
AUDIENCE LAUGHS | 0:11:27 | 0:11:30 | |
Premier Inn's funnier than a clever joke about orienteering? | 0:11:33 | 0:11:36 | |
No, I'm just saying, it's interesting that you... | 0:11:36 | 0:11:40 | |
No, it's just interesting that you don't laugh at a clever joke | 0:11:40 | 0:11:43 | |
about orienteering, but you have a kind of snobbish reaction | 0:11:43 | 0:11:47 | |
to discount fucking... | 0:11:47 | 0:11:49 | |
It's gone wrong... You know... | 0:11:52 | 0:11:54 | |
Do you remember in the old days, | 0:11:54 | 0:11:56 | |
there weren't loads of horrible snobs, were there, in the audience? | 0:11:56 | 0:11:59 | |
But the sort of people this attracts now, | 0:11:59 | 0:12:01 | |
it's what I read on the internet... | 0:12:01 | 0:12:03 | |
On the internet, the other comics say that all the people that like me | 0:12:03 | 0:12:06 | |
are cunts, right? | 0:12:06 | 0:12:07 | |
And they are, aren't they? You listen to that. | 0:12:07 | 0:12:10 | |
They're the sort of people... | 0:12:10 | 0:12:12 | |
They didn't used to be, but they are now. | 0:12:12 | 0:12:15 | |
They're the sort of people going, | 0:12:15 | 0:12:16 | |
"Oh, imagine staying in the Travelodge | 0:12:16 | 0:12:18 | |
"or the Premier Inn, oh." | 0:12:18 | 0:12:20 | |
But then, yet, they don't know what orienteering is, | 0:12:21 | 0:12:24 | |
so they're sort of snobs, but they're ignorant and stupid as well. | 0:12:24 | 0:12:28 | |
The Premier Inn is fine, to be honest, and I think it's... | 0:12:32 | 0:12:36 | |
I mean, if you're in Salford Quays, | 0:12:36 | 0:12:38 | |
you're basically either in the Premier Inn, which is fine, | 0:12:38 | 0:12:41 | |
or you have to go in the Holiday Inn, which is a bit sort of... | 0:12:41 | 0:12:44 | |
You know, the price difference is not always... | 0:12:44 | 0:12:48 | |
They're still sniggering away. | 0:12:49 | 0:12:50 | |
OK, why do you think...why do you think it cost 20 quid less to see me | 0:12:50 | 0:12:55 | |
than Kevin Bridges and all these sorts of people? | 0:12:55 | 0:12:57 | |
Because I pass the savings on to the consumer, that is why, | 0:12:58 | 0:13:01 | |
and I just get this sort of contempt from the public. | 0:13:01 | 0:13:05 | |
Anyway, I went back to the Premier Inn, | 0:13:09 | 0:13:11 | |
I got in my pants, | 0:13:11 | 0:13:13 | |
I made a cup of tea and I thought, | 0:13:13 | 0:13:14 | |
I'll put the telly on and it was that thing | 0:13:14 | 0:13:16 | |
where you know it's, like, when it comes on two hours later | 0:13:16 | 0:13:19 | |
on plus-two or whatever and the BAFTAs was on. | 0:13:19 | 0:13:21 | |
And I thought, you know, I'm going to watch cos... | 0:13:21 | 0:13:24 | |
I don't care about what happens, but I'm always curious. | 0:13:24 | 0:13:26 | |
So, I watched it and the bloke goes, | 0:13:26 | 0:13:29 | |
"And the winner for Best TV Comedy is Graham Norton." | 0:13:29 | 0:13:33 | |
And I just went, "Oh, is it?" You know. | 0:13:33 | 0:13:35 | |
Then I went to bed, I went straight to sleep. | 0:13:37 | 0:13:39 | |
Cos I don't...I don't care at all, you know. | 0:13:42 | 0:13:45 | |
I'm not, you know, I'm not...I don't mind... | 0:13:46 | 0:13:49 | |
and I wish him well and I'm not saying, you know... | 0:13:49 | 0:13:53 | |
Have you seen his show though? | 0:13:55 | 0:13:57 | |
No, it's good, you know. | 0:14:01 | 0:14:04 | |
He's very good in it, but... | 0:14:04 | 0:14:07 | |
It's a chat show, isn't it? It's a chat show. | 0:14:10 | 0:14:13 | |
You know, people come in and, you know, he goes, "Hello." | 0:14:13 | 0:14:17 | |
And they go, "Hello, Graham." | 0:14:17 | 0:14:18 | |
And he goes, "Oh, you're in a film now, aren't you?" "Yes." | 0:14:18 | 0:14:23 | |
"Is it a good film?" "Yeah, it's brilliant." | 0:14:23 | 0:14:25 | |
Then some more ones come in, don't they? And they all talk. | 0:14:27 | 0:14:33 | |
Then, at the end, one of the audience, | 0:14:36 | 0:14:40 | |
they go in a chair, don't they? | 0:14:40 | 0:14:43 | |
And they sort of fall out of it. | 0:14:43 | 0:14:46 | |
That's better, apparently, than... | 0:14:53 | 0:14:55 | |
No, he's good, he's very good. | 0:14:58 | 0:15:00 | |
He is, he's good, people come in and he goes, "Hello." | 0:15:00 | 0:15:03 | |
And they go, "Hello, Graham." | 0:15:03 | 0:15:05 | |
And he goes, "Ooh, you look brown, have you been on holiday?" | 0:15:05 | 0:15:08 | |
"Yes." "Was it hot?" "Yes, Graham." | 0:15:08 | 0:15:12 | |
"Too hot, by the looks of it." "It was too hot, yes." | 0:15:12 | 0:15:16 | |
"Bet you're glad to be back here, aren't you?" "Yes." | 0:15:16 | 0:15:19 | |
You do that in your house, don't you? | 0:15:22 | 0:15:24 | |
People come round and you go, "Hello, hello. | 0:15:24 | 0:15:27 | |
How are you, are you all right?" "Yes." | 0:15:27 | 0:15:30 | |
"How's Robin, is he all right?" | 0:15:30 | 0:15:32 | |
"Yes, he's got a bad leg." "Has he? Is he in work?" | 0:15:32 | 0:15:36 | |
"No, he's had..." | 0:15:36 | 0:15:38 | |
You know, you're not sitting there going, "Where's my BAFTA," are you?" | 0:15:38 | 0:15:41 | |
You just... | 0:15:41 | 0:15:42 | |
I don't care. I don't mind, I just can't really...make any... | 0:15:47 | 0:15:53 | |
BAFTA, isn't it? It's like...a proper... | 0:15:53 | 0:15:56 | |
You know, a BAFTA is a proper... | 0:15:56 | 0:15:59 | |
it's the British Academy of Film and Television, | 0:15:59 | 0:16:01 | |
it's got a big office down on Piccadilly, you know, | 0:16:01 | 0:16:04 | |
it's not like TV Quick or something like this. | 0:16:04 | 0:16:07 | |
It just surprises me that they don't seem to have | 0:16:09 | 0:16:11 | |
any sort of logical system in place for... | 0:16:11 | 0:16:13 | |
You don't...OK, fine, I don't care, | 0:16:15 | 0:16:17 | |
I don't care what you think, all right? | 0:16:17 | 0:16:19 | |
Have you seen my sh...? Between this show that you're at... | 0:16:21 | 0:16:24 | |
I write this, takes me about two years to write these, | 0:16:28 | 0:16:31 | |
this is all written, what I'm saying now. | 0:16:31 | 0:16:33 | |
And it's not just talking, this show, | 0:16:35 | 0:16:37 | |
it's very carefully structured and there's all this... | 0:16:37 | 0:16:40 | |
I mean, you're watching this now and you're thinking, | 0:16:40 | 0:16:43 | |
"What's this? It's nothing." | 0:16:43 | 0:16:44 | |
It isn't, it all ties together at the end. | 0:16:44 | 0:16:47 | |
You won't realise till... You may never realise. | 0:16:47 | 0:16:50 | |
You know. | 0:16:54 | 0:16:55 | |
But... | 0:16:55 | 0:16:56 | |
..I'll tell you what... | 0:16:58 | 0:17:00 | |
..I don't care about it, I just don't know what kind of message | 0:17:01 | 0:17:04 | |
it sends out to young people, | 0:17:04 | 0:17:05 | |
cos they're the future, aren't they, the kids, you know? | 0:17:05 | 0:17:08 | |
And it's like saying to them, "Oh, don't work really hard | 0:17:08 | 0:17:11 | |
"on something for years, trying to make it really good, | 0:17:11 | 0:17:13 | |
"like a fucking mug." | 0:17:13 | 0:17:15 | |
"Just talk to Gary Barlow about nothing." | 0:17:17 | 0:17:19 | |
Anyway, I don't care. I don't mind. | 0:17:24 | 0:17:28 | |
I was watching the BAFTAs again, actually, the other week, because... | 0:17:31 | 0:17:34 | |
No, I don't sit at home watching it over and over, going, | 0:17:34 | 0:17:37 | |
"Ohh." No, what it is, right, I looked it up on YouTube, the awards, | 0:17:37 | 0:17:41 | |
cos something occurred to me the other... | 0:17:41 | 0:17:43 | |
I haven't thought about it for about a year | 0:17:43 | 0:17:45 | |
and I suddenly thought, "I must check that." | 0:17:45 | 0:17:47 | |
OK, what it is, right, do you think | 0:17:47 | 0:17:49 | |
Graham Norton has seen this show, right? | 0:17:49 | 0:17:52 | |
-What do you think? AUDIENCE MEMBERS: -No. | 0:17:52 | 0:17:55 | |
Well, he has definitely, because he's a member of BAFTA | 0:17:55 | 0:17:58 | |
and they get sent all the things to watch them, right? | 0:17:58 | 0:18:01 | |
So, he's seen this show. | 0:18:01 | 0:18:03 | |
This is the interesting thing if you watch the awards, right, | 0:18:03 | 0:18:06 | |
you can see it on YouTube. | 0:18:06 | 0:18:07 | |
He's sitting there and the bloke goes, | 0:18:07 | 0:18:09 | |
"And the winner of Best TV Comedy is Graham Norton," right? | 0:18:09 | 0:18:12 | |
He's seen my show, remember. | 0:18:12 | 0:18:14 | |
He gets up, right? He goes up to where all the awards are | 0:18:16 | 0:18:20 | |
and he accepts the BAFTA, he's seen my show | 0:18:20 | 0:18:22 | |
and he accepts the BAFTA as if he genuinely thinks he deserves it. | 0:18:22 | 0:18:26 | |
LAUGHTER | 0:18:26 | 0:18:28 | |
I know and you know what, right? | 0:18:30 | 0:18:33 | |
Fair play to him, I mean the fucking front of the bloke. | 0:18:33 | 0:18:36 | |
You know, the balls of him, the balls of him. | 0:18:36 | 0:18:38 | |
He fronts it out. | 0:18:38 | 0:18:41 | |
Like, and of course, in his mind, he must be going, | 0:18:41 | 0:18:43 | |
"Oh, God, what's going on? This is insane." | 0:18:43 | 0:18:45 | |
Then he makes a little speech and he can't have prepared it, you know, | 0:18:47 | 0:18:50 | |
as if... | 0:18:50 | 0:18:52 | |
It's like butter wouldn't melt in his mouth, it's absolutely... | 0:18:52 | 0:18:55 | |
It is the most amazing piece of film you'll ever see, | 0:18:55 | 0:18:59 | |
It's more amazing... | 0:18:59 | 0:19:01 | |
And then he walks back down through all the TV people, | 0:19:01 | 0:19:03 | |
who're all clapping away, about 300 of them. | 0:19:03 | 0:19:05 | |
You know, no-one tries to stop him. They don't know... | 0:19:05 | 0:19:09 | |
No, they don't. | 0:19:09 | 0:19:11 | |
You know, if you see a crime being committed, normally, you get on... | 0:19:11 | 0:19:15 | |
James Corden's there. Do you know him? James Corden? | 0:19:19 | 0:19:22 | |
I don't know James Corden personally, right, | 0:19:22 | 0:19:25 | |
but he's always going on in interviews | 0:19:25 | 0:19:27 | |
about how brilliant he thinks I am, right? | 0:19:27 | 0:19:29 | |
And the feeling is not reciprocated. | 0:19:29 | 0:19:32 | |
Britain's loss is America's loss also. | 0:19:39 | 0:19:41 | |
He's there clapping away, James Corden. | 0:19:45 | 0:19:47 | |
Honestly, if you google James Corden and my name, | 0:19:47 | 0:19:50 | |
you'll find all these interviews, you know, | 0:19:50 | 0:19:52 | |
there's people going to him, "What's your favourite thing?" | 0:19:52 | 0:19:54 | |
And he goes, "Oh, Stewart Lee's brilliant." | 0:19:54 | 0:19:57 | |
You know, trying to make out he's clever. | 0:19:57 | 0:19:59 | |
LAUGHTER | 0:19:59 | 0:20:02 | |
Imagine James Corden watching me. | 0:20:04 | 0:20:06 | |
Like a dog listening to classical music. | 0:20:08 | 0:20:10 | |
It's ridiculous, isn't it? A lie. PR bullshit. | 0:20:14 | 0:20:18 | |
He's there clapping away and Graham Norton walks right... | 0:20:21 | 0:20:25 | |
He doesn't do anything, James Corden. | 0:20:25 | 0:20:28 | |
He's a big bloke, isn't he? | 0:20:28 | 0:20:29 | |
He could've jumped up, got Graham Norton, | 0:20:29 | 0:20:32 | |
got him on the floor going, "What are you doing? | 0:20:32 | 0:20:35 | |
"You can't have that." | 0:20:35 | 0:20:36 | |
Anyway, I don't care, I just... | 0:20:53 | 0:20:55 | |
I don't care, right? | 0:20:55 | 0:20:57 | |
I'm just saying... | 0:20:58 | 0:21:00 | |
You know, there are practical considerations for this, right? | 0:21:02 | 0:21:05 | |
I am 47, I've had two kids a bit too late in life, to be honest. | 0:21:05 | 0:21:10 | |
And I've got... | 0:21:10 | 0:21:11 | |
Well, yeah, you know, I've got a mortgage as of last year. | 0:21:11 | 0:21:15 | |
I appreciate I'm very lucky to be able to get a mortgage, | 0:21:15 | 0:21:17 | |
but the fact is I've worked out to shift that debt, | 0:21:17 | 0:21:21 | |
to sort those kids out, I'm going to have to carry on working | 0:21:21 | 0:21:23 | |
not necessarily on TV, not necessarily to big crowds of people | 0:21:23 | 0:21:27 | |
but certainly, you know, five, six nights a week | 0:21:27 | 0:21:30 | |
into my mid-70s, you know and a... | 0:21:30 | 0:21:32 | |
..a BAFTA might just have helped to... | 0:21:34 | 0:21:38 | |
Graham Norton... | 0:21:44 | 0:21:45 | |
Why would he want children to suffer? | 0:21:46 | 0:21:49 | |
You do set up this premise that Graham Norton | 0:21:52 | 0:21:56 | |
wins the Comedy Award when you should have won it. | 0:21:56 | 0:21:59 | |
What you leave out is it was the Comedy and Entertainment Award | 0:21:59 | 0:22:03 | |
and if you say that, | 0:22:03 | 0:22:05 | |
then Graham Norton's winning of it seems much more reasonable. | 0:22:05 | 0:22:08 | |
Was it for Comedy and Entertainment, is that what the category was? | 0:22:08 | 0:22:11 | |
-You've only just found that out? -I didn't know that. I wouldn't... | 0:22:11 | 0:22:14 | |
-When you wrote the... -I wouldn't have written it if I'd known that, cos I wouldn't have been able... | 0:22:14 | 0:22:18 | |
Don't make it like it's my fault, you said, "If I'd known that..." | 0:22:18 | 0:22:21 | |
I didn't withhold the information from you, | 0:22:21 | 0:22:23 | |
-it was there on the programme. -Look, if it's for entertainment, | 0:22:23 | 0:22:27 | |
then I think it's fine that he won it, | 0:22:27 | 0:22:29 | |
because he's undeniably entertaining. | 0:22:29 | 0:22:31 | |
So, you've just, basically, now overturned that whole... | 0:22:31 | 0:22:33 | |
Well, I didn't know, I thought it was for... | 0:22:33 | 0:22:35 | |
Comedy to me is like, you know, | 0:22:35 | 0:22:37 | |
it's sort of a big subject, it's an art form, | 0:22:37 | 0:22:39 | |
but if it's just for entertainment, then fine. | 0:22:39 | 0:22:41 | |
This isn't entertainment, no-one would think that. | 0:22:41 | 0:22:44 | |
No-one's sitting at home, watching this going, "How entertaining." | 0:22:44 | 0:22:49 | |
No-one gets to the end of it and goes, | 0:22:49 | 0:22:51 | |
"Well, I've been royally entertained by that, do they?" | 0:22:51 | 0:22:54 | |
But they can't deny that it's comedy and the reason why it's comedy | 0:22:54 | 0:22:57 | |
-is cos it has... -No entertainment value? | 0:22:57 | 0:22:59 | |
This is the problem I have now that I enjoy a degree of security, | 0:22:59 | 0:23:02 | |
What is my social responsibility to others, to the world? | 0:23:02 | 0:23:06 | |
For example, prostitutes work in the alley behind where I live. | 0:23:06 | 0:23:11 | |
And like a lot of stand-up comedians, | 0:23:11 | 0:23:13 | |
I don't really mind prostitutes, like a lot of stand-up comedians. | 0:23:13 | 0:23:16 | |
I don't. I both relate to and sympathise with prostitutes. | 0:23:16 | 0:23:21 | |
Cos I know what it's like to provide people with a service they crave | 0:23:21 | 0:23:24 | |
and yet to be despised for it. | 0:23:24 | 0:23:26 | |
At least prostitutes don't have people writing in | 0:23:30 | 0:23:32 | |
to tell them how they could have done it better. | 0:23:32 | 0:23:34 | |
"You should be more racist, mate." | 0:23:36 | 0:23:38 | |
But... | 0:23:41 | 0:23:43 | |
The only problem with the prostitutes | 0:23:44 | 0:23:46 | |
is they throw their used condoms full of sperm into the garden | 0:23:46 | 0:23:49 | |
and when we moved in, I told the kids | 0:23:49 | 0:23:52 | |
that fairies lived at the bottom of the garden. | 0:23:52 | 0:23:54 | |
And my two-year-old saw a used condom hanging on the tree | 0:23:56 | 0:24:00 | |
and she said to me, "Ooh, what's that?" | 0:24:00 | 0:24:02 | |
And I went, "It's a fairy's rain hat." | 0:24:02 | 0:24:05 | |
And she said, "Oh, then why is it full of sperm?" | 0:24:07 | 0:24:11 | |
Kids say the funniest things, don't they? | 0:24:19 | 0:24:21 | |
LAUGHTER | 0:24:21 | 0:24:24 | |
Kids say the funniest things. You like that, do you? | 0:24:26 | 0:24:29 | |
Kids say the funniest things. | 0:24:29 | 0:24:31 | |
My God. | 0:24:32 | 0:24:33 | |
I stand before them, | 0:24:35 | 0:24:36 | |
a 47-year-old man, hundreds of thousands of pounds in debt, | 0:24:36 | 0:24:41 | |
doing shit hack kids say the funniest things stuff | 0:24:41 | 0:24:44 | |
to try and pay it off. | 0:24:44 | 0:24:46 | |
Who used to come and see me in the '90s when I was good? | 0:24:48 | 0:24:50 | |
Anyone remember? | 0:24:50 | 0:24:52 | |
I wouldn't have done kids say the funniest things stuff then, would I? | 0:24:53 | 0:24:57 | |
I can't afford to reject monetisable content | 0:24:57 | 0:25:00 | |
merely because it's of no artistic value. | 0:25:00 | 0:25:02 | |
Sometimes I wonder who's the real prostitute. | 0:25:05 | 0:25:08 | |
Sometimes I think I should invite those prostitutes in | 0:25:13 | 0:25:15 | |
to live with me. | 0:25:15 | 0:25:17 | |
That's what Jesus would have done... | 0:25:18 | 0:25:20 | |
..but only if there was the chance of an aromatic foot bath. | 0:25:22 | 0:25:26 | |
Should be more for that, really. | 0:25:29 | 0:25:31 | |
I'm all for a secular society, | 0:25:32 | 0:25:34 | |
but let's not throw the baby out with the bath water. | 0:25:34 | 0:25:37 | |
You need to know those old stories. | 0:25:38 | 0:25:41 | |
We were all out in the garden, the whole family | 0:25:41 | 0:25:43 | |
and we saw a fox trying to eat one of the used condoms | 0:25:43 | 0:25:46 | |
and I know he was having a terrible time of it, the fox. | 0:25:46 | 0:25:50 | |
He looked like a man with badly-fitted dentures, | 0:25:50 | 0:25:53 | |
ill-advisedly dining on oysters. | 0:25:53 | 0:25:55 | |
LAUGHTER | 0:25:55 | 0:25:57 | |
Two-speed room. | 0:26:02 | 0:26:04 | |
I told my six-year-old that the fox was eating fox chewing gum. | 0:26:06 | 0:26:12 | |
And he said, | 0:26:12 | 0:26:13 | |
"Oh, why did the prostitutes throw fox chewing gum into the garden... | 0:26:13 | 0:26:17 | |
"..covered in sperm?" | 0:26:20 | 0:26:22 | |
He didn't say that, did he? | 0:26:24 | 0:26:25 | |
I made it up for money. | 0:26:27 | 0:26:29 | |
LAUGHTER | 0:26:29 | 0:26:31 | |
Talking about prostitutes, | 0:26:37 | 0:26:38 | |
I don't want to look like these Mock The Week comics, | 0:26:38 | 0:26:41 | |
making fun of people worse off than me, | 0:26:41 | 0:26:43 | |
but as a politically correct liberal, | 0:26:43 | 0:26:45 | |
I don't know if I'm supposed to regard sex workers | 0:26:45 | 0:26:48 | |
as victims of exploitation or as empowered women | 0:26:48 | 0:26:51 | |
making positive lifestyle choices. | 0:26:51 | 0:26:52 | |
And that's why when I get home late at night | 0:26:52 | 0:26:55 | |
and the prostitutes approach you around the garages after gigs, | 0:26:55 | 0:26:57 | |
I always offer them £5 for a swift run down on the various | 0:26:57 | 0:27:00 | |
ideological issues affecting the subject | 0:27:00 | 0:27:03 | |
and a quick chat about how it impacts on the wider world | 0:27:03 | 0:27:05 | |
of women's personal and political freedoms generally... | 0:27:05 | 0:27:08 | |
..which is something I can get at home for free. | 0:27:09 | 0:27:12 | |
What's wrong with me? I'm sick! | 0:27:14 | 0:27:17 | |
It's the lure of the forbidden. | 0:27:21 | 0:27:23 | |
One of them said to me, "Where have you been tonight?" | 0:27:27 | 0:27:30 | |
I said, "I've been doing a telly thing, | 0:27:30 | 0:27:33 | |
"talking about how kids say the funniest things." | 0:27:33 | 0:27:35 | |
She said, "You shouldn't have to do that, here's 20 quid." | 0:27:35 | 0:27:38 | |
If you'd bothered to finish this show properly, | 0:27:41 | 0:27:44 | |
how would it have ended? | 0:27:44 | 0:27:45 | |
The show is never finished. | 0:27:45 | 0:27:48 | |
It's documented and then you have to move on. | 0:27:48 | 0:27:50 | |
Somewhere, the show's still sort of playing out. | 0:27:50 | 0:27:54 | |
Every time it's watched by people, they respond differently to it. | 0:27:54 | 0:27:57 | |
Is that what you say if you hand in something that's under-length, | 0:27:57 | 0:28:00 | |
say, to the BBC, do you say, | 0:28:00 | 0:28:02 | |
"Don't worry, somewhere it's still playing out"? | 0:28:02 | 0:28:04 | |
Yeah. Like, sounds travelling out into space forever. | 0:28:04 | 0:28:08 | |
And what do they say to you? | 0:28:08 | 0:28:10 | |
They go, "Can you make it 28 minutes long, please?" | 0:28:10 | 0:28:13 | |
Next on BBC Four, Orienteering With Napalm Death. | 0:28:13 | 0:28:17 | |
MUSIC: Pseudo Youth by Napalm Death | 0:28:19 | 0:28:23 |