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Right, that there. | 0:00:02 | 0:00:04 | |
There y'are. HE SIGHS | 0:00:04 | 0:00:06 | |
It's tatty, it looks terrible. | 0:00:06 | 0:00:09 | |
So would you if you'd been up and down all those chimneys. | 0:00:09 | 0:00:13 | |
Actually, it were tatty when Arkwright bought him, but... | 0:00:13 | 0:00:17 | |
I know. | 0:00:17 | 0:00:18 | |
-I know, the price was right. -Mm-hmm. | 0:00:18 | 0:00:21 | |
It's lost an eye. | 0:00:21 | 0:00:22 | |
Only temporarily. | 0:00:22 | 0:00:24 | |
Now it's cross-eyed. | 0:00:33 | 0:00:34 | |
-ERIC: -Hey, mind me foot. | 0:00:34 | 0:00:37 | |
Hey up. | 0:00:38 | 0:00:39 | |
Where you going with that? | 0:00:43 | 0:00:45 | |
Somewhere quiet, free from nosy neighbours. | 0:00:46 | 0:00:49 | |
Say hello to our new fitness regime. | 0:00:49 | 0:00:52 | |
Where we can develop muscles that will be irresistible to the | 0:00:52 | 0:00:56 | |
female of the species. | 0:00:56 | 0:00:58 | |
Even wives. | 0:00:58 | 0:00:59 | |
Especially wives. | 0:00:59 | 0:01:01 | |
We're in search of domestic happiness. | 0:01:01 | 0:01:04 | |
He means fun. | 0:01:04 | 0:01:05 | |
That too. We're going to surprise 'em. | 0:01:05 | 0:01:08 | |
Today trampoline, tomorrow... | 0:01:08 | 0:01:10 | |
HE INHALES | 0:01:10 | 0:01:11 | |
..Mr Wonderful. | 0:01:11 | 0:01:13 | |
Let's see how they feel about living with Mr Six-Pack. | 0:01:13 | 0:01:16 | |
And for this you get out of a warm bed, do you? | 0:01:16 | 0:01:19 | |
Warm? She wears bed socks. | 0:01:19 | 0:01:22 | |
How tropical is that? | 0:01:22 | 0:01:24 | |
-C'mon. -Oh... | 0:01:24 | 0:01:26 | |
HE YAWNS | 0:01:46 | 0:01:50 | |
Oh. | 0:01:54 | 0:01:56 | |
HE HUMS A TUNE | 0:02:01 | 0:02:05 | |
All right, all right, if you insist. | 0:02:17 | 0:02:19 | |
Right. | 0:02:19 | 0:02:21 | |
That one don't go in there. | 0:02:21 | 0:02:23 | |
HE YAWNS | 0:02:29 | 0:02:31 | |
-You've got a hole in your face. -Where? | 0:02:31 | 0:02:34 | |
Underneath your nose, it looks like the Channel tunnel. | 0:02:34 | 0:02:37 | |
Yeah. Well, look what time it is, I'm entitled to yawn. | 0:02:37 | 0:02:40 | |
Listen, I want you awake and alert, | 0:02:40 | 0:02:42 | |
you're going to be looking after the shop for an hour. | 0:02:42 | 0:02:44 | |
I can manage. Not as well as if I had a rise. | 0:02:44 | 0:02:47 | |
But relax, I'm awake. | 0:02:47 | 0:02:51 | |
You call that awake, do you? | 0:02:51 | 0:02:53 | |
-Come here. -What? | 0:02:53 | 0:02:55 | |
Let me have a look, let me see. | 0:02:55 | 0:02:57 | |
Stay there, let's have a look. | 0:02:57 | 0:02:59 | |
I can see through here what you were doing last night. | 0:03:01 | 0:03:04 | |
Good grief, no wonder you're tired. | 0:03:06 | 0:03:09 | |
Oh, dear. | 0:03:09 | 0:03:10 | |
Hey, I were home early last night. | 0:03:10 | 0:03:12 | |
Anyway, if you daren't leave me in charge, why don't I go for the tree? | 0:03:12 | 0:03:16 | |
No, because you'll come back with some clapped out twig. | 0:03:16 | 0:03:20 | |
I want a tree... | 0:03:20 | 0:03:22 | |
I want a tree that he would've chosen. | 0:03:34 | 0:03:37 | |
I want a tree that says, "Arkwright chose this." | 0:03:37 | 0:03:42 | |
Or more accurately it would be, "Arkwright ch-ch-ch-ch-chose it." | 0:03:42 | 0:03:47 | |
Mm, oh heck. Who left those there? | 0:03:51 | 0:03:55 | |
Ho! | 0:04:00 | 0:04:01 | |
Anybody seen a reindeer called Golicky Gill? | 0:04:03 | 0:04:06 | |
You get dafter. | 0:04:08 | 0:04:09 | |
HE LAUGHS | 0:04:09 | 0:04:12 | |
Our Madge doesn't do Christmas. | 0:04:12 | 0:04:14 | |
She thinks mistletoe is a foot disease. | 0:04:14 | 0:04:17 | |
Ho, ho, ho. | 0:04:17 | 0:04:19 | |
Guess who's coming down Madge's chimney with a secret admirer? | 0:04:20 | 0:04:25 | |
If it's that dozy Gastric, he can run up his own chimney. | 0:04:26 | 0:04:31 | |
Well you'd better not hang about, Madonna's been after him, | 0:04:31 | 0:04:35 | |
you know, sending him autographed pictures. | 0:04:35 | 0:04:38 | |
Does he know she's probably no good at gravy? | 0:04:38 | 0:04:41 | |
Oh. | 0:04:41 | 0:04:42 | |
Come away, you'll be as daft as the men round here. | 0:04:43 | 0:04:47 | |
Oh, I like daft, makes me feel at home. | 0:04:47 | 0:04:50 | |
Welcome home, Mavis. | 0:04:52 | 0:04:54 | |
Mm-mm. | 0:04:54 | 0:04:55 | |
Thank you, Granville. | 0:04:55 | 0:04:57 | |
MADGE MUTTERS | 0:04:57 | 0:04:59 | |
SHE HISSES | 0:05:01 | 0:05:03 | |
Don't forget that loaf for Mrs Mottishaw. | 0:05:08 | 0:05:10 | |
Mm-hmm, engraved on my mind. | 0:05:10 | 0:05:12 | |
And don't let more than two kids in at once. | 0:05:12 | 0:05:15 | |
How do you arrange that? | 0:05:15 | 0:05:16 | |
Well you belt the first two and the third one stays outside. | 0:05:16 | 0:05:19 | |
Oh and keep your eye on that Mr Faucet, he brings mice in. | 0:05:21 | 0:05:25 | |
How do you mean, "He brings mice in"? | 0:05:25 | 0:05:27 | |
I don't know how he does it but he brings mice in. | 0:05:27 | 0:05:30 | |
BELL RINGS | 0:05:31 | 0:05:33 | |
Good morning, Eric. | 0:05:33 | 0:05:35 | |
Is it? | 0:05:35 | 0:05:36 | |
I must've missed it. | 0:05:37 | 0:05:39 | |
Well, good morning anyway, Eric. | 0:05:40 | 0:05:43 | |
Well, not for me, she's in a foul mood. | 0:05:43 | 0:05:47 | |
She found three grey hairs. | 0:05:47 | 0:05:48 | |
That's the closest to excitement we've got all year. | 0:05:51 | 0:05:54 | |
Although, wait until she sees the new... | 0:05:57 | 0:06:01 | |
HE INHALES | 0:06:01 | 0:06:02 | |
..Mr Wonderful. | 0:06:02 | 0:06:04 | |
It's a work in progress. | 0:06:11 | 0:06:12 | |
Yeah, yeah. | 0:06:12 | 0:06:14 | |
Anyway, where we going? | 0:06:14 | 0:06:16 | |
We're going to get a tree. | 0:06:16 | 0:06:18 | |
How big a tree? It's only a small van. | 0:06:18 | 0:06:21 | |
It's only a small tree. Now c'mon. | 0:06:21 | 0:06:24 | |
Hey, if that Mrs Alison comes in, start coughing, | 0:06:28 | 0:06:31 | |
that should start her off. Once she gets started, | 0:06:31 | 0:06:34 | |
she'll be a pushover for that cough | 0:06:34 | 0:06:36 | |
syrup we're trying to get rid of. HE LAUGHS | 0:06:36 | 0:06:39 | |
Now what? | 0:06:45 | 0:06:46 | |
There's some of yesterday's scones out there, | 0:06:46 | 0:06:49 | |
now if you wrap them tightly in a wet tea towel and spin them | 0:06:49 | 0:06:53 | |
round your head a few times, they come out as good as new. | 0:06:53 | 0:06:56 | |
Right, tightly mind, tightly. | 0:07:00 | 0:07:02 | |
You don't want them, you know, bouncing about, do you? | 0:07:04 | 0:07:07 | |
Hey, what you doing? | 0:07:23 | 0:07:25 | |
I'm confiscating your phone, give your Leroy a break. | 0:07:25 | 0:07:28 | |
A break? | 0:07:28 | 0:07:30 | |
Have you seen all that young totty that hangs round his neck? | 0:07:30 | 0:07:33 | |
I have noticed that. | 0:07:33 | 0:07:35 | |
-Here. -Mm? | 0:07:37 | 0:07:38 | |
Why don't you nag him a bit? | 0:07:38 | 0:07:40 | |
In fact, make it a lot. | 0:07:40 | 0:07:42 | |
I do love a girl in uniform. | 0:07:51 | 0:07:53 | |
So did your uncle. | 0:07:53 | 0:07:55 | |
ENGINE REVS GEARS CREAK | 0:07:59 | 0:08:02 | |
TILL RINGS | 0:08:13 | 0:08:15 | |
He only comes home at weekends. | 0:08:21 | 0:08:24 | |
It's a good job he doesn't pop back home on Wednesday nights. | 0:08:24 | 0:08:28 | |
Oh, really? What happens on Wednesday nights? | 0:08:28 | 0:08:31 | |
Well, if I were inclined to gossip, | 0:08:31 | 0:08:33 | |
I could tell you stuff that would make your ears curl. | 0:08:33 | 0:08:36 | |
Mrs Hussein, we all know that you're not one to gossip. | 0:08:36 | 0:08:40 | |
-Thank you. -But... | 0:08:40 | 0:08:43 | |
At this very moment in time, you're really well | 0:08:43 | 0:08:45 | |
placed for an ear that is ready to be curled. | 0:08:45 | 0:08:49 | |
It's a nice ear. | 0:08:50 | 0:08:51 | |
Oh, came with the face. | 0:08:51 | 0:08:53 | |
SHE LAUGHS | 0:08:53 | 0:08:55 | |
Well, I suppose I could tell ya, in confidence naturally. | 0:08:57 | 0:09:00 | |
Oh, naturally. | 0:09:00 | 0:09:02 | |
Well... | 0:09:02 | 0:09:03 | |
Every Wednesday afternoon you can see the preparations. | 0:09:06 | 0:09:09 | |
Go on, go on. I'm hooked. | 0:09:09 | 0:09:11 | |
You can hear her singing, hair in curlers, | 0:09:11 | 0:09:14 | |
who sings with their hair in curlers? | 0:09:14 | 0:09:17 | |
Oh, no, I'll have to pass on that one. | 0:09:17 | 0:09:19 | |
It gets worse... | 0:09:19 | 0:09:20 | |
Every Wednesday afternoon? | 0:09:22 | 0:09:23 | |
According to Mrs Hussein and she lives opposite. | 0:09:23 | 0:09:26 | |
Hair in curlers, Wednesday afternoon. | 0:09:26 | 0:09:29 | |
You can't argue with evidence like that. | 0:09:29 | 0:09:31 | |
It's him you feel sorry for. | 0:09:31 | 0:09:33 | |
Oh, be honest, girl, it's us we feel sorry for. | 0:09:33 | 0:09:37 | |
How long since you were in curlers on a Wednesday afternoon? | 0:09:37 | 0:09:39 | |
I daren't think. Where does the time go? | 0:09:41 | 0:09:44 | |
Still, it hasn't taken you much time | 0:09:44 | 0:09:46 | |
to stamp your authority on this new little job of yours. | 0:09:46 | 0:09:49 | |
You can't have them doing as they like. | 0:09:49 | 0:09:51 | |
CAR HORNS BEEP | 0:09:52 | 0:09:56 | |
All right. Thank you, Steve. | 0:10:03 | 0:10:05 | |
And the other one. | 0:10:05 | 0:10:07 | |
-It's too big. -It's magnificent. | 0:10:11 | 0:10:13 | |
But too big. | 0:10:13 | 0:10:15 | |
No, it's your imagination that's too small, Eric. | 0:10:15 | 0:10:18 | |
Put it in the back of the van. | 0:10:20 | 0:10:22 | |
Out? What's he doing out? | 0:10:24 | 0:10:27 | |
He's gone to fetch a tree, Mrs Featherstone, | 0:10:27 | 0:10:29 | |
but I'm sure I'll be able to assist you. | 0:10:29 | 0:10:31 | |
I must confess, Leroy, to not being entirely happy with | 0:10:31 | 0:10:35 | |
the idea of your generation handling a mature person's daily calories. | 0:10:35 | 0:10:40 | |
I find that young people tend to maintain the highest | 0:10:42 | 0:10:45 | |
standards of personal hygiene, Mrs Featherstone. | 0:10:45 | 0:10:47 | |
Yes, but they share it about so. | 0:10:47 | 0:10:49 | |
You see, I've seen you covered in wall-to-wall trollop | 0:10:50 | 0:10:54 | |
on numerous occasions. | 0:10:54 | 0:10:55 | |
A close observer would've seen me struggling to resist. | 0:10:58 | 0:11:02 | |
I was a Girl Guide, Leroy, | 0:11:02 | 0:11:04 | |
we had to light our fires by rubbing two sticks together. | 0:11:04 | 0:11:08 | |
Got some nice ham on the bone. | 0:11:12 | 0:11:14 | |
That is not the image I want to leave with. | 0:11:17 | 0:11:20 | |
Now, are your mince pies wrapped? | 0:11:21 | 0:11:25 | |
Very snugly, Mrs Featherstone, in their own boxes. | 0:11:25 | 0:11:28 | |
Don't, I had three husbands went that way. | 0:11:28 | 0:11:32 | |
TYRES SCREECH | 0:11:37 | 0:11:39 | |
At last, what kept ya? | 0:11:48 | 0:11:50 | |
Where's Eric? | 0:11:50 | 0:11:51 | |
Well, he's in here somewhere, otherwise the tree has been driving. | 0:11:51 | 0:11:56 | |
I had to take over, it were going too fast. | 0:11:56 | 0:12:00 | |
Can somebody open this door? | 0:12:00 | 0:12:02 | |
Well, go on. Go and open his door. | 0:12:02 | 0:12:05 | |
Get me out. | 0:12:12 | 0:12:13 | |
Are you pushing it? | 0:12:17 | 0:12:18 | |
-Yes! -Yeah. -We're pushing at our end. Ow! | 0:12:18 | 0:12:21 | |
Well, right, right. | 0:12:21 | 0:12:22 | |
On the count of three, yeah? | 0:12:22 | 0:12:25 | |
One, two... | 0:12:25 | 0:12:27 | |
HE GRUNTS | 0:12:27 | 0:12:29 | |
Three. | 0:12:34 | 0:12:35 | |
-LAUGHING: -Merry Christmas, Eric. | 0:12:39 | 0:12:41 | |
You think you ought to help but you don't really feel qualified. | 0:12:41 | 0:12:45 | |
It's the only time they put some real feeling into their dancing. | 0:12:45 | 0:12:49 | |
They deserve the occasional pain, especially there, | 0:12:52 | 0:12:55 | |
it's the only time they regard it with any sense of responsibility. | 0:12:55 | 0:12:59 | |
-LAUGHING: -Well, it's no use approaching them | 0:12:59 | 0:13:01 | |
till they've finished their fancy footwork. | 0:13:01 | 0:13:03 | |
I've always maintained they're not good with pain. | 0:13:06 | 0:13:09 | |
Well, not there anyway. | 0:13:09 | 0:13:12 | |
Still, it's the last place you expect to find a Christmas tree. | 0:13:12 | 0:13:16 | |
THEY LAUGH | 0:13:16 | 0:13:18 | |
THEY TALK OVER EACH OTHER | 0:13:18 | 0:13:20 | |
-No, you go there and give it a... -Now... -What? | 0:13:20 | 0:13:24 | |
Did you have to get one this size? | 0:13:24 | 0:13:26 | |
It was a snip. | 0:13:26 | 0:13:28 | |
I think I've just been given the snip. | 0:13:28 | 0:13:31 | |
Oh, hello, Mrs Wilson. | 0:13:31 | 0:13:33 | |
No, no, we're not closed, love, no. | 0:13:33 | 0:13:35 | |
Come in. Just keep going. Don't you worry about your hat. | 0:13:35 | 0:13:38 | |
And how are you today, Mrs Wilson? | 0:13:44 | 0:13:46 | |
It's always a pleasure to see you. | 0:13:46 | 0:13:48 | |
Leroy, your end is too low. Now, come on. Lift it up, will you? | 0:13:51 | 0:13:55 | |
I'm trying! | 0:13:55 | 0:13:56 | |
-Are you lifting? -Push! -Yeah, of course I'm lifting. | 0:13:56 | 0:13:58 | |
Oh... Let it go, let it go. | 0:13:58 | 0:14:00 | |
Oh! | 0:14:00 | 0:14:02 | |
Oh. | 0:14:02 | 0:14:03 | |
It's no good, we're going to have to cut something off. | 0:14:04 | 0:14:07 | |
Story of my life. | 0:14:07 | 0:14:09 | |
You won't be saying that when you come to me | 0:14:09 | 0:14:12 | |
for my help with your problems with your wife. | 0:14:12 | 0:14:16 | |
Leroy, go and get the keys to the yard gate. | 0:14:16 | 0:14:19 | |
What can a grocer do about my wife? | 0:14:24 | 0:14:26 | |
Oh... | 0:14:26 | 0:14:28 | |
Eric, your small shopkeeper is, well, he's plugged into generations | 0:14:28 | 0:14:34 | |
of folk wisdom, including the secret ways into a woman's heart. | 0:14:34 | 0:14:39 | |
Your medieval monarch wouldn't go anywhere without his grocer | 0:14:41 | 0:14:44 | |
to read the omens. | 0:14:44 | 0:14:46 | |
I don't want to hear anything about animal intestines. | 0:14:46 | 0:14:48 | |
No, no, no, no. | 0:14:48 | 0:14:50 | |
These were progressive grocers, | 0:14:50 | 0:14:53 | |
they used to read the, um... | 0:14:53 | 0:14:55 | |
..runes. | 0:14:56 | 0:14:58 | |
You see, the fact of the matter was that it was mistranslated | 0:14:58 | 0:15:03 | |
from the Anglo-Saxon, it should've been translated as... | 0:15:03 | 0:15:08 | |
prunes. | 0:15:08 | 0:15:09 | |
Your medieval grocer used to read the prunes. | 0:15:11 | 0:15:16 | |
You see, it's all in the wrinkles. | 0:15:22 | 0:15:24 | |
The secret of life is hidden in the wrinkles. | 0:15:29 | 0:15:34 | |
Take half a pound for the wife, | 0:15:38 | 0:15:40 | |
but keep her locked up until the effects wear off. | 0:15:40 | 0:15:44 | |
That tree took some shifting, didn't it? | 0:15:47 | 0:15:51 | |
-I told you it was too big. -Oh, it's enough of that. | 0:15:52 | 0:15:54 | |
I told you, the price was right. | 0:15:54 | 0:15:56 | |
CHUCKLING: Oh, dear. | 0:15:59 | 0:16:01 | |
I'd forgotten we'd got these, | 0:16:01 | 0:16:03 | |
Dr Proctor's Pick Me Up for Upset Stomachs. | 0:16:03 | 0:16:07 | |
We should forget them again, they never sold, | 0:16:07 | 0:16:10 | |
they taste too foul, they taste like a weight lifter's underwear. | 0:16:10 | 0:16:14 | |
Oh, no, this is the Christmas season, Leroy, people overindulge, | 0:16:14 | 0:16:19 | |
they'll be in need of a good pick me up. | 0:16:19 | 0:16:22 | |
Oh. | 0:16:25 | 0:16:26 | |
Ah, Mavis, now this here is a talking Father Christmas, | 0:16:26 | 0:16:31 | |
if you'd like to press just there he'll have a message for you. | 0:16:31 | 0:16:36 | |
HE MAKES A GURGLING NOISE | 0:16:36 | 0:16:39 | |
When in doubt, say yes. | 0:16:39 | 0:16:43 | |
I can do that, what's the question? | 0:16:43 | 0:16:45 | |
Now that depends upon your Madge. | 0:16:45 | 0:16:47 | |
Oh, she thinks I'm unreliable, lose something once | 0:16:47 | 0:16:51 | |
and they never forget. It was Marks and Spencer's. | 0:16:51 | 0:16:55 | |
It's not as if I forgot and left Auntie Mary in Pound Saver. | 0:16:55 | 0:16:58 | |
Oh. HE LAUGHS | 0:16:58 | 0:17:00 | |
Yes, well, there are a few people | 0:17:00 | 0:17:02 | |
that you would like to forget, you know. (Go on.) | 0:17:02 | 0:17:05 | |
I went back for her, same day. | 0:17:05 | 0:17:08 | |
I often dream about your Madge, you know, | 0:17:08 | 0:17:12 | |
emigrating to somewhere where the men are short-sighted. | 0:17:12 | 0:17:17 | |
Anyway, what can I get you? | 0:17:18 | 0:17:20 | |
There, you see, you've done it now. You made me lose concentration. | 0:17:21 | 0:17:27 | |
Oh, ha, take your time. | 0:17:27 | 0:17:29 | |
Has your Madge ever thought about taking up dangerous sports? | 0:17:31 | 0:17:35 | |
Oh, she's never said. All I know is she's set her | 0:17:35 | 0:17:39 | |
face against Christmas, she won't be coming to see your tree tonight. | 0:17:39 | 0:17:43 | |
Oh, well, that means you'll be coming on your own, eh? | 0:17:43 | 0:17:46 | |
Oh, I can't come. | 0:17:46 | 0:17:48 | |
Well, I wouldn't enjoy it if she's stuck up there in her bedroom. | 0:17:48 | 0:17:51 | |
-HE SIGHS -It'd make me feel rotten. | 0:17:51 | 0:17:53 | |
-Save us a teacake, will ya? -DOG BARKS | 0:17:53 | 0:17:55 | |
Yes, I'll leave it just there by the door, | 0:17:55 | 0:17:57 | |
-you can snatch it on your way back. -Whoa! | 0:17:57 | 0:17:59 | |
Why can't he get a smaller dog, or let it pull him in a cart? | 0:18:03 | 0:18:07 | |
I think it's a Tarzan thing, you know, man against the savage beast. | 0:18:07 | 0:18:12 | |
Mm, which brings me back to your Madge. | 0:18:12 | 0:18:15 | |
Oh, I wish she'd relax and have a good laugh. | 0:18:15 | 0:18:18 | |
Oh, needs a laugh, eh? | 0:18:18 | 0:18:22 | |
I know just the man. | 0:18:22 | 0:18:23 | |
What are we doing for Christmas? | 0:18:28 | 0:18:31 | |
Forget it. | 0:18:31 | 0:18:32 | |
Oh, as much fun as that? | 0:18:34 | 0:18:35 | |
We've got your mum and mine on Christmas Day | 0:18:35 | 0:18:38 | |
and we've got me brother Boxing Day. | 0:18:38 | 0:18:40 | |
Your brother? What? Again? | 0:18:40 | 0:18:42 | |
He's all alone, Eric. | 0:18:42 | 0:18:44 | |
What happened to misery loving company? | 0:18:44 | 0:18:47 | |
Oh, lighten up, look at the face on ya. | 0:18:47 | 0:18:49 | |
-MUMBLING: -What did you get for Christmas, Eric? | 0:18:52 | 0:18:55 | |
Her mother and her brother. | 0:18:55 | 0:18:56 | |
Dr Proctor's Pick Me Up? | 0:19:05 | 0:19:08 | |
I should need picking up if I drank this. | 0:19:08 | 0:19:11 | |
Oh, well, please yourself. It's better than trampolining anyway. | 0:19:11 | 0:19:15 | |
Frank Sinatra used to drink this by the bucket-load. | 0:19:17 | 0:19:20 | |
He said it helped him through the high notes, | 0:19:20 | 0:19:23 | |
that and...all them women, mm. | 0:19:23 | 0:19:27 | |
This is one of your stories. | 0:19:27 | 0:19:28 | |
-Mm? -I don't believe it. | 0:19:28 | 0:19:30 | |
Well, if you had that many women, | 0:19:30 | 0:19:32 | |
you would need some help, wouldn't you, eh? | 0:19:32 | 0:19:34 | |
I've only got one and I still need help. | 0:19:34 | 0:19:37 | |
Yeah, there you go then. | 0:19:37 | 0:19:39 | |
It says here, "For upset stomachs." | 0:19:42 | 0:19:45 | |
It doesn't say anything about... | 0:19:47 | 0:19:50 | |
HE WHISTLES | 0:19:50 | 0:19:52 | |
You know. | 0:19:52 | 0:19:55 | |
Well, of course it doesn't say anything about... | 0:19:55 | 0:19:58 | |
HE TRIES TO WHISTLE | 0:19:58 | 0:19:59 | |
They put that on the label, they'd get arrested, wouldn't they? | 0:20:02 | 0:20:06 | |
Is there a money back guarantee if it fails to...? | 0:20:06 | 0:20:09 | |
HE WHISTLES | 0:20:09 | 0:20:11 | |
Fails? This can't fail. This is wisdom of the ages, this. | 0:20:11 | 0:20:15 | |
This goes back long before Dr Proctor. That... | 0:20:15 | 0:20:19 | |
HE CLEARS HIS THROAT | 0:20:19 | 0:20:22 | |
Dr Proctor stole this recipe. | 0:20:23 | 0:20:27 | |
Were he a crook? | 0:20:27 | 0:20:28 | |
He was an opportunist. | 0:20:28 | 0:20:30 | |
You see, he stumbled on this formula when he was excavating | 0:20:31 | 0:20:35 | |
a tomb in the Valley of the Kings just outside Pontefract. | 0:20:35 | 0:20:39 | |
Valley of the Kings is not just outside Pontefract. | 0:20:46 | 0:20:50 | |
No, you're right, | 0:20:50 | 0:20:52 | |
it's nearer Wakefield, isn't it? | 0:20:52 | 0:20:54 | |
All right. | 0:21:08 | 0:21:10 | |
Now this very evening, Madge, who is deeply attracted to you... | 0:21:10 | 0:21:15 | |
Give over. When she sees me, she goes, "Eurgh!" | 0:21:15 | 0:21:20 | |
..who is deeply attracted to you, | 0:21:22 | 0:21:25 | |
is up there in her bedroom at this moment, miserable. | 0:21:25 | 0:21:30 | |
What she needs is, she needs someone to give her a giggle, | 0:21:30 | 0:21:33 | |
make her laugh, you know, pull funny faces. | 0:21:33 | 0:21:36 | |
I dunno if I can do funny faces. | 0:21:39 | 0:21:41 | |
Oh, come on, you've got a good start. | 0:21:42 | 0:21:44 | |
No, you see, if you make her laugh you're halfway to romance. | 0:21:46 | 0:21:50 | |
What about the other half? | 0:21:54 | 0:21:56 | |
No. Now listen, you've got to get yourself psyched up, you see, | 0:21:56 | 0:22:00 | |
because it's not only your romance that's riding on this, | 0:22:00 | 0:22:04 | |
it's my love life as well. So you've got to make an effort. | 0:22:04 | 0:22:08 | |
Effort? | 0:22:08 | 0:22:10 | |
I mean...have some fun! | 0:22:10 | 0:22:13 | |
Now, come along, it's fun time. | 0:22:13 | 0:22:15 | |
Let that set, Gastric. | 0:22:17 | 0:22:18 | |
If Madge won't come to Christmas, then Christmas has to come to Madge. | 0:22:20 | 0:22:25 | |
I've never been on a trampoline. | 0:22:25 | 0:22:28 | |
Oh, there's nothing to it. | 0:22:28 | 0:22:30 | |
It's the next best thing to flying. | 0:22:30 | 0:22:32 | |
Maybe not to landing. | 0:22:32 | 0:22:34 | |
Don't worry about... | 0:22:34 | 0:22:36 | |
HORN BEEPS Ah! Ah! | 0:22:36 | 0:22:37 | |
-Hey, watch it! -HORN BEEPS | 0:22:37 | 0:22:39 | |
Move it around. | 0:22:39 | 0:22:41 | |
Hey! Road hog. | 0:22:41 | 0:22:43 | |
All right, c'mon. | 0:22:43 | 0:22:44 | |
Whoa, whoa. Hey, hey! | 0:22:44 | 0:22:46 | |
Do you mind? HORN BEEPS | 0:22:48 | 0:22:50 | |
Let's get this thing out of the middle of the road, would you? | 0:22:50 | 0:22:54 | |
Going to get run over. | 0:22:54 | 0:22:56 | |
Shh, keep quiet. | 0:22:56 | 0:22:57 | |
-Ah. -What are you doing? | 0:23:01 | 0:23:03 | |
The beard, the beard's fast. | 0:23:03 | 0:23:06 | |
No, don't pull it, you'll pull me face off. | 0:23:06 | 0:23:08 | |
That glue's really sticky. | 0:23:08 | 0:23:10 | |
-Keep your voice down. -I'm in pain! | 0:23:10 | 0:23:12 | |
Yeah, but being really brave about it. | 0:23:12 | 0:23:14 | |
Look, she's in. | 0:23:14 | 0:23:16 | |
Never mind about the beard, she needs to see his face anyway. | 0:23:16 | 0:23:21 | |
-TEARING -Ah! Ah! | 0:23:21 | 0:23:23 | |
Oh! Ah! | 0:23:23 | 0:23:24 | |
-Shh! -Shh, quiet. Shh! | 0:23:24 | 0:23:27 | |
Will you be quiet? | 0:23:27 | 0:23:28 | |
Quiet? That's the closest shave I've had for a while. | 0:23:28 | 0:23:32 | |
It's a good job you didn't get your trousers fast. | 0:23:32 | 0:23:35 | |
Now, don't stand there looking at it, | 0:23:35 | 0:23:38 | |
climb aboard, feel the weightlessness. | 0:23:38 | 0:23:42 | |
Enjoy yourself. | 0:23:42 | 0:23:43 | |
How am I supposed to get up there? | 0:23:43 | 0:23:46 | |
Oh, for heaven's sake, | 0:23:46 | 0:23:48 | |
they never had this trouble with the astronauts, did they? | 0:23:48 | 0:23:51 | |
Right, just... Come on, we'll give you a hand. | 0:23:51 | 0:23:54 | |
Oh, me leg! Oh, me leg. | 0:23:54 | 0:23:57 | |
-Oh! Me leg! -Put this one... | 0:23:57 | 0:23:59 | |
Oh, for heaven's sake! Leroy, go and get the steps, will ya? | 0:24:02 | 0:24:06 | |
It won't stand still. | 0:24:27 | 0:24:30 | |
Keep your voice down, this is supposed to be a surprise! | 0:24:30 | 0:24:33 | |
It is for me, I tell you. | 0:24:33 | 0:24:35 | |
Get a grip, man, will ya? Find your balance. | 0:24:37 | 0:24:40 | |
Then what? | 0:24:40 | 0:24:41 | |
Then you keep jumping, that's right, then you get higher | 0:24:41 | 0:24:44 | |
and higher and higher and higher, you see. | 0:24:44 | 0:24:47 | |
Good. HE GRUNTS | 0:24:47 | 0:24:50 | |
That's it, go on. Jump up and down now. | 0:24:50 | 0:24:52 | |
There, that's it. | 0:24:52 | 0:24:54 | |
That's it! Go on, jump. | 0:24:54 | 0:24:56 | |
Ah! | 0:24:56 | 0:24:57 | |
Ow. | 0:24:59 | 0:25:00 | |
You're going to have to get more power behind it. | 0:25:02 | 0:25:05 | |
Get bigger jumps. | 0:25:06 | 0:25:08 | |
HE ROARS | 0:25:22 | 0:25:25 | |
HE SHRIEKS | 0:25:25 | 0:25:27 | |
LOUD CRASH SHE LAUGHS | 0:25:31 | 0:25:34 | |
THEY CHATTER | 0:25:44 | 0:25:47 | |
I rescued my second husband from a trampoline, | 0:25:53 | 0:25:57 | |
her name was Sonia or something equally bizarre. | 0:25:57 | 0:26:00 | |
I warned him, she'd been jumped on more times than I've had hot... | 0:26:00 | 0:26:03 | |
Now then, Delphine, put your claws away, it's Christmas. | 0:26:03 | 0:26:07 | |
I'm sure she was harmless. | 0:26:07 | 0:26:09 | |
Possibly... | 0:26:09 | 0:26:10 | |
when not horizontal. | 0:26:10 | 0:26:11 | |
Cyril has been telling me you've got this stuff? | 0:26:20 | 0:26:22 | |
Oh, Dr Proctor's Pick Me Up? | 0:26:24 | 0:26:26 | |
Well, does it work on females? | 0:26:27 | 0:26:29 | |
Well, it's fine for females, it's for any upset stomachs. | 0:26:29 | 0:26:34 | |
He never said anything about upset stomachs. | 0:26:34 | 0:26:36 | |
Oh, you mean the side effects? | 0:26:36 | 0:26:40 | |
I'll take half a dozen. | 0:26:43 | 0:26:44 | |
Good man. Good thinking. | 0:26:44 | 0:26:46 | |
Ready when you are, Granville. | 0:26:49 | 0:26:51 | |
Ready for what, Mrs Featherstone? | 0:26:51 | 0:26:53 | |
Your mistletoe mince pies, save me a dozen. | 0:26:53 | 0:26:56 | |
I'll be in when you deliver. | 0:26:56 | 0:26:58 | |
What you looking for? | 0:27:12 | 0:27:14 | |
The mince pies, we've got to destroy them. | 0:27:14 | 0:27:17 | |
No, no. | 0:27:18 | 0:27:20 | |
If anybody asks, you tell them we've sold out. | 0:27:20 | 0:27:24 | |
We have sold out. | 0:27:24 | 0:27:26 | |
HE SIGHS HAPPILY | 0:27:26 | 0:27:29 | |
Oh, Merry Christmas, Leroy. | 0:27:29 | 0:27:31 | |
DOG BARKS IN DISTANCE | 0:27:35 | 0:27:37 | |
'Father Christmas bouncing up to a window is not something | 0:27:39 | 0:27:44 | |
'you see everyday. | 0:27:44 | 0:27:46 | |
'There were bits there you could well do with not believing in, | 0:27:46 | 0:27:50 | |
'even that Madge was smiling. | 0:27:50 | 0:27:52 | |
'If she's going to smile every Christmas | 0:27:52 | 0:27:55 | |
'she could become quite giddy.' | 0:27:55 | 0:27:57 | |
Merry Christmas, Granville. | 0:27:57 | 0:27:59 | |
'Nobody says Merry Christmas quite like Mavis. | 0:28:03 | 0:28:06 | |
LIGHTS CRACKLE | 0:28:09 | 0:28:11 | |
'And a Merry Christmas to you, Arkwright.' | 0:28:12 | 0:28:15 |