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This programme contains strong language. | 0:00:02 | 0:00:04 | |
-This is this, right? -No, this is trying to be this and failing. | 0:00:04 | 0:00:07 | |
It's not failing to be this, it's... This is this. THIS is this. | 0:00:07 | 0:00:10 | |
You know, I've been finding it much harder to know what to write about, | 0:00:10 | 0:00:13 | |
and I think it's partly cos I don't do anything. | 0:00:13 | 0:00:15 | |
I just do gigs or look after kids. | 0:00:15 | 0:00:17 | |
And I don't want to do what all the other comics of my age do, | 0:00:17 | 0:00:20 | |
which is to just sort of come out and remember their childhood | 0:00:20 | 0:00:23 | |
in a regional accent. | 0:00:23 | 0:00:24 | |
LAUGHTER | 0:00:24 | 0:00:26 | |
Hey, do you remember gripping-hands Action Man? | 0:00:28 | 0:00:31 | |
And no, I had one of them, gripping-hands Action Man. | 0:00:32 | 0:00:34 | |
I say gripping-hands, it was the 1970s, | 0:00:34 | 0:00:36 | |
it was more like wandering-hands Action Man. | 0:00:36 | 0:00:39 | |
But we mustn't judge Action Man by the values of today. | 0:00:41 | 0:00:44 | |
LAUGHTER | 0:00:44 | 0:00:46 | |
Note how my attempt at a parody of generic Live At The Apollo | 0:00:46 | 0:00:49 | |
nostalgia material is in of itself superior to the real thing. | 0:00:49 | 0:00:52 | |
But still, the years pass, the call never comes. | 0:00:54 | 0:00:58 | |
So... | 0:00:59 | 0:01:00 | |
LAUGHTER | 0:01:00 | 0:01:01 | |
Well, I'll do some remembering-childhood stuff, | 0:01:03 | 0:01:07 | |
cos it's sort of a generic thing of stand-up. | 0:01:07 | 0:01:11 | |
People normally enjoy this, so... | 0:01:11 | 0:01:14 | |
In 1973, | 0:01:15 | 0:01:19 | |
when I was five years old... | 0:01:19 | 0:01:21 | |
..I was... | 0:01:22 | 0:01:24 | |
I was kicked into a urinal trough | 0:01:24 | 0:01:28 | |
and I was urinated on at length | 0:01:28 | 0:01:33 | |
by a boy called Matt Clitheroe, | 0:01:33 | 0:01:37 | |
and the other boys in my class | 0:01:37 | 0:01:40 | |
at Brook Street Infant School in Solihull. | 0:01:40 | 0:01:42 | |
Matt Clitheroe started it, and he was | 0:01:42 | 0:01:45 | |
urinating on me and laughing, and then he... | 0:01:45 | 0:01:49 | |
Uh...he called all the other boys over, and they were all | 0:01:49 | 0:01:53 | |
urinating on me, laughing, and, er... | 0:01:53 | 0:01:56 | |
I was five, I was a little boy and I was... | 0:01:58 | 0:02:01 | |
..in a urinal trough, and my eyes were stinging, | 0:02:02 | 0:02:07 | |
some urine had gone in my mouth. | 0:02:07 | 0:02:10 | |
And I was... | 0:02:12 | 0:02:14 | |
all wet and I was frightened as well. | 0:02:14 | 0:02:17 | |
But I have to admit, | 0:02:17 | 0:02:19 | |
looking back, if I'm honest, | 0:02:19 | 0:02:22 | |
on some level, | 0:02:22 | 0:02:24 | |
I did enjoy the experience. | 0:02:24 | 0:02:26 | |
LAUGHTER | 0:02:26 | 0:02:28 | |
Not the experience of being urinated on in and of itself. | 0:02:33 | 0:02:37 | |
I didn't enjoy that. But what I did enjoy - | 0:02:37 | 0:02:41 | |
and this is interesting, I think, | 0:02:41 | 0:02:42 | |
in the light of what's happened in my life - what I did enjoy, I think, | 0:02:42 | 0:02:46 | |
was the experience of | 0:02:46 | 0:02:49 | |
provoking laughter in others. | 0:02:49 | 0:02:51 | |
LAUGHTER | 0:02:51 | 0:02:52 | |
I know. I mean... | 0:02:54 | 0:02:56 | |
HE INHALES | 0:02:56 | 0:02:58 | |
Yeah. Er... | 0:02:58 | 0:02:59 | |
OK, I've not been in therapy or anything like that, | 0:02:59 | 0:03:03 | |
but you know, | 0:03:03 | 0:03:05 | |
I wondered, did that experience go on to be addictive, you know? | 0:03:05 | 0:03:09 | |
I may have been lying in a urinal trough, | 0:03:12 | 0:03:15 | |
covered in hot urine and crying, | 0:03:15 | 0:03:18 | |
but on some level | 0:03:18 | 0:03:20 | |
it was show business. | 0:03:20 | 0:03:22 | |
LAUGHTER | 0:03:22 | 0:03:24 | |
And I think back over my adult life - | 0:03:26 | 0:03:28 | |
26 years of doing this five, six nights a week, and I... | 0:03:28 | 0:03:32 | |
You know, I've not been in therapy, as I say, | 0:03:32 | 0:03:34 | |
but I wonder, has my whole adult life | 0:03:34 | 0:03:38 | |
been just an ongoing attempt to try | 0:03:38 | 0:03:40 | |
to recapture, night after night, | 0:03:40 | 0:03:44 | |
that...first amazing taste of what it means... | 0:03:44 | 0:03:49 | |
LAUGHTER | 0:03:49 | 0:03:50 | |
..to be a creative artist. | 0:03:52 | 0:03:54 | |
LAUGHTER | 0:03:54 | 0:03:55 | |
I don't know. I think about it a lot, I don't know. I mean, I... | 0:03:58 | 0:04:01 | |
OK, I don't have any problem with urinal troughs. | 0:04:02 | 0:04:05 | |
I go up and down the motorways doing gigs | 0:04:05 | 0:04:07 | |
and I use the urinal troughs in the service stations. | 0:04:07 | 0:04:12 | |
You know, it's fine. But what I... | 0:04:12 | 0:04:15 | |
What I have noticed now | 0:04:15 | 0:04:17 | |
is there's now no longer enough pressure in my bladder | 0:04:17 | 0:04:20 | |
to force my urine out across the one-inch gap | 0:04:20 | 0:04:24 | |
between the tip of my penis | 0:04:24 | 0:04:27 | |
and the rim of any standard wall-mounted | 0:04:27 | 0:04:30 | |
service station urinal trough. And... | 0:04:30 | 0:04:33 | |
..you know, it wasn't always the case. I mean, once, | 0:04:35 | 0:04:38 | |
the jet of my urine was... | 0:04:38 | 0:04:40 | |
it was powerful, it was accurate. | 0:04:40 | 0:04:43 | |
It was like a riot control water cannon. | 0:04:45 | 0:04:47 | |
Now it's like a crop sprayer. | 0:04:50 | 0:04:52 | |
LAUGHTER | 0:04:54 | 0:04:56 | |
Descends in a fine mist. | 0:04:58 | 0:04:59 | |
Toxic to weasels. | 0:05:02 | 0:05:03 | |
LAUGHTER | 0:05:03 | 0:05:05 | |
Do you know, I remember once I fractured my arm. | 0:05:09 | 0:05:12 | |
I was blowing bubbles on the step of a static caravan | 0:05:12 | 0:05:16 | |
in a place called Beer in South Devon, | 0:05:16 | 0:05:19 | |
and I slipped on the bubble mixture and I fractured my arm. | 0:05:19 | 0:05:22 | |
And my grandad took me into hospital in Exeter | 0:05:22 | 0:05:26 | |
and I was in traction for a month, | 0:05:26 | 0:05:28 | |
and one day my grandad gave me a little pot | 0:05:28 | 0:05:31 | |
to urinate into in the bed, | 0:05:31 | 0:05:34 | |
but I sort of missed the rim of it, | 0:05:34 | 0:05:36 | |
and the jet of my urine was so powerful | 0:05:36 | 0:05:40 | |
that it actually hit my grandad, | 0:05:40 | 0:05:43 | |
who was standing five feet away, | 0:05:43 | 0:05:47 | |
fully in the face. | 0:05:47 | 0:05:48 | |
LAUGHTER | 0:05:48 | 0:05:49 | |
(Watch this.) | 0:05:51 | 0:05:53 | |
I was 28 years old. | 0:05:54 | 0:05:56 | |
LAUGHTER | 0:05:56 | 0:05:57 | |
OK, what you can feel at home, | 0:06:04 | 0:06:06 | |
you can feel the unease in the room, and the pr... | 0:06:06 | 0:06:08 | |
OK, what's happened is, | 0:06:08 | 0:06:10 | |
these tickets have gone through the BBC Ticket Unit, right? | 0:06:10 | 0:06:13 | |
So people that have seen me before, which is these people here, right? | 0:06:13 | 0:06:17 | |
They're laughing throughout cos they know | 0:06:17 | 0:06:19 | |
that I wouldn't just do half an hour on urine, right? | 0:06:19 | 0:06:22 | |
So they're assuming that it's about something else | 0:06:22 | 0:06:25 | |
or there's some sort of subtext or it's about nostalgia | 0:06:25 | 0:06:28 | |
or memory or whatever. But a lot of these people - | 0:06:28 | 0:06:30 | |
and I try every year to make it harder for them to get in, | 0:06:30 | 0:06:32 | |
but they come... LAUGHTER | 0:06:32 | 0:06:34 | |
they're just liggers that apply through the BBC ticket unit. | 0:06:34 | 0:06:37 | |
They don't know what they've come to | 0:06:37 | 0:06:38 | |
and they've brought nothing to the table, right? And they're thinking, | 0:06:38 | 0:06:42 | |
"Oh, I won't listen to this cos it's just about urine." | 0:06:42 | 0:06:44 | |
But it's not. And it... | 0:06:44 | 0:06:46 | |
What I've tried to do is I've shown you, right - | 0:06:46 | 0:06:50 | |
I'm trying to get you to buy into a story, right? | 0:06:50 | 0:06:53 | |
But if it's, like, just shit little stupid crap jokes that you want, | 0:06:53 | 0:06:57 | |
I can go, "Oh, I was 28 years old," like that, | 0:06:57 | 0:07:00 | |
and I can make you laugh and I can do it at will like that, OK? | 0:07:00 | 0:07:04 | |
I can turn on a sixpence and do it. | 0:07:04 | 0:07:07 | |
But I'm trying to do something better, OK? | 0:07:07 | 0:07:10 | |
And this is being recorded and you are here as a privilege | 0:07:10 | 0:07:13 | |
so fucking make some effort and listen. | 0:07:13 | 0:07:16 | |
LAUGHTER | 0:07:16 | 0:07:19 | |
Right, there's a guy... At the very point where I say, | 0:07:19 | 0:07:22 | |
"Make some effort and listen," | 0:07:22 | 0:07:24 | |
there's a guy stubbling over to sneak out, right? | 0:07:24 | 0:07:28 | |
In front of my eye line, right? | 0:07:28 | 0:07:30 | |
And that's not going to make good telly, is it? | 0:07:30 | 0:07:33 | |
A bloke flailing around while people visibly leave in camera. | 0:07:33 | 0:07:37 | |
LAUGHTER | 0:07:37 | 0:07:38 | |
Look, my grandad, he wasn't that bothered. | 0:07:50 | 0:07:52 | |
This was... | 0:07:52 | 0:07:54 | |
a man who'd been shot at by Nazi fighter planes | 0:07:54 | 0:07:58 | |
when he was RAF ground crew in World War II. | 0:07:58 | 0:08:01 | |
I mean, he'd looked death in the eye. To him, | 0:08:01 | 0:08:04 | |
child's urine off his old man's face | 0:08:04 | 0:08:07 | |
was just water off a duck's back. | 0:08:07 | 0:08:10 | |
Or a child's urine off an old man's face. | 0:08:13 | 0:08:15 | |
Which became a figure of speech in our family... | 0:08:18 | 0:08:21 | |
LAUGHTER | 0:08:21 | 0:08:22 | |
..used to describe anything of no consequence. | 0:08:25 | 0:08:27 | |
"A traffic warden was rude to me in Mell Square today, Stu." | 0:08:32 | 0:08:36 | |
LAUGHTER | 0:08:38 | 0:08:40 | |
"Were you upset, Gran?" | 0:08:42 | 0:08:44 | |
"Not really, no. | 0:08:45 | 0:08:47 | |
"It were child's urine off an old man's face." | 0:08:47 | 0:08:50 | |
"A fella tooted at me for driving too slow on the Digbeth Flyover | 0:08:54 | 0:08:57 | |
"this morning, Stu." | 0:08:57 | 0:08:59 | |
"Were you upset, Grandad?" | 0:09:00 | 0:09:02 | |
"Not really, no. | 0:09:02 | 0:09:05 | |
"It were child's urine off an old man's face." | 0:09:05 | 0:09:07 | |
"I saw a child urinating onto a duck's back | 0:09:11 | 0:09:14 | |
"in Cannon Hill Park today." | 0:09:14 | 0:09:15 | |
LAUGHTER | 0:09:15 | 0:09:17 | |
"Was the duck upset, Mum?" | 0:09:21 | 0:09:23 | |
"Not upset, exactly, Stu. | 0:09:26 | 0:09:28 | |
"To be honest, I'm not sure how best to describe its emotional state." | 0:09:28 | 0:09:32 | |
LAUGHTER | 0:09:32 | 0:09:33 | |
They're still doing the main amount of work here, aren't they? | 0:09:38 | 0:09:41 | |
You, mate, with the beard - you're a dead weight in this room. | 0:09:44 | 0:09:47 | |
You are. And you're right in my eye line. You're a dead weight. | 0:09:47 | 0:09:50 | |
There are cackling sycophants that would have loved that seat. | 0:09:50 | 0:09:54 | |
LAUGHTER | 0:09:54 | 0:09:55 | |
I've got another, um... | 0:10:03 | 0:10:06 | |
happy childhood memory involving my grandfather and urine. | 0:10:06 | 0:10:09 | |
About two years after I urinated into my grandad's face | 0:10:11 | 0:10:15 | |
in Exeter, down in the West Country there, | 0:10:15 | 0:10:19 | |
my mother took my grandad and I on holiday to Malta, | 0:10:19 | 0:10:24 | |
and while we were there, we were both urinating together | 0:10:24 | 0:10:28 | |
into a kind of ceramic urinal trough | 0:10:28 | 0:10:31 | |
on the floor of a quite ornate public urinal in Malta, | 0:10:31 | 0:10:35 | |
and there were big, black Maltese flies buzzing around | 0:10:35 | 0:10:39 | |
the twin streams of our urine, | 0:10:39 | 0:10:41 | |
and my grandad - who'd been in the RAF, remember - | 0:10:41 | 0:10:45 | |
he started trying to sort of shoot down the flies... | 0:10:45 | 0:10:48 | |
LAUGHTER | 0:10:48 | 0:10:50 | |
..saying to me as he did so, | 0:10:56 | 0:10:58 | |
"I like to pretend they're Germans." | 0:10:58 | 0:11:00 | |
LAUGHTER | 0:11:00 | 0:11:01 | |
You know, for a lot of men of his generation, I think in many ways | 0:11:03 | 0:11:06 | |
the war never really ended. | 0:11:06 | 0:11:07 | |
LAUGHTER | 0:11:07 | 0:11:08 | |
Still just you, isn't it? It's still just you. Do you know what? | 0:11:12 | 0:11:15 | |
I've been running this in live for about six months | 0:11:15 | 0:11:18 | |
and there is normally applause there, | 0:11:18 | 0:11:20 | |
and it is fucking Sod's law that the night you come to record it | 0:11:20 | 0:11:25 | |
it's just one pocket of people going... | 0:11:25 | 0:11:28 | |
That's why I always drink the water at this point, | 0:11:29 | 0:11:33 | |
cos I drink the water sort of magnanimously | 0:11:33 | 0:11:37 | |
while I wait for the... | 0:11:37 | 0:11:39 | |
LAUGHTER AND SCATTERED APPLAUSE | 0:11:39 | 0:11:40 | |
Don't, no! Don't... | 0:11:40 | 0:11:42 | |
APPLAUSE No, no, no. | 0:11:42 | 0:11:45 | |
No. | 0:11:45 | 0:11:47 | |
No. We play the hand we are dealt in this game, right? | 0:11:47 | 0:11:51 | |
Play the room as it lays, right? | 0:11:52 | 0:11:57 | |
What the fucking...? Unbelievable. | 0:12:00 | 0:12:02 | |
It's a good routine, this. | 0:12:02 | 0:12:04 | |
This is... Right, there's a lot of scepticism in the room, | 0:12:04 | 0:12:08 | |
you particularly, sir. You've not... | 0:12:08 | 0:12:11 | |
People in the front row going, "Uh..." | 0:12:11 | 0:12:13 | |
This is a good bit, right? The problem is you're not... | 0:12:13 | 0:12:17 | |
This plays into your...what you think of us as well, doesn't it? | 0:12:24 | 0:12:27 | |
You think we're mad, comedians, don't you? | 0:12:27 | 0:12:31 | |
Sort of crazy desperate figures. | 0:12:31 | 0:12:34 | |
Sort of low self-esteem, you know, | 0:12:34 | 0:12:37 | |
wanting the approval of strangers all the time, | 0:12:37 | 0:12:40 | |
perhaps because of some childhood trauma. | 0:12:40 | 0:12:43 | |
LAUGHTER | 0:12:43 | 0:12:45 | |
OK, this is why this is unworkable, right? | 0:12:45 | 0:12:48 | |
Because there's people... There's a table here | 0:12:48 | 0:12:52 | |
finding things that aren't there, right? | 0:12:52 | 0:12:55 | |
And yet here, the beard guy, this front row... | 0:12:55 | 0:12:59 | |
And yet I'm supposed to steer a course through this. | 0:12:59 | 0:13:02 | |
I'm glad this has been captured | 0:13:05 | 0:13:07 | |
because it shows what an impossible... | 0:13:07 | 0:13:10 | |
Every now and again, it is a very difficult job, this. | 0:13:12 | 0:13:14 | |
You know, we... Well... | 0:13:14 | 0:13:17 | |
It's very stressful. We lose a lot of people to the... | 0:13:17 | 0:13:20 | |
LAUGHTER | 0:13:20 | 0:13:22 | |
We do. You know, like Hancock and Lenny Bruce, | 0:13:22 | 0:13:25 | |
all these guys, cos it's... | 0:13:25 | 0:13:27 | |
You have got a bit, and it always goes, "Bang, bang, bang." | 0:13:27 | 0:13:30 | |
And then you have a night and you feel it melting under you and you... | 0:13:30 | 0:13:33 | |
HE BREATHES DEEPLY | 0:13:33 | 0:13:35 | |
I mean, audiences like you, you know, | 0:13:35 | 0:13:38 | |
you as good as murdered Robin Williams. | 0:13:38 | 0:13:40 | |
LAUGHTER | 0:13:40 | 0:13:43 | |
You did. | 0:13:47 | 0:13:48 | |
You as good as got the fucking noose and kicked the... | 0:13:48 | 0:13:51 | |
You did. And this is what you think, isn't it? Right. | 0:13:51 | 0:13:55 | |
This is what you think. "Oh, Robin Williams, he was mad. | 0:13:55 | 0:13:58 | |
He must have been on drugs or drunk." | 0:13:58 | 0:14:00 | |
That's what you think, right? | 0:14:00 | 0:14:02 | |
You're like journalists. We don't think that, OK? | 0:14:02 | 0:14:04 | |
We know what it is. It's 60 years of nights like this | 0:14:04 | 0:14:08 | |
where you've got a thing that's like that and that and that, | 0:14:08 | 0:14:11 | |
and it's all... | 0:14:11 | 0:14:12 | |
You know, we lose a lot... | 0:14:14 | 0:14:15 | |
We lose a lot of people, is all I'm saying. | 0:14:15 | 0:14:17 | |
A car is a lethal weapon, right? | 0:14:21 | 0:14:23 | |
You wouldn't get behind the wheel of a car if you couldn't drive, | 0:14:23 | 0:14:27 | |
would you? No. | 0:14:27 | 0:14:28 | |
And likewise, a comedy audience, right? | 0:14:28 | 0:14:32 | |
Chipping away at people's self-esteem, | 0:14:32 | 0:14:34 | |
that is a lethal weapon, right? | 0:14:34 | 0:14:36 | |
And you should not be in a comedy audience | 0:14:36 | 0:14:38 | |
if you can't follow the development of an idea through, | 0:14:38 | 0:14:42 | |
because there are consequences of your indifference, | 0:14:42 | 0:14:45 | |
of your stupidity, | 0:14:45 | 0:14:46 | |
and that is the fucking holocaust | 0:14:46 | 0:14:49 | |
of dead comics that we have got. | 0:14:49 | 0:14:51 | |
Lenny Bruce, Robin Williams, Hancock, all these guys. | 0:14:52 | 0:14:56 | |
And the longer you do it... | 0:14:58 | 0:15:00 | |
You lose people, you know... And I mean, I... | 0:15:02 | 0:15:04 | |
I was on a... | 0:15:07 | 0:15:09 | |
bill in Montreal, '98, '99. | 0:15:09 | 0:15:14 | |
And it was me... | 0:15:16 | 0:15:17 | |
For about a month, me, Richard Jeni, | 0:15:17 | 0:15:20 | |
Mitch Hedberg, who was very good, | 0:15:20 | 0:15:22 | |
and Stanhope, and... | 0:15:22 | 0:15:26 | |
You know, within about five years of that gig, | 0:15:28 | 0:15:31 | |
half the people on that bill were dead, you know? | 0:15:31 | 0:15:33 | |
Because of you. LAUGHTER | 0:15:36 | 0:15:38 | |
Well, you know... | 0:15:38 | 0:15:39 | |
Why would you laugh at that and not at a... | 0:15:41 | 0:15:44 | |
Why would you laugh at someone remembering people | 0:15:44 | 0:15:47 | |
that they've worked with who've...and not at a joke... | 0:15:47 | 0:15:51 | |
..about...flies, you know? | 0:15:52 | 0:15:54 | |
I don't really... | 0:15:54 | 0:15:56 | |
I think about them. | 0:16:03 | 0:16:05 | |
Well... | 0:16:07 | 0:16:08 | |
I think about all the comics we've lost, | 0:16:10 | 0:16:12 | |
and I think about all the dead comedians, | 0:16:12 | 0:16:14 | |
dead by their own hand, and I... | 0:16:14 | 0:16:16 | |
I think about them every night before... | 0:16:19 | 0:16:21 | |
before I come on stage, but I do come on stage, and I... | 0:16:21 | 0:16:25 | |
And I... | 0:16:27 | 0:16:29 | |
VOICE TREMBLING: I walk out onto these stages every night... | 0:16:29 | 0:16:33 | |
..through a forest of ghosts... | 0:16:35 | 0:16:37 | |
LAUGHTER | 0:16:37 | 0:16:38 | |
..of all the dead... | 0:16:43 | 0:16:46 | |
comics, and I look through them... | 0:16:46 | 0:16:48 | |
..and I see you. | 0:16:50 | 0:16:51 | |
LAUGHTER | 0:16:51 | 0:16:53 | |
And the worst... | 0:16:58 | 0:17:00 | |
..ones are the people that I knew. | 0:17:02 | 0:17:05 | |
Because they're not like ghosts in a film, they're... | 0:17:08 | 0:17:11 | |
They're just in the clothes they wore | 0:17:13 | 0:17:16 | |
when I knew them, and they... | 0:17:16 | 0:17:18 | |
They stand just like they would have stood at the bar | 0:17:19 | 0:17:22 | |
in Edinburgh or whatever... | 0:17:22 | 0:17:24 | |
..and they come up to me on this side, some of them... | 0:17:27 | 0:17:30 | |
..and they say to me, "Oh, don't let them get you down, you know?" | 0:17:31 | 0:17:35 | |
LAUGHTER | 0:17:35 | 0:17:37 | |
Ones on this side, they come in, | 0:17:43 | 0:17:45 | |
close, | 0:17:45 | 0:17:48 | |
and they whisper to me, | 0:17:48 | 0:17:51 | |
("Join us, join us, join us.") | 0:17:51 | 0:17:54 | |
LAUGHTER | 0:17:54 | 0:17:56 | |
LAUGHTER | 0:18:07 | 0:18:10 | |
Anyway... | 0:18:20 | 0:18:21 | |
The Maltese flies... | 0:18:22 | 0:18:25 | |
LAUGHTER | 0:18:25 | 0:18:26 | |
Look, I'm just going to finish this bit, | 0:18:26 | 0:18:29 | |
cos I don't want you all going on fucking social media and going | 0:18:29 | 0:18:32 | |
"Oh, then he went mad and he didn't finish the..." | 0:18:32 | 0:18:35 | |
I'll just finish this bit. | 0:18:37 | 0:18:38 | |
(Finish this bit.) | 0:18:41 | 0:18:42 | |
LAUGHTER | 0:18:45 | 0:18:46 | |
LAUGHTER | 0:18:54 | 0:18:55 | |
LAUGHTER | 0:19:07 | 0:19:08 | |
The Maltese flies... | 0:19:16 | 0:19:18 | |
..weren't that bothered about all the... | 0:19:20 | 0:19:23 | |
the stuff going on them. | 0:19:23 | 0:19:24 | |
To them it was just... | 0:19:26 | 0:19:28 | |
LAUGHTER | 0:19:28 | 0:19:30 | |
SHOUTING: Is that what it takes, is it?! | 0:19:31 | 0:19:33 | |
LAUGHTER | 0:19:33 | 0:19:34 | |
APPLAUSE | 0:19:34 | 0:19:36 | |
Is that what it takes | 0:19:36 | 0:19:38 | |
to get you and you | 0:19:38 | 0:19:41 | |
and you? | 0:19:41 | 0:19:42 | |
HE SHOUTS AND SWEARS INDISTINCTLY | 0:19:47 | 0:19:50 | |
To think ahead of the curve, | 0:19:52 | 0:19:54 | |
to understand that you hold, in your visibly indifferent hands, | 0:19:54 | 0:19:59 | |
in your indifferent hands, | 0:19:59 | 0:20:01 | |
in your bored TV executive complementary table hands, | 0:20:01 | 0:20:05 | |
a person's living, beating heart?! | 0:20:05 | 0:20:10 | |
You should have been concentrating like that | 0:20:16 | 0:20:18 | |
from the moment you came in! | 0:20:18 | 0:20:21 | |
Fucking sitting there staring at me, | 0:20:21 | 0:20:23 | |
sitting in the front row not doing anything, | 0:20:23 | 0:20:25 | |
looking at me like I'm a commodity | 0:20:25 | 0:20:28 | |
for your dying channel! | 0:20:28 | 0:20:30 | |
LAUGHTER | 0:20:30 | 0:20:33 | |
APPLAUSE | 0:20:33 | 0:20:35 | |
Because there are fucking blokes creeping out in front of you! | 0:20:35 | 0:20:40 | |
Cos there are consequences of your indifference, and that is the dead! | 0:20:48 | 0:20:53 | |
The piling up of the dead, now, | 0:20:53 | 0:20:57 | |
the old music hall guys, people you know, | 0:20:57 | 0:20:59 | |
and their blood is on you, on your faces, | 0:20:59 | 0:21:02 | |
pouring down your... | 0:21:02 | 0:21:04 | |
LAUGHTER | 0:21:04 | 0:21:06 | |
LAUGHTER | 0:21:28 | 0:21:30 | |
The Maltese flies... | 0:21:34 | 0:21:36 | |
LAUGHTER | 0:21:36 | 0:21:37 | |
..weren't that bothered about all the...going on them. | 0:21:39 | 0:21:43 | |
To them it was just... | 0:21:43 | 0:21:46 | |
LAUGHTER | 0:21:46 | 0:21:48 | |
HE BREATHES HEAVILY | 0:21:48 | 0:21:50 | |
..an old man's urine off a Maltese fly's... | 0:21:52 | 0:21:55 | |
SCATTERED APPLAUSE Don't clap, don't clap! | 0:21:55 | 0:21:58 | |
APPLAUSE | 0:21:58 | 0:22:00 | |
Don't... What are you...? You're clapping yourselves! | 0:22:00 | 0:22:03 | |
You're clapping your own ability to follow the development of an idea! | 0:22:04 | 0:22:09 | |
I take that as a given! That's what you should... | 0:22:09 | 0:22:11 | |
It's not a fucking treat for me that you've decided to... | 0:22:11 | 0:22:14 | |
This is being filmed! | 0:22:15 | 0:22:17 | |
LAUGHTER | 0:22:17 | 0:22:18 | |
And the worst thing about that memory is my grandad, | 0:22:29 | 0:22:33 | |
when he was urinating on those flies, | 0:22:33 | 0:22:36 | |
he was in his late 70s, he'd had a heart attack, a stroke, | 0:22:36 | 0:22:41 | |
heart valve replacement surgery, | 0:22:41 | 0:22:43 | |
he was on Warfarin and all this, and... | 0:22:43 | 0:22:45 | |
and yet the jet of his urine then... | 0:22:45 | 0:22:48 | |
LAUGHTER | 0:22:48 | 0:22:50 | |
..was more powerful and accurate than mine is now | 0:22:53 | 0:22:57 | |
at the age of 47. | 0:22:57 | 0:22:58 | |
So I went to see the doctor about it and he asked me for a urine sample, | 0:23:03 | 0:23:06 | |
which I thought was insensitive under the circumstances. LAUGHTER | 0:23:06 | 0:23:10 | |
So I gave him a sample of my wife's urine instead, | 0:23:12 | 0:23:16 | |
which I'd been keeping. | 0:23:16 | 0:23:18 | |
LAUGHTER | 0:23:18 | 0:23:19 | |
You do, don't you? When you love someone, you keep little things. | 0:23:22 | 0:23:25 | |
A bit of wedding cake, | 0:23:28 | 0:23:30 | |
a sample of their urine, | 0:23:30 | 0:23:34 | |
a picture of them as a younger woman in a bikini on a beach somewhere. | 0:23:34 | 0:23:38 | |
They don't know you've got it, you found it in a tin. | 0:23:38 | 0:23:40 | |
LAUGHTER | 0:23:40 | 0:23:42 | |
She's there in Thailand or somewhere, | 0:23:45 | 0:23:49 | |
running around happy and laughing with a... | 0:23:49 | 0:23:53 | |
with another man, not you, a younger, fitter, | 0:23:53 | 0:23:57 | |
Australian man. A drummer with little six-pack and Speedos and... | 0:23:57 | 0:24:01 | |
..sitting under a straw umbrella, | 0:24:03 | 0:24:06 | |
laughing and drinking cocktails. | 0:24:06 | 0:24:08 | |
But it didn't work out, did it? | 0:24:12 | 0:24:13 | |
LAUGHTER | 0:24:13 | 0:24:14 | |
What a shame for you. | 0:24:19 | 0:24:21 | |
We all like to think, don't we, | 0:24:24 | 0:24:25 | |
that we make positive choices in life, but... | 0:24:25 | 0:24:28 | |
but sometimes it's all about which chair you're sitting in | 0:24:28 | 0:24:32 | |
when the music stops. | 0:24:32 | 0:24:33 | |
LAUGHTER | 0:24:33 | 0:24:34 | |
Anyway, the doctor told me I was pregnant, so I had to come clean. | 0:24:41 | 0:24:44 | |
LAUGHTER | 0:24:44 | 0:24:45 | |
He said, "It's just age." | 0:24:48 | 0:24:49 | |
I thought, "47's a bit young to be told something's just age," | 0:24:49 | 0:24:52 | |
but I know that I'm falling apart. Since I last performed here, | 0:24:52 | 0:24:56 | |
I've been told I'm going deaf | 0:24:56 | 0:24:58 | |
and I've got to wear hearing aids. I've got them in tonight. | 0:24:58 | 0:25:01 | |
I've been wearing them this year. | 0:25:01 | 0:25:03 | |
It's a bit weird being told, | 0:25:04 | 0:25:06 | |
25 years into a stand-up career, | 0:25:06 | 0:25:10 | |
that you've got to wear hearing aids. | 0:25:10 | 0:25:12 | |
For example, I developed this cold, distant, arrogant stage persona | 0:25:13 | 0:25:16 | |
because I'd assumed audiences didn't really appreciate what I was doing. | 0:25:16 | 0:25:20 | |
LAUGHTER | 0:25:20 | 0:25:22 | |
Turns out the gigs have been going very well. | 0:25:27 | 0:25:29 | |
LAUGHTER | 0:25:29 | 0:25:31 | |
APPLAUSE | 0:25:33 | 0:25:34 | |
Yeah, yeah, yeah. | 0:25:34 | 0:25:35 | |
I thought I was a hard-to-understand outsider artist, but... | 0:25:40 | 0:25:44 | |
apparently I'm incredibly mainstream. | 0:25:44 | 0:25:47 | |
LAUGHTER | 0:25:47 | 0:25:48 | |
Audiences even like it when I'm rude to them. | 0:25:50 | 0:25:53 | |
They love it. | 0:25:54 | 0:25:55 | |
To them, it's just... | 0:25:56 | 0:25:58 | |
LAUGHTER | 0:25:58 | 0:26:00 | |
But I wasn't always this popular. | 0:26:05 | 0:26:06 | |
Once I was kicked into a urinal trough and urinated on. | 0:26:06 | 0:26:09 | |
But it made me what I am, I suppose. | 0:26:10 | 0:26:13 | |
MUSIC: Miserere By Gregorio Allegri | 0:26:19 | 0:26:25 | |
This is this. You go, "It's not that." | 0:28:18 | 0:28:20 | |
They can say it isn't this, but it is. | 0:28:20 | 0:28:22 | |
-This is this. -You've spent 25 years honing your craft | 0:28:22 | 0:28:25 | |
-and you're just reduced to saying, "This is this." -This is this. Yeah. | 0:28:25 | 0:28:29 | |
And you can't even really prove that, can you? | 0:28:29 | 0:28:32 | |
-Well, it is. -You just have to insist that this is this. | 0:28:32 | 0:28:34 | |
You've written loads of material and you've done loads and loads of gigs | 0:28:34 | 0:28:37 | |
all over the country, and the best you can offer anyone is, "What I'm saying is, this is this." | 0:28:37 | 0:28:41 | |
There'll be people sitting at home going, "Oh, look at that. It isn't that." | 0:28:41 | 0:28:45 | |
-I go, "It is th... This!" -How do you know? | 0:28:45 | 0:28:47 | |
That's a straw man. | 0:28:47 | 0:28:48 | |
Who on earth is sitting at home going, | 0:28:48 | 0:28:50 | |
-"Look at that, it isn't that." -BOTH LAUGHING | 0:28:50 | 0:28:53 | |
-What evidence have you got? -They might be. | 0:28:53 | 0:28:55 | |
They might be! So I'm going to build a whole career | 0:28:55 | 0:28:58 | |
to refute what I imagine somebody might be thinking. | 0:28:58 | 0:29:01 | |
-This... -Yeah. -This is this. | 0:29:01 | 0:29:03 | |
You keep saying that. It doesn't sound any better. | 0:29:03 | 0:29:06 | |
BOTH LAUGHING | 0:29:06 | 0:29:07 | |
There's all sorts of things they can... | 0:29:07 | 0:29:10 | |
This is happening again now. | 0:29:10 | 0:29:12 | |
This is... | 0:29:12 | 0:29:14 | |
Hang on. But is this happening? | 0:29:14 | 0:29:16 | |
-I've lost track of what this is now. -Well... | 0:29:16 | 0:29:19 | |
Last time this happened, I felt I should intervene. | 0:29:19 | 0:29:21 | |
Now I feel like I've literally got no tools to deploy. | 0:29:21 | 0:29:24 | |
Again, right. It's two years of work. | 0:29:24 | 0:29:27 | |
It's two years of work. I've been gigging six nights a week | 0:29:27 | 0:29:31 | |
for two years to get all this together. | 0:29:31 | 0:29:34 | |
People go, "Oh, it's not as good as last time. | 0:29:34 | 0:29:36 | |
"You know, he's done this, that doesn't make any sense." | 0:29:36 | 0:29:39 | |
Well, fine, right? | 0:29:39 | 0:29:41 | |
All those things might be true, | 0:29:41 | 0:29:43 | |
but this is this. | 0:29:43 | 0:29:45 |